Book Arts Newsletter - Book Arts - University of the West of England
Book Arts Newsletter - Book Arts - University of the West of England
Book Arts Newsletter - Book Arts - University of the West of England
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Artists’ <strong>Book</strong>s Exhibitions<br />
<strong>University</strong> <strong>of</strong> <strong>the</strong> <strong>West</strong> <strong>of</strong> <strong>England</strong>, Bristol, UK<br />
Tom Trusky Exhibition Cases<br />
Special Collections Room, Bower Ashton Library<br />
Bob Cobbing and <strong>the</strong> <strong>Book</strong><br />
2nd December 2011 – 31st January 2012<br />
Curated by Lawrence Upton<br />
BOOK ARTS NEWSLETTER<br />
No. 70 December 2011 - January 2012<br />
Published by Impact Press at <strong>the</strong> Centre for Fine Print Research, UWE Bristol, UK<br />
ARTIST’S COVER PAGE: KATIE HERZOG<br />
In t h I s I s s u e: nat I o n a l a n d In t e r n at I o n a l ar t I s t s ’ bo o k s exhIbItIons Pa g e s 1 - 8 an n o u n c e m e n t s Pa g e s 8 - 9<br />
co u r s e s , le c t u r e s, co n f e r e n c e s & wo r k s h o P s Pa g e s 9 - 12 oP P o rt u n I t I e s Pa g e s 12 - 15 In t e r n e t ne w s Pa g e s 15 - 16<br />
ne w ar t I s t s ’ PublIcatIons Pa g e s 16 - 21 re P o r t s & re v I e w s Pa g e s 21 - 22 st o P Pr e s s! Pa g e 22<br />
Pl u s : Pr Iva t e P r e s s e s a n d f I n e P r I n t I n g In au s t r a l I a a n d ne w Ze a l a n d : a bIblIograPhIcal e x t r a c t , 2010<br />
c o m P I l e d b y Jü r g e n we g n e r, lI b r a r I a n, br a n d y w I n e ar c h I v e , sy d n e y , aP P e n d I x Pa g e s 1 - 3<br />
In Hendon, in <strong>the</strong> early 1950s, Bob Cobbing (1920 – 2002)<br />
was Organising Secretary to a number <strong>of</strong> local artistic<br />
groups including writing, painting and drama under <strong>the</strong><br />
title Hendon Experimental <strong>Arts</strong> Society.<br />
Writers Forum eventually separated itself; and, in 1963,<br />
started to become a major small press which, by 2002, had<br />
published over 1000, perhaps as many as 1300 titles.<br />
In this collaborative enterprise, Cobbing was first among<br />
equals, as recognised by <strong>the</strong> title <strong>of</strong> <strong>the</strong> 1974 Ceolfrith <strong>Arts</strong><br />
Centre exhibition Bob Cobbing and Writers Forum.<br />
O<strong>the</strong>rs came and went; but Cobbing persisted until, in<br />
2002, a day before he died, he handed <strong>the</strong> running <strong>of</strong> <strong>the</strong><br />
WF workshop and WF publishing to Adrian Clarke and<br />
Lawrence Upton, <strong>the</strong> product <strong>of</strong> several years consultation<br />
with <strong>the</strong> two.<br />
Clarke resigned in 2010; but Upton continues, assisted by<br />
Tina Bass.<br />
Upton has written extensively <strong>of</strong> Cobbing’s use <strong>of</strong> <strong>the</strong> book<br />
as a medium for visual poetry in Bob Cobbing and <strong>the</strong><br />
book as medium; but this exhibition concentrates upon<br />
introducing some <strong>of</strong> <strong>the</strong> publications <strong>the</strong>mselves, especially<br />
Pa g e 1 w w w .b o o k a r t s .u w e .a c .u k<br />
ISSN 1754-9086<br />
<strong>of</strong> Cobbing’s own work. Those who would have more<br />
background are referred to <strong>the</strong> unparalleled 1970s essays by<br />
Eric Mottram listed below.<br />
Cobbing was a painter initially and <strong>the</strong>n a poet. As Lawrence<br />
Upton said <strong>of</strong> <strong>the</strong> exhibition he curated at Space Studios,<br />
March – May 2011: “I can state my overriding <strong>the</strong>sis very<br />
simply: Bob Cobbing, <strong>the</strong> painter, was poetic; Bob Cobbing,<br />
<strong>the</strong> poet, was painterly.”<br />
Cobbing resisted <strong>the</strong> notion that his books were “artists’<br />
books”, which might seem strange; but his policy was, in<br />
Mottram’s words, “enabling most people who wanted to buy<br />
poetry not to be drastically out <strong>of</strong> pocket”.<br />
To that end, he <strong>of</strong>ten published at below cost price; and,<br />
<strong>of</strong>ten, he used <strong>the</strong> simplest production methods, including<br />
ink duplicating and, later, <strong>of</strong>fice photocopying. Binding was<br />
by <strong>of</strong>fice stapler.<br />
Alternatively, he printed on cards and “bound” <strong>the</strong>m in<br />
envelopes and later, when <strong>the</strong>y became commonplace, in<br />
plastic document wallets.
When it was possible to use o<strong>the</strong>r printing methods, he did<br />
so; and <strong>the</strong> 500th and 750th Writers Forum publications<br />
were perfect bound litho-printed books, thanks to grant aid.<br />
Using appropriate materials, Cobbing published a wide<br />
range <strong>of</strong> artist-writers in a wide array <strong>of</strong> formats, sometimes<br />
ra<strong>the</strong>r large, which made <strong>the</strong>m difficult to display but<br />
formally reflected <strong>the</strong>ir content. He took great care in <strong>the</strong><br />
making <strong>of</strong> <strong>the</strong> books, literally by hand in <strong>the</strong> majority <strong>of</strong><br />
cases: “The standard <strong>of</strong> production, however inexpensive,<br />
began well and improved over <strong>the</strong> years, but never exceeded<br />
<strong>the</strong> price <strong>the</strong> majority could pay.” said Mottram.<br />
A pros<strong>the</strong>tics <strong>of</strong> poetry: <strong>the</strong> art <strong>of</strong> Bob Cobbing by Eric<br />
Mottram is available as a pamphlet from Writers Forum<br />
Bob Cobbing and <strong>the</strong> book as medium by Lawrence Upton<br />
is web-published by Readings magazine at http://www.bbk.<br />
ac.uk/readings/issues/issue4/upton_on_cobbing<br />
WRITERS FORUM: A Successful Campaign by Eric<br />
Mottram is to be found in Bob Cobbing & Writers Forum<br />
edited by Peter Mayer, 1974, now reprinted by Writers<br />
Forum<br />
http://www.lawrenceupton.org<br />
http://www.wfuk.org.uk/blog<br />
Welcome to My World: Artists Interpret <strong>the</strong> Globe<br />
23 Sandy Gallery, Portland, USA<br />
Until 31st December 2011<br />
An invitational show co-curated by Robert Tomlinson and<br />
23 Sandy. A stellar list <strong>of</strong> area artists are creating a piece <strong>of</strong><br />
art out <strong>of</strong> a world globe. Each artist will find a globe and<br />
alter it, paint on it, collage on it, cut it apart or even electrify<br />
it to create a totally new piece <strong>of</strong> art.<br />
Pa g e 2 t h i s n ews l e t t e r c a n b e d o w n l o a d e d f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m<br />
Participating artists include: Mary Bennett, Allison Bruns,<br />
Chandra Cerrito, David Chelsea, Sue Collard, Anna and Leo<br />
Daedalus with Samuel Miller, Kerry Davis, Tamara English,<br />
Adrianne Feldstein, Linda Hutchins, Heidi Kirkpatrick,<br />
Laura LeHew, David Meeker, Bonnie Meltzer, Jim<br />
Neidhardt, Cynthia Nawalinski, Jane Schiffhauer, Joanna<br />
Thomas, Robert Tomlinson, Renee Zangara.<br />
23 Sandy Gallery is open Thursday, Friday and Saturday,<br />
Noon to 6pm. plus late on First Friday. We are also very<br />
generous with appointments outside <strong>of</strong> gallery hours.<br />
Please contact Laura Russell to schedule a visit.<br />
We are located at 623 NE 23rd Avenue, just three doors<br />
north <strong>of</strong> Sandy Boulevard in Central Eastside Portland.<br />
http://www.23sandy.com<br />
Tel: 503-927-4409<br />
Nicola Dale - Kindle<br />
John Rylands Library, Manchester, UK<br />
Until 29 April 2012<br />
Kindle: v. light (a flame); set on fire<br />
v. arouse (with reference to an emotion)<br />
n. portable e-reader<br />
Nicola Dale’s new artwork Kindle is inspired by <strong>the</strong><br />
changing format <strong>of</strong> knowledge and its current journey out<br />
<strong>of</strong> libraries and books and into circuit boards and light.<br />
Within The Old Map Room <strong>of</strong> <strong>the</strong> historic John Rylands<br />
Library, <strong>the</strong> artist has installed thousands <strong>of</strong> hand-made<br />
“candles” made from <strong>the</strong> pages <strong>of</strong> unwanted books. In<br />
honour <strong>of</strong> <strong>the</strong> artwork’s surroundings, <strong>the</strong>se are ordered<br />
using a system unique to <strong>the</strong> work. In addition to Kindle,<br />
<strong>the</strong> Library is also hosting a retrospective <strong>of</strong> <strong>the</strong> artist’s work<br />
within <strong>the</strong> Crawford Room.<br />
Kindle is present in association with Untitled Gallery. It<br />
has been funded by <strong>Arts</strong> Council <strong>England</strong>. Kindle runs<br />
until 29 April 2012 at John Rylands Library, 150 Deansgate,<br />
Manchester M3 3EH, UK<br />
The John Rylands Library is open Monday 12:00 - 5:00 |<br />
Tuesday - Saturday 10:00 - 5:00 | Sunday 12:00 - 5:00.<br />
The Library will be closed for Christmas and New Year:<br />
23 December 2011 - 2 January 2012.
Les Coleman - Diagrams<br />
Boekie Woekie, Amsterdam<br />
Until 17th December 2011<br />
An exhibition <strong>of</strong> Drawings from Afterthunks and o<strong>the</strong>r<br />
books by Les Coleman is on show at Boekie Woekie,<br />
Berenstraat 16, Amsterdam until 17th December.<br />
www.boekiewoekie.com<br />
ABOT “Artists’ <strong>Book</strong>s on Tour”<br />
Until 8 January 2012 – in Vienna; 16 January – 18 March<br />
2012 – in Prague; 26 March – 31 May 2012 – in Ljubljana.<br />
On Monday, 27 June 2011 at <strong>the</strong> MAK in Vienna, an<br />
international jury announced <strong>the</strong> winners <strong>of</strong> <strong>the</strong> Europewide<br />
artist’s book competition Artists’ <strong>Book</strong>s on Tour:<br />
among 158 projects from 26 European countries, works<br />
by five artists were chosen as winners and recognized with<br />
prizes <strong>of</strong> € 2,000 each; 45 fur<strong>the</strong>r works received honourable<br />
mentions.<br />
A major aim <strong>of</strong> <strong>the</strong> competition was to gain an overview <strong>of</strong><br />
Europe-wide creative work in <strong>the</strong> artist’s book genre. A total<br />
<strong>of</strong> 925 projects from all over Europe were submitted to <strong>the</strong><br />
artist’s book competition Artists’ <strong>Book</strong>s on Tour. Of <strong>the</strong>se,<br />
158 projects entered <strong>the</strong> final round following three days <strong>of</strong><br />
preliminary deliberations by <strong>the</strong> jury. As a fur<strong>the</strong>r central<br />
element <strong>of</strong> <strong>the</strong> project, <strong>the</strong> MAK is updating and expanding<br />
its database <strong>of</strong> illustrated books. Its holdings <strong>of</strong> this type,<br />
comprised <strong>of</strong> around 2,000 objects representing various<br />
artistic movements ranging from <strong>the</strong> Vienna Secession,<br />
Russian Constructivism and Viennese Actionism to<br />
contemporary works, will be digitised and made accessible<br />
online to <strong>the</strong> general public.<br />
The winning projects <strong>of</strong> <strong>the</strong> competition Artists’ <strong>Book</strong>s<br />
on Tour will be shown along with those recognised by<br />
honourable mentions in <strong>the</strong> form <strong>of</strong> a mobile museum<br />
which will make stops in Vienna, Prague and Ljubljana until<br />
May 2012. At <strong>the</strong> MAK in Vienna, <strong>the</strong> exhibition Artists’<br />
<strong>Book</strong>s on Tour – Artist Competition and Mobile Museum<br />
will be shown until 8 January 2012 in <strong>the</strong> MAK Works on<br />
Paper Room. http://www.abot.mak.at/<br />
http://www.mak.at/e/jetzt/f_jetzt.htm<br />
MAK – Austrian Museum <strong>of</strong> Applied <strong>Arts</strong> /<br />
Contemporary Art, Stubenring 5, 1010 Vienna, Austria<br />
Pa g e 3 w w w .b o o k a r t s.u w e .a c.u k<br />
Fine Impressions<br />
Printmaking and artists’ books in Melbourne 1999-2010<br />
Cowen Gallery, State Library <strong>of</strong> Victoria<br />
Melbourne, Australia<br />
Until 16th February 2012<br />
Fine impressions: printmaking and artists’ books in Melbourne<br />
1999-2010 showcases beautiful limited-edition books by<br />
20 Melbourne artists and printmakers. In <strong>the</strong> digital era<br />
<strong>the</strong> future <strong>of</strong> <strong>the</strong> printed book seems uncertain, yet <strong>the</strong><br />
handmade artist’s book is a flourishing artform. Each <strong>of</strong><br />
<strong>the</strong>se works is unique in its use <strong>of</strong> design, typography, paper<br />
and binding, both drawing upon and extending <strong>the</strong> history<br />
and tradition <strong>of</strong> <strong>the</strong> book. The artists featured include:<br />
Angela Cavalieri, Daniel Moynihan, Bruno Leti, Inge King,<br />
Gracia Haby and Louise Jennison.<br />
Cowen Gallery, Level 2a, Main entrance: Swanston St<br />
Admission Free. www.slv.vic.gov.au/event/fine-impressions<br />
Edgardo-Antonio Vigo<br />
The Research Centre for Artists’ Publications, Study Room<br />
Weserburg | Museum <strong>of</strong> Modern Art, Bremen, Germany<br />
Until 29th January 2012<br />
Conceptualism, Visual Poetry and Mail Art characterize <strong>the</strong><br />
comprehensive oeuvre <strong>of</strong> <strong>the</strong> Argentinean artist Edgardo-<br />
Antonio Vigo (1928-1997). In <strong>the</strong> context <strong>of</strong> <strong>the</strong> military<br />
dictatorship in Argentina, his art constituted a political<br />
gesture. Through his rubber stamps, artists’ postage<br />
stamps, text works and his statements, which participated<br />
in a network <strong>of</strong> international artistic exchanges, he called<br />
attention to <strong>the</strong> situation in his native land as well as to <strong>the</strong><br />
