artistic & production credits san francisco ballet london tour sadler's ...
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Tomasson/Page 2<br />
Times. In 2004, h is n ew p roduction o f Nutcracker, c reated i n c ollaboration w ith an<br />
internationally recognized de sign t eam, debuted to e nthusiastic critic and audience r esponse.<br />
The New York Times proclaimed, “This is a Nutcracker on a grand scale…striking, elegant and<br />
beautiful.” On December 17, 2008, Tomasson’s Nutcracker was broadcast nationally on Great<br />
Performances on PBS, in partnership with KQED Public Television in San Francisco.<br />
The stro ng cl assical b ase i nstilled b y T omasson e nables th e dancers to effortlessly navigate a<br />
myriad o f s tyles b y a r ange o f i nternationally d istinguished choreographers. T hose i nvited by<br />
Tomasson to create works on the Company have included David Bintley, Val Caniparoli, Jorma<br />
Elo, William F orsythe, J ames K udelka, La r Lu bovitch, Mark Mo rris, Yuri P ossokhov, A lexi<br />
Ratmansky, Paul T aylor, S tanton W elch, and C hristopher Wheeldon. Tomasson ha s a lso<br />
continued to expand SF Ballet’s repertory through acquiring works by renowned choreographers<br />
such as Sir Frederick Ashton, George Balanchine, August Bournonville, Michel Fokine, Hans van<br />
Manen, W ayne M cGregor, Sir K enneth Mc Millan, Agnes d e M ille, Nacho D uato, Flemming<br />
Flindt, Roland Petit, Jerome Robbins, and Antony Tudor, among others. Tomasson’s own works<br />
have been performed by New Yor k C ity B allet, Roy al D anish B allet, H ouston B allet, A lberta<br />
Ballet, Les Grands Ballets Canadiens de Montréal, Ballet Estable del Teatro Colón, and Asami<br />
Maki Ballet. In Denmark, Tomasson’s 1993 staging of The Sleeping Beauty was the most lavish<br />
<strong>production</strong> ever produced in the Royal Danish Ballet’s history and was filmed for Danish public<br />
television in April 1995.<br />
Under Tomasson’s direction, SF Ballet has <strong>tour</strong>ed the world, receiving praise for its purity and<br />
verve. E ngagements i n China ( 2009), Copenhagen ( 1998, 201 0), London ( 1999, 2 001, 2 004),<br />
Moscow ( 2012), New York City ( 1991, 1993, 1995, 1 998, 2002, 2006 , 2008 ), and P aris ( 1989,<br />
1994, 2001, 2005) are among the highlights of the Company’s history. For the Company’s 2004<br />
London engagement, SF B allet won t he p restigious L aurence Olivier Award, its first, in the<br />
category o f Outstanding A chievement i n Dance. Of t he t our, The Guardian (UK) noted, “As<br />
director of SF Ballet, Helgi Tomasson has started to acquire an aura of infallibility, his expertise<br />
in laying down repertory, and in balancing great evenings of dance, is held in envy by the rest of<br />
the profession.”<br />
Tomasson’s vision, commitment, and dedication to the art of classical dance were demonstrated<br />
when he conceived UNited We Dance: An International Festival, produced in San Francisco in<br />
May 1 995. C reated t o c elebrate t he 5 0th a nniversary o f the si gning o f th e U nited N ations<br />
Charter, it included 12 international companies of the highest caliber that Tomasson had invited<br />
to present new works created by native choreographers. Never before had a dance event brought<br />
together over 150 artists for an u nprecedented two weeks of creative exchange and inspiration.<br />
In spring 2008, as part of its yearlong 75 th anniversary celebration, SF Ballet presented a New<br />
Works F estival of 10 w orld pr emieres by 10 of t he dance world’s m ost d iverse and acclaimed<br />
choreographers. The festival was called “ambitious and unprecedented” by The Washington Post<br />
and the San Francisco Chronicle hailed it as a “daring onslaught of fresh work… this is what the<br />
<strong>ballet</strong> world needs now.”<br />
Tomasson’s achievements have garnered him nu merous aw ards and h onors, and h e h as<br />
participated as a judge for <strong>ballet</strong> competitions in Italy, Russia, France, Finland, and Japan.<br />
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