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erview, <strong>Volume</strong> 1: <strong>Best</strong> <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong> <strong>1969</strong>–1979<br />

n: American<br />

Gift<br />

Photographs 1973–1988 Robert Gober<br />

ck Robert Frank New York to Nova Scotia Michael<br />

Ed Ruscha Catalogue Raisonné <strong>of</strong> <strong>the</strong> Paintings.<br />

a Guido Mocafico Venenum Jeff Wall Catalogue<br />

edi Slimane Stage Juergen Teller, Cindy Sherman<br />

nd El<br />

Books<br />

Lissitzky My Paris Ed Ruscha Catalogue<br />

Lewis Baltz The Tract Houses; The Prototype<br />

ifornia Danzig Baldayev Russian Criminal Tattoo<br />

nimal — Useful, Cute and Collected Karl Lagerfeld<br />

Crazy Roni Horn Index Cixous (Cix Pax) Jake<br />

urtynsky China Robert Frank Storylines Tacita<br />

e Night Andy Warhol Red Books Young America:<br />

ine Entrada Drive Julian Germain For every minute<br />

Ruscha THEN & NOW Karl Lagerfeld 7 Fantasmes<br />

Sweet Earth: Experimental Utopias in America Marc<br />

s, so far (vol. 1–4) Collier Schorr Jens F. Thomas<br />

Ver Paris <strong>Steidl</strong> Vintage.2005


<strong>Steidl</strong> Gift Books<br />

What better gift to give or receive than a book?<br />

Not just any book, but a carefully chosen, sumptuously crafted<br />

object <strong>of</strong> beauty and intelligence.<br />

This Gift Book Catalogue <strong>of</strong>fers a selection <strong>of</strong> some <strong>of</strong> our most<br />

desirable books, which also happen to be some <strong>of</strong> <strong>the</strong> most highly<br />

acclaimed and award-winning publications on fine art, photography<br />

and fashion.<br />

You can view more information on all <strong>the</strong>se books and our<br />

complete back list at www.steidlville.com


The world’s most<br />

distinguished printing<br />

and publishing company<br />

Art Review<br />

Books for that small<br />

charmed circle <strong>of</strong><br />

discerning book-lovers<br />

The Telegraph<br />

Michael Roberts The Snippy World 4<br />

Hedi Slimane Stage 5<br />

Ed Ruscha THEN & NOW 6<br />

Collier Schorr Jens F. 7<br />

V-<strong>Best</strong>. <strong>Best</strong> <strong>of</strong> V Magazine 8<br />

The Ecstasy <strong>of</strong> Things 9<br />

Juergen Teller, Cindy Sherman and Marc Jacobs Ohne Titel 10<br />

Tacita Dean Die Regimentstochter 11<br />

Paolo Roversi Studio 12<br />

Guido Mocafico Venenum 13<br />

Danzig Baldayev Russian Criminal Tattoo Encyclopedia 14<br />

Jake and Dinos Chapman Insult to Injury 15<br />

Robert Gober A Robert Gober Lexicon 16<br />

Roni Horn Index Cixous (Cix Pax) 17<br />

Isamu Noguchi A Sculptor’s World 18<br />

Lewis Baltz The Tract Houses; The Prototype Works; The New<br />

Industrial Parks near Irvine, California 19<br />

Joel Sternfeld Sweet Earth: Experimental Utopias in America 20<br />

Robert Polidori Havana 21<br />

Andy Warhol’s <strong>Interview</strong>, Vol. 1: <strong>Best</strong> <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong> <strong>1969</strong>–1979 22<br />

Andy Warhol Red Books 24<br />

Arthur Elgort Camera Crazy 25<br />

Karl Lagerfeld A Picture <strong>of</strong> Dorian Gray 26<br />

Karl Lagerfeld 7 Fantasmes <strong>of</strong> a Woman 27<br />

Gilles Coulon White Night 28<br />

Michal Rovner Fields 29<br />

Jeff Wall Catalogue Raisonné 30<br />

Mitch Epstein Recreation: American Photographs 1973–1988 31<br />

Edward Burtynsky China 32<br />

Young America: The Daguerreotypes <strong>of</strong> Southworth and Hawes 33<br />

Ed Ruscha Catalogue Raisonné <strong>of</strong> <strong>the</strong> Paintings. <strong>Volume</strong> One: 1958–1970 34<br />

Ed Ruscha Catalogue Raisonné <strong>of</strong> <strong>the</strong> Paintings. <strong>Volume</strong> Two: 1971–1982 35<br />

Robert Frank New York to Nova Scotia 36<br />

Robert Frank Storylines 37<br />

Julian Germain For every minute you are angry... 38<br />

Marc Joseph American Pitbull 39<br />

Ute Eskildsen The Photographed Animal — Useful, Cute and Collected 40<br />

Marianne Müller The Flock 41<br />

Jim Dine The Photographs, so far (vol. 1–4) 42<br />

Jim Dine Entrada Drive 43<br />

Moï Ver Paris 44<br />

Illya Ehrenburg and El Lissitzky My Paris 45<br />

<strong>Steidl</strong> Vintage.2005 46


Michael Roberts The Snippy World<br />

Hedi Slimane Stage<br />

‘Michael Roberts is<br />

<strong>the</strong> Jean Cocteau <strong>of</strong><br />

<strong>the</strong> fashion world’<br />

Tina Brown<br />

‘Hedi Slimane is<br />

<strong>the</strong> man responsible<br />

for <strong>the</strong> way rock ‘n’<br />

roll looks today’<br />

Los Angeles Times<br />

‘His drawings grasp fashion moments like a photo could never do’ Manolo Blahnik<br />

Over <strong>the</strong> past few years Hedi Slimane’s ongoing design collaborations with<br />

‘From evocative pen-and-ink sketches to acrylic paintings to intensely witty<br />

musicians on <strong>the</strong>ir stage costumes has allowed him unfettered access to live<br />

New Yorker covers created from cut paper, <strong>the</strong>se works capture <strong>the</strong> fads, foibles,<br />

concerts by David Bowie, The White Stripes, Beck, The Rolling Stones,<br />

and fashionability <strong>of</strong> our times’ Grace Coddington<br />

Blondie, The Strokes, The Libertines ... in Paris, London, Berlin, New York<br />

and LA. This has evolved into a personal photographic investigation <strong>of</strong> <strong>the</strong><br />

Introductions by Anna Wintour, Tim Blanks, Michael Specter, Michael Roberts.<br />

mythology <strong>of</strong> <strong>the</strong> rock concert. In his pictures <strong>the</strong> stars <strong>of</strong> <strong>the</strong> shows are <strong>of</strong>ten<br />

Essays by André Leon Talley, John Galliano, Manolo Blahnik.<br />

conspicuously absent. It is about <strong>the</strong> creation <strong>of</strong> a rock personality, <strong>the</strong> silent<br />