fate <strong>of</strong> his son – who “disappeared” in 1976 – and <strong>of</strong> <strong>the</strong><br />
thousands <strong>of</strong> o<strong>the</strong>r victims <strong>of</strong> <strong>the</strong> military dictatorship.<br />
Weserburg | Museum <strong>of</strong> Modern Art<br />
Teerh<strong>of</strong> 20 28199, Bremen, Germany.<br />
http://weserburg.de<br />
From 5 - 11 December Annette C. Disslin’s Bleikloetzle<br />
is running an Open Studio - Buchdruckatelier bleikloetzle,<br />
Im Gewerbegebiet 10, D-73116 Waeschenbeuren<br />
Germany<br />
On show is a new series <strong>of</strong> Lyricards - large sized cards with<br />
poems in English or German by writers lincluding Heinrich<br />
Heine and Thomas Hood. These cards are letterpress<br />
printed beauties: http://www.paper-fold.papiergebunden.<br />
de/html/lyricards.html<br />
There will be a wide range <strong>of</strong> <strong>the</strong> completely new designed<br />
Gourmand’s <strong>Book</strong>s - specifically made for all who love<br />
cooking, collecting and inventing recipes. Many <strong>of</strong> <strong>the</strong>se<br />
new books’ covers have been made from tea towel linen:<br />
http://www.paper-fold.papiergebunden.de/html/<br />
gourmand_s_books.html<br />
The range <strong>of</strong> Culinary books has grown, also <strong>the</strong>re are many<br />
new collecting books in country and vintage style:<br />
http://www.paper-fold.papiergebunden.de/html/culinary_<br />
books.html<br />
http://www.paper-fold.papiergebunden.de/html/<br />
country___vintage.html
New on <strong>the</strong> paper-fold-site is <strong>the</strong> Chest <strong>of</strong> Fabric, which<br />
shows all <strong>the</strong> fabric on stock at <strong>the</strong> studio: http://www.<br />
paper-fold.papiergebunden.de/html/chest_<strong>of</strong>_fabric.html<br />
www.bleikloetzle.de<br />
www.bleikloetzle-goes-british.de<br />
www.papiergebunden.de<br />
www.paper-fold.papiergebunden.de<br />
The Paradise <strong>of</strong> Individuality<br />
Graphic Design and Artists’ <strong>Book</strong>s from Leeds College<br />
<strong>of</strong> Art Library’s Special Collections<br />
Until 9th December 2011<br />
“…<strong>the</strong> paradise <strong>of</strong> individuality…”, George Santayana’s<br />
description <strong>of</strong> graphic design, is an exhibition <strong>of</strong> artists’<br />
books celebrating <strong>the</strong> breadth and versatility <strong>of</strong> graphic<br />
design from hand-set type to hand-drawn zines, comic<br />
art and illustration. It includes complete facsimile prints<br />
<strong>of</strong> <strong>the</strong> hugely influential De Stijl journal, highlighting<br />
<strong>the</strong> typographic work <strong>of</strong> Piet Mondrian and Theo van<br />
Doesburg. These are shown alongside artists’ publications<br />
from Nobrow Press and Ensixteen Editions, and book works<br />
by Andrew Morrison, Jane Kennelly, Michael Caine, Richard<br />
Long and Ian Hamilton Finlay.<br />
The exhibition is a small sample <strong>of</strong> books from Leeds<br />
College <strong>of</strong> Art’s Special Collections in <strong>the</strong> Vernon Street<br />
Library. The exhibition will be open during term time,<br />
Monday to Friday, 9 am to 4 pm. The Library, Leeds College<br />
<strong>of</strong> Art, Vernon Street, Leeds LS2 8PH. T. 0113 2028096<br />
E. rebecca.lowe@leeds-art.ac.uk<br />
http://www.leeds-artexhibitions.co.uk/?p=527<br />
Art & project bulletins 1-156 /<br />
September 1968 - November 1989<br />
Christophe Daviet-Thery, Paris<br />
Until 23rd December<br />
Projects by Koenraad Dedobbeleer, Michael Riedel, Jérôme<br />
Saint-Loubert Bié, Yann Sérandour, Eric Watier and<br />
Johannes Wohnseifer. From <strong>the</strong> earliest days in 1968 when<br />
<strong>the</strong> bulletin appeared Under <strong>the</strong> title <strong>of</strong> « Architectural<br />
Research » <strong>the</strong> Small statement printed on <strong>the</strong> bottom <strong>of</strong><br />
<strong>the</strong> front page rings out with <strong>the</strong> spirit <strong>of</strong> its time: « art &<br />
project plans to bring you toge<strong>the</strong>r with <strong>the</strong> ideas <strong>of</strong> artists,<br />
architects and technicians to discover an intelligent form<br />
for your living and working space. Art & project invites you<br />
to participate in its exhibitions which will explore ways in<br />
which art, architecture and technology can combine with<br />
you own ideas »<br />
The importance <strong>of</strong> <strong>the</strong> bulletins as an archival source on<br />
<strong>the</strong> period is unrivalled, both through <strong>the</strong> quality <strong>of</strong> <strong>the</strong><br />
original page-works and <strong>the</strong> calibre <strong>of</strong> <strong>the</strong> artists involved<br />
all <strong>the</strong> key artists from this period contributed one and <strong>of</strong>ten<br />
more bulletins: Robert Barry made four, Stanley Brown<br />
made seven, Jan Dibbets six, Hamish Fulton three, Gilbert &<br />
George four, Douglas Huebler four, Sol Lewitt five, Richard<br />
Long seven, and Allen Ruppersberg two.<br />
Christophe Daviet-Thery Livres et Editions d’Artistes<br />
34 rue Louise Weiss, 75013 Paris. Tel : + 33(0)1 53 79 05 95<br />
www. daviet-<strong>the</strong>ry.com blog: daviet<strong>the</strong>ry.wordpress.com<br />
Katja Stuke & Oliver Sieber, True copy, 2011<br />
Until 17 December 2011<br />
Florence Loewy books by artists, Paris<br />
Exposition, portfolio, lancement du dernier numéro de<br />
Böhm. Florence Loewy books by artists<br />
9 rue de thorigny fr-75003 Paris<br />
www.florenceloewy.com<br />
info@florenceloewy.com<br />
Tues - Sat 2-7pm<br />
Pa g e 4 t h i s n ews l e t t e r c a n b e d o w n l o a d e d f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m<br />
Hand Voice & Vision<br />
Artists’ <strong>Book</strong>s from Women’s Studio Workshop<br />
Smith College, <strong>Book</strong> <strong>Arts</strong> Gallery, Neilson Library<br />
Level 3, Northampton, MA 01063, USA<br />
Until December 20th, 2011<br />
Hand, Voice & Vision: Artists’ <strong>Book</strong>s from Women’s<br />
Studio Workshop features artists’ books by thirty-six<br />
artists published over thirty years by Women’s Studio<br />
Workshop. Curated by Kathleen Walkup, <strong>the</strong> exhibition is<br />
a comprehensive retrospective featuring some <strong>of</strong> <strong>the</strong> most<br />
influential contemporary book artists in America. The forty<br />
works in Hand, Voice & Vision celebrate three facets that<br />
characterize <strong>the</strong> artist’s book programme at Women’s Studio<br />
Workshop: <strong>the</strong> hand-made mark <strong>of</strong> <strong>the</strong> book-maker, <strong>the</strong><br />
unique voices and viewpoints <strong>of</strong> a broad and diverse range<br />
<strong>of</strong> artists, and <strong>the</strong> visionary nature <strong>of</strong> artwork that forges<br />
new directions in <strong>the</strong> medium <strong>of</strong> book arts.<br />
www.handvoicevision.com<br />
www.smith.edu/library/fyi/758.htm<br />
You Came and Our Tree Bloomed and Hands <strong>of</strong> Josephus II by<br />
Miriam Schaer are included in Apocryphal, Traditional, Et<br />
Al at The Georgia College Museum, in Milledgeville GA.<br />
Curated by Shannon Morris and Jon C<strong>of</strong>felt, <strong>the</strong> exhibition<br />
is on now, until 15th February, 2012<br />
For information about hours and location, visit<br />
http://www.gcsu.edu/library/museum/calendar.htm<br />
60|40<br />
Gustavsberg Konsthall. Stockholm, Sweden<br />
Until January 8th 2012<br />
Founder members Tracey Rowledge, David Clarke and<br />
Clare Twomey will be showing collaborative works. Artist,<br />
bookbinder and conservator Tracey Rowledge is also a
founding member <strong>of</strong> Tomorrow’s Past.<br />
Tracey Rowley www.traceyrowledge.co.uk<br />
Tomorrow’s Past at www.out<strong>of</strong>binding.com<br />
More information is available at<br />
www.gustavsbergskonsthall.se<br />
COMMUNICATE & CIRCULATE:<br />
AN EXHIBITION OF PRINTED MATTER<br />
Good Press Gallery, Glasgow, UK<br />
Until 11th December<br />
An exhibition dedicated to print and publishing in <strong>the</strong><br />
independent arts. On show and for sale are a collection <strong>of</strong><br />
zines, posters and original works made newly available from<br />
self-publishers and small press producers from around <strong>the</strong><br />
world.<br />
Featuring works from <strong>Book</strong>let Press (JAP), Bongoût (GER),<br />
Cafe Royal (UK), Catalogue Library (UK), Club Muscles<br />
(CAN), Pete Willis / Dead Trees and Dye (UK), Jess Wilson<br />
/ Duke Press (UK), Bartolome Sanson (FRA), Lachllan<br />
Rattray (UK), Malcy Duff (UK), Mike Perry (USA),<br />
Museums Press (UK), Nieves (CH), N.S.E.W (NOR),<br />
Smalltime <strong>Book</strong>s (AUS), Superclub (UK), Fiona Allison /<br />
Tropical Waste (UK), Theo Simpson / Various Points (UK),<br />
Victor & Hester (UK)<br />
Good Press Gallery, 12 Kings Court, Glasgow, UK<br />
Good Press is open Monday to Saturday, from 11am to 7pm<br />
www.goodpressgallery.co.uk<br />
Marinus van Dijke<br />
A walk, a hundred years, a reconstruction<br />
De Kabinetten van De Vleeshal, The Ne<strong>the</strong>rlands<br />
Until 11 December, 2011<br />
Inspired by an article by F. Bins, published in Buiten<br />
magazine in 1911, about a walk he took straight through <strong>the</strong><br />
dunes <strong>of</strong> Schouwen-Duiveland in 1910, Marinus van Dijke<br />
decided to take <strong>the</strong> same walk one hundred years later.<br />
In connection with <strong>the</strong>se walks, Marinus van Dijke was<br />
invited by <strong>the</strong> editors <strong>of</strong> <strong>the</strong> Slibreeks series to design <strong>the</strong><br />
137th volume. This chapbook has three parts with a map<br />
in each one and is entitled een wandeling honderd jaar een<br />
reconstructie (‘a walk a hundred years a reconstruction’).<br />
The Johan Deumens Gallery in Haarlem also has artist’s<br />
books by Marinus van Dijke available for viewing.<br />
De Kabinetten van De Vleeshal<br />
Zusterstraat 7, Middelburg, The Ne<strong>the</strong>rlands<br />
Open Tuesday to Sunday, 1 pm – 5 pm<br />
Admission free. http://vleeshal.nl/en/<br />
SCOTT McCARNEY Visual<strong>Book</strong>s<br />
An exhibition <strong>of</strong> new works at Light Work<br />
Until 16th December 2011<br />
The show is in conjunction with <strong>the</strong> “Photography +<br />
Publishing Photography Conference” (November 3-5),<br />
a joint effort <strong>of</strong> <strong>the</strong> Nor<strong>the</strong>ast and Mid-Atlantic regions<br />
<strong>of</strong> SPE (Society <strong>of</strong> Photographic Education). McCarney<br />
has also put toge<strong>the</strong>r Contact Sheet, Light Work’s awardwinning<br />
publication which serves as a catalogue/<br />
Pa g e 5 w w w .b o o k a r t s.u w e .a c.u k<br />
monograph for artists exhibiting in <strong>the</strong> main gallery.<br />
A special conference edition is published in a run <strong>of</strong> 250<br />
which includes an original work <strong>of</strong> art.<br />
Light Work gallery, The Robert B. Menschel Media Center,<br />
316 Waverly Avenue, Syracuse, USA.<br />
http://www.lightwork.org<br />
Keith Smith: <strong>Book</strong> by <strong>Book</strong><br />
Bruce Silverstein Gallery, 535 W. 24th Street, NYC<br />
Until January 7, 2012<br />
This is a rare opportunity to see a collection <strong>of</strong> Keith’s one<strong>of</strong>-a-kind<br />
work and small editions.<br />
http://www.brucesilverstein.com<br />
Les vitrines de l’artothèque en résonance in conjunction<br />
with <strong>the</strong> Biennale d’art contemporaine de Lyon present:<br />
Tout Va Mieu - Eric Watier & Gil J Wolman<br />
Bibliothèque de la Part-Dieu<br />
Until 31st December 2011<br />
bibliothèque municipale de Lyon, la Part-Dieu<br />
30 boulevard Vivier-Merle 69003 Lyon, France<br />
http://cdla.info/fr www.lara-vincy.com<br />
www.ericwatier.info www.monotonepress.net<br />
LINEAR B - A memorial project responding to <strong>the</strong> works<br />
in <strong>the</strong> collection <strong>of</strong> artist Nikos Alexiou<br />
The Stephen Lawrence gallery, London, UK<br />
Until 6th January 2012<br />
Nikos Alexiou’s avant-garde idea to bring toge<strong>the</strong>r works <strong>of</strong><br />
modern and international contemporary art cannot simply<br />
be regarded as a mere collection <strong>of</strong> artwork by o<strong>the</strong>r fellow<br />
artists, since <strong>the</strong> compilation process is in itself one <strong>of</strong> <strong>the</strong><br />
artist – collector’s personal and ongoing artistic projects.<br />
The Stephen Lawrence gallery, <strong>University</strong> <strong>of</strong> Greenwich,<br />
Queen Ann Court, Old Royal Naval College, Park Row,<br />
London SE10 9LS. http://alexioulinearb.wordpress.com<br />
Emblem - Deconstructed And Destroyed:<br />
A Homage To John Latham<br />
Public Project by Christina Mitrentse<br />
Trinity, Greenwich, London, UK<br />
Until 31st January 2012<br />
Emblem - Deconstructed And Destroyed, is a new public<br />
Billboard installation by Christina Mitrentse commissioned<br />
for <strong>the</strong> site viewable 24/7. Mitrentse’s work reflects <strong>the</strong><br />
legacy <strong>of</strong> <strong>the</strong> renowned British conceptual artist John<br />
Latham (1921 - 2006).<br />
The work forms part <strong>of</strong> Mitrentse’s acclaimed ongoing<br />
project Add To My Library, recently exhibited at Art Work<br />
Space. In response to John Latham’s book-relief sculpture<br />
which penetrates <strong>the</strong> main window fronting Flat Time<br />
House in Peckham, Mitrentse’s work takes <strong>the</strong> form <strong>of</strong> a<br />
large-scale screen printed ‘<strong>Book</strong> Flag’, addressing <strong>the</strong> Trinity<br />
building’s edifice, paying devoted tribute to this highly<br />
important post-war artist.
