Download text-only Bibliography - California College of the Arts

Lara Manzanares 

THRESHOLD : Working Bibliography 


California College of the Arts 

Master of Fine Arts in Design, 2011 

* denotes an experience or activity 

*Manzanares, Lara. percipere. San Francisco: ongoing perception collections, 2010. 

Currently 20 individual pieces. http://percipere.wordpress.com 

“The english word perceive comes from the Latin percipere: to seize, obtain, or 

collect. Percipere comes from per+capere, which literally translates as thoroughly + 

take. Perception is not by any means a passive process. It engages all of the senses. 

Things don’t just happen to us – we play as much a part in the perception of 

external stimuli as the forces that cause them to occur. We are not information 

receptacles; we are active participants. 

This blog is an attempt to document my way of actively perceiving the world. Every 

few days – and sometimes every day if I can – I set aside time to collect and create. 

These sessions, or “perceptions,” are limited to thirty minutes, including ideation, 

construction, writing, recording, editing, etc. My posts, which mostly consist of a 

combination of audio and video, are the results of these sessions – whether they are 

“finished” or unfinished, spectacular or mediocre, logical or senseless.” 

Turner, Victor (Editor). The Anthropology of Experience. Chicago: Illini Books, 1986. 

This may be a good background read on anthropological theories of experience. 

Amazon book summary: “Fourteen authors, including many of the best-known 

scholars in the field, explore how people actually experience their culture and how 

those experiences are expressed in forms as varied as narrative, literary work, 

theater, carnival, ritual reminiscence, and life review.” The book has _ parts: The 

Concept of Experience, Narrative, Images, Reflexivity, and Enactments. I am 

particularly interested in exploring the essays “Ordinary and Extraordinary 

Experience” by Roger D. Abrahams, “The Argument of Images and the Experience of 

Returning to the Whole” by James W. Fernandez, “Performance and the Structuring 

of Meaning and Experience,” by Bruce Kapferer, and “Magnitudes of Performance” 

by Richard Schechner. 

Turner, Victor. The Anthropology of Performance. Baltimore: PAJ Publications, 1988. 

Another good thing to read up on for some background and theory. It seems fairly 

anthropology-based, but I think I can draw out broader themes. I’m interested in 

reading the chapters “Rokujo’s Jealousy: Liminality and the Performantive Genres,” 

and “Body, Brain, and Culture.” 

Turner, Victor. From Ritual To Theatre: The Human Seriousness of Play. Baltimore: 

PAJ Publications, 2001. 

1


What I’ve read of this book so far has helped me vastly in my explanation of what 

exactly I’m trying to achieve with my work. It explains the experience-performance 

cycle, and talks about how performance is necessary to “finish” an experience. It 

has helped me figure out what exactly I was trying to do when I began my 

“percipere” blog, and what I continue to try to do in my current work. 

Turner, Victor. The Ritual Process: Structure and Anti-Structure. (place unknown): 

Aldine, 1995. (most of it available on google books) 

Mostly specific to Turner’s time in Africa, this book does however offer a good 

explanation of liminal space from an anthropological and ritual view. 

Patchen, Kenneth. We Meet. New York: New Directions, 2008 

(Original publication dates of content: 1946, 1957, 1958, 1970) 

He usually managed to be there when 

He arrived. A horse, his name was 

Hunry Fencewaver Walkins—he’d sometimes 

Be almost too tired to make it; 

Because, since he also hated being alone, 

He was always on the alert to pop forth 

At a full run whenever the door opened. 

Then one day it happened— 

He didn’t get there in time! 

Of course he couldn’t risk opening the door— 

So, panting, he just stood there in the hall— 

And listened to the terrible sound of himself weeping 

In that room he could never, never enter again. 

Kenneth Patchen’s poems don’t “go” anywhere. They hover between the beginning 

and the end. They make no sense, and they make all the sense in the world. 

Brilliant. 

Carroll, Lewis. Alice’s Adventures in Wonderland & Through the Looking-Glass. 

London: Penguin, 1998, (Original publication dates 1865 and 1872, respectively) 

This publication serves multiple purposes. It is an example of how an author 

successfully interprets the in, the out, and the in-between in a time of cultural 

upheaval (It was first published soon after Charles Darwin’s Theory of Evolution) 

using wild storytelling. I generally think of myself as the character Alice, making my 

way through spaces and making sense (or nonsense) of everything around me. 

