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Attractions Management Issue 1 2011 - TourismInsights

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Mirage3D fulldome<br />

production Natural<br />

Selection is among<br />

the films which will<br />

be shown<br />

<br />

<br />

<br />

<br />

There are four theatres, which have been<br />

custom designed to accommodate the wide<br />

range of media that the planetarium plans to<br />

offer to its extensive target audiences.<br />

The predicted annual attendance figure is<br />

1.6 million visitors – this is highly achievable<br />

due to the central location and heritage<br />

of the planetarium, yet as a<br />

projected figured, hugely exceeds<br />

attendance numbers of similar facilities<br />

around the world.<br />

There are more than 200 exhibits<br />

in the museum in addition to the<br />

theatres. The museum has its own<br />

(heated!) underground car park,<br />

conference facilities, food halls<br />

and gift stores. Everything has<br />

been planned to maximise visitor<br />

numbers and retention. The interchangeable<br />

and configurable nature of every area<br />

within the museum will meet the demand of<br />

large visitor numbers of all ages across corporate,<br />

public and state programs.<br />

The client didn’t want any limitations with<br />

its new theatres and worked closely with us<br />

to ensure our designs matched, or exceeded,<br />

their expectations. The core objective was of<br />

flexibility and scalability for the future. The<br />

new Space Museum in Moscow will be one<br />

of the most technologically advanced visitor<br />

experiences in the world.<br />

The core theme of the planetarium’s chosen<br />

media will continue to be astronomy, but the<br />

team are keen to introduce varied genres.<br />

This will attract different audiences and meet<br />

the state’s educational objectives, while also<br />

strongly positioning the attraction as a highly<br />

<br />

<br />

<br />

<br />

competitive and enticing venue for people of<br />

all ages and backgrounds. We’re integrating<br />

a range of shows, including nWave productions<br />

for the 4D and large-format theatres<br />

and fulldome shows from Mirage3D and<br />

Spitz for the planetariums.<br />

The turnkey approach we’ve taken means<br />

that we’re pre-programming each of the new<br />

shows to fully integrate with all the various<br />

effects. In particular, the D-Box Motion Code<br />

system has been fine-tuned exclusively for<br />

the theatres to offer audiences precision<br />

motion throughout the show.<br />

The scope of each of the projects is extensive<br />

and the client had clear ideas of its<br />

needs before Global Immersion entered the<br />

project. As ideas and concepts for each of<br />

the theatres were refined through detailed<br />

analysis of existing and road-mapped technologies,<br />

we were all in agreement<br />

that we wanted to use leadingedge<br />

product releases throughout<br />

the facility. Many of the systems<br />

have been designed by Global<br />

Immersion from scratch to ensure<br />

that, once delivered, they remain<br />

up to date and state-of-the-art.<br />

In addition to the core theatre<br />

solutions, we’re supplying a telescope<br />

and observatory solution.<br />

This includes two 16in (40cm) telescopes<br />

– one night time, one day time – and<br />

high speed and resolution CCD (video and<br />

still) capture cameras, which will be used for<br />

content creation and near real-time display<br />

for the main planetarium.<br />

We’ll also be able to take telescope data<br />

from the two adjacent observatories and<br />

bring these datasets into the dome theatres<br />

to present to audiences. The chief<br />

astronomer at the facility plans to show<br />

home-captured telescope data simultaneously<br />

with the digital panorama and starball<br />

systems in the main planetarium.<br />

58<br />

Read <strong>Attractions</strong> <strong>Management</strong> online attractionsmanagement.com/digital<br />

AM 1 <strong>2011</strong> ©cybertrek <strong>2011</strong>

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