preview I, Robot actors Will Smith Bridget Moynahan Bruce Greenwood Will Smith has an eye for sci-fi James Cromwell Alan Tudyk director Alex Proyas lo<strong>ca</strong>tion Vancouver, B.C. outtake Proyas wanted the film to look as credible as possible — resulting in nearly 1,000 visual-effects shots. any science fiction geek will tell you that half our imagined future would disintegrate in an instant if not for the Three Laws of Robotics. If you ever wondered why C-3PO never gave that bossy, smartmouthed Han Solo a backhanded slap, it’s probably be<strong>ca</strong>use the android was also bound by the world-famous tenets that state: 1. A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2. A robot must obey orders given it by human beings except where such orders would conflict with the First Law. 3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. The laws were conceived by the late, great speculative fiction icon, Isaac Asimov, whose 1950 short story collection, I, Robot, has now inspired a new film by the same name. The film stars Will Smith and is directed by Alex Proyas, who received criti<strong>ca</strong>l acclaim in the 1990s for his work on The Crow and Dark City. Smith (a sci-fi vet with the likes of Men in Black and Independence Day) plays Chi<strong>ca</strong>go Police Detective Del Spooner, who works the Windy City in the year 2035. Robots are everywhere, functioning as assistants and common workers for their human owners. “Robotophobic” Spooner is an anachronistic anomaly with grave reservations about his own high-tech environment, and his worst fears are confirmed when he and robot psychologist Dr. Susan Calvin (Bridget Moynahan) are <strong>ca</strong>lled upon to investigate the murder of a scientist working at U.S. Robotics. Impli<strong>ca</strong>ted in the murder is Sonny (inspired by the movements of Alan Tudyk, à la Gollum in The Lord of the Rings), the first fully automated domestic assistant. But this would mean the First Law of Robotics – the most fundamental of the three – has been violated. And such a breach has profound impli<strong>ca</strong>tions to a society that has become so dependent on robots. Asimov himself built much of his <strong>ca</strong>reer on speculating what a robot-filled future might be like. While he published hundreds of books before his death in 1992, he is best remembered for his series of novels and short stories that centered on robots. In fact, two episodes from television’s The Outer Limits (one from the 1960s original series; the other from the 1990s revival) have been titled I, Robot. His short story, Bicentennial Man, in which the title character is another robot programmed with the Will Smith is on the <strong>ca</strong>se Three Laws, inspired the 1999 movie of the same name starring Robin Williams. Contemporary science fiction novelist Robert Sawyer argues that the Three Laws are nothing more than a literary device that is unlikely to influence how robotics develops in reality. The world is already filled with harmful “robots”, from smart bombs to nasty software, and there is not much room for the Three Laws in a future extrapolated from such a present. However, if the Laws are a literary device, there is no denying that they are a powerful one. “All of Asimov’s stories seem to be about how the laws are circumvented,” Proyas says in a featurette available on the new film’s official Web site. However, appearances often <strong>ca</strong>n be deceiving, and a breach of one of the laws often points to something bigger and universally profound. “To me, that’s a fascinating construct to build a story around.” — Rui Umezawa 16 www. w tribute.<strong>ca</strong> <strong>Tribute</strong> <strong>July</strong> <strong>2004</strong>
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