The Quill (2011) - St. Ignatius College Preparatory
The Quill (2011) - St. Ignatius College Preparatory
The Quill (2011) - St. Ignatius College Preparatory
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<strong>The</strong> <strong>Quill</strong><br />
<strong>The</strong> Literary Magazine of <strong>St</strong>. <strong>Ignatius</strong> <strong>College</strong> <strong>Preparatory</strong>, San Francisco, <strong>2011</strong>
Dear Readers,<br />
We invite you to step into this year’s <strong>Quill</strong>. A full year has passed since our last issue, and we are excited to present our longest<br />
literary magazine ever, where over one hundred different worlds eagerly beckon you. Robert Frost wrote that “poetry is discovery,”<br />
and within these pages lie fairy princesses, shoelaces, and sailboats, all waiting to be discovered.<br />
Too often flashy primetime television and trivial text messages steal us from the quieter beauty of art, but now you have an<br />
opportunity to relax. In your hands you have not the works of poets and artists long dead, but the creative ideas of your fellow<br />
Ignatians. On the pages before you, the emotions of our student body blend into one melting pot of literary genius.<br />
For now, ignore that show and ignore that text, because this collection of student expressions requires your full attention. We<br />
invite you to step into the world of SI’s imagination and discover something new—after all, poetry is discovery.<br />
Welcome back!<br />
Anna Sheu<br />
Editor-in-Chief<br />
Cody Warner<br />
Editor-in-Chief<br />
Cover Art going clockwise from top left:<br />
1) Beyond the Beyond • Emily Lynch ’11 • Art<br />
2) Soundwaves • Olivia Raggio ’11 • Art<br />
3) Untitled • Maya Sommer ’13 • Art<br />
4) Mondrian Face • Terilyn Choi ’13 • Art
<strong>The</strong> <strong>Quill</strong> • <strong>2011</strong><br />
<strong>The</strong> Literary Magazine of <strong>St</strong>. <strong>Ignatius</strong> <strong>College</strong> <strong>Preparatory</strong>, San Francisco<br />
Published by the English Department<br />
with cooperation from<br />
the Fine Arts Department<br />
Editors-in-Chief<br />
Anna Sheu<br />
Cody Warner<br />
Production and Design Editor<br />
Giovanni Briggs<br />
Art Editor<br />
Megan Hoff<br />
Tom Altmann<br />
Lorena Arriola<br />
Deanna Beaman<br />
Mira Bollman<br />
Camille Martin<br />
Conor Cannon<br />
Jeremy Chan<br />
Kate Christian<br />
Kerry Crowley<br />
Editorial Board<br />
Tom Curran-Levett<br />
Filippo D’Asaro<br />
<strong>St</strong>ephanie Darden<br />
Katie Dobberstein<br />
Morgan Edwards<br />
Victoria Elias<br />
Brian Fung<br />
Katie Girlich<br />
Kathleen Hayes<br />
Jacqueline Hazelwood<br />
Megan Hoff<br />
Caroline Hoyem<br />
Paul Hwang<br />
Rena Kolhede<br />
Ted Niemira<br />
Luke Pappas<br />
Cole Priest<br />
Alena Shikaloff<br />
Faculty Advisors<br />
Ms. Elizabeth Purcell<br />
Mr. Jim Dekker<br />
Ms. Carole Nickolai<br />
Faculty Support<br />
Mr. Carlos Gazulla<br />
Mr. Paul Totah<br />
Ms. Katie Wolf<br />
www.siprep.org/english • email: thequill@siprep.org
4 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Solace in a Forest • Houston Garcia ’12<br />
Photography
SAINT IGNATIUS COLLEGE PREPARATORY<br />
2001 37th Avenue<br />
San Francisco, CA 94116-1165<br />
(415) 731-7500<br />
To the SI Community,<br />
In a perfect world we would honor the artists, poets, and writers as celebrities, the most valued citizens in our society.<br />
With pens and brushes and computers in hands, this tribe of creators observes the world of the particular and of the<br />
grand to discover what it means to be a human. <strong>The</strong> next awesome step is creation. Skillfully these innovators create a<br />
mirror for us to view life as they perceive it; in it they reflect truth and beauty. <strong>The</strong>se talented men and women shape<br />
their insights into the perfectly phrased line or the well-constructed image, and we respond with our hearts and our<br />
minds to the masterworks offered to us. Great artists ask the right questions that startle us and invite us to examine what<br />
we truly value. Artists and poets deserve a king’s treasury.<br />
As you turn the pages of <strong>The</strong> <strong>Quill</strong>, prepare to be amazed! At SI we have a community of artists talented beyond<br />
compare. Hundreds of students from every grade level submitted superior literature and original artwork that satisfies<br />
and inspires. <strong>The</strong>y demonstrated their passion and dedication to art as they brought their ideas, mere flickers in their<br />
brains, into a physical reality so that we, the audience, could envision life anew, reconsider our attitudes, take a leap of<br />
faith. We will remember their visual images and their emotion filled stories and poems long after we close the pages of<br />
this literary magazine. <strong>The</strong> SI community honors these visionaries in <strong>The</strong> <strong>Quill</strong> because they are the voice of SI, the voice<br />
of our city, the voice of our time.<br />
In addition to those who are now the published poets and painters, I would like to thank the Editorial Board who<br />
selected the many incredible entries for this year’s <strong>Quill</strong>. With careful planning and keen aesthetic sensibilities, these<br />
individuals have produced the lengthiest and most beautiful edition of <strong>The</strong> <strong>Quill</strong>. We are also grateful to Ms. Purcell,<br />
Mr. Dekker, and Ms. Nickolai who moderate and encourage <strong>The</strong> <strong>Quill</strong> staff. Countless hours and love went into the<br />
production of the world’s best literary magazine, and our gratitude has no limits.<br />
Enjoy every page of <strong>The</strong> <strong>Quill</strong>, <strong>2011</strong>.<br />
Sincerely,<br />
Kate Denning<br />
English Department Chair<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 5
Beyond Here Lies<br />
Beyond here lies nothing.<br />
<strong>The</strong> broad folds of a midnight-blank stiffened sky,<br />
is the sole thing that is true and remains.<br />
But when we are so privileged<br />
to see our dead sky shift,<br />
the dam gives birth<br />
to delicate light,<br />
and we realize<br />
beyond here lies everything.<br />
David Melone ’13<br />
Just a Baby • Noelle Langmack ’12<br />
Photography<br />
6 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Old Ballerina’s Death<br />
She discovers herself on an old stage.<br />
It feels familiar,<br />
but the curtains are worn,<br />
only patches of the red velvet remain.<br />
A single spotlight illuminates the platform.<br />
Cautiously, she steps into the light.<br />
For the first time she notices what she is wearing,<br />
a simple leotard, tights and her old pointe shoes.<br />
Hesitantly, she spins into a shy pirouette.<br />
Her muscles feel ages younger. Again.<br />
She spins again and again.<br />
Her tight bun begins to loosen,<br />
strands slowly unravel.<br />
quickly, quickly, quickly.<br />
She cannot stop, she will not stop.<br />
Her troubles, prayers, hopes, dreams!<br />
<strong>The</strong>y all disappear.<br />
And then she stops.<br />
Breathing heavily, she leans on her knees for support.<br />
Looking up, for the first time,<br />
she sees the audience.<br />
Not one seat is empty,<br />
every chair is filled with a familiar face.<br />
Smiling, loving, encouraging.<br />
And for the last time,<br />
in their honor,<br />
she begins to dance.<br />
Gracefully twirling towards the Light.<br />
Taylor Warrington ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 7
Reverie<br />
Ready to go<br />
Breathing breathing<br />
Have to hold on<br />
<strong>St</strong>ronger stronger<br />
Move up the mountain<br />
Climbing climbing<br />
Almost to the top<br />
Faster faster<br />
I made it, just breathe.<br />
I’m at the top of the world.<br />
Everything that’s there, I feel.<br />
I smell the sharp scent of trees in the gentle wind,<br />
I see the sparkling water spread out before me,<br />
I’m under the wide expanse of cloudless sky.<br />
Can I stay here forever?<br />
No I must leave.<br />
Back to the ground<br />
Falling falling<br />
I open my eyes, only to realize<br />
It was only just a dream.<br />
Natalie Onken ’13<br />
Westbound<br />
He took my heart on the westbound train.<br />
I don’t know where he’s taken it.<br />
Neither does he.<br />
I have half a mind to go after him and take it from him.<br />
But I wouldn’t be able to.<br />
I want him to have it.<br />
He can keep mine forever,<br />
As long as I have his.<br />
He took my heart on the westbound train.<br />
I’ll wait until he catches the eastbound one.<br />
<strong>St</strong>acey Ward ’12<br />
8 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
When Mr. Summerton bought the little blue cottage on<br />
Morrill Lane, he simply assumed the miniature door<br />
under his home was for storage. He trudged down into<br />
his damp, musty basement countless times to try to force the tiny<br />
bronze knob to budge, but it never turned. After two weeks, his<br />
efforts to break through the mystery of the minute door ceased.<br />
That was, of course, all before tonight.<br />
Mr. Summerton awakes drenched in a cold sweat, his heart<br />
beating wildly, images from the terrifying dream flashing through<br />
his mind – a hideous face overwhelmed by watery, expressionless<br />
eyes and lined with patches of matted fur; yellow, cracked claws<br />
longer than daggers and just as lethal; stained teeth dripping with<br />
warm blood. He attempts to regain control of his breathing, mind<br />
still fuzzy. Suddenly, he hears pattering footsteps echoing from the<br />
Uninvited Guest<br />
Timeless • Phoebe Boosalis ’13<br />
Photography<br />
hallway. Each step drives an icy needle of fear into his heart.<br />
As he removes the covers from his bed, Mr. Summerton<br />
shivers despite the warm air of the night. He creeps through the<br />
shadowy hallways of his home with his heart pulsating in his throat.<br />
Turning the corner into the kitchen, he glimpses something from<br />
his peripheral vision and raises his only means of defense, a rusty<br />
letter opener. A foot covered in matted brown fur disappears behind<br />
the door leading down into his basement. Mr. Summerton follows<br />
hesitantly and opens the chipped door a tiny crack. He quickly<br />
scans the dark room through squinted, bloodshot eyes, stopping<br />
at the little wooden door with the bronze knob. His heart was<br />
pounding. He was sure he had seen the door knob turn.<br />
Catherina Kolhede ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 9
Your Beat<br />
Famished, you feed off my energy<br />
Solitaire, you fight alone<br />
Your big, brown eyes tell nothing of your past<br />
Your screams are too low<br />
Branded across your face,<br />
My image burns the eyes of all who see<br />
Inked across your mind<br />
I’m all you know<br />
Written across your heart,<br />
That constant beat gives life to the empty You wish it would stop,<br />
Locked away in that grey ice box<br />
Powerless without my key<br />
You look out your window<br />
Trying to grasp a fragment of freedom<br />
But you know deep down<br />
You could never leave home<br />
Rachel Yan ’14<br />
Piano Work<br />
Click with a snicker<br />
Feelers flicker<br />
Knuckle the keys<br />
Pounding on sea<br />
Crescendo arrests<br />
Pitches contest<br />
Rattling riffs<br />
Hands stinging stiff.<br />
Scales stream, surmise a reservoir, disguised,<br />
Currents flow down wrists,<br />
Arpeggios accompany<br />
Triplet rivulets<br />
Half-dream faded,<br />
Rolling legato unraveled,<br />
Seeps, into bone and nerve<br />
Shadowed passions rattled.<br />
Do reim the ivory,<br />
On this, a quarter rest,<br />
Through echoes of a broken chord,<br />
Now bleeding from your breast.<br />
Candy Janachowski ’14<br />
10 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Ascent • Ian Moore ’11<br />
Photography<br />
Me and Hip Hop<br />
October 12, 1995, day i was given birth to yeah thats right i’m alive<br />
and don’t deprive, me of my future talents, I grew up around shattered windows, broken ceramics all on the floor, this was ma<br />
life as a baby I know right who could ask for more, As a kid wanted to be the best, better than all the rest, not a day passed<br />
by when hip hop took a rest, around my style, took me awhile, to get accustomed to the game, never ashamed, of the music<br />
I listened to in my brain, went insane, went i heard those rhymes, for the first time, summer of 99, ma mama thought it was<br />
crime, i was small but i knew i fell in love with the beats, the sounds, the rhythms, and to me so round like a circle not a prism,<br />
from then on I was hooked, even when it shook my body into pieces, sound so pleasant like a babbling brook or sleeping nieces,<br />
this was me in the past this is me right now, I live for these feelings with ma bass so loud, take everyday step by step, inch by<br />
inch, i’m guna rep ma rep then sink and clinch.<br />
Andy Sandoval ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 11
12 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Don’t worry – she won’t die • Nathalie Rodriguez ’11<br />
Art
Noise-Cancelling Headphones<br />
I could really use a pair of some noise-canceling headphones.<br />
<strong>The</strong>y’re all the rage, I’ve heard, these days,<br />
But yes, the noise outside has become a little too overwhelming,<br />
A little too distracting, biting, distressing, a little too overwhelming.<br />
For starters, the perpetually repeating, perpetually pounding thump of my alarm clock must go,<br />
Forget those baggy eyes, but please – give back my sleep, give back my sanity!<br />
Simply one extra hour, or maybe two? That’s all I ask, I’m begging you.<br />
Even the snooze button surrenders in this day after day nightmare,<br />
But I bet it’s nothing that these headphones can’t handle.<br />
Just, please – please don’t leave me in this never-ending battle.<br />
Or what about all the jibbering and jabbering of class lectures,<br />
Quickly filling the precious minutes of my hourglass with empty air bubbles,<br />
Or the recurring frustration and exasperation, incessant grumbles and groans of Mom and Dad,<br />
Honestly, my room, posture, manners are tolerable, even satisfactory to everyone but you,<br />
Or what about those college counselors, with the heavy downpour of stress they bring,<br />
Or the malicious rumor that just started burning, the racist remark that just came hurling?<br />
I could really use a pair of some noise canceling headphones.<br />
But wait, just a second, I’m curious to know – just how much noise does it cancel?<br />
<strong>The</strong>re’s humility in the homeless man, as he begs down the street,<br />
Fortitude in the student as he stands up to confront the “elite,”<br />
Confidence in the teenager as he bravely asks out his crush of one year,<br />
And courage in the boy, as he declares his homosexuality without a hint of a blush.<br />
What about these noises? Are they noises? <strong>The</strong>y could be simply sounds.<br />
<strong>The</strong>se noise canceling headphones, I must be completely assured,<br />
Will stick to only noises of blubbering and blabbering, nothing less, nothing more.<br />
I say, Let the voices of tenacity, audacity, and spunk be heard strong and loud,<br />
With that, I am off – for there are some noise-canceling headphones to be found.<br />
Caitlin Lee ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 13
Elemental Haiku<br />
Fire<br />
Flames flash through the dark<br />
It burns a path of scorched earth<br />
A sign of passion<br />
Water<br />
Waves crash against rocks<br />
Quenching the thirst of all life<br />
A wet way to live<br />
Air<br />
Gusts blow through the land<br />
Sweeping across the bare plain<br />
Blows things everywhere<br />
Earth<br />
Gaia, the source of life<br />
Residence for growing plants<br />
Smooth on the bare foot<br />
Justin Eng ’13<br />
His test reads positive. <strong>The</strong> doctor says he’s positive.<br />
<strong>The</strong>re was no mistake. <strong>The</strong>re’s nothing left to do.<br />
He can only wait. He doesn’t even remember the<br />
silly drunk mistake. How could something so good put his<br />
life at stake? No protection, sealed to his fate. Sealed by a kiss<br />
and now he feels the pain. HIV running through his veins.<br />
But now his lips are sealed; he doesn’t see a reason for talking.<br />
Wondering now.<br />
Aren’t we all just dead men walking?<br />
Death We Have In Common<br />
never do it. Feeling to guilty and they’d all be stuck watching. <strong>St</strong>ill<br />
Hungry.<br />
Aren’t we all just dead men walking?<br />
<strong>The</strong> baby who took his first breaths. Heart ticking like a bomb,<br />
implanted in his chest. Tik-tok. But it’s more like a timer or a clock,<br />
counting every sec. He’s too young to talk. So he’s crying. Maybe<br />
its because he knows we spend our lives dying. It’s not something<br />
worth defying, but don’t stop yourself from trying.<br />
And see that little girl sitting on the corner? Asking for<br />
some food, but nobody takes her order. So she bottles all<br />
her anxieties, pains, and fears. So thirsty that she drinks her<br />
own tears and pride she swallows. No matter her situation<br />
she never ever wallows. Despite her own strength her bottle<br />
remains hollow. Her glass is half empty and so is her stomach.<br />
It’s getting tempting cause she feels like she’s been punished.<br />
Noose around her neck and she’s ready to plummet. Imagines<br />
herself hanging. From the streetlights, feet dangling. She could<br />
It might seem existential, but this knowledge is empowering.<br />
We move on to greater purpose and fertilize flowering. Circular<br />
Logic. Everything goes around. Fear is lost and meaning is found.<br />
I’d rather be a dead man walking, than a dead man beneath the<br />
ground.<br />
Aaron Gallagher ’11<br />
14 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Please laugh the hardest<br />
Please laugh the hardest you’ve ever laughed my angel said to me<br />
But in a matter of decades I ran out of jokes, you know, like the silly ones that come from joke books and from surprises.<br />
Next the angel told me: sing so loud then that everyone hears your voice;<br />
well, piece of cake, la dee da, I’m like Beyoncé in Dreamgirls, yeah that’s right – you better “Listen”, the world seems to<br />
echo off of my notes.<br />
But then I lost my voice from years of straining to reach the highest ones, the most pure of sounds, the most deep<br />
connections to each person’s soul.<br />
And then my angel said to me, you must love so much that no one will ever forget you again.<br />
And I said, yes, I can do that, just watch me. I’ll love so that you’ll think I was born a heart and nothing else.<br />
I’ll love the world,<br />
and see the playful and inexplicable rays of each person’s soul,<br />
I’ll smile worthily and I’ll live angel,<br />
I’ll live.<br />
Monster<br />
I am a monster<br />
I am the follower that kills in God’s name<br />
I am the other man that uses his aka<br />
I am the napalm that burns all matter to ash<br />
I am the bullet that wants to solve a culture clash<br />
I am the cancer-causing mutation-making uranium<br />
I am the disease-dealing people-purchasing cranium<br />
I am the shrapnel embedded in the kid’s thoughts<br />
I am the tear in the treaty, starting up battles long fought<br />
I am the mustard gas, shriveling and burning<br />
I am the hopelessness, designed to kill all yearning<br />
I am the Zyclon B, robbing the breath from your lungs<br />
I am the man who’ll make you talk after I cut out your tongue<br />
I am the mob mentality that delivers you from your mind<br />
I am the land mine, just waiting for the right time<br />
I am the bloodied wall, marking the outlines<br />
I am the scattered remains of those on the sidelines<br />
You blame me like some kind of vagrant mobster<br />
But don’t you remember me, Daddy?<br />
You created me<br />
I am your monster<br />
Kevin Crouch ’12<br />
Nicole Wong ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 15
I Am No <strong>St</strong>ranger<br />
<strong>The</strong>re she stands majestically,<br />
watching as I cross the gateway to my dreams.<br />
With one glance she sees the memories I hold in my soul.<br />
From rummaging the streets of Killanena in search of food,<br />
to witnessing the mass deaths of kin,<br />
she sees the famine of my country.<br />
Through her piercing eyes,<br />
she sees my aspirations for an education, a better life.<br />
With open arms she holds me tenderly to her heart,<br />
welcoming me into a new world.<br />
I am no stranger,<br />
she has seen me before.<br />
Upon embarking I meet a woman,<br />
with pristine eyes reminiscent of a serene lake from Shanghai.<br />
Her copper eyes penetrate my memories,<br />
reminding me of the family I left behind,<br />
of the daughter who pleaded, “Baba don’t leave.”<br />
Her sharp gaze strengthens me,<br />
as she rekindles the passion in my heart,<br />
reminding me of the opportunity present in this land,<br />
Through her torch she lightens my journey,<br />
welcoming me into a new world.<br />
I am no stranger,<br />
she has seen me before.<br />
As I step on new terrain,<br />
She sees me,<br />
a mere ant among her colossal city.<br />
Nothing but a mestizo running away from his country,<br />
a country filled with constant rains of artillery,<br />
a Gahenna that swallows indiscriminately.<br />
She feels the pain in my heart,<br />
of my dear pueblito I left behind.<br />
She sees my perseverance,<br />
my motivation for a peaceful life.<br />
Through her shadows she protects me,<br />
welcoming me into a new world.<br />
I am no stranger,<br />
she has seen me before.<br />
Charmaine Garzon ’12<br />
16 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Grounded<br />
Being grounded is not my idle time<br />
Sitting on my bed playing the same games<br />
Now taking a break, struggling to rhyme<br />
Switching between text messages and AIMs<br />
When my phone is taken and my laptop<br />
I play with my dogs, listen to some tunes<br />
Practice my driving, making complete stops<br />
Wishing to fly off on a huge balloon<br />
Passing West Portal Park, kids flying on swings<br />
Parents and children on agreeing terms,<br />
