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CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios

CHOOSING A DSM Stereo Microphone Model FAQ ... - Sonic Studios

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None of the single point microphones, ribbon microphones, or any of the other types posted as suggestions will work out for at least<br />

lack of pressure type bass response regardless of what the posts claim and for other just as important stereo imaging requirements.<br />

However, using these two (pressure type) omni microphones<br />

spaced out in some manner is not enough for recording the spatial ambient sound in stereo that's also very important for making a<br />

satisfying large size acoustic instrument recording.<br />

A baffle needs be used placed between the two mics for the ambient stereo aspect to also be recorded faithfully.<br />

Jecklin Disk type baffles are OK and far better than NO Baffling, but lack some important (HRTF) features for consistent results.<br />

My site listed below has tips, reviews, mics, baffles, and sample sounds of pipe organ recorded with <strong>Sonic</strong> <strong>Studios</strong> (my own company)<br />

<strong>DSM</strong> designed mic systems.<br />

Suggested mic model: <strong>DSM</strong>-6S/H (headworn or using the LiteGUY HRTF Baffle)<br />

Some URL's to view:<br />

http://www.sonicstudios.com/mp3.htm (see St. James Cathedral, Seattle recording)<br />

http://www.sonicstudios.com/liteguy.htm<br />

http://www.sonicstudios.com/reviews.htm<br />

Mic models suited to your music or sound recording tastes are listed at: http://www.sonicstudios.com/dsm.htm<br />

Powering & bass filter considerations are discussed at: http://www.sonicstudios.com/pa_x.htm<br />

E-mail me with questions and about your current recording deck/preamplifier equipment for best system fit suggestions.<br />

Regards in Sound & Music Recording,<br />

Leonard Lombardo<br />

----------------------------------------<br />

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