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The Quill (2011) - St. Ignatius College Preparatory

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<strong>The</strong> <strong>Quill</strong><br />

<strong>The</strong> Literary Magazine of <strong>St</strong>. <strong>Ignatius</strong> <strong>College</strong> <strong>Preparatory</strong>, San Francisco, <strong>2011</strong>


Dear Readers,<br />

We invite you to step into this year’s <strong>Quill</strong>. A full year has passed since our last issue, and we are excited to present our longest<br />

literary magazine ever, where over one hundred different worlds eagerly beckon you. Robert Frost wrote that “poetry is discovery,”<br />

and within these pages lie fairy princesses, shoelaces, and sailboats, all waiting to be discovered.<br />

Too often flashy primetime television and trivial text messages steal us from the quieter beauty of art, but now you have an<br />

opportunity to relax. In your hands you have not the works of poets and artists long dead, but the creative ideas of your fellow<br />

Ignatians. On the pages before you, the emotions of our student body blend into one melting pot of literary genius.<br />

For now, ignore that show and ignore that text, because this collection of student expressions requires your full attention. We<br />

invite you to step into the world of SI’s imagination and discover something new—after all, poetry is discovery.<br />

Welcome back!<br />

Anna Sheu<br />

Editor-in-Chief<br />

Cody Warner<br />

Editor-in-Chief<br />

Cover Art going clockwise from top left:<br />

1) Beyond the Beyond • Emily Lynch ’11 • Art<br />

2) Soundwaves • Olivia Raggio ’11 • Art<br />

3) Untitled • Maya Sommer ’13 • Art<br />

4) Mondrian Face • Terilyn Choi ’13 • Art


<strong>The</strong> <strong>Quill</strong> • <strong>2011</strong><br />

<strong>The</strong> Literary Magazine of <strong>St</strong>. <strong>Ignatius</strong> <strong>College</strong> <strong>Preparatory</strong>, San Francisco<br />

Published by the English Department<br />

with cooperation from<br />

the Fine Arts Department<br />

Editors-in-Chief<br />

Anna Sheu<br />

Cody Warner<br />

Production and Design Editor<br />

Giovanni Briggs<br />

Art Editor<br />

Megan Hoff<br />

Tom Altmann<br />

Lorena Arriola<br />

Deanna Beaman<br />

Mira Bollman<br />

Camille Martin<br />

Conor Cannon<br />

Jeremy Chan<br />

Kate Christian<br />

Kerry Crowley<br />

Editorial Board<br />

Tom Curran-Levett<br />

Filippo D’Asaro<br />

<strong>St</strong>ephanie Darden<br />

Katie Dobberstein<br />

Morgan Edwards<br />

Victoria Elias<br />

Brian Fung<br />

Katie Girlich<br />

Kathleen Hayes<br />

Jacqueline Hazelwood<br />

Megan Hoff<br />

Caroline Hoyem<br />

Paul Hwang<br />

Rena Kolhede<br />

Ted Niemira<br />

Luke Pappas<br />

Cole Priest<br />

Alena Shikaloff<br />

Faculty Advisors<br />

Ms. Elizabeth Purcell<br />

Mr. Jim Dekker<br />

Ms. Carole Nickolai<br />

Faculty Support<br />

Mr. Carlos Gazulla<br />

Mr. Paul Totah<br />

Ms. Katie Wolf<br />

www.siprep.org/english • email: thequill@siprep.org


4 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Solace in a Forest • Houston Garcia ’12<br />

Photography


SAINT IGNATIUS COLLEGE PREPARATORY<br />

2001 37th Avenue<br />

San Francisco, CA 94116-1165<br />

(415) 731-7500<br />

To the SI Community,<br />

In a perfect world we would honor the artists, poets, and writers as celebrities, the most valued citizens in our society.<br />

With pens and brushes and computers in hands, this tribe of creators observes the world of the particular and of the<br />

grand to discover what it means to be a human. <strong>The</strong> next awesome step is creation. Skillfully these innovators create a<br />

mirror for us to view life as they perceive it; in it they reflect truth and beauty. <strong>The</strong>se talented men and women shape<br />

their insights into the perfectly phrased line or the well-constructed image, and we respond with our hearts and our<br />

minds to the masterworks offered to us. Great artists ask the right questions that startle us and invite us to examine what<br />

we truly value. Artists and poets deserve a king’s treasury.<br />

As you turn the pages of <strong>The</strong> <strong>Quill</strong>, prepare to be amazed! At SI we have a community of artists talented beyond<br />

compare. Hundreds of students from every grade level submitted superior literature and original artwork that satisfies<br />

and inspires. <strong>The</strong>y demonstrated their passion and dedication to art as they brought their ideas, mere flickers in their<br />

brains, into a physical reality so that we, the audience, could envision life anew, reconsider our attitudes, take a leap of<br />

faith. We will remember their visual images and their emotion filled stories and poems long after we close the pages of<br />

this literary magazine. <strong>The</strong> SI community honors these visionaries in <strong>The</strong> <strong>Quill</strong> because they are the voice of SI, the voice<br />

of our city, the voice of our time.<br />

In addition to those who are now the published poets and painters, I would like to thank the Editorial Board who<br />

selected the many incredible entries for this year’s <strong>Quill</strong>. With careful planning and keen aesthetic sensibilities, these<br />

individuals have produced the lengthiest and most beautiful edition of <strong>The</strong> <strong>Quill</strong>. We are also grateful to Ms. Purcell,<br />

Mr. Dekker, and Ms. Nickolai who moderate and encourage <strong>The</strong> <strong>Quill</strong> staff. Countless hours and love went into the<br />

production of the world’s best literary magazine, and our gratitude has no limits.<br />

Enjoy every page of <strong>The</strong> <strong>Quill</strong>, <strong>2011</strong>.<br />

Sincerely,<br />

Kate Denning<br />

English Department Chair<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 5


Beyond Here Lies<br />

Beyond here lies nothing.<br />

<strong>The</strong> broad folds of a midnight-blank stiffened sky,<br />

is the sole thing that is true and remains.<br />

But when we are so privileged<br />

to see our dead sky shift,<br />

the dam gives birth<br />

to delicate light,<br />

and we realize<br />

beyond here lies everything.<br />

David Melone ’13<br />

Just a Baby • Noelle Langmack ’12<br />

Photography<br />

6 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Old Ballerina’s Death<br />

She discovers herself on an old stage.<br />

It feels familiar,<br />

but the curtains are worn,<br />

only patches of the red velvet remain.<br />

A single spotlight illuminates the platform.<br />

Cautiously, she steps into the light.<br />

For the first time she notices what she is wearing,<br />

a simple leotard, tights and her old pointe shoes.<br />

Hesitantly, she spins into a shy pirouette.<br />

Her muscles feel ages younger. Again.<br />

She spins again and again.<br />

Her tight bun begins to loosen,<br />

strands slowly unravel.<br />

quickly, quickly, quickly.<br />

She cannot stop, she will not stop.<br />

Her troubles, prayers, hopes, dreams!<br />

<strong>The</strong>y all disappear.<br />

And then she stops.<br />

Breathing heavily, she leans on her knees for support.<br />

Looking up, for the first time,<br />

she sees the audience.<br />

Not one seat is empty,<br />

every chair is filled with a familiar face.<br />

Smiling, loving, encouraging.<br />

And for the last time,<br />

in their honor,<br />

she begins to dance.<br />

Gracefully twirling towards the Light.<br />

Taylor Warrington ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 7


Reverie<br />

Ready to go<br />

Breathing breathing<br />

Have to hold on<br />

<strong>St</strong>ronger stronger<br />

Move up the mountain<br />

Climbing climbing<br />

Almost to the top<br />

Faster faster<br />

I made it, just breathe.<br />

I’m at the top of the world.<br />

Everything that’s there, I feel.<br />

I smell the sharp scent of trees in the gentle wind,<br />

I see the sparkling water spread out before me,<br />

I’m under the wide expanse of cloudless sky.<br />

Can I stay here forever?<br />

No I must leave.<br />

Back to the ground<br />

Falling falling<br />

I open my eyes, only to realize<br />

It was only just a dream.<br />

Natalie Onken ’13<br />

Westbound<br />

He took my heart on the westbound train.<br />

I don’t know where he’s taken it.<br />

Neither does he.<br />

I have half a mind to go after him and take it from him.<br />

But I wouldn’t be able to.<br />

I want him to have it.<br />

He can keep mine forever,<br />

As long as I have his.<br />

He took my heart on the westbound train.<br />

I’ll wait until he catches the eastbound one.<br />

<strong>St</strong>acey Ward ’12<br />

8 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


When Mr. Summerton bought the little blue cottage on<br />

Morrill Lane, he simply assumed the miniature door<br />

under his home was for storage. He trudged down into<br />

his damp, musty basement countless times to try to force the tiny<br />

bronze knob to budge, but it never turned. After two weeks, his<br />

efforts to break through the mystery of the minute door ceased.<br />

That was, of course, all before tonight.<br />

Mr. Summerton awakes drenched in a cold sweat, his heart<br />

beating wildly, images from the terrifying dream flashing through<br />

his mind – a hideous face overwhelmed by watery, expressionless<br />

eyes and lined with patches of matted fur; yellow, cracked claws<br />

longer than daggers and just as lethal; stained teeth dripping with<br />

warm blood. He attempts to regain control of his breathing, mind<br />

still fuzzy. Suddenly, he hears pattering footsteps echoing from the<br />

Uninvited Guest<br />

Timeless • Phoebe Boosalis ’13<br />

Photography<br />

hallway. Each step drives an icy needle of fear into his heart.<br />

As he removes the covers from his bed, Mr. Summerton<br />

shivers despite the warm air of the night. He creeps through the<br />

shadowy hallways of his home with his heart pulsating in his throat.<br />

Turning the corner into the kitchen, he glimpses something from<br />

his peripheral vision and raises his only means of defense, a rusty<br />

letter opener. A foot covered in matted brown fur disappears behind<br />

the door leading down into his basement. Mr. Summerton follows<br />

hesitantly and opens the chipped door a tiny crack. He quickly<br />

scans the dark room through squinted, bloodshot eyes, stopping<br />

at the little wooden door with the bronze knob. His heart was<br />

pounding. He was sure he had seen the door knob turn.<br />

Catherina Kolhede ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 9


Your Beat<br />

Famished, you feed off my energy<br />

Solitaire, you fight alone<br />

Your big, brown eyes tell nothing of your past<br />

Your screams are too low<br />

Branded across your face,<br />

My image burns the eyes of all who see<br />

Inked across your mind<br />

I’m all you know<br />

Written across your heart,<br />

That constant beat gives life to the empty You wish it would stop,<br />

Locked away in that grey ice box<br />

Powerless without my key<br />

You look out your window<br />

Trying to grasp a fragment of freedom<br />

But you know deep down<br />

You could never leave home<br />

Rachel Yan ’14<br />

Piano Work<br />

Click with a snicker<br />

Feelers flicker<br />

Knuckle the keys<br />

Pounding on sea<br />

Crescendo arrests<br />

Pitches contest<br />

Rattling riffs<br />

Hands stinging stiff.<br />

Scales stream, surmise a reservoir, disguised,<br />

Currents flow down wrists,<br />

Arpeggios accompany<br />

Triplet rivulets<br />

Half-dream faded,<br />

Rolling legato unraveled,<br />

Seeps, into bone and nerve<br />

Shadowed passions rattled.<br />

Do reim the ivory,<br />

On this, a quarter rest,<br />

Through echoes of a broken chord,<br />

Now bleeding from your breast.<br />

Candy Janachowski ’14<br />

10 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Ascent • Ian Moore ’11<br />

Photography<br />

Me and Hip Hop<br />

October 12, 1995, day i was given birth to yeah thats right i’m alive<br />

and don’t deprive, me of my future talents, I grew up around shattered windows, broken ceramics all on the floor, this was ma<br />

life as a baby I know right who could ask for more, As a kid wanted to be the best, better than all the rest, not a day passed<br />

by when hip hop took a rest, around my style, took me awhile, to get accustomed to the game, never ashamed, of the music<br />

I listened to in my brain, went insane, went i heard those rhymes, for the first time, summer of 99, ma mama thought it was<br />

crime, i was small but i knew i fell in love with the beats, the sounds, the rhythms, and to me so round like a circle not a prism,<br />

from then on I was hooked, even when it shook my body into pieces, sound so pleasant like a babbling brook or sleeping nieces,<br />

this was me in the past this is me right now, I live for these feelings with ma bass so loud, take everyday step by step, inch by<br />

inch, i’m guna rep ma rep then sink and clinch.<br />

Andy Sandoval ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 11


12 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Don’t worry – she won’t die • Nathalie Rodriguez ’11<br />

Art


Noise-Cancelling Headphones<br />

I could really use a pair of some noise-canceling headphones.<br />

<strong>The</strong>y’re all the rage, I’ve heard, these days,<br />

But yes, the noise outside has become a little too overwhelming,<br />

A little too distracting, biting, distressing, a little too overwhelming.<br />

For starters, the perpetually repeating, perpetually pounding thump of my alarm clock must go,<br />

Forget those baggy eyes, but please – give back my sleep, give back my sanity!<br />

Simply one extra hour, or maybe two? That’s all I ask, I’m begging you.<br />

Even the snooze button surrenders in this day after day nightmare,<br />

But I bet it’s nothing that these headphones can’t handle.<br />

Just, please – please don’t leave me in this never-ending battle.<br />

Or what about all the jibbering and jabbering of class lectures,<br />

Quickly filling the precious minutes of my hourglass with empty air bubbles,<br />

Or the recurring frustration and exasperation, incessant grumbles and groans of Mom and Dad,<br />

Honestly, my room, posture, manners are tolerable, even satisfactory to everyone but you,<br />

Or what about those college counselors, with the heavy downpour of stress they bring,<br />

Or the malicious rumor that just started burning, the racist remark that just came hurling?<br />

I could really use a pair of some noise canceling headphones.<br />

But wait, just a second, I’m curious to know – just how much noise does it cancel?<br />

<strong>The</strong>re’s humility in the homeless man, as he begs down the street,<br />

Fortitude in the student as he stands up to confront the “elite,”<br />

Confidence in the teenager as he bravely asks out his crush of one year,<br />

And courage in the boy, as he declares his homosexuality without a hint of a blush.<br />

What about these noises? Are they noises? <strong>The</strong>y could be simply sounds.<br />

<strong>The</strong>se noise canceling headphones, I must be completely assured,<br />

Will stick to only noises of blubbering and blabbering, nothing less, nothing more.<br />

I say, Let the voices of tenacity, audacity, and spunk be heard strong and loud,<br />

With that, I am off – for there are some noise-canceling headphones to be found.<br />

Caitlin Lee ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 13


Elemental Haiku<br />

Fire<br />

Flames flash through the dark<br />

It burns a path of scorched earth<br />

A sign of passion<br />

Water<br />

Waves crash against rocks<br />

Quenching the thirst of all life<br />

A wet way to live<br />

Air<br />

Gusts blow through the land<br />

Sweeping across the bare plain<br />

Blows things everywhere<br />

Earth<br />

Gaia, the source of life<br />

Residence for growing plants<br />

Smooth on the bare foot<br />

Justin Eng ’13<br />

His test reads positive. <strong>The</strong> doctor says he’s positive.<br />

<strong>The</strong>re was no mistake. <strong>The</strong>re’s nothing left to do.<br />

He can only wait. He doesn’t even remember the<br />

silly drunk mistake. How could something so good put his<br />

life at stake? No protection, sealed to his fate. Sealed by a kiss<br />

and now he feels the pain. HIV running through his veins.<br />

But now his lips are sealed; he doesn’t see a reason for talking.<br />

Wondering now.<br />

Aren’t we all just dead men walking?<br />

Death We Have In Common<br />

never do it. Feeling to guilty and they’d all be stuck watching. <strong>St</strong>ill<br />

Hungry.<br />

Aren’t we all just dead men walking?<br />

<strong>The</strong> baby who took his first breaths. Heart ticking like a bomb,<br />

implanted in his chest. Tik-tok. But it’s more like a timer or a clock,<br />

counting every sec. He’s too young to talk. So he’s crying. Maybe<br />

its because he knows we spend our lives dying. It’s not something<br />

worth defying, but don’t stop yourself from trying.<br />

And see that little girl sitting on the corner? Asking for<br />

some food, but nobody takes her order. So she bottles all<br />

her anxieties, pains, and fears. So thirsty that she drinks her<br />

own tears and pride she swallows. No matter her situation<br />

she never ever wallows. Despite her own strength her bottle<br />

remains hollow. Her glass is half empty and so is her stomach.<br />

It’s getting tempting cause she feels like she’s been punished.<br />

Noose around her neck and she’s ready to plummet. Imagines<br />

herself hanging. From the streetlights, feet dangling. She could<br />

It might seem existential, but this knowledge is empowering.<br />

We move on to greater purpose and fertilize flowering. Circular<br />

Logic. Everything goes around. Fear is lost and meaning is found.<br />

I’d rather be a dead man walking, than a dead man beneath the<br />

ground.<br />

Aaron Gallagher ’11<br />

14 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Please laugh the hardest<br />

Please laugh the hardest you’ve ever laughed my angel said to me<br />

But in a matter of decades I ran out of jokes, you know, like the silly ones that come from joke books and from surprises.<br />

Next the angel told me: sing so loud then that everyone hears your voice;<br />

well, piece of cake, la dee da, I’m like Beyoncé in Dreamgirls, yeah that’s right – you better “Listen”, the world seems to<br />

echo off of my notes.<br />

But then I lost my voice from years of straining to reach the highest ones, the most pure of sounds, the most deep<br />

connections to each person’s soul.<br />

And then my angel said to me, you must love so much that no one will ever forget you again.<br />

And I said, yes, I can do that, just watch me. I’ll love so that you’ll think I was born a heart and nothing else.<br />

I’ll love the world,<br />

and see the playful and inexplicable rays of each person’s soul,<br />

I’ll smile worthily and I’ll live angel,<br />

I’ll live.<br />

Monster<br />

I am a monster<br />

I am the follower that kills in God’s name<br />

I am the other man that uses his aka<br />

I am the napalm that burns all matter to ash<br />

I am the bullet that wants to solve a culture clash<br />

I am the cancer-causing mutation-making uranium<br />

I am the disease-dealing people-purchasing cranium<br />

I am the shrapnel embedded in the kid’s thoughts<br />

I am the tear in the treaty, starting up battles long fought<br />

I am the mustard gas, shriveling and burning<br />

I am the hopelessness, designed to kill all yearning<br />

I am the Zyclon B, robbing the breath from your lungs<br />

I am the man who’ll make you talk after I cut out your tongue<br />

I am the mob mentality that delivers you from your mind<br />

I am the land mine, just waiting for the right time<br />

I am the bloodied wall, marking the outlines<br />

I am the scattered remains of those on the sidelines<br />

You blame me like some kind of vagrant mobster<br />

But don’t you remember me, Daddy?<br />

You created me<br />

I am your monster<br />

Kevin Crouch ’12<br />

Nicole Wong ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 15


I Am No <strong>St</strong>ranger<br />

<strong>The</strong>re she stands majestically,<br />

watching as I cross the gateway to my dreams.<br />

With one glance she sees the memories I hold in my soul.<br />

From rummaging the streets of Killanena in search of food,<br />

to witnessing the mass deaths of kin,<br />

she sees the famine of my country.<br />

Through her piercing eyes,<br />

she sees my aspirations for an education, a better life.<br />

With open arms she holds me tenderly to her heart,<br />

welcoming me into a new world.<br />

I am no stranger,<br />

she has seen me before.<br />

Upon embarking I meet a woman,<br />

with pristine eyes reminiscent of a serene lake from Shanghai.<br />

Her copper eyes penetrate my memories,<br />

reminding me of the family I left behind,<br />

of the daughter who pleaded, “Baba don’t leave.”<br />

Her sharp gaze strengthens me,<br />

as she rekindles the passion in my heart,<br />

reminding me of the opportunity present in this land,<br />

Through her torch she lightens my journey,<br />

welcoming me into a new world.<br />

I am no stranger,<br />

she has seen me before.<br />

As I step on new terrain,<br />

She sees me,<br />

a mere ant among her colossal city.<br />

Nothing but a mestizo running away from his country,<br />

a country filled with constant rains of artillery,<br />

a Gahenna that swallows indiscriminately.<br />

She feels the pain in my heart,<br />

of my dear pueblito I left behind.<br />

She sees my perseverance,<br />

my motivation for a peaceful life.<br />

Through her shadows she protects me,<br />

welcoming me into a new world.<br />

I am no stranger,<br />

she has seen me before.<br />

Charmaine Garzon ’12<br />

16 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Grounded<br />

Being grounded is not my idle time<br />

Sitting on my bed playing the same games<br />

Now taking a break, struggling to rhyme<br />

Switching between text messages and AIMs<br />

When my phone is taken and my laptop<br />

I play with my dogs, listen to some tunes<br />

Practice my driving, making complete stops<br />

Wishing to fly off on a huge balloon<br />

Passing West Portal Park, kids flying on swings<br />

Parents and children on agreeing terms,<br />

I want to go back, with simpler things<br />

Time flies as fast as the passing of germs<br />

Back to my house, feeling jailed for so long<br />

I still don’t think I’ve done anything wrong<br />

Melissa Olcomendy ’13<br />

Sail • Isabella Cunningham ’11<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 17