I want to go back, with simpler things<br />
Time flies as fast as the passing of germs<br />
Back to my house, feeling jailed for so long<br />
I still don’t think I’ve done anything wrong<br />
Melissa Olcomendy ’13<br />
Sail • Isabella Cunningham ’11<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 17
Time<br />
in a sigh<br />
flies by<br />
goes high<br />
disappears<br />
into the dark, dank thing<br />
called yesterday<br />
seen only in memories, pictures, videos<br />
clings to today<br />
loses grip<br />
lets go<br />
escapes<br />
into the night<br />
of the night before yesterday<br />
when all was quiet<br />
silent<br />
after the glass settled<br />
the people huddled<br />
the animals slaughtered<br />
after the bombs dropped<br />
the cities destroyed<br />
the enemies sated<br />
before the creation<br />
the cremation<br />
the invasion<br />
the devastation<br />
of the yesterday<br />
waiting for today<br />
for hooray<br />
for someone to say<br />
Okay<br />
still waiting for<br />
Time<br />
Andrea Pruden ’12<br />
<strong>The</strong> Bell Tolls<br />
<strong>The</strong> Bell tolls, the bell tolls,<br />
It heralds us on Sunday morn,<br />
<strong>The</strong> sound, it rolls and rolls.<br />
<strong>The</strong> birds fly above in shoals,<br />
As crowds below eat bread of corn,<br />
<strong>The</strong> bell tolls the bell tolls.<br />
Water fills the sacred bowls.<br />
All shops around are closed, forlorn,<br />
<strong>The</strong> sound, it rolls and rolls.<br />
<strong>The</strong> people come to fill their souls<br />
And sing as when their Lord was born,<br />
<strong>The</strong> bell tolls, the bell tolls.<br />
Transfixed in pain, His hands with holes.<br />
His life, it kept our souls untorn,<br />
<strong>The</strong> sound, it rolls and rolls.<br />
So as he leaves, each breath extols;<br />
His soul is light; his face is worn.<br />
<strong>The</strong> bell tolls, the bell tolls,<br />
<strong>The</strong> sound, it rolls and rolls.<br />
Chris Danison ’14<br />
18 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Free Verse<br />
<strong>The</strong>y say that free verse is an art. That it requires as much<br />
skill as the poetry of Eliot, Keats, or Dickinson. But I<br />
contend the opposite. I think someone could just write<br />
a paragraph and then go through it hitting the Enter key and it<br />
would come out looking like a “work of art.” Let’s try! Here’s a<br />
description of some blackberries:<br />
Yesterday, I walked through a field of blackberries at dawn. I<br />
saw the dewy berries hanging from the plants, ripe with juices. I<br />
saw the berries in a pie being served to hungry children on a late<br />
summer afternoon as a light breeze blew against the open screen<br />
door. <strong>The</strong> thorns crunched underneath my feet. I was at one<br />
with Nature, perfectly connected. But then I was pulled away<br />
from the moment, because of the buzzing in my pocket. Someone<br />
was calling me, on my Blackberry.<br />
Ok, we got it? Slightly boring, maybe, but a rather “poetic”<br />
paragraph, one could say. Now, let’s see it in “free verse.”<br />
Yesterday, I walked through a field of blackberries at dawn.<br />
I saw the dewy berries hanging<br />
from the plants, ripe with juices.<br />
I saw the berries in a pie being served to<br />
hungry children on a late summer afternoon<br />
as a light breeze<br />
blew<br />
against the open screen door.<br />
<strong>The</strong> thorns crunched underneath my feet.<br />
I was at one with Nature,<br />
perfectly connected.<br />
But then I was pulled away from the moment,<br />
because of the buzzing in my pocket.<br />
Someone was calling me,<br />
on my<br />
Blackberry<br />
I’m a poet, and I don’t even<br />
Understand it!<br />
Will Setrakian ’11<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 19
Complimentary Colors<br />
As Green turns to Brown and Gold fades away<br />
<strong>The</strong> sun seems to signal the end of the day.<br />
Burns that hint at an old wild flame<br />
I said I would change, You said please stay the same.<br />
I’ve tried fanning coals but couldn’t get a single spark<br />
You can’t see Gold when you’re standing in the dark.<br />
Lying in clouds, but white pillows disperse,<br />
Coming down now, but I’ll had that it hurts.<br />
Caught in a moment, eternity lost<br />
Innocence gone, can’t remember the cost.<br />
<strong>The</strong> sweet words whispered in the night of that park<br />
You can’t see Gold when you stand in the dark.<br />
Blue skies, Blue oceans, and Blue raindrops<br />
I would drink your tears if it would make the pain stop.<br />
You’re like the sibling that I lost, like a sister and a mother<br />
You make me better and more beautiful, a Complimentary Color.<br />
I gave you my hand and I gave you my heart,<br />
So come walk with me let’s not be apart,<br />
You can still feel Gold when you can only see dark.<br />
Aaron Gallagher ’11<br />
20 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
<strong>The</strong> Promised Land Uncovered<br />
<strong>The</strong> journey over; but our hardships, not yet gone.<br />
Our faces strained with grief, but our spirits still live on.<br />
None of them familiar, yet I know them all by name:<br />
Maria, Clyo, Anastasia, Rusty, Joel, and James.<br />
We have gone and risked it all; all for a better life.<br />
Poverty, war, or family all augmented to our strife.<br />
Our eyes gleam with hope like miniature fireworks,<br />
as we take tender steps into San Francisco or New York.<br />
This is the Promised Land, a place of milk and honey.<br />
<strong>The</strong> roads paved with gold, each tree filled with money.<br />
Yet hidden around the corners of America’s Hollywood and Vine<br />
We notice a dash of discrimination, and other things malign.<br />
Get away. Move them out. Make way for our hopes and dreams.<br />
Education and prosperity, a place where justice reigns supreme.<br />
Won’t let the shadows of the past ever compromise our future,<br />
as we seek new lives and fulfill that eager sense of adventure.<br />
And what now, when I am senescent? Where do my hopes lie?<br />
<strong>The</strong>y are fulfilled in my children, in the adverse fate I once defied.<br />
She looks at me, her mother, with a blank and awkward stare, and<br />
I wonder does she know the journey that paid her passage’s fare . . .<br />
Sydney Bernardo ’12
I Hear Tranquility Singing<br />
I hear tranquility singing, hidden away<br />
In a place reserved for those who listen<br />
I hear the bay, splashing with each ebb and flow<br />
I hear a pond, echoing with every bird’s gentle decent<br />
I hear the fishermen casting and reeling in their lines<br />
I hear a breeze whistling around me<br />
I hear tranquility singing, hidden away<br />
I see tranquility waiting, hidden away<br />
In a place reserved for those willing to look<br />
I see the setting sun shining through weeping willows<br />
I see clouds chasing each other through the sky<br />
I see water glistening at the top of every ripple<br />
I see the beauty every one else ignores<br />
I see tranquility waiting, hidden away<br />
I feel tranquility present, hidden away<br />
In a place reserved for those who are open<br />
I feel every blade of grass as it fights against me to rise<br />
I feel safe hidden away in plain sight<br />
I feel transcended from the industrial modern day<br />
I feel freedom within as I lay in the grassy hill’s embrace<br />
I feel tranquility present, hidden away<br />
I smell tranquility wafting, hidden away<br />
In a place for those who are there<br />
I smell the salty air as it rises up<br />
I smell nearby plants as their pollen floats by me<br />
I smell nature as it envelops me and pulls me in<br />
I smell my surroundings as they bring back distant memories<br />
I smell tranquility wafting, hidden away<br />
Taylor Evans ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 21
Masked Childhood • Kelsey Krook ’11<br />
Photography<br />
Wishes<br />
Sometimes<br />
I wonder<br />
Where they have all gone<br />
Every wish<br />
Every hope<br />
Every prayer<br />
Floating around<br />
Like eyelashes<br />
Or the feathery hairs of dandelions<br />
When you close your eyes<br />
Does a breath of wind<br />
Scatter them about<br />
Pieces of the sky<br />
Floating angelically<br />
Where only the birds can see<br />
Or maybe they just fall<br />
From your fingertips<br />
Spinning lightly<br />
To the ground<br />
After a while<br />
<strong>The</strong>y will get crushed<br />
By loud, careless feet<br />
<strong>The</strong>y will be<br />
Pushed<br />
Into cracks in sidewalks<br />
Buried<br />
Beneath the soil<br />
Until they coalesce<br />
And start to form<br />
Every wisp of hair<br />
Every vein<br />
Crawling up leaves on trees<br />
Our every thought<br />
And hold the earth<br />
In their delicate hands<br />
If someone<br />
Were to pick apart the sky<br />
Would they find<br />
All of our wishes<br />
Tangled up<br />
Like wind-blown hair<br />
Sometimes<br />
I just wonder<br />
Where they all go<br />
Or if they only dissolve<br />
Into breaths of air.<br />
Lily McMahon ’14<br />
22 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Chances are<br />
Her dark red hair streams from the passenger side of<br />
the rusty pickup truck, and she leans out of the car,<br />
screaming from the exhilaration that comes from being<br />
seventeen and alive during a perfect summer day.<br />
He turns up the car radio, and Tim McGraw streams<br />
through the speakers. “This is my favorite song!” she screams,<br />
the rural highway swishing behind her head. He turns his<br />
head and looks at her, singing the chorus, trying to capture the<br />
memory of seeing life at its fullest.<br />
Opportunities seem to abound, and their chances of<br />
escaping Orick, Humboldt County, California seem not like<br />
dreams but like reality. Maybe he’ll end up going to Cal, he<br />
thinks, smiling to himself. He’s always wanted to see the crazy<br />
hippies in San Francisco, and he’s sure that Lily would like<br />
shopping at a fancy department store.<br />
Lily looks over at Ren, and she thinks that maybe, just<br />
maybe, she won’t end up working at the Kwik Mart like her<br />
mom, now that she’s met him. He’s her ticket out, her way to<br />
get out of Orick. He has goals, dreams, aspirations. She smiles and<br />
leans in to rest her head on his flannel-covered shoulder.<br />
Chances are… she thinks, pondering her future.<br />
But their chances don’t turn out that way.<br />
Ren ends up joining the army a year later.<br />
He comes back on leave, to face a wife and baby and the<br />
resentment that grew for a year and a half.<br />
Lily doesn’t end up shopping at Nordstrom’s. She buys her<br />
clothes at Wal-Mart and comfortable sneakers for her long shifts at<br />
the Kwik Mart.<br />
And when Ren lies next to Lily at night, or when he’s sweating<br />
from the hotness in the base in Kandahar all he can think about is<br />
that summer afternoon and how their chances seemed so bright.<br />
Camille Vinogradov ’12<br />
Splash • Hailey Falk ’13<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 23
Pictures, Not Poems<br />
If a picture speaks 1000 words<br />
Why then can I not draw a picture?<br />
To speak the words<br />
That I would need to write<br />
so many times over…<br />
How do I write about the red gold sun<br />
that blazes like a fire<br />
Or about the newborn flower<br />
that blossoms in the early morn<br />
to express the life only seen through a picture<br />
So<br />
If a picture speaks 1000 words….<br />
Why am I writing this?<br />
Rebecca Ash ’13<br />
24 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Final Moments<br />
A sudden shiver rushes down your spine as a creaaaak sounds underneath you.<br />
You turn your head and look down the narrow staircase,<br />
<strong>The</strong> crooked steps vanishing into the darkness below.<br />
<strong>The</strong> walls close in and produce looming shadows all around.<br />
Just a few more steps until you reach the small, white door.<br />
You turn the rusty knob and push the door open.<br />
<strong>The</strong> smell of old furniture drifts out towards you,<br />
A smell that brings a bit of warmth and comfort,<br />
A smell that brings you back in time,<br />
A smell that brings the memory of a 5 year-old girl,<br />
Lying in a soft bed under the covers, reaching out to her mommy,<br />
Seeing her mommy smile, feeling a soft kiss planted on her cheek,<br />
Smelling her mommy’s sweet perfume, and hearing the words, “I love you.”<br />
Little light protrudes as you head towards a small toy chest sitting in the corner,<br />
A chest with old toys and pictures, full of laughter and joy.<br />
You smile when you pick up a dusty picture frame with Mommy and Daddy<br />
Beaming up at you,<br />
<strong>The</strong>ir eyes laughing without a care in the world.<br />
A large shadow moves along the wall next to you.<br />
Your mouth goes dry, scanning the room frantically.<br />
Suddenly, the door bangs shut and from behind it, a pair of yellow eyes.<br />
Coldness pierces your skin and the world turns silent, spinning around you.<br />
Glass shatters at your feet, and breath escapes your lungs.<br />
A shape lunges towards you,<br />
But you swerve to the door.<br />
You turn the knob but the door is stuck.<br />
A cruel laugh fills the room. It knows.<br />
You shake the door again and again, screaming for help.<br />
Its footsteps move closer and closer.<br />
Sweat pricks your body like a thousand knives and a lump forms in your throat,<br />
Shaking the knob again and again, tears blurring what was once just a plain white<br />
door.<br />
It comes forth another step.<br />
Finally, the door swings in and you leap out, reaching for dear life!<br />
But air rushes out of your chest, and you can’t move.<br />
Coldness wraps around your throat and drags you back into the dark.<br />
No one can rescue you now, no one can save you.<br />
<strong>The</strong> door slams shut once more.<br />
All you can see is a pair of yellow eyes,<br />
<strong>The</strong> eyes of a monster.<br />
A sight that stops your heart from beating,<br />
A sight that brings you back in time,<br />
A sight that brings the memory of a 5-year-old girl,<br />
Lying in a soft bed under the covers, reaching out to her mommy,<br />
Seeing her mommy smile, feeling a soft kiss planted on her cheek,<br />
Smelling her mommy’s sweet perfume, and hearing the words, “Goodbye.”<br />
Valerie Chiang ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 25
Two Worlds Collide<br />
Remembering a time of long ago,<br />
I see myself in my baby blue tutu, pale pink tights,<br />
Ballet flats with the pink ribbons criss-crossing my little legs,<br />
My hair tight in a bun.<br />
I am as graceful as a delicate white swan.<br />
I nervously wait for my cue on the stage.<br />
As I look out into a fairly old aged crowd,<br />
I am alone.<br />
As the soft, classical music starts,<br />
I pirouette, leap, and twirl.<br />
Even as a nine year old,<br />
I am swept up in a tradition of pointing and flexing ballerinas.<br />
I travel years later to a street corner<br />
Ballet shoes have transformed into bright, high top sneakers<br />
Baggy sweat pants have replaced tool tutus.<br />
Calmly observing the teenage audience,<br />
I am not alone.<br />
Once I hear the bass kick,<br />
I pop, lock, groove, and break.<br />
<strong>The</strong> rhythm grabs me<br />
Fast, booming beats connect with my soul.<br />
Pride in the new generation inscribes hip-hop dance.<br />
Over time, one world prepares me to navigate to the next.<br />
Dance is my way of expressing freedom<br />
Emotions depend on the day<br />
Suggesting vibrant or pastel colored outfits,<br />
High tempo beats or slow instrumentals.<br />
Dictating the rhythm of the music,<br />
Flexibility, balance, stamina, and focus of dance.<br />
I can be who I want to be,<br />
Unique.<br />
Julia Murphy ’14<br />
26 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
A Mystery Experience<br />
Have you ever had an experience that scars you for<br />
life? Well, I’ve had one…<br />
It was a cold and dreary afternoon. Bobby<br />
had just finished his basketball game and was driving<br />
home to take a shower before going to the championship<br />
game after-party. Always white, clean, and fresh smelling,<br />
I was tucked into the corner of Bobby’s duffel bag<br />
and, caught up in the excitement of winning the state<br />
championship game, Bobby forgot about me! Me! <strong>The</strong> one<br />
thing that has always been there for him in those agonizing<br />
times of sweat and pain!<br />
So there I sat for hours. As Bobby celebrated with<br />
friends, I stayed in the duffel bag all alone with nothing<br />
but a pair of basketball shoes, polyester shorts, and a<br />
cotton t-shirt for friends. Suddenly, a cold hand woke me<br />
by surprise. Bobby’s little sister Vanessa picked me up and<br />
threw me into a large wicker basket. I tried to attract her<br />
attention by thrashing and screaming, but it was as if no<br />
one could hear me.<br />
Although I tried very hard, I could not figure out<br />
where Vanessa had thrown me. My surroundings were<br />
unfamiliar as a powerful musty stench overpowered my<br />
senses. Forcing myself not to breathe through my nose, I<br />
examined my new environment, feeling out of place and<br />
terrified to death. I turned one way and came face to face<br />
with a somewhat cartoon looking cat, which I swear I’ve<br />
seen somewhere else before. After ten minutes of trying to<br />
figure out where I’ve seen that hideous orange cat before, I<br />
turned the other way only to have something else scare the<br />
socks off me: a dark blue impenetrable material complete<br />
with a possibly life-threatening zipper and buttons with<br />
brass knuckles suddenly surrounded me. However, I<br />
somehow managed to escape this menace by running at<br />
full speed, jumping over piles of cotton reeking of sweat<br />
and dodging piles of cloth stained with everything from<br />
tomato sauce to paint.<br />
Just when I thought the worst had passed, I found<br />
myself surrounded by another impenetrable material,<br />
but this time in black. Why is nothing white in this new<br />
world? Exhausted and close to tears, I just closed my eyes,<br />
dreaming of my old world in Bobby’s duffel bag with my<br />
other clean, white, and fresh smelling friends. Five minutes<br />
later, I slightly opened my eyes, seeing that I was lying on<br />
several familiar items—they were the same size as me, the<br />
same shape as me, but definitely not the same color or<br />
smell. I tried calling to them in our native static language,<br />
but I only heard my own pathetic echo.<br />
What is this place that has turned my friends into<br />
gray, smelly, lifeless monsters? Somebody help me! I’m so<br />
lost inside this basket. I’m just a clean white sock; what did<br />
I do to deserve this torture?<br />
Megan Lau ’13<br />
God<br />
Is there really a<br />
Floating above<br />
over us?<br />
With a red pen and lightning bolts ready?<br />
Listening to our every thought?<br />
Watching our every move?<br />
sitting with his hands on his face,<br />
in what has become of us?<br />
Is he outraged at what we’ve failed to do?<br />
Is he all merciful and kind as the Bible claims?<br />
Does he really care?<br />
Or, like the rest of the world, has he lost all faith<br />
And interest<br />
God?<br />
watching<br />
Is he<br />
disappointed<br />
in me?<br />
Katana Collado ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 27
What Lies Ahead?<br />
Breath fills my lungs and escapes through my nose,<br />
Heat in my cheeks radiates through my face,<br />
Lips chap,<br />
Eyes blink,<br />
I’m here.<br />
Covers surround me, holding me in,<br />
<strong>The</strong> vent, softly hissing, lets in fresh air,<br />
Clocks tick,<br />
Light shines,<br />
I’m here.<br />
A brittle wood plank spans the whole world across,<br />
Most people balance, walking along,<br />
Body and mind as one steady force,<br />
Each proceeds calmly, pursuing a goal.<br />
But what of we people who look to the sky,<br />
Who try to conform but quiver in fear,<br />
Whose minds cannot silence wavering thoughts,<br />
Of creation and life and what lies ahead?<br />
Journeying on, we fall off the edge,<br />
Frantically tumbling down to a mass,<br />
Of turbulent water with towering waves,<br />
Drowning, we struggle, fighting for air.<br />
Weak from our wrestle, we must carry on,<br />
Dripping and slipping and trying to numb,<br />
Our wandering minds, our questions and doubts,<br />
We smile our hardest and stifle the pain.<br />
Imagine the force in the core of the earth,<br />
Or glimmering stars in the depth of the sky,<br />
<strong>The</strong> world through the view of different eyes,<br />
I wonder and hope that I’m still really here.<br />
Clouds overwhelm me, eight inches thick,<br />
Spinning, swirling, pushing me down,<br />
I try to escape but can’t send them away,<br />
Screaming inside, I try to walk on.<br />
Elaina Koros ’12<br />
28 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Almost Famous • John Moran ’11<br />
Art<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 29
Heritage (Child of the Americas)<br />
I’m a cowboy in Las Trampas, New Mexico,<br />
Going on a cattle run in 1935.<br />
I’m alive on dusty dirt streets, sweltering in the sun and adobe brick<br />
With blood centuries old, flowing upstream from the New World to Spanish fleets.<br />
I am unincorporated and rural like the northern mountains<br />
Whose shadow I toil in constantly amongst cattle and rocky pine.<br />
A cross between javelina and machine,<br />
I will withstand the frozen winters and arid summers<br />
With my spirit shouting “carry on” to my mind<br />
While my body is still around.<br />
I’m the little girl sifting through the rubble of 1906.<br />
I’m standing on bricks and watching the fire,<br />
Living to tell the tale a century later to new generations.<br />
I am watching a nation unfurling, fueled by gasoline, space shuttle engines, computer chips,<br />
And canopied by the linen sheets and clotheslines of Potrero Hill.<br />
I was cultivated in turn of the century San Francisco streets<br />
And breathing still in the next millennium.<br />
I’m a sentinel here after all these years<br />
Until I wear away and beat out rhythm<br />