For information on purchasing limited editions prints -<br />
part <strong>of</strong> <strong>the</strong> Billboard please contact Trinity on:<br />
T +44 (0) 7960 991 550 aligntrinity@gmail.com<br />
http://trinityaligned.wordpress.com<br />
Trinity, 310 Creek Road, Greenwich, London SE10 9SW, UK<br />
Thurs - Sun, 1 - 6pm, Last Fridays Of The Month: 1 - 9pm<br />
Also by appointment. Site-Specific Work can be viewed<br />
daily, 24 hours.<br />
Mapping <strong>the</strong> Surface<br />
Central <strong>Book</strong>ing, Brooklyn, NY, USA<br />
Until 15th January 2012<br />
We are accustomed to looking at maps in attempts to find<br />
direction, our relationship to a physical interpretation <strong>of</strong><br />
<strong>the</strong> land. But that land can be more than a city or country,<br />
it can help us to navigate our bodies, to understand our<br />
environment beyond its physicality into <strong>the</strong> realm <strong>of</strong><br />
cultural space, and to grasp an understanding though<br />
<strong>the</strong> visceral. Cartographers can tell us more than just <strong>the</strong><br />
routes from one point to ano<strong>the</strong>r, <strong>the</strong>y can map terrains<br />
<strong>of</strong> landscape or psychological space, that amorphous state<br />
that adds up to a sense <strong>of</strong> a place beyond mere cataloging.<br />
They can also reduce all to <strong>the</strong> basic, <strong>the</strong> pure essence <strong>of</strong> line<br />
and plane. We may glide across <strong>the</strong> surface but <strong>the</strong>re always<br />
seems to be a rumble below it, roaming around a skin that<br />
is, as skin is, porous and organic.<br />
The altered, eroded, sliced and diced work <strong>of</strong> Doug Beube<br />
challenges us to read geography in <strong>the</strong> third dimension. Jeff<br />
Woodbury plays with our idea <strong>of</strong> mapping both physically<br />
with <strong>the</strong> malleability <strong>of</strong> rubber maps and metaphorically as<br />
we follow a path along a tree branch. Christina Mitrentse<br />
folds, assembles and hides travel maps, subverting <strong>the</strong>ir<br />
original intent, presenting us with an unreadable atlas as<br />
Heidi Neilson utilises a traditional idea <strong>of</strong> cartography and<br />
conceptualises it into an impossibility <strong>of</strong> a re-configured<br />
world.<br />
The collaged artist’s book <strong>of</strong> Robin Price extends beyond<br />
<strong>the</strong> 43rd parallel into a personal numerology. Cindy Kane<br />
maps individuals we think we know in her writers series<br />
and explores regions through <strong>the</strong>ir particularity <strong>of</strong> senses;<br />
Dannielle Tegeder goes one step fur<strong>the</strong>r and plots a highly<br />
abstracted place in multi-dimensional space.<br />
Haptic Lab, blankets a neighborhood, delineating<br />
boundaries through <strong>the</strong> texture <strong>of</strong> materials with *Paula<br />
Scher graphically interpreting regions, this one guiding<br />
us through India. Alastair Noble takes cyanotypes, <strong>the</strong><br />
blueprints <strong>of</strong> architects, to emphasise <strong>the</strong> blueprint <strong>of</strong><br />
an environment sculpted by nature. Lilla LoCurto & Bill<br />
Outcault have long used <strong>the</strong>ir own bodies and now o<strong>the</strong>rs to<br />
extend and flatten skin into a topographical journey.<br />
Sabra Booth provides an animated excursion <strong>of</strong> <strong>the</strong><br />
gulf coast, mapping her experience <strong>of</strong> mapping <strong>the</strong><br />
environmental disaster, while Public Laboratories<br />
photographs <strong>the</strong> spill from a bird’s eye view, allowing us<br />
our own interpretations. The projects <strong>of</strong> Smudge Studio<br />
(Jamie Kruse and Elizabeth Ellsworth) evoke a time and<br />
place through <strong>the</strong> variety <strong>of</strong> consciously created elements<br />
<strong>of</strong> documentation as Robbin Ami Silverberg creates a sense<br />
<strong>of</strong> New York neighbourhoods through accumulation <strong>of</strong><br />
particular elements that brings <strong>the</strong> amorphous into <strong>the</strong><br />
more concrete. Central to Barbara Siegel’s sculptural piece<br />
is a boulder that began a controversy over geographic<br />
ownership. For ano<strong>the</strong>r take on <strong>the</strong> complications <strong>of</strong> history,<br />
Elena Costellian finds herself in a space haunted by <strong>the</strong> act<br />
<strong>of</strong> its own past circling around, and documents <strong>the</strong> process<br />
<strong>of</strong> her process <strong>of</strong> capturing it through a linear retracing.<br />
However perceived, a map guides us to more than one<br />
destination.<br />
Art & Science talk 15 January 6-10pm<br />
Central <strong>Book</strong>ing<br />
111 Front Street, Suite 210, Brooklyn, NY 11201, USA<br />
www.centralbookingnyc.com<br />
Known, Unknown, Anonymous, and On Death Row<br />
Qbox gallery, Greece<br />
Until January 14, 2012<br />
Qbox gallery is pleased to present a group exhibition under<br />
<strong>the</strong> title Known, Unknown, Anonymous and On Death<br />
Row. The show combines artists who have been widely<br />
recognized and engaged in <strong>the</strong> art scene with artists who<br />
have not yet been known or <strong>the</strong>y will never be as <strong>the</strong>y<br />
were not part <strong>of</strong> <strong>the</strong> art market. Since in our society <strong>the</strong><br />
constant demonstration <strong>of</strong> biographical “databases” has<br />
been increased and <strong>the</strong> formation <strong>of</strong> a positive reputation<br />
becomes a lifetime struggle, it is mostly common that<br />
looking at someone’s name in an art exhibition could affect<br />
our judgment upon <strong>the</strong> actual work. Despite <strong>the</strong> nature <strong>of</strong><br />
<strong>the</strong> art-piece a name carries all sorts <strong>of</strong> information and<br />
holds a dynamic by-itself, which is something that artists<br />
like Marcel Duchamp (pseudonym Rrose Selavy 1921),<br />
Andy Warhol and Robert Rauschenberg (Erased de<br />
Kooning, 1953) have dealt with different ways in <strong>the</strong> past.<br />
Among <strong>the</strong> known and unknown artists in <strong>the</strong> exhibition<br />
are: Giuseppe Caccavale, Ellie Coates, Sileia Daskopoulou,<br />
David Gates, Louise Lawler, Alekos Lorentis, Apostolos<br />
Michailides, David Mathis, Adrian Piper, Ugo Rondinone,<br />
Malick Sidibé, Tabakopoulos and Foundoulis, Rosemarie<br />
Trockel, Karen Yasinski. A number <strong>of</strong> works by anonymous<br />
artists are also included in <strong>the</strong> show.<br />
Qbox Gallery, Armodiou 10, Varvakeios agora, A<strong>the</strong>ns.<br />
www.qbox.gr<br />
Pa g e 6 t h i s n ews l e t t e r c a n b e d o w n l o a d e d f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
Correspondence<br />
The 9th International <strong>Book</strong> Art Festival, Poland<br />
A touring exhibition from January 2012 – December 2014<br />
Organised by Alicja Slowikowska, founder <strong>of</strong> <strong>the</strong> Polish<br />
<strong>Book</strong> Art Project, The <strong>the</strong>me for <strong>the</strong> 9th <strong>Book</strong> Art Project<br />
is Correspondence, a creative and wide umbrella title for<br />
this Festival, to encourage <strong>the</strong> inclusion <strong>of</strong> unconventional<br />
books: from book-objects, book-installations, unique books,<br />
altered books and experimental works, to traditional limited<br />
editions, fine press books, illustrated stories and so on.<br />
The exhibition will be shown in art galleries and libraries<br />
throughout Poland, between 2012 and 2014, and venues<br />
abroad later in <strong>the</strong> programme.<br />
The multi-venue tour launches with a Première Exhibition<br />
from January – February 2012 at Plocka Art Gallery in<br />
Plock, www.plockagaleria.com. From March 2012 until<br />
December 2014, <strong>the</strong> Festival continues to visit art galleries,<br />
libraries and museums in 25 towns and cities over Poland,<br />
with each venue having a local curator who will contribute<br />
works to be displayed alongside <strong>the</strong> larger travelling show.<br />
All timetable information on <strong>the</strong> travelling Correspondence<br />
exhibition will be posted online, with a catalogue<br />
accompanying <strong>the</strong> exhibition tour: http://bookart.pl<br />
Elisabeth Masé - Give me a reason to love you<br />
Works on paper and artists’ books<br />
Until 23rd December 2011<br />
Raum für Kunst, Literatur und Künstlerbücher<br />
Totengässlein 5, 4051 Basel<br />
Tel. 061 261 31 42 / 079 860 12 44<br />
www.kunst-literatur.ch / pecinska@kunst-literatur.ch<br />
Various Portraits Joachim Schmid<br />
les arts au mur and image/imatge, France<br />
Until 17th December 2011<br />
Several works including <strong>the</strong> new series Zwölf Frauen<br />
are in two simultaneous exhibitions at les arts au mur/<br />
Arthothèque de Pessac and at image/imatge in Or<strong>the</strong>z.<br />
The exhibitions opened in <strong>the</strong> end <strong>of</strong> September and <strong>the</strong><br />
galleries swapped <strong>the</strong>m in early November. The exhibitions<br />
continue until December 17.<br />
les arts au mur | Artothèque de Pessac, 16 bis, avenue Jean<br />
Jaurès - 33 600 Pessac<br />
image/imatge, L’Imprimerie, 15 rue Aristide Briand, 64300<br />
Or<strong>the</strong>z<br />
New books you may want to have a look at, Zwölf Frauen,<br />
Untitled Portraits and Around <strong>the</strong> World in Eighty Minutes.<br />
You’ll find detailed information on http://schmid.<br />
wordpress.com/publications/books-on-demand/<br />
An exhibition with my football series O Campo will open<br />
at BBK Bilbao on January 17th, 2012, and an extensive<br />
retrospective <strong>of</strong> <strong>the</strong> last decade <strong>of</strong> my work including many<br />
pictures that were never shown before will open at Zephyr<br />
Mannheim on January 21st. My new book Bilderbuch will<br />
be launched on <strong>the</strong> occasion <strong>of</strong> this exhibition.<br />
For more details please visit: http://schmid.wordpress.com<br />
Pa g e 7 w w w .b o o k a r t s.u w e .a c.u k<br />
Rare Beauty: Contemporary Visions in <strong>Book</strong>s <strong>Arts</strong><br />
Josel<strong>of</strong>f Gallery, Hartford Art School, Hartford, CT,USA<br />
January 17 - February 19, 2012<br />
The annual Koopman exhibitions feature <strong>the</strong> work <strong>of</strong> <strong>the</strong><br />
current recipients <strong>of</strong> <strong>the</strong> Georgette and Richard Koopman<br />
Chair in <strong>the</strong> Visual <strong>Arts</strong> at <strong>the</strong> Hartford Art School. This<br />
year’s exhibition includes <strong>the</strong> work <strong>of</strong> <strong>the</strong> three 2011/2012<br />
chairs in <strong>the</strong> printmaking department: Steven Daiber,<br />
Pati Scobey, and Barbara Tetenbaum. Each <strong>of</strong> <strong>the</strong> three<br />
Koopman artists have invited fellow book artists to join <strong>the</strong><br />
exhibition, which will include Julie Chen, Ka<strong>the</strong>rine Keuhn,<br />
and Chip Schilling.<br />
The exhibition will open to <strong>the</strong> public on Tuesday, January<br />
17, 2012. The gallery will host a panel discussion featuring<br />
all six <strong>of</strong> <strong>the</strong> artists participating in <strong>the</strong> exhibition, followed<br />
by a public reception on Thursday, February 9, 2012.<br />
A full-colour exhibition catalogue will be available for<br />
purchase. Opening Reception: Thurs, February 9, 5-7pm<br />
Panel Discussion: Thurs, February 9, 2012, 3:30-5pm,<br />
Wilde Auditorium<br />
http://www.josel<strong>of</strong>fgallery.org/exhibitions/<br />
Claire Jeanine Satin will be exhibiting several bookworks,<br />
in <strong>the</strong> invitational show, “Apocraphal, Traditional,et al”<br />
at <strong>the</strong> Georgia College and State <strong>University</strong> Museum in<br />
Milledgeville, GA which will travel to o<strong>the</strong>r venues at <strong>the</strong><br />
conclusion <strong>of</strong> <strong>the</strong> show in 2012. She has also been invited to<br />
exhibit her work at <strong>the</strong> San Francisco Center for <strong>the</strong> <strong>Book</strong> in<br />
January 2012, in “<strong>the</strong> Accidental <strong>Book</strong>”.<br />
She has created a “Film Dress” out <strong>of</strong> 35mm film and<br />
camera parts for <strong>the</strong> Ft Lauderdale International Film<br />
Festival 2011, which was presented at <strong>the</strong> Opening Party at<br />
<strong>the</strong> Sunrise Civic Center in Sunrise Florida. It will also be<br />
presented at <strong>the</strong> closing party on November 11, 2011 at <strong>the</strong><br />
Cinema Paradiso & <strong>the</strong> Manor, Ft Lauderdale, Florida.(I will<br />
send you an image under separate cover).<br />
The artist has received her 2nd Artist Residency to Venice<br />
Italy for <strong>the</strong> Spring <strong>of</strong> 2012 where she will continue to<br />
pursue her research on her bookworks. Her first residency<br />
resulted in over one dozen <strong>of</strong> an ongoing series <strong>of</strong> WATER<br />
BOOKS. She is proposing an exhibition <strong>of</strong> her Venezia<br />
bookworks in Venice, in 2012.<br />
One <strong>of</strong> her bookworks in <strong>the</strong> series ‘ARTYPING” which is<br />
in <strong>the</strong> collection <strong>of</strong> <strong>the</strong> National Museum <strong>of</strong> Women in <strong>the</strong><br />
<strong>Arts</strong>, has been published in <strong>the</strong> 2nd edition <strong>of</strong> THE BOOK<br />
AS ART, 2011. clairesatin@gmail.com<br />
Sharon Kivland. Amateur and Collector<br />
Curated by Sotiris Kyriacou<br />
IDEAS Store Whitechapel<br />
9 December 2011 - 8 January 2012<br />
321 Whitechapel Road, London E1 1BU<br />
http://www.ideastore.co.uk
Spy Emerson - Consumption<br />
Accident and Artifact, San Francisco, USA<br />
Until January 4th 2012<br />
Consumption: A century ago, it meant a deadly, wasting<br />
disease. Now, it’s every citizen’s sacred duty, stoking <strong>the</strong><br />
insatiable engines <strong>of</strong> <strong>the</strong> GDP. In her new installation at<br />
Accident and Artifact in San Francisco, conceptual artist Spy<br />
Emerson examines consumption from every angle. Literally<br />
setting <strong>the</strong> table for <strong>the</strong> holidays, Emerson has created a<br />
veritable groaning-board <strong>of</strong> found and re-purposed objects.<br />
All are meant to be consumed, and replenished, though <strong>the</strong><br />
duration <strong>of</strong> <strong>the</strong> show - including limited-edition dishware<br />
designed by Emerson herself. In addition, Accident will<br />
feature a sampling <strong>of</strong> Emerson’s flatworks, along with<br />
original illustrations from Dr. Hal Robins, noted polymath,<br />
and stalwart <strong>of</strong> Church <strong>of</strong> <strong>the</strong> SubGenius.<br />
Accident and Artifact<br />
381 Valencia Street, San Francisco, CA 94103, USA<br />
www.accidentandartifact.com<br />
http://jackiemagpie.com/2011/10/a-shop-with-a-story/<br />
More information available at www.spygirlfriday.com<br />
TO PAY RESPECT TO THE GENEROSITY OF THE<br />
THREE-MINUTE PUNK-ROCK SONG<br />
Crate Studio and Project Space, Margate, UK<br />
Until 18 Dec 2011<br />
Exhibition curated by Toby Huddlestone.<br />
Artists: Vito Acconci, Black Argos, David Blamey, José<br />
Arnaud-Bello, Sovay Berriman, Don Celender, Loz Chalk,<br />
Rob Chavasse, Adam Chodzko, Desmond Church (with<br />
Egle Kulbokaite and Sabel Gavaldon), Patrick Coyle,<br />
Andrew Cross, David Cross, Iain Forsyth and Jane Pollard,<br />
Anthony Gross, S Mark Gubb, David Hall, Rose Kallal,<br />
Adam Knight, Frank Koolen, John Latham, Jamie Bracken<br />
Lobb, Elizabeth McAlpine, Julie McCalden, Ronan McCrea,<br />
Magnets, David Martin, Nelson Melo and Carolina Rito,<br />
Suzanne Mooney, Lawrence Norfolk and Neal White,<br />
Graham Parker, Kelvin Pawsey, Laurence Payot, Pedro Diniz<br />
Reis, Andrea Schlieker, Anthony Shapland, Gregg Stobbs,<br />
Barry Sykes, Aron Taylor, Sue Tompkins, Gavin Turk, Mark<br />
Aerial Waller, Neal White, Carey Young + more.<br />
Fri-Sun 12-6pm. Crate Studio and Project Space, 6 Bilton<br />
Square, Margate, UK. www.cratespace.co.uk<br />
Out <strong>of</strong> <strong>the</strong> drawer<br />
107 Workshop, Melksham, UK<br />
Until 12 December 2011<br />
107 Workshop invites you to an exhibition <strong>of</strong> fine art<br />
handmade books and prints, both modern and taken out<br />
<strong>of</strong> <strong>the</strong> drawer. Exciting discoveries are to be found within<br />
<strong>the</strong> 107 collection and we have had <strong>the</strong> privilege to be<br />
consigned books by groundbreaking artists. On display<br />
<strong>the</strong>re will be work by artists such as S.W. Hayter, Howard<br />
Hodgkin, Patrick Hughes and Tom Philips. It is with<br />
pleasure we also showcase new works on paper by John<br />
Eaves and Celia Cook. Mon - Fri, 9am – 5 pm.<br />
Weekends by appointment. 107 Workshop, The Courtyard,<br />
Bath Road, Shaw, Melksham, Wiltshire, SN12 8EF, UK<br />
Tel: 01225 791800. Fax: 01225 790948.<br />
www.107workshop.co.uk jackshirreff@btconnect.com<br />
COVER ARTIST FOR THIS ISSUE OF THE BAN:<br />
Wu<strong>the</strong>ring Heights book sausage by artist and librarian<br />
Katie Herzog. Referencing Dieter Roth’s literature sausages<br />
made in <strong>the</strong> 1960’s and 1970’s, I have done a series <strong>of</strong><br />
performances using digitised books requested from <strong>the</strong><br />
public and downloaded, printed, shredded, and stuffed.<br />
The work is meant to be a playful reflection <strong>of</strong> <strong>the</strong> Fluxus<br />
state <strong>of</strong> <strong>the</strong> publishing industry, and to express a level<br />
<strong>of</strong> absurdism present in <strong>the</strong> general public’s navigation<br />
<strong>of</strong> copyright law and <strong>the</strong> politics surrounding digitised<br />
information. www.katieherzog.net<br />
ANNOUNCEMENTS<br />
CODEX Foundation is pleased to announce a new<br />
collaboration between Stanford <strong>University</strong> Libraries and<br />
<strong>the</strong> CODEX Foundation in partnership with Centro<br />