Time<br />

in a sigh<br />

flies by<br />

goes high<br />

disappears<br />

into the dark, dank thing<br />

called yesterday<br />

seen only in memories, pictures, videos<br />

clings to today<br />

loses grip<br />

lets go<br />

escapes<br />

into the night<br />

of the night before yesterday<br />

when all was quiet<br />

silent<br />

after the glass settled<br />

the people huddled<br />

the animals slaughtered<br />

after the bombs dropped<br />

the cities destroyed<br />

the enemies sated<br />

before the creation<br />

the cremation<br />

the invasion<br />

the devastation<br />

of the yesterday<br />

waiting for today<br />

for hooray<br />

for someone to say<br />

Okay<br />

still waiting for<br />

Time<br />

Andrea Pruden ’12<br />

<strong>The</strong> Bell Tolls<br />

<strong>The</strong> Bell tolls, the bell tolls,<br />

It heralds us on Sunday morn,<br />

<strong>The</strong> sound, it rolls and rolls.<br />

<strong>The</strong> birds fly above in shoals,<br />

As crowds below eat bread of corn,<br />

<strong>The</strong> bell tolls the bell tolls.<br />

Water fills the sacred bowls.<br />

All shops around are closed, forlorn,<br />

<strong>The</strong> sound, it rolls and rolls.<br />

<strong>The</strong> people come to fill their souls<br />

And sing as when their Lord was born,<br />

<strong>The</strong> bell tolls, the bell tolls.<br />

Transfixed in pain, His hands with holes.<br />

His life, it kept our souls untorn,<br />

<strong>The</strong> sound, it rolls and rolls.<br />

So as he leaves, each breath extols;<br />

His soul is light; his face is worn.<br />

<strong>The</strong> bell tolls, the bell tolls,<br />

<strong>The</strong> sound, it rolls and rolls.<br />

Chris Danison ’14<br />

18 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Free Verse<br />

<strong>The</strong>y say that free verse is an art. That it requires as much<br />

skill as the poetry of Eliot, Keats, or Dickinson. But I<br />

contend the opposite. I think someone could just write<br />

a paragraph and then go through it hitting the Enter key and it<br />

would come out looking like a “work of art.” Let’s try! Here’s a<br />

description of some blackberries:<br />

Yesterday, I walked through a field of blackberries at dawn. I<br />

saw the dewy berries hanging from the plants, ripe with juices. I<br />

saw the berries in a pie being served to hungry children on a late<br />

summer afternoon as a light breeze blew against the open screen<br />

door. <strong>The</strong> thorns crunched underneath my feet. I was at one<br />

with Nature, perfectly connected. But then I was pulled away<br />

from the moment, because of the buzzing in my pocket. Someone<br />

was calling me, on my Blackberry.<br />

Ok, we got it? Slightly boring, maybe, but a rather “poetic”<br />

paragraph, one could say. Now, let’s see it in “free verse.”<br />

Yesterday, I walked through a field of blackberries at dawn.<br />

I saw the dewy berries hanging<br />

from the plants, ripe with juices.<br />

I saw the berries in a pie being served to<br />

hungry children on a late summer afternoon<br />

as a light breeze<br />

blew<br />

against the open screen door.<br />

<strong>The</strong> thorns crunched underneath my feet.<br />

I was at one with Nature,<br />

perfectly connected.<br />

But then I was pulled away from the moment,<br />

because of the buzzing in my pocket.<br />

Someone was calling me,<br />

on my<br />

Blackberry<br />

I’m a poet, and I don’t even<br />

Understand it!<br />

Will Setrakian ’11<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 19


Complimentary Colors<br />

As Green turns to Brown and Gold fades away<br />

<strong>The</strong> sun seems to signal the end of the day.<br />

Burns that hint at an old wild flame<br />

I said I would change, You said please stay the same.<br />

I’ve tried fanning coals but couldn’t get a single spark<br />

You can’t see Gold when you’re standing in the dark.<br />

Lying in clouds, but white pillows disperse,<br />

Coming down now, but I’ll had that it hurts.<br />

Caught in a moment, eternity lost<br />

Innocence gone, can’t remember the cost.<br />

<strong>The</strong> sweet words whispered in the night of that park<br />

You can’t see Gold when you stand in the dark.<br />

Blue skies, Blue oceans, and Blue raindrops<br />

I would drink your tears if it would make the pain stop.<br />

You’re like the sibling that I lost, like a sister and a mother<br />

You make me better and more beautiful, a Complimentary Color.<br />

I gave you my hand and I gave you my heart,<br />

So come walk with me let’s not be apart,<br />

You can still feel Gold when you can only see dark.<br />

Aaron Gallagher ’11<br />

20 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

<strong>The</strong> Promised Land Uncovered<br />

<strong>The</strong> journey over; but our hardships, not yet gone.<br />

Our faces strained with grief, but our spirits still live on.<br />

None of them familiar, yet I know them all by name:<br />

Maria, Clyo, Anastasia, Rusty, Joel, and James.<br />

We have gone and risked it all; all for a better life.<br />

Poverty, war, or family all augmented to our strife.<br />

Our eyes gleam with hope like miniature fireworks,<br />

as we take tender steps into San Francisco or New York.<br />

This is the Promised Land, a place of milk and honey.<br />

<strong>The</strong> roads paved with gold, each tree filled with money.<br />

Yet hidden around the corners of America’s Hollywood and Vine<br />

We notice a dash of discrimination, and other things malign.<br />

Get away. Move them out. Make way for our hopes and dreams.<br />

Education and prosperity, a place where justice reigns supreme.<br />

Won’t let the shadows of the past ever compromise our future,<br />

as we seek new lives and fulfill that eager sense of adventure.<br />

And what now, when I am senescent? Where do my hopes lie?<br />

<strong>The</strong>y are fulfilled in my children, in the adverse fate I once defied.<br />

She looks at me, her mother, with a blank and awkward stare, and<br />

I wonder does she know the journey that paid her passage’s fare . . .<br />

Sydney Bernardo ’12


I Hear Tranquility Singing<br />

I hear tranquility singing, hidden away<br />

In a place reserved for those who listen<br />

I hear the bay, splashing with each ebb and flow<br />

I hear a pond, echoing with every bird’s gentle decent<br />

I hear the fishermen casting and reeling in their lines<br />

I hear a breeze whistling around me<br />

I hear tranquility singing, hidden away<br />

I see tranquility waiting, hidden away<br />

In a place reserved for those willing to look<br />

I see the setting sun shining through weeping willows<br />

I see clouds chasing each other through the sky<br />

I see water glistening at the top of every ripple<br />

I see the beauty every one else ignores<br />

I see tranquility waiting, hidden away<br />

I feel tranquility present, hidden away<br />

In a place reserved for those who are open<br />

I feel every blade of grass as it fights against me to rise<br />

I feel safe hidden away in plain sight<br />

I feel transcended from the industrial modern day<br />

I feel freedom within as I lay in the grassy hill’s embrace<br />

I feel tranquility present, hidden away<br />

I smell tranquility wafting, hidden away<br />

In a place for those who are there<br />

I smell the salty air as it rises up<br />

I smell nearby plants as their pollen floats by me<br />

I smell nature as it envelops me and pulls me in<br />

I smell my surroundings as they bring back distant memories<br />

I smell tranquility wafting, hidden away<br />

Taylor Evans ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 21


Masked Childhood • Kelsey Krook ’11<br />

Photography<br />

Wishes<br />

Sometimes<br />

I wonder<br />

Where they have all gone<br />

Every wish<br />

Every hope<br />

Every prayer<br />

Floating around<br />

Like eyelashes<br />

Or the feathery hairs of dandelions<br />

When you close your eyes<br />

Does a breath of wind<br />

Scatter them about<br />

Pieces of the sky<br />

Floating angelically<br />

Where only the birds can see<br />

Or maybe they just fall<br />

From your fingertips<br />

Spinning lightly<br />

To the ground<br />

After a while<br />

<strong>The</strong>y will get crushed<br />

By loud, careless feet<br />

<strong>The</strong>y will be<br />

Pushed<br />

Into cracks in sidewalks<br />

Buried<br />

Beneath the soil<br />

Until they coalesce<br />

And start to form<br />

Every wisp of hair<br />

Every vein<br />

Crawling up leaves on trees<br />

Our every thought<br />

And hold the earth<br />

In their delicate hands<br />

If someone<br />

Were to pick apart the sky<br />

Would they find<br />

All of our wishes<br />

Tangled up<br />

Like wind-blown hair<br />

Sometimes<br />

I just wonder<br />

Where they all go<br />

Or if they only dissolve<br />

Into breaths of air.<br />

Lily McMahon ’14<br />

22 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Chances are<br />

Her dark red hair streams from the passenger side of<br />

the rusty pickup truck, and she leans out of the car,<br />

screaming from the exhilaration that comes from being<br />

seventeen and alive during a perfect summer day.<br />

He turns up the car radio, and Tim McGraw streams<br />

through the speakers. “This is my favorite song!” she screams,<br />

the rural highway swishing behind her head. He turns his<br />

head and looks at her, singing the chorus, trying to capture the<br />

memory of seeing life at its fullest.<br />

Opportunities seem to abound, and their chances of<br />

escaping Orick, Humboldt County, California seem not like<br />

dreams but like reality. Maybe he’ll end up going to Cal, he<br />

thinks, smiling to himself. He’s always wanted to see the crazy<br />

hippies in San Francisco, and he’s sure that Lily would like<br />

shopping at a fancy department store.<br />

Lily looks over at Ren, and she thinks that maybe, just<br />

maybe, she won’t end up working at the Kwik Mart like her<br />

mom, now that she’s met him. He’s her ticket out, her way to<br />

get out of Orick. He has goals, dreams, aspirations. She smiles and<br />

leans in to rest her head on his flannel-covered shoulder.<br />

Chances are… she thinks, pondering her future.<br />

But their chances don’t turn out that way.<br />

Ren ends up joining the army a year later.<br />

He comes back on leave, to face a wife and baby and the<br />

resentment that grew for a year and a half.<br />

Lily doesn’t end up shopping at Nordstrom’s. She buys her<br />

clothes at Wal-Mart and comfortable sneakers for her long shifts at<br />

the Kwik Mart.<br />

And when Ren lies next to Lily at night, or when he’s sweating<br />

from the hotness in the base in Kandahar all he can think about is<br />

that summer afternoon and how their chances seemed so bright.<br />

Camille Vinogradov ’12<br />

Splash • Hailey Falk ’13<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 23


Pictures, Not Poems<br />

If a picture speaks 1000 words<br />

Why then can I not draw a picture?<br />

To speak the words<br />

That I would need to write<br />

so many times over…<br />

How do I write about the red gold sun<br />

that blazes like a fire<br />

Or about the newborn flower<br />

that blossoms in the early morn<br />

to express the life only seen through a picture<br />

So<br />

If a picture speaks 1000 words….<br />

Why am I writing this?<br />

Rebecca Ash ’13<br />

24 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Final Moments<br />

A sudden shiver rushes down your spine as a creaaaak sounds underneath you.<br />

You turn your head and look down the narrow staircase,<br />

<strong>The</strong> crooked steps vanishing into the darkness below.<br />

<strong>The</strong> walls close in and produce looming shadows all around.<br />

Just a few more steps until you reach the small, white door.<br />

You turn the rusty knob and push the door open.<br />

<strong>The</strong> smell of old furniture drifts out towards you,<br />

A smell that brings a bit of warmth and comfort,<br />

A smell that brings you back in time,<br />

A smell that brings the memory of a 5 year-old girl,<br />

Lying in a soft bed under the covers, reaching out to her mommy,<br />

Seeing her mommy smile, feeling a soft kiss planted on her cheek,<br />

Smelling her mommy’s sweet perfume, and hearing the words, “I love you.”<br />

Little light protrudes as you head towards a small toy chest sitting in the corner,<br />

A chest with old toys and pictures, full of laughter and joy.<br />

You smile when you pick up a dusty picture frame with Mommy and Daddy<br />

Beaming up at you,<br />

<strong>The</strong>ir eyes laughing without a care in the world.<br />

A large shadow moves along the wall next to you.<br />

Your mouth goes dry, scanning the room frantically.<br />

Suddenly, the door bangs shut and from behind it, a pair of yellow eyes.<br />

Coldness pierces your skin and the world turns silent, spinning around you.<br />

Glass shatters at your feet, and breath escapes your lungs.<br />

A shape lunges towards you,<br />

But you swerve to the door.<br />

You turn the knob but the door is stuck.<br />

A cruel laugh fills the room. It knows.<br />

You shake the door again and again, screaming for help.<br />

Its footsteps move closer and closer.<br />

Sweat pricks your body like a thousand knives and a lump forms in your throat,<br />

Shaking the knob again and again, tears blurring what was once just a plain white<br />

door.<br />

It comes forth another step.<br />

Finally, the door swings in and you leap out, reaching for dear life!<br />

But air rushes out of your chest, and you can’t move.<br />

Coldness wraps around your throat and drags you back into the dark.<br />

No one can rescue you now, no one can save you.<br />

<strong>The</strong> door slams shut once more.<br />

All you can see is a pair of yellow eyes,<br />

<strong>The</strong> eyes of a monster.<br />

A sight that stops your heart from beating,<br />

A sight that brings you back in time,<br />

A sight that brings the memory of a 5-year-old girl,<br />

Lying in a soft bed under the covers, reaching out to her mommy,<br />

Seeing her mommy smile, feeling a soft kiss planted on her cheek,<br />

Smelling her mommy’s sweet perfume, and hearing the words, “Goodbye.”<br />

Valerie Chiang ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 25


Two Worlds Collide<br />

Remembering a time of long ago,<br />

I see myself in my baby blue tutu, pale pink tights,<br />

Ballet flats with the pink ribbons criss-crossing my little legs,<br />

My hair tight in a bun.<br />

I am as graceful as a delicate white swan.<br />

I nervously wait for my cue on the stage.<br />

As I look out into a fairly old aged crowd,<br />

I am alone.<br />

As the soft, classical music starts,<br />

I pirouette, leap, and twirl.<br />

Even as a nine year old,<br />

I am swept up in a tradition of pointing and flexing ballerinas.<br />

I travel years later to a street corner<br />

Ballet shoes have transformed into bright, high top sneakers<br />

Baggy sweat pants have replaced tool tutus.<br />

Calmly observing the teenage audience,<br />

I am not alone.<br />

Once I hear the bass kick,<br />

I pop, lock, groove, and break.<br />

<strong>The</strong> rhythm grabs me<br />

Fast, booming beats connect with my soul.<br />

Pride in the new generation inscribes hip-hop dance.<br />

Over time, one world prepares me to navigate to the next.<br />

Dance is my way of expressing freedom<br />

Emotions depend on the day<br />

Suggesting vibrant or pastel colored outfits,<br />

High tempo beats or slow instrumentals.<br />

Dictating the rhythm of the music,<br />

Flexibility, balance, stamina, and focus of dance.<br />

I can be who I want to be,<br />

Unique.<br />

Julia Murphy ’14<br />

26 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


A Mystery Experience<br />

Have you ever had an experience that scars you for<br />

life? Well, I’ve had one…<br />

It was a cold and dreary afternoon. Bobby<br />

had just finished his basketball game and was driving<br />

home to take a shower before going to the championship<br />

game after-party. Always white, clean, and fresh smelling,<br />

I was tucked into the corner of Bobby’s duffel bag<br />

and, caught up in the excitement of winning the state<br />

championship game, Bobby forgot about me! Me! <strong>The</strong> one<br />

thing that has always been there for him in those agonizing<br />

times of sweat and pain!<br />

So there I sat for hours. As Bobby celebrated with<br />

friends, I stayed in the duffel bag all alone with nothing<br />

but a pair of basketball shoes, polyester shorts, and a<br />

cotton t-shirt for friends. Suddenly, a cold hand woke me<br />

by surprise. Bobby’s little sister Vanessa picked me up and<br />

threw me into a large wicker basket. I tried to attract her<br />

attention by thrashing and screaming, but it was as if no<br />

one could hear me.<br />

Although I tried very hard, I could not figure out<br />

where Vanessa had thrown me. My surroundings were<br />

unfamiliar as a powerful musty stench overpowered my<br />

senses. Forcing myself not to breathe through my nose, I<br />

examined my new environment, feeling out of place and<br />

terrified to death. I turned one way and came face to face<br />

with a somewhat cartoon looking cat, which I swear I’ve<br />

seen somewhere else before. After ten minutes of trying to<br />

figure out where I’ve seen that hideous orange cat before, I<br />

turned the other way only to have something else scare the<br />

socks off me: a dark blue impenetrable material complete<br />

with a possibly life-threatening zipper and buttons with<br />

brass knuckles suddenly surrounded me. However, I<br />

somehow managed to escape this menace by running at<br />

full speed, jumping over piles of cotton reeking of sweat<br />

and dodging piles of cloth stained with everything from<br />

tomato sauce to paint.<br />

Just when I thought the worst had passed, I found<br />

myself surrounded by another impenetrable material,<br />

but this time in black. Why is nothing white in this new<br />

world? Exhausted and close to tears, I just closed my eyes,<br />

dreaming of my old world in Bobby’s duffel bag with my<br />

other clean, white, and fresh smelling friends. Five minutes<br />

later, I slightly opened my eyes, seeing that I was lying on<br />

several familiar items—they were the same size as me, the<br />

same shape as me, but definitely not the same color or<br />

smell. I tried calling to them in our native static language,<br />

but I only heard my own pathetic echo.<br />

What is this place that has turned my friends into<br />

gray, smelly, lifeless monsters? Somebody help me! I’m so<br />

lost inside this basket. I’m just a clean white sock; what did<br />

I do to deserve this torture?<br />

Megan Lau ’13<br />

God<br />

Is there really a<br />

Floating above<br />

over us?<br />

With a red pen and lightning bolts ready?<br />

Listening to our every thought?<br />

Watching our every move?<br />

sitting with his hands on his face,<br />

in what has become of us?<br />

Is he outraged at what we’ve failed to do?<br />

Is he all merciful and kind as the Bible claims?<br />

Does he really care?<br />

Or, like the rest of the world, has he lost all faith<br />

And interest<br />

God?<br />

watching<br />

Is he<br />

disappointed<br />

in me?<br />

Katana Collado ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 27


What Lies Ahead?<br />

Breath fills my lungs and escapes through my nose,<br />

Heat in my cheeks radiates through my face,<br />

Lips chap,<br />

Eyes blink,<br />

I’m here.<br />

Covers surround me, holding me in,<br />

<strong>The</strong> vent, softly hissing, lets in fresh air,<br />

Clocks tick,<br />

Light shines,<br />

I’m here.<br />

A brittle wood plank spans the whole world across,<br />

Most people balance, walking along,<br />

Body and mind as one steady force,<br />

Each proceeds calmly, pursuing a goal.<br />

But what of we people who look to the sky,<br />

Who try to conform but quiver in fear,<br />

Whose minds cannot silence wavering thoughts,<br />

Of creation and life and what lies ahead?<br />

Journeying on, we fall off the edge,<br />

Frantically tumbling down to a mass,<br />

Of turbulent water with towering waves,<br />

Drowning, we struggle, fighting for air.<br />

Weak from our wrestle, we must carry on,<br />

Dripping and slipping and trying to numb,<br />

Our wandering minds, our questions and doubts,<br />

We smile our hardest and stifle the pain.<br />

Imagine the force in the core of the earth,<br />

Or glimmering stars in the depth of the sky,<br />

<strong>The</strong> world through the view of different eyes,<br />

I wonder and hope that I’m still really here.<br />

Clouds overwhelm me, eight inches thick,<br />

Spinning, swirling, pushing me down,<br />

I try to escape but can’t send them away,<br />

Screaming inside, I try to walk on.<br />

Elaina Koros ’12<br />

28 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Almost Famous • John Moran ’11<br />

Art<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 29


Heritage (Child of the Americas)<br />

I’m a cowboy in Las Trampas, New Mexico,<br />

Going on a cattle run in 1935.<br />

I’m alive on dusty dirt streets, sweltering in the sun and adobe brick<br />

With blood centuries old, flowing upstream from the New World to Spanish fleets.<br />

I am unincorporated and rural like the northern mountains<br />

Whose shadow I toil in constantly amongst cattle and rocky pine.<br />

A cross between javelina and machine,<br />

I will withstand the frozen winters and arid summers<br />

With my spirit shouting “carry on” to my mind<br />

While my body is still around.<br />

I’m the little girl sifting through the rubble of 1906.<br />

I’m standing on bricks and watching the fire,<br />

Living to tell the tale a century later to new generations.<br />

I am watching a nation unfurling, fueled by gasoline, space shuttle engines, computer chips,<br />