290 pages, full colour, 26.6 x 34.9 cm, clothbound hardcover, £45.00 /<br />

rituals <strong>of</strong> ‘<strong>the</strong> sacred-almost sacrificial-space <strong>of</strong> <strong>the</strong> stage’.<br />

$85.00 / f65.00, isbn: 3–86521–151–8<br />

396 pages, 286 tritone plates, 36 cm x 20 cm, hardcover with<br />

silvermetallic cloth and a white foil blocking in a slipcase, £55.00 / $100.00 /<br />

f80.00, isbn: 3–86521–024–4<br />

Also available by Hedi Slimane, London Birth <strong>of</strong> a Cult and Berlin<br />

4 5


Ed Ruscha THEN & NOW Collier Schorr Jens F.<br />

‘This is <strong>the</strong><br />

ultimate Ruscha<br />

performance piece’<br />

Domus<br />

A limited edition<br />

artist's book <strong>of</strong><br />

1000 signed and<br />

numbered copies<br />

Between 1962 and 1978, Ed Ruscha produced eighteen small artist’s books.<br />

Usually self-published and in small print runs, <strong>the</strong>se publications have become<br />

seminal works in <strong>the</strong> history <strong>of</strong> conceptual art and <strong>the</strong> photography book.<br />

THEN & NOW is <strong>the</strong> <strong>first</strong> artist’s book that Ruscha has independently<br />

created since 1972.<br />

148 pages, four colour throughout, 45 x 32 cm, slipcased linen bound<br />

hardback, £80.00 / $175.00 / f120.00, isbn: 3–86521–105–4<br />

The Jens pictures began as an experiment. To photograph a young boy in many<br />

<strong>of</strong> <strong>the</strong> positions that Andrew Wyeth painted <strong>the</strong> model Helga; to give someone<br />

ano<strong>the</strong>r identity and photograph <strong>the</strong>m through <strong>the</strong> transformation. The work<br />

evolved into a kind <strong>of</strong> dance between <strong>the</strong> two models, between painting and<br />

photography, between <strong>the</strong> exacting detail <strong>of</strong> photography and all <strong>the</strong> nuances<br />

<strong>of</strong> sketches and drawings.<br />

Collier Schorr<br />

With a text by Collier Schorr, 160 pages, 70 colour plates, 24 cm x 27.8 cm,<br />

clothbound hardcover with a tipped-in image in a handmade slipcase, £140.00<br />

/ $250.00 / f200.00, isbn: 3–86521–156–9<br />

6<br />

7


V-<strong>Best</strong>. <strong>Best</strong> <strong>of</strong> V Magazine<br />

The Ecstasy <strong>of</strong> Things<br />

‘This doorstop <strong>of</strong><br />

a book is a thing<br />

<strong>of</strong> beauty in its<br />

own right’<br />

Gay Times<br />

The publication <strong>of</strong> V-<strong>Best</strong> marks <strong>the</strong> fifth-year anniversary <strong>of</strong> V Magazine.<br />

V is a place where uptown meets downtown, celebrities mingle with total<br />

unknowns, high art converses with underground culture. Chic, wacky, fun,<br />

fabulous... in a letter V.<br />

Two volumes compiling <strong>the</strong> best pages <strong>of</strong> one <strong>of</strong> <strong>the</strong> most important<br />

journals on contemporary culture.<br />

Stephen Gan and Visionaire (ed.), V-<strong>Best</strong>. <strong>Best</strong> <strong>of</strong> V Magazine, 300<br />

pages, colour, 29.2 x 41.3 cm, two vols. slipcased, £80.00 / $150.00 / f120.00,<br />

isbn: 3–86521–028–7<br />

The 20th century was also a century <strong>of</strong> things, both those artistically created<br />

and mass-produced. Originally manufactured for one purpose or ano<strong>the</strong>r, <strong>the</strong><br />

things soon achieved <strong>the</strong>ir independence, becoming in <strong>the</strong> process harbingers<br />

<strong>of</strong> beauty, modernity, innovation. The Ecstasy <strong>of</strong> Things. From Functional<br />

Object to Fetish in Twentieth Century Photography uses product photography<br />

as a reflection <strong>of</strong> <strong>the</strong> world <strong>of</strong> things and shows how <strong>the</strong> emotional and<br />

symbolic content <strong>of</strong> a thing was represented. The collection is a wealth <strong>of</strong><br />

forms and a colourful compendium <strong>of</strong> design and a photographic history <strong>of</strong><br />

<strong>the</strong> past century.<br />

Thomas Seelig / Urs Stahel (eds.), 400 pages with 472 colour plates, 24 x<br />

30 cm, hardcover, £ 32.00 / $ 60.00 / f48.00, isbn: 3–86521–085–6<br />

8 9


Juergen Teller Cindy Sherman and Marc Jacobs Ohne Titel<br />

Tacita Dean Die Regimentstochter<br />

A limited edition<br />

artist's book <strong>of</strong><br />

1000 signed and<br />

numbered copies<br />

10<br />

Spawned by a commission from fashion designer Marc Jacobs for an<br />

advertising campaign, Ohne Titel is a collection <strong>of</strong> largely unpublished images<br />

<strong>of</strong> Juergen Teller and Cindy Sherman which derived from <strong>the</strong> initial concept.<br />

The resulting photographs are <strong>the</strong>atrical performances that touch upon <strong>the</strong><br />

staging inherent in <strong>the</strong> work <strong>of</strong> both artists.<br />

48 pages, 26 colour plates, 25 x 32 cm, clothbound hardcover with dust<br />

jacket , £17.50 / $30.00 / f25.00, isbn: 3–86521–195–x<br />

Not distributed by D.A.P.<br />

This politicisation <strong>of</strong> culture in Berlin’s mid-20th century history is an<br />

undercurrent <strong>of</strong> Tacita Dean’s newest Berlin work Die Regimentstochter,<br />

2005. Compiled from <strong>the</strong> covers <strong>of</strong> opera and <strong>the</strong>atre programmes <strong>of</strong> <strong>the</strong><br />

1930s and 1940s <strong>the</strong> book is a cross-section <strong>of</strong> Berlin’s rich <strong>of</strong>fering <strong>of</strong> opera<br />

houses and <strong>the</strong>atres. Each programme gives a tantalising glimpse <strong>of</strong> a title or<br />

a face through a small window cut into <strong>the</strong> embossed cover; we recognise<br />

Beethoven, Rossini, <strong>the</strong> face <strong>of</strong> a singer perhaps. Why <strong>the</strong>y were removed is<br />

left to our imaginations.<br />

Limited edition <strong>of</strong> 1000 signed and numbered books, 64 pages, 36<br />

colour plates, 15 x 22 cm, handstitched s<strong>of</strong>tcover, £12.50 / $25.00 / f18.00,<br />

isbn: 3–86521–202–6<br />

Also available FLOH and Seven Books<br />

11


Paolo Roversi Studio<br />

Guido Mocafico Venenum<br />

Limited edition<br />

<strong>of</strong> 1200 copies<br />

Paolo Roversi is known internationally for his romantic, intense, and e<strong>the</strong>real<br />

fashion images and portraits — images that quiver on <strong>the</strong> edge <strong>of</strong> <strong>the</strong>ir own<br />

seemingly fragile existence. Since 1980 Roversi has worked primarily in 8-by-<br />