Hayes, Joe: Retold by. La Llorona / The Weeping Woman. El Paso: Cinco Puntos, 

2004. 

This story, a traditional Mexican / New Mexican / Latin American ghost story, tells 

of a woman caught in between life and death. She wanders, like Alice, but not 

aimlessly. She is looking for her children, whom she murdered. She is, in effect, 

trapped in a drawn-out liminal space, unable to let go of the time that came before 

2


the transition away from life. The storytelling style in this and other ghost stories 

warn us away from this frightening in-between space. This story may have 

historical ties to the story of La Malinche – the indigenous companion of Hernán 

Cortés. She is seen as both a traitor and the mother of the mestizo race, both 

revered and despised. La Llorona is also a song, a haunting musical piece that is 

tender, vengeful, wistful and exuberant, all at the same time. 

Derrida, Jacques. The Truth in Painting. Chicago: University of Chicago Press, 1987. 

“It is finality-without-end which is said to be beautiful (…). So it is the without that 

counts for beauty; neither the finality nor the end, neither the lacking goal nor the 

lack of a goal but the edging in sans of the pure cut, the sans of the finality-sansend” 

(89). 

“From this point of view beauty is never seen, neither in the totality nor outside it: 

the sans is not visible, sensible, perceptible, it does not exist. And yet there is some of 

it and it is beautiful. It gives the beautiful” (90). 

“A piece of waste land has no fixed limit. Without edge, without any border 

marking property, without any nondecomposable frame that would not bear 

partition. Vague is a movement without its goal, not a movement without goal but 

without its goal. Vague beauty, the only kind that gives rise to an attribution of 

pure beauty, is an indefinite errance, without limit, stretching toward its orient but 

cutting itself off from it rather than depriving itself of it, absolutely. It does not 

arrive itself at its destination” (92-93). 

“Parerga have a thickness, a surface which separates them not only (as Kant would 

have it) from the integral inside, from the body proper of the ergon, but also from 

the outside, from the wall on which the painting is hung…” (61). 

*Doe, John & Jane. The Doorway. San Francisco: Lara’s U.S. Census Employment, 

2010. 

Throughout the past summer, I worked as an enumerator for the 2010 Census. I 

spent 20-30 hours a week seeking out and standing in doorways. Occasionally I 

was invited inside, other times I was threatened and verbally abused. As Census 

Employees, we were not allowed to set foot through a doorway unless invited in. At 

times, however, even my proximity to the doorway was enough to cause a resident 

to come unhinged. I thought it very interesting that such a seemingly forgotten or 

dismissed space, a space without history, a space that people are in every day but 

never spend time in - could trigger such strong emotions. 

Hayes, Joe (retold by). “El Terrible Tragadabas,” from Tell Me A Cuento / Cuéntame 

Un Story. El Paso: Cinco Puntos, 1998. 

“El Terrible Tragadabas” is a children’s story with roots in Spain. It tells of a monster 

(the Tragadabas, or glutton) who hides behind the door of a small town’s general 

store. The three main characters take individual trips to the general store, knock on 

the door and have a brief verbal exchange with the monster, who warns them not 

to open the door. They do anyway, and the monster jumps out and tries to 

swallow them. 

3


“The Message of the Myth.” Moyers: Joseph Campbell and the Power of Myth. 

Prod. Catherine Tatge. PBS. WNET, New York. 22 May 1988. 

While the entire Power of Myth series is a valuable resource, in this particular 

segment Joseph Campbell explores duality in myths and stories. It is a good 

reference for how we function and handle transition through stories and rituals. 

*Class: “Pure Music.” San Francisco: Zambaleta World Music and Dance School, 

2010. Teacher: Gautam Tejas Ganeshan, New Directions in Indian Music 

Last semester and this summer, I took three classes in Indian Classical Voice and 

“Pure Music” with Gautam. He opened my eyes to a new way of looking at music – 

he showed how Indian music embraces and uses the space in between notes nearly 

as much as the notes themselves. 

Khan, Hazrat Inayat. The Mysticism of Sound and Music: The Sufi Teaching of 

Hazrat Inayat Khan. Boston: Shambala, 1991. 