And canopied by the linen sheets and clotheslines of Potrero Hill.<br />

I was cultivated in turn of the century San Francisco streets<br />

And breathing still in the next millennium.<br />

I’m a sentinel here after all these years<br />

Until I wear away and beat out rhythm<br />

As a memory in my family’s heart.<br />

I’m the Irish American man living in Northern California<br />

But sleeping on a patrol boat off the Pacific’s shores, 1944,<br />

Dreaming of the daughter I will not see until 1946.<br />

Either floating on that dark water or drifting south to Menlo Park,<br />

I’m living like a satellite at one moment,<br />

And becoming its starry trajectory in the next.<br />

Eleven years after I leave, my blood will fuse with another stream;<br />

<strong>The</strong> fruit is a child who bears my name.<br />

I’m a fragment of somebody else’s life<br />

Who was never a part of mine, born after my time.<br />

But most of all I’m a modern breed,<br />

Wrapped up in overpasses and ocean mist.<br />

I walk in valleys of telephone wires, city skyline spires, and painted Doelgers;<br />

Soldier of wars yet to be fought, father of children yet to be named,<br />

With the bones of my ancestors laying in the graveyards<br />

Of Colma, of Eureka, California, across cities, across oceans.<br />

I’m star spangled desensitized -<br />

Futuristic hybrid of tame and wild,<br />

And I’m the stanza in the future poem<br />

Of my great-great grandchild.<br />

Matthew Caracciolo ’12<br />

30 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Rows and Rows of Cotton Fields<br />

<strong>The</strong> angry sun whips on my back<br />

licking at me with its scraping rays<br />

pounding out my pride<br />

pounding out my freedom<br />

Salty sweat slides down my face<br />

lingers on my chin for a moment<br />

before splattering into the cotton fields<br />

rows and rows of cotton fields<br />

My back is darkened<br />

my legs weakened<br />

my hands bronzed<br />

my head drained<br />

Rows and rows of cotton fields<br />

swallow all the land<br />

all the beauty<br />

all the freedom<br />

Rows and rows of cotton fields<br />

I am tied to them<br />

chained to them<br />

kneeling down to them<br />

My head is drained<br />

tired<br />

weakened<br />

hollowed<br />

My head is drained<br />

all the joy has gone<br />

fled<br />

from the rows and rows of cotton fields<br />

<strong>The</strong> sun cracks on my back<br />

I buckle over<br />

into the fields<br />

the rows and rows of cotton fields<br />

Camille Edwards ’14<br />

Inspired by “<strong>The</strong> Negro Speaks of Rivers” by Langston Hughes<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 31


Lost: meaningful artifacts<br />

If found: Please return it to my part of history<br />

I am a child of the Americas,<br />

A dark-skinned Blasian.<br />

A great-granddaughter of the pre-colonial America<br />

A child of three continents, an infant of the conquered.<br />

Who am I?<br />

I could be the heir of Pocahontas.<br />

<strong>The</strong> daughter of the infamous Sitting Bull.<br />

My grandmother’s tears could have been on that trail.<br />

My brothers are the trees. <strong>The</strong> birds are my sisters.<br />

And the Earth is my sanctuary, my temple, my provider.<br />

Who am I?<br />

I could be the Kenyan prodigy.<br />

<strong>The</strong> sister of the medicine man.<br />

<strong>The</strong> grand-daughter of the wise griot.<br />

African Dance: the origin of all dances.<br />

I am not dance. Dance is in me, dance describes me.<br />

I stomp to the fast urgent words of the drum, I jazz to the swift melodic voice of the Harlem Renaissance.<br />

I am a Pacific Islander.<br />

A product of Tarlac.<br />

Guava, Mangoes, Ube, Macapuno are the fruits of my body.<br />

Like the moon, I inhale all of the dreams, nightmares, and fears faced by the abundant grains of sand<br />

Like the sun, I exhale the shining, living, successful example craved by the yearning, hungry waters<br />

I am a Native American Black Filipino.<br />

I am many ethnicities. But I am only one.<br />

To Filipinos: I am Black. To Blacks: I am Filipino.<br />

I have two homes, but neither can I call home.<br />

Search the ever flowing waters of the Pacific, the lost land of the Kikuyu, the Trail of Tears.<br />

You will not find it.<br />

Lost: meaningful artifacts<br />

If found: Please return it to my part of history<br />

<strong>St</strong>ephanie Darden ’12<br />

Inspired by the poem “Child of the Americas” by Aurora Morales<br />

32 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> American Dream: Denied<br />

<strong>The</strong> nation has always tried to follow the rules<br />

Even while the world was on top, looking down on us as fools<br />

<strong>The</strong>n we made a run to be the best<br />

Giving hope to those that were never like the rest<br />

Fresh off the boat<br />

Receiving hospitality quicker than a homeless man receiving a coat<br />

Everybody wanted to be the “American”<br />

More pride than a Maryland Terrapin<br />

<strong>The</strong> “American Dream” was being chased<br />

Lives being renewed, pasts being erased<br />

Some chased till they hit heaven<br />

And others finally hit the jackpot, call it lucky sevens<br />

Legacies were created<br />

<strong>The</strong> present being torn down, while the future was already painted<br />

Yet, being number one wasn’t the acquainted<br />

Being the land of the “free” is wrong because as a nation, we fainted.<br />

Some fail to understand why the nation is hated<br />

Maybe because we fail to realize why the nation was created<br />

Fail to realize that the nation was built by minorities<br />

And yet after all of the work, we are denied entrance by the discriminate majorities<br />

Does the nation not realize that we are the so-called land of “opportunity?”<br />

<strong>The</strong> melting pot of the universe, yet lacking unity<br />

People from all over, struggling from everything but freedom<br />

And our nation intervenes, but doesn’t greet ’em<br />

From the southern border to those clinging to life on a raft<br />

Our nation sits there and denies we ever laughed<br />

We never tend to realize who actually “works” for this nation<br />

<strong>The</strong>y are the unexpected, the ones that were born chasin’<br />

<strong>The</strong> ones working long hours and getting paid less than minimum wage<br />

<strong>The</strong>y are the words to nations every page<br />

<strong>The</strong>y are the everlasting movement<br />

<strong>The</strong>y are the immigrant...<br />

Living to work and working to live<br />

Is what my very own grandfather did<br />

Tryna play the game of life while odds weren’t on his side<br />

Tryna find the roller coaster to the top, he was in for a ride<br />

At first needed<br />

And then told the capacity has been exceeded<br />

He continued on a journey that would never stop<br />

Because of the denial to reach the top<br />

Working for himself without even knowing he helped build a nation<br />

Filled with hearts and minds that would die chasin’<br />

Crossing back and forth so many times, he lost count<br />

Overcoming so many struggles, most would never think to amount<br />

Finally made a life as a citizen<br />

All of the pain overcome with his family being the medicine<br />

Yet, died watching his own people being torn to nothing<br />

While the nation sat there and never said something.<br />

Anthony Frias ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 33


She Did Not Remember Dying<br />

It is worth noting what Caroline did not remember, given<br />

what she did remember. She did not remember her red,<br />

mascara stained, puffy-eyed reflection in the mirror of the<br />

bathroom after glancing down and seeing the pink negative sign<br />

on the plastic stick held in her left hand. She did not remember<br />

frequently making love to her husband the weeks before, or<br />

how in her mind, it was “making children,” not “making love,”<br />

for there was no love to make between them. Caroline did<br />

not remember her father lifting her up by her right leg onto<br />

the gorgeous black creature towering before her on her 14th<br />

birthday. She did not remember naming the horse Tulip after<br />

her mother’s favorite flowers – the flowers that decorated the<br />

church for the funeral service she attended the week before.<br />

Caroline did not remember hearing her name, “Caroline Emily<br />

Ryan,” echoing throughout the gymnasium as she walked up<br />

the four steps onto the stage in her long blue graduation gown.<br />

She did not remember seeing the man before her snap back<br />

his finger on the trigger of the Smith & Wesson 9mm semiautomatic<br />

that stole her last breath. She did not remember<br />

dying.<br />

What Caroline did remember was the nerves bursting<br />

through her swimsuit as she carefully took a step onto the<br />

plastic, grimy starting block after hearing, “Next event: Girls’<br />

100 Yard Freestyle,” over the static-filled loud speaker. For a<br />

moment, she remembered feeling what seemed like a small<br />

earthquake, but then looked down and saw it was only her<br />

nervous legs. She remembered adjusting her goggles one last<br />

time before taking her starting stance. Caroline remembered<br />

placing her right foot in front and curling her toes over the<br />

rough edge of the block. She remembered her fixated glance<br />

on the still blue water only feet in front of her, imagining the<br />

cold shock of water mixed with the hot rush of adrenaline. It<br />

excited her. Smiling as she took her mark, she remembered<br />

reassuring herself of the pace she was told to follow. First lap is<br />

to build without breathing; second lap is to pick up my kick;<br />

third lap is all out; final lap is everything I got left. <strong>The</strong> buzzer<br />

sounded and Caroline remembered diving in the pool, eyes<br />

closed with her body in perfect streamline under the water. She<br />

remembered the invigorating feeling of bursting through the<br />

surface and taking a breath, accelerating her kick to the point<br />

of her shins and calves becoming engulfed in a fierce burning<br />

sensation. She remembered racing.<br />

Genevieve Feiner ’11<br />

Inspired by “Bullet in the Brain” written by Tobias Wolff<br />

34 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Bloom of Spring • <strong>St</strong>ephanie Wong ’14<br />

Art


<strong>The</strong> Dream<br />

This night I dreamed the strangest dream,<br />

I know not what it meant,<br />

Yet in it, do I feel, a deeper darker meaning.<br />

Let me relate, and you shall judge,<br />

What indeed I had been dreaming,<br />

And tell me friend if I be wrong,<br />

And this just a little jest.<br />

It began like this in my own room,<br />

Amid my books and dreams,<br />

And out my window, upon the fence,<br />

A little bird was singing.<br />

Perplexed was I, for you see, the day had long since passed,<br />

So I listened closely, to hear the song it sang.<br />

But upon my shift of weight,<br />

I found myself falling,<br />

And through the blackness I did go,<br />

Till at last I came to ground.<br />

But this ground, my friend, was as gray as dust,<br />

<strong>The</strong> place as still as death,<br />

But in this place there was one spot,<br />

One very bright green spot,<br />

And to this I went, my curiosity too great,<br />

And touched that one green dot.<br />

Alas! Not one thing happened, all was just a prank,<br />

Till I found, once turned around, that I was down for count.<br />

In ruins lay the things of past, and those of the future too,<br />

All that remained was the twisted present,<br />

But gone was the usual air.<br />

I imagine a silent tear rolls down,<br />

But perhaps that was just me,<br />

<strong>The</strong>n ’twas all gone, and I was left alone<br />

With my books and dreams and the old same home,<br />

But the bird silent and gone.<br />

Where that bird went only he knows,<br />

But I have a feeling I know where,<br />

Because you see that bird of mine,<br />

Lives right over there.<br />

Ella Nicolson ’14<br />

Thoughts of Apollo<br />

Immersed in space, I am completely alone<br />

As the daunting thoughts haunt my aching bones<br />

What is silently lurking now has grown<br />

And violently explodes like an open combat zone.<br />

I ponder and wonder about this puzzling place<br />

Nurturing my developing curiosity about the human race<br />

Along with all the erratic things it’s had to face,<br />

It feels like an exhausting boundless chase.<br />

I search for impeccable simple truths<br />

That I thought I had in my beatnik youth<br />

Once a fine flower now locked in bantam booth<br />

Never to emerge like a vile and sinful sleuth<br />

<strong>The</strong> silence that’s near ignites my fear<br />

Because being lost and alone seems quite clear<br />

And with that thought I form a tear<br />

As I gaze across the illuminating atmosphere<br />

My thoughts start to belittle my common sense<br />

I muse about Urania, her inspiration of the galaxy is dense<br />

With vague childhood memories, blurry, no clarity, unnerving<br />

suspense<br />

I quietly mourn that little white house with its little white fence<br />

Suddenly a fierce and fiery flash of bright light<br />

Like a cunning but chivalrous knight<br />

Creates a lasting and eerie fright<br />

As I fall wordless into the spell of the toxic night<br />

Caroline <strong>St</strong>ewart ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 35


Just Walk Away<br />

<strong>The</strong> bright lights on the ceiling<br />

Create spots on the shiny floor.<br />

We put our bags down and jog down the court.<br />

Just the usual warm-ups.<br />

<strong>The</strong>y laugh and talk about last week’s practice.<br />

“She hits like a beast.”<br />

“I wanna set like her.”<br />

“I hated that sliding drill.”<br />

I do my squats in silence<br />

Noticing how heavy my body feels.<br />

I think about hours from now,<br />

When this whole day is done.<br />

Happy thoughts, only happy thoughts.<br />

<strong>The</strong> air fills with laughter,<br />

Cheers erupt around the room.<br />

More voices next me to talk,<br />

“I’m so excited. We’ll take ’em down.”<br />

“We have to win this guys, the JO’s are coming up…”<br />

That’s when I notice they have gone to the middle,<br />

Huddled up, to talk strategy.<br />

I slowly walk over, sighing.<br />

<strong>The</strong>n, the whistle blows.<br />

I find myself standing on the court,<br />

Feeling nothing, no excitement, no sweaty palms, nothing.<br />

<strong>The</strong> ball soars over and lands right next to me.<br />

“FOCUS.”<br />

“THERE ARE OTHER GIRLS WORKING TO GET<br />

YOUR SPOT.”<br />

“WHY ARE YOU STANDING THERE?”<br />

Why am I standing there…?<br />

Four years of standing there,<br />

But it feels like I’ve stood there forever.<br />

Reputation? Afraid to move on?<br />

I really don’t know.<br />

But I take a chance, and finally do what I want<br />

And not what everyone else wants.<br />

I walk off the court, pick up my bag<br />

And smile, my heart feeling lighter and lighter.<br />

I do what I’ve wanted to do for so long,<br />

And just walk away.<br />

Valerie Chiang ’13<br />

Drucker Court<br />

Its surface shines<br />

And defines with lines<br />

What I can barely put in words.<br />

A senior, fourth season with SI,<br />

And those three before gone and passed by,<br />

Yet the seats of this bench still seem<br />

To pull me in like a bad dream.<br />

Positive, positive,<br />

I must be positive.<br />

But those fantasies of USF and me a hero<br />

Wither as the clock tick-tocks and strikes zero;<br />

Jersey comes home cleaner than clean,<br />

Joyous in victory, yet absent in self-esteem.<br />

Practice, practice,<br />

I must go practice.<br />

But how can I try much more<br />

When I fail to make the box score?<br />

Friends and family atop the stands in anticipation<br />

While I am glued to the bench in aggravation.<br />

Write, write,<br />

I must write.<br />

Left alone with these emotions to fight;<br />

Left alone with this eloquent might.<br />

I say to myself,<br />

On Drucker Court it won’t be me,<br />

That star you all shout and hope to see.<br />

But I will always have<br />

A.M.D.G.<br />

Cody Warner ’11<br />

36 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Tap Tap Tap<br />

I<br />

hate this song why is this even on my iPod—way to cut me off bro I was about to merge—<br />

PREPARE TO STOP—tap tap tap—hum whistle hum hum—why am I so hung up on that it<br />

was just a comment—gotta get that spot cannot park across Sunset—at least go the speed limit<br />

I have a test to study for—whistle hum whistle whistle hum—Oh I can see the Farallons from here<br />

I love these clear days makes this road worth driving—what would it be like to just take a boat out<br />

there walk around the islands—they’re always out there looming mysterious—tap tap tap—hum<br />

hum catchy song lyrics—I’m not gunna be prepared for this test—not enough time never enough<br />

time—PREPARE TO STOP—what the hell why can’t I just have all the time I want—the light’s<br />

green buddy—didn’t get enough sleep but didn’t have enough time for homework didn’t even go<br />

on Facebook yesterday too much to do—what was that movie with the kid and the watch and the<br />

time-stops and all that—tap tap tap—that would be hella sick stopping time—at least I didn’t have<br />

morning practice like crew right now that sucks—need to study need to study—not enough time<br />

never enough time freakin out man—hello I have the right of way I almost hit you way to be an<br />

idiot—way to go Universe for making days so short I need more time—tap tap tap—they won’t care<br />

they probably forgot it was just a short small-chat comment it wasn’t even weird stop thinking about<br />

it it doesn’t matter—MUNI bus is the most annoying thing oh my gawd—more catchy song lyrics—<br />

oops probs shouldn’t’ve taken that turn so fast—need to find a spot—not enough time for studying<br />

not enough time for anything not enough time for life—tap tap tap—sweet spot thank you masters<br />

swimming—hum hum tap—I should have enough time—parallel park ready go alright let’s start<br />

that over success yee haw—this clock is wrong what time is it anyways—they really don’t care no one<br />

would care I wouldn’t care—tap tap tap—what is time anyways—oh snap forgot to lock the car great<br />

I was inside already—hum tap hum hum—yea sure a second is precisely the half-life of some obscure<br />

element but why who cares that means nothing to me—tap tap tap—all I hear is the ticking of my<br />

watch the bells before class my alarm clock why why why—tap tap tap—time is an illusion—tap tap<br />

tap—tap tap tap—tap tap tap—username password—tap tap tap—LOADING—tap tap tap—yea I<br />

have enough time—tap tap tap tap tap tap tap…<br />

Meg Summa ’12<br />

Ferris Wheel<br />

Buy your ticket, take your ride, how high will you soar?<br />

Ferris wheel can lift you up and make you beg for more,<br />

Far above the world again, high, distorted view.<br />

Round you go in circles, it’s your latest love and you.<br />

Soar to heights undreamt of, and hope it lasts forever,<br />

But Ferris wheel is a sideshow, and it’s Cupid at the lever;<br />

Wheel has many nuts and bolts, some strain at this height,<br />

You ride it to the apex, and pray they’re fastened tight.<br />

Far above the Earthly crowd, fuelled by fresh devotion,<br />

Ferris wheel is breathtaking – spinning Love in Motion,<br />

Don’t think of the last ride where some rusty bolts were found,<br />

Which made your lovely Ferris wheel come crashing to the ground.<br />

Why must rides come to an end, why do wheels break down?<br />

One day, king of all the world – the next down on the ground,<br />

When you hit the earth again, please, exit the ride,<br />

You’ve had your thrill, now move along – and hide your hurt inside.<br />

Victoria Eng ’11<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 37


Lisa • Gina Pasquali ’11<br />

Art<br />

“Of course, when everything is already going to shit, I<br />

get pulled over – damn it!” she said to herself while<br />

glaring through the side mirror anticipating the<br />

policeman’s lumber toward her car. Her hair was slightly out of<br />

place, and her slightly-wrinkled clothes draped over her tired body.<br />

Hoping to avoid any suspicion, she had been speeding to get home<br />

by six. After what seemed like an eternity, the policeman finally<br />

got to her window. Without error, like a nervous rehearsed line, he<br />

asked “license and registration, ma’am?” She reached over, opened<br />

the glove box, and began searching for the requested items. Rifling<br />

through an assortment of items, she carefully pulled out baby wipes,<br />

Another Lateness<br />

hand sanitizer, napkins, perfume, and her ring, making sure not<br />

to drop any of them. She finally came across the package holding<br />

her registration. As she handed it to the policeman, she looked<br />

at him for the first time, mesmerized by his soft eyes and young<br />

age, debating if he would let her off. <strong>The</strong> thought passed quickly,<br />

because at this point she just wanted whatever was going to happen<br />

to happen quickly. She needed to rush home, cook dinner, and<br />

put together an explanation for another lateness – all in between<br />

daydreams of her most recent destination.<br />

Rachel Hinds ’11<br />

38 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


A Glimpse of the Moon<br />

<strong>The</strong> sky is dark<br />

<strong>The</strong> quiet of the night is upon us<br />

I catch a glimpse of your face<br />

As we sit on the porch of our home<br />

I see the light shine on you<br />

I catch a glimpse of your heart…<br />

<strong>The</strong> stars twinkle<br />

As I lift my face to the sky<br />

And in the black of the night<br />

<strong>The</strong> moon glows a pure<br />

Flawless white<br />

My gaze lowers<br />

To the motionless lake<br />

And though it looks like glass<br />

I know that if I touched it<br />

I would break its perfect stance<br />

As would the rain if it started to come now<br />

Like tears upon an angel’s cheek<br />

Ruining its beauty<br />

And yet perfecting the scene<br />

<strong>The</strong> moon’s reflection<br />

Bleeds into the lake<br />

Spilling a silver<br />

Godly substance<br />

I think it will shatter the icy stillness on the surface<br />

But it doesn’t<br />

Though I can almost feel the chill of the cold water…<br />

My eyes slowly drift back to your face<br />

<strong>The</strong> moonlight still shining in your eyes<br />

Lighting up your face<br />

<strong>The</strong> angles in your cheekbones touching gently<br />

Perfectly…<br />

Like an angel…<br />

And you complete the image<br />

A tear roles down your cheek<br />

But you hold your gaze unwavering<br />

And I catch a glimpse of your heart<br />

I catch a glimpse of you<br />

I catch a glimpse of the moon<br />

Ella Presher ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 39


Honor Among <strong>St</strong>udents<br />

I see you working over there.<br />

I know you’re cheating; this I’d swear.<br />

I know you don’t want to get caught.<br />

Succeed in that field you did not.<br />

But I won’t say a thing to you,<br />

Nor to teacher, to whom it’s due,<br />

Nor to a single friend of mine,<br />

Your honor I shall not malign.<br />

Your honor is that of a teen.<br />

I would not send you to the dean<br />

For I would surely cheat as well<br />

Had I not studied for a spell.<br />

Because I’ve cheated once before,<br />

I see you, yet I shall ignore.<br />

Nick Lawrie ’12<br />

5-10 minutes<br />

It is a fact<br />

That within 5-10 minutes of waking up, you forget 90% of your dreams<br />

Within 5-10 minutes, what was once so vivid and real<br />

Blurs.<br />

Within 5-10 minutes, what just made sense<br />

Doesn’t.<br />

Within 5-10 minutes, your subconscious mind<br />

Dulls.<br />

Within 5-10 minutes, symbolism<br />

Is lost.<br />

Within 5-10 minutes, what was just everything<br />

Is nothing.<br />

Within 5-10 minutes of waking up, you pour yourself<br />

Coffee.<br />

Jane Pera ’13<br />

40 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Last Lights off the Black West<br />

