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A Random House book<br />
Published by Random House Australia Pty Ltd<br />
Level 3, 100 Pacific Highway, North Sydney NSW 2060<br />
www.randomhouse.com.au<br />
First published by Random House Australia in 2010<br />
Copyright © Georgia Blain 2010<br />
The moral right of the author has been asserted.<br />
All rights reserved. No part of this book may be reproduced or transmitted<br />
by any person or entity, including internet search engines or retailers,<br />
in any form or by any means, electronic or mechanical, including<br />
photocopying (except under the statutory exceptions provisions of the<br />
Australian Copyright Act 1968), recording, scanning or by any information<br />
storage and retrieval system without the prior written permission of<br />
Random House Australia.<br />
Addresses for companies within the Random House Group can be found<br />
at www.randomhouse.com.au/offices.<br />
National Library of Australia<br />
Cataloguing-in-Publication Entry<br />
Author:<br />
Blain, Georgia<br />
Title:<br />
Darkwater/Georgia Blain<br />
ISBN:<br />
978 1 86471 983 3 (pbk.)<br />
Target audience: For secondary school age<br />
Dewey number: A823.3<br />
Cover photograph courtesy Getty Images<br />
Cover design by Christabella Designs<br />
Internal design by Midland Typesetters<br />
Typeset in 12.5/16.65 pt Bembo by Midland Typesetters, Australia<br />
Printed in Australia by Griffin Press, an accredited ISO AS/NZS<br />
14001:2004 Environmental Management System printer<br />
10 9 8 7 6 5 4 3 2 1<br />
The paper this book is printed on is certified<br />
by the © 1996 Forest Stewardship Council<br />
A.C. (FSC). Griffin Press holds FSC chain of<br />
custody SGS-COC-005088. FSC promotes<br />
environmentally responsible, socially<br />
beneficial and economically viable<br />
management of the world’s forests.
one<br />
I’m not sure who found Amanda Clarke’s body. I<br />
think it was her mother, but I may be wrong.<br />
I imagine it was dinnertime, and she called<br />
them both – ‘Amanda, Daniel, come to the table<br />
now’ – used to receiving no answer. Putting her<br />
glass down, the ice clinking, she wiped her damp<br />
hands on the edge of a tea towel, and wandered<br />
through to the family room where Daniel lay<br />
on his stomach, the seagrass matting pressing<br />
a pattern into the pale skin on his arms, chin<br />
resting in his hands as he watched the last of Get<br />
Smart.<br />
‘Off,’ she told him, flicking the switch despite<br />
his protests, the image collapsing into a tiny<br />
1<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
pinprick of light before black covered the screen;<br />
although, she was not an assertive woman, so<br />
perhaps she simply left the television on, hoping,<br />
foolishly, that he would do as she asked.<br />
In the hall she called Amanda’s name again,<br />
shouting up the stairs to her daughter’s empty<br />
bedroom and, when there was no response, she<br />
returned to the kitchen, its back door open onto<br />
the smooth green lawn that sloped down to the<br />
river’s edge.<br />
Slipping on her sandals, she stepped out into<br />
the still-warm evening, the sky a deepening<br />
mauve through the high branches of the white<br />
gums. In the distance a sail clinked against a mast,<br />
a rhythmic sound that repeated itself over and<br />
over again as she walked across the garden to<br />
look down to the reserve four houses away.<br />
She saw her from there, a strange, dark shape<br />
floating facedown, one foot wedged in an outcrop<br />
of rock, the sandstone pocked with oyster shells.<br />
Or maybe she had to keep walking, crossing<br />
the lawns of the neighbours’ houses, calling her<br />
daughter’s name a little louder each time, almost<br />
running now, before she saw the shape, there in<br />
the water, although she still may not have been<br />
sure what it was. Perhaps she cut through the<br />
scrub that bordered the Parsons’ garden and<br />
2<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
the reserve, pushing back the scratchy branches<br />
of the bottlebrush to reach the white wooden<br />
railing running along the uneven stairs. It must<br />
have been almost dark by then, only a single<br />
streetlight illuminating the path, although most<br />
of the time the globe was broken because we<br />
kids liked the darkness (or at least we did until<br />
Amanda’s death), and would throw rocks up at<br />
it, jumping back when we made a hit, the glass<br />
showering down on our heads as the brightness<br />
gave way to sudden black.<br />
I hope it wasn’t Amanda’s mother who found<br />
her. When I imagine that, it’s like the ground<br />
giving way, collapsing with a rush, a landslide<br />
into emptiness.<br />
‘Fact:’ I wrote in my diary at the time, the page<br />
headed with the date, February 16, 1973. ‘Amanda<br />
Clarke is dead. They found her at the waterfront.<br />
Drowned, they reckon.’<br />
It was an exercise book, covered in cut-out<br />
pictures from magazines, my favourite pop stars,<br />
women in tight Amco jeans and halter-neck tops,<br />
and perhaps the odd logo from an advertisement, a<br />
word or two, there only to break up the images.<br />
