contemporary art new york - Sotheby's Institute of Art
contemporary art new york - Sotheby's Institute of Art
contemporary art new york - Sotheby's Institute of Art
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
YOUR PATHWAY TO A CAREER IN THE INTERNATIONAL ART WORLD<br />
NEW YORK<br />
CONTEMPORARY ART<br />
SEPTEMBER 2011 – OCTOBER 2012<br />
Master’s Degree<br />
Graduate Certificate<br />
www.sothebysinstitute.com
YOUR PATHWAY TO A CAREER IN THE INTERNATIONAL ART WORLD<br />
CONTACT<br />
“Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong> solidified my<br />
academic background with intensive<br />
coursework. The worldwide travel and<br />
pr<strong>of</strong>essional development helped me<br />
to gain the contacts and knowledge<br />
necessary to successfully operate in<br />
a global <strong>art</strong> market.”<br />
Trevor Freedland<br />
Registrar/Post Production Supervisor<br />
Fred Torres Collaborations, New York<br />
MA Contemporary <strong>Art</strong>, 2009<br />
Alissa Roeder, Assistant Director <strong>of</strong><br />
Alumni and Enrollment Services<br />
Sotheby’s <strong>Institute</strong> <strong>of</strong> <strong>Art</strong> – New York<br />
570 Lexington Avenue<br />
New York, NY 10022<br />
Tel: +1 212 897 6647<br />
Email: a.roeder@sothebysinstitute.com<br />
CONTEMPORARY ART<br />
MA AND GRADUATE CERTIFICATE PROGRAMS<br />
OVERVIEW<br />
New York City is home to the largest<br />
concentration <strong>of</strong> <strong>art</strong> galleries, auction houses,<br />
museums, foundations, <strong>art</strong> publications, and<br />
other visual <strong>art</strong>s organizations in the world.<br />
The city’s financial resources, its cultural<br />
diversity, its vast networks <strong>of</strong> <strong>art</strong>ists, collectors,<br />
and <strong>art</strong>s pr<strong>of</strong>essionals are unsurpassed.<br />
These features make New York a key hub<br />
<strong>of</strong> the global <strong>art</strong> market and a vibrant and<br />
inspiring place to study <strong>contemporary</strong> <strong>art</strong>.<br />
The program in Contemporary <strong>Art</strong> provides<br />
an in-depth analysis <strong>of</strong> works <strong>of</strong> <strong>art</strong> from the<br />
post-war period to present. Emphasis is given<br />
to the objects themselves, and how one<br />
approaches and interprets <strong>art</strong> <strong>of</strong> this period.<br />
In addition to lectures and seminars, this<br />
program <strong>of</strong> study includes regular visits to<br />
galleries, museums, and private collections<br />
in New York and further afield, both nationally<br />
and internationally. The program aims to<br />
enable students to combine academic<br />
prowess with pr<strong>of</strong>essional skills in order to<br />
interpret a wide array <strong>of</strong> <strong>contemporary</strong> <strong>art</strong><br />
including painting, sculpture, time-based<br />
and <strong>new</strong> media, as well as performance<br />
and ephemeral work.<br />
This dynamic program prepares graduates<br />
to pursue a variety <strong>of</strong> careers in the <strong>art</strong> world,<br />
from working in commercial galleries, private<br />
collections, museums, and foundations,<br />
to establishing independent galleries,<br />
working as curators, appraisers, critics or<br />
editors. Our graduates keep in touch via the<br />
<strong>Institute</strong>’s alumni network to share<br />
information and resources.<br />
SEMESTER 1<br />
September – December 2011<br />
• Contemporary <strong>Art</strong> from 1945 – Present<br />
• Histories and Theories <strong>of</strong> Post-War<br />
and Contemporary <strong>Art</strong> I<br />
• Research Methodologies:<br />
Writing about Contemporary <strong>Art</strong><br />
• The Work <strong>of</strong> <strong>Art</strong>, From Studio to Museum<br />
• Field Study I (e.g. DIA Beacon; Marfa, TX)<br />
SEMESTER 2<br />
January – May 2012<br />
• Global <strong>Art</strong> Production<br />
• Histories and Theories <strong>of</strong> <strong>Art</strong> II<br />
• Research Methodology:<br />
Thesis Seminar<br />
• Curating Contemporary <strong>Art</strong><br />
• Field Study II (e.g. Dubai <strong>Art</strong> Fair, UAE,<br />
Mexico City)<br />
SEMESTER 3<br />
June – October 2012<br />
• Thesis (MA only)<br />
FACULTY<br />
• Kathy Battista, Program Director<br />
• Morgan Falconer<br />
• Melanie Marino<br />
• Victoria Miguel<br />
• Jonathan Neil<br />
• Stephan Pascher<br />
• Lowell Pettit<br />
• Steve Pulimood<br />
Cover: Donald Judd, 15 untitled works in concrete,<br />
1980-1984, detail. Permanent collection, the Chinati<br />
Foundation, Marfa, Texas, photograph by Douglas Tuck,<br />
2009. © Judd Foundation. Licensed by VAGA, New<br />
York/DACS, London 2010.<br />
Back: Donald Judd, Untitled (in 10 p<strong>art</strong>s), galvanized<br />
iron and blue plexiglass, 1980, detail. © Judd Foundation.<br />
Licensed by VAGA, New York/DACS, London 2010.<br />
www.sothebysinstitute.com<br />
SOTHEBY’S INSTITUTE OF ART IS A DIVISION OF CAMBRIDGE INFORMATION GROUP