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Sacred Arts of Tibet (.pdf) - Asian Art Museum | Education

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Slide 9<br />

<strong>Sacred</strong> <strong><strong>Art</strong>s</strong> <strong>of</strong> <strong>Tibet</strong><br />

The Abbot Tsong Khapa, founder <strong>of</strong> the Gelug Order<br />

Qing Dynasty (1644-1911)<br />

China<br />

Gilt bronze<br />

The Avery Brundage Collection<br />

B60 B145<br />

Would you spend money on a portrait <strong>of</strong> your teacher?<br />

The <strong>Tibet</strong>ans have a long history <strong>of</strong> making portraits <strong>of</strong> living or deceased Lamas, or individuals who were<br />

great religious teachers. These include Buddha Shakyamuni, as well as his followers, and important Lamas<br />

and practitioners. These images are <strong>of</strong>ten commissioned by the followers <strong>of</strong> the pictured Lama. In <strong>Tibet</strong>,<br />

as in many other Buddhist countries, the lineage from teacher to student is sacred—the students are<br />

empowered with the special knowledge <strong>of</strong> the teacher and may go on to be teachers themselves. They hold<br />

their teacher in the highest respect and will worship the teacher’s memory after their death. Living lamas<br />

are portrayed seated on a cushion, whereas those who are not living are portrayed seated on lotus thrones<br />

to indicate their transcendence <strong>of</strong> the world and their entrance into a pure realm. The type <strong>of</strong> hat they<br />

are shown wearing <strong>of</strong>ten identifies the lineage they belong to, but the identities <strong>of</strong> most lama portraits are<br />

unknown. This piece is an exception. Since Tsongkhapa was so famous, his iconography, such as his hand<br />

gesture, book and sword attributes, and hat) makes him easy to identify.<br />

46<br />

<strong>Asian</strong> <strong>Art</strong> <strong>Museum</strong>

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