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Radio Times, June 3, 1955 - solearabiantree

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<strong>Radio</strong> <strong>Times</strong> (Incorporatin.g World-<strong>Radio</strong>)<br />

<strong>June</strong> 3, <strong>1955</strong>. Vol. 127, No. 1647<br />

Regi5tered at the G.P.C. as a Newspaper<br />

- -<br />

BBC SOUND AND TELEVISION<br />

PROGRAMMES . .. JUNE 5-11<br />

Trooping the 'Colour'<br />

The Official Birthday of Her<br />

Majesty the Queen on Thursday<br />

is marked by the traditional cere~<br />

many on Horse Guards Parade<br />

Television and Light Programme<br />

BAYEUX MEMORIAL<br />

H.R.H. the Duke of Gloucester unveils<br />

the memorial to those who fell in<br />

Normandy: Sunday, Home (see page 3)<br />

TEN YEARS OF EUROPE<br />

Europe since the war by Alan Bullock<br />

Tuesday and Wednesday,Home (see page 3)<br />

THE FIRST TEST<br />

England v. South Africa at Trent Bridge<br />

Thurs. to Sat., Television and Light<br />

'MEET THE HUGGETTS'<br />

Jack Warner and Kathleen Harrison in the<br />

Light Programme, Thursday (see page 7)


<strong>June</strong> 3, <strong>1955</strong> • RADIO TIMES 5<br />

. A Romance of . Richard Lion .. Heart<br />

Maurice Hewlett's vivid historical romances were very popula" in his lifetime, but·<br />

since his death most of them have he en neglected. - One - of the ·best, 'Richard<br />

Yea and Nay,' is now to be presented asa tw,eive-pat.t radio serial,-beginning on<br />

Thursday (Home Services except Scottish), Here ALAN DENT considers Hewlett's<br />

style and introduces. the tale of Coeur-ode-Lion and }ehane Saint-Pol<br />

, Too strong a wine, belike, for some stomachs,<br />

for there's honey in it, and a dibbet of gore, with<br />

other condiments. Yet Mistress Clio (with whom,<br />

some say, Mistress Thalia, that sweet hoyden)<br />

brewed it: she, not I, who do but hand the cup<br />

round by her warrant and good favour. Her<br />

guests, not mine, you shall take it or leave itspill<br />

it untasted or quaff a bellyful.'<br />

- THIS-SO like the introduction to any of<br />

Maurice Hewlett's historical novels-is<br />

really the beginning of Max Beerbohm's<br />

exquisite parody entitled ' Fond Hearts Askew.'<br />

His title fits any of the series of novels beginning<br />

with The Forest Lovers (1898) and continuing<br />

with Richard Yea and Nay (1900), which<br />

Wilfrid Grantham has now made into a radio<br />

serial.<br />

Richard is a romance of the Third Crusade.<br />

It is the Abbot Milo, confessor and friend of<br />

Richard Creur-de-Lion, who tells the story and<br />

'hands the cup round.' The royal crusader is<br />

called' Yea and Nay' bya troubadour because<br />

of the strange contradictions that mark his<br />

nature-'· the loved and loathed,' 'king and<br />

beggar,' 'SPOTt of two fates,' , god and man.'<br />

. Jehane Saint-Pol is the beautiful girl he loved<br />

. and wronged. He renounced her, saying Nay to<br />

his heart, but stole her back from before the<br />

altar, saying Nay to his head. Richard made this<br />

wild young thing Countess of Anjou, but later<br />

he repudiated her when he chose to marry<br />

Berengere whose excellent dowry supplied the<br />

needs of his expedition to the Holy Land.<br />

However, Richard remained faithful to Jehane<br />

in his fashion. .We are told that he made<br />

Berengere his queen but not his wife, because he<br />

stayed true to the memory of J ehane. She, on<br />

her side, 'sacrificed all" for Richard, even<br />

though it meant-in order to save' her royal<br />

lover's life-entering the harem of an extraordinary<br />

character called the Old Man of Musse<br />

who dwelt on Lebanon. She first came into<br />

his' presence wearing a purple vest thickly<br />

embroidered with gold and pearls, underdrawers<br />

of scarlet silk, and gauze trousers of many folds.<br />

Over her head was a thick white veil heavily<br />

fringed with gold. Round her ankles were little early romantic novels brought him:, 'The rest<br />

bells of gold, and on her feet were scarlet of his life was spent in combating this fame,<br />

slippers. By. comparison the Old Man looked which he always' felt to be, in its origin and<br />

like chastity's very self, 'blkched as a swan, proportion, unbalanced and stultifying to his<br />

robed all in white, white-bearded.' We are in- proper reputation.'<br />

formed in plain words that the Old Man bored My own view is that no author-not even<br />