10 Polaroid, and rarely on location. Studio is a milestone in his burgeoning<br />

bibliography. The book, designed as a series <strong>of</strong> gatefolds, appears to be a<br />

collection <strong>of</strong> empty pages at <strong>first</strong> glance. The experience <strong>of</strong> looking is akin to<br />

that <strong>of</strong> peeling away <strong>the</strong> leaves <strong>of</strong> a Polaroid — out <strong>of</strong> <strong>the</strong> blackness, an image<br />

is revealed as if by magic.<br />

80 gatefolds, 28.4 x 32 cm, clothbound, £80.00 / $150.00 / f120.00,<br />

isbn: 3–86521–164–x<br />

Also by Paolo Roversi Nudi and Libretto<br />

Guido Mocafico regards jellyfish, snakes, and tarantulas as <strong>the</strong> creation <strong>of</strong> an<br />

unparalleled artist. His images <strong>of</strong>fer a vision <strong>of</strong> <strong>the</strong> unknown, a large dose <strong>of</strong><br />

mystery, and fear, a contemporary view <strong>of</strong> <strong>the</strong> demiurge. These are <strong>the</strong> bêtes<br />

noires <strong>of</strong> our imagination...<br />

4 volumes, 24 cm x 37.5 cm, Book 1: Medusa: 50 pages, 23 colour<br />

plates, Book 2: Serpens: 184 pages, 90 colour plates, Book 3: Aranea: 40 pages,<br />

18 colour plates, Book 4: Text, 60 pages, four clothbound hardcover books in<br />

a slipcase, limited edition <strong>of</strong> 1200 copies, £100.00 / $200.00 / f150.00,<br />

isbn: 3–86521–012–0<br />

12<br />

13


Danzig Baldayev Russian Criminal Tattoo Encyclopedia<br />

Jake and Dinos Chapman Insult to Injury<br />

‘Russian Criminal<br />

Tattoo is a rare and<br />

astonishing book’<br />

The Daily Telegraph<br />

‘Controversial<br />

mavericks <strong>of</strong><br />

modern art’<br />

Evening Standard<br />

The photographs, drawings and texts which make up <strong>the</strong> Encyclopedia are<br />

part <strong>of</strong> a collection <strong>of</strong> 3,600 tattoos compiled over 33 years in St Petersburg’s<br />

notorious Kresty prison by one <strong>of</strong> <strong>the</strong> prison guards, Danzig Baldayev. The<br />

tattoos were his passport into a secret world where he became something <strong>of</strong><br />

an ethnographer, recording <strong>the</strong> secrets <strong>of</strong> a closed society.<br />

400 pages, 67 black & white plates, 189 illustrations, 12 cm x 20 cm,<br />

embossed clothbound hardcover with dust jacket, £14.50 / $25.00 / f20.00,<br />

isbn: 3–88243–920–3<br />

Also available in German and French language editions.<br />

In 2001, Jake and Dinos Chapman purchased a set <strong>of</strong> Francisco Goya’s<br />

Disasters <strong>of</strong> War prints. Produced by Goya between 1810 and 1820 as an<br />

attack on <strong>the</strong> horrors <strong>of</strong> war, and its supposed romance and idealism, this<br />

group <strong>of</strong> 80 images has since become emblematic <strong>of</strong> art’s moral voice, as well<br />

as a powerful template for <strong>the</strong> representation <strong>of</strong> <strong>the</strong> gross insanity <strong>of</strong> conflict.<br />

The Chapmans meticulously ‘rectified’ <strong>the</strong>ir Goya prints, superimposing<br />

cartoon faces <strong>of</strong> clowns or puppies onto figures Goya had intended as<br />

allegories <strong>of</strong> human suffering, as <strong>the</strong> ultimate homage to Goya’s masterpiece.<br />

With a text by Jake Chapman, 176 pages, 80 colour plates, 38 cm x 27.6 cm,<br />

blind embossed hardcover, £35.00 / $70.00 / f50.00, isbn: 3–88243–957–2<br />

14<br />

15


Robert Gober A Robert Gober Lexicon<br />

Roni Horn Index Cixous (Cix Pax)<br />

Special Edition,<br />

A copy <strong>of</strong> <strong>the</strong> <strong>first</strong><br />

edition <strong>of</strong> <strong>the</strong> book<br />

with a C-Print, both<br />

signed and numbered<br />

by Roni Horn<br />

16<br />

This publication catalogues and explores <strong>the</strong> latest sculptural installation by<br />

Robert Gober, one <strong>of</strong> contemporary art’s most highly-regarded figures. The<br />

<strong>first</strong> <strong>of</strong> <strong>the</strong> two volumes includes a comprehensive essay by Brenda<br />

Richardson written over <strong>the</strong> course <strong>of</strong> <strong>the</strong> two years <strong>of</strong> <strong>the</strong> installation’s<br />

development. Richardson spent hours in <strong>the</strong> studio in conversation with<br />

Gober, and her Lexicon provides an unprecedented glimpse at <strong>the</strong> working<br />

process and multiple layers <strong>of</strong> meaning in Gober’s complex work. The<br />

lavishly-illustrated second volume reproduces over 50 full-colour photographs<br />

<strong>of</strong> <strong>the</strong> completed work.<br />

With an essay by Brenda Richardson, two s<strong>of</strong>tcover volumes in a<br />

slipcase, Book 1: 136 pages with 131 text illustrations, Book 2: 56 pages with<br />

50 colour plates, 17 cm x 24 cm, £35.00 / $58.00 / 48.00, isbn: 3–86521–121–6<br />

Inspired by <strong>the</strong> author Hélène Cixous, Index Cixous questions <strong>the</strong> nature <strong>of</strong><br />

language in its most fundamental sense and proposes a new language, one<br />

without words, but which can be read as any o<strong>the</strong>r. It is also a portrait and<br />

many stories.<br />

A copy <strong>of</strong> <strong>the</strong> <strong>first</strong> edition <strong>of</strong> <strong>the</strong> book with a C-Print, both signed<br />

and numbered by Roni Horn, 116 pages, 15 colour plates, 65 tritone plates,<br />

19.2 cm x 13 cm, in a labeled slipcase, £240.00 / $420.00 / f340.00,<br />

isbn: 3–86521–205–0<br />

17


Isamu Noguchi A Sculptor’s World<br />

Lewis Baltz The Tract Houses; The Prototype Works; The New Industrial Parks<br />

