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Faculty Bios - Sotheby's Institute of Art

Faculty Bios - Sotheby's Institute of Art

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<strong>Faculty</strong> <strong>Bios</strong><br />

Georgina Adam, Editor at Large, The <strong>Art</strong> Newspaper<br />

Georgina Adam has written about art and the art market for the last 25 years. Currently Editor at<br />

Large for The <strong>Art</strong> Newspaper, she is also a columnist for the Financial Times. She has<br />

freelanced for The Daily Telegraph; <strong>Art</strong> and Antiques; <strong>Art</strong> and Auction; <strong>Art</strong>news (US);<br />

L’Estampille Objet d’<strong>Art</strong> (France); and Nikkei (Japan). She is a member <strong>of</strong> the International<br />

Association <strong>of</strong> <strong>Art</strong> Critics (AICA).<br />

Christopher Baer, Director <strong>of</strong> Finance, Ben Brown Fine <strong>Art</strong>s<br />

Christopher’s educational background includes an MBA from the Duke University, Durham, N.C.<br />

as well as Economist SEBA from Lucerne School <strong>of</strong> Economics and Business Administration in<br />

Lucerne. He obtained a Master’s degree in Contemporary <strong>Art</strong> from the Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong><br />

in London and has attended several evening courses at the <strong>Institute</strong> and City University.<br />

Christopher is currently the Sales and Financial Manager at Ben Brown Fine <strong>Art</strong>s in London.<br />

Prior to this he was working as an intern in the Contemporary <strong>Art</strong> Department at the Sotheby’s<br />

auction house in London and held several senior positions in various financial institutions<br />

including being a Senior Equity Analyst at Pricewaterhousecoopers in London and a Consultant<br />

in Zurich. He has also been working as a Private Banker at Bank Julius Bar & Co. in Zurich, a<br />

Summer Associate at Union Bank <strong>of</strong> Switzerland and as an Equity Analyst at Morgan Stanley<br />

and Company in New York. Christopher is fluent in French, German and English and his<br />

interests include photography, travel, reading, golf and snow skiing.<br />

Rachel Clarke, Director - Head <strong>of</strong> <strong>Art</strong>s Sponsorship at Four Communications<br />

Rachel has worked in the cultural sector for over fifteen years both arts-side – at the Edinburgh<br />

International Festival and Royal National Theatre in London - and as a consultant to corporate<br />

clients.<br />

Rachel joined Four to set up the arts <strong>of</strong>fering, arriving from SCL where she was a Director,<br />

developing Morgan Stanley’s extensive European arts sponsorship programme and working<br />

with the Tate Modern to develop the hugely successful Unilever Series, the award-winning<br />

Turbine Hall commissions. She has experience <strong>of</strong> creating sponsorship strategies for<br />

companies including American Airlines, National Grid and Corus.<br />

At Four she leads the HSBC account, advising on strategy, activation and communication <strong>of</strong> the<br />

Group’s international cultural sponsorship portfolio which is based around the theme <strong>of</strong> Cultural<br />

Exchange. She also works for HSBC Private Bank on its portfolio based around design. Rachel<br />

assisted Accenture to develop the concept <strong>of</strong> Intelligent Funding, mixing VIK business expertise<br />

and traditional sponsorship to create a strategy and portfolio that delivers real business benefit<br />

for the firm. Rachel has positioned Four SAS as the only PR company in the UK to specialise in<br />

PR for cultural sponsorships, ensuring client cut through in the media, alongside more traditional<br />

arts PR where accounts include Liverpool ’08, European Capital <strong>of</strong> Culture and <strong>Art</strong>s Council<br />

England.<br />

Robin Dean, Founder and Director, Rob Dean Fine <strong>Art</strong> Ltd.<br />

Robin Dean completed undergraduate studies in comparative religion at Cambridge University<br />

and postgraduate studies in Indian and Southeast Asian <strong>Art</strong> at the School <strong>of</strong> Oriental and<br />

African Studies in London. He worked at Christie’s and lived in India for 2 years working as the<br />

representative for Christie’s India and then worked for Sotheby’s as the International Head <strong>of</strong><br />

the Indian and Southeast Asian <strong>Art</strong> Department. He was a consultant for Sotheby’s in the Indian<br />

and Southeast Asian <strong>Art</strong> Department and currently runs his own company Rob Dean <strong>Art</strong> Ltd that<br />

specialises in modern and contemporary South Asian <strong>Art</strong>. He has been at the forefront <strong>of</strong><br />

modern contemporary Indian <strong>Art</strong> Auctions for the past ten years. Rob has recently started up a<br />

new auction house in India, Pundole’s with Dadiba Pundole.


