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Issue 1 - November 2006 - Jewish Public Library

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Prologue<br />

The <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Archives – It’s now or never<br />

Vol. I, <strong>Issue</strong> 1<br />

<strong>November</strong> <strong>2006</strong><br />

In this issue of the<br />

<strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong><br />

Archives Magazine<br />

Take a Bow<br />

Mr. Gesser!<br />

The Archivist’s<br />

Desk<br />

History’s Helpers<br />

Archivists:<br />

Here to Serve<br />

L’affaire Dreyfus<br />

The Red Carpet <strong>Issue</strong>!<br />

Your Archives taking the centre stage!


down licence plate numbers at a Pete Seeger concert,<br />

no one container is without great historical discoveries.<br />

The material also illustrates Gesser’s genius in<br />

his dedication and promotion of Canadian artists and<br />

productions such as Hootenanny! and the Canadian<br />

Festival at Town Hall in New York, productions such as<br />

Duddy (the musical adaptation of Mordecai Richler’s<br />

The Apprenticeship of Duddy Kravitz), La Passion de Narcisse<br />

Mandoux, and Les Feux Follets as well as artists<br />

like Hélène Baillargeon, Alan Mills, Jean Carignan and<br />

Monique Leyrac.<br />

Sam Gesser (left) with Nana Mouskouri and fellow folk legend, Harold Leventhal.<br />

Take a Bow Mr. Gesser!<br />

In March of 2005, the JPL-Archives received a<br />

large donation of original material from Mr. Sam<br />

Gesser, Montreal’s premier impresario. Beginning in<br />

the late 1940s, Mr. Gesser presented some of the 20th<br />

century’s greatest artists and entertainers including<br />

Liberace, Harry Belafonte, Pete Seeger, Nana<br />

Mouskouri, Maureen Forrester, Glenn Gould and Tony<br />

Bennett. He brought to Montreal the sounds of the<br />

folk music movement of the 1950s and 1960s, also<br />

preserving and promoting this music through his work<br />

recording Canada’s folk tradition for legendary record<br />

label Folkways.<br />

The material of the Fonds is consistent in format – photographs,<br />

contracts and other financial and administrative<br />

documents from concert, tour and show<br />

productions – but<br />

the stories behind<br />

these records are<br />

rich and diverse.<br />

From bringing in<br />

the motley “Les<br />

Ballets Trockadero<br />

de Monte Carlo”<br />

to watching the<br />

RCMP taking<br />

Sam Gesser being toasted by Nana Mouskouri, Monique<br />

Leyrac, Maureen Forrester, Harry Belafonte,<br />

Pete Seeger, Sam’s wife Ruth Gesser and mother Ida<br />

Gesser. Celebration ’80, Place des Arts.<br />

The handbills in the Fonds also provide a thorough<br />

examination of the history of Montreal’s concert halls.<br />

Gesser produced and presented concerts at Comédie<br />

Canadienne, founded by Canadian theatre legend<br />

Gratien Gélinas, Her Majesty’s Theatre (the same<br />

theatre that as a child, Gesser snuck into to watch<br />

shows), Saidye Bronfman Centre, L’Érmitage and,<br />

beginning from its opening in 1963, Place des Arts.<br />

His involvement in Place des Arts and the records of<br />

the concerts he organized at this historical venue are<br />

especially significant as Place des Arts does not have<br />

complete records of events from its very early years.<br />

The material then is also an extremely vital research<br />

resource for any person studying Canadian theatre<br />

and entertainment.<br />

The <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Archives considers the Sam<br />

