Making Headlines in the Media - The University of Scranton
Making Headlines in the Media - The University of Scranton
Making Headlines in the Media - The University of Scranton
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Susan Swa<strong>in</strong> ’76, H’99<br />
E X E C U T I V E V I C E P R E S I D E N T<br />
A N D C O - C H I E F O P E R AT I N G O F F I C E R<br />
C-SPAN<br />
Susan Swa<strong>in</strong> ’76,<br />
H’99 prepares to<br />
<strong>in</strong>terview Howard<br />
Dodson, director<br />
<strong>of</strong> <strong>the</strong> Schomburg<br />
Center for<br />
Research <strong>in</strong> Black<br />
Culture <strong>in</strong> Harlem,<br />
for <strong>the</strong> launch <strong>of</strong><br />
<strong>the</strong> American<br />
Writers II series<br />
on C-SPAN. At<br />
center is C-SPAN<br />
camera technician<br />
Bob Reilly.<br />
From <strong>the</strong><br />
Ground Up<br />
In 1972, Susan Swa<strong>in</strong> was one <strong>of</strong><br />
a small group <strong>of</strong> students <strong>in</strong> a start - u p<br />
communications major at <strong>the</strong><br />
Un i ve r s i t . yShe was also among <strong>the</strong> first<br />
g roup <strong>of</strong> female students dur<strong>in</strong>g <strong>the</strong> ye a r<br />
that <strong>Scranton</strong> became a co-ed campus.<br />
Ten years later, Ms. Swa<strong>in</strong> became<br />
p a rt <strong>of</strong> a small, start-up cable TV netw<br />
o rk that had begun without its ow n<br />
television camera. And, once aga<strong>in</strong>, she<br />
found herself amid a group <strong>of</strong> women<br />
who we re mak<strong>in</strong>g <strong>the</strong>ir way <strong>in</strong>to a predom<strong>in</strong>antly<br />
male enviro n m e n t .<br />
Today, Ms. Swa<strong>in</strong> ’76 H’99 shares<br />
<strong>the</strong> post as second-<strong>in</strong>-command at<br />
<strong>the</strong> cable <strong>in</strong>dustry’s public affairs network.<br />
She is Executive Vice President<br />
and Co-Chief Operat<strong>in</strong>g Officer <strong>of</strong><br />
C-SPAN, a diverse <strong>in</strong>formation service<br />
that provides public affairs programm<strong>in</strong>g<br />
to 77 million television<br />
households via nearly 6,500 cable<br />
systems. And she is quick to credit<br />
her liberal arts education with her<br />
rise to <strong>the</strong> top <strong>of</strong> public affairs programm<strong>in</strong>g<br />
<strong>in</strong> America.<br />
“Liberal arts is a good foundation<br />
for eve ryone,” says Ms. Swa<strong>in</strong>, who has<br />
ma<strong>in</strong>ta<strong>in</strong>ed her <strong>Scranton</strong> ties thro u g h<br />
s e rvice on <strong>the</strong> Board <strong>of</strong> Trustees (1993<br />
– 1999) and as speaker at <strong>the</strong><br />
Un i ve r s i t y’s 1999 commencement, at<br />
which she re c e i ved an honorary degre e .<br />
As Co-chief Operat<strong>in</strong>g Of f i c e r, Ms.<br />
Swa<strong>in</strong> is responsible for <strong>the</strong> C-SPA N<br />
n e t w o rk’s daily editorial operations.<br />
She works with a staff <strong>of</strong> 275 to deve l-<br />
op programm<strong>in</strong>g content and mark e t-<br />
<strong>in</strong>g and to oversee program operations.<br />
She is a long-time on-air moderator<br />
for Wash<strong>in</strong>gton Journal, C-SPAN’s<br />
morn<strong>in</strong>g program, and a collaborator<br />
on special programm<strong>in</strong>g <strong>of</strong> <strong>the</strong> network’s<br />
historical series, <strong>in</strong>clud<strong>in</strong>g <strong>The</strong><br />
L<strong>in</strong>coln-Douglas Debates <strong>of</strong> 1858 and<br />
<strong>the</strong> Peabody Award-w<strong>in</strong>n<strong>in</strong>g<br />
American Presidents: Life Portraits.<br />
“I get to make TV while also be<strong>in</strong>g<br />
an adm<strong>in</strong>istrator <strong>of</strong> it,” she says.<br />
Ac c o rd<strong>in</strong>g to Ms. Swa<strong>in</strong>, <strong>the</strong> cre a t i ve<br />
component <strong>of</strong> an exe c u t i ve position “is<br />
s m a rt bus<strong>in</strong>ess, because it keeps me so<br />
close to <strong>the</strong> product.” It’s also what has<br />