On the corner of Haight <strong>St</strong>reet, a man stood singing a song<br />

and playing the guitar. He shivered as he sang soft, yet<br />

passionate lyrics about some age-old lover. Ever since I<br />

moved to San Francisco, I’ve noticed the sounds of the city—the<br />

street-musicians, the rumbling of an approaching Muni, the everpresent<br />

chatter—sounds that were absent from my childhood.<br />

Growing up in Wyoming, there was an eerie silence to<br />

the country nights… Something about the fact that a yell would<br />

echo on forever scared me, made me want to escape. My friend<br />

Sheryl and I would do everything we could fill to that silence.<br />

Sometimes we would bring pots and pans into the street at<br />

night and bang them around just to mess up the stillness. Other<br />

nights we would stand on a neighbor’s rooftop and yell as loud<br />

as we could. Maybe we liked the adrenaline rush from getting<br />

chased home by the awakened neighbors. Or maybe we wanted<br />

the attention. Maybe we wanted to know what it felt like to be<br />

worried about—to be cared about.<br />

<strong>The</strong> sound of Kate’s boot tapping on the cement<br />

filled the night. She leaned forward from the fence and<br />

squinted down the highway, where she could barely make out<br />

a figure approaching. Recognizing Sheryl’s pigtails, Kate ran<br />

towards her.<br />

“Finally,” Kate said. “Did you bring ’em?” Sheryl<br />

nodded.<br />

<strong>The</strong> girls hopped the fence, landing in a field of<br />

sugar beets. <strong>The</strong>y stopped to listen for any noise, but there<br />

was nothing.<br />

<strong>The</strong>y walked through the field, searching for<br />

constellations in the sky, and when they arrived at the barn,<br />

climbed the creaking ladder to the roof. For a moment,<br />

the two girls sat, legs dangling over the edge of the cracked<br />

shingles, watching a car’s headlights disappear into the night.<br />

“Ready?” Sheryl asked, unzipping her backpack. She<br />

pulled out a string of 500 Gram Cakes and lit the white string<br />

on the end of the fireworks. <strong>The</strong> girls scooted to the opposite<br />

corner of the roof. <strong>The</strong>y waited, but nothing happened.<br />

“Must be a dud,” Sheryl said. She lit another match<br />

and aimed the fireworks down toward the shingles, trying to<br />

catch the flame.<br />

“Ahhh!” Kate screamed as the fireworks shot out of<br />

Sheryl’s hands and into the barn below.<br />

<strong>The</strong> girls looked at each other, eyes wide, and ran to<br />

the edge of the roof. <strong>The</strong>y jumped from the barn and tumbled<br />

into the plants as a bright light illuminated the ground<br />

beneath them.<br />

“Run,” Sheryl said, “Run!” <strong>The</strong> girls ran for the<br />

highway, without looking back at the flaming barn. A siren<br />

sounded from somewhere down the road.<br />

“Shit,” Kate panted. “Get down.” <strong>The</strong>y dropped to<br />

the ground and lay completely still. Kate glanced upwards<br />

and saw a policeman hobbling through the field, talking on a<br />

walkie-talkie and shining a flashlight in the opposite direction.<br />

<strong>The</strong> mechanical voice from the walkie-talkie<br />

disappeared behind them as they jumped up and fled towards<br />

the highway.<br />

“See you tomorrow,” Kate panted, and they split<br />

up, heading in separate directions. Kate ran farther and father<br />

down the road, and when she turned around, the flame in the<br />

distance was barely visible. She listened for the cop running<br />

towards her or for more sirens, but heard nothing. She<br />

collapsed in front of the road-side fence and sat, just listening.<br />

<strong>The</strong> night filled her ears, and she screamed, then pushed<br />

herself off the cement. She ran home.<br />

Looking back, I think mostly I was jealous of the<br />

quiet—of its perfection, its purity. I couldn’t stand knowing<br />

that I would never have that sort of stillness at home. That<br />

night I vowed to never stop long enough to hear the silence,<br />

to let it get to me.<br />

<strong>The</strong>resa Martin ’11<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 41


A Forever Frozen Lake<br />

When one looks inside himself,<br />

He sees a forever frozen lake.<br />

All he can see is winter’s big mistake.<br />

He can’t let anything go inside on the shelf,<br />

To be saved from the frigid ice,<br />

Which now brings pain not once, but thrice.<br />

Sam Bernstein ’14<br />

Found a Fault, Bound to Fall<br />

A silent, subtle inhibition<br />

Of dark-born hopes and wild addiction<br />

It smells so free, so clean, so warm<br />

So sweet, so calm it takes its form.<br />

Hear the storm with haste approaching<br />

See the signs your life reproaching<br />

<strong>The</strong> signs, those signs your mind preys witness<br />

<strong>The</strong> pain that hurts without forgiveness<br />

What now? Those signs call out<br />

False loving<br />

A worrying that your life means nothing<br />

Here there is a hope of beauty<br />

A thing of peace; to achieve, my duty<br />

This sign that mocks my life and taunts<br />

Of a life worth living and objects to flaunt<br />

And it haunts my soul to think to leave<br />

<strong>The</strong> family I love and without I’d grieve<br />

But I must do something<br />

Existence means nothing<br />

No hope and no life<br />

No freedom, this strife.<br />

I set the signs on fire, they go down in flames<br />

Just to rise like a phoenix and the pain remains.<br />

So I pack my bags and walk through the gates<br />

To enter a new life when I land in the <strong>St</strong>ates.<br />

Ben Richman ’12<br />

42 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


What is Poetry?<br />

What is poetry but the death of<br />

creativity, the angsty woman’s love<br />

tragedy, the death of naiveté, of child,<br />

bits of awe toward unmapped wild?<br />

Cringing, I loathe those rivers of “freedom,”<br />

those serpents of “evil” – tidbits of “wisdom.”<br />

Nay, it’s only prose with excessive white,<br />

a love of the return key, a lack of bite:<br />

omission of word, omission of form,<br />

the sprinkling of simile like a freakish storm.<br />

An iceberg concealing neither truth nor meaning<br />

which simply leaks forth the demeaning<br />

demeanor of these gutless artists as they<br />

cook their themes and purposes way<br />

too long in a smoking microwave<br />

of wit, with little avail for us readers to save.<br />

Gregory Disse ’11<br />

I Don’t Want To Grow Up<br />

Surrendering childhood is truly betrayal,<br />

<strong>The</strong> adult world locks out fairy tales.<br />

No mischievous brownies bring laughter,<br />

Events won’t end with happily ever after.<br />

In my world, fairy spells and wizardry are rich,<br />

An old hag is either a wise crone or witch.<br />

Turquoise-tailed mermaids fill the deep blue seas,<br />

Whilst chivalrous knights are eager to please.<br />

<strong>The</strong> Seelie Court flourishes in the golden rays of light,<br />

Whereas the Unseelie fey thrives in the shadows of the night.<br />

Dreams of glass slippers and frightening kelpies,<br />

Dazzling princes on white horses choose to help me.<br />

Wishes on stars do come true,<br />

So that I may not ever feel blue.<br />

I shall not depart from my Neverland,<br />

For it is my own heartland.<br />

Growing up shall never do,<br />

I’d rather be silly forever than for fairy tales not to be true.<br />

Helena Le ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 43


A Message in a Bottle<br />

A delicate leaf of simple intricate lettering,<br />

A painted picture shrouded in plain sight<br />

Sheltered from even the first sign of life<br />

Floating, falling through waves of thought,<br />

Ripe raging rapids of confusion<br />

A helpless cork to plug nature’s breath.<br />

A message in a bottle<br />

Like soundless music yearning to be heard,<br />

A call to Artemis, the plea of her servant Brother Wolf<br />

Is a voice crying aloud, crying for days over the ocean,<br />

Make-believe truth, a need, a despairing wish<br />

Like a fish flopping on land.<br />

Desperate, not yet noticed.<br />

A message in a bottle<br />

Your eyes, magnificent golden globes of glory<br />

<strong>St</strong>olen from the only stars of heaven’s night sky.<br />

Your smile, a warm welcome which makes my breath<br />

Escape my lips and takes it away.<br />

A dream, it’s whispering inside of me, my love;<br />

Words that cannot be expressed by tongue,<br />

Awestruck with mesmerizing love.<br />

A message in a bottle<br />

A sunset calligraphy silhouetting beyond the horizon<br />

Waiting for care and attention,<br />

Like a baby anticipating its Goodnight Moon.<br />

A shunned bird streaking the soft periwinkle skies,<br />

Sun-kissed feathered angels’ wings flying free.<br />

To the world, only a background scene<br />

A disregarded beauty, a sum better than all of its parts.<br />

To the sender, a message in a bottle<br />

Lets go of loneliness.<br />

A frustrated searching for realization, a chase for the truth<br />

Not far away, right in front of you.<br />

A message in a bottle<br />

A secret, an S.O.S., a splendor, a lovesickness.<br />

Searching for land, a dove that<br />

Delivers.<br />

A message in a bottle<br />

Endearing waves of chaos<br />

Needing interpretation, decipherment, extraction.<br />

A message in a bottle<br />

A mystery, a vociferous silence<br />

Unless you, my love, my hope<br />

Just listen.<br />

Camille Villadolid ’14<br />

44 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> <strong>St</strong>ory of Pressure<br />

Now this right here is a song ’bout pressure<br />

everybody feel like they got to be fresher<br />

than the next, even if it means to drink, smoke, and have sex<br />

let’s examine the life of two young teens<br />

and see how this pressure is one of the worst fiends<br />

in our life, ’cause it’s always causing strife<br />

First lets talk about a girl named Ruth<br />

nice and smart, but in her youth<br />

she grew up with a wrong view of the truth<br />

freshmen in high school, got invited to a party<br />

so young but already sipping on that Bacardi<br />

wants to be cool so of course she says yes<br />

not aware that this will cause much stress<br />

goes with the fella into the parents room<br />

this will be the source of eternal gloom<br />

the next week at school, Ruth is now real cool<br />

but unaware of how she became a fool<br />

cause even though that night was so great and wild<br />

month later she finds out she’s about to have a child<br />

she doesn’t know what to do, an abortion maybe<br />

wish ’pac was alive, he’d see not only Brenda’s got a baby<br />

Switching it up to David got to give him a holla<br />

because he wants a girl to think he’s a balla, needs to come up with the almighty dolla<br />

tons of pressure on him so his thinking is becoming whack, resorting to selling crack<br />

and that’s not his knack so he got jumped and the thugs stole it from his pack<br />

so now David’s lyin’ on the street, bleeding like he’s some raw meat<br />

a victim of an act of deceit<br />

on life support while he’s lying in the ER, his girl is sad and tells him his behavior is bizarre<br />

because she would’ve loved him if he told her how he feel, no need to conceal but now<br />

there’s no time to heal.<br />

So for everyone who are sad because they can’t boast<br />

Because honeys don’t play them close, like butter played toast<br />

Just be yourself because that is “cool”. <strong>The</strong>re’s really no need to act like a fool.<br />

Chris Anderson ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 45


46 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Heaven and Earth • Xavier Russo ’11<br />

Art


STD: Sexually Trendy Disease<br />

Do you have a friend?<br />

<strong>The</strong>n just share the wealth.<br />

It’s the latest trend,<br />

Who cares about your health?<br />

Why wear a rubber?<br />

Just pass on the disease.<br />

Give it to your lover,<br />

It’s the most popular gift throughout the seven seas.<br />

Just listen to their names,<br />

<strong>The</strong>y sound so fancy.<br />

Chlamydia has no shame,<br />

She rode along with Nancy.<br />

Now are you really living,<br />

If you don’t have a disease?<br />

It’s the gift that keeps on giving,<br />

Since you can regift it with such ease.<br />

You’re a sexual Ahab,<br />

Now aren’t you happy.<br />

You hooked the great white crabs,<br />

And boy are they snappy.<br />

So you have creepy crawlies,<br />

Downstairs in your hair.<br />

I can’t wait for next week’s stories,<br />

How you gifted it without a care.<br />

Hopefully they’ll keep it going,<br />

It’s the most famous chain letter.<br />

<strong>The</strong> numbers keep growing,<br />

And the disease just gets better.<br />

Anthony Ayllon ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 47


Imprint • Christina Yap ’11<br />

Art<br />

Kaleidoscope • Olivia Neagle ’12<br />

Art<br />

48 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />

LOWER DIVISION – HONORABLE MENTION<br />

Laces<br />

In the beginning you lived with the trees.<br />

You lived with the branches, with the roots.<br />

You lived where the sunlight collected like dew,<br />

and the wind rolled your soul open.<br />

You lived where the night sky did not end as it wrapped around your eyes<br />

and where the sun never set to say goodbye.<br />

And it was perfect.<br />

And you lived with your shoes untied.<br />

But your mother saw.<br />

She saw the laces as trip-wires.<br />

Snares.<br />

And she worried for you<br />

and tied you in.<br />

You were silenced.<br />

And it seemed that the wind stopped rising,<br />

the sun cut and glared,<br />

and the night was lost.<br />

And as the years bit down harder,<br />

you were completely uprooted.<br />

Now you live in commute.<br />

Now you live domesticated.<br />

Now you live with double-knots.<br />

Where did the miracles go?<br />

<strong>The</strong>y retreated into the forest.<br />

Behind the wind.<br />

Between the stars.<br />

With the roots.<br />

And they wait for you to let your laces slip.<br />

David Melone ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 49


<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />

LOWER DIVISION – PRIZE WINNER<br />

Synesthesia<br />

On one canvas colors traverse<br />

Invisible to the eye but not the mind<br />

It is a Beautiful curse<br />

Painted by music the sounds immerse<br />

Showered with purple rings, they shine<br />

On one canvas colors traverse<br />

Dancing with each other, hues converse<br />

While passionately spinning they become entwined<br />

It is a Beautiful curse<br />

Flawless coordination no need to rehearse<br />

As one, the sights and sounds combine<br />

On one canvas colors traverse<br />

<strong>The</strong> shapes and shades are so diverse<br />

Except all but one is blind<br />

It is a Beautiful curse<br />

Splashing tears tint disperse<br />

Elusive details define<br />

On one canvas colors traverse<br />

It is a Beautiful curse<br />

Julie Olsen ’14<br />

synesthesia: a condition in which one type of sensory stimulation creates perception in another sense, most notably in the form<br />

of color (Britannica Encyclopedia).<br />

50 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />

UPPER DIVISION – PRIZE WINNER<br />

Manhattan Hotel<br />

Warhol on the walls, music in the ceiling –<br />

West 23 rd bound up in city stars.<br />

<strong>The</strong>re are kids in windows, singing on fire escapes,<br />

But Jane just leans against the Chelsea walls in an ocean of smoke.<br />

Around her feet lay the ashes of the boys she’s spurned,<br />

<strong>The</strong> powder piles higher with every heart she serenades.<br />

Thought I passed her on the street a couple days ago,<br />

Or maybe I just saw her ghost lurking in the subway tunnels.<br />

She spends her days on the street<br />

And spends her nights at the Chelsea,<br />

<strong>St</strong>raight from one of those old songs about the girls who lose it all.<br />

She’s lost in limestone and yellow cabs,<br />

And now the radio can’t even resurrect her thoughts of home.<br />

I hear organ swells with the sound of her voice,<br />

But all she hears is the rush of the pipes<br />

And the footsteps in the halls.<br />

Jane rides the train past stacks of windows and iron beams,<br />

And with the constellations of city lights blending together,<br />

She’s overwhelmed by the sudden onslaught of memory.<br />

Erasing hazy visions of the courtyards, glass pyramids,<br />

Rain-soaked hills and side streets she loved long ago,<br />

She rides through Manhattan’s glass canyons until the final images are erased.<br />

And on the West 23 rd ,<br />

Wrought iron balconies squeeze the bricks and the infrastructure.<br />

<strong>The</strong>y bear down on her lungs, squeezing,<br />

Asphyxiating, and choking until there’s nothing left –<br />

Nothing but the cracks in the sidewalk, the frozen Christmas trees,<br />

And the cascading stone bridges that would’ve gotten her out.<br />

And even though we’re both still breathing,<br />

<strong>The</strong>re is nothing we can do for each other now.<br />

Matthew Caracciolo ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 51


<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />

UPPER DIVISION – HONORABLE MENTION<br />

<strong>St</strong>ars<br />

As you sit by the warm, glowing fire,<br />

Holding tightly the brown, leather-bound book,<br />

Wishing deeply you didn’t have to look<br />

To see the way my quirky attire<br />

Never did quite fit me right, or recall<br />

How the time we spent seemed to fly away,<br />

And have memories of our past replay<br />

Until the salty tears begin to fall.<br />

<strong>The</strong> pages open and I appear, you<br />

Laugh as our granddaughter layers my hair<br />

In the bows and ribbons that she could spare,<br />

<strong>The</strong>n turned to see the day we said “I do.”<br />

Your dress, as pearl white as your hair is now,<br />

Radiates off the glowing skin of youth,<br />

As beautiful as is now, that’s the truth,<br />

It has been since the day I said that vow.<br />

All the memories flood back in your mind<br />

Of how I was the man whom you would embrace<br />

And loved the beauty of your changing face.<br />

And I am sorry my death was unkind<br />

I remember the life that we shared too,<br />

And when you look outside that window of ours,<br />

You will find my face among the bright stars,<br />

Happily, with love, watching over you<br />

Tessie McInerney ’11<br />

52 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Vespa Paris • Phoebe<br />

Boosalis ’13<br />

Photography<br />

Girl and Hula Hoop • Julie Olsen ’14<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 53


What Is Sig Figs<br />

What is significant<br />

An existential belief<br />

<strong>The</strong> magnificent<br />

A want of relief<br />

No drug in the world<br />

Nor ignorant pleasure<br />

Can make my mind swirled<br />

Of that extreme measure<br />

That which is infinite in calculation<br />

<strong>The</strong>re’s no other convenient value in adoration<br />

Yet the undefined can be human error<br />

Such as that of the star struck starer<br />

If for instance I ceased to exist<br />

My soul, entire living dissolved within mist<br />

What of the grief of those earthbound<br />

After my body’s thrown on the ground<br />

But would those around me really care and come<br />

After the inevitable death I should succumb?<br />

Sounds too solemn, doesn’t it?<br />

What of the gorgeous day that is seemingly shit<br />

When challenges met do not go premeditated<br />

Or during the time when anxiety’s not sedated<br />

<strong>The</strong> infirmary can certainly incinerate<br />

And the flames invigorate…<strong>The</strong> Devil’s ravishing rhapsody…<br />

Maybe the mean reds have got you<br />

And the world you’re in prevents what you can do<br />

<strong>The</strong> deep restlessness within amounts to melancholy cacophony<br />

And desires sought are blown away<br />

In the wind, you try to find right words to say<br />

But intimidation inhibition annihilation<br />

Results in alpha decay<br />

You may pray, or selfishly smoke green hay<br />

Or wait wistfully for the song of a jay<br />

But what really makes the day?<br />

<strong>The</strong> grade? <strong>The</strong> laid?<br />

Or the graft of those who got it made?<br />

Do these vowels and consonants bring bliss like summer shade?<br />

Or are they of detest and of quality you bade?<br />

It’s all just vapid, insipid, and falsely intrepid<br />

Gilded as a ring can be, something that you know is not me<br />

<strong>The</strong> bitterness of chrysanthemum tea like the look of a B or D<br />

<strong>The</strong> thought of she…the isolation induced from the surrounding sea…<br />

<strong>The</strong> thought that is not tantamount to society<br />

Yes, E<br />

That’s a good letter, that’s a spoonful of sugar!<br />

To sweeten your heart, the empty part, to help and aid you…<br />

GO FIGURE<br />

Christopher Abrigo-Mendoza ’12<br />

54 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong>y Never Really Had the Answers<br />

<strong>The</strong>y told us to love… but did they ever mention that we could get our hearts broken?<br />

