Radio Times, June 3, 1955 - solearabiantree
Radio Times, June 3, 1955 - solearabiantree
Radio Times, June 3, 1955 - solearabiantree
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<strong>Radio</strong> <strong>Times</strong> (Incorporatin.g World-<strong>Radio</strong>)<br />
<strong>June</strong> 3, <strong>1955</strong>. Vol. 127, No. 1647<br />
Regi5tered at the G.P.C. as a Newspaper<br />
- -<br />
BBC SOUND AND TELEVISION<br />
PROGRAMMES . .. JUNE 5-11<br />
Trooping the 'Colour'<br />
The Official Birthday of Her<br />
Majesty the Queen on Thursday<br />
is marked by the traditional cere~<br />
many on Horse Guards Parade<br />
Television and Light Programme<br />
BAYEUX MEMORIAL<br />
H.R.H. the Duke of Gloucester unveils<br />
the memorial to those who fell in<br />
Normandy: Sunday, Home (see page 3)<br />
TEN YEARS OF EUROPE<br />
Europe since the war by Alan Bullock<br />
Tuesday and Wednesday,Home (see page 3)<br />
THE FIRST TEST<br />
England v. South Africa at Trent Bridge<br />
Thurs. to Sat., Television and Light<br />
'MEET THE HUGGETTS'<br />
Jack Warner and Kathleen Harrison in the<br />
Light Programme, Thursday (see page 7)
<strong>June</strong> 3, <strong>1955</strong> • RADIO TIMES 5<br />
. A Romance of . Richard Lion .. Heart<br />
Maurice Hewlett's vivid historical romances were very popula" in his lifetime, but·<br />
since his death most of them have he en neglected. - One - of the ·best, 'Richard<br />
Yea and Nay,' is now to be presented asa tw,eive-pat.t radio serial,-beginning on<br />
Thursday (Home Services except Scottish), Here ALAN DENT considers Hewlett's<br />
style and introduces. the tale of Coeur-ode-Lion and }ehane Saint-Pol<br />
, Too strong a wine, belike, for some stomachs,<br />
for there's honey in it, and a dibbet of gore, with<br />
other condiments. Yet Mistress Clio (with whom,<br />
some say, Mistress Thalia, that sweet hoyden)<br />
brewed it: she, not I, who do but hand the cup<br />
round by her warrant and good favour. Her<br />
guests, not mine, you shall take it or leave itspill<br />
it untasted or quaff a bellyful.'<br />
- THIS-SO like the introduction to any of<br />
Maurice Hewlett's historical novels-is<br />
really the beginning of Max Beerbohm's<br />
exquisite parody entitled ' Fond Hearts Askew.'<br />
His title fits any of the series of novels beginning<br />
with The Forest Lovers (1898) and continuing<br />
with Richard Yea and Nay (1900), which<br />
Wilfrid Grantham has now made into a radio<br />
serial.<br />
Richard is a romance of the Third Crusade.<br />
It is the Abbot Milo, confessor and friend of<br />
Richard Creur-de-Lion, who tells the story and<br />
'hands the cup round.' The royal crusader is<br />
called' Yea and Nay' bya troubadour because<br />
of the strange contradictions that mark his<br />
nature-'· the loved and loathed,' 'king and<br />
beggar,' 'SPOTt of two fates,' , god and man.'<br />
. Jehane Saint-Pol is the beautiful girl he loved<br />
. and wronged. He renounced her, saying Nay to<br />
his heart, but stole her back from before the<br />
altar, saying Nay to his head. Richard made this<br />
wild young thing Countess of Anjou, but later<br />
he repudiated her when he chose to marry<br />
Berengere whose excellent dowry supplied the<br />
needs of his expedition to the Holy Land.<br />
However, Richard remained faithful to Jehane<br />
in his fashion. .We are told that he made<br />
Berengere his queen but not his wife, because he<br />
stayed true to the memory of J ehane. She, on<br />
her side, 'sacrificed all" for Richard, even<br />
though it meant-in order to save' her royal<br />
lover's life-entering the harem of an extraordinary<br />
character called the Old Man of Musse<br />
who dwelt on Lebanon. She first came into<br />
his' presence wearing a purple vest thickly<br />
