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March 2013 - Queensland Symphony Orchestra

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CHAMBER PLAYERS<br />

The QSO Chamber Players series is<br />

programmed by QSO musicians. Concerts are<br />

offered within QSO’s mainstage subscription<br />

season for the first time in <strong>2013</strong>, representing<br />

an exciting new addition to the orchestra’s<br />

broad concert offering.<br />

Chamber music has long played a key role in<br />

QSO’s activities, with small ensembles from<br />

the orchestra touring regularly to schools<br />

and community outreach events throughout<br />

Brisbane and regional <strong>Queensland</strong>.<br />

QSO Chamber Players has grown out of the<br />

Ferry Road Chamber Players (FRCP) series<br />

which was administered as an entity separate<br />

from QSO between 1992 and 2011. Founded<br />

by Mark Vickers (timpani), John Harrison<br />

(bass clarinet) and Vivienne Collier-Vickers<br />

(horn), FRCP began as a recital series for QSO’s<br />

principal musicians. Early recitals featured<br />

David Lale (cello), Paul Dean (clarinet),<br />

Leesa Dean (bassoon) and Jason Redman<br />

(trombone). From the 1993 season chamber<br />

music became the dominant musical aspect of<br />

the series, with a number of QSO string, wind,<br />

brass and percussion ensembles featuring in<br />

the series each year. In memory of former QSO<br />

clarinettist Jenny Reuther, the QSO clarinet<br />

section performed a biennial charity benefit<br />

concert within the FRCP series. For many<br />

years John Harrison also organised regular<br />

art exhibitions in the foyer of the orchestra’s<br />

former studio at Ferry Road, West End to<br />

accompany FRCP concerts and add to patrons’<br />

concert-going experience.<br />

QSO Chamber Players will continue the longestablished<br />

tradition of excellence in chamber<br />

music performance at QSO during the <strong>2013</strong><br />

season and beyond.<br />

JOHANNES FRITZSCH<br />

CHIEF CONDUCTOR<br />

Johannes Fritzsch was born in Meissen,<br />

Germany, in 1960. He received his first musical<br />

tuition in piano and organ from his father, a<br />

Cantor and Organist. He also studied violin and<br />

trumpet. His higher education was received at<br />

the Carl Maria von Weber Music Academy in<br />

Dresden, majoring in conducting and piano.<br />

In 1982, after completing his studies, Maestro<br />

Fritzsch was appointed 2 nd Kapellmeister<br />

(Conductor) at the Volkstheater in Rostock. In<br />

1987, Mo. Fritzsch accepted the position of<br />

Kapellmeister with the Staatsoper Dresden,<br />

Semperoper, where he conducted more than 350<br />

opera and ballet performances within five years.<br />

After the German reunification, Mo. Fritzsch<br />

was able to accept engagements outside of<br />

Eastern Europe. In 1992/3 he worked as 1 st<br />

Kapellmeister at the Staatsoper Hannover.<br />

During that time, Mo. Fritzsch was appointed<br />

Chief Conductor and Artistic Director at the<br />

Städtische Bühnen and the Philharmonisches<br />

Orchester in Freiburg. There he remained until<br />

1999 enjoying widespread acclaim.<br />

The Verband Deutscher Musikverleger<br />

(association of German music publishers)<br />

honored his 1998/99 season with the<br />

distinction of having the ‘Best Concert Program’.<br />

Mo. Fritzsch has performed with many<br />

orchestras, both within Germany and<br />

internationally. These include: Hamburger<br />

Sinfoniker, Düsseldorfer Sinfoniker,<br />

Philharmonie Essen, Nationaltheater-Orchester<br />

Mannheim, Staatskapelle Schwerin, Berliner<br />

Sinfonie Orchester, Staatskapelle Dresden,<br />

Norddeutsche Philharmonie Rostock,<br />

Staatsorchester Halle, the Swedish Radio<br />

<strong>Orchestra</strong>, the Norwegian Radio <strong>Orchestra</strong>,<br />

the Danish Radio <strong>Symphony</strong> <strong>Orchestra</strong>, the<br />

Orchestre Philharmonique Strassbourg,<br />

the <strong>Orchestra</strong> National de Montpellier, the<br />

<strong>Orchestra</strong> National du Capitole de Toulouse,<br />

the Sydney, Melbourne, Tasmanian,<br />

<strong>Queensland</strong> and West Australian <strong>Symphony</strong><br />

<strong>Orchestra</strong>s and <strong>Orchestra</strong> Victoria.<br />

Opera Companies with which he has worked<br />

include: Sächsische Staatsoper Dresden,<br />

Opernhaus Köln, Deutsche Oper Berlin,<br />

Komische Oper Berlin, Opera Bastille Paris,<br />

Grazer Oper, the Royal Opera Stockholm,<br />

Malmö Operan and Opera Australia in Sydney<br />

and Melbourne (including Wozzeck, Don<br />

Giovanni, Carmen, Tosca, Rigoletto, Salome,<br />

Der Rosenkavalier).<br />

Mo. Fritzsch recently held the position of<br />

Chief Conductor of the Grazer Oper and<br />

Grazer Philharmonisches Orchester, Austria;<br />

he is currently the Chief Conductor of the<br />

<strong>Queensland</strong> <strong>Symphony</strong> <strong>Orchestra</strong>.<br />

34 <strong>2013</strong> | QSO MARCH PROGRAM<br />

<strong>2013</strong> | QSO MARCH PROGRAM 35

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