<strong>The</strong>y told us to try our hardest… but did they mention that often our efforts would go unnoticed?<br />

<strong>The</strong>y told us to be ourselves and that we’d always have friends… but did they avoid mentioning that friends aren’t always<br />

chosen for quality?<br />

<strong>The</strong>y told us that if we played hard enough, we would make the team… but did they mention that there would be hundreds<br />

who were just as good?<br />

<strong>The</strong>y told us that in life hard work pays off… but did they mention those who never work and still get so much?<br />

<strong>The</strong>y made us think that life was fair. <strong>The</strong>y made us believe that being good people would never betray us. And yet whoever<br />

they are, we defied them. We broke their advice, shattered their lessons… for they, they never really had the answers.<br />

Yana Yasevich ’13<br />

Untitled • Olivia Raggio ’11<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 55


Fully Alive<br />

I lean out my window<br />

<strong>The</strong> brisk air<br />

<strong>The</strong> darkness<br />

Hits my face. And yet,<br />

My eyes reach,<br />

Search, find,<br />

Twinkling, blinking, flickering<br />

I long to explore,<br />

For each light serves<br />

A purpose;<br />

Individual, pieces of the landscape.<br />

I realize<br />

<strong>The</strong> brightest are missing<br />

Not lost.<br />

<strong>The</strong>y are here.<br />

Asleep, in prayer<br />

Shining<br />

Unaware of his necessity<br />

And yet,<br />

I turn my head from a landscape<br />

Awaiting its brightest children<br />

To wake up<br />

And be Fully Alive.<br />

Shane Slosar ’12<br />

7926 Miles Away<br />

How many chances do you give your dad,<br />

Who was there the day you came into the world,<br />

Who promised to care for you, to love you, to provide for you,<br />

And to hold you when you’re sad,<br />

But then one day picked up and walked away?<br />

You forgave him for leaving.<br />

You gave him a chance to make it all right,<br />

But instead of having a presence and holding your hand,<br />

He only left you with more you couldn’t understand.<br />

Every year is another chance for him to make amends.<br />

Every year you realize it doesn’t matter how many emails he sends,<br />

You can’t depend on him, you can’t rely on him, and you can’t count on him.<br />

He’s too self-absorbed.<br />

You forgave him for walking out without a word of why,<br />

But as you continue to wait for answers, you stop caring about his lies.<br />

Not only is he not here,<br />

He’s not even near.<br />

In fact he couldn’t be farther away.<br />

Eileen Deasy ’13<br />

56 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Chase<br />

Pitter-patter pitter-patter<br />

<strong>The</strong> mouse runs to the door.<br />

Pitter-patter pitter-patter<br />

<strong>The</strong> cat crawls on the floor.<br />

<strong>The</strong> mouse is fast<br />

He scurries for the door.<br />

But the distance is vast,<br />

And the cat is guarding the floor<br />

Faster than light<br />

<strong>The</strong> mouse, he runs away.<br />

Too lazy to fight<br />

<strong>The</strong> cat does not give way.<br />

Changing directions with a turn of his feet,<br />

<strong>The</strong> mouse scurries back to his former hiding space.<br />

<strong>The</strong> cat, undistracted by the outside sleet,<br />

Turns the stalemate into a chase.<br />

Slowly losing distance and speed,<br />

<strong>The</strong> mouse skids to a halt.<br />

<strong>The</strong> cat, surprised by the yield,<br />

<strong>St</strong>ops and looks for a fault.<br />

<strong>The</strong> mouse turns its back on the cat,<br />

And takes one look back.<br />

<strong>The</strong> cat, slightly puzzled by the rat,<br />

Charges and trips over a crack.<br />

<strong>The</strong> mouse leaps to the side<br />

As the cat slides by.<br />

<strong>The</strong> cat, not happy with its new ride,<br />

Tries to stop on the fly.<br />

<strong>The</strong> mouse scampers to the door,<br />

Quicker than before.<br />

<strong>The</strong> cat previously guarding the floor,<br />

Is not there anymore.<br />

Out the door in a flash,<br />

<strong>The</strong> mouse runs free!<br />

Recovering from his crash,<br />

<strong>The</strong> cat is too dizzy to see.<br />

<strong>The</strong> chase is over<br />

And the cat is done.<br />

<strong>The</strong> chase is over<br />

And the mouse has won.<br />

Justin Eng ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 57


Flowers are like People<br />

Full of budding potential<br />

in need of warmth and attention<br />

Products of their environment<br />

Some are given protection from<br />

weeds and frost<br />

but others are left to wither<br />

and continue the cycle of neglect<br />

<strong>The</strong>ir fading beauty<br />

provides a serene front for a broken home<br />

A glint of yellow is out of place<br />

in a sea of concrete<br />

Breaking through a small crack<br />

only to be crushed by commuters from downtown<br />

Many bloom<br />

and land in a haven<br />

Arranged in a perfect garden<br />

no petal or leaf trimmed out of place<br />

But the insects always come<br />

gnawing away at the perfection<br />

Madeline Pertsch ’12<br />

Forget<br />

“I cry because I remember,” he told me.<br />

“Our great flaw as a people is not that we don’t act against what’s wrong in the world, but that we<br />

too easily forget what we’re here for.” I took a step back. And I thought – Why do I have such a<br />

short-term memory? I choose not to dwell on my past…<br />

“Every day in your past has shaped you, made you who you are today. Good or bad, to forget it is<br />

to commit suicide.”<br />

I stood speechless. At key points in my life as a seventeen-year-old high school student I remember<br />

feeling full of myself, feeling on top of the world, feeling called, feeling amazed, feeling let down,<br />

feeling……<br />

And I missed feeling.<br />

“You can keep on living aloof. You can keep on jumping from one fleeting moment to the next,<br />

holding on to what’s in front of you. Or you can open your eyes and get in touch with the real you,<br />

the guy that’s been with you all along.”<br />

I felt my walls come up as I opened my mouth and spoke for the first time, “Forget it.”<br />

Nathaniel Nunez ’11<br />

58 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Through gentle whispers<br />

Through gentle whispers<br />

Does the fruit of Eve tempt me<br />

Slowly I give in<br />

A foolish monkey<br />

Climbs high among the treetops<br />

And thinks himself tall<br />

Tires screech, windows break<br />

A hellish nightmare breaks loose<br />

Driver’s Ed: complete<br />

Winter turns to spring<br />

Thus is the cycle of life<br />

Everything renewed<br />

Hard work beats talent<br />

When talent does not work hard<br />

<strong>St</strong>rength of will prevails<br />

Who can save me now?<br />

I stand up here scared, alone<br />

I leap with my faith<br />

I walk across deserts<br />

Yet feel the cold clutch of Death<br />

Close around my throat<br />

You see the world’s joys<br />

Yet are tricked your youth<br />

Pain shall teach you truth<br />

He whose ignorance<br />

Guides over his mind, I say<br />

A blind man sees more<br />

Danny Casey ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 59


Dear Ana<br />

I’m not perfect, not even close<br />

My hair is horrendous and my nose isn’t straight<br />

I fail my tests and my GPA is an absolute mess<br />

I got caught smoking pot and I downright hate<br />

How I can’t stop thinking about<br />

Every mistake that I’ve ever made<br />

I talk way too much yet I still can’t express<br />

Just how much I hate the absolute mess<br />

I’ve made of the life that I’m living.<br />

But I know this is true:<br />

All would be forgiven<br />

And my words would be heard<br />

And my mind would be sound<br />

If only you would help me<br />

To lose<br />

One<br />

More<br />

Pound.<br />

Amen.<br />

Deanna Beaman ’12<br />

<strong>The</strong> Power of Uniqueness<br />

Upon the shore<br />

<strong>The</strong>re crash the waves<br />

Vying for the sand<br />

Throughout the trees<br />

<strong>The</strong>re span the vines<br />

<strong>St</strong>retched across foliage and land<br />

Within the grass<br />

<strong>The</strong>re crouch the lions<br />

Preparing for the kill<br />

Across the plain<br />

<strong>The</strong>re rests the zebra<br />

Amiable and still<br />

Below the surface<br />

<strong>The</strong>re exists an earth<br />

Untainted and pure<br />

Between the pages<br />

<strong>The</strong>re lies a message<br />

Different and premature<br />

Within our selves<br />

<strong>The</strong>re sparks an idea<br />

Revolutionary and bold<br />

One abstract thought<br />

One understood concept<br />

Beginning to unfold<br />

Seize the day<br />

Embrace the passion<br />

Let this idea ring<br />

A silenced opinion<br />

Deprives the world<br />

Of the Uniqueness it deserves to bring<br />

Katie Toepel ’14<br />

60 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Right now three doors are closed shut.<br />

Two people behind Door One.<br />

<strong>The</strong>re’s a man who<br />

clicksclicksclicks<br />

Away on his computer<br />

Fixing moments of other people’s lives<br />

More invested in their memories<br />

Than his own<br />

He always leaves for the unknown<br />

Wanting to explore<br />

Unknowingly abandoning something more.<br />

<strong>The</strong>re’s a woman too and she<br />

clacksclacksclacks<br />

Away on her computer<br />

She chatters on the phone all day<br />

From six in the morning to ten at night<br />

Even with these ridiculous work hours<br />

<strong>The</strong> clicking man doesn’t argue<br />

But shrugs and says, “Alright.”<br />

Click Clack Tap<br />

A ghost sits behind Door Two.<br />

During the late hours<br />

I can hear him<br />

taptaptap<br />

On his computer too<br />

Busy with his own life<br />

He departs like the clicking man<br />

And doesn’t return for another week<br />

I learned to not chase after him<br />

But turn the other cheek.<br />

Click Clack Tap<br />

Click Clack Tap<br />

My ear is pressed against Door Three<br />

Listening to the<br />

Click Clack Tap<br />

Of those three strangers in those three rooms<br />

Father Mother Brother<br />

Have I lost you to the machine?<br />

A creation for time<br />

But a thief of my ideal familial dreams<br />

Click Clack Tap<br />

I scream those three little words<br />

That I know can break the spell<br />

But<br />

Click Clack Tap<br />

Overrides me and it’s official<br />

This fantastic machine has become my hell<br />

Oh can’t you hear me<br />

Oh won’t you listen<br />

To what I have to say<br />

Click Clack Tap<br />

But these damn closed doors<br />

Keep getting in my way<br />

So let me try this once more<br />

Speaking a language you know for sure<br />

Maybe this will make our family values anew<br />

Just let me say…<br />

Click Clack Tap<br />

(I love you.)<br />

Monica Yap ’11<br />

Reality<br />

Ask me what reality is. I’ll tell ya.<br />

Reality’s the death of sanity, the death of humanity.<br />

Reality is Hurricane Katrina and its destruction.<br />

It’s the sadness a child has to feel. It’s the pain families have to endure. It’s the hunger thousands face. It’s the<br />

problems we choose to ignore. It’s the strength we lack to fight our battles.<br />

That… is reality.<br />

But daddy, I have a different reality. In my reality, I see birds chirping. I see a flower blooming. I see a rainbow after<br />

a pouring of rain. I see the pride that a father has for his little girl. I see the faith I have that God will<br />

always help me. I see never-ending possibilities.<br />

And in my reality, I don’t let mistakes or sadness bring me down.<br />

Because, daddy, reality is what we make it.<br />

Yana Yasevich ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 61


Self Portrait • Angela Yip ’13<br />

Photography<br />

Gifts<br />

Dig out those gifts hiding in the soul,<br />

<strong>St</strong>ress should fade at the end of day;<br />

Discover the truth in its whole.<br />

Though intelligent men endlessly pursue one goal,<br />

<strong>The</strong>ir holy spirits will not wilt away<br />

Dig out those gifts hiding in the soul.<br />

Drunk men swell with desperation, sucked into black holes<br />

Of eternal darkness, too late to stray.<br />

Discover the truth in its whole.<br />

We who asked the Lord to console<br />

Never saw our goodness on display,<br />

Dig out those gifts hiding in the soul.<br />

When blind desperation takes control,<br />

Wise decisions are apt to sway<br />

Discover the truth in its whole.<br />

And you, my friend, living on that empty bowl,<br />

Dejected with your shattered hopes, I pray,<br />

Dig out those gifts hiding in the soul,<br />

Discover the truth in its whole.<br />

62 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Isabella Cai ’14


I<br />

like right angles. <strong>The</strong>y’re uncomplicated. When my sophomore<br />

geometry teacher explained them, they made perfect sense to me<br />

I like to think of myself as a right angle: precise and neat.<br />

I don’t like things that don’t fit into my plan of getting into Vassar<br />

University.<br />

But when I met Jace it was like everything that I had wanted<br />

for so long vanished. We met at the used bookstore on Clement. He<br />

was older, and had gages in his ear and a tattoo of an Irish cross on<br />

his left arm. He was nothing like any of the boys in my advanced<br />

Spanish classes, who wore Sperry’s and drove their dad’s BMWs to<br />

lacrosse practice.<br />

I remember the way he picked up the book I had carelessly<br />

dropped and said, without humor, “You’re wearing a lotta pink”, I<br />

looked down at my North Face vest and sweatshirt, both a vivid hue<br />

of magenta. “I… I guess I am.”<br />

“I’m Jace.”<br />

“Ellie.”<br />

From then on, it was like I was living a Taylor Swift song,<br />

sneaking out late, hanging out on his motorcycle, except our song<br />

was a death metal one by Gorgoroth. He had dropped out of<br />

Lincoln to help his dad at the repair shop, and he always had black<br />

grease stuck under his fingernails.<br />

<strong>The</strong>n, one day, he came to my track meet. I saw Jace just as<br />

I was about to run 800 meters. He was sitting next to a bunch of<br />

baseball players and swimmers, they in their in matching varsity<br />

jackets and he in his used flannel work shirt. Jace told me he would<br />

I thought you’d be here by now<br />

Fire! From the Dark:<br />

(If life is fuse then you are spark)<br />

All my love and all my life<br />

I see ablaze in the west tonight.<br />

All the pain and happiness,<br />

All things Human more or less,<br />

I feel as though they all are mine<br />

When flame and water do combine.<br />

Slay the day and stall the night<br />

<strong>St</strong>op and stay I need your light,<br />

I beg you this small favor sun,<br />

<strong>St</strong>op the cycle, halt the run.<br />

I do yet hope this is the time<br />

That orb will be appeased by rhyme<br />

Make obeisance and comply<br />

To stick around and light the sky.<br />

That I might not see all things die.<br />

That I might not see all things die.<br />

meet me at the Daly City IHOP afterward. I was late by half-anhour.<br />

Jace was waiting there, a cup of black coffee in his hands. “I<br />

thought you’d be here twenty minutes ago.”<br />

“I got busy”, I said, sitting down folding my napkin in my lap.<br />

“You were good.”<br />

“Thanks.”<br />

“I really didn’t like those baseball players watching the game.<br />

All they seemed to talk about was the hot sophomore and how the<br />

new Commons vegetarian food blows.”<br />

“Well that’s them, not me.”<br />

“I know but it’s like you live in this bubble full of other kids<br />

who are privileged and born into… God, I don’t… being total jerks?<br />

It’s like all you worry about is if you can get a 2400 on your SAT,<br />

making your 800 meter time faster, being better, stronger than the<br />

person next to you instead of just – living.”<br />

“That’s not such a bad thing to aspire to, Jace. We’re not all<br />

going to suffer like you.”<br />

“Give it up, Ellie. Who are you trying to please? Your parents?<br />

<strong>The</strong> college admissions people? SI? Or is it really for yourself? Not<br />

everything’s going to fit into your perfect right angles.”<br />

He got up and left me in the IHOP with a black coffee and a<br />

head aching of the possibilities of a life made up of questions that I<br />

still can’t answer.<br />

Camille Vinogradov ’12<br />

Nick Brunner ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 63


<strong>The</strong> Barn<br />

Early morning quiet engulfs the shadowy brick- red structure in stillness<br />

As the fingertips of the bright morning sun<br />

Reach over the white- tipped peaks<br />

And cast a peachy glow over the grand expanse of the valley.<br />

Tiptoe through the smooth, heavy wood doors<br />

And into the peaceful horsy darkness<br />

Sleepy, half- open eyes adjust gradually revealing<br />

<strong>The</strong> calm swaying of the horses’ dark figures,<br />

<strong>The</strong> cold grey steel corners of the stalls,<br />

<strong>The</strong> neatly arranged hay stacks,<br />

And the tack patiently waiting to be used.<br />

<strong>The</strong> aroma of the barn rises to awaiting nostrils:<br />

Horse, hay, leather, manure.<br />

A soft whinnying and snorting comes from the stalls<br />

As the horses lift their heads<br />

And look up with their huge, gentle, trusting eyes.<br />

Lifting the golden hay over the stall,<br />

<strong>The</strong> fresh, earthy alfalfa flavor envelops the barn<br />

As the crunchy sweetness of the carrot treats tickle horsy tongues.<br />

Reaching out, the warm, steady horse coats<br />

And the worn leather of the halters<br />

Both so soft against the roughness of the hay<br />

And the coolness of the carrots.<br />

Emerging from the barn,<br />

<strong>The</strong> sounds of the day sift into now- alert ears.<br />

<strong>The</strong> distant bark of waking ranch dogs,<br />

<strong>The</strong> steady rumble of tractors,<br />

And the “chk- chk- chk” of sprinkler lines<br />

Flow together harmoniously<br />

As the horses trot out to meet the day.<br />

Alison Simon ’13<br />

64 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Magnetic Temptation<br />

I hear my refrigerator deceitfully singing, tempting me in dangerous ways.<br />

It whispers taunting, quiet-shhh-phrases that go on till daylight, never quitting until its goal is fulfilled.<br />

I see the artichoke lying on the top shelf, staring me straight in the eye.<br />

<strong>The</strong> burrata cheese as fluffy as can be, having a rendezvous with the heirloom tomatoes.<br />

<strong>The</strong> crowds of arugula making their way back to their shelter, as the lettuce embrace their fellow brothers and sisters.<br />

<strong>The</strong> delicious, tangy balsamic vinegar standing as it rests against the walls of the enclosed world.<br />

Each young grape singing for one purpose, their crispy texture completes them,<br />

creating a barrier between their furrowed grandparents and themselves.<br />

Milk and warm apple pie possessed by the night– freshly squeezed orange juice launching the start of the day.<br />

