Download - New Zealand Society of Soil Science
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Irrigation does substitute for rainfall but cannot substitute for soil development. Farms, drought free,<br />
but hungry for investment are the predictable outcome.<br />
The economist Brian Easton has recently argued that adverse terms <strong>of</strong> trade for agricultural<br />
commodities have contributed to the slow development or under-development <strong>of</strong> the <strong>New</strong> <strong>Zealand</strong><br />
economy. A hard look at our soil resources would suggest that the need to spend in order to earn has<br />
been a powerful amplifier <strong>of</strong> Easton's linkage.<br />
As we try to resolve the current crop <strong>of</strong> issues around soil and land use keeping a clear eye on history<br />
and avoiding the convenient mythologies seems wise. Similarly, looking past the claims <strong>of</strong> interest<br />
groups and sceptically examining the match between their economic goals and intentions for land use<br />
intentions may help soil scientists through the information morass.<br />
Acknowledgements<br />
I am most grateful to Dr Alec MacKay, President <strong>of</strong> the <strong>New</strong> <strong>Zealand</strong> <strong>Society</strong> for <strong>Soil</strong> <strong>Science</strong>, and the<br />
<strong>Society</strong>'s Council for the <strong>of</strong> the Norman Taylor Memorial Award.<br />
I also wish to thank Dr Alan Hart who acted as a sceptical sounding board during the preparation <strong>of</strong><br />
the lecture and its subsequent transformation into this essay. Dr Saman Bowatte generously allowed<br />
access to data unpublished at the time <strong>of</strong> the lecture and I am also grateful to Allan Palmer, Louis<br />
Schipper and Ron McLenaghen for their organisation and support at the three lecture venues.<br />
The paintings<br />
The landscape paintings used to illustrate the lecture aroused a lot <strong>of</strong> interest. Most can be viewed as<br />
good quality images with using the links below. I have not been able to find a good link for the Rita<br />
Angus painting “Scrub burning Northern Hawke’s Bay 1962” but am aware that a major retrospective<br />
exhibition <strong>of</strong> her work is currently being prepared at Te Papa and this will include many <strong>of</strong> less<br />
accessible works. I used the Doris Lusk painting “Canterbury Plains from the Cashmere Hills”<br />
because it neatly captured the impacts <strong>of</strong> agriculture and human settlement on the landscape. It also<br />
appealed because it was painted in 1952, a high point in agricultural optimism in <strong>New</strong> <strong>Zealand</strong>, when<br />
sheep farming for wool appeared to be the route to prosperity just as milk production does today. The<br />
wool boom busted within two years though and since then the valley shown has grown two crops <strong>of</strong><br />
Pinus radiata, a land use change unthinkable in 1952.<br />
Doris Lusk “Canterbury Plains from the Cashmere Hills:<br />
http://www.christchurchartgallery.org.nz/GalleryOnline/IX2/L000026F.HTM<br />
Rita Angus “Wanaka” http://www.prints.co.nz/page/fine-art/PROD/Artists_Angus_Rita/B17<br />
Leo Benseman “Canterbury spring”<br />
http://www.christchurchartgallery.org.nz/GalleryOnline/RECORDS/R0000154.HTM<br />
Dick Frizzell; “Milled hill gorse and bracken-Tokoroa 1987”<br />
http://www.christchurchartgallery.org.nz/GalleryOnline/RECORDS/R0000581.HTM<br />
Grant Wood “Fall plowing” http://www.artcyclopedia.com/goto/prints-310399<br />
* This can be regarded as a general proxy for scaling the annual <strong>of</strong> nitrogen through the mineral N<br />
pool at each site<br />
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