Dr. Anna Dempster, <strong>Sotheby's</strong> <strong>Institute</strong> <strong>of</strong> <strong>Art</strong>, London<br />

Anna Dempster is a Senior Lecturer in <strong>Art</strong> Business, <strong>Sotheby's</strong> <strong>Institute</strong> <strong>of</strong> <strong>Art</strong>, London. She has<br />

a BA and M.Phil in History from the University <strong>of</strong> Cambridge, and a PhD from the Judge<br />

Business School, Cambridge. For the past six years she has held a tenured lectureship at<br />

Birkbeck College, University <strong>of</strong> London becoming Programme Director <strong>of</strong> the new MSc/MA in<br />

Creative Industries. Her research and teaching experience is in leading institutions, including<br />

London Business School, Rotterdam School <strong>of</strong> Management and the University <strong>of</strong> the <strong>Art</strong>s,<br />

London, where she was Research Director <strong>of</strong> the Creative Industries Observatory. Her research<br />

focuses on the role <strong>of</strong> risk and uncertainty in the creative industries and she has published in<br />

the areas <strong>of</strong> strategic management, innovation and entrepreneurship in leading national and<br />

international journals.<br />

Emilie Faure, Sales Executive, White Cube<br />

Emilie Faure works with White Cube gallery, focusing on sales in the Middle Eastern region.<br />

Prior to joining White Cube, Emilie worked for three years as curator <strong>of</strong> The Farjam Collection in<br />

Dubai. She has also worked at Sotheby <strong>Institute</strong> <strong>of</strong> <strong>Art</strong> in London, at the British Museum in the<br />

institution’s Business Strategy department, at the Museum <strong>of</strong> Modern <strong>Art</strong> in NY, and at La<br />

Fondation Cartier pour l'<strong>Art</strong> Contemporain, in Paris. Emilie graduated from Sciences-Po, Paris<br />

with a Master's (M.A.) in Cultural Policy and Museum Studies, and from Harvard with a Bachelor<br />

<strong>of</strong> <strong>Art</strong>s (B.A.) in visual arts, received with honors. She is fluent in English, French, and Spanish.<br />

Tim Hunter, Director, <strong>Art</strong> Advisory, Gurr Johns<br />

Born in Sydney and educated at Magdalen College, Oxford, Tim Hunter was awarded first class<br />

honours in Modern History in 1988. He completed his doctorate in Medieval History in 1993. In<br />

1989-1992 he taught History and History <strong>of</strong> <strong>Art</strong> at University College, Oxford, before joining the<br />

curatorial staff at the Ashmolean Museum in 1992. In 1993 he became a specialist at Christie's<br />

London, becoming a Director in 1998 and Head <strong>of</strong> the 19th Century European <strong>Art</strong> Department in<br />

2000. Since 2009 he has been a Director at Gurr Johns London. Dr Hunter has long been<br />

involved in opera, as artistic director and designer for a number <strong>of</strong> productions at Oxford,<br />

including the Oxford Playhouse. He has written opera reviews for a variety <strong>of</strong> publications.<br />

Subhas Kim Kandasamy, Founder and Director, Kandasamy Projects<br />

Subhas is the Founder and Director <strong>of</strong> his own company, Kandasamy Projects, a nomadic<br />

contemporary design gallery promoting emerging international designers. Prior to this, Subhas<br />

was a director <strong>of</strong> the Carpenters Workshop Gallery in London from 2009 to early 2011. Prior to<br />

his time at the Carpenters’ Gallery, he was Associate Director <strong>of</strong> Patricia Low Contemporary in<br />

Gstaad, 2008-2009, and Aicon Gallery in London, 2007-2008. He has an MA in the History <strong>of</strong><br />

<strong>Art</strong> from University College London and a BA in History <strong>of</strong> <strong>Art</strong> and Archaeology from<br />

SOAS/UCL.


