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February 29, 2008 - Saint Mary's University of Minnesota

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www.smumn.edu/cardinal Arts & Entertainment <strong>February</strong> <strong>29</strong>, <strong>2008</strong> 15<br />

Yah-hah! Second Page!<br />

Improv show grows in popularity<br />

BY ERIC LEAR<br />

Sports Editor<br />

Second Page, a student-run improv<br />

comedy group, has grown in popularity<br />

in recent years.<br />

There was a bit <strong>of</strong> concern last<br />

spring when, due to a scheduling conflict,<br />

the group had to move their performances<br />

to the Common Room,<br />

located on the third floor <strong>of</strong> <strong>Saint</strong><br />

Mary’s Hall.<br />

“We were concerned that it [the<br />

location change] would turn <strong>of</strong>f some<br />

people from coming to the show,” said<br />

Second Page President Katie Schares.<br />

“We hoped people thought we were<br />

funny enough to climb up three flights<br />

<strong>of</strong> stairs.”<br />

It turned out not to be a problem,<br />

and the three shows set an attendance<br />

record. In fact, seating began to be a<br />

problem. “We loaded that place [the<br />

BY NEIL LEIBUNDGUTH<br />

Cardinal Staff<br />

Mark Med<strong>of</strong>f’s “When<br />

You Comin’ Back, Red<br />

Ryder?” debuted Thursday<br />

at the Valencia Art Center’s<br />

Academy Theatre and will<br />

run through Monday, March<br />

2.<br />

The play, set in New<br />

Mexico in the late 1960s,<br />

stars senior Matt Skjerven as<br />

Teddy, a Vietnam veteran<br />

who holds a diner hostage<br />

with the help <strong>of</strong> his hippy<br />

girlfriend Cheryl, played by<br />

sophomore Ali Fisch.<br />

Among the hostages are<br />

Stephen, a graveyard shift<br />

cook, played by Curtis<br />

Kempton; Angel, a waitress,<br />

played by Daniel Steub;<br />

Lyle, a gas station attendant,<br />

Common Room] with chairs, and people<br />

were standing,” Schares said.<br />

A larger buzz than normal seemed<br />

to grow for the next set <strong>of</strong> performances.<br />

“More people began showing up to<br />

Wednesday night meetings,” said<br />

Schares, who also noted that all are<br />

welcome and encouraged to attend.<br />

The group meets every Wednesday at<br />

10 p.m. in the Common Room to work<br />

on improv games and have a good<br />

time.<br />

This fall Second Page was back in<br />

the Figliulio Recital Hall, which the<br />

group used as their show title, “Back to<br />

the Fig.” Schares spoke <strong>of</strong> the great<br />

turnout for those three shows as well.<br />

“Those were some <strong>of</strong> the best shows I<br />

have been a part <strong>of</strong>,” Schares said.<br />

Second Page members are considering<br />

taking Second Page in a different<br />

direction before this school year is<br />

over. “We are entertaining the idea <strong>of</strong><br />

played by Andrew Winecke;<br />

and Clark, played by Bill<br />

Ronchak. Corey Ostroot and<br />

Caitlin Murphy are cast as a<br />

well-<strong>of</strong>f couple named<br />

Richard and Clarisse.<br />

Director Gary<br />

Diomandes said he chose to<br />

direct this play for a number<br />

<strong>of</strong> reasons. The 60s and 70s<br />

era was included in this<br />

year’s rotation <strong>of</strong> genres and<br />

periods, and “When You<br />

Comin’ Back, Red Ryder?”<br />

“jumped to the top <strong>of</strong> [his]<br />

list.”<br />

“It is the first play that I<br />

teach in Theatre<br />

Appreciation, and every year<br />

the students in that class<br />

inquire as to why we do not<br />

do a production <strong>of</strong> it,” said<br />

Diomandes.<br />

Diomandes likes how the<br />

play examines the themes <strong>of</strong><br />

control and manipulation.<br />

He also likes how it reflects<br />

the 60s culture and how it<br />