Jehane, but in equally plain words we are told Sir Hugh himself-has ever combated his own<br />

that she bore him 'at .least four children.' Yet," fame very impressively. Besides, Hewlett wrote<br />

at· the end of it all Richard of the Lion Heart, his romantic tales with an unmistakable relish.<br />

and of the Yea and Nay, died in Jehane's arms, Any page of Richard might easily be Beerbohmthe<br />

romantic hero-of true chivalry. esque parody: 'The country took tints of<br />

Maurice. Hewlett's career can- be conveniently: -Jehane, her shape; her ·fine ·nobility . _. ,instill."<br />

divided into three decades-one of historical green water he read the secret of her eyes; in the<br />

romances (of which Richard Yea' and Nay is a milk of October dawns her calm brows had been<br />

superb example), one of modern novels (his Open dipped .. .'<br />

Country is enchanting and unforgettable), and Romantic nonsense? Perhaps; but it was cerone-<br />

of poems and essays (his Song of the Plow tainly nothing to be seriously ashamed of.<br />

has been authoritatively called' one of the five Besides, if this author was genuinely ashamed'of<br />

epics of English poetry '). Sir Hugh Walpole, his fluency as a historical romancer, why did<br />

who knew him well, seriously maintained that he follow The Forest Lovers with Richard, and<br />

Hewlett was ashamed of the fame which the Richard with The Queen's Quair?<br />

'Holiday Land': a Betti C~medy 'The Nigger of the ."Narcissus." ,<br />

Sunday and Saturday, Third<br />

Monday, Home Service<br />

HE humour of Italians is very like our own, but there is this H ELM'S a-lee! Raise, tacks and sheets! Mainsail haul! These<br />

T<br />

difference in their comic drama:' they like the fun to go on, if orders for ' putting about' a square-rigged sailing ship seem so far<br />

possible, the whole time. They spare us those moments of pie-faced back in time that they might belong to the days of Frobisher and<br />

solemnity with which comic dramatists here are wont to becloud their<br />

activities, and which give us the feeling that however funny an Engli'Sh<br />

Drake. Yet there are many men ;llive today who slipped and struggled<br />

along a foam-washed deck to obey them; who hauled, cursing, on the<br />

writer may be, he is always trying to make us vote for somebody.' braces as the great yards swung round; or 'laid out' on an upper topsail<br />

In the same way, it may be remarked that Italian seribus or tragic drama yard while great ocean rollers roared and surged a hundred feet below.<br />

gets 'along very well without the intervention of the comic landlady It is this background which Conrad uses for The Nigger of the<br />

or servant, so often thought .necessary to hold the attention on our own 'Narcissus,' his stirring, macabre tale of an ocean-:-going sailing ship<br />

stage.<br />

homeward-bound from Bombay to London. In the centre of this cockpit<br />

Third Programme listeners will already know Ugo Betti as a serious of human conflict stands (or rather, lies) James Wait, the Negro seaman.<br />

writer. But Holiday Land is not at all serious; it is one of a group of Is Wait sick-or malingering? Whichever it is, he creates an explosive<br />

,three lively comedies first performed in the early years of the war. These atmosphere ready for any man with a spark of malice to touch it off.<br />

comedies stand sharply apart from the rest of Betti's work, and Italian And the man is there all right-Donkin, the vicious guttersnipe' who<br />

critics, with the impressive whole of th~t. work before them, seem a little cannot steer or splice, who, aloft, holds on with both arms and legs, who<br />

to regret their existence.<br />

curses the sea while others work.' You cannot talk your way out of reality<br />

But I am sure they can be quite easily put up with: they are respectably at sea-especially in a windjammer rounding the Cape of Good Hope in<br />

and blessedly escapist, but not into a world of fantasy, only into the winter, drenched, hungry, benumbed-with a great hulking Negro lying<br />

pleasanter parts of reality. Everything in them is, in fact, real enough: at ease in his berth. Remember~ they are short-handed in the Narcissus;<br />

the people, the dialogue, the events, the laughs. The action is well thought a man must be badly incapacitated before others will do his 'pulley-hauley.'<br />

out, the characters well thought into., Is 'James. Wait sick? It is: around this question that the ,story revolves;<br />