kept her at C-SPAN for 20 years.<br />
“I haven’t been promoted out <strong>of</strong><br />
what I love,” she says.<br />
Her love <strong>of</strong> literature is evident <strong>in</strong><br />
C - S PA N s ’ newly-launched Am e r i c a n<br />
Writers II: <strong>The</strong> 20 t h Ce n t u ry. Ms. Sw a i n<br />
is one <strong>of</strong> <strong>the</strong> series’ creators and one <strong>of</strong><br />
<strong>the</strong> on-air hosts <strong>of</strong> this historical series<br />
that exam<strong>in</strong>es American history thro u g h<br />
<strong>the</strong> lives and works <strong>of</strong> 18 selected writers.<br />
T h e re is a piece <strong>of</strong> <strong>Scranton</strong> <strong>in</strong> this<br />
series. It was through William B. Hi l l ,<br />
S.J., a former Pr<strong>of</strong>essor <strong>of</strong> English, that<br />
Ms. Swa<strong>in</strong> developed a full appre c i a t i o n<br />
<strong>of</strong> literature. Right up until Fr. Hi l l’s<br />
death <strong>in</strong> Fe b ru a ry 2002, <strong>the</strong> two staye d<br />
<strong>in</strong> touch, e-mail<strong>in</strong>g one ano<strong>the</strong>r about<br />
books, current affairs and <strong>the</strong> Un i ve r s i t . y<br />
“He was a role model <strong>of</strong> how to<br />
age with great grace and with one <strong>of</strong><br />
life’s great gifts: curiosity,” she says <strong>of</strong><br />
Fr. Hill. “Curiosity is <strong>the</strong> essence <strong>of</strong><br />
journalism.”<br />
In fact, it was Ms. Swa<strong>in</strong>’s long<strong>in</strong>g<br />
for a deeper sense <strong>of</strong> knowledge that<br />
led her to a career <strong>in</strong> public affairs<br />
television programm<strong>in</strong>g.<br />
After graduat<strong>in</strong>g from <strong>the</strong><br />
<strong>University</strong>, Ms. Swa<strong>in</strong> spent a year at<br />
WDAU-TV (now WYOU-TV) <strong>in</strong><br />
<strong>Scranton</strong>. And while she appreciated<br />
<strong>the</strong> opportunity to work <strong>in</strong> news, she<br />
quickly realized that she didn’t want<br />
to spend <strong>the</strong> rest <strong>of</strong> her life chas<strong>in</strong>g<br />
after bullets and fire eng<strong>in</strong>es.<br />
She left WYOU for a ra<strong>the</strong>r<br />
unconventional job with “Up with<br />
People,” an educational-based performance<br />
troupe.<br />
“I <strong>of</strong>ten refer to it as my way <strong>of</strong><br />
runn<strong>in</strong>g away with <strong>the</strong> circus,” quips<br />
Ms. Swa<strong>in</strong>.<br />
For two years, she traveled thro u g h-<br />
out <strong>the</strong> world, prepar<strong>in</strong>g for perf o r m-<br />
ances and meet<strong>in</strong>g with mayors <strong>of</strong><br />
major cities and even k<strong>in</strong>gs <strong>of</strong> countries<br />
– all for just $75 a month.<br />
Anxious to establish some ro o t s ,<br />
she moved to Cambridge, Ma s s ,<br />
w h e re she became a communications<br />
consultant for <strong>the</strong> federal gove r n m e n t .<br />
Her re n ewed <strong>in</strong>terest <strong>in</strong> politics ultimately<br />
led her to Wash<strong>in</strong>gton, D.C.<br />
In 1982, she became a producer at<br />
C - S PAN, which had been formed by<br />
<strong>the</strong> cable television <strong>in</strong>dustry <strong>in</strong> 1979<br />
to provide live, gave l - t o - g a vel cove r a g e<br />
<strong>of</strong> <strong>the</strong> U.S. House <strong>of</strong> Re p re s e n t a t i ve s .<br />
At <strong>the</strong> time, she was part <strong>of</strong> a staff<br />
<strong>of</strong> 20 who worked round-<strong>the</strong>-clock to<br />
put C-SPAN on <strong>the</strong> map.<br />
“ It was great fun and an experience<br />
that is hard to re c a p t u re,” she says.<br />
For all she’s accomplished, she<br />
acknowledges that <strong>the</strong>re is always <strong>the</strong><br />
opportunity to do more.<br />
“Throughout my career, I’ve raised<br />
my hand a lot and said ’Let me try.’ I<br />
hope life cont<strong>in</strong>ues to let me try new<br />
th<strong>in</strong>gs.”<br />
1 4 T H E S C R A N T O N J O U R N A L