embroidered with gold and pearls, underdrawers<br />
of scarlet silk, and gauze trousers of many folds.<br />
Over her head was a thick white veil heavily<br />
fringed with gold. Round her ankles were little early romantic novels brought him:, 'The rest<br />
bells of gold, and on her feet were scarlet of his life was spent in combating this fame,<br />
slippers. By. comparison the Old Man looked which he always' felt to be, in its origin and<br />
like chastity's very self, 'blkched as a swan, proportion, unbalanced and stultifying to his<br />
robed all in white, white-bearded.' We are in- proper reputation.'<br />
formed in plain words that the Old Man bored My own view is that no author-not even<br />
Jehane, but in equally plain words we are told Sir Hugh himself-has ever combated his own<br />
that she bore him 'at .least four children.' Yet," fame very impressively. Besides, Hewlett wrote<br />
at· the end of it all Richard of the Lion Heart, his romantic tales with an unmistakable relish.<br />
and of the Yea and Nay, died in Jehane's arms, Any page of Richard might easily be Beerbohmthe<br />
romantic hero-of true chivalry. esque parody: 'The country took tints of<br />
Maurice. Hewlett's career can- be conveniently: -Jehane, her shape; her ·fine ·nobility . _. ,instill."<br />
divided into three decades-one of historical green water he read the secret of her eyes; in the<br />
romances (of which Richard Yea' and Nay is a milk of October dawns her calm brows had been<br />
superb example), one of modern novels (his Open dipped .. .'<br />
Country is enchanting and unforgettable), and Romantic nonsense? Perhaps; but it was cerone-<br />
of poems and essays (his Song of the Plow tainly nothing to be seriously ashamed of.<br />
has been authoritatively called' one of the five Besides, if this author was genuinely ashamed'of<br />
epics of English poetry '). Sir Hugh Walpole, his fluency as a historical romancer, why did<br />
who knew him well, seriously maintained that he follow The Forest Lovers with Richard, and<br />
Hewlett was ashamed of the fame which the Richard with The Queen's Quair?<br />
'Holiday Land': a Betti C~medy 'The Nigger of the ."Narcissus." ,<br />
Sunday and Saturday, Third<br />
Monday, Home Service<br />
HE humour of Italians is very like our own, but there is this H ELM'S a-lee! Raise, tacks and sheets! Mainsail haul! These<br />
T<br />
difference in their comic drama:' they like the fun to go on, if orders for ' putting about' a square-rigged sailing ship seem so far<br />
possible, the whole time. They spare us those moments of pie-faced back in time that they might belong to the days of Frobisher and<br />
solemnity with which comic dramatists here are wont to becloud their<br />
activities, and which give us the feeling that however funny an Engli'Sh<br />
Drake. Yet there are many men ;llive today who slipped and struggled<br />
along a foam-washed deck to obey them; who hauled, cursing, on the<br />
writer may be, he is always trying to make us vote for somebody.' braces as the great yards swung round; or 'laid out' on an upper topsail<br />
In the same way, it may be remarked that Italian seribus or tragic drama yard while great ocean rollers roared and surged a hundred feet below.<br />
gets 'along very well without the intervention of the comic landlady It is this background which Conrad uses for The Nigger of the<br />
or servant, so often thought .necessary to hold the attention on our own 'Narcissus,' his stirring, macabre tale of an ocean-:-going sailing ship<br />
stage.<br />
homeward-bound from Bombay to London. In the centre of this cockpit<br />
Third Programme listeners will already know Ugo Betti as a serious of human conflict stands (or rather, lies) James Wait, the Negro seaman.<br />
writer. But Holiday Land is not at all serious; it is one of a group of Is Wait sick-or malingering? Whichever it is, he creates an explosive<br />