18<br />

A Sculptor’s World is <strong>the</strong> long awaited reprint <strong>of</strong> Isamu Noguchi’s 1968<br />

autobiography. It remains Noguchi’s most comprehensive statement about <strong>the</strong><br />

art that brought him international acclaim. Told in words and images, A<br />

Sculptor’s World is essential reading for anyone with an interest in <strong>the</strong> life and<br />

work <strong>of</strong> this seminal artist or a general interest in <strong>the</strong> art <strong>of</strong> sculpture.<br />

With forewords by R. Buckminster Fuller and Bonnie Rychlak, 260<br />

pages, 13 colour plates and 255 duotone plates, 23.7 cm x 25.5 cm,<br />

clothbound, £40.00 / $65.00 / f58.00, isbn: 3–88243–970–x<br />

Reproduced for <strong>the</strong> <strong>first</strong> time, Lewis Baltz’s earliest portfolio The Tract<br />

Houses (1971) and his preliminary forays into a minimal aes<strong>the</strong>tic, as<br />

represented in The Prototype Works (1967–1976), illuminate Baltz’s drive to<br />

capture <strong>the</strong> reality <strong>of</strong> a sprawling Western ecology gone wild. Toge<strong>the</strong>r with<br />

The New Industrial Parks near Irvine, California, this trilogy reveals <strong>the</strong><br />

indelible importance <strong>of</strong> Baltz in <strong>the</strong> changing course <strong>of</strong> contemporary<br />

photography.<br />

With an essay by Sheryl Conkelton and an introduction by Adam D.<br />

Weinberg, three volumes in a slipcase, The Tract Houses: 64 pages, 25 tritone<br />

plates, The Prototype Works: 112 pages, 57 tritone plates, The New industrial<br />

Parks near Irvine, California: 112 pages, 51 tritone plates, 28.5 cm x 27.3 cm,<br />

hardcover with dust jacket, £80.00 / $225.00 / f120.00, isbn: 3–86521–126–7<br />

19


Joel Sternfeld Sweet Earth: Experimental Utopias in America<br />

Robert Polidori Havana<br />

‘Sternfeld’s images<br />

resonate with wit,<br />

irony and intrigue’<br />

Next Level<br />

Now in its<br />

fifth edition<br />

As laissez-faire market forces sweep <strong>the</strong> globe and <strong>the</strong> earth’s future seems<br />

endangered, <strong>the</strong> dream <strong>of</strong> living in concert with nature and with one ano<strong>the</strong>r<br />

is increasingly essential. Joel Sternfeld has selected sixty representative<br />

utopian communities in America and documents <strong>the</strong>m in this book with<br />

photographs and explanatory texts. Sweet Earth brings toge<strong>the</strong>r what might<br />

o<strong>the</strong>rwise seem disparate, individualized social phenomena and makes visible<br />

<strong>the</strong> community <strong>of</strong> communities.<br />

136 pages with 60 colour plates, 30.5 x 25.5 cm, clothbound hardcover<br />

with dust jacket, £30.00 / $49.95 / f5.00, isbn: 3–86521–124–0<br />

Also available, American Prospects, Walking <strong>the</strong> High Line and<br />

Treading on Kings<br />

Robert Polidori, <strong>of</strong>ten considered an architectural photographer, is in fact a<br />

photographer <strong>of</strong> habitats. Polidori delicately peels away <strong>the</strong> patina <strong>of</strong> daily<br />

living and reveals <strong>the</strong> juxtapositions that create a city’s identity. Havana is a<br />

particularly rich setting for Polidori’s inquiries. In this city <strong>the</strong> peddler lives<br />

where <strong>the</strong> countess once resided; children dance and tumble where merchants<br />

conducted <strong>the</strong>ir business. Each photograph is a discovery and a fragment <strong>of</strong><br />

<strong>the</strong> city’s biography.<br />

With an essay by E. Luis Rodríguez, 160 pages, 152 colour plates,<br />

38.5 cm x 30 cm, hardcover with dust jacket, £48.00 / $75.00 / f74.00,<br />

isbn: 3–88243–333–7<br />

Also available, Zones <strong>of</strong> Exclusion: Pripyat and Chernobyl and Metropolis<br />

20<br />

21


Andy Warhol’s <strong>Interview</strong>, <strong>Volume</strong> 1: <strong>Best</strong> <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong> <strong>1969</strong>–1979<br />

‘A lavish seven-volume<br />

survey ... Andy Warhol’s<br />

<strong>Interview</strong>: The Crystal<br />

Ball <strong>of</strong> Pop Culture<br />

seems set to become<br />

a vital resource’<br />

Frieze<br />

22<br />

The October 2004 edition <strong>of</strong> <strong>Interview</strong> magazine marked 35 years <strong>of</strong> <strong>the</strong><br />

award winning journal founded by pop art pioneer Andy Warhol. In that time<br />

it developed from <strong>the</strong> newsletter <strong>of</strong> <strong>the</strong> Studio 54 set into <strong>the</strong> definitive guide<br />

to <strong>the</strong> most significant stars <strong>of</strong> today and tomorrow.<br />

For 35 years <strong>Interview</strong> has <strong>of</strong>fered an original perspective on <strong>the</strong> sexy,<br />

fascinating and funny people who are shaping popular culture. This collection<br />

<strong>of</strong> 7 books presents <strong>the</strong> <strong>first</strong> catalogue <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong> <strong>of</strong> that extraordinary<br />

history and, like <strong>the</strong> rare, early issues <strong>of</strong> <strong>the</strong> magazine, is already a valuable<br />

collector’s item. Each volume includes introductory essays by iconic actors,<br />

musicians, directors and artists.<br />

BOOK 1: THE COVERS, facsimile reproductions <strong>of</strong> every cover <strong>of</strong><br />

<strong>the</strong> <strong>first</strong> <strong>decade</strong> <strong>of</strong> <strong>Interview</strong> magazine, metallic clothbound hardcover, 160<br />

pages, four colour BOOK 2: THE PICTURES, <strong>the</strong> best <strong>Interview</strong> magazine<br />

photo-shoots <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong>, hardcover, 192 pages, tritone and four colour,<br />

BOOK 3: THE INTERVIEWS, <strong>the</strong> best interviews from <strong>the</strong> <strong>first</strong> <strong>decade</strong>,<br />

hardcover, 400 pages, BOOK 4: THE ANDY WARHOL INTERVIEWS, <strong>the</strong><br />

best interviews for <strong>Interview</strong> magazine by Warhol, hardcover, 192 pages,<br />

BOOK 5: THE FASHION, <strong>the</strong> best interviews with fashion designers and <strong>the</strong><br />

best fashion photography <strong>of</strong> <strong>the</strong> <strong>first</strong> <strong>decade</strong>, hardcover, 192 pages, tritone<br />

throughout, BOOK 6: THE DIRECTORS, <strong>the</strong> best interviews with <strong>the</strong><br />

visionary leaders <strong>of</strong> <strong>the</strong> Movie Industry, hardcover, 192 pages, BOOK 7: THE<br />