And what is Holiday Land about, roughly? Well, many Italian Conrad was born in Poland in 1857 (his family name was Korzeniowski),<br />

comedies of the sixteenth century, and the English comedies based on son of a landed family who had no connection whatever with England or<br />

them, have as their main character a girl trying to persuade the hero that. the sea. In 1874 he left home, despite family remonstrance and, after<br />

she is a boy. Holiday. Land has a girl trying~rather.more desperately, various adventures, made his, way to. England where he signed on· as<br />

to' persuade, the hero that she, is a girl During, the twenty-odd years. of 'ordinary .. seaman in a.woolclipper on the Australian.nm; ,Two,years later",<br />

their acquaintance. he has overlooked.this. point. , he passed his examination- f-or officer. and .rhen' roamed the world·under-the, ,<br />

.Francesca and Alberto have spent.everyholiday.next,door to.each other;, ·red ensign; He became a naturalised British subjeet"in 18.8.6,' obtained his, ,.<br />

he is now twenty~eightand',has'still not noticed. that: she •. now twenty-four, Master Mariner's Certificate the same year; and finally commanded the<br />

is in love with him. The-long'scene, occupying, with interruptions; most," famous clipper ship -Tor:rens in 1893 .<br />

. of act two, in which. Erancesca .attempts to make this clear,. is' among the ,. " .' Polish--deck-hand to· British Master. -Marined Most. men wouI&have<br />

most skilful co;nic scenes I have ever come. across anywhere. It. offers. a , been satisfied. with this, achievement but not,Conrad. ,While: still sailoring'<br />

. great deal to the actors who. are . to' . perform it;, and inevitably; demands ii:!' . he .. was writing" novels---'in - English" .. And so well- had. he mastered the.<br />

great deal also. Holid'l.Y Land is an actors' piece througho.ut ~ that, at any, language of his adopted country,. that he became and.has.remained:famous<br />

rate, it has in common with the:' serious' Betti. But that is. about an .. as a great artist:ofEnghsh prose. He died in 1924 while still working.<br />

