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Lara Manzanares vertical/horizontal treatment of lines and finding equilibrium. Kachurin, Pamela Jill. Soviet Textiles: Designing the Modern Utopia. Boston: MFA, 2006. Not sure about this one yet – Universality of textiles, weaving / grid pattern relates to Mondrian’s theories, and of course Constructivist “rebuilding.” Interesting to note: Patterns on these textiles are printed on top of the fabric. What would it mean to embed the pattern into the actual weaving of it? This may be a stretch, but I’ll keep this book around for now. May come in handy when developing methods for the actualization of graphic representations. Hirschorn, Thomas. Utopia, Utopia = One World, One War, One Army, One Dress. Boston, San Francisco: Institute of Contemporary Art (Boston); CCA Wattis Institute for Contemporary Arts, 2005. (Part of an exhibition by the same name) Have not read yet – Contains some interesting pieces about the prevalence of camouflage clothing – camouflage as the synthesis of figure/ground, universal equilibrium… Rotzler, Willy. Constructive Concepts: A History of Constructive Art from Cubism to the Present. New York: Rizzoli, 1989. Photocopied some images from this book. May re-visit for further research Cirlot, J.E. A Dictionary of Symbols. London: Routledge 1962. Looked up threshold. Cabarga, Leslie. Advertising Spot Illustrations of the Twenties and Thirties: 1,593 Cuts. New York: Dover, 1989. Photocopied several pages for past image research Schaer, Roland; Claeys, Gergory; Sargent, Lyman Tower. Utopia: The Search for the Ideal Society in the Western World. New York: Oxford, 2000. Good look into the past. Pp. 278 - 297, 316-331. HX 806 .U7918 Zegher, Catherine; Krauss, Rosalind; Buchloh, Benjamin; Coessens, Piet; Borja-Villel, Manuel J.; Chevrier, Jean-Francois. Art and Utopia: Limited Action. Barcelona: Museu d’Art Contemporani de Barcelona, 2005. (Catalog for a show of the same name.) Excellent visual resource. Comprehensive catalog of modern curated toward an exploration of ideas of utopia, along with quotes from artists. Weinhart, Martina; Hollein, Max (editors). Nichts / Nothing. Exhibition Catalogue: Nichts / Nothing, Schirn Kunsthalle Frankfurt: published by Katje Catz Verlag, 2006. Have not looked at yet N 6494 .C93 N53 6
Lara Manzanares Virilio, Paul. Speed and Politics: An Essay on Dromology. Paris: Semiotext(e), 1977 (original French), 2006 (English translation). Need need need to read this Foster, Hal; Krauss, Rosalind; Bois, Yve-Alain, Buchloh, Benjamin. Art Since 1900: Modernism, Antimodernism, Postmodernism. New York: Thames & Hudson, 2005. Reading this book was another breakthrough moment – too much to write now – Harrison, Charles and Wood, Paul. Art in Theory: 1900-2000. Malden, Massachusetts: Blackwell, 2003. Great resource to read essays and writings directly from the artists of modernism. Ferrier, Jean-Louis. Art of the 20th Century: The History of Art Year by Year from 1900 to 1999: Painting, Sculpture, Architecture. Turin: Chene-Hachette, 1999. Photocopied some images from this as well as a Kandinsky essay about painting and music. Man, Felix H. 8 European Artists. London: Heinemann, 1954. Picasso's alphabet Hughes, Robert. The Shock of the New: The Hundred-Year History of Modern Art - Its Rise Its Dazzling Achievement, Its Fall. New York: Alfred A. Knopf, Inc., 1991. Good modern art source, to be used along with art since 1900. N 6447 .H84 Dabrowski, Magdalena. Contrasts of Form: Geometric Abstract Art 1910-1980. New York: Museum of Modern Art, 1985. Pictures of constructivist artwork, some essays that looked valuable but have not read yet. Traum & Trauma / Dream & Trauma: Works from the Dakis Joannou Collection, Athens. Wien: Hatje Cantz, 2007. Good to look at to see contemporary artists and how they're dealing with this. Double-check at the library for citation, it's in german and is confusing. N 6488.5 .J63 T73 Rossington, Michael; Whitehead, Anne (editors). Theories of Memory: A Reader. Baltimore: Johns Hopkins, 2007. Haven't read yet. Some of these essays may be useful. Grad Design Library Stein, R. Conrad. The Mexican Revolution: 1910 - 1920. New York: Macmillan, 1994. Pictures of some revolution photos + art as an example of trauma or turmoil as a catalyst to creativity; surrealism of Mexican woodcuts and calaveras 7
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