Joseph Lampel, Pr<strong>of</strong>essor <strong>of</strong> Strategy, Cass Business School<br />

Joseph Lampel has been with Cass since 2002. He is the author with Henry Mintzberg and<br />

Bruce Ahlstrand <strong>of</strong> the Strategy Safari (Second Edition, 2008). He is also the editor with Henry<br />

Mintzberg, James Brian Quinn, and Sumantra Ghoshal <strong>of</strong> The Strategy Process (Fourth<br />

Edition). Publications include, Strategic Management Journal, Sloan Management Review, and<br />

Fortune Magazine. Joseph Lampel obtained his undergraduate degree in Physics from McGill<br />

University, Canada, and later pursued his MSc in Technology Policy at the Institut d'Histoire et<br />

Sociopolitique des Sciences at Université de Montréal, Canada. After working for the Science<br />

Council <strong>of</strong> Canada and the Ontario government he returned to McGill University to pursue<br />

doctoral studies in Strategic Management. His dissertation "Strategy in Thin Industries" won the<br />

Best Dissertation Award from the Administrative Science Association <strong>of</strong> Canada 1992. Prior to<br />

Cass, Joseph was Assistant Pr<strong>of</strong>essor at the Stern School <strong>of</strong> Business, New York University<br />

from 1989-1996. Subsequently he was Reader at the University <strong>of</strong> St. Andrews from 1996 to<br />

1999, and Pr<strong>of</strong>essor <strong>of</strong> Strategic Management at University <strong>of</strong> Nottingham Business School<br />

from 1999 to 2001. He has also taught at McGill University, Concordia University, Montreal, and<br />

the University <strong>of</strong> Illinois, Urbana-Champaign. Joseph Lampel regularly works with top<br />

management teams in the area <strong>of</strong> strategy, project-based learning, and business innovation.<br />

Among the organizations that he has worked with are Lovell’s, Pratt and Whitney Canada, EMI<br />

Music Group, Rexam, Woolworth, GlaxoSmithKline, Hagemeyer, Halcrow, and the International<br />

Chamber <strong>of</strong> Commerce in Paris. He is a regular invited guest on the BBC TV, BBC World, ITV,<br />

Channel 4, Sky News, and CNBC.<br />

Henry Lydiate, Consultant Lecturer, MA <strong>Art</strong> Business, Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong>, London<br />

LL.B, University <strong>of</strong> Newcastle upon Tyne. Henry Lydiate is a Visiting Pr<strong>of</strong>essor <strong>of</strong> <strong>Art</strong> Law,<br />

University <strong>of</strong> the <strong>Art</strong>s, London, and a Course Consultant and Visiting Lecturer in legal, business<br />

and pr<strong>of</strong>essional practice studies at a number <strong>of</strong> major art schools in the UK since 1978. He is a<br />

legal and business consultant specialising in the creative arts.<br />

His publications include: The Visual <strong>Art</strong>ist and the Law, The Visual <strong>Art</strong>ist’s Copyright Handbook,<br />

Visual <strong>Art</strong>s and Crafts Guide to the New Laws <strong>of</strong> Copyright and Moral Right.<br />

He is an author <strong>of</strong> a regular art law column for <strong>Art</strong> Monthly; collected art law articles on-line at:<br />

www.artquest.org.uk/artlaw<br />

Peter Osborne, Director, Osborne Samuel Gallery<br />

Osborne Samuel Ltd was formed in 2004 after the merger <strong>of</strong> Peter Osborne’s company<br />

Berkeley Square Gallery and the adjacent gallery, Samuel & Co. directed by Gordon Samuel.<br />

The partnership continues the specialities <strong>of</strong> both businesses, the partners having collaborated<br />

on a number <strong>of</strong> important exhibitions for many years before the merger. Peter Osborne was the<br />