HENRY REED on his last novel Suspense. DICK CROSS


'june 3, <strong>1955</strong><br />

RADIO TIMES<br />

Light Programme<br />

1,500 m. (200 kc/s) 247 m. (1,214 kc/s) 89.1 Mc/s VHF<br />

EVENING FRO M 5 • 0<br />

JU~l<br />

P • M •<br />

5.0 p.m. DOWN YOUR WAY<br />

(Continued)<br />

5.30 Bebe Daniels<br />

and Ben Lyon in<br />

LIFE WITH THE LYONS<br />

'We'll -send you a postcard'<br />

with<br />

Barbara Lyon, Richard Lyon<br />

Horace Percival, Doris Rogers<br />

Molly Weir, Richard Bellaers<br />

Written by Bob Block,<br />

Ronnie Hanbury and Bebe Daniels<br />

Production by Tom Ronald<br />

(Last Thursday's recorded broadcast)<br />

6.0 PRISONER<br />

AT THE BAR<br />

Edgar Lustgarten presents<br />

a new series of studies in crime<br />

2-Harry Thaw<br />

Two men and a girl; three bullets and<br />

a corpse; it happened in the glare of a<br />

New York nightclub in 1907, But how_<br />

many of the people who saw the murder<br />

done, or who watched the first trial,<br />

could have guessed the extraordinary<br />

outcome?<br />

(BBC recording)<br />

. 6.30 Dick Bentley, Jimmy Edwards<br />

in<br />

TAKE IT FROM HERE<br />

with Wallas Eaton<br />

Alma Cogan, <strong>June</strong> Whitfield<br />

The Keynotes .<br />

Announcer, David Dunhill<br />

Script by<br />

Frank Muir and Denis Norden<br />

Produced by Charles Maxwell<br />

(Last Thursday's recorded broadcast)<br />

(Jimmy Edwards is in 'The Talk 0/ the<br />

Town' at the Adelphi Theatre, London)<br />

Grand Hotel<br />

Jean Pougnet<br />

opens his second year<br />

with the Palm Court Orchestra<br />

in tonight's concert<br />

at 9.0<br />

See' Both Sides of the Microphone'<br />

7.0<br />

Greenwich Time Signa'<br />

News and<br />

RADIO NEWSREEL<br />

A summary of events of the past week<br />

7.30 STAR BILL<br />

Presents the best in<br />

Britain's show business<br />

The star guests include:<br />

Alma Cogan, Bruce Trent<br />

Harry Locke, Tito Burns<br />

and Eric Barker<br />

The George Mitchell Glee Club<br />

Music directed by Geraldo<br />

and his Concert Orchestra<br />

Written by<br />

Leo Harris and Richard Waring.<br />

Produced by Douglas Moodie<br />

8.30 SUNDAY HALF-HOUR<br />

Community hymn singing from<br />

Dunblane Cathedral, led by the<br />

United Church Choirs of Dunblane<br />

and district, conducted by<br />

J, Fleming Lamb<br />

Introduced' by<br />

the Rev, J. Chalmers Grant,<br />

Minister of Dunblane Cathedral<br />

Organist, J. D. Macrae<br />

To render thanks unto the Lord<br />

(Tunp-, Howard)<br />

Holy, Holy, Holy (Tune, Nicaea)<br />

Immortal, invisible, God only wise<br />

(Tune, Joanna)<br />

Let all the world in every corner sing<br />

(Tune, Luckington)<br />

Father of peace, and God of love!<br />

(Tune, Caithness)<br />

Lift up your heads, ye gates of brass<br />

(Tune, Warwick)<br />

Happy are they, they that love God<br />

(Tune, Binchester)<br />

Lead· us, Heavenly Father, lead us<br />

(Tune, Corinth)<br />

9.0 GRAND HOTEL<br />

Jean Pougnel;<br />

and the Palm Court Orchestra<br />

This week's visiting artist:<br />

Nancy Evans<br />

Selection: The Yeomen of the Guard<br />

Sullivan, arr. Godfrey<br />

I kiss your hand, madame<br />

Ralph Erwin, arr. Max Saunders<br />

Doina ........................ , ................ Aspar<br />

Song:<br />

Songs my mother taught me. Dvorak<br />

Waltzes (Der Rosenkavalier)<br />

Richard Strauss, arr. Doebber<br />

Violin:<br />

Lotus Land ..................... Cyril Scott<br />

Schon Rosmarin .................. Kreisler<br />

Songs:<br />

o Lovely Night. ...... Landon Ronald<br />

Ecstasy ......... Walter Morse Rummel<br />

Amina ....................................... Lincke<br />

Smilin' Through .... Pe.tn, arr. Byfield<br />

Selection: Rose Marie ............... Friml<br />

10.0<br />

10.15<br />

Greenwich Time Signal<br />

NEWS<br />

LATE<br />

SLlNDA Y SPECIAL<br />

Christian opinion on some<br />

of the things we talk' about<br />

Speaker, Stanley Maxted<br />

10.30 Teddy Johnson roams<br />

DOWN MELODY LANE<br />

finding songs and melodies in the<br />

highways and by-ways of familiar<br />

music<br />

with the<br />

BBC Variety Orchestra<br />

Conductor, Paul Fenoulhet<br />

Music edited by Edwin Braden<br />

Devised and produced<br />

by Frank Hooper<br />

(BBC recording)<br />

11. 15 Jonah Barrington's<br />

RECORD ALBUM<br />

11.50 Weather Forecast<br />

Highlights<br />

of tomorrow's programme.<br />

and News Summary<br />

12 midnight Big Ben<br />

Close Down<br />

Letters for publication should be<br />