All at once, singing with their rich goodness, turning into a whisper,<br />

trapped once again until the next temptation.<br />

Susanna Shidlovsky ’12<br />

War Really Isn’t That Bad…<br />

I miss you, honey, and our little girl<br />

Just as much as you two miss me.<br />

But don’t worry, our lives are really quite the same<br />

You step foot on the sand every morning, as do I.<br />

You stand under the sun for hours, as do I.<br />

You watch the waves crash on shore, as do I.<br />

You walk around looking for shells, as do I.<br />

You hide-and-seek behind the trees, as do I.<br />

You run around playing games of tag, as do I.<br />

You collect sticks to make little fires, as do I.<br />

<strong>The</strong> only difference lies at the end of the day<br />

Where you rest in a bed, waiting for dawn,<br />

And I rest on the rocks, waiting to die.<br />

Valerie Chiang ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 65


Each New Day<br />

Soon the Dawn of the Sunrise weeps golden Tears of Joy<br />

causing the overflow of Life to runneth over<br />

the Cliff of Uncertainty<br />

plunging into the Canopy of Dry Soil<br />

where Bones of Unpeaceful Unrest<br />

await to ressurect.<br />

<strong>The</strong> Waters of Youth gush throughout<br />

the Cracks of Eternity<br />

Destroyed Memoirs are restored to<br />

Prosperity; not in value, but in beauty.<br />

<strong>The</strong> Calling of the Wind combines the<br />

Warmth of the West with the<br />

Bitter Chill of the East to produce<br />

flashes of Thunder which precedes<br />

the approaching Nightfall and the boom<br />

of the roaring Shadow of Space<br />

AND soon the Dawn of the Sunrise weeps…<br />

Christian Solares ’12<br />

66 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

Geyserville • Sarah <strong>St</strong>inn ’11<br />

Photography


<strong>The</strong> Captain<br />

<strong>The</strong> troops march along with their heads held high,<br />

A beloved Captain keeps their spirits in the sky.<br />

He leads them onward towards the final destination,<br />

Looking to send the enemy to an eternal damnation.<br />

<strong>The</strong> Captain, their Captain, who they walk beside,<br />

Is the reason for the war’s change of tide.<br />

He is known to all as the perfect man,<br />

He only has his men do what he himself can.<br />

He has earned the respect of all he knows,<br />

And in battle, his very being glows.<br />

<strong>The</strong> Captain, their Captain, whom they walk beside,<br />

Is the reason for the war’s change of tide.<br />

Each man trusts him with their life,<br />

And for him, each is willing to take a knife.<br />

Never has there been one better in their eyes,<br />

Than the man who, it seems, can never die.<br />

<strong>The</strong> Captain, their Captain, whom they walk beside,<br />

Is the reason for the war’s change of tide.<br />

But anything and anyone can change in time,<br />

Even a man who receives some dollars and dimes.<br />

You would never know with the men so determined,<br />

<strong>The</strong>ir beloved leader was trapping them like vermin.<br />

<strong>The</strong> Captain, their Captain, whom they walk beside,<br />

Is the reason for the war’s change of tide.<br />

Kieran Firlit-Ring ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 67


68 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

School Yard • Tessa Van Bergen ’11<br />

Photography


<strong>The</strong> Window to Another World<br />

Michael briskly grabbed his checked bag from the baggage<br />

claim, left the air-conditioned arrival hall, and entered<br />

the cluttered streets outside. <strong>The</strong> hot air was dry, and<br />

the smell of all the people rushing about was ghastly. Michael took<br />

out his BlackBerry from his suit pocket and checked his email –<br />

No New Messages. Out of the corner of his eye he watched a taxi<br />

attendant usher him to a car. <strong>The</strong> taxi was twice as hot, but there<br />

was at least no smell.<br />

“<strong>The</strong> Royal Crown Plaza Hotel,” Michael shouted to the taxi<br />

driver over the ruckus outside. <strong>The</strong> driver quickly nodded back and<br />

swiftly pressed down on the gas.<br />

As the car pulled away, Michael could see hundreds of native<br />

people waiting in the taxi line he had quickly skipped in the<br />

reflection of his BlackBerry – No New Messages. Michael gripped<br />

his phone as though it were his child. He continued to wait for<br />

the most important message of his life, from Corporate. Michael<br />

dropped the phone onto the seat next to him as anxiety took control<br />

of his muscles. Raise or No Job…<br />

<strong>The</strong> sunset outside finally was able to attract Michael’s<br />

attention away from the phone. He looked out the window and<br />

finally let the atmosphere of this foreign land sink in. <strong>The</strong> sun<br />

was beginning to lower itself under the horizon, while fields of rice<br />

swarmed by at the edge of the highway. As the city approached,<br />

Michael turned back to his phone. If he did not answer a<br />

verification from Corporate soon, the deal would End… – No New<br />

Messages<br />

He turned back to the window again. <strong>The</strong> taxi was nearing<br />

the end of a long beautiful overpass that showed off the glimmering<br />

skyscrapers, which represented the country’s rise to power. <strong>The</strong><br />

magnificence of the skyscrapers gave Michael confidence that the<br />

deal would go through. Michael turned from the window and<br />

looked at his phone’s glowing display as it rested on the seat next to<br />

him – No New Messages<br />

In the top right corner of the screen, the phone service bars<br />

began to disappear. <strong>The</strong> taxi had entered a tunnel, and Michael<br />

began to worry again. As the taxi rushed through the tunnel, lights<br />

streamed by the window and created a light show on the seats of<br />

the car. When the lights abruptly stopped flying by on the seats,<br />

Michael looked out the window and saw that the cab had exited the<br />

tunnel and had entered a dirty slum. Dirty water silently gushed<br />

along the side of road. Trash and cigarettes littered every surface of<br />

the sidewalk. Graffiti covered every wall and house that zoomed by.<br />

Michael, disgusted by the sight, turned back to his phone display<br />

for comfort – No New Messages<br />

After the cab crossed a wide street, Michael spotted a mob<br />

beating up a kid carrying a bag of groceries and whose bike had<br />

crashed into a pole. <strong>The</strong> red rusty bike wheels were still spinning.<br />

Michael was shocked; he slumped back down into his seat, but did<br />

not look at his phone. He did not understand this sudden change<br />

in wealth. <strong>St</strong>orm clouds began to roll over the tops of the brown<br />

and grey buildings, which seemed to never have the potential to<br />

glimmer.<br />

As the cab began to pass a shabby corner market, Michael<br />

peered out the window and saw a wealthy man in a suit with his<br />

arm around a girl shouting at the poor storeowner. <strong>The</strong> storeowner<br />

looked weary and powerless as his head drooped towards the charred<br />

pavement. Michael was bewildered. He could not believe what he<br />

was seeing.<br />

Once Michael could no longer see dirty buildings towering<br />

next to the road, he looked out the window, hoping that some<br />

prosperity could be found somewhere. Instead the rain began to fall<br />

and a rough barren field came into view. He saw two very young<br />

boys in ragged clothes playing soccer next to a barbed wire fence.<br />

As the taxi drove by, Michael made eye contact with one of the boys<br />

who had just passed the rugged ball back to the other boy. <strong>The</strong><br />

young boy looked mortified, weary, and uneasy.<br />

“<strong>St</strong>op the car.” Michael opened the door and beckoned the<br />

two players to come over. <strong>The</strong> rain was pelting down, and the<br />

boys uneasily came over to the cab after a few minutes. Michael<br />

rummaged around his briefcase and found two energy bars left<br />

over from the trip. <strong>The</strong> boys, who looked half-starved and a little<br />

frightened, took the bars into the dirty hands, ran around to the<br />

other side of the taxi and jumped in. As the clambered onto the<br />

seats next to Michael, the commotion caused his shiny BlackBerry<br />

to fall down onto the muddy pavement. <strong>The</strong> cab doors were<br />

slammed shut, and the cab drove off as the phone began to vibrate.<br />

One New Messssssagggg…. <strong>The</strong> phone crackled and died from<br />

the downpour.<br />

Michael, to this day, has never regretted his decision.<br />

John Ruxton ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 69


1,460 Days<br />

A clot of Hawaiian shirts and sombreros in the cheering section<br />

Screaming “roll tide” at the top of their lungs<br />

<strong>The</strong>y barricade the stairwell<br />

Clogging the hallways<br />

Breaking dress code<br />

Leading the school<br />

On top of the world in their minds<br />

<strong>The</strong> time of their lives<br />

<strong>The</strong> clock is ticking<br />

A final hoorah before the end<br />

Tired, sleepless zombies<br />

Roaming the halls, in their own world<br />

Seeking a purpose to it all<br />

<strong>College</strong>, exams, essays<br />

No vacancy no free time<br />

Searching for the end<br />

Doors closing, time is running out<br />

Options seem slim<br />

Hauling their burden around on hunched backs<br />

Searching for drive, motivation<br />

Wise fools, curious cats<br />

Feet in their mouths,<br />

Heads in the sand<br />

Thinking they know it all<br />

Making a mockery of freshmen<br />

Embarrassment to themselves<br />

So sure of where they want to go<br />

What they want to do<br />

Looking for power<br />

In a powerless bubble<br />

<strong>The</strong>n there is us<br />

Sophomore prey<br />

Paranoid squirts anxious to get to class<br />

Invisible to all<br />

Muffled murmurs, meaningless bumps, nothing<br />

A single blade of grass on J.B. Murphy<br />

A lonely chair in the Commons<br />

Just trying to fit in<br />

No matter how much we try, we make no sound<br />

Maybe no one is listening<br />

Kate Reardon ’14<br />

70 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Lethargic Afternoon<br />

<strong>The</strong> ground is slick and fresh with the dew of the night’s rain<br />

and the pavement, gray and damp, smells of water<br />

and tells of a day bound to be lethargic.<br />

<strong>The</strong> branches of the trees once long and limber now droop<br />

as their swollen midsections are wrung<br />

of their duties as host.<br />

Leaves that were once green are now soiled by rain,<br />

their veins-now dead – harbour grays and browns<br />

brought by the weather’s malevolence.<br />

Conor Lane ’12<br />

Hex<br />

Sometimes you drone,<br />

You’re stuck in this hex.<br />

Just remember.<br />

You’re not alone,<br />

Scared of what’s next.<br />

Henry Callander ’14<br />

<strong>The</strong> Dream Lives<br />

America lived on<br />

As foreigners slept,<br />

A place of fortunes won<br />

And freedom kept<br />

Many came through the door<br />

Leaving all behind,<br />

Arriving, wanting more<br />

From a land undefined<br />

Fleeing distant lands<br />

Or stolen from others,<br />

<strong>The</strong>y now join hands<br />

As American brothers<br />

As their children we have a need,<br />

Live on the dream and succeed.<br />

Anthony Ayllon ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 71


LOL<br />

From my chest,<br />

A warm buzz rises<br />

To the top of my head,<br />

Until my entire face glows.<br />

With a crinkle in my eyes and<br />

A flush of my cheeks,<br />

My lips slyly spread apart,<br />

To unveil my gleaming smile.<br />

My mouth stretches and twists so<br />

<strong>The</strong> goofy grin on my face erupts into<br />

a laugh.<br />

One that rumbles the air<br />

And shakes the trees.<br />

Melting down from my face,<br />

Flowing through my veins until at last,<br />

My whole body laughs.<br />

A shaking in my shoulders,<br />

And weakness in my knees.<br />

<strong>St</strong>umbling and falling over,<br />

But I don’t notice.<br />

For I am laughing still, even harder now.<br />

My smile remains eternal as I turn silent<br />

Tears freely streaming from my eyes<br />

And I, clutching my sides,<br />

Roll over in the grass.<br />

My face, pressed into the earth,<br />

Laughs to the ground,<br />

To share our joke with the entire world.<br />

I exhaustedly flip over,<br />

My cheeks red and sore with joy.<br />

Looking up into the night sky,<br />

With a content sigh,<br />

My laughter dies,<br />

As does yours too.<br />

Until it’s just the sound of us breathing.<br />

And all we do is breathe together,<br />

Until the air is as calm as it was before...<br />

But yet our eyes meet again,<br />

And we laugh some more.<br />

Tatyana Diaz ’13<br />

Three Seasons<br />

Fall has fallen<br />

And the trees have fallen bare<br />

Nature becomes aware<br />

Of the callin’<br />

Though the tides of passion<br />

Cannot always undo the past<br />

What can last accounts<br />

For the supply of emotional rations<br />

That supplement the hibernating soul<br />

Due on punctuality?<br />

Maybe, the inner ameliorates<br />

Yet still you become ghoul and brash<br />

Especially when your insatiable hunger defies<br />

<strong>The</strong> laws of self control, you lose patrol<br />

Deep woods entrenched upon<br />

Calls attention on the callin’<br />

Which vigilantly awaits for your coming<br />

Its eyes piercing the red lividity within<br />

For the point where patience is inadequate<br />

For when the putrid past pounces<br />

For what extent do you submit yourself to this oozing?<br />

<strong>St</strong>ill, winter blizzard rages on in response<br />

And, like sandstorm, pelts its matter<br />

One snowball after another<br />

Rolling and rolling over you like a steamroller<br />

Until you see your knees too weak to stand<br />

Within your heart, dissipation of band<br />

Snowballing has become too complex<br />

For your mind to understand<br />

You hope for the melting of winter<br />

That possibly you can become a new flower<br />

But nature tends to be sour<br />

Sending bees to make you hide and cower<br />

Yet you search for hidden power<br />

And to the tower you search<br />

For the bird perched on its roost<br />

Knowing the hidden entrance on daylight savings time<br />

You use the newly found spring potential to climb<br />

Overcoming the acrophobia, you finally meet your beaked friend<br />

Or foe of the callin’?<br />

You never know…<br />

Risks taken are lost from you<br />

And this is something you voluntarily attempt to do<br />

You have to overcome the callin’<br />

To pick up what was left behind<br />

To pick up, the fallen<br />

Christopher Abrigo-Mendoza ’12<br />

72 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Whispers in a Cloud<br />

Upon a flustered cloud you sit<br />

With sturdy limbs which once fell limp<br />

Proud and regal you remain<br />

Gone now all the twisted pain<br />

Just empty sky to contemplate<br />

But wait, can that be it – a gate<br />

It beams with golden twang<br />

Yet to human soul looks all the same<br />

<strong>The</strong>y whisper, a word, a phrase, a line.<br />

You listen, intent, and calm, and oh so fine.<br />

A cloud concocted from a wave<br />

A luminescent sunrise in its wake<br />

<strong>The</strong> giant opens, then all in one<br />

Dust to brilliance swirls through a sun<br />

Give it the end to start anew<br />

You’ve since then known that loss is true<br />

Concealed in the brightness of a day<br />

You’re best to guide when darkness lay<br />

Again, a whisper, lifted from a cloud<br />

Vaporize the silence, bring in the loud<br />

For now you know of all things gone<br />

You watch from distance like Regal Fawn<br />

From nature a spirit set in tree<br />

Love conceals, contorts, essence of you<br />

To me.<br />

Shannon Foster ’12<br />

A Red Barn on a Foggy Morning • Rachel Yan ’14<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 73


Her Life’s Investment<br />

Brilliant little one, spinning like a top<br />

Thoughts too big to contain<br />

As time marches on she stays put<br />

Sacrifices need to be made<br />

Getting ready for tomorrow, her life postponed<br />

<strong>The</strong>se aren’t supposed to be the best years, anyway<br />

She can’t waste her life living<br />

Her life can begin later<br />

She’ll thank herself later<br />

When is later, exactly?<br />

Ticktockticktock the doomsday clock<br />

Two by two they parade past<br />

Paintings come to life, all dressed up for the ball<br />

No dance partner for her<br />

She doesn’t have time for dancing, there’s work to do<br />

She’ll thank herself later<br />

Right?<br />

<strong>The</strong> years fade by<br />

<strong>St</strong>ill she prepares, plans, practices<br />

It’s all for later, she’ll be grateful later<br />

<strong>The</strong>y’ll wish they’d done like her later<br />

Around and around the merry-go-round<br />

Spinning, spinning<br />

Too dizzy, it’s hard to stand<br />

But she can’t fall, it’s not later yet<br />

She tears the pages out of the book<br />

To clutch them closer to her heart<br />

To press them to her eyes<br />

But they turn to paper<br />

She still hasn’t begun to live<br />

After all, once you pick a flower it dies<br />

She needs to wait for the right time, the perfect time<br />

Which is later, of course, never now<br />

That wouldn’t be sensible<br />

But the sand is gone, the top tips<br />

Maybe with more time it would have paid off<br />

She spent all her time planting<br />

<strong>The</strong> harvest would’ve been magnificent<br />

<strong>The</strong>n she could’ve lived<br />

She would’ve thanked herself later<br />

It would’ve all been worth it<br />

Right?<br />

Shannon Lindstrom ’12<br />

74 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Answering the Call<br />

When the sun shines upon all our soldiers<br />

<strong>The</strong> bugle blows to wake them all up.<br />

Eager young men who look as large as boulders<br />

Men who wanted to see battle close up<br />

<strong>The</strong> sergeants make them go out on patrol<br />

<strong>The</strong> pale young faces prepare for the worst<br />

And the sergeants struggle to maintain control.<br />

And as they walked, BOOM! Bombs began to burst<br />

<strong>The</strong>ir commanders planned to bring them backup<br />

A promise that the commander will not keep<br />

While the enemy begins to catch up<br />

Our strong young men retreat to their jeep.<br />

<strong>The</strong> small jeep was the young men’s savior<br />

<strong>The</strong>n a strong, stern man from squad Baker said<br />

“Go on, get out of here I’ll hold them off!”<br />

<strong>The</strong> four terrified young men then took off<br />

<strong>The</strong> four tired boys died before getting home<br />

<strong>The</strong>ir innocence and their youth soon dies off<br />

<strong>The</strong>ir old selves remain on the battlefield<br />

<strong>The</strong> four weary, battle-hardened corpsmen<br />

Will go through hell over and over again.<br />

Josh Moreno ’13<br />

Serpentine Ardency<br />

With fickle snakes of mirrored gold<br />

In white dawn eyes she’s spied her prey<br />

<strong>St</strong>ill licking lips of cries untold<br />

In claws of red, his heart she holds<br />

She knows that she will get her way<br />

With fickle snakes of mirrored gold<br />

And as the midnight moons unfold<br />

Wings tremble, hunger boils, eyes grey<br />

<strong>St</strong>ill licking lips of cries untold<br />

But demons in his eyes behold<br />

He fires back through the blackest day<br />

With fickle snakes of mirrored gold<br />

She falls in pain; warm blood grows cold<br />

His once true soul he’s sold for pay<br />

<strong>St</strong>ill licking lips of cries untold<br />

Until the twilight sun grows old<br />

Inside love’s prison she will lie<br />

With fickle snakes of mirrored gold<br />

<strong>St</strong>ill licking lips of cries untold<br />

Julien R. Ishibashi ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 75


A Beautiful Tradition<br />

A man and his son and a yellow lab<br />

Bundled up in down jackets—weighted down with<br />

equipment<br />

Tired as they are, adrenaline energizes the pair<br />

<strong>The</strong> father yearns to pass on the tradition and his<br />

experience<br />

<strong>The</strong> son desires to join with past generations and those yet<br />