As a memory in my family’s heart.<br />
I’m the Irish American man living in Northern California<br />
But sleeping on a patrol boat off the Pacific’s shores, 1944,<br />
Dreaming of the daughter I will not see until 1946.<br />
Either floating on that dark water or drifting south to Menlo Park,<br />
I’m living like a satellite at one moment,<br />
And becoming its starry trajectory in the next.<br />
Eleven years after I leave, my blood will fuse with another stream;<br />
<strong>The</strong> fruit is a child who bears my name.<br />
I’m a fragment of somebody else’s life<br />
Who was never a part of mine, born after my time.<br />
But most of all I’m a modern breed,<br />
Wrapped up in overpasses and ocean mist.<br />
I walk in valleys of telephone wires, city skyline spires, and painted Doelgers;<br />
Soldier of wars yet to be fought, father of children yet to be named,<br />
With the bones of my ancestors laying in the graveyards<br />
Of Colma, of Eureka, California, across cities, across oceans.<br />
I’m star spangled desensitized -<br />
Futuristic hybrid of tame and wild,<br />
And I’m the stanza in the future poem<br />
Of my great-great grandchild.<br />
Matthew Caracciolo ’12<br />
30 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Rows and Rows of Cotton Fields<br />
<strong>The</strong> angry sun whips on my back<br />
licking at me with its scraping rays<br />
pounding out my pride<br />
pounding out my freedom<br />
Salty sweat slides down my face<br />
lingers on my chin for a moment<br />
before splattering into the cotton fields<br />
rows and rows of cotton fields<br />
My back is darkened<br />
my legs weakened<br />
my hands bronzed<br />
my head drained<br />
Rows and rows of cotton fields<br />
swallow all the land<br />
all the beauty<br />
all the freedom<br />
Rows and rows of cotton fields<br />
I am tied to them<br />
chained to them<br />
kneeling down to them<br />
My head is drained<br />
tired<br />
weakened<br />
hollowed<br />
My head is drained<br />
all the joy has gone<br />
fled<br />
from the rows and rows of cotton fields<br />
<strong>The</strong> sun cracks on my back<br />
I buckle over<br />
into the fields<br />
the rows and rows of cotton fields<br />
Camille Edwards ’14<br />
Inspired by “<strong>The</strong> Negro Speaks of Rivers” by Langston Hughes<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 31
Lost: meaningful artifacts<br />
If found: Please return it to my part of history<br />
I am a child of the Americas,<br />
A dark-skinned Blasian.<br />
A great-granddaughter of the pre-colonial America<br />
A child of three continents, an infant of the conquered.<br />
Who am I?<br />
I could be the heir of Pocahontas.<br />
<strong>The</strong> daughter of the infamous Sitting Bull.<br />
My grandmother’s tears could have been on that trail.<br />
My brothers are the trees. <strong>The</strong> birds are my sisters.<br />
And the Earth is my sanctuary, my temple, my provider.<br />
Who am I?<br />
I could be the Kenyan prodigy.<br />
<strong>The</strong> sister of the medicine man.<br />
<strong>The</strong> grand-daughter of the wise griot.<br />
African Dance: the origin of all dances.<br />
I am not dance. Dance is in me, dance describes me.<br />
I stomp to the fast urgent words of the drum, I jazz to the swift melodic voice of the Harlem Renaissance.<br />
I am a Pacific Islander.<br />
A product of Tarlac.<br />
Guava, Mangoes, Ube, Macapuno are the fruits of my body.<br />
Like the moon, I inhale all of the dreams, nightmares, and fears faced by the abundant grains of sand<br />
Like the sun, I exhale the shining, living, successful example craved by the yearning, hungry waters<br />
I am a Native American Black Filipino.<br />
I am many ethnicities. But I am only one.<br />
To Filipinos: I am Black. To Blacks: I am Filipino.<br />
I have two homes, but neither can I call home.<br />
Search the ever flowing waters of the Pacific, the lost land of the Kikuyu, the Trail of Tears.<br />
You will not find it.<br />
Lost: meaningful artifacts<br />
If found: Please return it to my part of history<br />
<strong>St</strong>ephanie Darden ’12<br />
Inspired by the poem “Child of the Americas” by Aurora Morales<br />
32 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> American Dream: Denied<br />
<strong>The</strong> nation has always tried to follow the rules<br />
Even while the world was on top, looking down on us as fools<br />
<strong>The</strong>n we made a run to be the best<br />
Giving hope to those that were never like the rest<br />
Fresh off the boat<br />
Receiving hospitality quicker than a homeless man receiving a coat<br />
Everybody wanted to be the “American”<br />
More pride than a Maryland Terrapin<br />
<strong>The</strong> “American Dream” was being chased<br />
Lives being renewed, pasts being erased<br />
Some chased till they hit heaven<br />
And others finally hit the jackpot, call it lucky sevens<br />
Legacies were created<br />
<strong>The</strong> present being torn down, while the future was already painted<br />
Yet, being number one wasn’t the acquainted<br />
Being the land of the “free” is wrong because as a nation, we fainted.<br />
Some fail to understand why the nation is hated<br />
Maybe because we fail to realize why the nation was created<br />
Fail to realize that the nation was built by minorities<br />
And yet after all of the work, we are denied entrance by the discriminate majorities<br />
Does the nation not realize that we are the so-called land of “opportunity?”<br />
<strong>The</strong> melting pot of the universe, yet lacking unity<br />
People from all over, struggling from everything but freedom<br />
And our nation intervenes, but doesn’t greet ’em<br />
From the southern border to those clinging to life on a raft<br />
Our nation sits there and denies we ever laughed<br />
We never tend to realize who actually “works” for this nation<br />
<strong>The</strong>y are the unexpected, the ones that were born chasin’<br />
<strong>The</strong> ones working long hours and getting paid less than minimum wage<br />
<strong>The</strong>y are the words to nations every page<br />
<strong>The</strong>y are the everlasting movement<br />
<strong>The</strong>y are the immigrant...<br />
Living to work and working to live<br />
Is what my very own grandfather did<br />
Tryna play the game of life while odds weren’t on his side<br />
Tryna find the roller coaster to the top, he was in for a ride<br />
At first needed<br />
And then told the capacity has been exceeded<br />
He continued on a journey that would never stop<br />
Because of the denial to reach the top<br />
Working for himself without even knowing he helped build a nation<br />
Filled with hearts and minds that would die chasin’<br />
Crossing back and forth so many times, he lost count<br />
Overcoming so many struggles, most would never think to amount<br />
Finally made a life as a citizen<br />
All of the pain overcome with his family being the medicine<br />
Yet, died watching his own people being torn to nothing<br />
While the nation sat there and never said something.<br />
Anthony Frias ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 33
She Did Not Remember Dying<br />
It is worth noting what Caroline did not remember, given<br />
what she did remember. She did not remember her red,<br />
mascara stained, puffy-eyed reflection in the mirror of the<br />
bathroom after glancing down and seeing the pink negative sign<br />
on the plastic stick held in her left hand. She did not remember<br />
frequently making love to her husband the weeks before, or<br />
how in her mind, it was “making children,” not “making love,”<br />
for there was no love to make between them. Caroline did<br />
not remember her father lifting her up by her right leg onto<br />
the gorgeous black creature towering before her on her 14th<br />
birthday. She did not remember naming the horse Tulip after<br />
her mother’s favorite flowers – the flowers that decorated the<br />
church for the funeral service she attended the week before.<br />
Caroline did not remember hearing her name, “Caroline Emily<br />
Ryan,” echoing throughout the gymnasium as she walked up<br />
the four steps onto the stage in her long blue graduation gown.<br />
She did not remember seeing the man before her snap back<br />
his finger on the trigger of the Smith & Wesson 9mm semiautomatic<br />
that stole her last breath. She did not remember<br />
dying.<br />
What Caroline did remember was the nerves bursting<br />
through her swimsuit as she carefully took a step onto the<br />
plastic, grimy starting block after hearing, “Next event: Girls’<br />
100 Yard Freestyle,” over the static-filled loud speaker. For a<br />
moment, she remembered feeling what seemed like a small<br />
earthquake, but then looked down and saw it was only her<br />
nervous legs. She remembered adjusting her goggles one last<br />
time before taking her starting stance. Caroline remembered<br />
placing her right foot in front and curling her toes over the<br />
rough edge of the block. She remembered her fixated glance<br />
on the still blue water only feet in front of her, imagining the<br />
cold shock of water mixed with the hot rush of adrenaline. It<br />
excited her. Smiling as she took her mark, she remembered<br />
reassuring herself of the pace she was told to follow. First lap is<br />
to build without breathing; second lap is to pick up my kick;<br />
third lap is all out; final lap is everything I got left. <strong>The</strong> buzzer<br />
sounded and Caroline remembered diving in the pool, eyes<br />
closed with her body in perfect streamline under the water. She<br />
remembered the invigorating feeling of bursting through the<br />
surface and taking a breath, accelerating her kick to the point<br />
of her shins and calves becoming engulfed in a fierce burning<br />
sensation. She remembered racing.<br />
Genevieve Feiner ’11<br />
Inspired by “Bullet in the Brain” written by Tobias Wolff<br />
34 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Bloom of Spring • <strong>St</strong>ephanie Wong ’14<br />
Art
<strong>The</strong> Dream<br />
This night I dreamed the strangest dream,<br />
I know not what it meant,<br />
Yet in it, do I feel, a deeper darker meaning.<br />
Let me relate, and you shall judge,<br />
What indeed I had been dreaming,<br />
And tell me friend if I be wrong,<br />
And this just a little jest.<br />
It began like this in my own room,<br />
Amid my books and dreams,<br />
And out my window, upon the fence,<br />
A little bird was singing.<br />
Perplexed was I, for you see, the day had long since passed,<br />
So I listened closely, to hear the song it sang.<br />
But upon my shift of weight,<br />
I found myself falling,<br />
And through the blackness I did go,<br />
Till at last I came to ground.<br />
But this ground, my friend, was as gray as dust,<br />
<strong>The</strong> place as still as death,<br />
But in this place there was one spot,<br />
One very bright green spot,<br />
And to this I went, my curiosity too great,<br />
And touched that one green dot.<br />
Alas! Not one thing happened, all was just a prank,<br />
Till I found, once turned around, that I was down for count.<br />
In ruins lay the things of past, and those of the future too,<br />
All that remained was the twisted present,<br />
But gone was the usual air.<br />
I imagine a silent tear rolls down,<br />
But perhaps that was just me,<br />
<strong>The</strong>n ’twas all gone, and I was left alone<br />
With my books and dreams and the old same home,<br />
But the bird silent and gone.<br />
Where that bird went only he knows,<br />
But I have a feeling I know where,<br />
Because you see that bird of mine,<br />
Lives right over there.<br />
Ella Nicolson ’14<br />
Thoughts of Apollo<br />
Immersed in space, I am completely alone<br />
As the daunting thoughts haunt my aching bones<br />
What is silently lurking now has grown<br />
And violently explodes like an open combat zone.<br />
I ponder and wonder about this puzzling place<br />
Nurturing my developing curiosity about the human race<br />
Along with all the erratic things it’s had to face,<br />
It feels like an exhausting boundless chase.<br />
I search for impeccable simple truths<br />
That I thought I had in my beatnik youth<br />
Once a fine flower now locked in bantam booth<br />
Never to emerge like a vile and sinful sleuth<br />
<strong>The</strong> silence that’s near ignites my fear<br />
Because being lost and alone seems quite clear<br />
And with that thought I form a tear<br />
As I gaze across the illuminating atmosphere<br />
My thoughts start to belittle my common sense<br />
I muse about Urania, her inspiration of the galaxy is dense<br />
With vague childhood memories, blurry, no clarity, unnerving<br />
suspense<br />
I quietly mourn that little white house with its little white fence<br />
Suddenly a fierce and fiery flash of bright light<br />
Like a cunning but chivalrous knight<br />
Creates a lasting and eerie fright<br />
As I fall wordless into the spell of the toxic night<br />
Caroline <strong>St</strong>ewart ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 35
Just Walk Away<br />
<strong>The</strong> bright lights on the ceiling<br />
Create spots on the shiny floor.<br />
We put our bags down and jog down the court.<br />
Just the usual warm-ups.<br />
<strong>The</strong>y laugh and talk about last week’s practice.<br />
“She hits like a beast.”<br />
“I wanna set like her.”<br />
“I hated that sliding drill.”<br />
I do my squats in silence<br />
Noticing how heavy my body feels.<br />
I think about hours from now,<br />
When this whole day is done.<br />
Happy thoughts, only happy thoughts.<br />
<strong>The</strong> air fills with laughter,<br />
Cheers erupt around the room.<br />
More voices next me to talk,<br />
“I’m so excited. We’ll take ’em down.”<br />
“We have to win this guys, the JO’s are coming up…”<br />
That’s when I notice they have gone to the middle,<br />
Huddled up, to talk strategy.<br />
I slowly walk over, sighing.<br />
<strong>The</strong>n, the whistle blows.<br />
I find myself standing on the court,<br />
Feeling nothing, no excitement, no sweaty palms, nothing.<br />
<strong>The</strong> ball soars over and lands right next to me.<br />
“FOCUS.”<br />
“THERE ARE OTHER GIRLS WORKING TO GET<br />
YOUR SPOT.”<br />
“WHY ARE YOU STANDING THERE?”<br />
Why am I standing there…?<br />
Four years of standing there,<br />
But it feels like I’ve stood there forever.<br />
Reputation? Afraid to move on?<br />
I really don’t know.<br />
But I take a chance, and finally do what I want<br />
And not what everyone else wants.<br />
I walk off the court, pick up my bag<br />
And smile, my heart feeling lighter and lighter.<br />
I do what I’ve wanted to do for so long,<br />
And just walk away.<br />
Valerie Chiang ’13<br />
Drucker Court<br />
Its surface shines<br />
And defines with lines<br />
What I can barely put in words.<br />
A senior, fourth season with SI,<br />
And those three before gone and passed by,<br />
Yet the seats of this bench still seem<br />
To pull me in like a bad dream.<br />
Positive, positive,<br />
I must be positive.<br />
But those fantasies of USF and me a hero<br />
Wither as the clock tick-tocks and strikes zero;<br />
Jersey comes home cleaner than clean,<br />
Joyous in victory, yet absent in self-esteem.<br />
Practice, practice,<br />
I must go practice.<br />
But how can I try much more<br />
When I fail to make the box score?<br />
Friends and family atop the stands in anticipation<br />
While I am glued to the bench in aggravation.<br />
Write, write,<br />
I must write.<br />
Left alone with these emotions to fight;<br />
Left alone with this eloquent might.<br />
I say to myself,<br />
On Drucker Court it won’t be me,<br />
That star you all shout and hope to see.<br />
But I will always have<br />
A.M.D.G.<br />
Cody Warner ’11<br />
36 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Tap Tap Tap<br />
I<br />
hate this song why is this even on my iPod—way to cut me off bro I was about to merge—<br />
PREPARE TO STOP—tap tap tap—hum whistle hum hum—why am I so hung up on that it<br />
was just a comment—gotta get that spot cannot park across Sunset—at least go the speed limit<br />
I have a test to study for—whistle hum whistle whistle hum—Oh I can see the Farallons from here<br />
I love these clear days makes this road worth driving—what would it be like to just take a boat out<br />
there walk around the islands—they’re always out there looming mysterious—tap tap tap—hum<br />
hum catchy song lyrics—I’m not gunna be prepared for this test—not enough time never enough<br />
time—PREPARE TO STOP—what the hell why can’t I just have all the time I want—the light’s<br />
green buddy—didn’t get enough sleep but didn’t have enough time for homework didn’t even go<br />
on Facebook yesterday too much to do—what was that movie with the kid and the watch and the<br />
time-stops and all that—tap tap tap—that would be hella sick stopping time—at least I didn’t have<br />
morning practice like crew right now that sucks—need to study need to study—not enough time<br />
never enough time freakin out man—hello I have the right of way I almost hit you way to be an<br />
idiot—way to go Universe for making days so short I need more time—tap tap tap—they won’t care<br />
they probably forgot it was just a short small-chat comment it wasn’t even weird stop thinking about<br />
it it doesn’t matter—MUNI bus is the most annoying thing oh my gawd—more catchy song lyrics—<br />
oops probs shouldn’t’ve taken that turn so fast—need to find a spot—not enough time for studying<br />
not enough time for anything not enough time for life—tap tap tap—sweet spot thank you masters<br />
swimming—hum hum tap—I should have enough time—parallel park ready go alright let’s start<br />
that over success yee haw—this clock is wrong what time is it anyways—they really don’t care no one<br />
would care I wouldn’t care—tap tap tap—what is time anyways—oh snap forgot to lock the car great<br />
I was inside already—hum tap hum hum—yea sure a second is precisely the half-life of some obscure<br />
element but why who cares that means nothing to me—tap tap tap—all I hear is the ticking of my<br />
watch the bells before class my alarm clock why why why—tap tap tap—time is an illusion—tap tap<br />
tap—tap tap tap—tap tap tap—username password—tap tap tap—LOADING—tap tap tap—yea I<br />
have enough time—tap tap tap tap tap tap tap…<br />
Meg Summa ’12<br />
Ferris Wheel<br />
Buy your ticket, take your ride, how high will you soar?<br />
Ferris wheel can lift you up and make you beg for more,<br />
Far above the world again, high, distorted view.<br />
Round you go in circles, it’s your latest love and you.<br />
Soar to heights undreamt of, and hope it lasts forever,<br />
But Ferris wheel is a sideshow, and it’s Cupid at the lever;<br />
Wheel has many nuts and bolts, some strain at this height,<br />
You ride it to the apex, and pray they’re fastened tight.<br />
Far above the Earthly crowd, fuelled by fresh devotion,<br />
Ferris wheel is breathtaking – spinning Love in Motion,<br />
Don’t think of the last ride where some rusty bolts were found,<br />
Which made your lovely Ferris wheel come crashing to the ground.<br />
Why must rides come to an end, why do wheels break down?<br />
One day, king of all the world – the next down on the ground,<br />
When you hit the earth again, please, exit the ride,<br />
You’ve had your thrill, now move along – and hide your hurt inside.<br />
Victoria Eng ’11<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 37
Lisa • Gina Pasquali ’11<br />
Art<br />
“Of course, when everything is already going to shit, I<br />
get pulled over – damn it!” she said to herself while<br />
glaring through the side mirror anticipating the<br />
policeman’s lumber toward her car. Her hair was slightly out of<br />
place, and her slightly-wrinkled clothes draped over her tired body.<br />
Hoping to avoid any suspicion, she had been speeding to get home<br />
by six. After what seemed like an eternity, the policeman finally<br />
got to her window. Without error, like a nervous rehearsed line, he<br />
asked “license and registration, ma’am?” She reached over, opened<br />
the glove box, and began searching for the requested items. Rifling<br />
through an assortment of items, she carefully pulled out baby wipes,<br />
Another Lateness<br />
hand sanitizer, napkins, perfume, and her ring, making sure not<br />
to drop any of them. She finally came across the package holding<br />
her registration. As she handed it to the policeman, she looked<br />
at him for the first time, mesmerized by his soft eyes and young<br />
age, debating if he would let her off. <strong>The</strong> thought passed quickly,<br />
because at this point she just wanted whatever was going to happen<br />
to happen quickly. She needed to rush home, cook dinner, and<br />
put together an explanation for another lateness – all in between<br />
daydreams of her most recent destination.<br />
Rachel Hinds ’11<br />
38 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
A Glimpse of the Moon<br />
<strong>The</strong> sky is dark<br />
<strong>The</strong> quiet of the night is upon us<br />
I catch a glimpse of your face<br />
As we sit on the porch of our home<br />
I see the light shine on you<br />
I catch a glimpse of your heart…<br />
<strong>The</strong> stars twinkle<br />
As I lift my face to the sky<br />
And in the black of the night<br />
<strong>The</strong> moon glows a pure<br />
Flawless white<br />
My gaze lowers<br />
To the motionless lake<br />
And though it looks like glass<br />
I know that if I touched it<br />
I would break its perfect stance<br />
As would the rain if it started to come now<br />
Like tears upon an angel’s cheek<br />
Ruining its beauty<br />
And yet perfecting the scene<br />
<strong>The</strong> moon’s reflection<br />
Bleeds into the lake<br />
Spilling a silver<br />
Godly substance<br />
I think it will shatter the icy stillness on the surface<br />
But it doesn’t<br />
Though I can almost feel the chill of the cold water…<br />
My eyes slowly drift back to your face<br />
<strong>The</strong> moonlight still shining in your eyes<br />
Lighting up your face<br />
<strong>The</strong> angles in your cheekbones touching gently<br />
Perfectly…<br />
Like an angel…<br />
And you complete the image<br />
A tear roles down your cheek<br />
But you hold your gaze unwavering<br />
