CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios

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If you can access my web site, there is more info there than is practical to send via surface mail, but I can also send informative material to your supplied address if browsing is not practical for you. Look to the Mic chart at: http://www.sonicstudios.com/dsm.htm for more details and the mic powering page at: MOD-2/PA-x Mic Powering Page for DSM powering considerations. A portable TCD-D100 or PCM-M1 DAT deck is about as good as it gets for direct to two channel recorders in an all-in-one unit. Please let me know about the need for surface mailing and any questions that arise from the information presented on either source. Best Regards in Sound & Music Recording, Leonard Lombardo =============== > Perfect application for the DSM microphones that's being extensively used with DAT and MD portables for this exact purpose and many other field sound requirements. See the mic chart at: http://www.sonicstudios.com/dsm.htm for the models, but probably a DSM-6(S)/EH or H would work the best for general city type sound ambient work. Also, read some of the reviews linked to the site's home page listed below. Also See: MOD-2/PA-x Mic Powering Page for powering options, but if your MD is a Sony R30 or R50 and you don't record massively bassy rock music sounds, then just plugging into the Sony MD models would work very well without further considerations. Best Regards in Sound & Music Recording, Leonard & Debbie Lombardo ===================
Date: 11/28/98 9:49:30 PM Pacific Standard Time From: (GK) To: guysonic@aol.com Hi Leonard, This is a long one, hopefully you're patient :) I'm considering getting your mics or dare I say it, Len's mics. I currently have a sony D8 dat deck. I'm interested in recording Broadway musicals: phantom,les miserables, miss saigon, rent, etc. etc. These shows are NOT high spl recordings. What would you recommend? First off, let me tell you what I was thinking of buying from Len. Core sound binaural (battery box) and the Zefiro Inbox. The zefiro inbox sounds very good just because it'll work well with my digital only sound card. The zefiro cost is no more than if I were to sell my d8 and upgrade to an d100 or m1. Does the mod-2 make my D8 pre's sound almost as good as a d100/m1? I'm asking because I'm wondering if I should upgrade to the d100. What I really want to know is what is the best solution for my D8 in the $600 price range (total). thanks Glenn K >> Hello Glenn, If you can afford the upgrade, the TCD-D100 is by far a more practical choice with excellent preamplifier (for at least unbalanced mini-mic type inputs) and does contain a precision Dual 20 bit AKA Semi A to D convertor. The D100 also has almost everything not so great about the D8 corrected in spades, and is much smaller and sturdier of transport. D100 Powering is a consideration that is easily handled, but not nearly as straightforward as the D8 which can take simple alkaline cells for 4+ hours operation. Talk to me about this when you decide......... I have the D100 with the mic powering upgrade in stock for only $825, but you can buy this via mailorder for a few dollars less and later send me just the deck for the $85 dollar MOD-2 upgrade anytime later. The DSM-6S/EH, reduced to $450 for a little while more, is a very precision matched, extra high gain) model that seems the best match for doing mostly acoustic theater and moderate loud orchestral venues. Core doesn't seem to distinguish real precision matching or model sensitivity ....... that's a more customer specific requirement, other than rock level handling ability in their CSB models. Maybe only upon special consideration, but I know from getting plenty of previous Core customers, you'd much happier in the long run with all the mechanical build, acoustic, specific sensitivity, ease of recorder setup, and recording quality benefits of the DSM product. ==========================
Page 1 and 2: Sonic Studios CHOOSING A DSM MODEL
Page 3 and 4: affled (coherent), and the usual ar
Page 5 and 6: WHB/N $250 Headworn windscreen acce
Page 7 and 8: As you and a few others now seem to
Page 9 and 10: look identical. With the Sony MD, e
Page 11 and 12: Best Regards in Sound & Music Recor
Page 13 and 14: You've got plenty of time to check
Page 15 and 16: Payment/Shipping or Ordering option
Page 17 and 18: I am about to order your DSM-6S mic
Page 19 and 20: A suggested system is: DSM-6S/L ...
Page 21 and 22: I will attempt to answer most of yo
Page 23 and 24: I can have it delivered at a local
Page 25: a good deck, but the TCD-D100 is a
Page 29 and 30: This is an eloquent, easy, and very
Page 31 and 32: From: (Tim P) To: guysonic@aol.com
Page 33 and 34: a pair caroids, but would I be bett
Page 35 and 36: Hello Jonathan, D100 is $825 right
Page 37 and 38: The D100 or M1 is excellent for thi
Page 39 and 40: Powering the DSM remains an option
Page 41 and 42: Both D100 and M1 decks would need t
Page 43 and 44: I want to buy your Stereo Microphon
Page 45 and 46: Regards, Kazuya. >> Hello Kazuya, T
Page 47 and 48: Some URLs of interest: Mic models s
Page 49 and 50: EL's. Is the S version worth the ex
Page 51 and 52: Hello James, Thank you for expressi
Page 53 and 54: ass roll-off would be a necessity t
Page 55 and 56: To: reid Date: 10/20/99 11:12:07 AM
Page 57 and 58: -----------------------------------
Page 59 and 60: Hello Yuki, Thank you for expressin
Page 61 and 62: From: (Randall ) To: GuySonic@aol.c
Page 63 and 64: Feel free to Call anytime if you're
Page 65 and 66: Hello Glenn, Bass reduction filteri
Page 67 and 68: Please give me a price quote on thi
Page 69 and 70: 2. the type of piano in your studio
Page 71 and 72: your mics...to keep it simple they
Page 73 and 74: The current set of decks from Sony
Page 75 and 76: See the adapter table on this page
Page 77 and 78:
LAPEL MIC Stereo Mics for MiniDISC,
Page 79:
Avoiding Input Distortion DAT Deck
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CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios

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