to come<br />

Heavy camouflage and subtle colors hide the group’s<br />

presence<br />

Animals waken—a raccoon scampers across the road<br />

On this new day men trudge through sloppy, brown marsh<br />

Through frigid knee-deep water that is like ink<br />

Battalions of vibrant decoys drift lazily past<br />

<strong>The</strong> journey ends on a small piece of land<br />

A perfect blind in the tules<br />

<strong>The</strong> father and son climb into cold, steel underground<br />

barrels<br />

Yet sit comfortably on small, padded stools<br />

<strong>The</strong>ir minds set on the future, spirits only heighten<br />

Thankful men rest after the long walk<br />

Chatting and reveling in glorious stories past<br />

Each feels he is Homer telling the Odyssey<br />

Embellishing details in whimsical tales<br />

<strong>The</strong> men hope history will repeat itself.<br />

<strong>The</strong> father stokes a fire inside the dry barrels<br />

Flickering flames combat the icy air<br />

Warmth tantalizes the already shivering men<br />

Sleep attempts to cloud their eyes<br />

But cannot contain their excitement<br />

Greying at the corners of the sun<br />

Light scares away darkness<br />

Honks and quacks and whistles travel across the sky<br />

Whizzing wings dart over their heads intermittently<br />

<strong>The</strong> son gazes at the silhouettes<br />

Invigorated by the prospects of a good hunt<br />

<strong>The</strong> father looks at his watch – 5:43 – it is time<br />

<strong>The</strong> father hopes success will smile upon his son<br />

<strong>The</strong> son keeps thinking about that first opportunity at a<br />

duck<br />

<strong>The</strong> pair place shells in the guns and click them shut<br />

<strong>St</strong>oically sit the pair<br />

Waiting for their chance at elusive birds<br />

<strong>The</strong> dog whimpers in his excitement<br />

Anxious to feel the thrill<br />

Of beauty on the final approach<br />

<strong>The</strong> sun creeps across the horizon<br />

Red, purple, orange, yellow, blue<br />

Brushstrokes paint a brilliant sky<br />

A picture-perfect moment<br />

Father and son will never forget<br />

A pair of ducks creates a flutter of wings and a zoom<br />

overhead<br />

Heartbeats stop for a quick second<br />

<strong>The</strong> father makes a resounding quack<br />

That echoes over the sheet of glass<br />

Causing the birds to tip their wings towards the noise<br />

<strong>The</strong> hunters come alive with exhilaration<br />

Hoping that the birds will come all the way in<br />

A glimpse above tules reveals the ducks’ colorful plumage<br />

Two beautiful drake mallards<br />

Fat and happy in the crisp air<br />

<strong>The</strong> decoys dupe the ducks<br />

Cup their elegant wings<br />

<strong>The</strong>y commit<br />

Green heads, yellow bill, brown neck, whitish—grey body<br />

Orange feet come rocking in flight<br />

<strong>The</strong> hunters can see the birds’ oblivious eyes<br />

Grips tighten, safeties click<br />

Like clockwork the father prepares for what will come<br />

<strong>The</strong> son endures a nervous moment and hopes his aim is<br />

true<br />

Adrenaline hits the hunters<br />

<strong>The</strong> final approach<br />

Like tightly wound springs, hunters pop up in their blinds<br />

At the sudden movement, the ducks flare in crazy motion<br />

Guns shouldered, triggers squeezed<br />

Bright light erupts from both weapons<br />

Boom, boom, boom in the blood red sky<br />

Splash, splash<br />

“Turbo!”<br />

Like lightening, the dog bounds into water<br />

Making it choppy, retrieving both birds in succession.<br />

“Give!” the father forcefully commands<br />

<strong>The</strong> son brims with confidence and joy<br />

<strong>The</strong> first bird is in the bag<br />

<strong>The</strong> father feels his son’s happiness and pride swells<br />

within him<br />

A great day of hunting and the tradition lives on<br />

David Bustillos ’14<br />

76 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>St</strong>rings<br />

I’ve set out to find the answer to my problems.<br />

Those I know, they’ve gone and thrown<br />

out all that I valued and they’ve shown<br />

they don’t value me anymore.<br />

So today I leave to try somewhere new,<br />

to find someone to act, to copy, to be.<br />

It really doesn’t matter to me<br />

just as long as I have somewhere to go.<br />

I’m frightened, not tired. I’m lonely, not bored.<br />

<strong>The</strong>y left me, I know, because I am,<br />

as they say, a no-good sham;<br />

a worthless pariah who dances on strings.<br />

This won’t be the last time I’m tossed.<br />

I know the next that I follow<br />

won’t mind if they dig me hollow<br />

and create a new them to showcase instead.<br />

I will be their marionette—assimilated,<br />

and answer to their every call, no matter how ruthless<br />

and when a new puppet renders me useless<br />

I will try to please them until I’m bent and broken and<br />

trashed.<br />

When they see me, worn and used,<br />

if they laugh at all that I came<br />

for, I understand because what I came for is shame;<br />

to be shamed forever more until my backbone grows.<br />

For you see, as long as I am who they want me to be,<br />

as long as I’m empty and they can mold<br />

me, it won’t matter how many times I’ve sold<br />

myself to a type or a shelf with a label and a case.<br />

I do not dare discover who I am.<br />

I do not dare question what I’m given.<br />

I‘m just a pawn in someone else’s mission,<br />

tied up tight with a short white ribbon.<br />

Kathleen Hayes ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 77


<strong>The</strong> Fate of Empires<br />

<strong>The</strong> sun-ripened sand both rises and falls,<br />

So like these cities of dreams I once knew.<br />

<strong>The</strong> innocent breezes mock the trees I recall,<br />

Murmuring advice or lies. Which is true?<br />

<strong>The</strong> deep sky complements the royal sea<br />

As these cities ruled the world together.<br />

But a horizon divides them to plea<br />

A fine line ‘tween them that never tethers.<br />

One day the tourists vacated the beach;<br />

All citizens leave to engage in war!<br />

And then I witness loads of garbage reach<br />

<strong>The</strong> shore; these once proud cities rule no more.<br />

Just like the blue waves will crust into white,<br />

<strong>The</strong>se cities, once in splendor, now are slight.<br />

Chantal Nguyen ’13<br />

<strong>The</strong> Cook<br />

She reigns over the smallest room in the house.<br />

What is it today?<br />

Dark, double-decker chocolate cake?<br />

Perfectly symmetrical sugar cookies?<br />

Maybe just a taste…<br />

OUT NOW!<br />

Sent to jail with hunger and no trial<br />

And mind set on the hour to reunite with the sweetness.<br />

Joseph Pappas ’13<br />

<strong>The</strong> <strong>St</strong>ick<br />

<strong>The</strong> one you never see but you know is there<br />

<strong>The</strong> one you believed to be obsolete<br />

<strong>The</strong> one you never hear until it snaps<br />

Wreaking havoc upon your barefoot fleet<br />

<strong>The</strong> one if you had not neglected would not have cracked<br />

And left you scarred for as long as you could think back<br />

<strong>The</strong> event you could have stopped<br />

If you could not have had a selfish thought.<br />

Liam Mihelich ’14<br />

78 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> Phoenix<br />

have to get out of bed sometime, Caroline,” my<br />

mother calls from the kitchen. I don’t reply, instead<br />

“You<br />

burying my face deeper into the sheets.<br />

“I’m not going to say it again—you can’t spend all summer<br />

locked up in your room like Quasimodo—it’s just not going to cut<br />

it,” she says.<br />

She comes into my bedroom and brushes the sheets away, and<br />

I groan.<br />

“I’m just as ugly as Quasimodo,” I say. She looks down at my<br />

legs, the shiny scars of the accident still visible.<br />

“Don’t be dramatic. I know your therapist says it will take some<br />

time to adjust, but really this is ridiculous. God, just do something<br />

other than mope around here all day watching reruns of Judge<br />

Judy!”<br />

“I don’t just watch Judge Judy, Mom. Sometimes I watch<br />

America’s Funniest Home Videos.”<br />

She rolls her eyes and continues sipping her coffee. “I’ll be at<br />

the office. Call me when you decide to get up.”<br />

I don’t get out of bed for another hour. But when I do, I go<br />

to my computer and check Facebook. I haven’t updated my profile<br />

in two months. Under Caroline Campbell’s name is the picture of<br />

John and me at Junior Prom before everything happened.<br />

I click John’s profile. His only reminder of the accident is the<br />

burn on his left arm.<br />

He came to see me once, at the hospital. His eyes searched my<br />

face, hoping to find a semblance of the bubbly girl he once kissed.<br />

Left behind was a marred freak, the only reminder of her previous<br />

beauty grey eyes. He left quickly, and later that night went to a<br />

dance and hooked up with five girls.<br />

I really don’t blame him.<br />

You know those reminders to buckle your seatbelt when<br />

driving? It’s crap.<br />

John was driving down the Great Highway, no seatbelt on,<br />

singing off-key to “Born in the USA.” I was too, except I had my<br />

seatbelt on. <strong>The</strong> fire happened quickly. It was something in the car’s<br />

engine we later found out. John was able to hop out quickly. I was<br />

not so lucky. <strong>The</strong> flames grew as I frantically reached for the eject<br />

button on the seatbelt holder and the car spun wildly out of control.<br />

<strong>The</strong>n I remember waking up, my skin pink and raw.<br />

I leave my computer, dejected, and stare at the mirror. My face<br />

is somewhat normal, however there are scars running across and the<br />

color of the skin beneath my nose is crinkly and different from the<br />

skin on my nose and forehead.<br />

My friends tried to visit me, but I wouldn’t let them come in—<br />

not after John’s reaction.<br />

I’ll never be the same. I want to wake up and be new— like<br />

the phoenix that my freshman English teacher one told me about<br />

during our unit on mythology. Dead and then reborn. But that is<br />

fantasy.<br />

My reality is the face I’m looking at in the mirror.<br />

Camille Vinogradov ’12<br />

Sacred Valley Peru • Grace Buckingham ’11<br />

Photography<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 79


When Opportunity Knocks<br />

<strong>The</strong> past is hazy<br />

<strong>The</strong> present so clear,<br />

<strong>The</strong> future approaching, ever so near<br />

Shift of scene<br />

Change of fate,<br />

Opportunity knocks, don’t make it wait<br />

She stands there uncertain<br />

Not sure which to choose,<br />

Something to gain, something to lose<br />

Faith is still present<br />

Hope is there too,<br />

Confidence rolls in, without a moment to lose<br />

Armed with a smile<br />

And an open mind,<br />

She pulls open the door, in record time<br />

Opportunity knocked<br />

She answered the door,<br />

Amazing what the future, had in store<br />

<strong>The</strong> past is hazy<br />

<strong>The</strong> present so clear,<br />

And suddenly – the future is here<br />

Jacqueline Boland ’14<br />

It<br />

It,<br />

Behind every sound muttered,<br />

Behind every word uttered,<br />

Within every smile shown,<br />

Is secret.<br />

It has a purpose,<br />

A goal of one and of many,<br />

A dream so close to the heart,<br />

A desire for something to start,<br />

A wish.<br />

It is a means to an end,<br />

A way to bend<br />

Those rules that get in the way,<br />

A way to get what we want,<br />

A tool.<br />

It is a word,<br />

That can sever our ties,<br />

That can destroy the precious,<br />

And corrupt the gracious,<br />

An idea.<br />

It has torn down the foundations,<br />

Yet raised walls of separation.<br />

It has given us what we yearn for,<br />

Only after taking our souls.<br />

A weapon.<br />

It…is a lie.<br />

Xavier Sendaydiego ’11<br />

80 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Daydream #97<br />

Another day has come and gone<br />

And there she sits in self pity alone.<br />

After the sky is dressed for the magic hour<br />

Angry clouds ruin the light and let rain pour.<br />

A torrent of rain falls down upon<br />

A lonely girl with no raincoat on.<br />

Already time to move onward,<br />

Although making progress is too hard.<br />

Absently perching on her rock, feeling dour<br />

Alone as her feelings devour<br />

An aching heart inside her chest<br />

And the pain can give her no rest.<br />

And so she sits in self pity alone<br />

As another day comes and goes.<br />

Mikayla Lim ’14<br />

<strong>The</strong> Weeds Within<br />

A fresh downpour hits the once-wicked land,<br />

Despite washing away the outermost layer of dirt and grime,<br />

<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />

<strong>The</strong> precipitation provides promises of hope and a helping hand,<br />

Relieving the city’s occupants of negligible crime,<br />

A fresh downpour hits the once-wicked land.<br />

But who is to say that history will not take its stand,<br />

That once will not turn to twice in just a matter of time?<br />

<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />

<strong>The</strong> coming of the rain is something that cannot be planned,<br />

Making the road slippery on an endeavourer’s climb,<br />

A fresh downpour hits the once-wicked land.<br />

In the end, the only evil torn from a tangled mane comes as a small strand,<br />

No one can predict if this wisp will be sublime,<br />

<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />

Torrents can only scrape at the crust, making it impossible to turn the inner spice bland,<br />

Never reaching the core of the eccentricity, nor banishing the inner slime,<br />

A fresh downpour hits the once-wicked land,<br />

<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />

Katie Spence ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 81


Think<br />

I wake up and think, oh what about school,<br />

I get in the shower and think, oh will I look cool?<br />

I get dressed and think, oh should I wear that?<br />

I eat some breakfast and think, will I look fat?<br />

I get in the car and think, hope I don’t get in trouble<br />

I pull up at school and wish I’d shaved my stubbles<br />

I sit down in class and think, I hope he doesn’t call on me<br />

I get up to leave and think, I wonder if she looked at me<br />

I go to my locker and think, oh no I’ll be late<br />

I start to move and think, oh this class I’ll hate<br />

I start going to lunch and think, how long I’ll wait<br />

I stand in line and think what will I create<br />

I look at the tables and think, oh where will I sit<br />

With the jocks or the nerds or the guy with great wit,<br />

I sit alone and I eat thinking why can’t I speak<br />

Hopefully Jesus was right, he cares for the meek,<br />

I get on the bus and look somberly around,<br />

I think how will I do tonight I can’t let them down,<br />

I get home and I rest, starting to dose,<br />

I lay down in my bed thinking in prose,<br />

I look up at God thinking about tomorrow<br />

Who will I ask for their Perrine book to borrow,<br />

I wonder where I should live on those ghastly grounds,<br />

And I realize with God that I should really live here and now.<br />

Berkeley Vogelheim ’13<br />

Mind-Travel<br />

Vivid depictions of my mind’s description,<br />

Written on paper with words not diction.<br />

Treading in a sea of foamy fiction,<br />

Finding the words to life’s greater mission.<br />

All alone I walk amidst an orange jungle’s vision,<br />

Rainbows are folly phantoms to a continuous prescription.<br />

Alive yet dead dry dreams find secretion.<br />

A voice that blooms people into completion.<br />

Conscience is timid in a bi-world position.<br />

Sleeping souls know now their intuition.<br />

<strong>The</strong> world denies its imagineless factions,<br />

Waiting for the renewal of a restful contraction.<br />

Eli Love ’12<br />

82 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Fight <strong>The</strong> Light<br />

I look out my window into the vast unknown<br />

<strong>The</strong>re people wander about and roam<br />

But they are false and impure<br />

Focusing only on the wretched pain they endure<br />

<strong>The</strong>y become excluded from the brilliance and awe<br />

Of the magnificent sights I saw<br />

Terrific forms of radiant light<br />

Everywhere I look, left and right<br />

Beautiful stars, beacons at great height<br />

All my heroes compressed into one<br />

Guarding me until the second dawn comes<br />

But when the sky turns sick and pale I feel sorrow, not glee<br />

My heroes have abandoned me<br />

I must wake<br />

To face challenges I must take<br />

So I do not rage against the dying of light<br />

Instead I embrace it gently, until there is no white<br />

For only then am I truly home<br />

Free to wander and roam<br />

Safe from the terrors of the light<br />

<strong>The</strong> worries and stresses that give us no might<br />

And best of all my heroes have returned<br />

Never leaving their shift of endless night that I yearned<br />

Oh, what a sight<br />

As we lift off into the night like a kite<br />

<strong>The</strong> brilliance of the unknown<br />

Where I will never have to be alone<br />

So I fight the light<br />

With all my strength and might<br />

To take away the horrid curse of life<br />

To attack with a bite<br />

That is how I fight the light<br />

Max Schaum ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 83


Mountain Road<br />

Small, swaying flakes, crystalline<br />

Float amongst the frozen pines<br />

Carried by wind, then land at random<br />

And the breeze and the snow now act in tandem.<br />

Breath, a warm cloud of air<br />

A man extends his arm, and combs back his hair<br />

Picks up his pack, lighter now than once before<br />

Takes a passing glance toward the home he adores<br />

Swaying thrashing limbs of cedar<br />

Used to weather far much sweeter<br />

Old wood cracks, hits the ground, splinters<br />

Unprepared for this cold dark winter.<br />

<strong>The</strong> crunch of the snow, the breeze on his face<br />

<strong>The</strong> man eagerly resumes his old pace<br />

Hand to his brow, he gazes ahead<br />

And shivers not from the cold but amazement instead<br />

A long winding path tapers off and ends<br />

<strong>The</strong> road no longer turns or bends<br />

It leads but one way, to this end in the road<br />

Which ends at the mountain, where the sky has not snowed<br />

Calm and warm, the air surrounds him, he gazes in wonder<br />

At an emerald green mountain, with no ice or snow under<br />

A peaceful meadow, untouched by the frost<br />

Lies quietly in the shade, of a place believed lost<br />

Wearily, the man trudges forward,<br />

His heart beating fast, to the mountain he faces toward<br />

It has been miles since he slept, he’s never marched on stronger<br />

But to get what he has come for, he must march a little longer.<br />

John Carpentier ’12<br />

84 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Mother Bear • Brian Weiss ’12<br />

Art<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 85


To My Best Friend<br />

I hope you live to be one hundred,<br />

To live your life as you should.<br />

I hope you will age and grow,<br />

Changing with the leaves.<br />

I hope you’ll make many friends,<br />

And I hope that they’re all true.<br />

I hope you’ll find someone to love,<br />

And someone to love you back.<br />

I hope that you’ll have children,<br />

And watch them grow up soundly.<br />

I hope you will have grandchildren,<br />

So you can spoil them rotten.<br />

I hope you will be able to tell your stories,<br />

While sitting in an old rocking chair.<br />

I hope I’ll be there with you,<br />

Until I must depart.<br />

I hope you’ll be careful,<br />

And not get killed before your time.<br />

I hope all your scars will heal,<br />

And fade away gently.<br />

I hope that you’ll never be poisoned,<br />

And go on thinking clearly.<br />

I hope you won’t turn bitter,<br />

Thinking only of the wrongs.<br />

I hope your values won’t be disregarded,<br />

And you’ll stay true to your soul.<br />

I hope you won’t lock yourself in a cage,<br />

And you won’t forget the key.<br />

I hope the hardness of the times,<br />

Doesn’t stick to you like glue.<br />

I hope I’ll be there with you,<br />

Suffering just the same.<br />

I hope your love will shine,<br />

And the world will see your light.<br />

I hope you will do your best,<br />

And your effort will be recognized.<br />

I hope your turn will come,<br />

And your star will burst out finally.<br />

I hope you will graduate from college,<br />

And do what you love best.<br />

I hope that you keep on dreaming,<br />

And that all your dreams come true.<br />

I hope nothing will stop you,<br />

Not a hill, a stream, or a barrier.<br />

I hope you’ll believe,<br />

Especially in yourself.<br />

I hope I’ll be there with you,<br />

<strong>St</strong>anding in the shadows.<br />

I hope you’ll live to one hundred,<br />

With me right by your side.<br />

Ella Nicolson ’14<br />

86 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Beautiful Rosa<br />

With one deep breath in I inhale you.<br />

With one blink of an eye,<br />

I fill a tear with all of our memories and slap the top of my Rosie<br />

cheeks<br />

With the saltiness pleasure of defeat.<br />

It hasn’t been a year, but yet it feels like an eternity.<br />

With one slight ingestion of circular pure tasteless mush,<br />

I digest you into my body and wax out all the evil with the Virgin<br />

de Guadalupe candle you lit every first Sunday of the month.<br />

You, a complex act of G-d’s creation molded into the life of a tiny<br />

little woman,<br />

who wore a tiny grey hat over her head every Wednesday to her<br />

doctor appointments<br />

You, a beautiful Rosa mistaken for the recipe of a bitter old soul<br />

confined in a small metal box deep under the ground.<br />

You, the mixture of emotions that not even a psychiatrist has heard<br />

of, it is unknown,<br />

just like the cure for the cancer that killed you is, unknown.<br />

You,<br />

You,<br />

You,<br />

Gone!<br />

Now,<br />

What’s left for me?<br />

As I walked up to the altar today, on the feast day of La virgin<br />

herself<br />

I saw you,<br />

Plastered on the wall with an illuminant ring of light shining<br />

around every crevice of your yellow moist skin.<br />

You had a smile, a delicate sweet smile looking down upon your<br />

husband as he sang songs to praise you.<br />

Rosa, a delicate sweet smile, you had as you lit that candle made the<br />

three Sundays after, worth living for.<br />

Living, as still as a stained glass window with glass pieces plastered<br />

into the form of Jean Brebeuf,<br />

I rip my heart out and give it to you!<br />

Rosa, even the matte colors of your jacket shone brighter than any<br />

ray of sun that hit the coast of San Francisco.<br />

You were not invisible. As much as you would had loved to be.<br />

Now Rosa,<br />

Can you tell me have you ever seen a rose grow from concrete?<br />

Have you ever seen a tear form from so deep into the heart that it<br />

does not water, it bleeds?<br />

Not even death can keep you quiet,<br />

Because every time I close my eyes my ears widen at 5:15 AM every<br />

morning and can hear your raspy last breaths that you took beside<br />

your lovely developed women using their snores as ear plugs.<br />

<strong>The</strong>re was no candle.<br />

No candle, just simply light<br />

<strong>The</strong> light that slowly drifted you away into the night and took you<br />

on a trip to visit your new home.<br />

As you traveled,<br />

<strong>The</strong> strains of your pain shone right through the resistance of your<br />

smile as you tried to hold back your cries,<br />

“ayudale! ayudale!”<br />

You never once cared about yourself.<br />

You always put them first even at the last minute of your dying days.<br />

Rosa, just please if you can’t say anything else please can you tell me<br />

this:<br />

Are you comfortable now that you are alone with no pain?<br />

Can you finally put that candle out and use it on a worthy day?<br />

the next Sunday?<br />

or maybe even my birthday?<br />

Jessica Recinos ’11<br />

I Love you Grandma ♥<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 87


Day by Day<br />

Serenity • Isabella Cai ’14<br />

Photography<br />

88 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />

It’s Sunday. I Skype with my brother while he is working in Nepal. We are on completely opposite<br />

sides of the planet, but I can connect with him in a matter of seconds.<br />

It’s a small world after all.<br />

It’s Tuesday. A magnitude 7.0 Earthquake hits Haiti along with considerable aftershocks. A<br />

15-year-old girl in Florida flips the channel to Glee and never gives the suffering Haitians a second<br />

thought despite the fact that Haiti lies close by in the Caribbean.<br />

It’s a big world after all.<br />

It’s Friday. Civil War and genocide continues its 7 year rampage in Sudan where families are<br />

violently torn apart and villages are torched. We promised “never again” after the Rwandan<br />

genocide and yet many people are oblivious to the current crises transpiring in Darfur.<br />

It’s a huge world after all.<br />

It’s today. <strong>The</strong> whole wide world, filled with the hungry, the lonely, the tortured, and the helpless,<br />

longs for someone to hear them. Almost half the world—over 3 billion people—live on less than<br />

$2.50 a day while millions of Americans spend $3.00 just on their morning coffee.<br />

It’s our world after all.<br />

It’s tomorrow…<br />

Erin Geraghty ’12


End War<br />

<strong>St</strong>upid and<br />

Terrible for mankind,<br />

Obscene actions<br />

Permeate the mind.<br />

Wasted money<br />

And lost life,<br />

Ruin countries<br />

Substantiating all strife.<br />

Many try<br />

And many fail,<br />

Killing protested<br />

Everytime t’no avail.<br />

People die<br />

Every single day,<br />

All hoping<br />

Concord makes way.<br />

End war.<br />

Denis Shanagher ’13<br />

That Thing Called Love Which a Title Alone Cannot Sum Up<br />

Keeping someone in this life became my heaven on earth,<br />

Thought committing hurled people in to worlds of hurt,<br />

Believed I planted this relationship in unfertile dirt,<br />

And if I truly loved this someone, it meant to learn what it’s worth.<br />

<strong>St</strong>anding over narrow passages so unbalanced, unsteady,<br />

Chose to grip her hand in mine, realized I was ready,<br />

Blasted off into oblivion, she was tripping to admit it,<br />

But I knew that any love between friends would be admitted.<br />

Like a thief in the night, she took my lust for power and gold,<br />

Replaced it with the treasure of happiness untold,<br />

No matter where the future takes us, we’ll never get old<br />

Since the first “I love you” snatched the fear from my soul.<br />

Radiant as the sun, got that eternal burning heat,<br />

Connected my heart again, got it pumping and complete,<br />

No longer scared of anything, she’s now the hook to my beat,<br />

And when she laughs I always wave the white flag of defeat.<br />

Giddiness, happiness: absolutely unpredictable<br />

<strong>The</strong> surrounding of her presence orbits in patterns: elliptical<br />

Losing such a friend in this cold world: unthinkable<br />

<strong>The</strong>se words signed and sealed: still hoping that they shippable.<br />