BACK OF THE BOOK, Fran Lebowitz’s legendary ‘I cover <strong>the</strong> Waterfront’<br />

columns, clothbound, 96 pages, 7 volumes, 1488 pages, £250.00 / $475.00 /<br />

f360.00, isbn: 3–86521–023–6<br />

23


Andy Warhol Red Books<br />

Arthur Elgort Camera Crazy<br />

‘His iconic images<br />

<strong>of</strong> supermodels<br />

ooze sophistication<br />

and glamour’<br />

Marie Claire<br />

The Polaroid camera combined two <strong>of</strong> Andy Warhol’s obsessions — <strong>the</strong><br />

disposible nature <strong>of</strong> modern consumerism and <strong>the</strong> photograph as a readymade.<br />

Between 1970 and 1976 Warhol would take home <strong>the</strong> Polaroids, edit<br />

and sequence <strong>the</strong>m and <strong>the</strong>n enter <strong>the</strong>m in individual red Holson Polaroid<br />

albums. These albums tended to cover one event, be it a weekend in Montauk<br />

with <strong>the</strong> Kennedy and Radziwill kids, or a portrait sitting with Palomo<br />

Picasso. Red Books is a box containing 11 <strong>of</strong> <strong>the</strong> Holson albums, each a<br />

facsimile set <strong>of</strong> Warhol’s original sequence.<br />

11 red, spiralbound Holson photo albums, one black booklet <strong>of</strong> text,<br />

all 12 books packed in a red cardboard box, 120 pages, 200 colour plates, 14<br />

cm x 8.9 cm, £55.00 / $95.00 / f80.00, isbn: 3–86521–019–8<br />

This book collects toge<strong>the</strong>r Arthur Elgort’s photographs <strong>of</strong> people with<br />

cameras. They range from children to supermodels, from strangers to selfportraits,<br />

and emphasise <strong>the</strong> ubiquity <strong>of</strong> <strong>the</strong> camera in contemporary culture.<br />

200 pages, 150 colour plates, 22.5 cm x 36.8 cm, hardcover, £19.99 /<br />

$35.00 / f30.00, isbn: 3–86521–027–9<br />

24<br />

25


Karl Lagerfeld A Picture <strong>of</strong> Dorian Gray<br />

Karl Lagerfeld 7 Fantasmes <strong>of</strong> a Woman<br />

‘[Karl Lagerfeld] is one<br />

<strong>of</strong> <strong>the</strong> few fashion designers<br />

who really understands art,<br />

literature, photography<br />

and how <strong>the</strong>y intersect’<br />

The Independent<br />

This book tells <strong>the</strong> story <strong>of</strong> Oscar Wilde’s novel as a film. It reflects a world<br />

<strong>of</strong> fashion and glamour and suggests <strong>the</strong> aes<strong>the</strong>tics <strong>of</strong> Caravaggio or <strong>the</strong> pre-<br />

Raphaelites. Karl Lagerfeld, one <strong>of</strong> <strong>the</strong> greatest protagonists <strong>of</strong> <strong>the</strong> fashion<br />

scene, makes his contribution — not completely free <strong>of</strong> irony — to <strong>the</strong><br />

subject <strong>of</strong> <strong>the</strong> transitory nature <strong>of</strong> beauty.<br />

88 pages, four colour, 25 x 26 cm, clothbound, £30.00 / $55.00 / f45.00,<br />

isbn: 3–86521–015–5<br />

In 7 Fantasmes <strong>of</strong> a Woman, Karl Lagerfeld has brought to life his vision <strong>of</strong> a<br />

woman’s sensual fantasies. Against <strong>the</strong> backdrop <strong>of</strong> <strong>the</strong> rich history <strong>of</strong> Dom<br />

Pérignon and taking inspiration from diverse sources, including drawings by<br />

Moreau <strong>the</strong> Younger, Stanley Kubrick’s film Barry Lyndon, Colette’s Chéri,<br />

Laclos’ Dangerous Liaisons and <strong>the</strong> poetry <strong>of</strong> Emily Dickinson, he created a<br />

series <strong>of</strong> photographs filled with sensuality, mystery and sexual ambiguity.<br />

56 pages with 25 duotone plates, 21 x 27.5 cm, clothbound hardcover,<br />

$45.00 / £25.00 / f35.00, isbn: 3–86521–186–0<br />

26<br />

27


Gilles Coulon White Night<br />

Michal Rovner Fields<br />

For three years, from Shanghai to Paris, by way <strong>of</strong> Bamako and New York,<br />

Gilles Coulon traveled <strong>the</strong> world making photographs ba<strong>the</strong>d in <strong>the</strong> elusive<br />

haze <strong>of</strong> neon light. The atmosphere <strong>of</strong> <strong>the</strong>se images transports us into <strong>the</strong><br />

atmosphere <strong>of</strong> each city he has photographed. Whe<strong>the</strong>r a restaurant in Cairo,<br />

<strong>the</strong> lobby <strong>of</strong> a building on Broadway, or a Niamey market at night, his<br />

photographs bear witness to <strong>the</strong> presence <strong>of</strong> man and cause our eyes to linger<br />

in unfamiliar places.<br />

80 pages, 36 colour plates, 35 cm x 29 cm, s<strong>of</strong>tcover, £28.00 / $50.00 /<br />

f40.00, isbn: 3–86521–025–2<br />

Fields focuses on Michal Rovner’s unique ‘language’, her vocabulary <strong>of</strong> scripts<br />

and writings created from <strong>the</strong> notations <strong>of</strong> <strong>the</strong> human figure she has been<br />

collecting as part <strong>of</strong> her ongoing inquiry into <strong>the</strong> universal aspects <strong>of</strong> <strong>the</strong><br />

human condition. This beautiful and extensive book is a work <strong>of</strong> art in itself.<br />

400 pages, full colour printing, 21 x 16 cm, hardcover, $40.00 / £20.00 /<br />

f30.00, isbn: 3–86521–216–6<br />

28<br />

29


Jeff Wall Catalogue Raisonné<br />

Mitch Epstein Recreation: American Photographs 1973–1988<br />

‘The publication <strong>of</strong><br />

<strong>Steidl</strong>'s epic Catalogue<br />

Raisonné... means that<br />

all <strong>of</strong> [Wall's] work can<br />

now be conveniently<br />

studied’ Ge<strong>of</strong>f Dyer<br />

‘Epstein's considered<br />

interest in <strong>the</strong> graceful<br />

everyday produces<br />

images almost musical<br />

in <strong>the</strong>ir purity’<br />

The Telegraph<br />

This book is <strong>the</strong> <strong>first</strong> systematic compilation <strong>of</strong> information and materials<br />

on Jeff Wall’s individual works, comprising works from 1978 to 2004 and<br />

containing 120 catalogue entries. It includes technical data as well as<br />

information on <strong>the</strong>ir history and commentaries by <strong>the</strong> artist.<br />