,three lively comedies first performed in the early years of the war. These atmosphere ready for any man with a spark of malice to touch it off.<br />
comedies stand sharply apart from the rest of Betti's work, and Italian And the man is there all right-Donkin, the vicious guttersnipe' who<br />
critics, with the impressive whole of th~t. work before them, seem a little cannot steer or splice, who, aloft, holds on with both arms and legs, who<br />
to regret their existence.<br />
curses the sea while others work.' You cannot talk your way out of reality<br />
But I am sure they can be quite easily put up with: they are respectably at sea-especially in a windjammer rounding the Cape of Good Hope in<br />
and blessedly escapist, but not into a world of fantasy, only into the winter, drenched, hungry, benumbed-with a great hulking Negro lying<br />
pleasanter parts of reality. Everything in them is, in fact, real enough: at ease in his berth. Remember~ they are short-handed in the Narcissus;<br />
the people, the dialogue, the events, the laughs. The action is well thought a man must be badly incapacitated before others will do his 'pulley-hauley.'<br />
out, the characters well thought into., Is 'James. Wait sick? It is: around this question that the ,story revolves;<br />
And what is Holiday Land about, roughly? Well, many Italian Conrad was born in Poland in 1857 (his family name was Korzeniowski),<br />
comedies of the sixteenth century, and the English comedies based on son of a landed family who had no connection whatever with England or<br />
them, have as their main character a girl trying to persuade the hero that. the sea. In 1874 he left home, despite family remonstrance and, after<br />
she is a boy. Holiday. Land has a girl trying~rather.more desperately, various adventures, made his, way to. England where he signed on· as<br />
to' persuade, the hero that she, is a girl During, the twenty-odd years. of 'ordinary .. seaman in a.woolclipper on the Australian.nm; ,Two,years later",<br />
their acquaintance. he has overlooked.this. point. , he passed his examination- f-or officer. and .rhen' roamed the world·under-the, ,<br />
.Francesca and Alberto have spent.everyholiday.next,door to.each other;, ·red ensign; He became a naturalised British subjeet"in 18.8.6,' obtained his, ,.<br />
he is now twenty~eightand',has'still not noticed. that: she •. now twenty-four, Master Mariner's Certificate the same year; and finally commanded the<br />
is in love with him. The-long'scene, occupying, with interruptions; most," famous clipper ship -Tor:rens in 1893 .<br />
. of act two, in which. Erancesca .attempts to make this clear,. is' among the ,. " .' Polish--deck-hand to· British Master. -Marined Most. men wouI&have<br />
most skilful co;nic scenes I have ever come. across anywhere. It. offers. a , been satisfied. with this, achievement but not,Conrad. ,While: still sailoring'<br />
. great deal to the actors who. are . to' . perform it;, and inevitably; demands ii:!' . he .. was writing" novels---'in - English" .. And so well- had. he mastered the.<br />
great deal also. Holid'l.Y Land is an actors' piece througho.ut ~ that, at any, language of his adopted country,. that he became and.has.remained:famous<br />
rate, it has in common with the:' serious' Betti. But that is. about an .. as a great artist:ofEnghsh prose. He died in 1924 while still working.<br />
HENRY REED on his last novel Suspense. DICK CROSS
'june 3, <strong>1955</strong><br />
RADIO TIMES<br />
Light Programme<br />
1,500 m. (200 kc/s) 247 m. (1,214 kc/s) 89.1 Mc/s VHF<br />
EVENING FRO M 5 • 0<br />
JU~l<br />
P • M •<br />
5.0 p.m. DOWN YOUR WAY<br />
(Continued)<br />
5.30 Bebe Daniels<br />
and Ben Lyon in<br />
LIFE WITH THE LYONS<br />
'We'll -send you a postcard'<br />
with<br />