3<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
I kept it hidden at the back of my wardrobe,<br />
occasionally taking it out to write about what had<br />
been happening in my life. Most of it was dull –<br />
Sonia irritating me, or Cassie having a crush on<br />
my older brother Joe – but lately there had been<br />
more space given to Nicky Blackwell, his name<br />
appearing with greater regularity since the time<br />
he had stepped back to let me in the school gate<br />
before him, winking at me as he did so.<br />
In the past I had only ever written on the<br />
evenings when I was bored. But in the weeks<br />
following Amanda Clarke’s death, that changed.<br />
I took that book out most nights and it seemed<br />
she occupied nearly all of the pages I filled.<br />
‘Dead’ and ‘drowned’. I underlined both those<br />
words and then scribbled out the line that lay<br />
beneath the second. She was dead, that was a fact,<br />
but whether she had drowned was not so certain.<br />
Sitting at my desk, I chewed the plastic end of my<br />
biro and looked out the window to the darkness<br />
of the night sky.<br />
The first I heard of her death was that morning<br />
at school. The sun was glaringly hot as we stood<br />
in our assembly lines. We shuffled our feet, the<br />
bitumen burning through the thin soles of our<br />
sandals as we waited for the principal to come to<br />
the microphone. Behind me, the boys started their<br />
4<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
un of remarks about the girls in our year; I was<br />
used to them sniggering about Sonia’s tanned legs<br />
and Cassie’s long blonde hair, or if they turned<br />
their attention to me, it was the word ‘tits’ that I<br />
heard muttered, and I would glance behind me,<br />
fixing them with a stare designed to chill, before<br />
turning back to the podium where Mr Castle<br />
reiterated rules into the microphone. But this<br />
morning there was no sniggering, because within<br />
moments of flicking on the PA, the amp crackling<br />
for an instant, he told us that some of us may have<br />
already heard the news, but for those who hadn’t,<br />
he was very sorry to let us know that one of our<br />
fellow students had been found dead – ‘down by<br />
the waterfront, yesterday evening’.<br />
‘Who was it?’ we all asked each other, our<br />
whispers flickering along the lines like the<br />
blowflies that buzzed between us, settling for a<br />
moment only to be brushed on to the next person.<br />
‘Amanda,’ someone said, and then the word was<br />
running fast like fire down each row, burning<br />
hot, until someone cried out and Mr Castle was<br />
shouting into the microphone: ‘Order. Order this<br />
instant.’<br />
It was Kate Bradshaw, Amanda’s best friend,<br />
two lines back with the senior years. She fainted,<br />
her body hitting the concrete with a thud, the<br />
5<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
ow broken as the others in her year clustered<br />
round her, while a teacher, Miss Tilley, told<br />
everyone to let her through.<br />
It didn’t take long before Mr Mulley, the PE<br />
teacher, and Mrs Acton, the assistant principal,<br />
carried the stretcher out to where Kate was now<br />
sitting up, head between her knees. They told her<br />
to lie down and two of the boys in her year took<br />
one end of the stretcher, while Mr Mulley, with<br />
smooth tanned muscles from years of surfing,<br />
hoisted the other end, and they carried her<br />
towards the sick bay.<br />
As I watched, I saw my brother Joe in the line<br />
that Kate had been standing in. He was white,<br />
eyes round and dark against the paleness of his<br />
skin. ‘Are you all right?’ I wanted to ask him,<br />
worried that he, too, might collapse onto the<br />
asphalt, but we were all being told to get back<br />
into line, everyone, this instant.<br />
‘This is a shock to all of us,’ Mr Castle said,<br />
and I was surprised that even he seemed upset<br />
because he was not a man to show emotion. ‘The<br />
police will be visiting the school today and have<br />
requested our cooperation.’<br />
Again, there was a rush of whispers, a flurry<br />
of words hastily hissed from person to person.<br />
Why the police, we all wanted to know, and we<br />
6<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
looked around to see whether anyone had any<br />
knowledge, anything at all to help us work out<br />
what was going on.<br />
The microphone crackled and Mr Castle<br />
adjusted the volume on the PA. ‘In the meantime,<br />
classes will be conducted as normal.’ He paused<br />
for a moment, before finally uttering the word he<br />
used every morning to signal the end of assembly.<br />
‘Atten–’ and the ‘en’ was always drawn out for<br />
maximum effect – ‘SHUN.’ This last syllable,<br />
however, was like a lead bullet, fast, loud and<br />
furious, followed by the mass slap of over eight<br />
hundred pairs of ankles clicking together. All that<br />
was missing was the salute, and I would stretch<br />
out my palm, fingers together, arm pointing<br />
downwards rather than up, to give him the Heil I<br />
felt he deserved. But not that morning. My hand<br />
stayed limp by my side.<br />
As we turned towards our classrooms, I<br />