It’s difficult to explain this book right now – all I can say really is that when I think 

about my past work and try to explain it, all I know is that deep inside it, inside 

everything, there is a sort of a “buzzzzzzzzz-hummmmmmmm” that emanates 

from a deeper place than can be explained. This sound – or rather, it’s more than a 

sound, it’s a vibration – does not only apply to myself, but is present in everything 

around – the harmony of all objects, the buzz-hum for example, of an entire 

stadium full of people milling around and interacting as viewed from the Goodyear 

Blimp. I am hoping that reading this book will help me elucidate some of these 

intuitions and help me explain them more effectively. 

Lynch, David. Mulholland Dr. Los Angeles, 2001. 

David Lynch’s storytelling style – seemingly random, but primally interconnected – 

he tells much more than a story. The crux of his piece is in the passage that we go 

through but that is never explicitly shown in the movie. His visuals draw out the 

meta: A doorway that is gone through turns completely black as the camera 

encounters it, and the resulting “emergence” on the other side, is as if we have been 

taken through some kind of a portal. Doorways are, for Lynch, more than just 

doorways. 

Sottsass, Ettore. Design Metaphors. Milan: Idea Books, 1987. 

Really great, contemplative book. Contains some interesting visualizations in the 

section “Design for the destinies of man” in particular. Doorways are used as 

metaphors for our trek into the future . The installations in the book use 

architectural and design elements comprised mostly of fabric and string and places 

them in mountains, deserts, etc. 

Campbell, Joseph (editor). Man and Transformation: Papers from the Eranos 

Yearbooks. Princeton: Princeton University Press, 1964. 

This may come in handy – not sure yet exactly how- 

4


*Manzanares, Lara. Busking. San Francisco: Street Singing by Lara, 2010. 

For the past ten years, I have played publicly for money at Farmer’s Markets. Within 

the last year, I have moved my busking practice into the streets of San Francisco’s 

Mission District. I have, in effect, placed myself in what is, for many people, a 

transitional space. I interact with people directly in the middle of their journey from 

one point to another: I am the soundtrack for a few seconds of their in-between. 

Bhabha, Homi. The Location of Culture. London: Routledge, 1994. 

While this book mainly deals mainly with issues particular to post-colonialism, it 

might be an interesting read in order to explore Bhabha’s idea of inhabiting liminal 

space as a form of resistance. Also – we are living in a post-colonial world, and 

through this reading I might find ways to expand my explorations outward from 

myself and apply them to broader social themes. 

*Manzanares, Lara. Form Studio Journal. San Francisco: handwritten journal, 2009. 

During explorations for CCA’s Form Studio class in 2009, I kept a journal with 

sketches and thoughts inspired by Martin Venezky, and my classmates’ and my 

own explorations. This is an invaluable process resource. It contains a wealth of 

ideas which will inform the research and development methods of my thesis 

exploration. 

*Manzanares, Lara. Essays. San Francisco: song essays presented in a blog, 2009. 

http://lmanzanares.blogs.cca.edu/ 

Like the Form Studio Journal, this piece will guide my exploration process and help 

me work through difficult spots. When I began this journal, it was a chore. I came 

home every day and told myself, “I don’t want to do this, I just want to sing…” And 

then I thought, well hey, who says I can’t? At that moment, an entire world of 

possibilities opened up, and the results that I produced went well beyond those of a 

“classroom journal.” I use this as a (much-needed) reminder that I can trust myself. 

World Book Encyclopedia. Chicago: World Book, Inc., 1989. 

I photocopied a couple of images, and looked up the definition of 'threshold' 

Kandinsky, Wassily. Point and Line to Plane. New York: Dover, 1979. ("Originally 

published in 1926 as Punkt und Linie zu Flache, the ninth in a series of fourteen 

Bauhaus books edited by Walter Gropius and L. Moholy-Nagy.") 

Need to figure out what this guy was up to. 

N 70 .K313 

Abbott, Edwin A. Flatland: A Romance of Many Dimensions. New York: Dover, 1952. 

Need to read this, will be a quick read – Interesting way of expressing visual 

qualities in a spatial and narrative way… brings the flat visual into architectural 

and temporal headspace. Also related to Kandinsky’s theories as well as Mondrian’s 

5


vertical/horizontal treatment of lines and finding equilibrium. 

Kachurin, Pamela Jill. Soviet Textiles: Designing the Modern Utopia. Boston: MFA, 

2006. 