And I catch a glimpse of your heart<br />
I catch a glimpse of you<br />
I catch a glimpse of the moon<br />
Ella Presher ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 39
Honor Among <strong>St</strong>udents<br />
I see you working over there.<br />
I know you’re cheating; this I’d swear.<br />
I know you don’t want to get caught.<br />
Succeed in that field you did not.<br />
But I won’t say a thing to you,<br />
Nor to teacher, to whom it’s due,<br />
Nor to a single friend of mine,<br />
Your honor I shall not malign.<br />
Your honor is that of a teen.<br />
I would not send you to the dean<br />
For I would surely cheat as well<br />
Had I not studied for a spell.<br />
Because I’ve cheated once before,<br />
I see you, yet I shall ignore.<br />
Nick Lawrie ’12<br />
5-10 minutes<br />
It is a fact<br />
That within 5-10 minutes of waking up, you forget 90% of your dreams<br />
Within 5-10 minutes, what was once so vivid and real<br />
Blurs.<br />
Within 5-10 minutes, what just made sense<br />
Doesn’t.<br />
Within 5-10 minutes, your subconscious mind<br />
Dulls.<br />
Within 5-10 minutes, symbolism<br />
Is lost.<br />
Within 5-10 minutes, what was just everything<br />
Is nothing.<br />
Within 5-10 minutes of waking up, you pour yourself<br />
Coffee.<br />
Jane Pera ’13<br />
40 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Last Lights off the Black West<br />
On the corner of Haight <strong>St</strong>reet, a man stood singing a song<br />
and playing the guitar. He shivered as he sang soft, yet<br />
passionate lyrics about some age-old lover. Ever since I<br />
moved to San Francisco, I’ve noticed the sounds of the city—the<br />
street-musicians, the rumbling of an approaching Muni, the everpresent<br />
chatter—sounds that were absent from my childhood.<br />
Growing up in Wyoming, there was an eerie silence to<br />
the country nights… Something about the fact that a yell would<br />
echo on forever scared me, made me want to escape. My friend<br />
Sheryl and I would do everything we could fill to that silence.<br />
Sometimes we would bring pots and pans into the street at<br />
night and bang them around just to mess up the stillness. Other<br />
nights we would stand on a neighbor’s rooftop and yell as loud<br />
as we could. Maybe we liked the adrenaline rush from getting<br />
chased home by the awakened neighbors. Or maybe we wanted<br />
the attention. Maybe we wanted to know what it felt like to be<br />
worried about—to be cared about.<br />
<strong>The</strong> sound of Kate’s boot tapping on the cement<br />
filled the night. She leaned forward from the fence and<br />
squinted down the highway, where she could barely make out<br />
a figure approaching. Recognizing Sheryl’s pigtails, Kate ran<br />
towards her.<br />
“Finally,” Kate said. “Did you bring ’em?” Sheryl<br />
nodded.<br />
<strong>The</strong> girls hopped the fence, landing in a field of<br />
sugar beets. <strong>The</strong>y stopped to listen for any noise, but there<br />
was nothing.<br />
<strong>The</strong>y walked through the field, searching for<br />
constellations in the sky, and when they arrived at the barn,<br />
climbed the creaking ladder to the roof. For a moment,<br />
the two girls sat, legs dangling over the edge of the cracked<br />
shingles, watching a car’s headlights disappear into the night.<br />
“Ready?” Sheryl asked, unzipping her backpack. She<br />
pulled out a string of 500 Gram Cakes and lit the white string<br />
on the end of the fireworks. <strong>The</strong> girls scooted to the opposite<br />
corner of the roof. <strong>The</strong>y waited, but nothing happened.<br />
“Must be a dud,” Sheryl said. She lit another match<br />
and aimed the fireworks down toward the shingles, trying to<br />
catch the flame.<br />
“Ahhh!” Kate screamed as the fireworks shot out of<br />
Sheryl’s hands and into the barn below.<br />
<strong>The</strong> girls looked at each other, eyes wide, and ran to<br />
the edge of the roof. <strong>The</strong>y jumped from the barn and tumbled<br />
into the plants as a bright light illuminated the ground<br />
beneath them.<br />
“Run,” Sheryl said, “Run!” <strong>The</strong> girls ran for the<br />
highway, without looking back at the flaming barn. A siren<br />
sounded from somewhere down the road.<br />
“Shit,” Kate panted. “Get down.” <strong>The</strong>y dropped to<br />
the ground and lay completely still. Kate glanced upwards<br />
and saw a policeman hobbling through the field, talking on a<br />
walkie-talkie and shining a flashlight in the opposite direction.<br />
<strong>The</strong> mechanical voice from the walkie-talkie<br />
disappeared behind them as they jumped up and fled towards<br />
the highway.<br />
“See you tomorrow,” Kate panted, and they split<br />
up, heading in separate directions. Kate ran farther and father<br />
down the road, and when she turned around, the flame in the<br />
distance was barely visible. She listened for the cop running<br />
towards her or for more sirens, but heard nothing. She<br />
collapsed in front of the road-side fence and sat, just listening.<br />
<strong>The</strong> night filled her ears, and she screamed, then pushed<br />
herself off the cement. She ran home.<br />
Looking back, I think mostly I was jealous of the<br />
quiet—of its perfection, its purity. I couldn’t stand knowing<br />
that I would never have that sort of stillness at home. That<br />
night I vowed to never stop long enough to hear the silence,<br />
to let it get to me.<br />
<strong>The</strong>resa Martin ’11<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 41
A Forever Frozen Lake<br />
When one looks inside himself,<br />
He sees a forever frozen lake.<br />
All he can see is winter’s big mistake.<br />
He can’t let anything go inside on the shelf,<br />
To be saved from the frigid ice,<br />
Which now brings pain not once, but thrice.<br />
Sam Bernstein ’14<br />
Found a Fault, Bound to Fall<br />
A silent, subtle inhibition<br />
Of dark-born hopes and wild addiction<br />
It smells so free, so clean, so warm<br />
So sweet, so calm it takes its form.<br />
Hear the storm with haste approaching<br />
See the signs your life reproaching<br />
<strong>The</strong> signs, those signs your mind preys witness<br />
<strong>The</strong> pain that hurts without forgiveness<br />
What now? Those signs call out<br />
False loving<br />
A worrying that your life means nothing<br />
Here there is a hope of beauty<br />
A thing of peace; to achieve, my duty<br />
This sign that mocks my life and taunts<br />
Of a life worth living and objects to flaunt<br />
And it haunts my soul to think to leave<br />
<strong>The</strong> family I love and without I’d grieve<br />
But I must do something<br />
Existence means nothing<br />
No hope and no life<br />
No freedom, this strife.<br />
I set the signs on fire, they go down in flames<br />
Just to rise like a phoenix and the pain remains.<br />
So I pack my bags and walk through the gates<br />
To enter a new life when I land in the <strong>St</strong>ates.<br />
Ben Richman ’12<br />
42 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
What is Poetry?<br />
What is poetry but the death of<br />
creativity, the angsty woman’s love<br />
tragedy, the death of naiveté, of child,<br />
bits of awe toward unmapped wild?<br />
Cringing, I loathe those rivers of “freedom,”<br />
those serpents of “evil” – tidbits of “wisdom.”<br />
Nay, it’s only prose with excessive white,<br />
a love of the return key, a lack of bite:<br />
omission of word, omission of form,<br />
the sprinkling of simile like a freakish storm.<br />
An iceberg concealing neither truth nor meaning<br />
which simply leaks forth the demeaning<br />
demeanor of these gutless artists as they<br />
cook their themes and purposes way<br />
too long in a smoking microwave<br />
of wit, with little avail for us readers to save.<br />
Gregory Disse ’11<br />
I Don’t Want To Grow Up<br />
Surrendering childhood is truly betrayal,<br />
<strong>The</strong> adult world locks out fairy tales.<br />
No mischievous brownies bring laughter,<br />
Events won’t end with happily ever after.<br />
In my world, fairy spells and wizardry are rich,<br />
An old hag is either a wise crone or witch.<br />
Turquoise-tailed mermaids fill the deep blue seas,<br />
Whilst chivalrous knights are eager to please.<br />
<strong>The</strong> Seelie Court flourishes in the golden rays of light,<br />
Whereas the Unseelie fey thrives in the shadows of the night.<br />
Dreams of glass slippers and frightening kelpies,<br />
Dazzling princes on white horses choose to help me.<br />
Wishes on stars do come true,<br />
So that I may not ever feel blue.<br />
I shall not depart from my Neverland,<br />
For it is my own heartland.<br />
Growing up shall never do,<br />
I’d rather be silly forever than for fairy tales not to be true.<br />
Helena Le ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 43
A Message in a Bottle<br />
A delicate leaf of simple intricate lettering,<br />
A painted picture shrouded in plain sight<br />
Sheltered from even the first sign of life<br />
Floating, falling through waves of thought,<br />
Ripe raging rapids of confusion<br />
A helpless cork to plug nature’s breath.<br />
A message in a bottle<br />
Like soundless music yearning to be heard,<br />
A call to Artemis, the plea of her servant Brother Wolf<br />
Is a voice crying aloud, crying for days over the ocean,<br />
Make-believe truth, a need, a despairing wish<br />
Like a fish flopping on land.<br />
Desperate, not yet noticed.<br />
A message in a bottle<br />
Your eyes, magnificent golden globes of glory<br />
<strong>St</strong>olen from the only stars of heaven’s night sky.<br />
Your smile, a warm welcome which makes my breath<br />
Escape my lips and takes it away.<br />
A dream, it’s whispering inside of me, my love;<br />
Words that cannot be expressed by tongue,<br />
Awestruck with mesmerizing love.<br />
A message in a bottle<br />
A sunset calligraphy silhouetting beyond the horizon<br />
Waiting for care and attention,<br />
Like a baby anticipating its Goodnight Moon.<br />
A shunned bird streaking the soft periwinkle skies,<br />
Sun-kissed feathered angels’ wings flying free.<br />
To the world, only a background scene<br />
A disregarded beauty, a sum better than all of its parts.<br />
To the sender, a message in a bottle<br />
Lets go of loneliness.<br />
A frustrated searching for realization, a chase for the truth<br />
Not far away, right in front of you.<br />
A message in a bottle<br />
A secret, an S.O.S., a splendor, a lovesickness.<br />
Searching for land, a dove that<br />
Delivers.<br />
A message in a bottle<br />
Endearing waves of chaos<br />
Needing interpretation, decipherment, extraction.<br />
A message in a bottle<br />
A mystery, a vociferous silence<br />
Unless you, my love, my hope<br />
Just listen.<br />
Camille Villadolid ’14<br />
44 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> <strong>St</strong>ory of Pressure<br />
Now this right here is a song ’bout pressure<br />
everybody feel like they got to be fresher<br />
than the next, even if it means to drink, smoke, and have sex<br />
let’s examine the life of two young teens<br />
and see how this pressure is one of the worst fiends<br />
in our life, ’cause it’s always causing strife<br />
First lets talk about a girl named Ruth<br />
nice and smart, but in her youth<br />
she grew up with a wrong view of the truth<br />
freshmen in high school, got invited to a party<br />
so young but already sipping on that Bacardi<br />
wants to be cool so of course she says yes<br />
not aware that this will cause much stress<br />
goes with the fella into the parents room<br />
this will be the source of eternal gloom<br />
the next week at school, Ruth is now real cool<br />
but unaware of how she became a fool<br />
cause even though that night was so great and wild<br />
month later she finds out she’s about to have a child<br />
she doesn’t know what to do, an abortion maybe<br />
wish ’pac was alive, he’d see not only Brenda’s got a baby<br />
Switching it up to David got to give him a holla<br />
because he wants a girl to think he’s a balla, needs to come up with the almighty dolla<br />
tons of pressure on him so his thinking is becoming whack, resorting to selling crack<br />
and that’s not his knack so he got jumped and the thugs stole it from his pack<br />
so now David’s lyin’ on the street, bleeding like he’s some raw meat<br />
a victim of an act of deceit<br />
on life support while he’s lying in the ER, his girl is sad and tells him his behavior is bizarre<br />
because she would’ve loved him if he told her how he feel, no need to conceal but now<br />
there’s no time to heal.<br />
So for everyone who are sad because they can’t boast<br />
Because honeys don’t play them close, like butter played toast<br />
Just be yourself because that is “cool”. <strong>The</strong>re’s really no need to act like a fool.<br />
Chris Anderson ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 45
46 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Heaven and Earth • Xavier Russo ’11<br />
Art
STD: Sexually Trendy Disease<br />
Do you have a friend?<br />
<strong>The</strong>n just share the wealth.<br />
It’s the latest trend,<br />
Who cares about your health?<br />
Why wear a rubber?<br />
Just pass on the disease.<br />
Give it to your lover,<br />
It’s the most popular gift throughout the seven seas.<br />
Just listen to their names,<br />
<strong>The</strong>y sound so fancy.<br />
Chlamydia has no shame,<br />
She rode along with Nancy.<br />
Now are you really living,<br />
If you don’t have a disease?<br />
It’s the gift that keeps on giving,<br />
Since you can regift it with such ease.<br />
You’re a sexual Ahab,<br />
Now aren’t you happy.<br />
You hooked the great white crabs,<br />
And boy are they snappy.<br />
So you have creepy crawlies,<br />
Downstairs in your hair.<br />
I can’t wait for next week’s stories,<br />
How you gifted it without a care.<br />
Hopefully they’ll keep it going,<br />
It’s the most famous chain letter.<br />
<strong>The</strong> numbers keep growing,<br />
And the disease just gets better.<br />
Anthony Ayllon ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 47
Imprint • Christina Yap ’11<br />
Art<br />
Kaleidoscope • Olivia Neagle ’12<br />
Art<br />
48 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />
LOWER DIVISION – HONORABLE MENTION<br />
Laces<br />
In the beginning you lived with the trees.<br />
You lived with the branches, with the roots.<br />
You lived where the sunlight collected like dew,<br />
and the wind rolled your soul open.<br />
You lived where the night sky did not end as it wrapped around your eyes<br />
and where the sun never set to say goodbye.<br />
And it was perfect.<br />
And you lived with your shoes untied.<br />
But your mother saw.<br />
She saw the laces as trip-wires.<br />
Snares.<br />
And she worried for you<br />
and tied you in.<br />
You were silenced.<br />
And it seemed that the wind stopped rising,<br />
the sun cut and glared,<br />
and the night was lost.<br />
And as the years bit down harder,<br />
you were completely uprooted.<br />
Now you live in commute.<br />
Now you live domesticated.<br />
Now you live with double-knots.<br />
Where did the miracles go?<br />
<strong>The</strong>y retreated into the forest.<br />
Behind the wind.<br />
Between the stars.<br />
With the roots.<br />
And they wait for you to let your laces slip.<br />
David Melone ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 49
<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />
LOWER DIVISION – PRIZE WINNER<br />
Synesthesia<br />
On one canvas colors traverse<br />
Invisible to the eye but not the mind<br />
It is a Beautiful curse<br />
Painted by music the sounds immerse<br />
Showered with purple rings, they shine<br />
On one canvas colors traverse<br />
Dancing with each other, hues converse<br />
While passionately spinning they become entwined<br />
It is a Beautiful curse<br />
Flawless coordination no need to rehearse<br />
As one, the sights and sounds combine<br />
On one canvas colors traverse<br />
<strong>The</strong> shapes and shades are so diverse<br />
Except all but one is blind<br />
It is a Beautiful curse<br />
Splashing tears tint disperse<br />
Elusive details define<br />
On one canvas colors traverse<br />
It is a Beautiful curse<br />
Julie Olsen ’14<br />
synesthesia: a condition in which one type of sensory stimulation creates perception in another sense, most notably in the form<br />
of color (Britannica Encyclopedia).<br />
50 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />
UPPER DIVISION – PRIZE WINNER<br />
Manhattan Hotel<br />
Warhol on the walls, music in the ceiling –<br />
West 23 rd bound up in city stars.<br />
<strong>The</strong>re are kids in windows, singing on fire escapes,<br />
But Jane just leans against the Chelsea walls in an ocean of smoke.<br />
Around her feet lay the ashes of the boys she’s spurned,<br />
<strong>The</strong> powder piles higher with every heart she serenades.<br />
Thought I passed her on the street a couple days ago,<br />
Or maybe I just saw her ghost lurking in the subway tunnels.<br />
She spends her days on the street<br />
And spends her nights at the Chelsea,<br />
<strong>St</strong>raight from one of those old songs about the girls who lose it all.<br />
She’s lost in limestone and yellow cabs,<br />
And now the radio can’t even resurrect her thoughts of home.<br />
I hear organ swells with the sound of her voice,<br />
But all she hears is the rush of the pipes<br />
And the footsteps in the halls.<br />
Jane rides the train past stacks of windows and iron beams,<br />
And with the constellations of city lights blending together,<br />
She’s overwhelmed by the sudden onslaught of memory.<br />
Erasing hazy visions of the courtyards, glass pyramids,<br />
Rain-soaked hills and side streets she loved long ago,<br />
She rides through Manhattan’s glass canyons until the final images are erased.<br />
And on the West 23 rd ,<br />
Wrought iron balconies squeeze the bricks and the infrastructure.<br />
<strong>The</strong>y bear down on her lungs, squeezing,<br />
Asphyxiating, and choking until there’s nothing left –<br />
Nothing but the cracks in the sidewalk, the frozen Christmas trees,<br />
And the cascading stone bridges that would’ve gotten her out.<br />
And even though we’re both still breathing,<br />
<strong>The</strong>re is nothing we can do for each other now.<br />
Matthew Caracciolo ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 51
<strong>The</strong> Gerald Dohrmann ’34 Poetry Award<br />
UPPER DIVISION – HONORABLE MENTION<br />
<strong>St</strong>ars<br />
As you sit by the warm, glowing fire,<br />
Holding tightly the brown, leather-bound book,<br />
Wishing deeply you didn’t have to look<br />
To see the way my quirky attire<br />
Never did quite fit me right, or recall<br />
How the time we spent seemed to fly away,<br />
And have memories of our past replay<br />
Until the salty tears begin to fall.<br />
<strong>The</strong> pages open and I appear, you<br />
Laugh as our granddaughter layers my hair<br />
In the bows and ribbons that she could spare,<br />
<strong>The</strong>n turned to see the day we said “I do.”<br />
Your dress, as pearl white as your hair is now,<br />
Radiates off the glowing skin of youth,<br />
As beautiful as is now, that’s the truth,<br />
It has been since the day I said that vow.<br />
All the memories flood back in your mind<br />
Of how I was the man whom you would embrace<br />
And loved the beauty of your changing face.<br />
And I am sorry my death was unkind<br />
I remember the life that we shared too,<br />
And when you look outside that window of ours,<br />
You will find my face among the bright stars,<br />
Happily, with love, watching over you<br />
Tessie McInerney ’11<br />
52 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Vespa Paris • Phoebe<br />
Boosalis ’13<br />
Photography<br />
Girl and Hula Hoop • Julie Olsen ’14<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 53
What Is Sig Figs<br />
What is significant<br />
An existential belief<br />
<strong>The</strong> magnificent<br />
A want of relief<br />
No drug in the world<br />
Nor ignorant pleasure<br />
Can make my mind swirled<br />
Of that extreme measure<br />
That which is infinite in calculation<br />
<strong>The</strong>re’s no other convenient value in adoration<br />
Yet the undefined can be human error<br />
Such as that of the star struck starer<br />
If for instance I ceased to exist<br />
My soul, entire living dissolved within mist<br />
What of the grief of those earthbound<br />
After my body’s thrown on the ground<br />
But would those around me really care and come<br />
After the inevitable death I should succumb?<br />
Sounds too solemn, doesn’t it?<br />
What of the gorgeous day that is seemingly shit<br />
When challenges met do not go premeditated<br />
Or during the time when anxiety’s not sedated<br />
<strong>The</strong> infirmary can certainly incinerate<br />
And the flames invigorate…<strong>The</strong> Devil’s ravishing rhapsody…<br />
Maybe the mean reds have got you<br />
And the world you’re in prevents what you can do<br />
<strong>The</strong> deep restlessness within amounts to melancholy cacophony<br />
And desires sought are blown away<br />
In the wind, you try to find right words to say<br />
But intimidation inhibition annihilation<br />
Results in alpha decay<br />
You may pray, or selfishly smoke green hay<br />
Or wait wistfully for the song of a jay<br />
But what really makes the day?<br />
<strong>The</strong> grade? <strong>The</strong> laid?<br />
Or the graft of those who got it made?<br />
Do these vowels and consonants bring bliss like summer shade?<br />
Or are they of detest and of quality you bade?<br />
It’s all just vapid, insipid, and falsely intrepid<br />
Gilded as a ring can be, something that you know is not me<br />
<strong>The</strong> bitterness of chrysanthemum tea like the look of a B or D<br />
<strong>The</strong> thought of she…the isolation induced from the surrounding sea…<br />
<strong>The</strong> thought that is not tantamount to society<br />
Yes, E<br />
That’s a good letter, that’s a spoonful of sugar!<br />
To sweeten your heart, the empty part, to help and aid you…<br />
GO FIGURE<br />
Christopher Abrigo-Mendoza ’12<br />
54 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong>y Never Really Had the Answers<br />