Popular culture says no, so I drift by night skies<br />

<strong>St</strong>ress, worries, future thinking finally meets their demise<br />

So far not planning on anything, I’d rather improvise<br />

Since keeping her in my heart is my only sought prize.<br />

Was it love at first sight? Well probably not<br />

Intended as a sentence lacking any sort of plot<br />

She put a bullet in my brain, like a sniper took a shot,<br />

And now the tracks disappeared, now riding on a plane of thought.<br />

So I’d rather pull her close into me, instead of shove her;<br />

Since when she blocks out the sun, there’s nothing above her;<br />

This light isn’t blinding, only a mix of every color:<br />

When the spectrum lies between simple intermingled lovers.<br />

Christian Solares ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 89


Nothing Left<br />

isn’t it?” she asked.<br />

“It can’t be real...”<br />

“Lovely,<br />

“I swear it is! Ugh, you’re all the same.” Her smile<br />

flipped so fast, my stomach turned with it. We were sitting on the<br />

curb by her bus stop, staring at the sky. She had pointed out a deep<br />

red sliver in the sky that merged into the east to a stunning swirl of<br />

night and day. It looked like a picture perfect cutout of the heaven<br />

I’d painted in my head when I was a kid.<br />

“What do you mean?” I asked.<br />

“Pessimists. <strong>The</strong> sunset is clearly in front of you; just accept<br />

it.” <strong>The</strong> smile returned with a sarcastic lift of her dark brow, and I<br />

let myself breathe ” “...All the same.” She hit my stomach with the<br />

same force that might be exerted by the wind to make a blade of<br />

grass bend, but I pretended it hurt anyway.<br />

“Ow...”<br />

<strong>The</strong> panic on her face was enough to make me cry. “Ah Crap,<br />

are you okay? I’m so sorry. I’m really really sorry. I didn’t know I<br />

could hit hard, reallyIwasjusttplayingar-” I started to chuckle. She<br />

was getting nervous again.<br />

<strong>The</strong>n I kissed her. <strong>The</strong>re was something behind her kiss that<br />

made my lips pulsate with excitement or fear; I hadn’t decided<br />

which.<br />

“Call me when you’re home. <strong>The</strong> streets aren’t safe in this city.”<br />

I let go of her hand as she stepped on to the bus. <strong>The</strong> doors closed<br />

as she nodded, then made a face against the glass.<br />

I have always wondered if she knew what was coming then.<br />

My dad’s words echoed in my head as the bus turned the<br />

corner. “You sure about this girl?” he asked me after she first came<br />

for dinner. On the long drive to my father’s house the night they<br />

met, she had made me pull over by a cloudy lake. A small duck was<br />

lying on the shoulder of the road. As we got closer we could see the<br />

muddied red pool around him. She wrapped him up in her crochet<br />

hat, took him into her arms, and sat back down in the passenger<br />

seat without a word. I told her that there was nothing left for us to<br />

do. She looked down confused and she started to cry. Maybe she<br />

was a nutjob.<br />

I couldn’t help but picture her as I walked homeward. She was<br />

so beautiful. Sort of queer looking actually. Her hair was a gorgeous<br />

dark brown naturally, but today it was a bright red – the color of<br />

the sunset. Her nose was too small, and a little pointy. Her tiny<br />

lips matched the color of her pink cheeks and her ears were barely<br />

noticeable under her mass of ringlets exploding from her scalp. <strong>The</strong><br />

silver piercing on her right eyebrow drew an unnecessary amount of<br />

attention to her mischievous dark blue eyes. <strong>The</strong> blank eyes that no<br />

one could read.<br />

Looking back, I understand why she cried over that duck.<br />

As I reached my alleyway where my empty and tired apartment<br />

waited for me, I looked up at the sun’s last push for beauty. <strong>The</strong> red<br />

had disappeared and blackness had begun to replace it. I waited<br />

until all the light had gone before I opened the door.<br />

<strong>The</strong> deep boom that came from behind me reverberated<br />

in every bone, through my skull, down my spine and out my<br />

fingertips. As if in a dream, my legs carried me as fast as they could<br />

as flashes of ducks and sunsets and pretty pink cheeks mocked my<br />

every move. <strong>The</strong>y took me towards the bus route where I knew<br />

exactly what I would find – towards the last sliver of red I’d ever see.<br />

Kathleen Hayes ’12<br />

Untitled • Olivia Neagle ’12<br />

Art<br />

90 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Family Feuds<br />

Rhythmic steps down the naked hall.<br />

A veteran, unable to release the habits of a past life.<br />

Big hands, coarse hands, hands that hold anger.<br />

Anger so strong it could destroy him, should destroy him.<br />

But she knows how to take a fall<br />

And then rise, denial in her eyes but a heart so strong<br />

Even I begin to wonder, is she capable of demise?<br />

A life rejected, but never forgotten.<br />

When the memories refuse to make their way<br />

to the back of his bleeding brain, driving him insane<br />

He shoots, with perfect aim<br />

And I scream his name until the flame burns out<br />

Dad!<br />

I shout.<br />

<strong>The</strong> Woe of Trees<br />

Caileen Viehweg ’11<br />

Hunger<br />

<strong>St</strong>omach crying, clamoring<br />

Tears streaming down his face<br />

But not from the hunger<br />

From something much deeper<br />

He knows what is wrong<br />

He sees a path to repair<br />

But he’s unable to act<br />

Deprived of the chance to break free<br />

Depraved sivilization hungrier for him<br />

Than he is for food.<br />

He knows the outside looks in<br />

Like a dog fight<br />

Critiquing as the unfortunates<br />

Tear each other apart<br />

<strong>The</strong> dogs have no choice<br />

That’s all they have<br />

But he knows fully<br />

In the fibers of his being<br />

That they should have a choice<br />

That they should have more<br />

That he should have a choice<br />

That he should have more.<br />

Suffering unnecessarily<br />

Possessing the aptitude<br />

To lead, to change<br />

To make things right<br />

He knows how<br />

But what causes his tears<br />

Is that he also knows<br />

He can’t.<br />

Meg Summa ’12<br />

Like slithering snakes they shed their skins<br />

Every year when fall begins<br />

And so the unclothed giants<br />

Go naked for winter<br />

<strong>The</strong> coldest part of the year.<br />

<strong>The</strong>ir life, pride, and beauty<br />

Lay scattered on the ground<br />

<strong>The</strong>y stand starkly disheveled<br />

<strong>St</strong>ripped bare of their grandeur<br />

One piece at a time.<br />

But what does this mean for them?<br />

Surely death will pursue,<br />

At least a fleeting malady,<br />

But, miraculously, every spring<br />

Emeralds emerge from beneath barren stone.<br />

Catherine Summa ’14<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 91


Idle<br />

I am told that the waves kill you<br />

I am told they reduce you.<br />

Blind mute deaf exhaustion.<br />

Swaddled in liquid iron.<br />

I am told they roll you.<br />

Tightly and evenly.<br />

Weight and gravity’s obsession.<br />

I am told they rip you.<br />

So swiftly you lose sensation.<br />

Cede and be emptied.<br />

But Idling offshore,<br />

the line of gulping tides<br />

release to the feet of the lighthouse.<br />

I belong to its fire.<br />

Idling offshore,<br />

the wind off the eucalyptus<br />

burns in my throat<br />

seeping like regret.<br />

Idling offshore,<br />

I hear the sand<br />

shift between their toes.<br />

I know they are waiting.<br />

Idling offshore,<br />

I decide<br />

to let go.<br />

For I trust<br />

that the tide<br />

knows my time<br />

better than I.<br />

David Melone ’13<br />

Why? How?<br />

I do not understand why it happened.<br />

I do not understand how it happened.<br />

One second everything was perfect,<br />

the next, a disaster.<br />

I do not understand why it happened.<br />

I do not understand how it happened.<br />

One second they were tied, the next untied.<br />

I hate these shoes.<br />

Kenny Hatch ’12<br />

92 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


Sound • Emily Lynch ’11<br />

Art<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 93


Dog Work<br />

I’ve got a collar to attach<br />

A belly to scratch<br />

A bowl to fill<br />

A monster to thrill<br />

A ball to throw<br />

Other dogs to watch below<br />

I’ve got to walk in the park<br />

Respond to a bark<br />

Hair to brush<br />

Cries to hush<br />

A beast to wash<br />

Fleas to squash<br />

<strong>The</strong>n fur to cut<br />

How I care for this mutt<br />

Dirty me, mud puddles<br />

<strong>St</strong>and by me, old friend<br />

Run wildly, stay cheerful<br />

I know this love is not pretend<br />

Dog, lead me from here<br />

With a pull on the leash<br />

Guide me across the green grass<br />

Help me find peace<br />

Walk slowly, companion<br />

Caress me with your love<br />

Many wet kisses<br />

Like a gift from above<br />

Buddy, companion, soul mate<br />

Pal, chum, man’s best friend<br />

Damp snout, droopy ears<br />

I know this friendship has no end.<br />

Jackson Weber ’14<br />

Lands End<br />

You’re gonna need a jacket for where we’re going<br />

We’re gonna live forever, it’s just not showing<br />

I want to see Mars tonight, wanna see the stars<br />

We’re forged in hot water and speeding crashed cars<br />

We can always go here when the big cities flood<br />

It’s like the city’s blueprint written in our blood<br />

We’ll learn about our lives through the cracks and the riffs<br />

Someday they’ll bulldoze us over these cliffs<br />

You’re gonna need a lot of things where we’re going<br />

Lotta things you don’t have without even knowing<br />

We’re born in the hospitals years ago today<br />

<strong>The</strong>y never would’ve thought that this is where we’d stay<br />

It’s the same old structure and the same reused lines<br />

It’s the same tired words and the same stupid rhymes<br />

If you fall the Gate will take you oh so swift<br />

Someday they’ll bulldoze us over these cliffs<br />

Somehow we’re still here grounded, blame humanity<br />

VA clinic filled with that same insanity<br />

Overtures of overcrowding haunt our city<br />

<strong>The</strong> landslide inside my heart fills with pity<br />

I’m so lost within you and without you I’m lost<br />

I need you to give up and not count the cost<br />

My little colored boxes give me such a lift<br />

Someday they’ll bulldoze us over these cliffs<br />

Look out at the skyline; it’s ours for the taking<br />

Six point five billion other lives in the making<br />

<strong>The</strong> universe hangs still tonight for the new day<br />

Our lonely blue planet is still miles away<br />

We’re blanketed in stars tonight, and I’m so warm<br />

You’re like a life preserver floating in the storm<br />

Have you smelled the scent of aging? Come have a whiff<br />

Someday they’ll bulldoze us over these cliffs<br />

Matthew Caracciolo ’12<br />

94 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


It seemed as if they had been together for eternity. He knew<br />

he was dying and never told her; he didn’t want to believe it.<br />

He knew she could tell when he began to change but still said<br />

nothing. His heart began to ache. He started to disappear. He was<br />

no longer happy, no longer human. His sickness took over and she<br />

became just a memory. Now he is gone. From above he watches her<br />

slowly perish with grief. His thoughts to her:<br />

Boy: As days pass I think of you<br />

You lay beside me in my memories<br />

I know your smell I’ve seen you smile<br />

I saw the ending before we’d begun<br />

I know what I’ve lost can never be found<br />

A day without you is a year without life<br />

365 days… eternity<br />

Your soul like the rising sun<br />

My soul like the falling moon<br />

Apart for all but one moment<br />

To be shared<br />

Full of tears<br />

Full of warmth<br />

<strong>The</strong>n gone<br />

<strong>The</strong> sky full of souls<br />

<strong>The</strong> earth full of lovers<br />

You…born to love<br />

I…born to die<br />

We… never to be together<br />

Lost Souls<br />

She had never been in love like this. She didn’t think life could<br />

ever be better. <strong>The</strong> world was brighter and she was happier. He<br />

brought out the best in her. But as the weeks passed he started to<br />

change. He became more distant and weak, something was wrong.<br />

She asked him, he said nothing. He dropped out of school, he rarely<br />

called her. One day he was there the next he was gone…forever. She<br />

finally discovered his secret. Anger, fear, and sadness overwhelm her<br />

and in a fury her thoughts race:<br />

Girl: As the cherry blossoms bloom an ornate pink<br />

My heart continues to burn<br />

Fire could not scar my soul as much as you have<br />

All I want is to be with you<br />

Why can moon and sun not share the sky?<br />

Why can humans and angels not be together?<br />

Why can moments not turn into years?<br />

All I want is to be with you<br />

Days turn to nights<br />

Nights turn to weeks<br />

Weeks turn to months<br />

Years and years and years<br />

All I want is to be with you<br />

Keyara Milliner ’13<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 95


Hip-ocracy<br />

Green like the currency that feeds the greedy,<br />

No time has the Righty for the poor and needy.<br />

Believing his wealth will trickle down to the masses,<br />

While the faucet is off, only he will last it.<br />

Ignorance is bliss and White is virtue,<br />

Say no to that? Run away, he’ll shoot you.<br />

Frightened of “them” taking our jobs,<br />

An aspiring janitor wanting to clean after slobs,<br />

Only says “No!” to the southpaw leader,<br />

While hailing the hunter and damning the reader.<br />

He goes to church every Sunday; never forgets,<br />

Yet scowls at Asians, Latinos, and Blacks—you bet!<br />

Hypocrisy while celebrating Christ’s Resurrection<br />

How does he gaze at his reflection?<br />

Frank Kaniewski ’12<br />

Castle on a Cloud • Cori Martin ’12<br />

Photography<br />

96 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


<strong>The</strong> wasteland is desolate and bare, a place where colors<br />

no longer exist. Every step the man takes he knows not<br />

whether it brings him closer to somewhere or farther away<br />

from everything. He seeks not a town, not people, not family; all of<br />

those things are dead. He seeks purpose, a purpose to keep walking.<br />

<strong>The</strong> tattered garbage bags and blankets wrapped around his shoes,<br />

now two sizes too small, are worn thin and he feels wetness seeping<br />

in. He’s tired. He’s cold. He’s breaking. Each stride is a burden<br />

and his shoulders slump so low he is afraid they’ll up and fall out<br />

of their sockets. It’s been 741 days since the world went dark. He’s<br />

heard all of the reasons, heard all of the explanations why things<br />

turned out they way they did. “Oh it was a nuclear apocalypse!”<br />

another claims, “<strong>The</strong> sun went out!” He knows neither is true.<br />

<strong>The</strong>re is no fallout from any bombs, and he doubts that if the sun<br />

went out, so would all the stars and the moon. He hasn’t seen stars<br />

in years, he forgets what they look like. No, it was neither of these<br />

explanations. He knows why. He knows.<br />

God abandoned us. He clutched the world in his hand,<br />

droplets of heavenly sweat corroding the surface of our existence;<br />

the crust melts away. He picked us up and threw us in the garbage.<br />

He knows this is true. God has done this before, he did with his<br />

wife and kids, his family and with the rest of his life, so why not<br />

now?<br />

<strong>The</strong> floorboards in the house retire her smirk. He didn’t mean<br />

to, it just happened. She pushed him, she drove him insane. Her<br />

blood seeps into the wood, dampening the copse. “Where had this<br />

anger come from? I have never been full of rage before? Why did<br />

this come over me? How could you let me kill her?” <strong>The</strong> man’s<br />

wailing sliced through the fog that had slowly crept over the house.<br />

<strong>The</strong>y echoed for miles and his pain reverberated through animate<br />

and inanimate objects alike.<br />

<strong>The</strong> man trudges through the sod and ash of what used to be<br />

a bridge over a moderately busy river. <strong>The</strong> river bed shows signs of<br />

commercialism for there are goods and trinkets littering the mud.<br />

On the bank of the river, the corpse of a little girl clutching a teddy<br />

bear lay still. It could not have been there for very long, for there<br />

were pebbles and twigs forming an oval around her. Whoever she<br />

was with tried to give her a decent exit out of indecency.<br />

Losing Faith<br />

porcelain features<br />

innocence<br />

beauty<br />

my daughter<br />

<strong>The</strong> man wretches. Not out of sickness, but grief.<br />

“I’m past understanding, I just want to know where the hell<br />

you were when I lost everything. I’ve done nothing to deserve this.<br />

Just kill me, you seemed to have no problem doing it to anyone<br />

else…or in making me kill them…”<br />

Plodding along, the man grows weary. He sees a house in<br />

the distance. No, not a house, an abandoned mill. He warily<br />

approaches the house, knowing not what lurks inside. Like a mouse<br />

pondering how to go about retrieving cheese from a recognized trap,<br />

he sits. A good ten minutes pass before the courage is mustered to<br />

enter the mill. <strong>The</strong> wood is rusty and lichen and moss inhabit every<br />

pore. Nails and screws, vagabonds in the mess, lay scattered. At<br />

the far wall lay a skeleton. <strong>St</strong>rewn across the floor, the skeleton lay<br />

nearly intact with the exception of a few broken ribs and a broken<br />

skull. It was clear how this person met their fate. <strong>The</strong> assailant left<br />

no haste in the time between when he lifted his boot and when it<br />

met the skull. <strong>The</strong> skeleton lay reaching for a canvas sack tied with<br />

yarn; loosely tied yielding thought to previous prospecting. He<br />

undoes the yarn slowly, expecting to find something dangerous.<br />

Sweating for the first time in a long time in this eternal winter, and<br />

trembling he peers inside.<br />

Nothing is at the bottom of the canvas sack. Nothing, it’s bare<br />

and callous floor has been cleaned out.<br />

“This bag... this is the only thing that has given me hope in a<br />

long time… I prayed even. Shows how well he hears me.”<br />

<strong>The</strong> man slumps to the floor of the mill, his back to the<br />

splintered remains of the far wall. His tears hitting the creaking<br />

wood were the only thing making noise in the dissonance. <strong>The</strong><br />

wasteland takes everything from the man. His family, his life, his<br />

god fell prey to the charcoal existence.<br />

I’m lost. Irreparably broken. I’m alone<br />

Alone, with not even a shadow as a friend.<br />

Conor Lane ’12<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 97


so here you have it:<br />

two<br />

fast<br />

gas<br />

left<br />

lanes<br />

slow<br />

brake<br />

right<br />

which one’s for you?<br />

are you the<br />

65 50<br />

stressed relaxed<br />

A<br />

B<br />

change stay<br />

restless content<br />

?<br />

here it’s all equal and balanced for some time<br />

exit<br />

now what happens, when<br />

all<br />

the<br />

cars<br />

go<br />

in<br />

this<br />

lane<br />

?<br />

well, then i guess<br />

that<br />

lane slows down, slower than the slow lane, so<br />

people want to switch into<br />

this<br />

lane. now it’s the fast lane.<br />

wouldn’t you put your<br />

blinker on?<br />

but the real trouble comes in when<br />

too<br />

many<br />

people<br />

go<br />

into<br />

that<br />

lane. do they just switch<br />

back into the fast lane?<br />

i think the cycle just continues<br />

fast<br />

slow<br />

here<br />

there<br />

back<br />

forth<br />

tick<br />

tock<br />

Lanes<br />

so which kind are you? will you vacillate willingly between<br />

one and the other?<br />

or will you stay put and drive 3 below?<br />

the balance of<br />

you<br />

me<br />

us<br />

them<br />

yes<br />

maybe<br />

keeps this ridiculous cycle going going going going going<br />

go to the fastest lane, or remain in the comfort lane<br />

but really. it’s all about exploration, right? you don’t know<br />

what kind of person you are until you try the alternatives. every<br />

person who overuses his blinker has felt dissatisfied in the slow<br />

lane. it’s the curiosity experienced that makes every final decision<br />

final.<br />

Kate Christian ’11<br />

98 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>


21st Century Monarchy: A Pantoum of the King of Food Banks<br />

This is my kingdom,<br />

I am their king.<br />

Bowing, dancing, singing,<br />

<strong>The</strong>y celebrate my reign with gifts of food.<br />

I am their king.<br />

As I parade down the thick red carpet,<br />

<strong>The</strong>y celebrate my reign with gifts of food,<br />

Beggars, homeless, the rich, and poor alike.<br />

As I parade down the thick red carpet,<br />

<strong>The</strong>y turn their eyes away in respect,<br />

Beggars, homeless, the rich, and poor alike.<br />

I demand all that they have, from fruits to beans.<br />

<strong>The</strong>y turn their eyes away in respect;<br />

<strong>The</strong>y fear my wrath, my temper, my judgment.<br />

I demand all that they have, from fruits to beans.<br />

Satisfy my hunger. Ease my pain.<br />

<strong>The</strong>y fear my wrath, my temper, my judgment.<br />

My people are quick to fulfill my every need, to<br />

Satisfy my hunger. Ease my pain.<br />

I would be nothing without this palace, my home.<br />

Night turns to day, and day turns to night.<br />

<strong>The</strong>ir bowing, dancing, singing,<br />

Transports me to my fantasy where<br />

This is my kingdom.<br />

Megan Lau ’13<br />

Back Cover Art<br />

City of Color • Julie Olsen ’14 • Art<br />

<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 99


SAINT IGNATIUS COLLEGE PREPARATORY<br />

2001 37th Avenue • San Francisco • California • 94116 • www.siprep.org

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