Not sure about this one yet – Universality of textiles, weaving / grid pattern relates 

to Mondrian’s theories, and of course Constructivist “rebuilding.” Interesting to 

note: Patterns on these textiles are printed on top of the fabric. What would it mean 

to embed the pattern into the actual weaving of it? This may be a stretch, but I’ll 

keep this book around for now. May come in handy when developing methods for 

the actualization of graphic representations. 

Hirschorn, Thomas. Utopia, Utopia = One World, One War, One Army, One Dress. 

Boston, San Francisco: Institute of Contemporary Art (Boston); CCA Wattis Institute 

for Contemporary Arts, 2005. (Part of an exhibition by the same name) 

Have not read yet – Contains some interesting pieces about the prevalence of 

camouflage clothing – camouflage as the synthesis of figure/ground, universal 

equilibrium… 

Rotzler, Willy. Constructive Concepts: A History of Constructive Art from Cubism 

to the Present. New York: Rizzoli, 1989. 

Photocopied some images from this book. May re-visit for further research 

Cirlot, J.E. A Dictionary of Symbols. London: Routledge 1962. 

Looked up threshold. 

Cabarga, Leslie. Advertising Spot Illustrations of the Twenties and Thirties: 1,593 

Cuts. New York: Dover, 1989. 

Photocopied several pages for past image research 

Schaer, Roland; Claeys, Gergory; Sargent, Lyman Tower. Utopia: The Search for the 

Ideal Society in the Western World. New York: Oxford, 2000. 

Good look into the past. Pp. 278 - 297, 316-331. 

HX 806 .U7918 

Zegher, Catherine; Krauss, Rosalind; Buchloh, Benjamin; Coessens, Piet; Borja-Villel, 

Manuel J.; Chevrier, Jean-Francois. Art and Utopia: Limited Action. Barcelona: 

Museu d’Art Contemporani de Barcelona, 2005. (Catalog for a show of the same 

name.) 

Excellent visual resource. Comprehensive catalog of modern curated toward an 

exploration of ideas of utopia, along with quotes from artists. 

Weinhart, Martina; Hollein, Max (editors). Nichts / Nothing. Exhibition Catalogue: 

Nichts / Nothing, Schirn Kunsthalle Frankfurt: published by Katje Catz Verlag, 2006. 

Have not looked at yet 

N 6494 .C93 N53 

6


Virilio, Paul. Speed and Politics: An Essay on Dromology. Paris: Semiotext(e), 1977 

(original French), 2006 (English translation). 

Need need need to read this 

Foster, Hal; Krauss, Rosalind; Bois, Yve-Alain, Buchloh, Benjamin. Art Since 1900: 

Modernism, Antimodernism, Postmodernism. New York: Thames & Hudson, 2005. 

Reading this book was another breakthrough moment – too much to write now – 

Harrison, Charles and Wood, Paul. Art in Theory: 1900-2000. Malden, 

Massachusetts: Blackwell, 2003. 

Great resource to read essays and writings directly from the artists of modernism. 

Ferrier, Jean-Louis. Art of the 20th Century: The History of Art Year by Year from 

1900 to 1999: Painting, Sculpture, Architecture. Turin: Chene-Hachette, 1999. 

Photocopied some images from this as well as a Kandinsky essay about painting 

and music. 

Man, Felix H. 8 European Artists. London: Heinemann, 1954. 

Picasso's alphabet 

Hughes, Robert. The Shock of the New: The Hundred-Year History of Modern Art - 

Its Rise Its Dazzling Achievement, Its Fall. New York: Alfred A. Knopf, Inc., 1991. 

Good modern art source, to be used along with art since 1900. 

N 6447 .H84 

Dabrowski, Magdalena. Contrasts of Form: Geometric Abstract Art 1910-1980. 

New York: Museum of Modern Art, 1985. 

Pictures of constructivist artwork, some essays that looked valuable but have not 

read yet. 

Traum & Trauma / Dream & Trauma: Works from the Dakis Joannou Collection, 

Athens. Wien: Hatje Cantz, 2007. 

Good to look at to see contemporary artists and how they're dealing with this. 

Double-check at the library for citation, it's in german and is confusing. 

N 6488.5 .J63 T73 

Rossington, Michael; Whitehead, Anne (editors). Theories of Memory: A Reader. 

Baltimore: Johns Hopkins, 2007. 

Haven't read yet. Some of these essays may be useful. 

Grad Design Library 

Stein, R. Conrad. The Mexican Revolution: 1910 - 1920. New York: Macmillan, 1994. 