<strong>The</strong>y told us to love… but did they ever mention that we could get our hearts broken?<br />
<strong>The</strong>y told us to try our hardest… but did they mention that often our efforts would go unnoticed?<br />
<strong>The</strong>y told us to be ourselves and that we’d always have friends… but did they avoid mentioning that friends aren’t always<br />
chosen for quality?<br />
<strong>The</strong>y told us that if we played hard enough, we would make the team… but did they mention that there would be hundreds<br />
who were just as good?<br />
<strong>The</strong>y told us that in life hard work pays off… but did they mention those who never work and still get so much?<br />
<strong>The</strong>y made us think that life was fair. <strong>The</strong>y made us believe that being good people would never betray us. And yet whoever<br />
they are, we defied them. We broke their advice, shattered their lessons… for they, they never really had the answers.<br />
Yana Yasevich ’13<br />
Untitled • Olivia Raggio ’11<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 55
Fully Alive<br />
I lean out my window<br />
<strong>The</strong> brisk air<br />
<strong>The</strong> darkness<br />
Hits my face. And yet,<br />
My eyes reach,<br />
Search, find,<br />
Twinkling, blinking, flickering<br />
I long to explore,<br />
For each light serves<br />
A purpose;<br />
Individual, pieces of the landscape.<br />
I realize<br />
<strong>The</strong> brightest are missing<br />
Not lost.<br />
<strong>The</strong>y are here.<br />
Asleep, in prayer<br />
Shining<br />
Unaware of his necessity<br />
And yet,<br />
I turn my head from a landscape<br />
Awaiting its brightest children<br />
To wake up<br />
And be Fully Alive.<br />
Shane Slosar ’12<br />
7926 Miles Away<br />
How many chances do you give your dad,<br />
Who was there the day you came into the world,<br />
Who promised to care for you, to love you, to provide for you,<br />
And to hold you when you’re sad,<br />
But then one day picked up and walked away?<br />
You forgave him for leaving.<br />
You gave him a chance to make it all right,<br />
But instead of having a presence and holding your hand,<br />
He only left you with more you couldn’t understand.<br />
Every year is another chance for him to make amends.<br />
Every year you realize it doesn’t matter how many emails he sends,<br />
You can’t depend on him, you can’t rely on him, and you can’t count on him.<br />
He’s too self-absorbed.<br />
You forgave him for walking out without a word of why,<br />
But as you continue to wait for answers, you stop caring about his lies.<br />
Not only is he not here,<br />
He’s not even near.<br />
In fact he couldn’t be farther away.<br />
Eileen Deasy ’13<br />
56 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Chase<br />
Pitter-patter pitter-patter<br />
<strong>The</strong> mouse runs to the door.<br />
Pitter-patter pitter-patter<br />
<strong>The</strong> cat crawls on the floor.<br />
<strong>The</strong> mouse is fast<br />
He scurries for the door.<br />
But the distance is vast,<br />
And the cat is guarding the floor<br />
Faster than light<br />
<strong>The</strong> mouse, he runs away.<br />
Too lazy to fight<br />
<strong>The</strong> cat does not give way.<br />
Changing directions with a turn of his feet,<br />
<strong>The</strong> mouse scurries back to his former hiding space.<br />
<strong>The</strong> cat, undistracted by the outside sleet,<br />
Turns the stalemate into a chase.<br />
Slowly losing distance and speed,<br />
<strong>The</strong> mouse skids to a halt.<br />
<strong>The</strong> cat, surprised by the yield,<br />
<strong>St</strong>ops and looks for a fault.<br />
<strong>The</strong> mouse turns its back on the cat,<br />
And takes one look back.<br />
<strong>The</strong> cat, slightly puzzled by the rat,<br />
Charges and trips over a crack.<br />
<strong>The</strong> mouse leaps to the side<br />
As the cat slides by.<br />
<strong>The</strong> cat, not happy with its new ride,<br />
Tries to stop on the fly.<br />
<strong>The</strong> mouse scampers to the door,<br />
Quicker than before.<br />
<strong>The</strong> cat previously guarding the floor,<br />
Is not there anymore.<br />
Out the door in a flash,<br />
<strong>The</strong> mouse runs free!<br />
Recovering from his crash,<br />
<strong>The</strong> cat is too dizzy to see.<br />
<strong>The</strong> chase is over<br />
And the cat is done.<br />
<strong>The</strong> chase is over<br />
And the mouse has won.<br />
Justin Eng ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 57
Flowers are like People<br />
Full of budding potential<br />
in need of warmth and attention<br />
Products of their environment<br />
Some are given protection from<br />
weeds and frost<br />
but others are left to wither<br />
and continue the cycle of neglect<br />
<strong>The</strong>ir fading beauty<br />
provides a serene front for a broken home<br />
A glint of yellow is out of place<br />
in a sea of concrete<br />
Breaking through a small crack<br />
only to be crushed by commuters from downtown<br />
Many bloom<br />
and land in a haven<br />
Arranged in a perfect garden<br />
no petal or leaf trimmed out of place<br />
But the insects always come<br />
gnawing away at the perfection<br />
Madeline Pertsch ’12<br />
Forget<br />
“I cry because I remember,” he told me.<br />
“Our great flaw as a people is not that we don’t act against what’s wrong in the world, but that we<br />
too easily forget what we’re here for.” I took a step back. And I thought – Why do I have such a<br />
short-term memory? I choose not to dwell on my past…<br />
“Every day in your past has shaped you, made you who you are today. Good or bad, to forget it is<br />
to commit suicide.”<br />
I stood speechless. At key points in my life as a seventeen-year-old high school student I remember<br />
feeling full of myself, feeling on top of the world, feeling called, feeling amazed, feeling let down,<br />
feeling……<br />
And I missed feeling.<br />
“You can keep on living aloof. You can keep on jumping from one fleeting moment to the next,<br />
holding on to what’s in front of you. Or you can open your eyes and get in touch with the real you,<br />
the guy that’s been with you all along.”<br />
I felt my walls come up as I opened my mouth and spoke for the first time, “Forget it.”<br />
Nathaniel Nunez ’11<br />
58 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Through gentle whispers<br />
Through gentle whispers<br />
Does the fruit of Eve tempt me<br />
Slowly I give in<br />
A foolish monkey<br />
Climbs high among the treetops<br />
And thinks himself tall<br />
Tires screech, windows break<br />
A hellish nightmare breaks loose<br />
Driver’s Ed: complete<br />
Winter turns to spring<br />
Thus is the cycle of life<br />
Everything renewed<br />
Hard work beats talent<br />
When talent does not work hard<br />
<strong>St</strong>rength of will prevails<br />
Who can save me now?<br />
I stand up here scared, alone<br />
I leap with my faith<br />
I walk across deserts<br />
Yet feel the cold clutch of Death<br />
Close around my throat<br />
You see the world’s joys<br />
Yet are tricked your youth<br />
Pain shall teach you truth<br />
He whose ignorance<br />
Guides over his mind, I say<br />
A blind man sees more<br />
Danny Casey ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 59
Dear Ana<br />
I’m not perfect, not even close<br />
My hair is horrendous and my nose isn’t straight<br />
I fail my tests and my GPA is an absolute mess<br />
I got caught smoking pot and I downright hate<br />
How I can’t stop thinking about<br />
Every mistake that I’ve ever made<br />
I talk way too much yet I still can’t express<br />
Just how much I hate the absolute mess<br />
I’ve made of the life that I’m living.<br />
But I know this is true:<br />
All would be forgiven<br />
And my words would be heard<br />
And my mind would be sound<br />
If only you would help me<br />
To lose<br />
One<br />
More<br />
Pound.<br />
Amen.<br />
Deanna Beaman ’12<br />
<strong>The</strong> Power of Uniqueness<br />
Upon the shore<br />
<strong>The</strong>re crash the waves<br />
Vying for the sand<br />
Throughout the trees<br />
<strong>The</strong>re span the vines<br />
<strong>St</strong>retched across foliage and land<br />
Within the grass<br />
<strong>The</strong>re crouch the lions<br />
Preparing for the kill<br />
Across the plain<br />
<strong>The</strong>re rests the zebra<br />
Amiable and still<br />
Below the surface<br />
<strong>The</strong>re exists an earth<br />
Untainted and pure<br />
Between the pages<br />
<strong>The</strong>re lies a message<br />
Different and premature<br />
Within our selves<br />
<strong>The</strong>re sparks an idea<br />
Revolutionary and bold<br />
One abstract thought<br />
One understood concept<br />
Beginning to unfold<br />
Seize the day<br />
Embrace the passion<br />
Let this idea ring<br />
A silenced opinion<br />
Deprives the world<br />
Of the Uniqueness it deserves to bring<br />
Katie Toepel ’14<br />
60 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Right now three doors are closed shut.<br />
Two people behind Door One.<br />
<strong>The</strong>re’s a man who<br />
clicksclicksclicks<br />
Away on his computer<br />
Fixing moments of other people’s lives<br />
More invested in their memories<br />
Than his own<br />
He always leaves for the unknown<br />
Wanting to explore<br />
Unknowingly abandoning something more.<br />
<strong>The</strong>re’s a woman too and she<br />
clacksclacksclacks<br />
Away on her computer<br />
She chatters on the phone all day<br />
From six in the morning to ten at night<br />
Even with these ridiculous work hours<br />
<strong>The</strong> clicking man doesn’t argue<br />
But shrugs and says, “Alright.”<br />
Click Clack Tap<br />
A ghost sits behind Door Two.<br />
During the late hours<br />
I can hear him<br />
taptaptap<br />
On his computer too<br />
Busy with his own life<br />
He departs like the clicking man<br />
And doesn’t return for another week<br />
I learned to not chase after him<br />
But turn the other cheek.<br />
Click Clack Tap<br />
Click Clack Tap<br />
My ear is pressed against Door Three<br />
Listening to the<br />
Click Clack Tap<br />
Of those three strangers in those three rooms<br />
Father Mother Brother<br />
Have I lost you to the machine?<br />
A creation for time<br />
But a thief of my ideal familial dreams<br />
Click Clack Tap<br />
I scream those three little words<br />
That I know can break the spell<br />
But<br />
Click Clack Tap<br />
Overrides me and it’s official<br />
This fantastic machine has become my hell<br />
Oh can’t you hear me<br />
Oh won’t you listen<br />
To what I have to say<br />
Click Clack Tap<br />
But these damn closed doors<br />
Keep getting in my way<br />
So let me try this once more<br />
Speaking a language you know for sure<br />
Maybe this will make our family values anew<br />
Just let me say…<br />
Click Clack Tap<br />
(I love you.)<br />
Monica Yap ’11<br />
Reality<br />
Ask me what reality is. I’ll tell ya.<br />
Reality’s the death of sanity, the death of humanity.<br />
Reality is Hurricane Katrina and its destruction.<br />
It’s the sadness a child has to feel. It’s the pain families have to endure. It’s the hunger thousands face. It’s the<br />
problems we choose to ignore. It’s the strength we lack to fight our battles.<br />
That… is reality.<br />
But daddy, I have a different reality. In my reality, I see birds chirping. I see a flower blooming. I see a rainbow after<br />
a pouring of rain. I see the pride that a father has for his little girl. I see the faith I have that God will<br />
always help me. I see never-ending possibilities.<br />
And in my reality, I don’t let mistakes or sadness bring me down.<br />
Because, daddy, reality is what we make it.<br />
Yana Yasevich ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 61
Self Portrait • Angela Yip ’13<br />
Photography<br />
Gifts<br />
Dig out those gifts hiding in the soul,<br />
<strong>St</strong>ress should fade at the end of day;<br />
Discover the truth in its whole.<br />
Though intelligent men endlessly pursue one goal,<br />
<strong>The</strong>ir holy spirits will not wilt away<br />
Dig out those gifts hiding in the soul.<br />
Drunk men swell with desperation, sucked into black holes<br />
Of eternal darkness, too late to stray.<br />
Discover the truth in its whole.<br />
We who asked the Lord to console<br />
Never saw our goodness on display,<br />
Dig out those gifts hiding in the soul.<br />
When blind desperation takes control,<br />
Wise decisions are apt to sway<br />
Discover the truth in its whole.<br />
And you, my friend, living on that empty bowl,<br />
Dejected with your shattered hopes, I pray,<br />
Dig out those gifts hiding in the soul,<br />
Discover the truth in its whole.<br />
62 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Isabella Cai ’14
I<br />
like right angles. <strong>The</strong>y’re uncomplicated. When my sophomore<br />
geometry teacher explained them, they made perfect sense to me<br />
I like to think of myself as a right angle: precise and neat.<br />
I don’t like things that don’t fit into my plan of getting into Vassar<br />
University.<br />
But when I met Jace it was like everything that I had wanted<br />
for so long vanished. We met at the used bookstore on Clement. He<br />
was older, and had gages in his ear and a tattoo of an Irish cross on<br />
his left arm. He was nothing like any of the boys in my advanced<br />
Spanish classes, who wore Sperry’s and drove their dad’s BMWs to<br />
lacrosse practice.<br />
I remember the way he picked up the book I had carelessly<br />
dropped and said, without humor, “You’re wearing a lotta pink”, I<br />
looked down at my North Face vest and sweatshirt, both a vivid hue<br />
of magenta. “I… I guess I am.”<br />
“I’m Jace.”<br />
“Ellie.”<br />
From then on, it was like I was living a Taylor Swift song,<br />
sneaking out late, hanging out on his motorcycle, except our song<br />
was a death metal one by Gorgoroth. He had dropped out of<br />
Lincoln to help his dad at the repair shop, and he always had black<br />
grease stuck under his fingernails.<br />
<strong>The</strong>n, one day, he came to my track meet. I saw Jace just as<br />
I was about to run 800 meters. He was sitting next to a bunch of<br />
baseball players and swimmers, they in their in matching varsity<br />
jackets and he in his used flannel work shirt. Jace told me he would<br />
I thought you’d be here by now<br />
Fire! From the Dark:<br />
(If life is fuse then you are spark)<br />
All my love and all my life<br />
I see ablaze in the west tonight.<br />
All the pain and happiness,<br />
All things Human more or less,<br />
I feel as though they all are mine<br />
When flame and water do combine.<br />
Slay the day and stall the night<br />
<strong>St</strong>op and stay I need your light,<br />
I beg you this small favor sun,<br />
<strong>St</strong>op the cycle, halt the run.<br />
I do yet hope this is the time<br />
That orb will be appeased by rhyme<br />
Make obeisance and comply<br />
To stick around and light the sky.<br />
That I might not see all things die.<br />
That I might not see all things die.<br />
meet me at the Daly City IHOP afterward. I was late by half-anhour.<br />
Jace was waiting there, a cup of black coffee in his hands. “I<br />
thought you’d be here twenty minutes ago.”<br />
“I got busy”, I said, sitting down folding my napkin in my lap.<br />
“You were good.”<br />
“Thanks.”<br />
“I really didn’t like those baseball players watching the game.<br />
All they seemed to talk about was the hot sophomore and how the<br />
new Commons vegetarian food blows.”<br />
“Well that’s them, not me.”<br />
“I know but it’s like you live in this bubble full of other kids<br />
who are privileged and born into… God, I don’t… being total jerks?<br />
It’s like all you worry about is if you can get a 2400 on your SAT,<br />
making your 800 meter time faster, being better, stronger than the<br />
person next to you instead of just – living.”<br />
“That’s not such a bad thing to aspire to, Jace. We’re not all<br />
going to suffer like you.”<br />
“Give it up, Ellie. Who are you trying to please? Your parents?<br />
<strong>The</strong> college admissions people? SI? Or is it really for yourself? Not<br />
everything’s going to fit into your perfect right angles.”<br />
He got up and left me in the IHOP with a black coffee and a<br />
head aching of the possibilities of a life made up of questions that I<br />
still can’t answer.<br />
Camille Vinogradov ’12<br />
Nick Brunner ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 63
<strong>The</strong> Barn<br />
Early morning quiet engulfs the shadowy brick- red structure in stillness<br />
As the fingertips of the bright morning sun<br />
Reach over the white- tipped peaks<br />
And cast a peachy glow over the grand expanse of the valley.<br />
Tiptoe through the smooth, heavy wood doors<br />
And into the peaceful horsy darkness<br />
Sleepy, half- open eyes adjust gradually revealing<br />
<strong>The</strong> calm swaying of the horses’ dark figures,<br />
<strong>The</strong> cold grey steel corners of the stalls,<br />
<strong>The</strong> neatly arranged hay stacks,<br />
And the tack patiently waiting to be used.<br />
<strong>The</strong> aroma of the barn rises to awaiting nostrils:<br />
Horse, hay, leather, manure.<br />
A soft whinnying and snorting comes from the stalls<br />
As the horses lift their heads<br />
And look up with their huge, gentle, trusting eyes.<br />
Lifting the golden hay over the stall,<br />
<strong>The</strong> fresh, earthy alfalfa flavor envelops the barn<br />
As the crunchy sweetness of the carrot treats tickle horsy tongues.<br />
Reaching out, the warm, steady horse coats<br />
And the worn leather of the halters<br />
Both so soft against the roughness of the hay<br />
And the coolness of the carrots.<br />
Emerging from the barn,<br />
<strong>The</strong> sounds of the day sift into now- alert ears.<br />
<strong>The</strong> distant bark of waking ranch dogs,<br />
<strong>The</strong> steady rumble of tractors,<br />
And the “chk- chk- chk” of sprinkler lines<br />
Flow together harmoniously<br />
As the horses trot out to meet the day.<br />
Alison Simon ’13<br />
64 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Magnetic Temptation<br />
I hear my refrigerator deceitfully singing, tempting me in dangerous ways.<br />
It whispers taunting, quiet-shhh-phrases that go on till daylight, never quitting until its goal is fulfilled.<br />
I see the artichoke lying on the top shelf, staring me straight in the eye.<br />
<strong>The</strong> burrata cheese as fluffy as can be, having a rendezvous with the heirloom tomatoes.<br />
<strong>The</strong> crowds of arugula making their way back to their shelter, as the lettuce embrace their fellow brothers and sisters.<br />
<strong>The</strong> delicious, tangy balsamic vinegar standing as it rests against the walls of the enclosed world.<br />
Each young grape singing for one purpose, their crispy texture completes them,<br />
creating a barrier between their furrowed grandparents and themselves.<br />
Milk and warm apple pie possessed by the night– freshly squeezed orange juice launching the start of the day.<br />
All at once, singing with their rich goodness, turning into a whisper,<br />
trapped once again until the next temptation.<br />
Susanna Shidlovsky ’12<br />
War Really Isn’t That Bad…<br />
I miss you, honey, and our little girl<br />
Just as much as you two miss me.<br />
But don’t worry, our lives are really quite the same<br />
You step foot on the sand every morning, as do I.<br />
You stand under the sun for hours, as do I.<br />
You watch the waves crash on shore, as do I.<br />
You walk around looking for shells, as do I.<br />
You hide-and-seek behind the trees, as do I.<br />
You run around playing games of tag, as do I.<br />
You collect sticks to make little fires, as do I.<br />
<strong>The</strong> only difference lies at the end of the day<br />
Where you rest in a bed, waiting for dawn,<br />
And I rest on the rocks, waiting to die.<br />
Valerie Chiang ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 65
Each New Day<br />
Soon the Dawn of the Sunrise weeps golden Tears of Joy<br />
causing the overflow of Life to runneth over<br />
the Cliff of Uncertainty<br />
plunging into the Canopy of Dry Soil<br />
where Bones of Unpeaceful Unrest<br />
await to ressurect.<br />
<strong>The</strong> Waters of Youth gush throughout<br />
the Cracks of Eternity<br />
Destroyed Memoirs are restored to<br />
Prosperity; not in value, but in beauty.<br />
<strong>The</strong> Calling of the Wind combines the<br />
Warmth of the West with the<br />
Bitter Chill of the East to produce<br />
flashes of Thunder which precedes<br />
the approaching Nightfall and the boom<br />
of the roaring Shadow of Space<br />
AND soon the Dawn of the Sunrise weeps…<br />
Christian Solares ’12<br />
66 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
Geyserville • Sarah <strong>St</strong>inn ’11<br />
Photography
<strong>The</strong> Captain<br />
<strong>The</strong> troops march along with their heads held high,<br />
A beloved Captain keeps their spirits in the sky.<br />
He leads them onward towards the final destination,<br />
Looking to send the enemy to an eternal damnation.<br />
<strong>The</strong> Captain, their Captain, who they walk beside,<br />
Is the reason for the war’s change of tide.<br />
He is known to all as the perfect man,<br />
He only has his men do what he himself can.<br />
He has earned the respect of all he knows,<br />
And in battle, his very being glows.<br />
<strong>The</strong> Captain, their Captain, whom they walk beside,<br />
Is the reason for the war’s change of tide.<br />
Each man trusts him with their life,<br />
And for him, each is willing to take a knife.<br />
Never has there been one better in their eyes,<br />
Than the man who, it seems, can never die.<br />
<strong>The</strong> Captain, their Captain, whom they walk beside,<br />
Is the reason for the war’s change of tide.<br />
But anything and anyone can change in time,<br />
Even a man who receives some dollars and dimes.<br />
You would never know with the men so determined,<br />
<strong>The</strong>ir beloved leader was trapping them like vermin.<br />
<strong>The</strong> Captain, their Captain, whom they walk beside,<br />
