Attractions Management Issue 1 2011 - TourismInsights
Attractions Management Issue 1 2011 - TourismInsights
Attractions Management Issue 1 2011 - TourismInsights
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Mirage3D fulldome<br />
production Natural<br />
Selection is among<br />
the films which will<br />
be shown<br />
<br />
<br />
<br />
<br />
There are four theatres, which have been<br />
custom designed to accommodate the wide<br />
range of media that the planetarium plans to<br />
offer to its extensive target audiences.<br />
The predicted annual attendance figure is<br />
1.6 million visitors – this is highly achievable<br />
due to the central location and heritage<br />
of the planetarium, yet as a<br />
projected figured, hugely exceeds<br />
attendance numbers of similar facilities<br />
around the world.<br />
There are more than 200 exhibits<br />
in the museum in addition to the<br />
theatres. The museum has its own<br />
(heated!) underground car park,<br />
conference facilities, food halls<br />
and gift stores. Everything has<br />
been planned to maximise visitor<br />
numbers and retention. The interchangeable<br />
and configurable nature of every area<br />
within the museum will meet the demand of<br />
large visitor numbers of all ages across corporate,<br />
public and state programs.<br />
The client didn’t want any limitations with<br />
its new theatres and worked closely with us<br />
to ensure our designs matched, or exceeded,<br />
their expectations. The core objective was of<br />
flexibility and scalability for the future. The<br />
new Space Museum in Moscow will be one<br />
of the most technologically advanced visitor<br />
experiences in the world.<br />
The core theme of the planetarium’s chosen<br />
media will continue to be astronomy, but the<br />
team are keen to introduce varied genres.<br />
This will attract different audiences and meet<br />
the state’s educational objectives, while also<br />
strongly positioning the attraction as a highly<br />
<br />
<br />
<br />
<br />
competitive and enticing venue for people of<br />
all ages and backgrounds. We’re integrating<br />
a range of shows, including nWave productions<br />
for the 4D and large-format theatres<br />
and fulldome shows from Mirage3D and<br />
Spitz for the planetariums.<br />
The turnkey approach we’ve taken means<br />
that we’re pre-programming each of the new<br />
shows to fully integrate with all the various<br />
effects. In particular, the D-Box Motion Code<br />
system has been fine-tuned exclusively for<br />
the theatres to offer audiences precision<br />
motion throughout the show.<br />
The scope of each of the projects is extensive<br />
and the client had clear ideas of its<br />
needs before Global Immersion entered the<br />
project. As ideas and concepts for each of<br />
the theatres were refined through detailed<br />
analysis of existing and road-mapped technologies,<br />
we were all in agreement<br />
that we wanted to use leadingedge<br />
product releases throughout<br />
the facility. Many of the systems<br />
have been designed by Global<br />
Immersion from scratch to ensure<br />
that, once delivered, they remain<br />
up to date and state-of-the-art.<br />
In addition to the core theatre<br />
solutions, we’re supplying a telescope<br />
and observatory solution.<br />
This includes two 16in (40cm) telescopes<br />
– one night time, one day time – and<br />
high speed and resolution CCD (video and<br />
still) capture cameras, which will be used for<br />
content creation and near real-time display<br />
for the main planetarium.<br />
We’ll also be able to take telescope data<br />
from the two adjacent observatories and<br />
bring these datasets into the dome theatres<br />
to present to audiences. The chief<br />
astronomer at the facility plans to show<br />
home-captured telescope data simultaneously<br />
with the digital panorama and starball<br />
systems in the main planetarium.<br />
58<br />
Read <strong>Attractions</strong> <strong>Management</strong> online attractionsmanagement.com/digital<br />
AM 1 <strong>2011</strong> ©cybertrek <strong>2011</strong>