sent to the Editor, '<strong>Radio</strong> <strong>Times</strong>,'<br />

35 Marylebone High Street,<br />

London, W.l<br />

Third Programme<br />

464 m. (647 kc/s) 194 m. (1,546 kc/s) 91.3 Mc/s VHF<br />

6.0 p.m. CHAMBER MUSIC<br />

The Wigmore Ensemble:<br />

Jack Brymer (clarinet)<br />

Gwydion Brooke (bassoon)<br />

Richard Walton (tr).Impet)<br />

Jean Pougnet (violin)<br />

Thomas Carter (violin)<br />

Frederick Riddle (viola)<br />

William Pleeth (cello)<br />

Wilfrid Parry (piano)<br />

Quintet in A, for clarinet and string'<br />

quartet (K.581) ...................... Mozart<br />

La Revue de Cuisine, for clarinet,<br />

bassoon, trumpet, violin, cello, and<br />

piano ... ; ..................... : ......... Martinu<br />

(BBC recording)<br />

Martinu's Symphony No.6: Saturday<br />

Alan Frank writes on page 4<br />

6.50 ISRAEL:<br />

A CONFLICT OF RIGHTS<br />

, A discussion between<br />

Clovis Maksoud and David Kessler<br />

The theme of this discussion, in which a<br />

Lebanese Arab and an English Jew state<br />

their cases as simply as they can, is that<br />

both sides in the conflict are right. The<br />

suggested implication is that neither side<br />

can compromise.<br />

(BBCrecording)<br />

Prose readings In interludes between<br />

programmes this week are extracts<br />

from Captain Cook's Voyages, selected<br />

by Guy N. Pocock<br />

7.45 'THE DEVIL AND<br />

DANIEL WEBSTER'<br />

A folk opera in one act<br />

Words by Stephen Vincent Benet'<br />

Music by Douglas Moore<br />

Jabez Stone, a New Hampshire farmer<br />

Scott Joynt<br />

Mary Stone, his wife ..... ;Marion Lowe<br />

Daniel Webster, Secretary of [,tate<br />

Jess Walters<br />

A fiddler (spoken part).Denys Graham<br />

Mr. Scratch, a Boston lawyer<br />

Parry Jones<br />

Justice Hathorne (spoken part)<br />

Allan J eayes<br />

Clerk ............................. Ronald Evans<br />

Voice of Miser Stevens<br />

- Jan van der Gucht<br />

Jurors:<br />

Blackbeard Teach ....... Victor Utting<br />

King Philip ............... Roland Izzard<br />

Simon Girty ................ John Duncan<br />

BBC Chorus<br />

(Chorus, Master, Leslie Woodgate)<br />

The Goldsbrough Orchestra<br />

(Leader, Emanuel Hurwitz)<br />

CONDUCTED BY NICHOLAS GOLDSCHMIDT<br />

Producer, C. Denis Freeman<br />

Repetiteur, Vida Harford<br />

Scene: The home of Jabez Stone, Cross<br />

Corners, New Hampshire, in the 1840s<br />

(1ess Walters broadcasts by permission 01<br />

the General Adminislrator, Royal Oper ..<br />

HOl!se Covent Garden, Ltd.)<br />

Another performance: Monday at 9.5<br />

David Harris writes on page 4<br />

8.50 ST. BONIFACE:<br />

APOSTLE TO THE GERMANS<br />

.. Talk by<br />

the Rev. S. C. Carpenter, D.O.<br />

sometime Dean of Exeter<br />

Celebrations are being held throughout<br />

the Church of England today to mark<br />

the twelfth centenary of the death of<br />

St. Boniface. Dr. Carpenter, whose<br />

book The Church in England 597-I.688<br />

was published last year, talks about the<br />

place of Boniface in the great missionary<br />

movement of ,the eighth cemury.<br />

(BBC recording)<br />

followed by an interlude at 9.10<br />

9.15 'HOLIDAY LAND'<br />

('II Paese delle Vacanze')<br />

An idyll by Ugo Betti<br />

Translated from the Italian and<br />

adapted for radio by Henry Reed<br />

Francesca ..................... Gwen Cherrell<br />

Cleofe, her aunt ......... Barbara Couper<br />

Alberto ........................... Oscar Quitak<br />

Ofelia, his aunt ......... Sylvia Coleridge<br />

The Doctor .................. Carleton Hobbs<br />

Noemi ........................ Christine Poll on<br />

Guido Consalvo Benede Nicola<br />

Howieson Culff<br />

Adelaide. a servant ............ Beth Boyd<br />

A Commercial Traveller.Denis Goacher<br />

A Postman ................ Peter Claughton<br />

A Farmer ................ Michael Meacham<br />

PrOduced by Donald McWhinnie<br />

(BBC recording)<br />

(Gwen Cherrell broadcasts by permission<br />

0/ the Directors 0/ the Old Vic Trust;<br />

Michael Meacham is in t Salad Days) at<br />

~he Vaudeville Theacre, London)<br />

To be repeated on Saturday at 6.30<br />

H enT'V Reed writes on page 5<br />

10.45 BACH<br />

French Suites:<br />

No.3, in B minor; No.4, in E flat<br />

played by<br />

Alexander Borovsky (piano)<br />

on gramophone records<br />

11.15 A NOVEL OF TASTE<br />

Arnold Noach talks about the French<br />

eighteenth-century architect Jacques­<br />

Fran


RADIO TIMES ..<br />

...<br />

1,500 m. (200 kc/s) -247 m. (1,214 kc/s) 89.1 Mc/s VHF EVENING FRO M 5 • 0 P • M •<br />