Cultural Estacion Indianilla and Tonaltepec Global<br />
S.C. inaugurating CODEXMEXICO. Please join us in<br />
Mexico City in February for our special exhibition and<br />
conferences.<br />
On February 16, 2012, <strong>the</strong> exhibit Libros de Artista will<br />
open at <strong>the</strong> Centro Cultural Estacion Indianilla in Mexico<br />
City. The exhibition is comprised <strong>of</strong> a collection <strong>of</strong> original<br />
hand-made volumes printed in California and drawn from<br />
<strong>the</strong> collections <strong>of</strong> Stanford <strong>University</strong> Library with an equal<br />
number <strong>of</strong> artist’s books made by Mexican artists and<br />
printers - a ground-breaking cross-border collaboration.<br />
At <strong>the</strong> Mexico City inauguration, The CODEX Foundation<br />
in collaboration with Centro Cultural Estacion Indianilla<br />
will host an international forum <strong>of</strong> interested institutions,<br />
curators, presses and individuals to begin a serious<br />
discussion <strong>of</strong> <strong>the</strong> goals and strategies <strong>of</strong> implementation<br />
<strong>of</strong> <strong>the</strong> mission laid out in <strong>the</strong> CODEXMEXICO Manifesto.<br />
This discussion/action group is designed to seed not only<br />
<strong>the</strong> study and art <strong>of</strong> <strong>the</strong> book in Mexico but eventually<br />
spreading out to all Latin America.<br />
Peter Rutledge Koch, The Codex Foundation<br />
2205 Fourth Street, Berkeley, CA 94710, USA<br />
Telephone 510 849-0673<br />
The CODEX Foundation<br />
http://www.codexfoundation.org<br />
CODEXMEXICO<br />
http://www.codexfoundation.org/mexico-en.html<br />
Pa g e 8 t h i s n ews l e t t e r c a n b e d o w n l o a d e d f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m<br />
Biblio<strong>the</strong>ca - Amir Brito Cador<br />
“Biblio<strong>the</strong>ca” is a collaborative project by Pr<strong>of</strong>essor Amir<br />
Brito Cador (School <strong>of</strong> Fine <strong>Arts</strong> – EBA/UFMG). An artistic<br />
project and at <strong>the</strong> same time an academic research about<br />
artists’ books and its relationship to <strong>the</strong> idea <strong>of</strong> a “visual<br />
encyclopaedia”. I need 96 books to complete <strong>the</strong> inventory.<br />
The project intends to give to artists and researchers <strong>the</strong><br />
opportunity to have primary information, to get in touch or<br />
to see <strong>the</strong>se books, not only <strong>the</strong>ir reproduction in <strong>the</strong> pages<br />
<strong>of</strong> ano<strong>the</strong>r book. If you want to collaborate, please visit:<br />
http://seminariolivrodeartista.wordpress.com/biblio<strong>the</strong>ca/
GIVE and GET: probing value through exchange<br />
Emily Artinian and Lin Charlston 2011<br />
PIECE-OF-SHELL Chain <strong>of</strong> exchanges at The Small<br />
Publisher’s Fair 10th and 11th November 2011:<br />
I have exchanged a recommendation for a lovely film for a<br />
piece <strong>of</strong> sea shell that resembles slightly unnerving lips.<br />
I have given my own piece <strong>of</strong> work ‘Birdsong and<br />
Harlequins’ in return for a recommendation <strong>of</strong> a film.<br />
I have given a sixpence (1957). This has been my lucky coin<br />
for a long time. I wish <strong>the</strong> receiver lots <strong>of</strong> luck. In exchange<br />
for work from <strong>the</strong> last exchange.<br />
I gave a free Tony Bennett itunes download and I took a<br />
lucky 1957 six pence, I need luck! Sila<br />
I left 3 travelcards that I have used over <strong>the</strong> last month. They<br />
had a total value <strong>of</strong> £21.90. Now <strong>the</strong>y are worthless!! Took<br />
an itunes download.<br />
I took three ”useless” travelcards in exchange for a small<br />
pink pencil from <strong>the</strong> Affordable Art Fair.<br />
I left a green pen and I took a pink pencil... I think it could<br />
be a great promise.<br />
“There’s a lot <strong>of</strong> rubbish in my handbag” yet I swapped my<br />
favourite essence, a few drops left in <strong>the</strong> bottle, for a green<br />
pen from Italy.<br />
I swapped some stamps for lavender essence.<br />
Swapped a little package (for collage) for one with stamps-<br />
look forward to following its journey.<br />
Make an exchange and join <strong>the</strong> discussion<br />
www.giveandget.ws<br />
Pa g e 9 w w w .b o o k a r t s.u w e .a c.u k<br />
Announcing <strong>the</strong> annual SFCB Holiday Fair!<br />
Saturday December 10th 12-5pm FREE<br />
The San Francisco Center for <strong>the</strong> <strong>Book</strong> is proud to<br />
announce <strong>the</strong> upcoming arrival <strong>of</strong> our annual Holiday Fair!<br />
Join us at <strong>the</strong> Center on Saturday, December 10 from 12-<br />
5pm for drinks, snacks, mingling and to support <strong>the</strong> work<br />
<strong>of</strong> local Bay Area artisans. Enjoy a hearty holiday selection<br />
<strong>of</strong> hand-crafted stationery, letter-pressed goods, books,<br />
journals, prints and more!<br />
The event will feature live music, delicious food, and<br />
<strong>the</strong> opportunity to browse our incredible selection <strong>of</strong><br />
handmade goods. There’s no better place to find hand-made<br />
gifts for your family, friends and yourself!<br />
SFCB, 300 De Haro Street, San Francisco CA 94103<br />
http://sfcb.org<br />
COURSES, LECTURES, CONFERENCES & WORKSHOPS<br />
Japanese <strong>Book</strong>binding:<br />
A One-Day <strong>Book</strong>binding Course With Guy Begbie<br />
Bath Artists’ Studios, Bath, UK<br />
11 Dec 10.30am - 4.30pm £35<br />
This is an opportunity to make and take away two bespoke<br />
hand made books. Using Japanese side sewing techniques<br />
you will be taught how to produce s<strong>of</strong>t and hardback cover<br />
books in a landscape format using paper based materials<br />
and book cloth.<br />
This bookbinding method can be used to bind sets <strong>of</strong> single<br />
pages toge<strong>the</strong>r using traditional Japanese sewing patterns.<br />
The workshop is designed for participants ei<strong>the</strong>r with<br />
or without previous experience <strong>of</strong> bookbinding and all<br />
materials will be provided.
Multi-Functional Pocket Sized<br />
Hard Back Concertina <strong>Book</strong>s<br />
A One-Day <strong>Book</strong>binding Course With Guy Begbie<br />
Bath Artists’ Studios, Bath, UK<br />
Saturday 17 Dec 10.30am - 4.30pm £35<br />
Back by popular demand just in time for Christmas.<br />
Here is your opportunity to make and take away your<br />
own uniquely designed handmade book. Learn <strong>the</strong> art<br />
<strong>of</strong> bookmaking, crafting a multi-functional pocket sized<br />
hard back concertina book containing a variety <strong>of</strong> page<br />
sequencing, viewing configurations and pull out options<br />
for display. Discover different methods <strong>of</strong> folding, sewing<br />
and pasting and learn how to use various types <strong>of</strong> paper<br />
stock, paper engineering and page cutting techniques.<br />
The workshop is designed for participants ei<strong>the</strong>r with<br />
or without previous experience <strong>of</strong> bookbinding and all<br />
materials will be provided.<br />
Bath Artists’ Studios, The Old Malthouse, Comfortable<br />
Place, Upper Bristol Road, Bath BA1 3AJ<br />
http://www.bathartistsstudios.co.uk/classesworkshops.html<br />
Tutor Guy Begbie. Guy is an internationally established<br />
book artist and traditionally trained bookbinder. He is <strong>the</strong><br />
<strong>Book</strong> <strong>Arts</strong> Coordinator and lecturer at Hereford College <strong>of</strong><br />
<strong>Arts</strong> and has taught book arts in UK universities since 1995.<br />
To <strong>Book</strong> a place on <strong>the</strong> workshop please contact Guy<br />
Tel: 07989393015. Email: g.begbie@live.co.uk<br />
www.guybegbie.com<br />
SFCB SPRING 2012 WORKSHOPS NOW ONLINE!<br />
The San Francisco Center for <strong>the</strong> <strong>Book</strong>’ Spring 2012<br />
workshops are now listed online. Time to pull out your 2012<br />
calendars and fill your nights and weekends with book arts<br />
goodness! SFCB classics and new techniques/instructors<br />
are all heartily represented. SFCB, 300 De Haro Street, San<br />
Francisco CA 94103. www.sfcb.org<br />
Creative bookstructures by Hedi Kyle<br />
A workshop with Suzanne Schmollgruber from Ascona<br />
Hedi Kyle’s extraordinary book constructions, found<br />
between historical and modern designs, will be reconsidered<br />
and fur<strong>the</strong>r interpreted in this workshop. Artful folding,<br />
cutting and sewing techniques will present numerous<br />
variations <strong>of</strong> concertina to codex bindings. The aim<br />
<strong>of</strong> <strong>the</strong> workshop is to create a collection <strong>of</strong> samples<br />
which can be extremely inspiring for our daily creativity.<br />
The teacher is Suzanne Schmollgruber, head <strong>of</strong> <strong>the</strong><br />
<strong>Book</strong>binding and Design Department at Centro del bel<br />
libro, Ascona. Organised in cooperation with Leksands<br />
folkhögskola and Langwe <strong>Book</strong>s.<br />
Time: 9 - 12 July 2012. Place: Leksands folkhögskola<br />
Students: Max 12. Participation fee: 1060 EUR<br />
The fee includes: Course, full board and lodging for 5 nights<br />
and materials. Enrolments to: info@leksand.fhsk.se<br />
Closing date: June 1, 2012. Information about boarding and<br />
lodging: fia.palmgren@leksand.fhsk.se<br />
Information about workshop:<br />
leif.halldorf@leksand.fhsk.se or monica@langwe.se<br />
Loose & Simple Bindings II<br />
Summer workshop in Stockholm 2012<br />
With Cristina Balbiano d’Aramengo from Pr<strong>of</strong>essione<br />
Libro, Milan, Italy, July 28 - August 3, 2012 at Jouper<br />
Design, Stockholm, Sweden<br />
The aim <strong>of</strong> this seven-day workshop is to learn different<br />
types <strong>of</strong> non adhesive constructions very useful in all kinds<br />
<strong>of</strong> communication, in book arts as well as in conservation<br />
bindings. New ways <strong>of</strong> thinking, tricks and techniques will<br />
inspire you to continue develop your own personal style.<br />
We welcome participants from all related pr<strong>of</strong>essional fields,<br />
such as graphic designers, artists, bookbinders, calligraphers,<br />
architects and more. All levels.<br />
Registration and more info through <strong>the</strong> BK network,<br />
www.bokbindarkompetens.se at Jouper Design:<br />
BK@jouper.com or helene@jouper.com, +46 73 73 555 44<br />
Wire Edge Bindings<br />
A week-long workshop in Stockholm 2012<br />
With Daniel E Kelm from <strong>the</strong> Garage Annex School<br />
in Easthampton, Massachussetts, USA. October 29 -<br />
November 2, 2012 at Jouper Design, Stockholm, Sweden<br />
Whe<strong>the</strong>r you wish to produce an elegant codex <strong>of</strong> sewn<br />
signatures - even one comprised <strong>of</strong> problematic paper<br />
(pulpy and s<strong>of</strong>t or thick and stiff) - or are interested in<br />
creating a non-traditional book that is sculptural, wire edge<br />
binding can help you achieve your goals. Wire edge styles<br />
use metal wire along <strong>the</strong> binding edge. The result in all cases<br />
Pa g e 10 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
is a binding that opens exceptionally smoothly and flexibly.<br />
All levels <strong>of</strong> experience are welcome.<br />
Registration and more info through <strong>the</strong> BK network,<br />
www.bokbindarkompetens.se at Jouper Design:<br />
BK@jouper.com or helene@jouper.com, +46 73 73 555 44<br />
The 7th Australian and New Zealand Rare <strong>Book</strong>s Summer<br />
School, 6-17 February 2012. Courses include:<br />
6-10 February 2012<br />
Artists’ books, zines and o<strong>the</strong>r collaborative ventures<br />
Pr<strong>of</strong>essor Sasha Grishin, ANU<br />
13-17 February 2012<br />
Botanical riches: <strong>the</strong> art <strong>of</strong> <strong>the</strong> book<br />
Richard Aitken<br />
13-17 February 2012<br />
Ephemera: a collector’s key to <strong>the</strong> history <strong>of</strong> books<br />
Pr<strong>of</strong>essor Wallace Kirsop, Monash <strong>University</strong><br />
13-17 February 2012<br />
The poetics <strong>of</strong> printing on <strong>the</strong> iron hand-press<br />
Caren Florence, ANU<br />
All courses will be held at State Library <strong>of</strong> Victoria except<br />
<strong>the</strong> iron hand-press course which will be held at <strong>the</strong> Ancora<br />
Press at Monash <strong>University</strong>, Caulfield Campus.<br />
Rare <strong>Book</strong>s Summer School, State Library <strong>of</strong> Victoria<br />
328 Swanston Street, Melbourne VIC 3000, Australia<br />
Email: rbss@slv.vic.gov.au<br />
Fax: 61 3 9639 2978<br />
Applications close on Friday 9 December 2011<br />
Art <strong>Book</strong> Binding Workshop In Oaxaca, Mexico:<br />
Capture Your Travel Adventures<br />
Make a Handmade Box within a <strong>Book</strong>: August 1-7, 2012<br />
Using handmade local papers, and found objects and<br />
materials, you will learn to make a travel book with a<br />
self-contained box to hold your collected artefacts. Each<br />
participant will design a book, prepare <strong>the</strong> papers and<br />
artefacts, stitch <strong>the</strong> binding, and make <strong>the</strong> box enclosure.<br />
The enclosed box can hold art supplies, treasures, or<br />
spiritual talismans. This is a unique art book design created<br />
by our instructor Lisa Gilbert.<br />
During this workshop, you will:<br />
- Visit <strong>the</strong> Taller Arte Papel Oaxaca in San Agustin Etla<br />
where local papermakers use <strong>the</strong> traditional methods and<br />
incorporate regional natural fibers into <strong>the</strong> paper<br />
- Purchase materials for <strong>the</strong> book at <strong>the</strong> local artisan’s village<br />
- Browse o<strong>the</strong>r markets, museums, art galleries and artist<br />
studios to incorporate <strong>the</strong> textures, colors, and artifacts that<br />
exemplify Oaxaca into your book<br />
- Explore <strong>the</strong> anatomy <strong>of</strong> a book and how to construct one<br />
- Understand <strong>the</strong> fundamentals <strong>of</strong> <strong>the</strong> craft<br />
- Construct a sturdy box integrated within <strong>the</strong> book<br />
- Make <strong>the</strong> finishing closures (e.g., paper beads, braided<br />
cords, etc.)<br />
Pa g e 11 w w w .b o o k a r t s.u w e .a c.u k<br />
- Insert envelopes to hold extra treasures<br />
- Apply foldout pages to extend your writing surfaces<br />
- Collect ephemera to be used for decoration (photos,<br />
collage elements, yarns, threads, buttons, beads, etc.)<br />
- Use <strong>the</strong> pamphlet stitch to bind <strong>the</strong> signatures<br />
- Participate in a book exchange, best <strong>of</strong> week show, and<br />
fiesta<br />
Lisa Gilbert has been an enthusiastic book artist since<br />
childhood. She has been illustrating pr<strong>of</strong>essionally, and<br />
teaching art and/or health for <strong>the</strong> past 20 years. Known<br />
for her use <strong>of</strong> colour, finely tuned creativity, and excellent<br />
technical bookbinding, Lisa has been invited to show her<br />
work in three North Carolina exhibitions. She has studied<br />
bookbinding, papermaking, and box making at programs<br />
across <strong>the</strong> U.S., and most recently completed a Penland<br />
School <strong>of</strong> Crafts program. She has taught bookmaking<br />
classes throughout North Carolina, and has a reputation as<br />
a patient, encouraging, imaginative, and effective teacher.<br />
Lisa considers herself to be a “cultural navigator” – a welldeserved<br />
designation since she has travelled to more than<br />
25 countries. She purchases, collects, and uses exotic papers<br />
on her travels, most recently from Panama, Scandinavia,<br />
and India. Lisa has visited papermaking facilities and<br />
bookbinderies across India and has fashioned books from<br />
wood, papyrus, metal, mica, fabric, plastic, vinyl as well as<br />
from traditional materials such as handmade and machinemade<br />
decorative papers.<br />
She attended Colorado Institute <strong>of</strong> Art, holds degrees in<br />
art and business, and <strong>the</strong> PhD in health education from<br />
<strong>University</strong> <strong>of</strong> Maryland. Her background is versatile and<br />
inventive.<br />
Cost: The basic cost for <strong>the</strong> trip is $1,295. USD.<br />
This includes six nights lodging double occupancy with<br />
shared bath, six breakfasts, three lunches, four dinners,<br />
transportation to <strong>the</strong> villages, all instruction and most<br />
materials. Travel workshops <strong>of</strong> this type and length cost<br />
more than twice as much! The program costs do NOT<br />
include airfare, taxes, gratuities, travel insurance, liquor/<br />
alcoholic beverages, some meals as specified in <strong>the</strong> itinerary,<br />
entry fees, and some transportation.<br />
To see photos <strong>of</strong> amazing Oaxaca, <strong>the</strong> project, your dayby-day<br />
itinerary, additional travel information, or to ask<br />
questions, go to: http://oaxacaculture.com/2011/08/artbook-binding-workshop-capture-travel-journeys/<br />
BINDING re:DEFINED courses for 2012<br />
American book artist Emily Martin will give two<br />
workshops in Wiltshire, UK in May 2012.<br />
This is her first time to teach in <strong>the</strong> UK and a not to be<br />
missed opportunity to work with such a respected and<br />
widely known maker <strong>of</strong> books. To view <strong>the</strong> details <strong>of</strong> <strong>the</strong>se<br />
and <strong>the</strong> entire programme for innovative binding structures<br />
visit www.bookbindingworkshops.com<br />
The State Library <strong>of</strong> Victoria in partnership with<br />
Bodleian Libraries, <strong>University</strong> <strong>of</strong> Oxford presents<br />
Love and Devotion: Persian Cultural Crossroads<br />
A conference at <strong>the</strong> State Library <strong>of</strong> Victoria<br />
12th - 14th April 2012, Melbourne, Australia
This cross-disciplinary conference will explore cultural<br />
convergences in literature, art and architecture, history<br />
and philosophy from <strong>the</strong> time <strong>of</strong> Firdausi in <strong>the</strong> early<br />
