CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios
CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios
CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios
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None of the single point microphones, ribbon microphones, or any of the other types posted as suggestions will work out for at least<br />
lack of pressure type bass response regardless of what the posts claim and for other just as important stereo imaging requirements.<br />
However, using these two (pressure type) omni microphones<br />
spaced out in some manner is not enough for recording the spatial ambient sound in stereo that's also very important for making a<br />
satisfying large size acoustic instrument recording.<br />
A baffle needs be used placed between the two mics for the ambient stereo aspect to also be recorded faithfully.<br />
Jecklin Disk type baffles are OK and far better than NO Baffling, but lack some important (HRTF) features for consistent results.<br />
My site listed below has tips, reviews, mics, baffles, and sample sounds of pipe organ recorded with <strong>Sonic</strong> <strong>Studios</strong> (my own company)<br />
<strong>DSM</strong> designed mic systems.<br />
Suggested mic model: <strong>DSM</strong>-6S/H (headworn or using the LiteGUY HRTF Baffle)<br />
Some URL's to view:<br />
http://www.sonicstudios.com/mp3.htm (see St. James Cathedral, Seattle recording)<br />
http://www.sonicstudios.com/liteguy.htm<br />
http://www.sonicstudios.com/reviews.htm<br />
Mic models suited to your music or sound recording tastes are listed at: http://www.sonicstudios.com/dsm.htm<br />
Powering & bass filter considerations are discussed at: http://www.sonicstudios.com/pa_x.htm<br />
E-mail me with questions and about your current recording deck/preamplifier equipment for best system fit suggestions.<br />
Regards in Sound & Music Recording,<br />
Leonard Lombardo<br />
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