11<br />

5.0 p.m. CRICKET·<br />

England ,... South Africa<br />

First Test Match<br />

(continued)<br />

5.15<br />

TENNIS<br />

The Da';is Cup<br />

Great Brit~inv: India<br />

Further commentary<br />

. by Max Robertson<br />

5.30 WORLD OF JAZZ<br />

Collector's Corner<br />

Kenneth Ashen introduces a programme'<br />

of traditional records<br />

for the new collector<br />

Produced by Jack Dabbs<br />

6.0 . CRICKET<br />

England ,..; South Africa<br />

First Test Match<br />

Commentaries by Rex Alston,<br />

John Arlott, and Charles FortuIte;<br />

summaries by Crawford White<br />

6.35 LE MANS<br />

International 24-hour Motor Race<br />

See foot of page<br />

6.45 CAN I J HELP YOU?<br />

Alec Rodger, Director of the<br />

Vocational Guidance Centre, Birkbeck<br />

College, London, describes<br />

some problems brought to him by<br />

people who are unhappy in their<br />

work. He suggests solutions<br />

THE L.C.C. AND BBC LIGHT PROGRAMME PRESENT<br />

~The . Light Programme<br />

Music Festival of <strong>1955</strong><br />

7.0<br />

FROM THE ROYAL FESTIVAL HALL AT 8.45<br />

BBC C01uert Orchestra' BBC Chorus<br />

(Lead·er, John Sharpe)<br />

(Chorus-Master, Leslie Woodgate)<br />

JO)IC~ Gartside<br />

Semprini<br />

PIANO.<br />

Adele Leigh<br />

SOPRANO<br />

Alexander Young<br />

SOPRANO<br />

Roderick Jones<br />

. TENOR BARITONE<br />

COMPOSER-CONDUCTOR<br />

Philip Green<br />

Greenwich Time Signal<br />

News and<br />

RADIO NEWSREEL<br />

7.25 app. Sport<br />

including<br />

cricket close of. play scores<br />

Third Programme<br />

464 m. (647 kc/s) 194 m. (1,546 kc/s) 91.3 Mc/s VHF<br />

6;0 p.m. HUGO WOLF<br />

Ilse Wolf (soprano)<br />

Frederick stone (piano)<br />

Karwoche; Zum neuen Jahr; Schlafendes<br />

Jesuskind; Frage un~ Antwort·<br />

Zitronenfalter im AprIl; Um<br />

Mitternacht; Denk es, 0 Seele!; An<br />

die Geliebte; Er ist's<br />

Seventh of ten recitals of songs by<br />

Hugo Wolf<br />

Next programme, by Peter Pears: <strong>June</strong> 16<br />

6.30 ' HOLIDAY LAND'<br />

(' II Paese delle Vacanze')<br />

An idyll by Ugo Betti<br />

(Sunday's recorded broadcast)<br />

follow~d by an interlude at 8.0<br />

8.5 ORCHESTRAL<br />

CONCERT<br />

Douglas Moore (horn)<br />

BBC Symphony Orchestra<br />

(Leader, Paul Beard)<br />

Conducted by Vilem Tausky<br />

Part 1<br />

Overture: Cyrano de Bergerac<br />

Reizenstein<br />

Symphony No.1, in B flat .. Schumann<br />

8.50 PUBLIC RELATIONS<br />

OF PHILOSOPHY<br />

Talk by A. M. Quinton<br />

Fellow of All Souls College, Oxford<br />

This talk arises out of a collection ·of<br />

. papers from Analysis, edited by Margaret<br />

Macdonald and published in<br />

February with the title Philosophy and<br />

Analysis.<br />

(BBC recording)<br />

9.10 ORCHESTRAL CONCERT<br />

Part 2<br />

Horn Concerto No.2, in E flat (K.417)<br />

Mozart<br />

Fantaisies symphoniques (Symphony<br />

No. 6) ...................•..•.....••.•.. Martinu<br />

(first performance in this country)<br />

Alan Frank writes on page' 4<br />

10.0 RECENT FINDS<br />

AT UGARIT<br />

by Claude Schaeffer<br />

Ever since 1929 the French Department<br />

of Antiquities has been carrying on excavations<br />

near the modern Syrian town<br />

of Ras Shamra. Ugarit, as the town was<br />

anciently called, is now known to have<br />

been one of the most important centres<br />

of Bronze Age . civilisation;' its palace<br />