11th century to <strong>the</strong> present day, within <strong>the</strong> various Persian<br />
empires, Ottoman Turkey, Mughal India and Europe.<br />
The two-day conference coincides with a major exhibition<br />
at <strong>the</strong> State Library <strong>of</strong> Victoria, Love and Devotion:<br />
From Persia and Beyond (see at right). The conference is<br />
presented by <strong>the</strong> State Library <strong>of</strong> Victoria in partnership<br />
with <strong>the</strong> Australian National <strong>University</strong> and with support<br />
from The Asian <strong>Arts</strong> Society <strong>of</strong> Australia.<br />
Distinguished international guests and Australian specialists<br />
will explore <strong>the</strong>mes including Persian ideals <strong>of</strong> love and<br />
devotion as expressed through <strong>the</strong> arts, intersections with<br />
<strong>the</strong> west, and <strong>the</strong> contemporary legacy.<br />
The conference keynote speakers are:<br />
· Pr<strong>of</strong>essor Charles Melville, <strong>University</strong> <strong>of</strong> Cambridge<br />
· Dr Stefano Carboni, Art Gallery <strong>of</strong> <strong>West</strong>ern Australia<br />
· Dr Zahra Taheri, Australian National <strong>University</strong><br />
· Dr Eleanor Sims, independent scholar, London<br />
· Dr Mammad Aidani, <strong>University</strong> <strong>of</strong> Melbourne<br />
Register your interest: To request a registration brochure<br />
(available October 2011), please contact <strong>the</strong> State Library<br />
<strong>of</strong> Victoria: phone +61 (0)3 8664 7548, or email<br />
conference@slv.vic.gov.au<br />
About <strong>the</strong> exhibition: Love and Devotion: From Persia and<br />
Beyond. This landmark exhibition at <strong>the</strong> State Library <strong>of</strong><br />
Victoria (9 March - 1 July 2012) will feature more than<br />
60 rare 13th- to 18th-century Persian, Mughal Indian and<br />
Ottoman Turkish illustrated manuscripts from <strong>the</strong> Bodleian<br />
Libraries <strong>of</strong> <strong>the</strong> <strong>University</strong> <strong>of</strong> Oxford, as well as editions<br />
<strong>of</strong> European literature, travel books and maps from <strong>the</strong><br />
collections <strong>of</strong> <strong>the</strong> State Library <strong>of</strong> Victoria.<br />
It is co-curated by Susan Scollay, an art historian who<br />
specialises in <strong>the</strong> art and culture <strong>of</strong> <strong>the</strong> Islamic world, and<br />
Clare Williamson, <strong>the</strong> Library’s Exhibitions Curator and<br />
co-author <strong>of</strong> The World <strong>of</strong> <strong>the</strong> <strong>Book</strong>.<br />
A lavishly illustrated publication, with contributions<br />
by scholars from around <strong>the</strong> world, will be available for<br />
purchase, and <strong>the</strong> exhibition will be complemented by<br />
a diverse programme <strong>of</strong> events and activities. For more<br />
information, visit http://www.love-and-devotion.com<br />
LONDON - INTRODUCTION TO BASIC BOOK-<br />
BINDING for Beginners) - ‘MAKE YOUR OWN BOOK’<br />
Dates throughout 2012<br />
1/ 2/3 day workshops<br />
10.30am – 4.30pm in Crouch Hill, London N19<br />
All Materials are included.<br />
Various skills demonstrated and taught so that you make<br />
and take home your completed book. £70 per one day<br />
workshop. Minimum age 18. Please note <strong>the</strong>se workshops<br />
are not for restoring books. For fur<strong>the</strong>r information please<br />
contact Debra Thompson via contact page at:<br />
www.tufnellartpress.co.uk<br />
OPPORTUNITIES<br />
Doverodde <strong>Book</strong> <strong>Arts</strong> Festival IV & Symposium – 2012<br />
A seasonal reminder from Denmark for readers <strong>of</strong> <strong>the</strong><br />
newsletter:<br />
Do you like to spend time enjoying beautiful countryside?<br />
Having time to talk and socialize with like-minded book<br />
artists? Show and sell work and take part in a thoughtprovoking<br />
symposium? Listen to good live music while<br />
enjoying food and wine?<br />
Then here’s an event for you. . .<br />
This will be <strong>the</strong> fourth time that <strong>the</strong> restored merchant’s<br />
warehouse by <strong>the</strong> waters <strong>of</strong> <strong>the</strong> Limfjord plays host to a<br />
unique mix <strong>of</strong> book arts social and creative activity. The<br />
2012 Doverodde <strong>Book</strong> <strong>Arts</strong> Festival & Symposium extends<br />
what has been so special about previous events at this scenic<br />
Nor<strong>the</strong>rn Jutland location.<br />
Events will begin at <strong>the</strong> waterside Limfjordcentret as before,<br />
on May 17th with a one-day workshop: ‘Nature & <strong>Book</strong> Art’.<br />
This popular feature <strong>of</strong> <strong>the</strong> Festival involves in-house<br />
Nature Guide Søren Kiel leading a guided tour through <strong>the</strong><br />
local landscape <strong>of</strong> woods, hills and along <strong>the</strong> water’s edge.<br />
This is <strong>the</strong>n followed by a bookmaking/binding workshop<br />
by designer and book artist Mette-S<strong>of</strong>ie D. Ambeck that<br />
draws material – and inspiration – from <strong>the</strong> experience.<br />
From May 18th – May 20th <strong>the</strong> book fair itself will <strong>the</strong>n take<br />
place. A grand opening on <strong>the</strong> first day will include music<br />
arranged by an old friend <strong>of</strong> Doverodde, musician Regine<br />
Brunke, playing with her friends from Kassel, Germany as in<br />
previous years.<br />
To view <strong>the</strong> full programme go to <strong>the</strong> websites:<br />
www.bookarts-doverodde.dk or<br />
www.nordicbookarts.ning.com<br />
Additional Doverodde information:<br />
Pa g e 12 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
Top left: Stand area. Top right: Themed exhibition gallery (2011). Bottom left: Ingolf Lienau (violin) & Regine Brunke (cello) playing in <strong>the</strong><br />
<strong>Book</strong> <strong>Arts</strong> ‘Reading Corner’. Bottom right: Exhibitor 2011, Ahlrich van Ohlen, Germany.<br />
International Call for Entries to our <strong>the</strong>med exhibition:<br />
On <strong>the</strong> margins (May 17th- August 5th, 2012).<br />
Deadline: April 10th 2012 with entry fee: 300 DKK (includes<br />
a copy <strong>of</strong> <strong>the</strong> printed catalogue). Three works selected from<br />
<strong>the</strong> exhibition will receive Doverodde <strong>Book</strong> <strong>Arts</strong> Center <strong>of</strong><br />
Denmark Award.<br />
<strong>Book</strong>ing a stand in <strong>the</strong> book fair (May 18th-May 20th).<br />
Capacity: 24 tables (85 x 120 cm) maximum 300 DKK per<br />
artist (includes some meals and refreshments – again check<br />
out our website for details). Deadline: March 1st 2012.<br />
Exhibitors may also <strong>of</strong>fer ideas for simple and inexpensive<br />
workshop activities (1 hour duration) by liaising with<br />
Festival organisers.<br />
A new initiative is <strong>the</strong> hosting <strong>of</strong> <strong>the</strong> Symposium: Artists’<br />
<strong>Book</strong>s Anonymous: On <strong>the</strong> margins, 2012 taking place<br />
Saturday evening, May 19th. Papers are invited on any topic<br />
relating to artists’ books / book art. See our Call For Papers<br />
for details, deadline: March 1st, 2012.<br />
<strong>Book</strong>ings for lovely accommodation in nearby holiday<br />
cottages – a few minutes walk from <strong>the</strong> Limfjordscenter and<br />
at 250 DKK per night, per person – is possible before March<br />
1st. Again see info on our site under Practical Information.<br />
Call For Artists<br />
There’s also a new challenge for our fourth year:<br />
Pa g e 13 w w w .b o o k a r t s.u w e .a c.u k<br />
Festival organisers invite an artist or artists-group to create<br />
an installation on <strong>the</strong> 3rd floor <strong>of</strong> our unique exhibition<br />
space: <strong>the</strong> Tower (a memorable landmark silo, from 1966).<br />
See website: Call For Artists. Proposal deadline: February<br />
1st, 2012 at 12:00 mid-day.<br />
Writer in residence<br />
We are also delighted to announce writer and artist Nancy<br />
Campbell (see www.nancycampbell.co.uk) will spend time<br />
with us before <strong>the</strong> Festival weekend developing new work to<br />
be exhibited during <strong>the</strong> event.<br />
Join us at <strong>the</strong> Limfjordscenter and be a part <strong>of</strong> making <strong>the</strong><br />
Festival & Symposium 2012 even more special than previous<br />
years – don’t miss <strong>the</strong> opportunity to come to <strong>the</strong> edge <strong>of</strong><br />
Denmark to enjoy beautiful book arts and meet fantastic<br />
artists and people in wonderful surroundings.<br />
(If you are interested to see more images from <strong>the</strong> previous<br />
Festival in 2011 go to<br />
www.flickr.com/photos/doveroddebookarts/)<br />
All information can be found on:<br />
www.bookarts-doverodde.dk or<br />
www.nordicbookarts.ning.com<br />
Any relevant questions please contact <strong>the</strong> Festival Organiser<br />
2012: Mette-S<strong>of</strong>ie D. Ambeck – nordicbookarts@gmail.com
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LAST CALL FOR<br />
bookartbookshop’s <strong>Book</strong>art Competition December 2011<br />
Calling<br />
all artists, writers, anglers, gardeners, cooks, scientists,<br />
enthusiasts <strong>of</strong> all persuasions<br />
To Celebrate<br />
The Tenth Anniversary<br />
<strong>of</strong><br />
bookartbookshop<br />
20.02.2002 - 21.02.2012<br />
We invite <strong>the</strong> creation <strong>of</strong> books on <strong>the</strong> <strong>the</strong>me<br />
X =<br />
or<br />
What is to be done?<br />
10 pages<br />
10 copies<br />
£1000 in prizes<br />
Download <strong>the</strong> entry form: http://www.bookartbookshop.<br />
com/docs/bookart_competition.html<br />
Deadline: 15 December 2011<br />
---------------------------------------------------------------------<br />
Minnesota Center for <strong>Book</strong> <strong>Arts</strong> is actively seeking new<br />
Artist’s <strong>Book</strong>s for consignment in its retail store.<br />
MCBA has several large events planned for <strong>the</strong> months<br />
ahead including November’s <strong>Book</strong> <strong>Arts</strong> Fest, and our<br />
December Winter <strong>Book</strong> Publication Party. These occasions<br />
draw collecting audiences and provide ample opportunities<br />
to showcase new work. At this time, we are particularly<br />
interested in artists’ books but we will also accept<br />
submissions <strong>of</strong> prints, broadsides and handmade blank<br />
journals. Submissions are accepted and juried on an ongoing<br />
basis.<br />
To be considered, please email a description <strong>of</strong> your work,<br />
a brief bio, and digital images to MCBA’s Consignment<br />
Manager Beth Carls at bcarls@mnbookarts.org<br />
Venice Summer Residencies 2012 at <strong>the</strong> Scuola<br />
Internazionale di Grafica di Venezia<br />
Artists’ <strong>Book</strong>s, Printmaking, Painting/Drawing, Writing<br />
The Scuola Internazionale di Grafica di Venezia was<br />
founded in 1969. In <strong>the</strong> large facilities in Cannaregio, one<br />
<strong>of</strong> <strong>the</strong> most lively neighbourhoods in Venice, <strong>the</strong> Scuola<br />
organises programmes for graduate and undergraduate<br />
Italian and international students and <strong>of</strong>fers studio space<br />
for independent artists-in-residence.<br />
To apply please email Deirdre Kelly: kelly@scuolagrafica.it<br />
or download <strong>the</strong> application form at: www.scuolagrafica.it<br />
Scuola Internazionale di Grafica<br />
Cannaregio 1798, 30121 Venezia, Italy<br />
Tel: 041·721· 950 / 041·524·2374<br />
www.scuolagrafica.it / info@scuolagrafica.it<br />
Call for Artists<br />
Exhibition details regarding Artists <strong>Book</strong> Cornucopia<br />
III, Abecedarian Gallery’s annual juried artists’ book<br />
exhibition are now available. The exhibition will be held<br />
April 20 - June 2, 2012 with an entry deadline <strong>of</strong> January<br />
31, 2012.<br />
Tony White will be jurying this years’ entries. Tony White<br />
is <strong>the</strong> Head <strong>of</strong> <strong>the</strong> Fine <strong>Arts</strong> Library at Indiana <strong>University</strong><br />
Bloomington. He is an independent curator and book<br />
artist who has been involved in <strong>the</strong> field for 20 years. He<br />
is a founding board member <strong>of</strong> <strong>the</strong> College <strong>Book</strong> Art<br />
Association and founder <strong>of</strong> <strong>the</strong> Contemporary Artist’s<br />
<strong>Book</strong>s Conference that has been held annually in New York<br />
City since 2008. He has served on <strong>the</strong> editorial board <strong>of</strong><br />
<strong>the</strong> Journal <strong>of</strong> Artist’s <strong>Book</strong>s and currently is Field Editor<br />
for Artist’s <strong>Book</strong>s and <strong>Book</strong>s for Artists for <strong>the</strong> College Art<br />
Association’s online reviews journal. His research interests<br />
include contemporary artist’s books, print culture, <strong>the</strong><br />
intersection <strong>of</strong> craft and contemporary art, and pr<strong>of</strong>essional<br />
issues in art librarianship.<br />
The full prospectus is available via PDF download from<br />
Abecedarian Gallery’s website<br />
www.abecedariangallery.com<br />
or you can email alicia@abecedariangallery.com to request<br />
a copy.<br />
Glasgow International Artists’ <strong>Book</strong>fair 2012<br />
We are pleased to announce Glasgow International Artists’<br />
<strong>Book</strong>fair 2012. Saturday 28th & Sunday 29th April 2012<br />
GIAB 2012 will be open to <strong>the</strong> public between 11am - 6pm<br />
both days.<br />
GIAB is a showcase <strong>of</strong> artists’ books produced by local, UKbased<br />
and international artists. <strong>Book</strong>s as artworks, old-style<br />
letterpress books, audio books, sculptural books can be seen<br />
and bought.<br />
This exciting event will be held in <strong>the</strong> Exhibition Hall <strong>of</strong><br />
Glasgow Royal Concert Hall, which is ideally situated in<br />
a prime location on <strong>the</strong> corner <strong>of</strong> Sauchiehall Street &<br />
Buchanan Street in <strong>the</strong> heart <strong>of</strong> <strong>the</strong> city. As ever, entrance is<br />
FREE! There will also be <strong>the</strong> possibility <strong>of</strong> participating in a<br />
range <strong>of</strong> bookbinding workshops.<br />
We have updated <strong>the</strong> website so please take a look -<br />
http://www.giab.org.uk<br />
* If you are interested in booking a table, you can do this<br />
online now - have a look at <strong>the</strong> menu item how to book<br />
a table to <strong>the</strong> left <strong>of</strong> <strong>the</strong> website. The booking deadline is<br />
Tuesday 31st January 2012<br />
Pa g e 14 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
* If you are interested in becoming involved with <strong>the</strong> GIAB<br />
& <strong>the</strong> event, why not contact us, we are always looking for<br />
volunteers to help us out on <strong>the</strong> two days.<br />
* If you would like to run a workshop, please email us with<br />
details <strong>of</strong> <strong>the</strong> workshop<br />
* You can browse through our participants from GIAB 2008<br />
& 2010 on our website<br />
We will continue to update <strong>the</strong> website, e.g. with details<br />
<strong>of</strong> workshops available, so please keep checking for more<br />
information: http://www.giab.org.uk<br />
The next IAPMA Congress 2012 in Cleveland, Ohio, USA<br />
FDH joins IAPMA at <strong>the</strong> Morgan Conservatory<br />
October 17-21<br />
The International Association <strong>of</strong> Hand Papermakers and<br />
Paper Artists (IAPMA) celebrated 25 years in 2011, with a<br />
series <strong>of</strong> exhibitions and events worldwide. “In Between”<br />
International Paper Art Exhibiton 25yrs IAPMA is on show<br />
8th Dec 2011 - 25th Feb 2012, at Hanegev museum<br />
http://www.negev-museum.org.il<br />
News and information is online at http://www.iapma.info<br />
IAPMA has a vibrant and varied membership encompassing<br />
papermaking and paperarts including book arts.<br />
The IAPMA Congresses are informative and inclusive, and<br />
last year was held in Wonju, South Korea. Link to group<br />
images: http://www.flickr.com/groups/1480631@N25/<br />
Members <strong>of</strong> IAPMA and Friends <strong>of</strong> Dard Hunter will join<br />
toge<strong>the</strong>r for a 5-day international conference hosted by The<br />
Morgan Art <strong>of</strong> Papermaking Conservatory and Education.<br />
Cleveland, Ohio, USA, October 17-21 2012. For more<br />
information contact Gail Stiffe: president@iapma.info<br />
http://iapma.info<br />
INTERNET NEWS<br />
Online exhibition matchbox zines and bound and bagged<br />
project: www.australianbookartsjournal.com<br />
These projects began with a set <strong>of</strong> materials that could be<br />
incorporated into a book in a bag, or a zine in a matchbox.<br />
We were overwhelmed with and inspired by <strong>the</strong> standard <strong>of</strong><br />
<strong>the</strong> works we received. Ten <strong>of</strong> <strong>the</strong>se are featured in <strong>the</strong> next<br />
issue <strong>of</strong> <strong>the</strong> Australian <strong>Book</strong> <strong>Arts</strong> Journal, December 11. If<br />
you wish to purchase just that copy, please contact linda@<br />
australianbookartsjournal.com for a copy at $20.00 AUD<br />
(Australia) which includes postage and handling. Overseas<br />
rates on request.<br />
From books bound in kangaroo lea<strong>the</strong>r with imaginary<br />
drawn maps to lithographs with minimal etchings, this<br />
exhibition has brought toge<strong>the</strong>r 33 artists from Australia,<br />
New Zealand, <strong>the</strong> USA, Canada and <strong>the</strong> UK. The standard<br />
<strong>of</strong> work is excellent and we would like to thank all artists<br />
who submitted <strong>the</strong>ir work.<br />
http://www.australianbookartsjournal.com/galleries/boundand-bagged-online-exhibition/<br />
Pa g e 15 w w w .b o o k a r t s.u w e .a c.u k<br />
