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MARY LOUISE GEIGER
LIGHTING DESIGNER
Mary Louise Geiger has worked in New York, Europe, and in the American regional theatre.
She is currently Head of Lighting in the Department of Design for Stage and Film at New York
University’s Tisch School of the Arts.
Her work in New York includes Oslo Elsewhere Festival (59E59); The Busy World is Hushed
(Playwrights H orizons); Jump/Cut (Women’s P roject); R ed Beads ( Mabou M ines–Skirball
Center for the Performing Arts); The Constant Wife (American Airlines Theatre); Oedipus at
Palm Springs (New Y ork T heatre Workshop); Afterbirth: Kathy and Mo’s Greatest Hits
(Second S tage); The Triangle Factory Fire Project (TACT); Mabou Mines’ Dollhouse (St.
Ann’s); Architecture of Loss (New York Theatre Workshop); Eight Days Backwards (Vineyard
Theatre); The Mystery of Attraction (Worth St. Theatre); Julia Sweeney in The Family Way
(Ars N ova T heatre); Jodi Oberfelder Dance (Clark T heatre, L incoln C enter); Two Little
Indians (Here T heatre); Tongue of a Bird (New Y ork S hakespeare F estival); A Doll House
(NYTW workshop), The Bacchae: Torn to Pieces (LaMaMa E tc), Long Island Sound (The
Actor’s Company Theatre)
Geiger’s work in Europe and touring productions includes Mabou Mines’ Dollhouse (Brisbane
Festival, Australia, Chicago, IL, Minneapolis, MN, Columbus, OH, New England, USA, Festival
D’Autumne, Paris, France; Stuttgart Festival, Germany; Ibsen Festival, Oslo, Norway).
Her work for regional theater includes projects for ACT Theatre, Alley Theatre, Actor’s Theatre
of L ouisville, A solo Theatre, B erkeley R epertory T heatre, G eVa T heatre, I ndiana R epertory
Theatre, I ntiman T heatre, S eattle R epertory T heatre, P ortland C enter Stage, Portland Stage
Company, Virginia Stage Company, Repertory Theatre of St. Louis, Mark Taper Forum,
Pioneer Theatre, Playmakers Repertory Company, LA Opera, Philadelphia Orchestra.
She trained at the Yale School of Drama and is currently a faculty member of the NYU Tisch
School of the Arts.
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