Director <strong>of</strong> the Harlech Fine <strong>Art</strong> Group and founded Berkeley Square Gallery in 1988, which he<br />

acquired in 1994.<br />

Anders Petterson, Founder and Managing Director <strong>of</strong> <strong>Art</strong>Tactic, Inc.<br />

CEMS in Management, London School <strong>of</strong> Economics and Hochschule St.Gallen, Switzerland.<br />

A leading authority on art market research, with particular focus on the Western and Emerging<br />

contemporary art markets in India, China, Middle-East and Russia. He is the Founder and<br />

Managing Director <strong>of</strong> <strong>Art</strong>Tactic Ltd, a London-based art market research and advisory company<br />

set up in 2001. He previously worked as an investment banker at JP Morgan in London, New<br />

York and Frankfurt. He is a frequent art market commentator on Bloomberg TV and CNN.<br />

Anders is also a Consultant Lecturer for the MA <strong>Art</strong> Business at Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong>.


Dr. Iain Robertson, Head <strong>of</strong> <strong>Art</strong> Business Studies, Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong><br />

PhD on the emerging art markets <strong>of</strong> Greater China, City University, London in 2000. In addition<br />

to over 100 articles for the arts and national press Iain Robertson writes a column on the art<br />

market for the quarterly Australian <strong>Art</strong> Market Report. His book, Understanding International <strong>Art</strong><br />

Markets and Management, was published in 2005. This book was followed by The <strong>Art</strong> Business<br />

(2008). A third book, A New <strong>Art</strong> from Emerging Markets was published in March 2011. Iain has<br />

contributed to additional publications, such as a chapter on Taiwan in James Goodwin’s The<br />

International <strong>Art</strong> Market. The Essential Guide for collectors and investors (2008) and a chapter<br />

on China’s art market in Jonathan Harris’ Globalization and Contemporary <strong>Art</strong>: A Convergence<br />

<strong>of</strong> People and Ideas (2011).<br />

London Editor for Australian <strong>Art</strong> Market Report, Advisor to the Asia <strong>Art</strong> Archive, Hong Kong,<br />

Consultant to Hana Bank. Seoul, South Korea and Deloitte Luxembourg, Visiting Pr<strong>of</strong>essor,<br />

Tsinghua University, Beijing, China, Educational Director Gwang-ju <strong>Art</strong> Fair, South Korea<br />

(2011), Advisor to Prevaleo, Toronto, Advisor to China International <strong>Art</strong> Foundation, Beijing. He<br />

formerly served as Co-ordinator <strong>of</strong> Research at Free Form <strong>Art</strong>s Trust (1990-1992);<br />

Exhibitions Secretary at The Royal <strong>Institute</strong> <strong>of</strong> British Architects, Heinz Gallery(1992-1994);<br />

Cultural Attache for The British Council, Taiwan (1994-1995); Director Yu YU Yang Sculpture<br />

Foundation, Taiwan (1995-1997); Senior Lecturer in the Department <strong>of</strong> <strong>Art</strong>s Policy &<br />

Management, City University (1997-2004); and Asia Correspondent for the <strong>Art</strong>s Newspaper<br />

(1993-2004).<br />

Mike Slocombe, Website Designer, Internet Consultant and Author<br />

Creates websites from concept through to planning, design, implementation and promotion.<br />

Works on information architecture/user interface, usability and accessibility, planning, promotion<br />

and building online communities. I also specialise in search engine promotion.<br />

Presented BBC web education programs (Learning Zone, Click Online) and am regular on<br />

Radio/TV, talking about web-related matters. Occasional lecturer at Brighton and London<br />

Southbank Universities. Judged several international design awards including BBC2 Awards,<br />

London International Advertising Awards and D&AD. Have been guest speaker at the Royal<br />

Society <strong>of</strong> <strong>Art</strong>, NUJ, Association <strong>of</strong> International Broadcasters, British Council, ICA, <strong>Institute</strong> <strong>of</strong><br />