Pictures of some revolution photos + art as an example of trauma or turmoil as a 

catalyst to creativity; surrealism of Mexican woodcuts and calaveras 

7


Barck Jr., Oscar Theodore; Blake, Nelson Manfred. Since 1900: A History of the 

United State In Our Times. New York: Macmillan, 1974. 

Political cartoons from 1910-1930 or so capture the spirit of the times… 

Scherman, David E. (editor). Life Goes to War: A Picture History of World War II. 

New York: Time Life, 1977. 

Intro essay that I haven't yet read 

Amsler, Jean. The Illustrated History of Europe. Paris: Editions du Pont Royal, 1960. 

Useful image source for historical time periods. 

Purvis, Alston. The Ballets Russets and the Art of Design. New York: Monacelli 

Press, 2009. 

Random find. Amazing human + machine type photos of some of the ballet 

dancers from the 1920s. What were these guys up to? 

Doors + Architecture 

Crouch, Dora and Johnson, June. Tradtions in Architecture: Africa, America, Asia, 

and Oceania. New York: Oxford, 2001. 

Doors across cultures, also check out p. 334+ 

NA 208 .C76 

Rybczynski, Witold. The Most Beautiful House in the World. New York: Penguin, 

1989. Chapter 7 (pp. 143-167) 

Really beautiful book - a thoughtful journey into the societal norms of building. 

NA 7120 .R93 

Oliver, Paul. Dwellings. London: Phaidon, 2003. 

Not looked at yet - good overall reference book to have on hand. 

NA 7125 .O443 

Strickland, Carol. The Annotated Arch: A Crash Course in the History of 

Architecture. Kansas City: Andrews McMeel, 2001. 

General review of architecture for someone with limited experience in the field. 

NA 200 .S77 

Hanson, Julienne. Decoding Homes and Houses. Cambridge: Cambridge University 

Press, 1998. 

Rather dense and technical, but maybe useful. Have not looked at yet. 

NA 7328 .H26 

Alexander, Christopher. A Pattern Language: Towns, Buildings, Construction. New 

8


York: Oxford, 1977. 

Awesome. Totally awesome. I might like to own this book. 

NA 2500 .A445 

Isozaki, Arata. Japan-ness in Architecture. Cambridge: MIT Press, 2006. 

Great resource and enjoyable read – talks about Japanese notions of space 

(including ‘ma’), ritual, tradition, utopia, time, Japan and the western world, etc…. 

Articles/Papers 

Nute, Kevin (Associate Professor of Architecture). " 'Ma' and the Japanese Sense of 

Place Revisited: by Way of Cyberspace. " Japan: Muroran Institute of Technology, 

date unknown. 

This paper initiated a bit of a breakthrough for me in its comparison of the 

Japanese sense of place (‘ma’) and its view of the threshold as an event rather than 

a place, to our movement through internet “places.” 

Stalder, Laurent. "Turning Architecture Inside Out: Revolving Doors and Other 

Threshold Devices." Journal of Design History (2009) 22(1):69-77 

Really great find- Stalder explores the history of technological innovation of doors, 

specifically revolving doors and "air curtains," and explores the larger societal 

context of our continual technological advances in the paradoxical space of the 

doorway. He also talks about how the technological advances create a 

deconstruction and compartmentalization of the human body in the act of 

passage. 

Bois, Yve-Alain. “The Iconoclast.” from the book Piet Mondrian, 1872-1944. 

Boston: Bullfinch, 1995. 

Very valuable resource for the development of my core ideas of duality, equilibrium, 

movement, stillness, universality, etc., and the language that goes with them. 

Understanding what Mondrian was trying to achieve and how he did it are 

informing my current process. 

Kracauer, Siegried; Correll, Barbara; Zipes, Jack. "The Mass Ornament." New German 

Critique, No. 5 (Spring, 1975), pp 67-76 

I read this early on and then set it aside. It seems to be making a comeback- 

Compartmentalization of the body, deconstruction from whole body into sets of 

parts; patterns, demythologization, plus a strange mix of de-ritualization and 

hyper-ritualization. 

Kahn, Louis (Lecture). "Silence and Light - Louis I. Kahn at ETH, Zurich, 

Switzerland."From Complete Work 1935-1974. Boston: Birkhauser, 1987. 