Is the reason for the war’s change of tide.<br />
Kieran Firlit-Ring ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 67
68 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
School Yard • Tessa Van Bergen ’11<br />
Photography
<strong>The</strong> Window to Another World<br />
Michael briskly grabbed his checked bag from the baggage<br />
claim, left the air-conditioned arrival hall, and entered<br />
the cluttered streets outside. <strong>The</strong> hot air was dry, and<br />
the smell of all the people rushing about was ghastly. Michael took<br />
out his BlackBerry from his suit pocket and checked his email –<br />
No New Messages. Out of the corner of his eye he watched a taxi<br />
attendant usher him to a car. <strong>The</strong> taxi was twice as hot, but there<br />
was at least no smell.<br />
“<strong>The</strong> Royal Crown Plaza Hotel,” Michael shouted to the taxi<br />
driver over the ruckus outside. <strong>The</strong> driver quickly nodded back and<br />
swiftly pressed down on the gas.<br />
As the car pulled away, Michael could see hundreds of native<br />
people waiting in the taxi line he had quickly skipped in the<br />
reflection of his BlackBerry – No New Messages. Michael gripped<br />
his phone as though it were his child. He continued to wait for<br />
the most important message of his life, from Corporate. Michael<br />
dropped the phone onto the seat next to him as anxiety took control<br />
of his muscles. Raise or No Job…<br />
<strong>The</strong> sunset outside finally was able to attract Michael’s<br />
attention away from the phone. He looked out the window and<br />
finally let the atmosphere of this foreign land sink in. <strong>The</strong> sun<br />
was beginning to lower itself under the horizon, while fields of rice<br />
swarmed by at the edge of the highway. As the city approached,<br />
Michael turned back to his phone. If he did not answer a<br />
verification from Corporate soon, the deal would End… – No New<br />
Messages<br />
He turned back to the window again. <strong>The</strong> taxi was nearing<br />
the end of a long beautiful overpass that showed off the glimmering<br />
skyscrapers, which represented the country’s rise to power. <strong>The</strong><br />
magnificence of the skyscrapers gave Michael confidence that the<br />
deal would go through. Michael turned from the window and<br />
looked at his phone’s glowing display as it rested on the seat next to<br />
him – No New Messages<br />
In the top right corner of the screen, the phone service bars<br />
began to disappear. <strong>The</strong> taxi had entered a tunnel, and Michael<br />
began to worry again. As the taxi rushed through the tunnel, lights<br />
streamed by the window and created a light show on the seats of<br />
the car. When the lights abruptly stopped flying by on the seats,<br />
Michael looked out the window and saw that the cab had exited the<br />
tunnel and had entered a dirty slum. Dirty water silently gushed<br />
along the side of road. Trash and cigarettes littered every surface of<br />
the sidewalk. Graffiti covered every wall and house that zoomed by.<br />
Michael, disgusted by the sight, turned back to his phone display<br />
for comfort – No New Messages<br />
After the cab crossed a wide street, Michael spotted a mob<br />
beating up a kid carrying a bag of groceries and whose bike had<br />
crashed into a pole. <strong>The</strong> red rusty bike wheels were still spinning.<br />
Michael was shocked; he slumped back down into his seat, but did<br />
not look at his phone. He did not understand this sudden change<br />
in wealth. <strong>St</strong>orm clouds began to roll over the tops of the brown<br />
and grey buildings, which seemed to never have the potential to<br />
glimmer.<br />
As the cab began to pass a shabby corner market, Michael<br />
peered out the window and saw a wealthy man in a suit with his<br />
arm around a girl shouting at the poor storeowner. <strong>The</strong> storeowner<br />
looked weary and powerless as his head drooped towards the charred<br />
pavement. Michael was bewildered. He could not believe what he<br />
was seeing.<br />
Once Michael could no longer see dirty buildings towering<br />
next to the road, he looked out the window, hoping that some<br />
prosperity could be found somewhere. Instead the rain began to fall<br />
and a rough barren field came into view. He saw two very young<br />
boys in ragged clothes playing soccer next to a barbed wire fence.<br />
As the taxi drove by, Michael made eye contact with one of the boys<br />
who had just passed the rugged ball back to the other boy. <strong>The</strong><br />
young boy looked mortified, weary, and uneasy.<br />
“<strong>St</strong>op the car.” Michael opened the door and beckoned the<br />
two players to come over. <strong>The</strong> rain was pelting down, and the<br />
boys uneasily came over to the cab after a few minutes. Michael<br />
rummaged around his briefcase and found two energy bars left<br />
over from the trip. <strong>The</strong> boys, who looked half-starved and a little<br />
frightened, took the bars into the dirty hands, ran around to the<br />
other side of the taxi and jumped in. As the clambered onto the<br />
seats next to Michael, the commotion caused his shiny BlackBerry<br />
to fall down onto the muddy pavement. <strong>The</strong> cab doors were<br />
slammed shut, and the cab drove off as the phone began to vibrate.<br />
One New Messssssagggg…. <strong>The</strong> phone crackled and died from<br />
the downpour.<br />
Michael, to this day, has never regretted his decision.<br />
John Ruxton ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 69
1,460 Days<br />
A clot of Hawaiian shirts and sombreros in the cheering section<br />
Screaming “roll tide” at the top of their lungs<br />
<strong>The</strong>y barricade the stairwell<br />
Clogging the hallways<br />
Breaking dress code<br />
Leading the school<br />
On top of the world in their minds<br />
<strong>The</strong> time of their lives<br />
<strong>The</strong> clock is ticking<br />
A final hoorah before the end<br />
Tired, sleepless zombies<br />
Roaming the halls, in their own world<br />
Seeking a purpose to it all<br />
<strong>College</strong>, exams, essays<br />
No vacancy no free time<br />
Searching for the end<br />
Doors closing, time is running out<br />
Options seem slim<br />
Hauling their burden around on hunched backs<br />
Searching for drive, motivation<br />
Wise fools, curious cats<br />
Feet in their mouths,<br />
Heads in the sand<br />
Thinking they know it all<br />
Making a mockery of freshmen<br />
Embarrassment to themselves<br />
So sure of where they want to go<br />
What they want to do<br />
Looking for power<br />
In a powerless bubble<br />
<strong>The</strong>n there is us<br />
Sophomore prey<br />
Paranoid squirts anxious to get to class<br />
Invisible to all<br />
Muffled murmurs, meaningless bumps, nothing<br />
A single blade of grass on J.B. Murphy<br />
A lonely chair in the Commons<br />
Just trying to fit in<br />
No matter how much we try, we make no sound<br />
Maybe no one is listening<br />
Kate Reardon ’14<br />
70 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Lethargic Afternoon<br />
<strong>The</strong> ground is slick and fresh with the dew of the night’s rain<br />
and the pavement, gray and damp, smells of water<br />
and tells of a day bound to be lethargic.<br />
<strong>The</strong> branches of the trees once long and limber now droop<br />
as their swollen midsections are wrung<br />
of their duties as host.<br />
Leaves that were once green are now soiled by rain,<br />
their veins-now dead – harbour grays and browns<br />
brought by the weather’s malevolence.<br />
Conor Lane ’12<br />
Hex<br />
Sometimes you drone,<br />
You’re stuck in this hex.<br />
Just remember.<br />
You’re not alone,<br />
Scared of what’s next.<br />
Henry Callander ’14<br />
<strong>The</strong> Dream Lives<br />
America lived on<br />
As foreigners slept,<br />
A place of fortunes won<br />
And freedom kept<br />
Many came through the door<br />
Leaving all behind,<br />
Arriving, wanting more<br />
From a land undefined<br />
Fleeing distant lands<br />
Or stolen from others,<br />
<strong>The</strong>y now join hands<br />
As American brothers<br />
As their children we have a need,<br />
Live on the dream and succeed.<br />
Anthony Ayllon ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 71
LOL<br />
From my chest,<br />
A warm buzz rises<br />
To the top of my head,<br />
Until my entire face glows.<br />
With a crinkle in my eyes and<br />
A flush of my cheeks,<br />
My lips slyly spread apart,<br />
To unveil my gleaming smile.<br />
My mouth stretches and twists so<br />
<strong>The</strong> goofy grin on my face erupts into<br />
a laugh.<br />
One that rumbles the air<br />
And shakes the trees.<br />
Melting down from my face,<br />
Flowing through my veins until at last,<br />
My whole body laughs.<br />
A shaking in my shoulders,<br />
And weakness in my knees.<br />
<strong>St</strong>umbling and falling over,<br />
But I don’t notice.<br />
For I am laughing still, even harder now.<br />
My smile remains eternal as I turn silent<br />
Tears freely streaming from my eyes<br />
And I, clutching my sides,<br />
Roll over in the grass.<br />
My face, pressed into the earth,<br />
Laughs to the ground,<br />
To share our joke with the entire world.<br />
I exhaustedly flip over,<br />
My cheeks red and sore with joy.<br />
Looking up into the night sky,<br />
With a content sigh,<br />
My laughter dies,<br />
As does yours too.<br />
Until it’s just the sound of us breathing.<br />
And all we do is breathe together,<br />
Until the air is as calm as it was before...<br />
But yet our eyes meet again,<br />
And we laugh some more.<br />
Tatyana Diaz ’13<br />
Three Seasons<br />
Fall has fallen<br />
And the trees have fallen bare<br />
Nature becomes aware<br />
Of the callin’<br />
Though the tides of passion<br />
Cannot always undo the past<br />
What can last accounts<br />
For the supply of emotional rations<br />
That supplement the hibernating soul<br />
Due on punctuality?<br />
Maybe, the inner ameliorates<br />
Yet still you become ghoul and brash<br />
Especially when your insatiable hunger defies<br />
<strong>The</strong> laws of self control, you lose patrol<br />
Deep woods entrenched upon<br />
Calls attention on the callin’<br />
Which vigilantly awaits for your coming<br />
Its eyes piercing the red lividity within<br />
For the point where patience is inadequate<br />
For when the putrid past pounces<br />
For what extent do you submit yourself to this oozing?<br />
<strong>St</strong>ill, winter blizzard rages on in response<br />
And, like sandstorm, pelts its matter<br />
One snowball after another<br />
Rolling and rolling over you like a steamroller<br />
Until you see your knees too weak to stand<br />
Within your heart, dissipation of band<br />
Snowballing has become too complex<br />
For your mind to understand<br />
You hope for the melting of winter<br />
That possibly you can become a new flower<br />
But nature tends to be sour<br />
Sending bees to make you hide and cower<br />
Yet you search for hidden power<br />
And to the tower you search<br />
For the bird perched on its roost<br />
Knowing the hidden entrance on daylight savings time<br />
You use the newly found spring potential to climb<br />
Overcoming the acrophobia, you finally meet your beaked friend<br />
Or foe of the callin’?<br />
You never know…<br />
Risks taken are lost from you<br />
And this is something you voluntarily attempt to do<br />
You have to overcome the callin’<br />
To pick up what was left behind<br />
To pick up, the fallen<br />
Christopher Abrigo-Mendoza ’12<br />
72 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Whispers in a Cloud<br />
Upon a flustered cloud you sit<br />
With sturdy limbs which once fell limp<br />
Proud and regal you remain<br />
Gone now all the twisted pain<br />
Just empty sky to contemplate<br />
But wait, can that be it – a gate<br />
It beams with golden twang<br />
Yet to human soul looks all the same<br />
<strong>The</strong>y whisper, a word, a phrase, a line.<br />
You listen, intent, and calm, and oh so fine.<br />
A cloud concocted from a wave<br />
A luminescent sunrise in its wake<br />
<strong>The</strong> giant opens, then all in one<br />
Dust to brilliance swirls through a sun<br />
Give it the end to start anew<br />
You’ve since then known that loss is true<br />
Concealed in the brightness of a day<br />
You’re best to guide when darkness lay<br />
Again, a whisper, lifted from a cloud<br />
Vaporize the silence, bring in the loud<br />
For now you know of all things gone<br />
You watch from distance like Regal Fawn<br />
From nature a spirit set in tree<br />
Love conceals, contorts, essence of you<br />
To me.<br />
Shannon Foster ’12<br />
A Red Barn on a Foggy Morning • Rachel Yan ’14<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 73
Her Life’s Investment<br />
Brilliant little one, spinning like a top<br />
Thoughts too big to contain<br />
As time marches on she stays put<br />
Sacrifices need to be made<br />
Getting ready for tomorrow, her life postponed<br />
<strong>The</strong>se aren’t supposed to be the best years, anyway<br />
She can’t waste her life living<br />
Her life can begin later<br />
She’ll thank herself later<br />
When is later, exactly?<br />
Ticktockticktock the doomsday clock<br />
Two by two they parade past<br />
Paintings come to life, all dressed up for the ball<br />
No dance partner for her<br />
She doesn’t have time for dancing, there’s work to do<br />
She’ll thank herself later<br />
Right?<br />
<strong>The</strong> years fade by<br />
<strong>St</strong>ill she prepares, plans, practices<br />
It’s all for later, she’ll be grateful later<br />
<strong>The</strong>y’ll wish they’d done like her later<br />
Around and around the merry-go-round<br />
Spinning, spinning<br />
Too dizzy, it’s hard to stand<br />
But she can’t fall, it’s not later yet<br />
She tears the pages out of the book<br />
To clutch them closer to her heart<br />
To press them to her eyes<br />
But they turn to paper<br />
She still hasn’t begun to live<br />
After all, once you pick a flower it dies<br />
She needs to wait for the right time, the perfect time<br />
Which is later, of course, never now<br />
That wouldn’t be sensible<br />
But the sand is gone, the top tips<br />
Maybe with more time it would have paid off<br />
She spent all her time planting<br />
<strong>The</strong> harvest would’ve been magnificent<br />
<strong>The</strong>n she could’ve lived<br />
She would’ve thanked herself later<br />
It would’ve all been worth it<br />
Right?<br />
Shannon Lindstrom ’12<br />
74 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Answering the Call<br />
When the sun shines upon all our soldiers<br />
<strong>The</strong> bugle blows to wake them all up.<br />
Eager young men who look as large as boulders<br />
Men who wanted to see battle close up<br />
<strong>The</strong> sergeants make them go out on patrol<br />
<strong>The</strong> pale young faces prepare for the worst<br />
And the sergeants struggle to maintain control.<br />
And as they walked, BOOM! Bombs began to burst<br />
<strong>The</strong>ir commanders planned to bring them backup<br />
A promise that the commander will not keep<br />
While the enemy begins to catch up<br />
Our strong young men retreat to their jeep.<br />
<strong>The</strong> small jeep was the young men’s savior<br />
<strong>The</strong>n a strong, stern man from squad Baker said<br />
“Go on, get out of here I’ll hold them off!”<br />
<strong>The</strong> four terrified young men then took off<br />
<strong>The</strong> four tired boys died before getting home<br />
<strong>The</strong>ir innocence and their youth soon dies off<br />
<strong>The</strong>ir old selves remain on the battlefield<br />
<strong>The</strong> four weary, battle-hardened corpsmen<br />
Will go through hell over and over again.<br />
Josh Moreno ’13<br />
Serpentine Ardency<br />
With fickle snakes of mirrored gold<br />
In white dawn eyes she’s spied her prey<br />
<strong>St</strong>ill licking lips of cries untold<br />
In claws of red, his heart she holds<br />
She knows that she will get her way<br />
With fickle snakes of mirrored gold<br />
And as the midnight moons unfold<br />
Wings tremble, hunger boils, eyes grey<br />
<strong>St</strong>ill licking lips of cries untold<br />
But demons in his eyes behold<br />
He fires back through the blackest day<br />
With fickle snakes of mirrored gold<br />
She falls in pain; warm blood grows cold<br />
His once true soul he’s sold for pay<br />
<strong>St</strong>ill licking lips of cries untold<br />
Until the twilight sun grows old<br />
Inside love’s prison she will lie<br />
With fickle snakes of mirrored gold<br />
<strong>St</strong>ill licking lips of cries untold<br />
Julien R. Ishibashi ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 75
A Beautiful Tradition<br />
A man and his son and a yellow lab<br />
Bundled up in down jackets—weighted down with<br />
equipment<br />
Tired as they are, adrenaline energizes the pair<br />
<strong>The</strong> father yearns to pass on the tradition and his<br />
experience<br />
<strong>The</strong> son desires to join with past generations and those yet<br />
to come<br />
Heavy camouflage and subtle colors hide the group’s<br />
presence<br />
Animals waken—a raccoon scampers across the road<br />
On this new day men trudge through sloppy, brown marsh<br />
Through frigid knee-deep water that is like ink<br />
Battalions of vibrant decoys drift lazily past<br />
<strong>The</strong> journey ends on a small piece of land<br />
A perfect blind in the tules<br />
<strong>The</strong> father and son climb into cold, steel underground<br />
barrels<br />
Yet sit comfortably on small, padded stools<br />
<strong>The</strong>ir minds set on the future, spirits only heighten<br />
Thankful men rest after the long walk<br />
Chatting and reveling in glorious stories past<br />
Each feels he is Homer telling the Odyssey<br />
Embellishing details in whimsical tales<br />
<strong>The</strong> men hope history will repeat itself.<br />
<strong>The</strong> father stokes a fire inside the dry barrels<br />
Flickering flames combat the icy air<br />
Warmth tantalizes the already shivering men<br />
Sleep attempts to cloud their eyes<br />
But cannot contain their excitement<br />
Greying at the corners of the sun<br />
Light scares away darkness<br />
Honks and quacks and whistles travel across the sky<br />
Whizzing wings dart over their heads intermittently<br />
<strong>The</strong> son gazes at the silhouettes<br />
Invigorated by the prospects of a good hunt<br />
<strong>The</strong> father looks at his watch – 5:43 – it is time<br />
<strong>The</strong> father hopes success will smile upon his son<br />
<strong>The</strong> son keeps thinking about that first opportunity at a<br />
duck<br />
<strong>The</strong> pair place shells in the guns and click them shut<br />
<strong>St</strong>oically sit the pair<br />
Waiting for their chance at elusive birds<br />
<strong>The</strong> dog whimpers in his excitement<br />
Anxious to feel the thrill<br />
Of beauty on the final approach<br />
<strong>The</strong> sun creeps across the horizon<br />
Red, purple, orange, yellow, blue<br />
Brushstrokes paint a brilliant sky<br />
A picture-perfect moment<br />
Father and son will never forget<br />
A pair of ducks creates a flutter of wings and a zoom<br />
overhead<br />
Heartbeats stop for a quick second<br />
<strong>The</strong> father makes a resounding quack<br />
That echoes over the sheet of glass<br />
Causing the birds to tip their wings towards the noise<br />
<strong>The</strong> hunters come alive with exhilaration<br />
Hoping that the birds will come all the way in<br />
A glimpse above tules reveals the ducks’ colorful plumage<br />
Two beautiful drake mallards<br />
Fat and happy in the crisp air<br />
<strong>The</strong> decoys dupe the ducks<br />
Cup their elegant wings<br />
<strong>The</strong>y commit<br />
Green heads, yellow bill, brown neck, whitish—grey body<br />
Orange feet come rocking in flight<br />
<strong>The</strong> hunters can see the birds’ oblivious eyes<br />
Grips tighten, safeties click<br />
Like clockwork the father prepares for what will come<br />
<strong>The</strong> son endures a nervous moment and hopes his aim is<br />
true<br />
Adrenaline hits the hunters<br />
<strong>The</strong> final approach<br />
Like tightly wound springs, hunters pop up in their blinds<br />
At the sudden movement, the ducks flare in crazy motion<br />
Guns shouldered, triggers squeezed<br />
Bright light erupts from both weapons<br />
Boom, boom, boom in the blood red sky<br />
Splash, splash<br />
“Turbo!”<br />
Like lightening, the dog bounds into water<br />
Making it choppy, retrieving both birds in succession.<br />
“Give!” the father forcefully commands<br />
<strong>The</strong> son brims with confidence and joy<br />
<strong>The</strong> first bird is in the bag<br />
<strong>The</strong> father feels his son’s happiness and pride swells<br />
within him<br />
A great day of hunting and the tradition lives on<br />
David Bustillos ’14<br />
76 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>St</strong>rings<br />
I’ve set out to find the answer to my problems.<br />
Those I know, they’ve gone and thrown<br />
out all that I valued and they’ve shown<br />
they don’t value me anymore.<br />
So today I leave to try somewhere new,<br />
to find someone to act, to copy, to be.<br />
It really doesn’t matter to me<br />
just as long as I have somewhere to go.<br />
I’m frightened, not tired. I’m lonely, not bored.<br />
<strong>The</strong>y left me, I know, because I am,<br />
as they say, a no-good sham;<br />
a worthless pariah who dances on strings.<br />
This won’t be the last time I’m tossed.<br />
I know the next that I follow<br />
won’t mind if they dig me hollow<br />
and create a new them to showcase instead.<br />
I will be their marionette—assimilated,<br />
and answer to their every call, no matter how ruthless<br />
and when a new puppet renders me useless<br />
I will try to please them until I’m bent and broken and<br />
trashed.<br />
When they see me, worn and used,<br />
if they laugh at all that I came<br />
for, I understand because what I came for is shame;<br />