looked once again at my brother, whose face<br />
was obscured by his mat of white-blond hair.<br />
Behind him was Stevie, who had been Amanda’s<br />
boyfriend until she dumped him a week ago,<br />
giving my brother some hope that if he waited<br />
a respectable amount of time, Amanda might<br />
finally turn his way. Stevie’s face was still, his<br />
gaze fixed on the back of my brother’s head as<br />
7<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
they walked in single file towards the science<br />
block. Behind him the girls who knew Amanda<br />
broke rank, some crying, others talking; they<br />
had their arms around each other, their heads<br />
bent low as they dissected the news in disbelief.<br />
Only Cherry Atkinson stood apart, her long<br />
dark brown hair in two ponytails. She twisted<br />
the end of one in her fingers as she trailed<br />
behind, looking out at the glittering line of<br />
river that ran along the edge of our oval and up<br />
to the bridge where magic mushrooms grew<br />
in the dark rich soil under the shade of the<br />
overpass.<br />
There was of course no hope of normal classes.<br />
As soon as we were out of Mr Castle’s gaze and in<br />
the cool of our room, we did not go to our desks.<br />
What happened? We all asked each other the<br />
same question over and over again. Sonia, who<br />
was, I suppose, my best friend (although Cassie<br />
sometimes had the honour) couldn’t believe I<br />
didn’t know a thing.<br />
‘Why would I?’ I asked, irritated with her now.<br />
‘Joe,’ she told me. ‘Duh.’<br />
I rolled my eyes as I sat on the window ledge,<br />
one leg up on the chair in front of me. Most<br />
afternoons Joe hung out at the waterfront. A<br />
group of them did. But he knew nothing. Or<br />
8<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
at least, that was how it seemed, and I tried to<br />
remember if there was anything that had happened<br />
the previous evening to indicate otherwise.<br />
‘Maybe she was murdered.’ Cassie plaited her<br />
hair and took an elastic off her wrist to tie the<br />
end. ‘It’s creepy down there.’<br />
‘Where?’ I asked.<br />
‘At the waterfront.’ Cassie looked at me, her<br />
bright blue eyes rimmed with silvery eye shadow.<br />
She chewed on the edge of her fingernail.<br />
Suddenly she burst into tears.<br />
Sonia put her arm around her. She, too, started<br />
crying.<br />
At that moment, Miss Ingleton, who was our<br />
home-room teacher, clapped her hands. She was<br />
new to the school and even though it had only<br />
been a couple of weeks, we liked her.<br />
‘Everyone is upset,’ she told us. She sat on the<br />
edge of her desk and crossed her legs, her knees<br />
visible through the split in her faded wraparound<br />
skirt. ‘Talking about what has happened is good.’<br />
She looked around the room. ‘But I’m not sure<br />
that guesswork and rumours are going to help<br />
anything. If any of you have any questions, ask<br />
them now and I will do my best to answer.’<br />
Cassie sniffed loudly. ‘Why are the police<br />
coming?’<br />
9<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
‘As far as I know, they are not entirely sure<br />
how she died. They are hoping that some of the<br />
students may be able to shed some light on this.’<br />
‘Do they suspect someone . . .?’ I couldn’t<br />
finish the question.<br />
‘I don’t know,’ Miss Ingleton told us.<br />
She walked towards the other window, which<br />
looked out across the heat-parched oval. There<br />
was a small bird on the ledge and it cocked<br />
its head to one side, chirruping loudly in the<br />
momentary silence. Miss Ingleton turned back<br />
to face us.<br />
‘We should take a minute,’ she said, ‘to think<br />
about Amanda and to send loving wishes to her<br />
family.’ She bowed her head and closed her eyes.<br />
In the stream of light through the window, she<br />
was pale, illuminated, and we all looked at her,<br />
unsure as to whether we too should close our<br />
eyes. The classroom was quiet. I could hear the<br />
slow flick of the mower blades outside, and I<br />
knew the gardener was starting at one end of<br />
the oval, cutting lines into the green as he made<br />
his way up and down the great stretch of grass.<br />
Someone walked past the window. I could hear<br />
their footsteps on the asphalt that bordered the<br />
row of classrooms. They had probably been sent to<br />
carry a note. I looked around and saw that most of<br />
10<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.
the class has their eyes closed now, heads bowed,<br />
in the same pose as Miss Ingleton, still standing in<br />
the stream of light. I shut my eyes too.<br />
Amanda Clarke is dead, I thought, and I tried<br />
to see her face but I couldn’t. In the darkness,<br />
it was the waterfront I saw. The mud at the<br />
tide edge pressed tight against my eyelids as<br />
the river slipped back, murky and dark, to<br />
reveal the rocky outcrops of sandstone and the<br />
crusts of oyster shells.<br />
11<br />
Copyright © Georgia Blain 2010. All rights reserved. No part of this publication may be reproduced, stored<br />
in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying,<br />
recording or otherwise, without the prior written permission of the publisher.