Barbara Lyon, Richard Lyon<br />
Horace Percival, Doris Rogers<br />
Molly Weir, Richard Bellaers<br />
Written by Bob Block,<br />
Ronnie Hanbury and Bebe Daniels<br />
Production by Tom Ronald<br />
(Last Thursday's recorded broadcast)<br />
6.0 PRISONER<br />
AT THE BAR<br />
Edgar Lustgarten presents<br />
a new series of studies in crime<br />
2-Harry Thaw<br />
Two men and a girl; three bullets and<br />
a corpse; it happened in the glare of a<br />
New York nightclub in 1907, But how_<br />
many of the people who saw the murder<br />
done, or who watched the first trial,<br />
could have guessed the extraordinary<br />
outcome?<br />
(BBC recording)<br />
. 6.30 Dick Bentley, Jimmy Edwards<br />
in<br />
TAKE IT FROM HERE<br />
with Wallas Eaton<br />
Alma Cogan, <strong>June</strong> Whitfield<br />
The Keynotes .<br />
Announcer, David Dunhill<br />
Script by<br />
Frank Muir and Denis Norden<br />
Produced by Charles Maxwell<br />
(Last Thursday's recorded broadcast)<br />
(Jimmy Edwards is in 'The Talk 0/ the<br />
Town' at the Adelphi Theatre, London)<br />
Grand Hotel<br />
Jean Pougnet<br />
opens his second year<br />
with the Palm Court Orchestra<br />
in tonight's concert<br />
at 9.0<br />
See' Both Sides of the Microphone'<br />
7.0<br />
Greenwich Time Signa'<br />
News and<br />
RADIO NEWSREEL<br />
A summary of events of the past week<br />
7.30 STAR BILL<br />
Presents the best in<br />
Britain's show business<br />
The star guests include:<br />
Alma Cogan, Bruce Trent<br />
Harry Locke, Tito Burns<br />
and Eric Barker<br />
The George Mitchell Glee Club<br />
Music directed by Geraldo<br />
and his Concert Orchestra<br />
Written by<br />
Leo Harris and Richard Waring.<br />
Produced by Douglas Moodie<br />
8.30 SUNDAY HALF-HOUR<br />
Community hymn singing from<br />
Dunblane Cathedral, led by the<br />
United Church Choirs of Dunblane<br />
and district, conducted by<br />
J, Fleming Lamb<br />
Introduced' by<br />
the Rev, J. Chalmers Grant,<br />
Minister of Dunblane Cathedral<br />
Organist, J. D. Macrae<br />
To render thanks unto the Lord<br />
(Tunp-, Howard)<br />
Holy, Holy, Holy (Tune, Nicaea)<br />
Immortal, invisible, God only wise<br />
(Tune, Joanna)<br />
Let all the world in every corner sing<br />
(Tune, Luckington)<br />
Father of peace, and God of love!<br />
(Tune, Caithness)<br />
Lift up your heads, ye gates of brass<br />
(Tune, Warwick)<br />
Happy are they, they that love God<br />
(Tune, Binchester)<br />
Lead· us, Heavenly Father, lead us<br />
(Tune, Corinth)<br />
9.0 GRAND HOTEL<br />
Jean Pougnel;<br />
and the Palm Court Orchestra<br />
This week's visiting artist:<br />
Nancy Evans<br />
Selection: The Yeomen of the Guard<br />
Sullivan, arr. Godfrey<br />
I kiss your hand, madame<br />
Ralph Erwin, arr. Max Saunders<br />
Doina ........................ , ................ Aspar<br />
Song:<br />
Songs my mother taught me. Dvorak<br />
Waltzes (Der Rosenkavalier)<br />
Richard Strauss, arr. Doebber<br />
Violin:<br />
Lotus Land ..................... Cyril Scott<br />
Schon Rosmarin .................. Kreisler<br />
Songs:<br />
o Lovely Night. ...... Landon Ronald<br />
Ecstasy ......... Walter Morse Rummel<br />
Amina ....................................... Lincke<br />
Smilin' Through .... Pe.tn, arr. Byfield<br />
Selection: Rose Marie ............... Friml<br />
10.0<br />
10.15<br />
Greenwich Time Signal<br />
NEWS<br />
LATE<br />
SLlNDA Y SPECIAL<br />
Christian opinion on some<br />
of the things we talk' about<br />
Speaker, Stanley Maxted<br />
10.30 Teddy Johnson roams<br />
DOWN MELODY LANE<br />
finding songs and melodies in the<br />
highways and by-ways of familiar<br />
music<br />
with the<br />
BBC Variety Orchestra<br />
Conductor, Paul Fenoulhet<br />
Music edited by Edwin Braden<br />
Devised and produced<br />
by Frank Hooper<br />
