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CASE STUDY – CREATIVE TOURISM NEW ZEALAND

CASE STUDY – CREATIVE TOURISM NEW ZEALAND

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fuel4arts.com<br />

arts + markets + audiences<br />

…tools & ideas to take your work further<br />

- links from tourist organisations promoting New Zealand and Nelson. For<br />

example see the home page of Latitude Nelson's website:<br />

http://www.nelsonnz.com/ or look at the bottom of 'A Creative View of New<br />

Zealand' on New Zealand's national tourism website:<br />

http://www.purenz.com/index.cfm/purenz_page/E0AFB440-5D94-4B98-910F-<br />

8B36A11391B3.html.<br />

- rack cards in local visitor information offices;<br />

- pursuing journalists; and<br />

- contacting universities and colleges that teach tourism.<br />

Is this enough? No, it is only a very modest start. The main constraint is money.<br />

Budget<br />

By piloting CTNZ within NBAM it has been possible to attract some grants and<br />

sponsorship. Industry New Zealand, the Community Trust and Nelson<br />

Marlborough Institute of Technology have all contributed.<br />

These funds, together with subscriptions from Members and recommended<br />

accommodation providers are now approaching NZ$20,000. They have covered<br />

the costs of the website development and maintenance, initial print and NBAM's<br />

staff time.<br />

However, no paid advertising can yet be afforded and I am leading the project on<br />

a voluntary basis for the time being.<br />

And then What?<br />

The pilot period will run until Easter 2004. If all has gone well and sufficient<br />

creative tourists have participated in our Members' workshops for us to be<br />

confident of developing a sustainable organisation, CTNZ will build on what it has<br />

learnt and expand to offer workshops throughout the country.<br />

A decision will then be made about the most appropriate legal structure for the<br />

organisation: the options are staying within NBAM, becoming a separate not-forprofit<br />

or becoming a commercial business.<br />

If all continues to go well, then it could eventually be exciting to help set up<br />

Creative Tourism networks in other countries and share what has been learnt in<br />

New Zealand. Every country and region has skills and traditions that are of<br />

potential interest to the creative tourist. The list of possible experiences is as long<br />

as the list of abilities that mankind has developed in the different environments in<br />

which he lives.<br />

Creative Tourism has enormous potential but the speed with which this can be<br />

realised is still uncertain. The possibility, however, that New Zealand could one<br />

day be known as the home of Creative Tourism in the same way as it is<br />

recognised as a primary destination for Adventure Tourism is a stimulating one.<br />

Published at www.fuel4arts.com with permission from the Author, September 2003 Page 4 of 5<br />

© Creative Tourism New Zealand and Australia Council for the Arts, 2003

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