From Gracia & Louise. A link to <strong>the</strong> film <strong>of</strong> Gracia Haby’s<br />
most recent artists’ book, Those First Aerial Travellers.<br />
“The sixth tiny film in an ongoing series, this time we are<br />
taking you to <strong>the</strong> moon in our hot air balloon. This artists’<br />
book, The First Aerial Travellers, was made especially for<br />
Hand Held Gallery’s In Suspense exhibition, November<br />
2011. This film is our record <strong>of</strong> said book. This film is for<br />
you to turn <strong>the</strong> pages, as it were, as Rudy Vallee (Home)<br />
sings in your ear s<strong>of</strong>t lullaby. Shh... we are in a library.”<br />
http://vimeo.com/31713529<br />
Also from Gracia & Louise, a link to <strong>the</strong> artists “talking<br />
about collage, collaborations, honeybee scissors and<br />
Diana monkeys with Camila Galaz on her show Let’s Art<br />
(episode #9) on Radio Valerie.” http://www.mixcloud.<br />
com/radiovalerie/lets-art-with-camila-galaz-episode-9november-9th-2011/<br />
Craig Atkinson <strong>of</strong> Café Royal <strong>Book</strong>s has started a new blog<br />
/ site. “It’s for me really but feel free to look! The ability to,<br />
and process <strong>of</strong> recording a split second as a photograph<br />
fascinates me. The new site is me kind <strong>of</strong> doing that and<br />
noting how, perhaps, and <strong>the</strong> camera I use. I ‘try’ a lot <strong>of</strong><br />
cameras and tend to go back to <strong>the</strong> same one / two most <strong>of</strong><br />
<strong>the</strong> time.” www.grd4.com<br />
<strong>Book</strong> Works is pleased to announce a newly designed<br />
website and digital archive that, for <strong>the</strong> first time, includes<br />
material ranging from finished works to ephemera,<br />
correspondence, photographs and manuscripts providing<br />
an insight into <strong>the</strong> working processes <strong>of</strong> both <strong>the</strong> publishing<br />
and studio sections <strong>of</strong> <strong>the</strong> organisation.<br />
The website now presents a timeline, from <strong>the</strong> present year<br />
to our origins in 1984, <strong>of</strong> <strong>Book</strong> Works publications, projects,<br />
and events; examples <strong>of</strong> work from <strong>the</strong> <strong>Book</strong> Works Studio;<br />
and a digital archive <strong>of</strong> documents, images and ephemera.<br />
www.bookworks.org.uk<br />
Banner Repeater is an artist led reading room and project<br />
space, situated on Platform 1, Hackney Downs railway<br />
station, London E8 1LA. Its reading room dedicated to<br />
artists’ printed material provides an important bibliographic<br />
resource, somewhere that all visitors to BR can browse,<br />
alongside an ambitious exhibition programme <strong>of</strong> new art<br />
work installed in a highly visible and accessible project<br />
space. The reading room and project space is open 6 days a<br />
week. www.bannerrepeater.org<br />
FOLD - Clare Bryan, Sue Doggett, James Keith, Penny<br />
Stanford would like to invite you to view <strong>the</strong>ir current<br />
and new work on <strong>the</strong>ir new website:<br />
www.cargocollective.com/fold<br />
contact: four.fold@gmail.com<br />
New North Press has a newly designed website, including<br />
letterpress videos at: www.new-north-press.co.uk
www.lecdla.wordpress.com<br />
NEW: T.P. 2011 - Out <strong>of</strong> binding by Carmencho Arregui<br />
Tomorrow’s Past Paris 2011 is on line. Visit here to see this<br />
year’s bindings: http://www.out<strong>of</strong>binding.com/2011.htm<br />
If you want to know about Tomorrow’s past binders and see<br />
<strong>the</strong> description <strong>of</strong> <strong>the</strong>ir bindings and books visit:<br />
http://www.out<strong>of</strong>binding.com/tp_binders.htm<br />
Pauline Lamont-Fisher has a newly updated website.<br />
“I have been making artist’s books for nearly 10 years.<br />
My practice is principally based on walking but some <strong>of</strong><br />
my books have not involved walking at all, although <strong>the</strong><br />
idea for <strong>the</strong> book may have been formed on a walk.”<br />
www.burntbarn.co.uk<br />
Word on Promotion or The Work <strong>of</strong> Art in <strong>the</strong> Age <strong>of</strong><br />
Digital Dematerialisation by Herman Schmitz<br />
Published in dematerialised universe that is <strong>the</strong> Internet,<br />
but keeping <strong>the</strong> classic format <strong>of</strong> <strong>the</strong> book, this book brings<br />
toge<strong>the</strong>r a site some philosophy, something <strong>of</strong> literature,<br />
science, criticism, and my mental trips, coupled with a<br />
graphic treatment specific to each page. This is a selfevident<br />
example <strong>of</strong> <strong>the</strong> process <strong>of</strong> dematerialisation <strong>of</strong> <strong>the</strong><br />
artwork and present a way <strong>of</strong> promoting my independent<br />
book to publishers and major media.<br />
http://www.palavraempromocao.com.br<br />
Rare Autumn has made some changes to her website.<br />
With an extensive overhaul <strong>of</strong> <strong>the</strong> link lists, a resource for<br />
book related stuff, such as libraries/institutions/collections,<br />
people that make books, collectives/networks/small<br />
bookstores & presses, etc. http://rareautumn.blogspot.com<br />
NEW ARTISTS’ PUBLICATIONS<br />
New e-publications by Nicolas Frespech<br />
Candidature<br />
Mots clés: portrait / emploi / qualités / décrire / candidature<br />
ENGLISH VERSION (65ko)<br />
http://frespech.com/ebook/#candidature<br />
<strong>Book</strong>cases<br />
“The books are definitely not works <strong>of</strong> art in <strong>the</strong> same sense<br />
as paintings [...] They’re tied to a bookshelf. “Ed Ruscha<br />
http://frespech.com/ebook/<br />
A Poem to Philip Glass<br />
Barrie Tullett, The Caseroom Press<br />
The book is a typographic response to <strong>the</strong> music <strong>of</strong> Philip<br />
Glass. The original patterns were created on a Bro<strong>the</strong>r<br />
Electric Typewriter, <strong>the</strong>n photocopied and overlaid to<br />
form patterns responding to a particular piece <strong>of</strong> music.<br />
These were <strong>the</strong>n taken edit and selected to form a sequential<br />
narrative across <strong>the</strong> pages <strong>of</strong> <strong>the</strong> book. It is <strong>the</strong> first<br />
exploration into a larger project.<br />
If you like <strong>the</strong> music <strong>of</strong> Philip Glass, phase patterns,<br />
typewriters and concrete poetry – this is <strong>the</strong> book for you.<br />
The full sequence <strong>of</strong> images can be viewed at:<br />
http://www.barrieagogo.co.uk/Glass.html<br />
Fur<strong>the</strong>r works will explore <strong>the</strong> format <strong>of</strong> <strong>the</strong> book as well<br />
as o<strong>the</strong>r printmaking resources. Edition <strong>of</strong> 50, 2011, The<br />
Caseroom Press, 200 x 143mm. £15<br />
http://www.<strong>the</strong>-case.co.uk/PoemtoPhilipGlass.html<br />
THEARTISTSBOOKANEWHISTORY<br />
By Michael Hampton<br />
Published by Banner Repeater 2011<br />
Pamphlet ISSN 2045-8266<br />
THEARTISTSBOOKANEWHISTORY has been configured<br />
as a manifest, made up <strong>of</strong> two interrelated elements: a<br />
revisionist historical survey, and a specially selected big list.<br />
Toge<strong>the</strong>r <strong>the</strong>y constitute a new <strong>the</strong>oretical model for <strong>the</strong><br />
book per se, which for <strong>the</strong> first time treats <strong>the</strong> artists’ book,<br />
not as a separate Cinderella species, but a form responsible<br />
for <strong>the</strong> re-invigoration <strong>of</strong> <strong>the</strong> entire genus.<br />
Pa g e 16 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
Expanding <strong>the</strong> frame <strong>of</strong> reference for <strong>the</strong> artists’ book and<br />
re-conceiving its content and structure is a move designed<br />
to resolve once and for all <strong>the</strong> identity crisis which has<br />
continuously beset it.<br />
No longer a mere supplement to <strong>the</strong> conventional book,<br />
it is time to challenge <strong>the</strong> exclusivity which has defined<br />
a book as “artists’”, and fur<strong>the</strong>r enhance <strong>the</strong> processes <strong>of</strong><br />
demystification and democratisation which contemporary<br />
art must embrace if it is to survive as a critical tool, ra<strong>the</strong>r<br />
than part <strong>of</strong> a banker’s investment portfolio.<br />
The historical revisionism embodied in<br />
THEARTISTSBOOKANEWHISTORY demonstrates <strong>the</strong><br />
shortcomings <strong>of</strong> <strong>the</strong> brackets hi<strong>the</strong>rto used to classify and<br />
delimit <strong>the</strong> artists’ book, opening <strong>the</strong> way for it as part<br />
<strong>of</strong> a diverse bibliographic flora and fauna, to reflect <strong>the</strong><br />
catastrophic socio-economic conditions <strong>of</strong> <strong>the</strong> 21st century.<br />
http://www.bannerrepeater.org/reading-room/now<br />
500 copies available, free from Banner Repeater gallery, or<br />
by means <strong>of</strong> a 1st class SAE (A5 envelope) sent to: Michael<br />
Hampton at 63A Grayshott Rd., London SW11 5TS.<br />
Colin Sackett is publishing <strong>the</strong> first titles under his new<br />
imprint Uniformbooks including Wordage.<br />
The separate sections <strong>of</strong> <strong>the</strong><br />
book were written during<br />
<strong>the</strong> twenty years up until 2011;<br />
<strong>the</strong> allotted prose parts<br />
are now butted toge<strong>the</strong>r to<br />
make a consecutive set.<br />
The process <strong>of</strong> writing was<br />
variously prescriptive and<br />
artificial: transcription from<br />
manuscript or speech, via<br />
word processing and<br />
assembly, to <strong>the</strong> final format<br />
<strong>of</strong> a single leaflet or booklet.<br />
Subsequently, most have been<br />
published again, reformatted as ‘online texts’, where in each<br />
case what was a paged sequence has become a scrollable<br />
depth - a vertical and bottomless page.<br />
ISBN 978 0 9568559 3 0, 64pp, 234 x 142, paperback,<br />
December 2011, £9.00. Available from<br />
www.uniformbooks.co.uk<br />
Where Spheres Intersect<br />
Stuart Mugridge<br />
Earlier in 2011 Stuart Mugridge was one <strong>of</strong> three artists<br />
commissioned by Chrysalis <strong>Arts</strong> to take part in a project<br />
called Geo Art Cache. The idea behind <strong>the</strong> project was<br />
simply to put art into geocaching.<br />
Stuart developed a cache series called Where Spheres<br />
Intersect. After much research into place narrative and<br />
local topography nine geocaches were sited in <strong>the</strong> Upper<br />
Wharfedale area <strong>of</strong> Yorkshire.<br />
Would-be participants will need to register with www.<br />
geocaching.com (it’s simple and pain-free!) before <strong>the</strong>y<br />
Pa g e 17 w w w .b o o k a r t s.u w e .a c.u k<br />
take part. The series has eight traditionally listed geocaches<br />
with <strong>the</strong> ninth only being revealed once you have visited <strong>the</strong><br />
o<strong>the</strong>rs. If you succeed a prize awaits…<br />
The prize is a limited edition artist’s book by Stuart with<br />
one page dedicated to each <strong>of</strong> <strong>the</strong> nine sites. The pages are<br />
screen-printed and through text & image explore some <strong>of</strong><br />
<strong>the</strong> hidden stories <strong>of</strong> <strong>the</strong> cache site.<br />
The nine geocaches can be visited in a day by fit walkers but<br />
are more realistic over two days… Or more, apart from a bit<br />
<strong>of</strong> rain what’s stopping you?<br />
The series will remain live until at least Spring 2012.<br />
Screen-printed on 360gsm Lambeth cartridge with 2000<br />
micron millboard covers. 34 in edition.<br />
Published November 2011<br />
http://wherespheresintersect.blogspot.com<br />
http://www.geoartcache.com<br />
http://www.geoartcache.com<br />
m(o<strong>the</strong>r) love<br />
A collaborative artist’s book made by Bridgette Guerzon<br />
Mills, (Chicago, USA) and Hanne Matthiesen (Malling,<br />
Denmark)<br />
Produced for <strong>the</strong> 6th International Artists’ <strong>Book</strong>s Triennial,<br />
Vilnius 2012. “At work, you think <strong>of</strong> <strong>the</strong> children you’ve<br />
left at home. At home, you think <strong>of</strong> <strong>the</strong> work you’ve left
unfinished. Such a struggle is unleashed within yourself,<br />
your heart is rent.” (Gold Meir)<br />
Reflections on <strong>the</strong> dilemma <strong>of</strong> being a mo<strong>the</strong>r (<strong>the</strong> loving<br />
mo<strong>the</strong>r sustaining and taking care <strong>of</strong> your children) and <strong>the</strong><br />
need also to be “yourself” (pr<strong>of</strong>essional/artist/whatever).<br />
Concertina format. 19 x 11 cm. Mixed medi, paper, fabric,<br />
and encaustic.<br />
Text and images can be viewed at: http://bgmartjournal.<br />
blogspot.com/2011/11/mo<strong>the</strong>r-love.html<br />
https://ihanne.wordpress.com/2011/11/19/mo<strong>the</strong>r-love<br />
New special edition booklet by Rick Myers<br />
AFTERIMAGES (2010 / 2011)<br />
In March 2010<br />
I sent a book <strong>of</strong><br />
original drawings<br />
to <strong>the</strong> poet<br />
Douglas Blazek.<br />
He responded<br />
having read <strong>the</strong><br />
handwritten title<br />
“AFTERIMAGES”<br />
as being “AFTER/<br />
MASES” and<br />
enquired as to my<br />
meaning <strong>of</strong> <strong>the</strong><br />
word “MASES”.<br />
He continued in his<br />
response to what<br />
might easily be read<br />
as insignificant<br />
marks on paper,<br />
yet his reaction seemed to suggest <strong>the</strong> absolute essence<br />
<strong>of</strong> what I had been trying to capture with <strong>the</strong> drawings.<br />
Without knowing <strong>the</strong> title, Blazek went so far as to mention<br />
afterimages, specifically, within his text.<br />
This special edition version is published a year following <strong>the</strong><br />
original book production. It documents <strong>the</strong> original book,<br />
<strong>the</strong> drawings, and Blazek’s corresponding text. These first<br />
ten copies are numbered, co-signed, and have an original<br />
drawing tipped-in.<br />
A numbered and co-signed, photocopy booklet, with<br />
original drawing (Carbon black on BFK Rives paper).<br />
12 pages, dimensions 20 x 13.5 cm, edition 10.Numbers<br />
1/2/3/4 are priced at $90, 5/6/7 are $120 and 8/9/10 are<br />
$150. To reserve a copy email:<br />
rickmyers@footprintsin<strong>the</strong>snow.co.uk<br />
New website: http://www.rickmyers.co.uk<br />
New from LENDROIT Éditions<br />
Jet Lag #6, #7, #8<br />
Boris Olivier, Guillaume Verdon, Nickolas Mohanna<br />
Jet Lag, a collection <strong>of</strong> zines dedicated to drawing,<br />
photomontage and o<strong>the</strong>r graphic experiments.<br />
#6 by Boris Olivier<br />
#7 by Guillaume Verdon (shown above)<br />
#8 by Nickolas Mohanna<br />
Format A5 / 24 pages / 50 edition / 5 Euros each.<br />
Coloured paper 80gsm.<br />
LENDROIT Éditions / In Print We Trust<br />
23 rue Quineleu - 35000 Rennes - France<br />
+33 (0)2 23 30 42 27<br />
lendroitgalerie@free.fr<br />
www.lendroit.org<br />
AN OLYMPUS IN THE DREAM<br />
By Rob Fairley<br />
This book has taken fifteen years to put toge<strong>the</strong>r and is a<br />
deeply multi layered work working through text, images and<br />
music. It exists in an edition <strong>of</strong> fourteen and while <strong>the</strong> text<br />
in each remains <strong>the</strong> same (telling a strange autobiographical<br />
Pa g e 18 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
story) <strong>the</strong> illustrations (over 100) are all hand finished and<br />
provide a varied counterpoint … each copy <strong>the</strong>refore is a<br />
form <strong>of</strong> variation on an original <strong>the</strong>me.<br />
Two are 320 x 230mm bound in calf and slip cased…<br />
one with <strong>the</strong> original ending and one with an amended<br />
ending. 10 are 300 x 210mm bound in cloth and slip cased<br />
… all with <strong>the</strong> amended ending. Two are bound by Jana<br />
Liptak from New York (one in s<strong>of</strong>t lea<strong>the</strong>r and one in beaten<br />
copper) … both with <strong>the</strong> amended ending.<br />
<strong>Book</strong>s are printed on a variety <strong>of</strong> papers using a multi pass<br />
inkjet technique; <strong>the</strong>y include original gilding, cut outs,<br />
drawings, stencils, rubber stamps and paintings.<br />
POA. A selection <strong>of</strong> <strong>the</strong> books along with many <strong>of</strong> <strong>the</strong><br />
original works behind <strong>the</strong> publication will be exhibited at<br />
Pa g e 19 w w w .b o o k a r t s.u w e .a c.u k<br />
<strong>the</strong> Open Eye Gallery between <strong>the</strong> 28th January and 14th<br />
February 2012. 34 Abercromby Place, Edinburgh, EH3<br />
6QE, UK. Tel: 0131 557 1020. www.openeyegallery.co.uk<br />
Compound (second edition), work present, work not<br />
present, work borrowed work, and work undone.<br />
Ralph Dorey<br />
Compound is a rogue spoke from a lost work. Compound<br />
is a bound composite <strong>of</strong> documentary images, instructions<br />
for an application <strong>of</strong> sculpture and a one act play for three<br />
sailors discussing <strong>the</strong> ontological implications <strong>of</strong> a future<br />
parliament <strong>of</strong> noises, rock videos and marine geography.<br />
Edition <strong>of</strong> 20 plus 5 artist’s pro<strong>of</strong>s, 16 pp, 2011. BW<br />
prepared laser print on 135gsm cartridge, plus coloured<br />
laser copy paper, plus four dye inkjet plates mounted with<br />
animal skin glue, perfect bound with red thread.<br />
http://ralphdorey.blogspot.com/2011/10/publicationcompound-second-edition.html<br />
FRANTICHAM’S IMPOSSIBLE POLAROID MADNESS<br />
A renaissance <strong>of</strong> <strong>the</strong> Polaroid.<br />
A new trend set by <strong>the</strong> Austrian company “The Impossible<br />
Project”. This company saved <strong>the</strong> last Polaroid plant in<br />
Enschede, The Ne<strong>the</strong>rlands, and are again producing <strong>the</strong><br />
legendary film but with experimental chemicals.