(BBC recording)<br />
11. 15 Jonah Barrington's<br />
RECORD ALBUM<br />
11.50 Weather Forecast<br />
Highlights<br />
of tomorrow's programme.<br />
and News Summary<br />
12 midnight Big Ben<br />
Close Down<br />
Letters for publication should be<br />
sent to the Editor, '<strong>Radio</strong> <strong>Times</strong>,'<br />
35 Marylebone High Street,<br />
London, W.l<br />
Third Programme<br />
464 m. (647 kc/s) 194 m. (1,546 kc/s) 91.3 Mc/s VHF<br />
6.0 p.m. CHAMBER MUSIC<br />
The Wigmore Ensemble:<br />
Jack Brymer (clarinet)<br />
Gwydion Brooke (bassoon)<br />
Richard Walton (tr).Impet)<br />
Jean Pougnet (violin)<br />
Thomas Carter (violin)<br />
Frederick Riddle (viola)<br />
William Pleeth (cello)<br />
Wilfrid Parry (piano)<br />
Quintet in A, for clarinet and string'<br />
quartet (K.581) ...................... Mozart<br />
La Revue de Cuisine, for clarinet,<br />
bassoon, trumpet, violin, cello, and<br />
piano ... ; ..................... : ......... Martinu<br />
(BBC recording)<br />
Martinu's Symphony No.6: Saturday<br />
Alan Frank writes on page 4<br />
6.50 ISRAEL:<br />
A CONFLICT OF RIGHTS<br />
, A discussion between<br />
Clovis Maksoud and David Kessler<br />
The theme of this discussion, in which a<br />
Lebanese Arab and an English Jew state<br />
their cases as simply as they can, is that<br />
both sides in the conflict are right. The<br />
suggested implication is that neither side<br />
can compromise.<br />
(BBCrecording)<br />
Prose readings In interludes between<br />
programmes this week are extracts<br />
from Captain Cook's Voyages, selected<br />
by Guy N. Pocock<br />
7.45 'THE DEVIL AND<br />
DANIEL WEBSTER'<br />
A folk opera in one act<br />
Words by Stephen Vincent Benet'<br />
Music by Douglas Moore<br />
Jabez Stone, a New Hampshire farmer<br />
Scott Joynt<br />
Mary Stone, his wife ..... ;Marion Lowe<br />
Daniel Webster, Secretary of [,tate<br />
Jess Walters<br />
A fiddler (spoken part).Denys Graham<br />
Mr. Scratch, a Boston lawyer<br />
Parry Jones<br />
Justice Hathorne (spoken part)<br />
Allan J eayes<br />
Clerk ............................. Ronald Evans<br />
Voice of Miser Stevens<br />
- Jan van der Gucht<br />
Jurors:<br />
Blackbeard Teach ....... Victor Utting<br />
King Philip ............... Roland Izzard<br />
Simon Girty ................ John Duncan<br />
BBC Chorus<br />
(Chorus, Master, Leslie Woodgate)<br />
The Goldsbrough Orchestra<br />
(Leader, Emanuel Hurwitz)<br />
CONDUCTED BY NICHOLAS GOLDSCHMIDT<br />
Producer, C. Denis Freeman<br />
Repetiteur, Vida Harford<br />
Scene: The home of Jabez Stone, Cross<br />
Corners, New Hampshire, in the 1840s<br />
(1ess Walters broadcasts by permission 01<br />
the General Adminislrator, Royal Oper ..<br />
HOl!se Covent Garden, Ltd.)<br />
Another performance: Monday at 9.5<br />
David Harris writes on page 4<br />
8.50 ST. BONIFACE:<br />
APOSTLE TO THE GERMANS<br />
.. Talk by<br />
the Rev. S. C. Carpenter, D.O.<br />
sometime Dean of Exeter<br />
Celebrations are being held throughout<br />
the Church of England today to mark<br />
the twelfth centenary of the death of<br />
St. Boniface. Dr. Carpenter, whose<br />
book The Church in England 597-I.688<br />
was published last year, talks about the<br />
place of Boniface in the great missionary<br />
movement of ,the eighth cemury.<br />
(BBC recording)<br />
followed by an interlude at 9.10<br />
9.15 'HOLIDAY LAND'<br />
('II Paese delle Vacanze')<br />
An idyll by Ugo Betti<br />
Translated from the Italian and<br />
adapted for radio by Henry Reed<br />
Francesca ..................... Gwen Cherrell<br />
Cleofe, her aunt ......... Barbara Couper<br />
Alberto ........................... Oscar Quitak<br />
Ofelia, his aunt ......... Sylvia Coleridge<br />
The Doctor .................. Carleton Hobbs<br />
