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Complete Catalogue Spring Summer 2002 UBCPressand Agencies

Complete Catalogue Spring Summer 2002 UBCPressand Agencies

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Film and Theatre Studies<br />

WWW.UBCPRESS.CA/FILMTHEATRE<br />

Hollywood, Hype and<br />

Audiences<br />

Selling and Watching Popular Film<br />

in the 1990s<br />

Thomas Austin<br />

Hollywood, Hype and Audiences is a fascinating<br />

multi-dimensional investigation of popular film as a<br />

commercial, cultural, and social phenomenon. It<br />

traces the circulation in Britain of three Hollywood<br />

films – Basic Instinct, Bram Stoker’s Dracula, and<br />

Natural Born Killers – from marketing and critical<br />

reception to consumption in cinemas and on video.<br />

It draws on economic and discursive contexts and<br />

original audience research to trace how meanings,<br />

pleasures, and uses are derived from popular film.<br />

This book is both a significant intervention into<br />

methodological debates in film studies and a timely<br />

investigation of film culture, focusing on key questions<br />

about genre, taste, sexual pleasure, and<br />

screen violence.<br />

Thomas Austin is Lecturer in Media Studies, University<br />

of Sussex.<br />

MANCHESTER UNIVERSITY PRESS<br />

January<br />

256 pages, 5 1/2 x 8 1/2"<br />

illustrated<br />

ISBN 0-7190-5775-2<br />

paper, $36.95 CRO<br />

Jean-Jacques Beineix<br />

Phil Powrie<br />

With a foreword by Jean-Jacques Beineix<br />

This is the first book to examine the films of Jean-<br />

Jacques Beineix, often seen as the best example of<br />

the 1980s cinéma du look, with cult films such as<br />

Diva and Betty Blue. The introduction places Beineix<br />

in the context of the 1980s with the arguments<br />

focusing on postmodern cinema. Powrie then devotes<br />

a chapter to each of Beineix’s feature films,<br />

including the film which marked his return to feature<br />

film-making after a break of a decade, Mortel<br />

Transfert (2001).<br />

Beineix and his films have often been at the centre of<br />

controversy. This volume explains the controversies<br />

and analyzes the films for their intrinsic interest. It<br />

includes a foreword by Jean-Jacques Beineix himself<br />

and a substantial filmography and bibliography.<br />

Phil Powrie is Professor of French Cultural Studies and<br />

Director of the Centre for Research into Film and Media,<br />

University of Newcastle-upon-Tyne<br />

MANCHESTER UNIVERSITY PRESS<br />

January<br />

240 pages, 5 x 8”<br />

illustrated<br />

ISBN 0-7190-5533-4<br />

paper, $42.95 CRO<br />

Terence Fisher<br />

Peter Hutchings<br />

Terence Fisher is best known as the director who<br />

made most of the classic Hammer horrors. But there<br />

is more to him than Hammer horror. In a busy twenty-five<br />

year career he directed fifty films, not just<br />

horrors but also thrillers, comedies, melodramas,<br />

and science fiction. This book offers an appreciation<br />

of all of Fisher’s films, providing a sense of his place<br />

in British film industry. It also casts a new and interesting<br />

light on the areas of British cinema within<br />

which Fisher worked.<br />

MANCHESTER UNIVERSITY PRESS<br />

January<br />

176 pages, 5 x 8”<br />

illustrated<br />

ISBN 0-7190-5637-3<br />

paper, $31.95 CRO<br />

Faking It<br />

Mock-Documentary and<br />

the Subversion of Factuality<br />

Jane Roscoe and Craig Hight<br />

The first major study of mock documentary – one<br />

of several screen forms that play with the assumed<br />

boundaries between fact and fiction.<br />

MANCHESTER UNIVERSITY PRESS<br />

January<br />

240 pages, 5 1/2 x 8 1/2"<br />

illustrated<br />

ISBN 0-7190-5641-1<br />

paper, $31.95 CRO<br />

45 FOR MORE INFORMATION VISIT WWW.UBCPRESS.CA

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