to be shamed forever more until my backbone grows.<br />
For you see, as long as I am who they want me to be,<br />
as long as I’m empty and they can mold<br />
me, it won’t matter how many times I’ve sold<br />
myself to a type or a shelf with a label and a case.<br />
I do not dare discover who I am.<br />
I do not dare question what I’m given.<br />
I‘m just a pawn in someone else’s mission,<br />
tied up tight with a short white ribbon.<br />
Kathleen Hayes ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 77
<strong>The</strong> Fate of Empires<br />
<strong>The</strong> sun-ripened sand both rises and falls,<br />
So like these cities of dreams I once knew.<br />
<strong>The</strong> innocent breezes mock the trees I recall,<br />
Murmuring advice or lies. Which is true?<br />
<strong>The</strong> deep sky complements the royal sea<br />
As these cities ruled the world together.<br />
But a horizon divides them to plea<br />
A fine line ‘tween them that never tethers.<br />
One day the tourists vacated the beach;<br />
All citizens leave to engage in war!<br />
And then I witness loads of garbage reach<br />
<strong>The</strong> shore; these once proud cities rule no more.<br />
Just like the blue waves will crust into white,<br />
<strong>The</strong>se cities, once in splendor, now are slight.<br />
Chantal Nguyen ’13<br />
<strong>The</strong> Cook<br />
She reigns over the smallest room in the house.<br />
What is it today?<br />
Dark, double-decker chocolate cake?<br />
Perfectly symmetrical sugar cookies?<br />
Maybe just a taste…<br />
OUT NOW!<br />
Sent to jail with hunger and no trial<br />
And mind set on the hour to reunite with the sweetness.<br />
Joseph Pappas ’13<br />
<strong>The</strong> <strong>St</strong>ick<br />
<strong>The</strong> one you never see but you know is there<br />
<strong>The</strong> one you believed to be obsolete<br />
<strong>The</strong> one you never hear until it snaps<br />
Wreaking havoc upon your barefoot fleet<br />
<strong>The</strong> one if you had not neglected would not have cracked<br />
And left you scarred for as long as you could think back<br />
<strong>The</strong> event you could have stopped<br />
If you could not have had a selfish thought.<br />
Liam Mihelich ’14<br />
78 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> Phoenix<br />
have to get out of bed sometime, Caroline,” my<br />
mother calls from the kitchen. I don’t reply, instead<br />
“You<br />
burying my face deeper into the sheets.<br />
“I’m not going to say it again—you can’t spend all summer<br />
locked up in your room like Quasimodo—it’s just not going to cut<br />
it,” she says.<br />
She comes into my bedroom and brushes the sheets away, and<br />
I groan.<br />
“I’m just as ugly as Quasimodo,” I say. She looks down at my<br />
legs, the shiny scars of the accident still visible.<br />
“Don’t be dramatic. I know your therapist says it will take some<br />
time to adjust, but really this is ridiculous. God, just do something<br />
other than mope around here all day watching reruns of Judge<br />
Judy!”<br />
“I don’t just watch Judge Judy, Mom. Sometimes I watch<br />
America’s Funniest Home Videos.”<br />
She rolls her eyes and continues sipping her coffee. “I’ll be at<br />
the office. Call me when you decide to get up.”<br />
I don’t get out of bed for another hour. But when I do, I go<br />
to my computer and check Facebook. I haven’t updated my profile<br />
in two months. Under Caroline Campbell’s name is the picture of<br />
John and me at Junior Prom before everything happened.<br />
I click John’s profile. His only reminder of the accident is the<br />
burn on his left arm.<br />
He came to see me once, at the hospital. His eyes searched my<br />
face, hoping to find a semblance of the bubbly girl he once kissed.<br />
Left behind was a marred freak, the only reminder of her previous<br />
beauty grey eyes. He left quickly, and later that night went to a<br />
dance and hooked up with five girls.<br />
I really don’t blame him.<br />
You know those reminders to buckle your seatbelt when<br />
driving? It’s crap.<br />
John was driving down the Great Highway, no seatbelt on,<br />
singing off-key to “Born in the USA.” I was too, except I had my<br />
seatbelt on. <strong>The</strong> fire happened quickly. It was something in the car’s<br />
engine we later found out. John was able to hop out quickly. I was<br />
not so lucky. <strong>The</strong> flames grew as I frantically reached for the eject<br />
button on the seatbelt holder and the car spun wildly out of control.<br />
<strong>The</strong>n I remember waking up, my skin pink and raw.<br />
I leave my computer, dejected, and stare at the mirror. My face<br />
is somewhat normal, however there are scars running across and the<br />
color of the skin beneath my nose is crinkly and different from the<br />
skin on my nose and forehead.<br />
My friends tried to visit me, but I wouldn’t let them come in—<br />
not after John’s reaction.<br />
I’ll never be the same. I want to wake up and be new— like<br />
the phoenix that my freshman English teacher one told me about<br />
during our unit on mythology. Dead and then reborn. But that is<br />
fantasy.<br />
My reality is the face I’m looking at in the mirror.<br />
Camille Vinogradov ’12<br />
Sacred Valley Peru • Grace Buckingham ’11<br />
Photography<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 79
When Opportunity Knocks<br />
<strong>The</strong> past is hazy<br />
<strong>The</strong> present so clear,<br />
<strong>The</strong> future approaching, ever so near<br />
Shift of scene<br />
Change of fate,<br />
Opportunity knocks, don’t make it wait<br />
She stands there uncertain<br />
Not sure which to choose,<br />
Something to gain, something to lose<br />
Faith is still present<br />
Hope is there too,<br />
Confidence rolls in, without a moment to lose<br />
Armed with a smile<br />
And an open mind,<br />
She pulls open the door, in record time<br />
Opportunity knocked<br />
She answered the door,<br />
Amazing what the future, had in store<br />
<strong>The</strong> past is hazy<br />
<strong>The</strong> present so clear,<br />
And suddenly – the future is here<br />
Jacqueline Boland ’14<br />
It<br />
It,<br />
Behind every sound muttered,<br />
Behind every word uttered,<br />
Within every smile shown,<br />
Is secret.<br />
It has a purpose,<br />
A goal of one and of many,<br />
A dream so close to the heart,<br />
A desire for something to start,<br />
A wish.<br />
It is a means to an end,<br />
A way to bend<br />
Those rules that get in the way,<br />
A way to get what we want,<br />
A tool.<br />
It is a word,<br />
That can sever our ties,<br />
That can destroy the precious,<br />
And corrupt the gracious,<br />
An idea.<br />
It has torn down the foundations,<br />
Yet raised walls of separation.<br />
It has given us what we yearn for,<br />
Only after taking our souls.<br />
A weapon.<br />
It…is a lie.<br />
Xavier Sendaydiego ’11<br />
80 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Daydream #97<br />
Another day has come and gone<br />
And there she sits in self pity alone.<br />
After the sky is dressed for the magic hour<br />
Angry clouds ruin the light and let rain pour.<br />
A torrent of rain falls down upon<br />
A lonely girl with no raincoat on.<br />
Already time to move onward,<br />
Although making progress is too hard.<br />
Absently perching on her rock, feeling dour<br />
Alone as her feelings devour<br />
An aching heart inside her chest<br />
And the pain can give her no rest.<br />
And so she sits in self pity alone<br />
As another day comes and goes.<br />
Mikayla Lim ’14<br />
<strong>The</strong> Weeds Within<br />
A fresh downpour hits the once-wicked land,<br />
Despite washing away the outermost layer of dirt and grime,<br />
<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />
<strong>The</strong> precipitation provides promises of hope and a helping hand,<br />
Relieving the city’s occupants of negligible crime,<br />
A fresh downpour hits the once-wicked land.<br />
But who is to say that history will not take its stand,<br />
That once will not turn to twice in just a matter of time?<br />
<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />
<strong>The</strong> coming of the rain is something that cannot be planned,<br />
Making the road slippery on an endeavourer’s climb,<br />
A fresh downpour hits the once-wicked land.<br />
In the end, the only evil torn from a tangled mane comes as a small strand,<br />
No one can predict if this wisp will be sublime,<br />
<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />
Torrents can only scrape at the crust, making it impossible to turn the inner spice bland,<br />
Never reaching the core of the eccentricity, nor banishing the inner slime,<br />
A fresh downpour hits the once-wicked land,<br />
<strong>The</strong> rain nourishes the weeds hidden beneath a lifetime of sand.<br />
Katie Spence ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 81
Think<br />
I wake up and think, oh what about school,<br />
I get in the shower and think, oh will I look cool?<br />
I get dressed and think, oh should I wear that?<br />
I eat some breakfast and think, will I look fat?<br />
I get in the car and think, hope I don’t get in trouble<br />
I pull up at school and wish I’d shaved my stubbles<br />
I sit down in class and think, I hope he doesn’t call on me<br />
I get up to leave and think, I wonder if she looked at me<br />
I go to my locker and think, oh no I’ll be late<br />
I start to move and think, oh this class I’ll hate<br />
I start going to lunch and think, how long I’ll wait<br />
I stand in line and think what will I create<br />
I look at the tables and think, oh where will I sit<br />
With the jocks or the nerds or the guy with great wit,<br />
I sit alone and I eat thinking why can’t I speak<br />
Hopefully Jesus was right, he cares for the meek,<br />
I get on the bus and look somberly around,<br />
I think how will I do tonight I can’t let them down,<br />
I get home and I rest, starting to dose,<br />
I lay down in my bed thinking in prose,<br />
I look up at God thinking about tomorrow<br />
Who will I ask for their Perrine book to borrow,<br />
I wonder where I should live on those ghastly grounds,<br />
And I realize with God that I should really live here and now.<br />
Berkeley Vogelheim ’13<br />
Mind-Travel<br />
Vivid depictions of my mind’s description,<br />
Written on paper with words not diction.<br />
Treading in a sea of foamy fiction,<br />
Finding the words to life’s greater mission.<br />
All alone I walk amidst an orange jungle’s vision,<br />
Rainbows are folly phantoms to a continuous prescription.<br />
Alive yet dead dry dreams find secretion.<br />
A voice that blooms people into completion.<br />
Conscience is timid in a bi-world position.<br />
Sleeping souls know now their intuition.<br />
<strong>The</strong> world denies its imagineless factions,<br />
Waiting for the renewal of a restful contraction.<br />
Eli Love ’12<br />
82 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Fight <strong>The</strong> Light<br />
I look out my window into the vast unknown<br />
<strong>The</strong>re people wander about and roam<br />
But they are false and impure<br />
Focusing only on the wretched pain they endure<br />
<strong>The</strong>y become excluded from the brilliance and awe<br />
Of the magnificent sights I saw<br />
Terrific forms of radiant light<br />
Everywhere I look, left and right<br />
Beautiful stars, beacons at great height<br />
All my heroes compressed into one<br />
Guarding me until the second dawn comes<br />
But when the sky turns sick and pale I feel sorrow, not glee<br />
My heroes have abandoned me<br />
I must wake<br />
To face challenges I must take<br />
So I do not rage against the dying of light<br />
Instead I embrace it gently, until there is no white<br />
For only then am I truly home<br />
Free to wander and roam<br />
Safe from the terrors of the light<br />
<strong>The</strong> worries and stresses that give us no might<br />
And best of all my heroes have returned<br />
Never leaving their shift of endless night that I yearned<br />
Oh, what a sight<br />
As we lift off into the night like a kite<br />
<strong>The</strong> brilliance of the unknown<br />
Where I will never have to be alone<br />
So I fight the light<br />
With all my strength and might<br />
To take away the horrid curse of life<br />
To attack with a bite<br />
That is how I fight the light<br />
Max Schaum ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 83
Mountain Road<br />
Small, swaying flakes, crystalline<br />
Float amongst the frozen pines<br />
Carried by wind, then land at random<br />
And the breeze and the snow now act in tandem.<br />
Breath, a warm cloud of air<br />
A man extends his arm, and combs back his hair<br />
Picks up his pack, lighter now than once before<br />
Takes a passing glance toward the home he adores<br />
Swaying thrashing limbs of cedar<br />
Used to weather far much sweeter<br />
Old wood cracks, hits the ground, splinters<br />
Unprepared for this cold dark winter.<br />
<strong>The</strong> crunch of the snow, the breeze on his face<br />
<strong>The</strong> man eagerly resumes his old pace<br />
Hand to his brow, he gazes ahead<br />
And shivers not from the cold but amazement instead<br />
A long winding path tapers off and ends<br />
<strong>The</strong> road no longer turns or bends<br />
It leads but one way, to this end in the road<br />
Which ends at the mountain, where the sky has not snowed<br />
Calm and warm, the air surrounds him, he gazes in wonder<br />
At an emerald green mountain, with no ice or snow under<br />
A peaceful meadow, untouched by the frost<br />
Lies quietly in the shade, of a place believed lost<br />
Wearily, the man trudges forward,<br />
His heart beating fast, to the mountain he faces toward<br />
It has been miles since he slept, he’s never marched on stronger<br />
But to get what he has come for, he must march a little longer.<br />
John Carpentier ’12<br />
84 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Mother Bear • Brian Weiss ’12<br />
Art<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 85
To My Best Friend<br />
I hope you live to be one hundred,<br />
To live your life as you should.<br />
I hope you will age and grow,<br />
Changing with the leaves.<br />
I hope you’ll make many friends,<br />
And I hope that they’re all true.<br />
I hope you’ll find someone to love,<br />
And someone to love you back.<br />
I hope that you’ll have children,<br />
And watch them grow up soundly.<br />
I hope you will have grandchildren,<br />
So you can spoil them rotten.<br />
I hope you will be able to tell your stories,<br />
While sitting in an old rocking chair.<br />
I hope I’ll be there with you,<br />
Until I must depart.<br />
I hope you’ll be careful,<br />
And not get killed before your time.<br />
I hope all your scars will heal,<br />
And fade away gently.<br />
I hope that you’ll never be poisoned,<br />
And go on thinking clearly.<br />
I hope you won’t turn bitter,<br />
Thinking only of the wrongs.<br />
I hope your values won’t be disregarded,<br />
And you’ll stay true to your soul.<br />
I hope you won’t lock yourself in a cage,<br />
And you won’t forget the key.<br />
I hope the hardness of the times,<br />
Doesn’t stick to you like glue.<br />
I hope I’ll be there with you,<br />
Suffering just the same.<br />
I hope your love will shine,<br />
And the world will see your light.<br />
I hope you will do your best,<br />
And your effort will be recognized.<br />
I hope your turn will come,<br />
And your star will burst out finally.<br />
I hope you will graduate from college,<br />
And do what you love best.<br />
I hope that you keep on dreaming,<br />
And that all your dreams come true.<br />
I hope nothing will stop you,<br />
Not a hill, a stream, or a barrier.<br />
I hope you’ll believe,<br />
Especially in yourself.<br />
I hope I’ll be there with you,<br />
<strong>St</strong>anding in the shadows.<br />
I hope you’ll live to one hundred,<br />
With me right by your side.<br />
Ella Nicolson ’14<br />
86 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Beautiful Rosa<br />
With one deep breath in I inhale you.<br />
With one blink of an eye,<br />
I fill a tear with all of our memories and slap the top of my Rosie<br />
cheeks<br />
With the saltiness pleasure of defeat.<br />
It hasn’t been a year, but yet it feels like an eternity.<br />
With one slight ingestion of circular pure tasteless mush,<br />
I digest you into my body and wax out all the evil with the Virgin<br />
de Guadalupe candle you lit every first Sunday of the month.<br />
You, a complex act of G-d’s creation molded into the life of a tiny<br />
little woman,<br />
who wore a tiny grey hat over her head every Wednesday to her<br />
doctor appointments<br />
You, a beautiful Rosa mistaken for the recipe of a bitter old soul<br />
confined in a small metal box deep under the ground.<br />
You, the mixture of emotions that not even a psychiatrist has heard<br />
of, it is unknown,<br />
just like the cure for the cancer that killed you is, unknown.<br />
You,<br />
You,<br />
You,<br />
Gone!<br />
Now,<br />
What’s left for me?<br />
As I walked up to the altar today, on the feast day of La virgin<br />
herself<br />
I saw you,<br />
Plastered on the wall with an illuminant ring of light shining<br />
around every crevice of your yellow moist skin.<br />
You had a smile, a delicate sweet smile looking down upon your<br />
husband as he sang songs to praise you.<br />
Rosa, a delicate sweet smile, you had as you lit that candle made the<br />
three Sundays after, worth living for.<br />
Living, as still as a stained glass window with glass pieces plastered<br />
into the form of Jean Brebeuf,<br />
I rip my heart out and give it to you!<br />
Rosa, even the matte colors of your jacket shone brighter than any<br />
ray of sun that hit the coast of San Francisco.<br />
You were not invisible. As much as you would had loved to be.<br />
Now Rosa,<br />
Can you tell me have you ever seen a rose grow from concrete?<br />
Have you ever seen a tear form from so deep into the heart that it<br />
does not water, it bleeds?<br />
Not even death can keep you quiet,<br />
Because every time I close my eyes my ears widen at 5:15 AM every<br />
morning and can hear your raspy last breaths that you took beside<br />
your lovely developed women using their snores as ear plugs.<br />
<strong>The</strong>re was no candle.<br />
No candle, just simply light<br />
<strong>The</strong> light that slowly drifted you away into the night and took you<br />
on a trip to visit your new home.<br />
As you traveled,<br />
<strong>The</strong> strains of your pain shone right through the resistance of your<br />
smile as you tried to hold back your cries,<br />
“ayudale! ayudale!”<br />
You never once cared about yourself.<br />
You always put them first even at the last minute of your dying days.<br />
Rosa, just please if you can’t say anything else please can you tell me<br />
this:<br />
Are you comfortable now that you are alone with no pain?<br />
Can you finally put that candle out and use it on a worthy day?<br />
the next Sunday?<br />
or maybe even my birthday?<br />
Jessica Recinos ’11<br />
I Love you Grandma ♥<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 87
Day by Day<br />
Serenity • Isabella Cai ’14<br />
Photography<br />
88 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong><br />
It’s Sunday. I Skype with my brother while he is working in Nepal. We are on completely opposite<br />
sides of the planet, but I can connect with him in a matter of seconds.<br />
It’s a small world after all.<br />
It’s Tuesday. A magnitude 7.0 Earthquake hits Haiti along with considerable aftershocks. A<br />
15-year-old girl in Florida flips the channel to Glee and never gives the suffering Haitians a second<br />
thought despite the fact that Haiti lies close by in the Caribbean.<br />
It’s a big world after all.<br />
It’s Friday. Civil War and genocide continues its 7 year rampage in Sudan where families are<br />
violently torn apart and villages are torched. We promised “never again” after the Rwandan<br />
genocide and yet many people are oblivious to the current crises transpiring in Darfur.<br />
It’s a huge world after all.<br />
It’s today. <strong>The</strong> whole wide world, filled with the hungry, the lonely, the tortured, and the helpless,<br />
longs for someone to hear them. Almost half the world—over 3 billion people—live on less than<br />
$2.50 a day while millions of Americans spend $3.00 just on their morning coffee.<br />
It’s our world after all.<br />
It’s tomorrow…<br />
Erin Geraghty ’12
End War<br />
<strong>St</strong>upid and<br />
Terrible for mankind,<br />
Obscene actions<br />
Permeate the mind.<br />
Wasted money<br />
And lost life,<br />
Ruin countries<br />
Substantiating all strife.<br />
Many try<br />
And many fail,<br />
Killing protested<br />
Everytime t’no avail.<br />
People die<br />
Every single day,<br />
All hoping<br />
Concord makes way.<br />
End war.<br />
Denis Shanagher ’13<br />
That Thing Called Love Which a Title Alone Cannot Sum Up<br />
Keeping someone in this life became my heaven on earth,<br />
Thought committing hurled people in to worlds of hurt,<br />
Believed I planted this relationship in unfertile dirt,<br />
And if I truly loved this someone, it meant to learn what it’s worth.<br />
<strong>St</strong>anding over narrow passages so unbalanced, unsteady,<br />
Chose to grip her hand in mine, realized I was ready,<br />
Blasted off into oblivion, she was tripping to admit it,<br />
But I knew that any love between friends would be admitted.<br />
Like a thief in the night, she took my lust for power and gold,<br />
Replaced it with the treasure of happiness untold,<br />
No matter where the future takes us, we’ll never get old<br />
Since the first “I love you” snatched the fear from my soul.<br />
Radiant as the sun, got that eternal burning heat,<br />
Connected my heart again, got it pumping and complete,<br />
No longer scared of anything, she’s now the hook to my beat,<br />
And when she laughs I always wave the white flag of defeat.<br />
Giddiness, happiness: absolutely unpredictable<br />
<strong>The</strong> surrounding of her presence orbits in patterns: elliptical<br />
Losing such a friend in this cold world: unthinkable<br />
