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Tomasson/Page 2<br />

Times. In 2004, h is n ew p roduction o f Nutcracker, c reated i n c ollaboration w ith an<br />

internationally recognized de sign t eam, debuted to e nthusiastic critic and audience r esponse.<br />

The New York Times proclaimed, “This is a Nutcracker on a grand scale…striking, elegant and<br />

beautiful.” On December 17, 2008, Tomasson’s Nutcracker was broadcast nationally on Great<br />

Performances on PBS, in partnership with KQED Public Television in San Francisco.<br />

The stro ng cl assical b ase i nstilled b y T omasson e nables th e dancers to effortlessly navigate a<br />

myriad o f s tyles b y a r ange o f i nternationally d istinguished choreographers. T hose i nvited by<br />

Tomasson to create works on the Company have included David Bintley, Val Caniparoli, Jorma<br />

Elo, William F orsythe, J ames K udelka, La r Lu bovitch, Mark Mo rris, Yuri P ossokhov, A lexi<br />

Ratmansky, Paul T aylor, S tanton W elch, and C hristopher Wheeldon. Tomasson ha s a lso<br />

continued to expand SF Ballet’s repertory through acquiring works by renowned choreographers<br />

such as Sir Frederick Ashton, George Balanchine, August Bournonville, Michel Fokine, Hans van<br />

Manen, W ayne M cGregor, Sir K enneth Mc Millan, Agnes d e M ille, Nacho D uato, Flemming<br />

Flindt, Roland Petit, Jerome Robbins, and Antony Tudor, among others. Tomasson’s own works<br />

have been performed by New Yor k C ity B allet, Roy al D anish B allet, H ouston B allet, A lberta<br />

Ballet, Les Grands Ballets Canadiens de Montréal, Ballet Estable del Teatro Colón, and Asami<br />

Maki Ballet. In Denmark, Tomasson’s 1993 staging of The Sleeping Beauty was the most lavish<br />

<strong>production</strong> ever produced in the Royal Danish Ballet’s history and was filmed for Danish public<br />

television in April 1995.<br />

Under Tomasson’s direction, SF Ballet has <strong>tour</strong>ed the world, receiving praise for its purity and<br />

verve. E ngagements i n China ( 2009), Copenhagen ( 1998, 201 0), London ( 1999, 2 001, 2 004),<br />

Moscow ( 2012), New York City ( 1991, 1993, 1995, 1 998, 2002, 2006 , 2008 ), and P aris ( 1989,<br />

1994, 2001, 2005) are among the highlights of the Company’s history. For the Company’s 2004<br />

London engagement, SF B allet won t he p restigious L aurence Olivier Award, its first, in the<br />

category o f Outstanding A chievement i n Dance. Of t he t our, The Guardian (UK) noted, “As<br />

director of SF Ballet, Helgi Tomasson has started to acquire an aura of infallibility, his expertise<br />

in laying down repertory, and in balancing great evenings of dance, is held in envy by the rest of<br />

the profession.”<br />

Tomasson’s vision, commitment, and dedication to the art of classical dance were demonstrated<br />

when he conceived UNited We Dance: An International Festival, produced in San Francisco in<br />

May 1 995. C reated t o c elebrate t he 5 0th a nniversary o f the si gning o f th e U nited N ations<br />

Charter, it included 12 international companies of the highest caliber that Tomasson had invited<br />

to present new works created by native choreographers. Never before had a dance event brought<br />

together over 150 artists for an u nprecedented two weeks of creative exchange and inspiration.<br />

In spring 2008, as part of its yearlong 75 th anniversary celebration, SF Ballet presented a New<br />

Works F estival of 10 w orld pr emieres by 10 of t he dance world’s m ost d iverse and acclaimed<br />

choreographers. The festival was called “ambitious and unprecedented” by The Washington Post<br />

and the San Francisco Chronicle hailed it as a “daring onslaught of fresh work… this is what the<br />

<strong>ballet</strong> world needs now.”<br />

Tomasson’s achievements have garnered him nu merous aw ards and h onors, and h e h as<br />

participated as a judge for <strong>ballet</strong> competitions in Italy, Russia, France, Finland, and Japan.<br />

-more-

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