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About Shantiniketan<br />

Shantiniketan was founded in spring 2014 by Bee Seavers, Europes and Germany`s most<br />

distinguished santoor player. Bee Seavers is disciple of the great Pandit Shivkumar Sharma since<br />

1995. Shantiniketan have different casts from Eurpoe, USA and India. Outstanding musicians<br />

participating in this group. The premiere of Shantiniketan was on March 12th 2014 at the Indian<br />

Embassy in Berlin (Germany) and was awarded with standing ovation. Since then Shantiniketan was<br />

established as a music group of highest quality and diversity of musical skills. The music of<br />

Shantinketan is based on Ragas combined with glimps of Flamenco and Jazz.<br />

The philosophy of Shantiniketan is a global meeting of the best musicians world wide. The list of<br />

musicians who are participating: Sandeep Popatkar, Indradeep Ghosh, Ajay Prasanna, Andre Lenz, ,<br />

Farooque Khan, Rupak Kulkani,Ramesh Mishra, Bee Seavers, Mukundraj Deo and many more.<br />

Shantiniketan performing on classical music festivals, jazz festivals, world music festivals as well<br />

concert halls world wide.<br />

Biographies of Shantiniketan Musicians for the Trivandrum Concert<br />

Farooque Lateef Khan, born in Bhopal in 1975, is one of the most accomplished<br />

and promising musicians of the younger generation of Sarangi players in India.<br />

Farooque represents the fifth generation of the musical heritage of distinguished<br />

Sarangi players from Gohad near Gwalior in Madhya - Pradesh. This musical<br />

heritage includes Ustad Fazal Khan, the father of Ustad Ghansi Khan, famous for<br />

his mastery of the intricate 'Tappa' style. Ustad Ghansi Khan taught his sons who<br />

included Ustad Uday Khan, Ustad Chhuttu Khan and Ustad Haddu Khan who<br />

were the father and paternal uncles and the teachers of Ustad Abdul Lateef Khan,<br />

Farooque Lateef Khan's eminent father.<br />

Farooque Lateef Khan began learning Sarangi from his father at the age of twelve. The intense<br />

'taleem' which he received from Ustad Abdul Lateef Khan Sahab, every morning and evening, is<br />

clearly reflected in his thoughtful and virtuosic playing style. His playing embodies the intricate<br />

delicacy of his father's style as well as rare and impressive techniques which his father learned from<br />

one of the most famous Sarangi player of the first half of this century, Ustad Bade Ghulam Sabir<br />

(Ambala Wale).<br />

From Shrimati Annapurna Devi, the daughter of Pandit Ravi Shankar’s Guru<br />

Baba Allaudin Khan, came the legendary Flute maestro Pandit Hariprasad<br />

Chaurasia, and from this Master came his prime disciple Pandit Rupak Kulkarni,<br />

who has given this grand tradition a brand new flavour with his unique sensuality<br />

and creativity. Where others have performed ragas, Rupak has recreated ragas.<br />

Where others have played compositions through the flute, Rupak has written<br />

compositions through the flute. Where others have reminded us of the sensuality of the Krishna’s<br />

instrument, Rupak has proved to us the sensuality of Krishna’s instrument. Rupak is simply an ageold<br />

master of music disguised as a much younger artiste.<br />

As a child prodigy with music blown into his breath by his father late Pt. Malhar Rao Kulkarni,<br />

Rupak has blossomed under the finest tutelage of flute legend Padma Vibhushan Pt. HARIPRASAD<br />

CHAURASIA to become an outstanding exponent of MAIHAR GHARANA. As a first GANDA<br />

BANDH Shagird of Pt. Chaurasia since the tender age of 9, Rupak with arduous training and hard

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