<strong>The</strong>se words signed and sealed: still hoping that they shippable.<br />
Popular culture says no, so I drift by night skies<br />
<strong>St</strong>ress, worries, future thinking finally meets their demise<br />
So far not planning on anything, I’d rather improvise<br />
Since keeping her in my heart is my only sought prize.<br />
Was it love at first sight? Well probably not<br />
Intended as a sentence lacking any sort of plot<br />
She put a bullet in my brain, like a sniper took a shot,<br />
And now the tracks disappeared, now riding on a plane of thought.<br />
So I’d rather pull her close into me, instead of shove her;<br />
Since when she blocks out the sun, there’s nothing above her;<br />
This light isn’t blinding, only a mix of every color:<br />
When the spectrum lies between simple intermingled lovers.<br />
Christian Solares ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 89
Nothing Left<br />
isn’t it?” she asked.<br />
“It can’t be real...”<br />
“Lovely,<br />
“I swear it is! Ugh, you’re all the same.” Her smile<br />
flipped so fast, my stomach turned with it. We were sitting on the<br />
curb by her bus stop, staring at the sky. She had pointed out a deep<br />
red sliver in the sky that merged into the east to a stunning swirl of<br />
night and day. It looked like a picture perfect cutout of the heaven<br />
I’d painted in my head when I was a kid.<br />
“What do you mean?” I asked.<br />
“Pessimists. <strong>The</strong> sunset is clearly in front of you; just accept<br />
it.” <strong>The</strong> smile returned with a sarcastic lift of her dark brow, and I<br />
let myself breathe ” “...All the same.” She hit my stomach with the<br />
same force that might be exerted by the wind to make a blade of<br />
grass bend, but I pretended it hurt anyway.<br />
“Ow...”<br />
<strong>The</strong> panic on her face was enough to make me cry. “Ah Crap,<br />
are you okay? I’m so sorry. I’m really really sorry. I didn’t know I<br />
could hit hard, reallyIwasjusttplayingar-” I started to chuckle. She<br />
was getting nervous again.<br />
<strong>The</strong>n I kissed her. <strong>The</strong>re was something behind her kiss that<br />
made my lips pulsate with excitement or fear; I hadn’t decided<br />
which.<br />
“Call me when you’re home. <strong>The</strong> streets aren’t safe in this city.”<br />
I let go of her hand as she stepped on to the bus. <strong>The</strong> doors closed<br />
as she nodded, then made a face against the glass.<br />
I have always wondered if she knew what was coming then.<br />
My dad’s words echoed in my head as the bus turned the<br />
corner. “You sure about this girl?” he asked me after she first came<br />
for dinner. On the long drive to my father’s house the night they<br />
met, she had made me pull over by a cloudy lake. A small duck was<br />
lying on the shoulder of the road. As we got closer we could see the<br />
muddied red pool around him. She wrapped him up in her crochet<br />
hat, took him into her arms, and sat back down in the passenger<br />
seat without a word. I told her that there was nothing left for us to<br />
do. She looked down confused and she started to cry. Maybe she<br />
was a nutjob.<br />
I couldn’t help but picture her as I walked homeward. She was<br />
so beautiful. Sort of queer looking actually. Her hair was a gorgeous<br />
dark brown naturally, but today it was a bright red – the color of<br />
the sunset. Her nose was too small, and a little pointy. Her tiny<br />
lips matched the color of her pink cheeks and her ears were barely<br />
noticeable under her mass of ringlets exploding from her scalp. <strong>The</strong><br />
silver piercing on her right eyebrow drew an unnecessary amount of<br />
attention to her mischievous dark blue eyes. <strong>The</strong> blank eyes that no<br />
one could read.<br />
Looking back, I understand why she cried over that duck.<br />
As I reached my alleyway where my empty and tired apartment<br />
waited for me, I looked up at the sun’s last push for beauty. <strong>The</strong> red<br />
had disappeared and blackness had begun to replace it. I waited<br />
until all the light had gone before I opened the door.<br />
<strong>The</strong> deep boom that came from behind me reverberated<br />
in every bone, through my skull, down my spine and out my<br />
fingertips. As if in a dream, my legs carried me as fast as they could<br />
as flashes of ducks and sunsets and pretty pink cheeks mocked my<br />
every move. <strong>The</strong>y took me towards the bus route where I knew<br />
exactly what I would find – towards the last sliver of red I’d ever see.<br />
Kathleen Hayes ’12<br />
Untitled • Olivia Neagle ’12<br />
Art<br />
90 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Family Feuds<br />
Rhythmic steps down the naked hall.<br />
A veteran, unable to release the habits of a past life.<br />
Big hands, coarse hands, hands that hold anger.<br />
Anger so strong it could destroy him, should destroy him.<br />
But she knows how to take a fall<br />
And then rise, denial in her eyes but a heart so strong<br />
Even I begin to wonder, is she capable of demise?<br />
A life rejected, but never forgotten.<br />
When the memories refuse to make their way<br />
to the back of his bleeding brain, driving him insane<br />
He shoots, with perfect aim<br />
And I scream his name until the flame burns out<br />
Dad!<br />
I shout.<br />
<strong>The</strong> Woe of Trees<br />
Caileen Viehweg ’11<br />
Hunger<br />
<strong>St</strong>omach crying, clamoring<br />
Tears streaming down his face<br />
But not from the hunger<br />
From something much deeper<br />
He knows what is wrong<br />
He sees a path to repair<br />
But he’s unable to act<br />
Deprived of the chance to break free<br />
Depraved sivilization hungrier for him<br />
Than he is for food.<br />
He knows the outside looks in<br />
Like a dog fight<br />
Critiquing as the unfortunates<br />
Tear each other apart<br />
<strong>The</strong> dogs have no choice<br />
That’s all they have<br />
But he knows fully<br />
In the fibers of his being<br />
That they should have a choice<br />
That they should have more<br />
That he should have a choice<br />
That he should have more.<br />
Suffering unnecessarily<br />
Possessing the aptitude<br />
To lead, to change<br />
To make things right<br />
He knows how<br />
But what causes his tears<br />
Is that he also knows<br />
He can’t.<br />
Meg Summa ’12<br />
Like slithering snakes they shed their skins<br />
Every year when fall begins<br />
And so the unclothed giants<br />
Go naked for winter<br />
<strong>The</strong> coldest part of the year.<br />
<strong>The</strong>ir life, pride, and beauty<br />
Lay scattered on the ground<br />
<strong>The</strong>y stand starkly disheveled<br />
<strong>St</strong>ripped bare of their grandeur<br />
One piece at a time.<br />
But what does this mean for them?<br />
Surely death will pursue,<br />
At least a fleeting malady,<br />
But, miraculously, every spring<br />
Emeralds emerge from beneath barren stone.<br />
Catherine Summa ’14<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 91
Idle<br />
I am told that the waves kill you<br />
I am told they reduce you.<br />
Blind mute deaf exhaustion.<br />
Swaddled in liquid iron.<br />
I am told they roll you.<br />
Tightly and evenly.<br />
Weight and gravity’s obsession.<br />
I am told they rip you.<br />
So swiftly you lose sensation.<br />
Cede and be emptied.<br />
But Idling offshore,<br />
the line of gulping tides<br />
release to the feet of the lighthouse.<br />
I belong to its fire.<br />
Idling offshore,<br />
the wind off the eucalyptus<br />
burns in my throat<br />
seeping like regret.<br />
Idling offshore,<br />
I hear the sand<br />
shift between their toes.<br />
I know they are waiting.<br />
Idling offshore,<br />
I decide<br />
to let go.<br />
For I trust<br />
that the tide<br />
knows my time<br />
better than I.<br />
David Melone ’13<br />
Why? How?<br />
I do not understand why it happened.<br />
I do not understand how it happened.<br />
One second everything was perfect,<br />
the next, a disaster.<br />
I do not understand why it happened.<br />
I do not understand how it happened.<br />
One second they were tied, the next untied.<br />
I hate these shoes.<br />
Kenny Hatch ’12<br />
92 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
Sound • Emily Lynch ’11<br />
Art<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 93
Dog Work<br />
I’ve got a collar to attach<br />
A belly to scratch<br />
A bowl to fill<br />
A monster to thrill<br />
A ball to throw<br />
Other dogs to watch below<br />
I’ve got to walk in the park<br />
Respond to a bark<br />
Hair to brush<br />
Cries to hush<br />
A beast to wash<br />
Fleas to squash<br />
<strong>The</strong>n fur to cut<br />
How I care for this mutt<br />
Dirty me, mud puddles<br />
<strong>St</strong>and by me, old friend<br />
Run wildly, stay cheerful<br />
I know this love is not pretend<br />
Dog, lead me from here<br />
With a pull on the leash<br />
Guide me across the green grass<br />
Help me find peace<br />
Walk slowly, companion<br />
Caress me with your love<br />
Many wet kisses<br />
Like a gift from above<br />
Buddy, companion, soul mate<br />
Pal, chum, man’s best friend<br />
Damp snout, droopy ears<br />
I know this friendship has no end.<br />
Jackson Weber ’14<br />
Lands End<br />
You’re gonna need a jacket for where we’re going<br />
We’re gonna live forever, it’s just not showing<br />
I want to see Mars tonight, wanna see the stars<br />
We’re forged in hot water and speeding crashed cars<br />
We can always go here when the big cities flood<br />
It’s like the city’s blueprint written in our blood<br />
We’ll learn about our lives through the cracks and the riffs<br />
Someday they’ll bulldoze us over these cliffs<br />
You’re gonna need a lot of things where we’re going<br />
Lotta things you don’t have without even knowing<br />
We’re born in the hospitals years ago today<br />
<strong>The</strong>y never would’ve thought that this is where we’d stay<br />
It’s the same old structure and the same reused lines<br />
It’s the same tired words and the same stupid rhymes<br />
If you fall the Gate will take you oh so swift<br />
Someday they’ll bulldoze us over these cliffs<br />
Somehow we’re still here grounded, blame humanity<br />
VA clinic filled with that same insanity<br />
Overtures of overcrowding haunt our city<br />
<strong>The</strong> landslide inside my heart fills with pity<br />
I’m so lost within you and without you I’m lost<br />
I need you to give up and not count the cost<br />
My little colored boxes give me such a lift<br />
Someday they’ll bulldoze us over these cliffs<br />
Look out at the skyline; it’s ours for the taking<br />
Six point five billion other lives in the making<br />
<strong>The</strong> universe hangs still tonight for the new day<br />
Our lonely blue planet is still miles away<br />
We’re blanketed in stars tonight, and I’m so warm<br />
You’re like a life preserver floating in the storm<br />
Have you smelled the scent of aging? Come have a whiff<br />
Someday they’ll bulldoze us over these cliffs<br />
Matthew Caracciolo ’12<br />
94 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
It seemed as if they had been together for eternity. He knew<br />
he was dying and never told her; he didn’t want to believe it.<br />
He knew she could tell when he began to change but still said<br />
nothing. His heart began to ache. He started to disappear. He was<br />
no longer happy, no longer human. His sickness took over and she<br />
became just a memory. Now he is gone. From above he watches her<br />
slowly perish with grief. His thoughts to her:<br />
Boy: As days pass I think of you<br />
You lay beside me in my memories<br />
I know your smell I’ve seen you smile<br />
I saw the ending before we’d begun<br />
I know what I’ve lost can never be found<br />
A day without you is a year without life<br />
365 days… eternity<br />
Your soul like the rising sun<br />
My soul like the falling moon<br />
Apart for all but one moment<br />
To be shared<br />
Full of tears<br />
Full of warmth<br />
<strong>The</strong>n gone<br />
<strong>The</strong> sky full of souls<br />
<strong>The</strong> earth full of lovers<br />
You…born to love<br />
I…born to die<br />
We… never to be together<br />
Lost Souls<br />
She had never been in love like this. She didn’t think life could<br />
ever be better. <strong>The</strong> world was brighter and she was happier. He<br />
brought out the best in her. But as the weeks passed he started to<br />
change. He became more distant and weak, something was wrong.<br />
She asked him, he said nothing. He dropped out of school, he rarely<br />
called her. One day he was there the next he was gone…forever. She<br />
finally discovered his secret. Anger, fear, and sadness overwhelm her<br />
and in a fury her thoughts race:<br />
Girl: As the cherry blossoms bloom an ornate pink<br />
My heart continues to burn<br />
Fire could not scar my soul as much as you have<br />
All I want is to be with you<br />
Why can moon and sun not share the sky?<br />
Why can humans and angels not be together?<br />
Why can moments not turn into years?<br />
All I want is to be with you<br />
Days turn to nights<br />
Nights turn to weeks<br />
Weeks turn to months<br />
Years and years and years<br />
All I want is to be with you<br />
Keyara Milliner ’13<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 95
Hip-ocracy<br />
Green like the currency that feeds the greedy,<br />
No time has the Righty for the poor and needy.<br />
Believing his wealth will trickle down to the masses,<br />
While the faucet is off, only he will last it.<br />
Ignorance is bliss and White is virtue,<br />
Say no to that? Run away, he’ll shoot you.<br />
Frightened of “them” taking our jobs,<br />
An aspiring janitor wanting to clean after slobs,<br />
Only says “No!” to the southpaw leader,<br />
While hailing the hunter and damning the reader.<br />
He goes to church every Sunday; never forgets,<br />
Yet scowls at Asians, Latinos, and Blacks—you bet!<br />
Hypocrisy while celebrating Christ’s Resurrection<br />
How does he gaze at his reflection?<br />
Frank Kaniewski ’12<br />
Castle on a Cloud • Cori Martin ’12<br />
Photography<br />
96 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
<strong>The</strong> wasteland is desolate and bare, a place where colors<br />
no longer exist. Every step the man takes he knows not<br />
whether it brings him closer to somewhere or farther away<br />
from everything. He seeks not a town, not people, not family; all of<br />
those things are dead. He seeks purpose, a purpose to keep walking.<br />
<strong>The</strong> tattered garbage bags and blankets wrapped around his shoes,<br />
now two sizes too small, are worn thin and he feels wetness seeping<br />
in. He’s tired. He’s cold. He’s breaking. Each stride is a burden<br />
and his shoulders slump so low he is afraid they’ll up and fall out<br />
of their sockets. It’s been 741 days since the world went dark. He’s<br />
heard all of the reasons, heard all of the explanations why things<br />
turned out they way they did. “Oh it was a nuclear apocalypse!”<br />
another claims, “<strong>The</strong> sun went out!” He knows neither is true.<br />
<strong>The</strong>re is no fallout from any bombs, and he doubts that if the sun<br />
went out, so would all the stars and the moon. He hasn’t seen stars<br />
in years, he forgets what they look like. No, it was neither of these<br />
explanations. He knows why. He knows.<br />
God abandoned us. He clutched the world in his hand,<br />
droplets of heavenly sweat corroding the surface of our existence;<br />
the crust melts away. He picked us up and threw us in the garbage.<br />
He knows this is true. God has done this before, he did with his<br />
wife and kids, his family and with the rest of his life, so why not<br />
now?<br />
<strong>The</strong> floorboards in the house retire her smirk. He didn’t mean<br />
to, it just happened. She pushed him, she drove him insane. Her<br />
blood seeps into the wood, dampening the copse. “Where had this<br />
anger come from? I have never been full of rage before? Why did<br />
this come over me? How could you let me kill her?” <strong>The</strong> man’s<br />
wailing sliced through the fog that had slowly crept over the house.<br />
<strong>The</strong>y echoed for miles and his pain reverberated through animate<br />
and inanimate objects alike.<br />
<strong>The</strong> man trudges through the sod and ash of what used to be<br />
a bridge over a moderately busy river. <strong>The</strong> river bed shows signs of<br />
commercialism for there are goods and trinkets littering the mud.<br />
On the bank of the river, the corpse of a little girl clutching a teddy<br />
bear lay still. It could not have been there for very long, for there<br />
were pebbles and twigs forming an oval around her. Whoever she<br />
was with tried to give her a decent exit out of indecency.<br />
Losing Faith<br />
porcelain features<br />
innocence<br />
beauty<br />
my daughter<br />
<strong>The</strong> man wretches. Not out of sickness, but grief.<br />
“I’m past understanding, I just want to know where the hell<br />
you were when I lost everything. I’ve done nothing to deserve this.<br />
Just kill me, you seemed to have no problem doing it to anyone<br />
else…or in making me kill them…”<br />
Plodding along, the man grows weary. He sees a house in<br />
the distance. No, not a house, an abandoned mill. He warily<br />
approaches the house, knowing not what lurks inside. Like a mouse<br />
pondering how to go about retrieving cheese from a recognized trap,<br />
he sits. A good ten minutes pass before the courage is mustered to<br />
enter the mill. <strong>The</strong> wood is rusty and lichen and moss inhabit every<br />
pore. Nails and screws, vagabonds in the mess, lay scattered. At<br />
the far wall lay a skeleton. <strong>St</strong>rewn across the floor, the skeleton lay<br />
nearly intact with the exception of a few broken ribs and a broken<br />
skull. It was clear how this person met their fate. <strong>The</strong> assailant left<br />
no haste in the time between when he lifted his boot and when it<br />
met the skull. <strong>The</strong> skeleton lay reaching for a canvas sack tied with<br />
yarn; loosely tied yielding thought to previous prospecting. He<br />
undoes the yarn slowly, expecting to find something dangerous.<br />
Sweating for the first time in a long time in this eternal winter, and<br />
trembling he peers inside.<br />
Nothing is at the bottom of the canvas sack. Nothing, it’s bare<br />
and callous floor has been cleaned out.<br />
“This bag... this is the only thing that has given me hope in a<br />
long time… I prayed even. Shows how well he hears me.”<br />
<strong>The</strong> man slumps to the floor of the mill, his back to the<br />
splintered remains of the far wall. His tears hitting the creaking<br />
wood were the only thing making noise in the dissonance. <strong>The</strong><br />
wasteland takes everything from the man. His family, his life, his<br />
god fell prey to the charcoal existence.<br />
I’m lost. Irreparably broken. I’m alone<br />
Alone, with not even a shadow as a friend.<br />
Conor Lane ’12<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 97
so here you have it:<br />
two<br />
fast<br />
gas<br />
left<br />
lanes<br />
slow<br />
brake<br />
right<br />
which one’s for you?<br />
are you the<br />
65 50<br />
stressed relaxed<br />
A<br />
B<br />
change stay<br />
restless content<br />
?<br />
here it’s all equal and balanced for some time<br />
exit<br />
now what happens, when<br />
all<br />
the<br />
cars<br />
go<br />
in<br />
this<br />
lane<br />
?<br />
well, then i guess<br />
that<br />
lane slows down, slower than the slow lane, so<br />
people want to switch into<br />
this<br />
lane. now it’s the fast lane.<br />
wouldn’t you put your<br />
blinker on?<br />
but the real trouble comes in when<br />
too<br />
many<br />
people<br />
go<br />
into<br />
that<br />
lane. do they just switch<br />
back into the fast lane?<br />
i think the cycle just continues<br />
fast<br />
slow<br />
here<br />
there<br />
back<br />
forth<br />
tick<br />
tock<br />
Lanes<br />
so which kind are you? will you vacillate willingly between<br />
one and the other?<br />
or will you stay put and drive 3 below?<br />
the balance of<br />
you<br />
me<br />
us<br />
them<br />
yes<br />
maybe<br />
keeps this ridiculous cycle going going going going going<br />
go to the fastest lane, or remain in the comfort lane<br />
but really. it’s all about exploration, right? you don’t know<br />
what kind of person you are until you try the alternatives. every<br />
person who overuses his blinker has felt dissatisfied in the slow<br />
lane. it’s the curiosity experienced that makes every final decision<br />
final.<br />
Kate Christian ’11<br />
98 • <strong>The</strong> <strong>Quill</strong> <strong>2011</strong>
21st Century Monarchy: A Pantoum of the King of Food Banks<br />
This is my kingdom,<br />
I am their king.<br />
Bowing, dancing, singing,<br />
<strong>The</strong>y celebrate my reign with gifts of food.<br />
I am their king.<br />
As I parade down the thick red carpet,<br />
<strong>The</strong>y celebrate my reign with gifts of food,<br />
Beggars, homeless, the rich, and poor alike.<br />
As I parade down the thick red carpet,<br />
<strong>The</strong>y turn their eyes away in respect,<br />
Beggars, homeless, the rich, and poor alike.<br />
I demand all that they have, from fruits to beans.<br />
<strong>The</strong>y turn their eyes away in respect;<br />
<strong>The</strong>y fear my wrath, my temper, my judgment.<br />
I demand all that they have, from fruits to beans.<br />
Satisfy my hunger. Ease my pain.<br />
<strong>The</strong>y fear my wrath, my temper, my judgment.<br />
My people are quick to fulfill my every need, to<br />
Satisfy my hunger. Ease my pain.<br />
I would be nothing without this palace, my home.<br />
Night turns to day, and day turns to night.<br />
<strong>The</strong>ir bowing, dancing, singing,<br />
Transports me to my fantasy where<br />
This is my kingdom.<br />
Megan Lau ’13<br />
Back Cover Art<br />
City of Color • Julie Olsen ’14 • Art<br />
<strong>The</strong> <strong>Quill</strong> <strong>2011</strong> • 99
SAINT IGNATIUS COLLEGE PREPARATORY<br />
2001 37th Avenue • San Francisco • California • 94116 • www.siprep.org