500 pages, 120 colour plates, 92 illustrations, 25 cm x 30 cm, hardcover<br />

with dust jacket, £65.00 / $125.00 / f80.00, isbn: 3–86521–136–4<br />

Also available, Jeff Wall Photographs<br />

This large format monograph <strong>of</strong>fers a window onto <strong>the</strong> beginning and<br />

breadth <strong>of</strong> Mitch Epstein’s thirty year career and establishes him as one<br />

<strong>of</strong> <strong>the</strong> most significant photographers <strong>of</strong> <strong>the</strong> era. Epstein’s sharp wit is laced<br />

with compassion. He has turned <strong>the</strong> rituals <strong>of</strong> boredom and beauty, excess<br />

and denial, alienation and possibility, into no less than a distillation <strong>of</strong><br />

modern America.<br />

144 pages, 66 colour plates, 42 cm x 28 cm, hardcover with dust jacket,<br />

£40.00 / $75.00 / f60.00, isbn: 3–86521–084–8<br />

Also available, Mitch Epstein’s Kraszna-Krausz Award winning<br />

Family Business<br />

30<br />

31


Edward Burtynsky China<br />

Young America: The Daguerreotypes <strong>of</strong> Southworth and Hawes<br />

‘[Burtynskys’] images<br />

are appropriately<br />

sublime... <strong>the</strong>y inspire<br />

feelings <strong>of</strong> awe<br />

mixed with terror.’<br />

Art in America<br />

‘Southworth & Hawes,<br />

<strong>the</strong> finest practitioners<br />

<strong>of</strong> <strong>the</strong> daguerreotype,<br />

elevated <strong>the</strong> medium<br />

to <strong>the</strong> level <strong>of</strong> art.’<br />

Antiques & Auction News<br />

Burtysnky’s latest body <strong>of</strong> work gives visual form to <strong>the</strong> industrial and urban<br />

transformation <strong>of</strong> China, a place where industrial forces are ga<strong>the</strong>ring on a<br />

scale that <strong>the</strong> world has never experienced before. If <strong>the</strong> earth’s resources were<br />

under siege through western colonialism and technological progress, <strong>the</strong>n<br />

China is on <strong>the</strong> brink <strong>of</strong> a tsunami that is only just forming and is nowhere<br />

close to expressing its full impact.<br />

With essays by Mark Kingwell, Ted Fishman, Marc Mayer, and <strong>the</strong><br />

artist, and a preface by Maurice Strong, 180 pages, 80 colour plates, 38.1 cm x<br />

30.5 cm, clothbound hardcover with dust jacket, £45.00 / $85.00 / f65.00,<br />

isbn: 3–86521–130–5<br />

From 1845 to 1862, <strong>the</strong> Boston partnership <strong>of</strong> Albert Sands Southworth and<br />

Josiah Johnson Hawes maintained <strong>the</strong> most celebrated photography studio in<br />

<strong>the</strong> United States. Taking as <strong>the</strong>ir subjects both <strong>the</strong> greatest personalities <strong>of</strong><br />

<strong>the</strong> day and <strong>the</strong> natural spectacles <strong>of</strong> <strong>the</strong> American landscape, such as Niagara<br />

Falls, Southworth & Hawes elevated <strong>the</strong> new medium <strong>of</strong> daguerreotype<br />

photography to <strong>the</strong> level <strong>of</strong> art. Transcending <strong>the</strong> mere recording <strong>of</strong> factual<br />

detail, <strong>the</strong>ir daguerreotypes reflect a quintessentially American aes<strong>the</strong>tic and<br />

embody an emerging national culture and spirit.<br />

356 pages, 150 colour and 2,000 b/w images, 25.4 x 30.5 cm, hardcover<br />

with dust jacket, £70.00 / $120.00 / f100.00, isbn: 3–86521–066–x<br />

32<br />

33


Ed Ruscha Catalogue Raisonné <strong>of</strong> <strong>the</strong> Paintings. <strong>Volume</strong> One: 1958–1970 Ed Ruscha Catalogue Raisonné <strong>of</strong> <strong>the</strong> Paintings. <strong>Volume</strong> Two: 1971–1982<br />

‘Audacious master<br />

<strong>of</strong> <strong>the</strong> painted word’<br />

Eyemagazine<br />

The Catalogue Raisonné <strong>of</strong> Paintings <strong>of</strong> Ed Ruscha is a six-volume series <strong>of</strong> books<br />

co-published by <strong>Steidl</strong> and Gagosian Gallery. Each volume contains entries for<br />

every painting from a period, usually about a <strong>decade</strong>, and hence reflects <strong>the</strong><br />

movements and transitions in Ruscha’s work. This series constitutes <strong>the</strong> definitive<br />

guide to <strong>the</strong> work <strong>of</strong> one <strong>of</strong> our most significant living artists.<br />

<strong>Volume</strong> One: 1958–1970, 464 pages, 161 colour plates and 10 b/w<br />

plates, 24.1 cm x 29.2 cm, clothbound hardcover with alufin-mat debossed<br />

and stamped front and spine in slipcase, £110.00 / $200.00 / f160.00, isbn:<br />

3–88243–972–6.<br />

This is <strong>the</strong> second volume, which contains entries on 178 paintings completed<br />

between 1971 and 1982 — from <strong>the</strong> artist’s crisis at <strong>the</strong> onset <strong>of</strong> <strong>the</strong> seventies,<br />

when he quits painting pictures, to his <strong>first</strong> major museum retrospective,<br />

which opened in March 1982 at <strong>the</strong> San Francisco Museum <strong>of</strong> Modern Art.<br />

The catalogue includes a comprehensive exhibition history, bibliography and<br />

biographical chronology, as well as a preface by <strong>the</strong> editor Robert Dean, an<br />

essay by UCLA film historian Peter Wollen examining Ruscha’s use <strong>of</strong> colour<br />

as it relates to his use <strong>of</strong> language, and an essay by <strong>the</strong> late Reyner Banham.<br />

<strong>Volume</strong> Two: 1971–1982, 408 pages, 304 colour plates, 13 b/w plates, 24.1<br />

cm x 29.2 cm, clothbound hardcover with alufin-mat debossed and stamped<br />

front and spine in slipcase, £110.00 / $200.00 / f160.00, isbn: 3–86521–138–0<br />

34<br />

35


Robert Frank New York to Nova Scotia<br />

Robert Frank Storylines<br />

‘The epic loneliness<br />

<strong>of</strong> Robert Frank's<br />

photographs has made<br />

<strong>the</strong>m iconic images <strong>of</strong><br />

20th-century America’<br />

The Observer<br />

New York to Nova Scotia was originally published in 1986 to accompany a<br />

Robert Frank is one <strong>of</strong> <strong>the</strong> most influential <strong>of</strong> all post-war photographers.<br />

retrospective exhibition <strong>of</strong> <strong>the</strong> same name organized by <strong>the</strong> Museum <strong>of</strong> Fine<br />