Noemi ........................ Christine Poll on<br />
Guido Consalvo Benede Nicola<br />
Howieson Culff<br />
Adelaide. a servant ............ Beth Boyd<br />
A Commercial Traveller.Denis Goacher<br />
A Postman ................ Peter Claughton<br />
A Farmer ................ Michael Meacham<br />
PrOduced by Donald McWhinnie<br />
(BBC recording)<br />
(Gwen Cherrell broadcasts by permission<br />
0/ the Directors 0/ the Old Vic Trust;<br />
Michael Meacham is in t Salad Days) at<br />
~he Vaudeville Theacre, London)<br />
To be repeated on Saturday at 6.30<br />
H enT'V Reed writes on page 5<br />
10.45 BACH<br />
French Suites:<br />
No.3, in B minor; No.4, in E flat<br />
played by<br />
Alexander Borovsky (piano)<br />
on gramophone records<br />
11.15 A NOVEL OF TASTE<br />
Arnold Noach talks about the French<br />
eighteenth-century architect Jacques<br />
Fran
RADIO TIMES ..<br />
...<br />
1,500 m. (200 kc/s) -247 m. (1,214 kc/s) 89.1 Mc/s VHF EVENING FRO M 5 • 0 P • M •<br />
11<br />
5.0 p.m. CRICKET·<br />
England ,... South Africa<br />
First Test Match<br />
(continued)<br />
5.15<br />
TENNIS<br />
The Da';is Cup<br />
Great Brit~inv: India<br />
Further commentary<br />
. by Max Robertson<br />
5.30 WORLD OF JAZZ<br />
Collector's Corner<br />
Kenneth Ashen introduces a programme'<br />
of traditional records<br />
for the new collector<br />
Produced by Jack Dabbs<br />
6.0 . CRICKET<br />
England ,..; South Africa<br />
First Test Match<br />
Commentaries by Rex Alston,<br />
John Arlott, and Charles FortuIte;<br />
summaries by Crawford White<br />
6.35 LE MANS<br />
International 24-hour Motor Race<br />
See foot of page<br />
6.45 CAN I J HELP YOU?<br />
Alec Rodger, Director of the<br />
Vocational Guidance Centre, Birkbeck<br />
College, London, describes<br />
some problems brought to him by<br />
people who are unhappy in their<br />
work. He suggests solutions<br />
THE L.C.C. AND BBC LIGHT PROGRAMME PRESENT<br />
~The . Light Programme<br />
Music Festival of <strong>1955</strong><br />
7.0<br />
FROM THE ROYAL FESTIVAL HALL AT 8.45<br />
BBC C01uert Orchestra' BBC Chorus<br />
(Lead·er, John Sharpe)<br />
(Chorus-Master, Leslie Woodgate)<br />
JO)IC~ Gartside<br />
Semprini<br />
PIANO.<br />
Adele Leigh<br />
SOPRANO<br />
Alexander Young<br />
SOPRANO<br />
Roderick Jones<br />
. TENOR BARITONE<br />
COMPOSER-CONDUCTOR<br />
Philip Green<br />
Greenwich Time Signal<br />
News and<br />
RADIO NEWSREEL<br />
7.25 app. Sport<br />
including<br />
cricket close of. play scores<br />
Third Programme<br />
464 m. (647 kc/s) 194 m. (1,546 kc/s) 91.3 Mc/s VHF<br />
6;0 p.m. HUGO WOLF<br />
Ilse Wolf (soprano)<br />
Frederick stone (piano)<br />
Karwoche; Zum neuen Jahr; Schlafendes<br />
Jesuskind; Frage un~ Antwort·<br />
Zitronenfalter im AprIl; Um<br />
Mitternacht; Denk es, 0 Seele!; An<br />
die Geliebte; Er ist's<br />
Seventh of ten recitals of songs by<br />
Hugo Wolf<br />
Next programme, by Peter Pears: <strong>June</strong> 16<br />
6.30 ' HOLIDAY LAND'<br />
(' II Paese delle Vacanze')<br />
An idyll by Ugo Betti<br />
(Sunday's recorded broadcast)<br />
follow~d by an interlude at 8.0<br />
8.5 ORCHESTRAL<br />
CONCERT<br />
Douglas Moore (horn)<br />
BBC Symphony Orchestra<br />
(Leader, Paul Beard)<br />
Conducted by Vilem Tausky<br />
Part 1<br />
Overture: Cyrano de Bergerac<br />
Reizenstein<br />
Symphony No.1, in B flat .. Schumann<br />
8.50 PUBLIC RELATIONS<br />
OF PHILOSOPHY<br />
Talk by A. M. Quinton<br />
Fellow of All Souls College, Oxford<br />
This talk arises out of a collection ·of<br />
. papers from Analysis, edited by Margaret<br />
Macdonald and published in<br />
February with the title Philosophy and<br />
Analysis.<br />
(BBC recording)<br />
9.10 ORCHESTRAL CONCERT<br />
Part 2<br />
Horn Concerto No.2, in E flat (K.417)<br />
Mozart<br />
Fantaisies symphoniques (Symphony<br />