POLAROID BOOKS - L O N D O N<br />
Photographs taken by Franticham in London in September<br />
2011 with various SX-70 type Polaroid cameras from <strong>the</strong><br />
seventies, and using PX 70, 100, 600 and 680 from <strong>the</strong><br />
Impossible Project.<br />
50 pages, 15 x 21 cm. Inkjet on superfine 118 gr. Mohawk.<br />
Hand bound limited signed edition <strong>of</strong> 169 copies.<br />
Screen printed cover. Each copy has an original polaroid on<br />
<strong>the</strong> cover. 50 Euros / 70 US $ / 43 UK Pds.<br />
You can order by email at info@redfoxpress.com<br />
or with Paypal online at http://www.redfoxpress.com/<br />
polaroidlondon.html<br />
d PlsUR <strong>of</strong> d Txt<br />
Nick Davies<br />
“There are many different types <strong>of</strong> intelligence and this<br />
book aims to confuse anyone who holds on to our dusty,<br />
outdated academic assumptions. This book is an attempt<br />
at an Esperanto equivalent for our differing intelligences.”<br />
Nik DAvEz<br />
Text messaging has <strong>of</strong>ten been treated by our media and our<br />
culture like <strong>the</strong> droogs from Clockwork Orange are treated<br />
by <strong>the</strong> authorities: deviant vandalism, or ignorant<br />
youthful impulse. Some <strong>of</strong> <strong>the</strong> establishment views <strong>the</strong><br />
mutated, condensed forms <strong>of</strong> this social media as ‘wrecking<br />
our language’ 1 . But support for this social phenomenon<br />
is developing, with Poet Laureate Carol Ann Duffy recently<br />
proclaiming that poems were <strong>the</strong> original text messages,<br />
all <strong>of</strong> which help us distill our thoughts and feelings 2 . Of<br />
course this ‘distilling <strong>of</strong> thought’ and <strong>the</strong> accuracy that can<br />
entail has caused our view <strong>of</strong> academic writing and <strong>the</strong><br />
philosophical work to become skewed. D PlsUR <strong>of</strong> d Txt<br />
aims to subvert and confuse <strong>the</strong>se cultural assumptions<br />
through a work <strong>of</strong> collaborative translation. In this book<br />
artist Nik DavEz (Nick Davies) has undertaken a task in <strong>the</strong><br />
l<strong>of</strong>ty heights <strong>of</strong> academic translation, translating a book by<br />
Roland Bar<strong>the</strong>s called The Pleasure <strong>of</strong> <strong>the</strong> Text into <strong>the</strong><br />
demonised tongue <strong>of</strong> texters. But instead <strong>of</strong> concentrating<br />
on <strong>the</strong> nuances <strong>of</strong> <strong>the</strong> original authors intentions, <strong>the</strong><br />
translation has been an anonymous online collaboration<br />
with o<strong>the</strong>r texters aiming to create a text more socially<br />
relevant to our contemporary lives. The original text has<br />
been translated through <strong>the</strong> use <strong>of</strong> transl8it.com, an online<br />
text speak database that web users can both add to and<br />
learn from. From here <strong>the</strong> rest <strong>of</strong> <strong>the</strong> more complex esoteric<br />
language was translated by hand before being inserted back<br />
into transl8it.com for any o<strong>the</strong>rs users <strong>of</strong> <strong>the</strong> open forum to<br />
use (if <strong>the</strong>y ever needed such ‘academic’ vocabulary!).<br />
The result <strong>of</strong> this work is a book that confuses as much as<br />
it enlightens. It celebrates <strong>the</strong> ingenuity in both forms <strong>of</strong><br />
language use, whilst bewildering anyone attempting to read<br />
it through a mix <strong>of</strong> Bar<strong>the</strong>s’ esoteric words and <strong>the</strong> texters’<br />
innovative condensing <strong>of</strong> characters.<br />
To fur<strong>the</strong>r contaminate <strong>the</strong> literary culture that <strong>the</strong> book<br />
aims to confuse, Nick Davies plans to donate <strong>the</strong> book<br />
into every library he has ever visited, hoping to clog <strong>the</strong><br />
arteries <strong>of</strong> both fction flled regional libraries and dust flled<br />
university collections.<br />
The book is available in an edition <strong>of</strong> 160 copies (<strong>the</strong><br />
character limit <strong>of</strong> an SMS and Twitter) and as an e<strong>Book</strong>,<br />
both available from <strong>the</strong> artist’s website (www.<strong>the</strong>tuber.<br />
co.uk) and has been exhibited across <strong>the</strong> UK and in<br />
Hungary with upcoming shows in Tokyo and as a part <strong>of</strong><br />
<strong>the</strong> shortlist for The Title Art Prize at BlankSpace in<br />
Manchester. The editioned book costs £9.50 (+ £1.50 p&p),<br />
whilst <strong>the</strong> e<strong>Book</strong> is £1.50, with all proceeds from <strong>the</strong><br />
e<strong>Book</strong> going to <strong>the</strong> National Literacy Trust.<br />
To contact <strong>the</strong> artist please visit www.<strong>the</strong>tuber.co.uk<br />
or email: contact.nickdavies@gmail.com<br />
1. John Humphreys in The Daily Mail in 2009<br />
2. Carol Ann Duffy in The Telegraph on 6th September 2011<br />
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Dale Schreiner - Thereafter<br />
Published by Vela Noche<br />
Thereafter embodies <strong>the</strong> process <strong>of</strong> coming to terms with<br />
<strong>the</strong> fundamentally unanswerable questions: “Why did my<br />
fa<strong>the</strong>r’s wife shoot him to death and what prevents her from<br />
recalling <strong>the</strong> event?” With <strong>the</strong> authorities’ inability to stitch<br />
toge<strong>the</strong>r a clear explanation <strong>of</strong> <strong>the</strong> driving forces that led<br />
to <strong>the</strong> shooting, no one will ever really know what happened<br />
or why.<br />
While a 75-month manslaughter conviction may address<br />
society’s need for justice to be served, it’s unlikely to put <strong>the</strong><br />
questions to rest for those immediately affected.<br />
This book is <strong>the</strong> result <strong>of</strong> wandering alone, clearheaded<br />
without thinking, making space for feelings to become<br />
tangible. Photographing urban, yet wild and protected<br />
parkland provides cover for wrestling with issues not<br />
ready to be overcome. Its emotional terrain is respectfully<br />
conveyed in <strong>the</strong> quiet, subtlety toned prints brought to life<br />
on Moab Entrada archival paper by printer Lauren Henkin,<br />
letterpress printed and bound in Musashi cloth and St.<br />
Armand Old Master handmade paper endsheets by Sandy<br />
Tilcock <strong>of</strong> lone goose press, with a short accompanying text<br />
by <strong>the</strong> artist.<br />
22 images, Moab Entrada rag, case bound, edition <strong>of</strong> 20,<br />
$275. http://www.velanoche.com/book/<strong>the</strong>reafter<br />
REPORTS & REVIEWS<br />
Louisa Boyd - Mini feature<br />
My work is inspired by <strong>the</strong> natural world, and <strong>the</strong> human<br />
connection with it and I am fascinated by <strong>the</strong> innate human<br />
response to nature. Despite <strong>the</strong> fact that many <strong>of</strong> us live<br />
detached from <strong>the</strong> natural environment in cities with lives<br />
governed by technology, we are still able to understand<br />
<strong>the</strong> powerful symbolism that nature depicts. We can relate<br />
to <strong>the</strong>se <strong>the</strong>mes with ease, understanding that a bird<br />
in flight can display freedom, a flock can demonstrate<br />
companionship and a forest pathway can show a personal<br />
journey. The symbols need little explanation, <strong>the</strong>y are meant<br />
to be accessible to all; to illustrate <strong>the</strong> intrinsic human<br />
connection to nature.<br />
My interest in this area has developed over a series <strong>of</strong><br />
personal experiences and events that have led me to feel<br />
at a distance from nature, periods <strong>of</strong> my life where I have<br />
lived in cities and found it difficult to experience quiet and<br />
Pa g e 21 w w w .b o o k a r t s.u w e .a c.u k<br />
serenity, and events such as <strong>the</strong> foot and mouth epidemic<br />
in <strong>the</strong> UK that led to large areas <strong>of</strong> <strong>the</strong> countryside being<br />
temporarily unaccessible. It is during <strong>the</strong>se periods <strong>of</strong> time<br />
that I recognise how important <strong>the</strong> natural environment<br />
is to me and long to immerse myself in it and portray it<br />
through my work, consequently <strong>the</strong> <strong>the</strong>mes <strong>of</strong> restriction<br />
and freedom consistently reoccur in my pieces.<br />
Flock- 2009. Handbound artist’s book, formed by tearing, and<br />
worked onto with watercolour and enamel paint.<br />
Height - 12 cm, Diameter - 30 cm<br />
Landscape within a book - 2001. Handbound artist’s book,<br />
folded with a landscape image painted onto it in watercolour.<br />
Height - 6 cm, Radius - 8 cm<br />
Working with books sculpturally allows me to represent<br />
<strong>the</strong>se concepts. Pages can be used restrictively and may only<br />
give glimpses <strong>of</strong> information contained within <strong>the</strong>m due to<br />
cut work, <strong>the</strong> way that <strong>the</strong>y are bound and exhibited. Many<br />
<strong>of</strong> my books are not meant to be opened with pages turned,<br />
<strong>the</strong>y are meant to be viewed only as a three dimensional<br />
form. Some books depict birds flying from <strong>the</strong>m, released<br />
from <strong>the</strong>ir binding, o<strong>the</strong>rs use <strong>the</strong> edges <strong>of</strong> <strong>the</strong> pages to<br />
show a broken image <strong>of</strong> a landscape.