Pioneering a revolutionary approach to photography and filmmaking, he<br />

Arts, Houston, and has long been out <strong>of</strong> print. The chronology and personal<br />

combines autobiographical and poetic elements to produce straight black and<br />

spirit <strong>of</strong> Frank’s complex career as a photographer and filmmaker are evoked<br />

white images that transcend <strong>the</strong> specific. Often involving a progression through<br />

with previously unpublished letters, pictures, reviews and essays. Some <strong>of</strong> <strong>the</strong><br />

a series <strong>of</strong> images, his work is structured like a musical sequence, creating<br />

letters and texts are by Frank; o<strong>the</strong>rs were written by photographers and<br />

storylines that resonate beyond <strong>the</strong> frozen moment <strong>of</strong> any single photograph.<br />

contemporaries, such as W. Eugene Smith, Louis Faurer, Walker Evans, Jack<br />

Storylines accompanied an exhibition highlighting Frank’s experimental use<br />

Kerouac, Allen Ginsberg and Robert Delpire.<br />

<strong>of</strong> narrative in photography and film. The exhibition included work from films<br />

112 pages, 27 duotone and 4 colour plates, 22.7 cm x 30.4 cm, s<strong>of</strong>tcover,<br />

and photographs (including Polaroids, contact sheets and recent digital stills)<br />

£17.50 / $30.00 / f25.00, isbn: 3–86521–013–9<br />

and several artist’s books.<br />

144 pages, 15 colour and 135 duotone plates, 28 cm x 24 cm, hardcover<br />

with dust jacket, £25.00 / $40.00 / f35.00, isbn: 3–86521–041–4<br />

36 37


Julian Germain For every minute you are angry...<br />

Marc Joseph American Pitbull<br />

‘<strong>the</strong> results are<br />

amazing. More than<br />

simple social history,<br />

<strong>the</strong>y capture <strong>the</strong> elusive<br />

nature <strong>of</strong> happiness’<br />

Wallpaper<br />

‘A breathtakingly<br />

original view <strong>of</strong><br />

American Culture’<br />

American Photo<br />

38<br />

Without ever trying or intending to, he showed me that <strong>the</strong> most important<br />

things in life cost nothing at all. He was my antidote to modern living.<br />

In a series <strong>of</strong> photographs made over eight years, Julian Germain captured <strong>the</strong><br />

quiet, contemplative existence <strong>of</strong> an old man living alone in a small house in a<br />

city on <strong>the</strong> south coast <strong>of</strong> England. Unfettered by <strong>the</strong> misplaced aspirations <strong>of</strong><br />

<strong>the</strong> modern world, Charlie spent <strong>the</strong> last years <strong>of</strong> his life absorbed in his<br />

memories <strong>of</strong> his wife, his children, his love for flowers, music and <strong>the</strong><br />

quotidian pleasures <strong>of</strong> <strong>the</strong> crossword, and his albums <strong>of</strong> his own photographs.<br />

A gentle portrait <strong>of</strong> a gentleman in his twilight years.<br />

72 pages, 40 colour plates, 23.5 cm x 28 cm, printed cloth hardcover,<br />

£19.99 / $35.00 / f30.00, isbn: 3–86521–077–5<br />

American Pit Bull <strong>of</strong>fers an alternative view <strong>of</strong> a controversial world. The<br />

American Pit Bull Terrier is one <strong>of</strong> <strong>the</strong> most maligned breeds <strong>of</strong> dog, with<br />

sensational media reports <strong>of</strong> violence and viciousness. But pit bull people —<br />

old-timers, breeders and owners — have long shown <strong>the</strong> dogs fanatical<br />

devotion, establishing an entire culture around <strong>the</strong>m. It is <strong>the</strong>se people and<br />

<strong>the</strong>ir pets that have captured Marc Joseph’s gaze over <strong>the</strong> past two years.<br />

248 pages, 100 colour plates, 80 duotone plates, 22 cm x 28 cm,<br />

s<strong>of</strong>tcover, £12.95 / $25.00 / f20.00, isbn: 3–86521–094–5<br />

39


Ute Eskildsen The Photographed Animal — Useful, Cute and Collected<br />

Marianne Müller The Flock<br />

Man beholds in <strong>the</strong> animal a part <strong>of</strong> himself and his relation to <strong>the</strong> world.<br />

Photographs show <strong>the</strong> animal as a true friend and a tool, as a dignified being<br />

and a monstrous creature. Animal pictures are reflections <strong>of</strong> <strong>the</strong> times in<br />

which <strong>the</strong>y are made — whe<strong>the</strong>r it’s a big-game hunt in <strong>the</strong> 19th century or a<br />

recent shoot for a cat food commercial. This book presents <strong>the</strong> photographed<br />

animal from photography’s beginnings up to <strong>the</strong> present in a depth and<br />

variety never seen before.<br />

With an essay by Ute Eskildsen, 336 pages, 220 duotone and 78 colour<br />

plates, hardcover, £28.00 / $50.00 / f40.00, isbn: 3–86521–209–3<br />

Somewhere on a ro<strong>of</strong>top in Brooklyn, an old man breeds pigeons, feeding and<br />

flying <strong>the</strong>m. An unspectacular, seemingly banal scene that photographer<br />

Marianne Müller observed and photographed for months. The result <strong>of</strong> her<br />

observations and reflections is The Flock, a rich and dense record <strong>of</strong> life above<br />

<strong>the</strong> ro<strong>of</strong>tops <strong>of</strong> Brooklyn, oscillating between documentary observation and<br />

metaphorical condensation.<br />

112 pages, 44 colour plates, 40 duotone plates, 20.6 cm x 28.7 cm,<br />

s<strong>of</strong>tcover with flaps £25.00 / $40.00 / f35.00, isbn: 3–88243–969–6<br />

40<br />

41


Jim Dine The Photographs, so far (vol. 1–4)<br />

Jim Dine Entrada Drive<br />

‘Jim Dine is on a roll’<br />

Modern Painters<br />

Limited edition<br />

<strong>of</strong> 100 signed and<br />

numbered copies<br />

with a Stone Lithograph<br />

Stone Lithograph<br />

42<br />

This catalogue raisonné marks <strong>the</strong> <strong>first</strong> comprehensive survey <strong>of</strong> Jim Dine’s<br />

photography. Since 1996, <strong>the</strong> internationally acclaimed artist has used cameras<br />

and lenses to make images that he has turned into prints using heliogravure<br />

and digital ink-jet processes, as well as conventional colour and black-andwhite<br />

photographic printing. Combining his zest for image making with a<br />

long devotion to self-expressive materiality, Dine imbues his photographs<br />

with an intensity that is occasionally traumatic but invariably beautiful.<br />

4 volumes, 1046 pages, 139 colour and 292 duotone plates, 21.3 cm x 28.5<br />

cm, 4 differently coloured clothbound hardbacks in a slipcase, £100.00 / $150.00 /<br />

f150.00, isbn: 3–88243–905–x<br />

Also available, Birds, Drawings <strong>of</strong> Jim Dine, Some Drawings and This<br />