No. 6) ...................•..•.....••.•.. Martinu<br />
(first performance in this country)<br />
Alan Frank writes on page' 4<br />
10.0 RECENT FINDS<br />
AT UGARIT<br />
by Claude Schaeffer<br />
Ever since 1929 the French Department<br />
of Antiquities has been carrying on excavations<br />
near the modern Syrian town<br />
of Ras Shamra. Ugarit, as the town was<br />
anciently called, is now known to have<br />
been one of the most important centres<br />
of Bronze Age . civilisation;' its palace<br />
one of the biggest and most luxurious<br />
in the ancient Near East. In this talk<br />
Professor Claude Schaeffer, the eminent<br />
French archaeologist, who has been in<br />
charge of the excavation from the- beginning,<br />
tells of the results of last .year's<br />
work. The talk is a shortened version of<br />
Professor Schaeffer's address delivered<br />
yesterday before the Academie des<br />
Inscriptions in Paris.<br />
(BBC recording)<br />
10.20 THE' PARADISO'<br />
of Dante Alighieri<br />
The third cantica of the Divine<br />
Comedy, translated into English<br />
triple rhyme py Laurence Binyon<br />
A reading in six parts<br />
Produced by Peter Duval Smith<br />
Part 6 (Cantos 28-33)<br />
(Wednesday's recorded broadcast)<br />
11.30 Close Down<br />
CONDUCTOR<br />
Stanford Robinson<br />
Programme introduced by Roy' Williams<br />
PRODUCER: CAMPBELL R1CKETTS<br />
7.30 'THE ARCHERS'<br />
(Omnibus Edition)<br />
. (BBC recording)<br />
8.15 WHAT<br />
DO YOU KNOW?<br />
presents the<br />
Second Round of the Finals<br />
in the nation-wide<br />
general knowledge quiz<br />
Ask Me Another<br />
Three of the finalists who compete<br />
against each other are:<br />
Bill Brown<br />
(representing the West of England)<br />
Charles S. Dunbar<br />
(representing the Midlands)<br />
and Arthur Maddocks<br />
(representing the North o~England)<br />
Chrurman, Franklin Engelmann<br />
Devised and compiled<br />
by John P. Wynn<br />
Produced by Joan Clark<br />
. (BBC recording)<br />
To be repeated on Monday at 6.30<br />
(London Home Service)<br />
8.45 The Lighf Programme<br />
MUSIC FESTIV AL'-...<br />
See top of page.<br />
(Adele Leigh broadcasis by permission of<br />
the General Adminis1.rator~ Royal Opera<br />
House Covent Garden, Ltd.)<br />
Le Mans<br />
INTERNATIONAL<br />
24-Hour Race<br />
3.50 THE START: Commentaries by<br />
Raymond Baxter from the Tribune<br />
de La Presse overLooking the pits<br />
and by Robin Richards from<br />
anothe~ point on the circuit<br />
6.35 Comment;;r~s by Raymond Baxter<br />
and ·Robin Richards<br />
10.15 Commentary by Raymond Baxter<br />
11.40 Commentaries by Raymond Baxter<br />
. and Robin Richards<br />
Further commentaries tomorrow<br />
Programme<br />
ORCHESTRA<br />
Hungarian Rhapsody NO.2<br />
Liszt<br />
PIANO AND ORCHESTRA<br />
Scherzo (Concerto Symphonique NO.4)<br />
Litolff<br />
FILM MUSIC<br />
Wagon Trail (Golden Ivory)<br />
Romance (The Magic Bow)<br />
Incidental Music Oohn and Julie)<br />
Philip Green<br />
(conducted by the composer)<br />
SOLOISTS, CHORUS, AND ORCHESTRA<br />
Se1e~tion, Die Fled'!rmaus<br />
Johann Strauss<br />
10.0<br />
10.15<br />
Greenwich Time Signal<br />
NEWS<br />
CRICKET<br />
England v. South Africa<br />
First Test Match<br />
A summary by Rex Alston<br />
and<br />
LE MANS<br />
International 24-hour Motor Race<br />
See foot of page·<br />
10.25 CLUB PICCADILLY<br />
Billy Ternent and. his Orchestra<br />
with Shirley Norman<br />
and the Ternenteers<br />
Jerry Allen and his Trio<br />
Cabaret: Stan stennett<br />
Host, Rikki Fulton<br />
Produced by Mark White<br />
11.40 . LE MANS<br />
International 24-hour Motor Race<br />
See foot of page<br />
11.50 Weather Forecast<br />
Highlights<br />
of tomorrow's programmes<br />
and News Summary<br />
12.0- Big Ben: Close Down