9


Kahn talks about silence, light, and the musicality of his architecture. 

Architectural Design Journal: 

The following set of articles is from the same issue of Architectural Design. I have only had 

a chance to skim them, but they merit further attention. Here's a piece from the journal's 

colophon: "...Images of blasted buildings or events such as Hurricane Katrina exemplify the 

sense of 'immediate impact'. But how is this trauma to be understood in its aftermath, and 

in urban terms? What is the response of the discipline to the post-traumatic condition? On 

the one hand, one can try to restore and recover everything that has passed, or otherwise 

see the post-traumatic city as a resilient space poised on the cusp of new potentialities...” 

Lahoud, Adrian. "Post-Traumatic Urbanism." Architectural Design, No. 207 

(September/October 2010), pp 14-23. 

Benjamin, Andrew. "Trauma Within the Walls: Notes Towards a Philosophy of the 

City." Architectural Design, No. 207 (September/October 2010), pp 24-31. 

Spurr, Samantha. "After the Event: Speculative Projects in the Aftermath." 

Architectural Design, No. 207 (September/October 2010), pp 51-57. 

Fisher, Mark. "Post-Apocalypse Now." Architectural Design, No. 207 

(September/October 2010), pp 71-73. 

Concerning the recent slew of apocalypse-themed movies: Why is it easier for us to 

imagine the end of the world than it is for us to imagine the end of capitalism? 

Videos 

Vitalic. Second Lives. Music video directed by Julien Henry. Song from the album 

"Flashmob." 2010? http://www.youtube.com/watch?v=fuwRxha8zSU 

Overhead view of private place, bathroom stall - sacred + profane 

World Order. Mind Shift. 

Music & Words by Genki Sudo / Takashi Watanabe, Movie by Genki Sudo. 

http://www.youtube.com/watch?v=4ua64HbsBUo&feature=player_embedded#! 

Time, slowness, re-ritualization, celebration 

Bush Tries to Escape. 

http://www.youtube.com/watch?v=SHjIb6trxBI&feature=related 

President George W. Bush tries to open a non-functional door in China. 

Old Japan Wooden Door. http://www.youtube.com/watch?v=iIiGR2F9hrc 

A random traveler encounters a super-intricate and interesting Japanese door. 

10


Kim, Ely. BOOMBOX. 

http://www.youtube.com/watch?v=d2DLNLTTjvM 

http://www.welikehim.com/ 

Yale grad student Ely Kim does 100 dances for 100 days. 

Understanding Automatic Door FAIL. 

http://www.youtube.com/watch?v=KPqOQnpragc 

http://failblog.org 

Man runs through and shatters an automatic class door. Very strange, yet 

somehow relevant. 

Revolving Door Fail. 

http://www.youtube.com/watch?v=HeafsydZaV4 

http://failblog.org 

Revolving door malfunctions and catches a person in it, shattering on both sides of 

his body. Again – strange, yet somehow relevant. 

Tanaka Auto Door 

http://www.youtube.com/watch?v=2UjFCGUfRow 

Futuristic Japanese design - door as a sort of membrane. 

Morph: Magic Door. 

http://www.youtube.com/watch?v=N-zRH0dLJFs 

Playful claymation vision of a doorway to another world. 

Mystery Guitar Man. Desert Music. 

http://www.youtube.com/watch?v=flh96MS9ouQ&feature=channel 

Mystery guitar man opens the door to his apartment and finds it is a portal to a 

desert land. He makes music using the cacti. 

11


Helpful People: 

Gautam Tejas Ganeshan. 

Vocalist and teacher, New Directions in Indian Classical Music. 

Wendy Ju 

Thesis Advisor 

Geoff Kaplan 

CCA Professor 

Jon Meyer 

CCA Professor and Thesis Committee Member 

Brenda Laurel 

Chair, CCA Graduate Design. 

Barry Katz 

CCA Professor and Thesis Committee Member 

Paul Trachtman 

Artist and Writer, Smithsonian Magazine 

Lifelong creative mentor 

Bruce McIntosh 

Designer 

Lifelong design mentor 

Mina Girgis 

Executive Director, Zambaleta World Music and Dance School 

Steve Schlei 

Close friend - The only one who understands my crazy-talk. 

Sean Ross, Julie Mendez, Hugh Hsin, other CCA classmates. 

Mom. 

12

Download text-only Bibliography - California College of the Arts

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?