Go<strong>of</strong>y Life <strong>of</strong> Constant Mourning<br />

The winter in L.A. that year was kind <strong>of</strong> a ‘grey July’. Diana and I lived at<br />

234 Entrada Drive in January and February <strong>of</strong> 2001. These photographs are<br />

a memoir <strong>of</strong> what our eyes saw in our garden and when we walked to <strong>the</strong><br />

Pacific Ocean.<br />

Jim Dine<br />

48 pages, 44 tritone plates, clothbound hardcover with dust jacket, 29.5<br />

cm x 31.5 cm, a copy <strong>of</strong> <strong>the</strong> <strong>first</strong> edition <strong>of</strong> <strong>the</strong> book with a Stone Lithograph<br />

in a handmade slipcase, 29.5 x 31.5 cm landscape format, combined in a labeled<br />

slipcase, both are signed and numbered by Jim Dine (1/100 – 100/100), $590.00<br />

/ £330.00 / f480.00, isbn: 3–86521–251–4<br />

43


Moï Ver Paris<br />

Illya Ehrenburg and El Lissitzky My Paris<br />

Limited edition <strong>of</strong><br />

Reprint <strong>of</strong> a<br />

1000 numbered copies<br />

classic 1933 book<br />

44<br />

Moï Ver’s quintessential avant-garde book object, Paris, is one <strong>of</strong> <strong>the</strong> most<br />

sought after publications <strong>of</strong> <strong>the</strong> early twentieth century. Published in 1931, in<br />

an edition <strong>of</strong> 1,000 copies, it blends dynamic photographic montage with an<br />

elaborate graphic layout. This is an opportunity to own a fascimile <strong>of</strong> one <strong>of</strong><br />

<strong>the</strong> most original photography books ever made. It has been reproduced from<br />

a copy <strong>of</strong> <strong>the</strong> original edition and is limited to 1,000 numbered copies.<br />

80 pages, 80 duotone plates, 22.3 cm x 29.3 cm, s<strong>of</strong>tcover with a<br />

specially folded jacket in a handmade collector's box, limited edition <strong>of</strong> 1,000<br />

numbered copies, £240.00 / $500.00 / f350.00, isbn: 3–88243–820-7<br />

The Russian revolutionary Ilya Ehrenburg lived in Paris between 1908 and<br />

1940 and My Paris is his extraordinary portrait <strong>of</strong> <strong>the</strong> city. Ehrenburg's Paris<br />

knows no Louvre or Notre Dame and shows <strong>the</strong> Eiffel Tower crouching<br />

behind shabby facades and building timber. He focused on ordinary people <strong>of</strong><br />

every age, at <strong>the</strong>ir doors and in cafés, at work and at rest, in <strong>the</strong>ir poverty and<br />

dignity, and wrote brief descriptive texts about each. First published in<br />

Moscow in 1933 as a collaboration with El Lissitzky, Moi Parizh — My Paris<br />

has become an extremely rare and highly collectible object, and this reprint at<br />

last makes it available again.<br />

240 pages, 125 duotone plates, 18.5 cm x 16 cm, hardcover with dust<br />

jacket, with a leaflet containing <strong>the</strong> original Russian text translated into<br />

English, housed in a slipcase, £28.00 / $50.00 / f40.00, isbn: 3–88243–927–0<br />

45


<strong>Steidl</strong> Vintage.2005<br />

2005 is a vintage year for <strong>Steidl</strong>. After more than 35 years as a groundbreaking<br />

printer and publisher, <strong>the</strong> 2005 harvest marks a watershed in <strong>the</strong><br />

quality and breadth <strong>of</strong> yield from our press in Göttingen. It has been a classic<br />

year in every respect, with award winning books by some <strong>of</strong> <strong>the</strong> finest artists<br />

in photography, fine art and fashion, numerous catalogue raisonées and artists'<br />

books, alongside catalogues accompanying some <strong>of</strong> <strong>the</strong> most significant<br />

exhibitions <strong>of</strong> <strong>the</strong> year.<br />

To mark <strong>the</strong> occasion, we are <strong>of</strong>fering a special edition <strong>of</strong> all <strong>the</strong> books<br />

we have published in 2005. There are only 50 sets <strong>of</strong> <strong>the</strong>se books, each <strong>of</strong><br />

which will be stamped and numbered as verification that <strong>the</strong>y are one <strong>of</strong> <strong>the</strong><br />

limited number <strong>of</strong> Vintage.2005 collections.<br />

Each <strong>Steidl</strong> Vintage.2005 collection is only available by direct order,<br />

please telephone +44 208 2998847.<br />

The books will be delivered free <strong>of</strong> charge in February 2006.<br />

The <strong>Steidl</strong> Vintage.2005 box set will include nearly 100 books by some<br />

<strong>of</strong> <strong>the</strong> greatest artists <strong>of</strong> <strong>the</strong> past century, including James Abbe, Diane Arbus,<br />

Lewis Baltz, Tina Barney, Manuel Alvarez Bravo, Ed Burtynsky, Robert<br />

Capa, Elinor Carucci, Bruce Davidson, Jim Dine, Ilya Ehrenburg, Mitch<br />

Epstein, Stephen Gan, Julian Germain, Ralph Gibson, Robert Gober, Evelyn<br />

H<strong>of</strong>er, Roni Horn, Jasper Johns, Karl Lagerfeld, Saul Leiter, Brice Marden,<br />

Mary Ellen Mark, Ralph Eugene Meatyard, Diana Michener, Péter Nádás,<br />

Paolo Nozolino, Susan Paulsen, Ezra Petronio, Robert Polidori, Robert<br />

Rauschenberg, Lou Reed, Olivier Richon, Paolo Roversi, Ed Ruscha, Richard<br />

Serra, Collier Schorr, Michael Schmidt, Fazal Sheikh, Ann-S<strong>of</strong>i Sidén, Hedi<br />

Slimane, Klaus Staeck, Joel Sternfeld, Juergen Teller, Jeff Wall, John<br />

Warwicker, Henry Wessel, Tom Wood.<br />

Price on Application (<strong>the</strong> retail price <strong>of</strong> all <strong>the</strong> books in 2005, with free delivery to one address).<br />

46


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or go to your local bookstore<br />

Alternatively,<br />

contact our<br />

distributors:-<br />

U.S.A and Canada<br />

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and Austria<br />

Detlef Otten<br />

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37073 Göttingen<br />

Tel. +49 551 49 60 612<br />

Fax. +49 551 49 60 632<br />

Email. dotten@steidl.de<br />

All o<strong>the</strong>r territories<br />

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London<br />

WC1V 7QX<br />

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