claiming creativity - Elia
claiming creativity - Elia
claiming creativity - Elia
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Contents<br />
1 |<br />
3 |<br />
5 |<br />
7 |<br />
9 |<br />
13 |<br />
17 |<br />
Messages from Columbia College<br />
Chicago and ELIA<br />
Creativity: Reclaimed<br />
Facts and Figures<br />
Graphic Facilitation<br />
Amina Dickerson Keynote<br />
Curt Tofteland Keynote<br />
Guillermo Gómez-Pena Keynote<br />
27 |<br />
29 |<br />
31 |<br />
33 |<br />
35 |<br />
The Hammer and the Anvil:<br />
Disruptive Economies, Disruptive<br />
Technologies, and Art<br />
Art, Science, and Technology<br />
Dance and Movement Trajectory<br />
Composition in Children with<br />
Cerebral Palsy<br />
Digging Deeper: What the Science<br />
of Grounded Cognition Reveals<br />
Art and the Environment<br />
43 |<br />
45 |<br />
47 |<br />
49 |<br />
51 |<br />
Exquisite Corpse: A Visual<br />
Research Collaborative (EC)<br />
and the IPO Project<br />
Directing as Research<br />
Art, Culture, and Social Change<br />
The Documentary Art Lab:<br />
An Interdisciplinary Approach<br />
to Documenting Social Issues<br />
Games for Change: Creating<br />
Games of Social Value<br />
21 |<br />
23 |<br />
25 |<br />
Creativity and the Economy<br />
Freativity: Gift Economies + Open<br />
Source = Sustainable Futures?<br />
Where is the Timetable? Hot<br />
Housing Entrepreneurship in<br />
Creative Students<br />
37 |<br />
39 |<br />
41 |<br />
Documentary and Environmental<br />
Advocacy: The Making of Veins in<br />
the Gulf<br />
Cinema as Architecture<br />
Creativity and Research<br />
53 |<br />
Plenary Panel<br />
<strong>claiming</strong><strong>creativity</strong>.com<br />
printed on paper with<br />
10% Post Consumer Content.<br />
photography by Robert Kusel(‘78)<br />
B |<br />
| C
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