Ideas and Ananova Alert (with Will Self). I wrote for the UK's biggest Net magazine, Internet<br />

Magazine (as their resident 'Web Expert' and s<strong>of</strong>tware reviewer) for six years and have<br />

contributed to mainstream publications such as the New Statesman, Daily Telegraph, Guardian<br />

and Independent. I'm currently writing for the online technology website, Digital Lifestyles.<br />

My first book, 'Max Hits: building and promoting successful websites' was published by<br />

RotoVision in January 2002 (republished 2004), with Design Week describing it as 'delivering its<br />

message in one <strong>of</strong> the most stylish, accessible and no-nonsense ways they'd yet seen'.<br />

The urban75 website is my own personal non-pr<strong>of</strong>it project which has been on-line for seven<br />

years. In 2000 it was listed by top9.com as the most popular lifestyle/culture website on the<br />

web, and the independent 'popularity ranking' site, Marketleap ranks urban75 higher than the<br />

likes <strong>of</strong> BBC Radio 1, thesimpsons.com and ministry<strong>of</strong>sound.com. Staunchly advert-free, it has<br />

gained a strong sense <strong>of</strong> online community, attracting over a quarter <strong>of</strong> a million page<br />

impressions a day, with the site receiving a huge amount <strong>of</strong> both national and international<br />

press. urban75 has won many on-line and magazine awards and has been described as "one <strong>of</strong><br />

the best sites in the world" by Dazed & Confused magazine and " one <strong>of</strong> best 100 websites in<br />

the world" by FHM Magazine.


Dr. Neil Wenman, Director, Hauser & Wirth Gallery<br />

Dr Neil Wenman is a director at Hauser & Wirth, London and joined for the opening <strong>of</strong> the new<br />

space on Savile Row in 2010. He was previously an Associate Director at White Cube and prior<br />

to that worked at Lisson Gallery for 8 years, leaving as a Director in 2008. He obtained his<br />

Dip’Arch and M’Arch, M'Phil and PhD at the Bartlett School <strong>of</strong> Architecture, UCL (BSc. 1996,<br />

2004, 2006, 2007, 2009), after an MA at Central Saint Martins in 2000. He has previously<br />

contributed to <strong>Art</strong> Review, Architects Journal and How To Spend It at the Financial Times.<br />

Lacey West, Founder and Director, Lacey West <strong>Art</strong> International (LWAI)<br />

Lacey West is originally from Texas and moved to London in 2004 to complete a Masters in<br />

Contemporary <strong>Art</strong> at Sotheby’s <strong>Institute</strong>. Upon completion, she began working as gallery<br />

manager for a contemporary gallery in Notting Hill and was made director after a year. After<br />

working 2.5 years in this gallery, she took a senior role at a modern Mayfair gallery but missed<br />

working with living artists and generally didn’t feel it was the right fit so she returned to the<br />

contemporary gallery where she worked part-time while starting a company. Lacey saw a niche<br />

in art recruitment as, at the time, there was only one company that specialized in the field and<br />

she felt she was ready to become an entrepreneur. Lacey launched Lacey West <strong>Art</strong><br />

International (LWAI) in May <strong>of</strong> 2010, <strong>of</strong>fering a complete recruitment service with reasonable<br />

commission rates and well-matched candidate referrals for all art-related businesses in the UK<br />

and abroad. Lacey also dabbles as a private art dealer and has hosted exhibitions in a pop-up<br />

space.<br />

Andy Wilkes, Head <strong>of</strong> Public Sector Training, BPP<br />

Andy Wilkes is a CIMA qualified Management accountant and qualified trainer. He has 17 years<br />

experience <strong>of</strong> working in the public sector and over 10 years experience in delivering financial<br />

training. For the past 3 years he has been head <strong>of</strong> Public Sector training at BPP pr<strong>of</strong>essional<br />

education majoring on trying to make the complex language <strong>of</strong> finance understandable to the<br />

general public. Andy is married with 2 children, which he still finds amazing being an accountant<br />

and all, and his interests outside <strong>of</strong> a balance sheet include playing cricket and golf and cooking<br />

with his 8 year old daughter.

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