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contemporary art new york - Sotheby's Institute of Art

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YOUR PATHWAY TO A CAREER IN THE INTERNATIONAL ART WORLD<br />

NEW YORK<br />

CONTEMPORARY ART<br />

SEPTEMBER 2011 – OCTOBER 2012<br />

Master’s Degree<br />

Graduate Certificate<br />

www.sothebysinstitute.com


YOUR PATHWAY TO A CAREER IN THE INTERNATIONAL ART WORLD<br />

CONTACT<br />

“Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong> solidified my<br />

academic background with intensive<br />

coursework. The worldwide travel and<br />

pr<strong>of</strong>essional development helped me<br />

to gain the contacts and knowledge<br />

necessary to successfully operate in<br />

a global <strong>art</strong> market.”<br />

Trevor Freedland<br />

Registrar/Post Production Supervisor<br />

Fred Torres Collaborations, New York<br />

MA Contemporary <strong>Art</strong>, 2009<br />

Alissa Roeder, Assistant Director <strong>of</strong><br />

Alumni and Enrollment Services<br />

Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong> – New York<br />

570 Lexington Avenue<br />

New York, NY 10022<br />

Tel: +1 212 897 6647<br />

Email: a.roeder@sothebysinstitute.com<br />

CONTEMPORARY ART<br />

MA AND GRADUATE CERTIFICATE PROGRAMS<br />

OVERVIEW<br />

New York City is home to the largest<br />

concentration <strong>of</strong> <strong>art</strong> galleries, auction houses,<br />

museums, foundations, <strong>art</strong> publications, and<br />

other visual <strong>art</strong>s organizations in the world.<br />

The city’s financial resources, its cultural<br />

diversity, its vast networks <strong>of</strong> <strong>art</strong>ists, collectors,<br />

and <strong>art</strong>s pr<strong>of</strong>essionals are unsurpassed.<br />

These features make New York a key hub<br />

<strong>of</strong> the global <strong>art</strong> market and a vibrant and<br />

inspiring place to study <strong>contemporary</strong> <strong>art</strong>.<br />

The program in Contemporary <strong>Art</strong> provides<br />

an in-depth analysis <strong>of</strong> works <strong>of</strong> <strong>art</strong> from the<br />

post-war period to present. Emphasis is given<br />

to the objects themselves, and how one<br />

approaches and interprets <strong>art</strong> <strong>of</strong> this period.<br />

In addition to lectures and seminars, this<br />

program <strong>of</strong> study includes regular visits to<br />

galleries, museums, and private collections<br />

in New York and further afield, both nationally<br />

and internationally. The program aims to<br />

enable students to combine academic<br />

prowess with pr<strong>of</strong>essional skills in order to<br />

interpret a wide array <strong>of</strong> <strong>contemporary</strong> <strong>art</strong><br />

including painting, sculpture, time-based<br />

and <strong>new</strong> media, as well as performance<br />

and ephemeral work.<br />

This dynamic program prepares graduates<br />

to pursue a variety <strong>of</strong> careers in the <strong>art</strong> world,<br />

from working in commercial galleries, private<br />

collections, museums, and foundations,<br />

to establishing independent galleries,<br />

working as curators, appraisers, critics or<br />

editors. Our graduates keep in touch via the<br />

<strong>Institute</strong>’s alumni network to share<br />

information and resources.<br />

SEMESTER 1<br />

September – December 2011<br />

• Contemporary <strong>Art</strong> from 1945 – Present<br />

• Histories and Theories <strong>of</strong> Post-War<br />

and Contemporary <strong>Art</strong> I<br />

• Research Methodologies:<br />

Writing about Contemporary <strong>Art</strong><br />

• The Work <strong>of</strong> <strong>Art</strong>, From Studio to Museum<br />

• Field Study I (e.g. DIA Beacon; Marfa, TX)<br />

SEMESTER 2<br />

January – May 2012<br />

• Global <strong>Art</strong> Production<br />

• Histories and Theories <strong>of</strong> <strong>Art</strong> II<br />

• Research Methodology:<br />

Thesis Seminar<br />

• Curating Contemporary <strong>Art</strong><br />

• Field Study II (e.g. Dubai <strong>Art</strong> Fair, UAE,<br />

Mexico City)<br />

SEMESTER 3<br />

June – October 2012<br />

• Thesis (MA only)<br />

FACULTY<br />

• Kathy Battista, Program Director<br />

• Morgan Falconer<br />

• Melanie Marino<br />

• Victoria Miguel<br />

• Jonathan Neil<br />

• Stephan Pascher<br />

• Lowell Pettit<br />

• Steve Pulimood<br />

Cover: Donald Judd, 15 untitled works in concrete,<br />

1980-1984, detail. Permanent collection, the Chinati<br />

Foundation, Marfa, Texas, photograph by Douglas Tuck,<br />

2009. © Judd Foundation. Licensed by VAGA, New<br />

York/DACS, London 2010.<br />

Back: Donald Judd, Untitled (in 10 p<strong>art</strong>s), galvanized<br />

iron and blue plexiglass, 1980, detail. © Judd Foundation.<br />

Licensed by VAGA, New York/DACS, London 2010.<br />

www.sothebysinstitute.com<br />

SOTHEBY’S INSTITUTE OF ART IS A DIVISION OF CAMBRIDGE INFORMATION GROUP

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