Gesser Fonds to be one of the most significant donations<br />

of the last sixty years. In addition to the presentation<br />

of the Fonds at the Gala <strong>2006</strong> Tribute to Sam<br />

Gesser, the JPL-Archives is also working on a virtual<br />

exhibit of the Sam Gesser material, expected date of<br />

completion early winter <strong>2006</strong>. The material speaks of<br />

Mr. Gesser’s work in the Montreal <strong>Jewish</strong> community<br />

and also documents the entertainment history of the<br />

city, Quebec and Canada.<br />

The tributes to Sam Gesser and his work continue<br />

with the recent announcement from the Canadian<br />

Songwriters’ Hall of Fame. Mr. Gesser will be awarded<br />

the Prix du Patrimoine Frank Davies at the CSHF<br />

Annual Gala on Januart 28th. For more information<br />

visit the CSHF at www.cansong.ca


The Archivist’s<br />

Desk<br />

Direct from the ink quill<br />

of William Shakespeare,<br />

“What is past is prologue”, wise words reflective of<br />

the work of archives. History and the repositories<br />

that preserve its forms are not stagnant, but rather<br />

a force that occurs everyday around us. The <strong>Jewish</strong><br />

<strong>Public</strong> <strong>Library</strong> Archives strive to communicate the<br />

importance of community history through its collections<br />

and is pleased to be able to share this dedication<br />

through this, the first issue of Prologue. This e-newsletter<br />

will promote the story behind our collections, to share<br />

the history of the community and to broaden discussion<br />

about why archives are vital to cultural identity.<br />

Reconstruction of the Archives wall, Spring <strong>2006</strong><br />

As this inaugural e-newsletter arrives in your in-box,<br />

final renovations are underway in our facilities. Beginning<br />

in October 2005, the Archives were forced to<br />

place the majority of collections into remote storage<br />

for the safety of the materials. All of the collections<br />

have been safely returned to their shelves and are fully<br />

accessible to visitors. These collections will also be<br />

witness to the exciting expansion of the JPL-Archives<br />

facilities. When finished, the <strong>Library</strong>’s Rare Book<br />

collection will be placed with the archival collections<br />

and staff, volunteers and researchers will have a larger<br />

space in which to work. To see pictures of this work<br />

unfolding, visit the JPL-Archives site at: www.jewishpubliclibrary.org/archives/archives.html<br />

History’s Helpers<br />

The JPL-Archives is extremely fortunate in the wonderful<br />

volunteers and students that have worked in<br />

our facilities over the last year. We would like to take<br />

this opportunity to acknowledge the fantastic work<br />

they did and are continuing to do. Without their<br />

skills and dedication, the Archives would not be able<br />

to strive forward as it is.<br />

Janice Camlot, Sarah Janes and<br />

Deborah Ray<br />

Janice, Sarah and Deborah were part of the crew that<br />

unpacked and reorganized all of the JPL-Archives<br />

collections once the wall was re-built. All three are<br />

graduating students at McGill University’s Graduate<br />

School of <strong>Library</strong> and Information Studies.<br />

Eva Neumann<br />

Eva is entering her first year of library school and<br />

during her time volunteering with us she worked on<br />

several collections, including the Photograph Collection,<br />

the Sam Gesser Fonds and was also responsible<br />

for the creation of the Tilya and Eric Helfield Fonds<br />

Finding Aid.<br />

Aaron Spiro<br />

Aaron came to us through the Krueger Scholarship<br />

programme. He is an upper-year student in history<br />

at McGill and worked on several collections at the<br />

Archives including the Sam Gesser Fonds and the<br />

Charles and Ninel Segal Fonds as well assisting in the<br />

evacuation of material last October.<br />

Theresa Walsh<br />

Theresa started with the Archives in the summer<br />

working under a Young Canada Works grant on the<br />

Photograph Collection project. She will continue<br />

working with us on this project thanks to a generous<br />

donation from the Birks Family Foundation and a<br />

grant extension from the Canadian <strong>Library</strong> Association<br />

(CLA) and YCW.<br />

Danya Vered<br />

Danya is a McGill University history undergraduate<br />

student interested in the work of cultural heritage institutions.<br />

She will be lending her excellent research<br />

and language skills to assist in the arrangement and<br />

description of the Poster Collection.