one of the biggest and most luxurious<br />

in the ancient Near East. In this talk<br />

Professor Claude Schaeffer, the eminent<br />

French archaeologist, who has been in<br />

charge of the excavation from the- beginning,<br />

tells of the results of last .year's<br />

work. The talk is a shortened version of<br />

Professor Schaeffer's address delivered<br />

yesterday before the Academie des<br />

Inscriptions in Paris.<br />

(BBC recording)<br />

10.20 THE' PARADISO'<br />

of Dante Alighieri<br />

The third cantica of the Divine<br />

Comedy, translated into English<br />

triple rhyme py Laurence Binyon<br />

A reading in six parts<br />

Produced by Peter Duval Smith<br />

Part 6 (Cantos 28-33)<br />

(Wednesday's recorded broadcast)<br />

11.30 Close Down<br />

CONDUCTOR<br />

Stanford Robinson<br />

Programme introduced by Roy' Williams<br />

PRODUCER: CAMPBELL R1CKETTS<br />

7.30 'THE ARCHERS'<br />

(Omnibus Edition)<br />

. (BBC recording)<br />

8.15 WHAT<br />

DO YOU KNOW?<br />

presents the<br />

Second Round of the Finals<br />

in the nation-wide<br />

general knowledge quiz<br />

Ask Me Another<br />

Three of the finalists who compete<br />

against each other are:<br />

Bill Brown<br />

(representing the West of England)<br />

Charles S. Dunbar<br />

(representing the Midlands)<br />

and Arthur Maddocks<br />

(representing the North o~England)<br />

Chrurman, Franklin Engelmann<br />

Devised and compiled<br />

by John P. Wynn<br />

Produced by Joan Clark<br />

. (BBC recording)<br />

To be repeated on Monday at 6.30<br />

(London Home Service)<br />

8.45 The Lighf Programme<br />

MUSIC FESTIV AL'-...<br />

See top of page.<br />

(Adele Leigh broadcasis by permission of<br />

the General Adminis1.rator~ Royal Opera<br />

House Covent Garden, Ltd.)<br />

Le Mans<br />

INTERNATIONAL<br />

24-Hour Race<br />

3.50 THE START: Commentaries by<br />

Raymond Baxter from the Tribune<br />

de La Presse overLooking the pits<br />

and by Robin Richards from<br />

anothe~ point on the circuit<br />

6.35 Comment;;r~s by Raymond Baxter<br />

and ·Robin Richards<br />

10.15 Commentary by Raymond Baxter<br />

11.40 Commentaries by Raymond Baxter<br />

. and Robin Richards<br />

Further commentaries tomorrow<br />

Programme<br />

ORCHESTRA<br />

Hungarian Rhapsody NO.2<br />

Liszt<br />

PIANO AND ORCHESTRA<br />

Scherzo (Concerto Symphonique NO.4)<br />

Litolff<br />

FILM MUSIC<br />

Wagon Trail (Golden Ivory)<br />

Romance (The Magic Bow)<br />

Incidental Music Oohn and Julie)<br />

Philip Green<br />

(conducted by the composer)<br />

SOLOISTS, CHORUS, AND ORCHESTRA<br />

Se1e~tion, Die Fled'!rmaus<br />

Johann Strauss<br />

10.0<br />

10.15<br />

Greenwich Time Signal<br />

NEWS<br />

CRICKET<br />

England v. South Africa<br />

First Test Match<br />

A summary by Rex Alston<br />

and<br />

LE MANS<br />

International 24-hour Motor Race<br />

See foot of page·<br />

10.25 CLUB PICCADILLY<br />

Billy Ternent and. his Orchestra<br />

with Shirley Norman<br />

and the Ternenteers<br />

Jerry Allen and his Trio<br />

Cabaret: Stan stennett<br />

Host, Rikki Fulton<br />

Produced by Mark White<br />

11.40 . LE MANS<br />

International 24-hour Motor Race<br />

See foot of page<br />

11.50 Weather Forecast<br />

Highlights<br />

of tomorrow's programmes<br />

and News Summary<br />

12.0- Big Ben: Close Down

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