Paper manipulation 1 - 2002. Exploratory work with paper<br />
25 cm x 25 cm x 10 cm<br />
In o<strong>the</strong>r senses using <strong>the</strong> book itself represents ano<strong>the</strong>r<br />
move away from our cultural heritage, as <strong>the</strong>y become<br />
replaced by technology. I am not standing against <strong>the</strong><br />
advances we have made, only wanting to recognise <strong>the</strong><br />
importance <strong>of</strong> what has gone before. In such senses, <strong>the</strong><br />
process <strong>of</strong> bookbinding has become as important as <strong>the</strong><br />
sculptures <strong>the</strong>mselves and <strong>the</strong> concepts behind <strong>the</strong>m.<br />
Recognising <strong>the</strong> beauty and skill involved in making books<br />
is just as much part <strong>of</strong> <strong>the</strong> work. It is a slow process, and<br />
requires patience, concentration and practice, but it is<br />
calming and rewarding. The hand bound book stands<br />
out in an age where we are used to fast results and<br />
machine-made objects.<br />
Take Flight - 2009.<br />
Handbound artist’s book, formed<br />
by cutting and tearing, and<br />
worked onto with watercolour.<br />
Height 14 cm, Diameter - 12 cm<br />
http://www.facebook.com/louisaboydart<br />
http://www.flickr.com/photos/louisaboyd/<br />
http://twitter.com/#!/LouBoydArt<br />
http://louisaboydart.tumblr.com/<br />
Materials and technique<br />
play an important role<br />
in <strong>the</strong> pieces, and I<br />
dedicate a lot <strong>of</strong> time to<br />
experimenting with paper,<br />
pushing it as a material<br />
and understanding<br />
it’s fragile properties,<br />
appreciating what it can<br />
and cannot do.<br />
I enjoy <strong>the</strong> sometimes<br />
unpredictable nature<br />
<strong>of</strong> <strong>the</strong> material. The<br />
conscious decision to<br />
leave <strong>the</strong>se pieces without<br />
covers exposes <strong>the</strong>m and<br />
<strong>the</strong>ir message and fur<strong>the</strong>r<br />
alludes to <strong>the</strong> delicacy <strong>of</strong><br />
our natural world.<br />
STOP PRESS!<br />
6th International Artist’s <strong>Book</strong> Triennial<br />
Vilnius 2012, Theme: “Love”<br />
The previous Deadline <strong>of</strong> 15 November<br />
HAS CHANGED to 9 December 2011.<br />
http://exhibitions.artistsbook<br />
lt/2011/09/01/6th-international-artistsbook-triennial-vilnius-2012/<br />
Regard sur nos productions - Part I<br />
mfc - michèle didier, Paris<br />
Exhibition until Saturday December 24, 2011<br />
After Inside a Triangle by Claude Closky, Ephemera<br />
by Christian Marclay and Annette Messager’s albums, <strong>the</strong><br />
exhibition Regard sur nos productions will allow<br />
mfc - michèle didier to provide a retrospective look on a<br />
selection <strong>of</strong> its productions as a publisher <strong>of</strong> books and<br />
multiples. In <strong>the</strong> exhibition, visitors will be able to discover<br />
<strong>the</strong> editions by Claude Closky, David Cunningham, On<br />
Kawara, Allan McCollum, John Miller, Jonathan Monk,<br />
Klaus Scherübel, Jim Shaw, Josh Smith, Christopher Wool,<br />
and many more.<br />
All <strong>the</strong>se works, and many more, will be exhibited at<br />
mfc - michèle didier gallery in Paris.<br />
66, rue Notre-Dame de Nazareth, F-75003 Paris.<br />
Open Tuesday to Saturday, 12 midday - 7pm<br />
Subway: Temple, Réaumur-Sébastopol, <strong>Arts</strong> et Métiers<br />
http://www.micheledidier.com<br />
We wish all our readers a happy and peaceful 2012<br />
UWE Bristol Exhibitions at Bower Ashton Library<br />
Opening hours summer time: Mon - Fri 9am - 5pm<br />
Please call to check opening hours before travelling<br />
as times vary during vacation periods.<br />
Library main desk telephone: 0117 328 4750<br />
If you have any book arts news, please email items for <strong>the</strong><br />
<strong>Book</strong> <strong>Arts</strong> <strong>Newsletter</strong> to: Sarah.Bodman@uwe.ac.uk<br />
Please supply images as good quality RGB jpegs (300 dpi)<br />
NEXT DEADLINE: 12TH JANUARY FOR THE<br />
FEBRUARY 2012 NEWSLETTER<br />
www.bookarts.uwe.ac.uk / Sarah.Bodman@uwe.ac.uk<br />
Pa g e 22 t h i s n ews l e t t e r c a n b e d o w n l o a d e d in c o l o u r f r o m w w w .b o o k a r t s.u w e .a c.u k/b a n l i s t s.h t m
Private presses and fine printing in Australia and New Zealand :<br />
a bibliographical extract, 2010, compiled by<br />
Jürgen Wegner, Librarian, Brandywine Archive, Sydney<br />
Jürgen Wegner was, until it ceased publication in 2006, <strong>the</strong> Australian editor <strong>of</strong> <strong>the</strong> ABHB,<br />
Annual bibliography <strong>of</strong> <strong>the</strong> history <strong>of</strong> <strong>the</strong> printed book and libraries and its electronic version,<br />
<strong>Book</strong> history online, until this too was discontinued. The following bibliography is an extract<br />
from <strong>the</strong> expanded new series, <strong>the</strong> Annual bibliography <strong>of</strong> books and printing in Australia and<br />
New Zealand, which is produced by <strong>the</strong> Blackdawn Press for friends and supporters <strong>of</strong> <strong>the</strong><br />
Brandywine Archive, Sydney (email: branntweinarchiv@hotmail.com).<br />
The 35 entries below are for material published in 2010 plus any earlier material from 2005—<strong>the</strong><br />
starting date for this bibliography. Links are provided for items which are only available online.<br />
The note “also available online” with no link is given where both a print and an online version is<br />
avail-able. The numbers in <strong>the</strong> entries refer to <strong>the</strong> original reference numbers in <strong>the</strong> 2010<br />
bibliography.<br />
Alan Loney [electronic resource]. [S.l.] : Wiki-pedia, 2010. 1 electronic document. N: New Zea-land, now<br />
Australian, private printer; http://en.wikipedia.org/wiki/Alan-Loney; #10/733.<br />
Ampersand Duck [electronic resource]. [Canberra] : Ampersand Duck, 2010. 1 website : ill. N: Web-site <strong>of</strong><br />
Caren Florance’s private press, Ampersand Duck; also includes material on her artists’ books; http://<br />
ampersandduck.com/art/; #10/734.<br />
Florance, Caren. Caren Florance, Ampersand Duck, Canberra, Australia [electronic resource]. Camden, N.Y.<br />
: Letterpress Printers <strong>of</strong> <strong>the</strong> World, 2005. 1 electronic document. N:<br />
http://letterpressprinters.org/bios_026.htm; #10/735.<br />
Florance, Caren. ‘Game over’ broadsides [elec-tronic resource]. [Canberra] : Ampersand Duck, 2010. 1<br />
electronic document : ill. N: Description <strong>of</strong> a series <strong>of</strong> broadsides by Natalie Azzopardi, “my first ANU EASS<br />
Ampersand Duck Broadside Resi-dency recipient”; produced including wood type; http://ampersandduck.com/<br />
art/2010/05/ 13/game-over-broadsides/; #10/736.<br />
Florance, Caren. Printing poets at Otago [electro-nic resource]. [Canberra] : Ampersand Duck, 2010. 1<br />
electronic document : ill. N: Describes her work as Printer in Residence at <strong>the</strong> <strong>University</strong> <strong>of</strong> Otago’s Otakou<br />
Press; http://ampersandduck.com/art/2010/ 08/17/printing-poets-at-otago/; #10/737.<br />
Florance, Caren. Stop <strong>the</strong> press : <strong>the</strong> allure <strong>of</strong> ink. IN: Artlink, 30 (2010) 2, p. 42-44 : ill. N: On <strong>the</strong><br />
resurgence <strong>of</strong> private and o<strong>the</strong>r letterpress printers in Australia; #10/738.<br />
Gardner, Angela. Syn<strong>the</strong>sis and opposition. IN: Australian book arts journal, 1 (2010), p. 10-11 : ill. N:<br />
Three artists’ books in progress plus her training in letterpress printing and work with metal and wood type;<br />
#10/739.<br />
Holmes, John. John Holmes, Frayed Friskett Press, Dunedin, New Zealand [electronic resource]. Camden,<br />
N.Y. : Letterpress Printers <strong>of</strong> <strong>the</strong> World, 2005. 1 electronic document. N:<br />
http://letterpressprinters.org/bios_031.htm; #10/740.<br />
Keith, Hamish. Hobgoblins <strong>of</strong> little minds. IN: Listener (Wellington, N.Z.), 222 (2010) 3639, p. 47. N:<br />
Kilmog’s Press’ lack <strong>of</strong> success in finding grants for its craft printing; #10/741.<br />
Page 1
Kells, Stuart. Harlequin dreams. IN HIS: Rare (Edgecliff, NSW : Folio, 2010), p. 203-217 : ill. N: Richard<br />
Griffin’s Gryphon Press books and book-bindings; #10/742.<br />
Kells, Stuart. The kangaroo is badly marked. IN HIS: Rare (Edgecliff, NSW : Folio, 2010), p. 219-229 : ill.<br />
N: Peter Marsh and his Marsh, Taylor & Walsh, Queensberry Hill Press and Garravembi Press imprints;<br />
#10/743.<br />
Kerr, Donald. Fit <strong>the</strong> fifth. IN: Knight letter, 2 (2006) 7, p. 38-39 : ill. N: The printing <strong>of</strong> Carroll’s The<br />
hunting <strong>of</strong> <strong>the</strong> Snark at <strong>the</strong> <strong>University</strong> <strong>of</strong> Otago’s Otakou Press; #10/744.<br />
Kerr, Donald. Peter Simpson (ed.). Leo Bense-mann: ‘Engravings on wood’. IN: Journal <strong>of</strong> New Zealand art<br />
history, 27 (2006), p. 101-103. N: Review <strong>of</strong> book published: [Auckland] : Holloway Press, 2004; also<br />
available online; #10/745.<br />
Kerr, Donald. Printer in Residence Programme, <strong>University</strong> <strong>of</strong> Otago Library. [Dunedin : <strong>University</strong> <strong>of</strong> Otago<br />
Library], 2009. 15 leaves : ill., B7-15. N: The Printer in Residence Programme with a des-cription <strong>of</strong> <strong>the</strong><br />
books produced; #10/746.<br />
Lindquist, Stephanie. The Lindsays : artists, wri-ters and publishers. South Bank, [Brisbane] : State<br />
Library <strong>of</strong> Queensland, 2010. 16 p. : ill. N: An exhibition from its Lindsay Collection <strong>of</strong> Pat Corri-gan<br />
(formerly Harry Chaplin’s); includes many private press books, especially <strong>the</strong> Fanfrolico Press; for a review see<br />
#10/8; #10/747.<br />
Maslen, Keith. The Bibliography Room Press, 1961-2005 [manuscript]. [Dunedin : Keith Maslen], 2005. 20<br />
leaves : B7-20. N: “July 2003; revised August 2005”; unpublished manuscript; #10/748.<br />
Maslen, Keith. From Bibliography Room to Ota-kou Press. Dunedin : Frayed Frisket Press, 2010. [15] p. :<br />
ill. N: Talk on <strong>the</strong> renaming <strong>of</strong> <strong>the</strong> Press and <strong>the</strong> launch <strong>of</strong> <strong>the</strong> Otakou Press’ book Pine in 2005; limited,<br />
numbered and signed edition; un-pag.; #10/749.<br />
Myrtle Street Gallery, <strong>the</strong> Grange, Brisbane. IN: Australian book arts journal, 3 (2010), p. [36]-37 : ill.<br />
(Pr<strong>of</strong>ile). N: Includes a description <strong>of</strong> instal-lation <strong>of</strong> letterpress printing equipment so <strong>the</strong>y can start printing<br />
artists’ books; #10/750.<br />
Pryde, Pam. Gregynog Press. IN: <strong>University</strong> <strong>of</strong> Melbourne collections, 6 (2010), p. 42-45 : ill. N: Purchase <strong>of</strong><br />
an almost complete set <strong>of</strong> <strong>the</strong>ir public-cations, 1922-1940; in <strong>the</strong> Acquisitions section; also available online;<br />
#10/751.<br />
Pryde, Pam. ‘Unique, never published, Kelmscott text pro<strong>of</strong> on vellum with a marvellous associ-ation’. IN:<br />
<strong>University</strong> <strong>of</strong> Melbourne collections, 7 (2010), p. 43-48 : ill. N: Of The Golden legend (1891) from <strong>the</strong><br />
c o l l e c t i o n o f M o r r i s ’ f r i e n d , C h a r l e s F a i r f a x M u r r a y ; a l s o a v a i l a b l e o n l i n e ;<br />
#10/752.<br />
Sellon, Andrew. [The Otakou Press edition <strong>of</strong> Carroll’s ‘The hunting <strong>of</strong> <strong>the</strong> Snark’] reviewed by Andrew<br />
Sellon. IN: Knight letter, 2 (2006) 7, p. 39 : ill. N: #10/753.<br />
Sergeant, Andrew. ‘Always start with an em!’ [electronic resource]. IN: Gateways, 104 (2010). 1 electronic<br />
document : ill. N: Report <strong>of</strong> a course in hand printing <strong>of</strong>fered at <strong>the</strong> 2010 Australasian Rare <strong>Book</strong> Summer<br />
School by Carolyn Fraser (Idlewild Press); http://www.nla.gov.au/pub/gateways/issues/ 104/Letterpress.html;<br />
#10/754.<br />
Sherce Kinlyside : Red Rag Press, Townsville, Qld. IN: Australian book arts journal, 2 (2010), p. [2]-5 : ill.<br />
(Pr<strong>of</strong>ile). N: Printer and publisher <strong>of</strong> fine printing and artists’ books; with details <strong>of</strong> her work The reluctant<br />
nun (2007); #10/755.<br />
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Simpson, Peter. Leo Bensemann : an art venture. IN: Bulletin <strong>of</strong> <strong>the</strong> Christchurch Art Gallery, 163<br />
(2010/2011), p. 34-37 : ill. N: On his work as artist but includes material on <strong>the</strong> Caxton Press and<br />
reproductions from his Fantastica (1937); incom-plete text with p. 37 reprinting <strong>the</strong> beginning <strong>of</strong> <strong>the</strong> article;<br />
also available online; #10/756.<br />
Skinner, Carolynne. ‘The Wayzgoose affair’ by Jadwiga Jarvis [electronic resource]. IN: Bone-folder, 4<br />
(2008) 2, p. 46-48 : ill. N: Review <strong>of</strong> Jadwiga Jarvis’ The Wayzgoose affair (Katoomba, [NSW] : Wayzgoose<br />
Press, 2007);<br />
http://digilib.syr.edu/cgi-bin/showfile.exe?CISOROOT=/bonefolder&CISOPTR=71&filename=72.pdf;<br />
#10/757<br />
Skinner, Damian. Hooked on wonder and mystery. IN: New Zealand books, Aug. 2005, p. 6. N: Brief review<br />
<strong>of</strong> Leo Bensemann’s ‘Engravings on wood’ ([Auckland] : Holloway Press, 2004); also avail-able online;<br />
#10/758.<br />
State Library <strong>of</strong> Victoria. Private press [elec-tronic resource]. [Melbourne] : State Library <strong>of</strong> Victoria, 2010. 1<br />
electronic document : ill. N: Slide show; with links to Kelmscott Press and Wayzgoose Press; http://<br />
www.slv.vic.gov.au/our-collections/collection-strengths/history-book/ private-press; #10/759<br />
Stone, Kerrianne. Write <strong>of</strong> fancy : <strong>the</strong> Golden Cockerell Press. [Melbourne? : Kerrianne Stone], 2007. 1 v. N:<br />
Thesis (M.A. Art Curatorship)—<strong>University</strong> <strong>of</strong> Melbourne, 2007; pagination and o<strong>the</strong>r details not known;<br />
#10/760.<br />
Wegner, J.P. Artists’ books, fine printing and pri-vate presses in Australia and New Zealand : a<br />
bibliography, 2005-2008. IN: <strong>Book</strong> arts newsletter, 56 (2010), p. 27-31 : B. N: Cumulates material which<br />
appeared in Brandywine bookman’s vade mecum, 14 (2008)-16 (2008) and Annual biblio-graphy <strong>of</strong> books and<br />
printing in Australia and New Zealand, 4 (2008); pt. 1; pt. 2: 57 (2010), p. 26-29; and: pt. 3: 58 (2010), p.<br />
19-22; also available online; #10/761.<br />
Wegner, J.P. “Doing something for collections” : a bookman remembers Jennifer Alison. IN: Bibliographical<br />
Society <strong>of</strong> Australia and New Zealand broadsheet, 84 (2010), p. 7-9. N: Obituary <strong>of</strong> <strong>the</strong> late<br />
Acquisitions Librarian, <strong>University</strong> <strong>of</strong> Sydney; includes material on <strong>the</strong>ir Detective Fiction Collec-tion and<br />
private press collection; #10/762.<br />
Wegner, J.P. Gilde Gutenberg. IN: Shadow-land, 26 (2010), p. [7-16]. N: Association <strong>of</strong> Swiss private<br />
presses and printing museums; also pro-duced in electronic form in Brandywine bookman’s repository for<br />
Australia & New Zealand, 26 (2010); #10/763<br />
Wegner, J.P. Otakou Press’ Printer in Residence Programme. IN: Brandywine bookman’s vade mecum, 25<br />
(2010), p. [19-20]. N: Also produced in electronic form in Brandywine bookman’s reposi-tory for Australia &<br />
New Zealand, 25 (2010); #10/764.<br />
Wegner, J.P. The Phrontisterion’s common press. IN: Brandywine bookman’s vade mecum, 25 (2010), p.<br />
[8-9]. (The press spotter’s guide ; 5). N: Also produced in electronic form in Brandywine bookman’s repository<br />
for Australia & New Zea-land, 25 (2010); #10/765.<br />
Whitelock, Paula Jane. “Coming full circle” : reviving private press printing at <strong>the</strong> <strong>University</strong> <strong>of</strong> Otago.<br />
[Wellington : Paula Jane Whitelock], 2009. 147 leaves : ill., B123-128. N: Thesis (M. Lib. And Information<br />
Studies)—School <strong>of</strong> Information Management, Victoria <strong>University</strong> <strong>of</strong> Wellington; on <strong>University</strong> <strong>of</strong> Otakou<br />
Library’s Printer In Resi-dence Programme and <strong>the</strong> publications <strong>of</strong> <strong>the</strong> Ota-kou Press, 2003- ; also available<br />
online; #10/766.<br />
‘The works <strong>of</strong> Ge<strong>of</strong>frey Chaucer now newly imprinted’, 1896. IN: Paul Brunton’s One hundred (Sydney :<br />
State Library <strong>of</strong> New South Wales, 2010), p. 49 : ill. N: The Kelmscott Chaucer; #10/767<br />
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