compares to our culture<br />

today. Diomandes said he<br />

grew up in a diner and knew<br />

the same types <strong>of</strong> people as<br />

the characters represented in<br />

the play.<br />

The stage manager for<br />

the show is Sara St. Laurent.<br />

working with some other on-campus<br />

groups ... SMU will have to wait and<br />

see,” Schares said.<br />

“Basically we have been trying to<br />

one-up ourselves each show,” Schares<br />

said. “We have some great ideas for the<br />

upcoming spring show.” The Second<br />

Page cast for this spring said they are<br />

anxiously awaiting the performances to<br />

see if their popularity continues to<br />

grow.<br />

“Regardless <strong>of</strong> attendance, we are<br />

going to put on a quality comedy<br />

show,” Schares said, “but we know we<br />

will have a great turnout.”<br />

Schares encourages that audience<br />

members come to more than one show<br />

because “you never know what you<br />

[will] get with improv comedy.”<br />

The spring shows are scheduled for<br />

Friday, March 28, at 7 and 10 p.m. and<br />

Saturday, March <strong>29</strong>, at 10 p.m.<br />

‘Red Ryder’ hits the stage at Valéncia<br />

Walt Claassen designed the<br />

set and lighting, Matt<br />

Clementz designed the<br />

sound, and Alice Flo<br />

designed the costumes.<br />

The shows are Thursday<br />

through Saturday and<br />

Monday at 7:30 p.m. and<br />

Sunday at 3:00 p.m.<br />

Tickets for the show are<br />

$8 each or $6 for students<br />

with their student ID.<br />

photo by Kristina Perkins<br />

‘The Vagina<br />

Monologues’<br />

evokes emotion<br />

BY MARIA SULLIVAN<br />

Staff Writer<br />

Winona State <strong>University</strong> presented<br />

the “The Vagina Monologues,” written<br />

by Eve Ensler, on Feb. 22 and 23.<br />

“The Vagina Monologues” is a<br />

play featuring a number <strong>of</strong> monologues<br />

<strong>of</strong> women telling their views<br />

about the vagina through the lens <strong>of</strong><br />

sex, love, rape, menstruation, mutilation,<br />

masturbation, or orgasm. Other<br />

monologues focused on the variety <strong>of</strong><br />

names for the vagina and the vagina<br />

simply as a physical aspect <strong>of</strong> the<br />

female body. The main theme <strong>of</strong> this<br />

play is that the vagina is a tool <strong>of</strong><br />

female empowerment and that women<br />

need to learn to love it, and themselves.<br />

The play was performed and directed<br />

by students from WSU as part <strong>of</strong> a<br />

local “V-day” campaign. According to<br />

the program from the play, “V-day is a<br />

global movement to end violence<br />

against women and girls that raises<br />

funds and awareness through benefit<br />

productions <strong>of</strong> playwright/founder Eve<br />

Ensler’s award winning play.”<br />

The producers and performers did<br />

an excellent job sending the message<br />

about how the vagina is supposed to be<br />

something that women are proud <strong>of</strong>,<br />

not ashamed <strong>of</strong>. One monologue in<br />

particular, called “Because He Liked to<br />

Look at It,” told the story <strong>of</strong> a woman<br />

who was ashamed <strong>of</strong> the way her vagina<br />

looked, but her opinion changed<br />

when she met a man who absolutely<br />

loved looking at her pubic area. She<br />

soon came to realize that it’s a beautiful<br />

thing and became proud <strong>of</strong> it.<br />

The monologues in this play are<br />

very graphic and can be shocking. It is,<br />

however, a play that everybody should<br />

see. One can expect to experience a<br />

bundle <strong>of</strong> emotions upon seeing this<br />

play, from laughter to anger.<br />

This year is the tenth anniversary<br />

<strong>of</strong> “The Vagina Monologues.”

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