?<br />

Did you know…<br />

In addition to the Sam Gesser Fonds, the <strong>Jewish</strong> <strong>Public</strong><br />

<strong>Library</strong> Archives preserves several additional red<br />

carpet worthy collections:<br />

Harry Gulkin<br />

Montreal-based producer Harry Gulkin is behind<br />

many classic films, including Mordecai Richler’s Jacob<br />

Two-Two and the Hooded Fang and Ted Allen’s Lies My<br />

Father Told Me. His collection celebrates his wonderful<br />

contributions to cinema in Quebec. The Harry<br />

Gulkin Fonds includes scripts, promotional material,<br />

correspondence as well as photographs and production<br />

documents. Mr. Gulkin donated the material to<br />

the Archives Spring 2005.<br />

Chayele Grober<br />

Born in Bialystok, Grober was an internationally acclaimed<br />

writer and actress in the Yiddish and Hebrew<br />

theatre. She settled in Montreal in the 1930s but<br />

before and after this enjoyed a celebrated career.<br />

The JPL Archives holds a small collection of correspondence<br />

and ephemera material related to<br />

her writing and acting.<br />

Ralph Novek<br />

Ralph Novek was a playwright as well as casual<br />

scriptwriter for CBC Radio. His early work reflects<br />

his social activism in the early communist<br />

movement and later his support of Canadian<br />

soldiers fighting in World War II. The Fonds,<br />

which includes copies of scripts and plays as<br />

well as articles, was donated to the JPL-Archives<br />

in July <strong>2006</strong> by Ralph Novek’s son, Joel<br />

Novek, a professor of sociology at the University<br />

of Winnipeg.<br />

JPL Poster Collection<br />

The JPL Poster Collection has some extremely<br />

interesting items, especially the early-20th<br />

century posters of Yiddish theatre events.<br />

The posters, in various languages including<br />

English, French, Hebrew, Polish and Yiddish,<br />

illustrate the history of theatre, political rallies,<br />

philanthropy campaigns as well as <strong>Jewish</strong> <strong>Public</strong><br />

<strong>Library</strong> and community events. A major project is<br />

currently underway to digitize a selection of the posters<br />

for research and promotion use.<br />

Ethel Stark<br />

Ethel Stark,<br />

violinist and conductor,<br />

became<br />

the first woman<br />

to perform as a<br />

soloist in a radio<br />

program broadcast<br />

in 1934<br />

across the United<br />

States. Born in<br />

Montreal, Stark<br />

was active in the<br />

cultural world of<br />

her native city;<br />

she founded<br />

the Montreal<br />

Women’s Symphony Orchestra in 1940. She also<br />

performed and taught in numerous countries including<br />

Japan. The Ethel Stark Fonds is preserved at the<br />

<strong>Library</strong> and Archives of Canada but the JPL-Archives<br />

has a small collection of concert ephemera, including<br />

a poster<br />

from Japan,<br />

and a small<br />

amount<br />

of correspondence<br />

between<br />

Stark and<br />

Ernest<br />

Bloch.<br />

Ethel Stark, violinist and conductor,<br />

JPL Archives Photograph Collection<br />

‘Der Payatz’ presentation at Monument Nationale, JPL Poster Collection


Archivists:<br />

Here<br />

to<br />

Serve<br />

By Eiran Harris<br />

Vandalized window of Fred Rose’s campaign headquarters, Léa Roback Fonds<br />

Every guest who visits our archives to conduct<br />

research departs happy and satisfied. It is both a joy<br />

and a pleasure to observe the delight expressed by our<br />

guests upon successful completion of their projects.<br />

The following represents but a small sample of their<br />

interests:<br />

Krisha S., Montreal<br />

Holocaust Commemorations in Canada<br />

Simo M., Helsinki, Finland<br />

Mordecai Husid Literary Collection<br />

Paula L., Great North Productions, Edmonton,<br />

Alberta<br />

Visuals for television programme about Fred Rose,<br />

Canada’s only Communist Member of Parliament<br />

Marie-Hélène M. et Dominic M., UQAM<br />

<strong>Jewish</strong> emigrant writers<br />

Ayelet W., California<br />

<strong>Jewish</strong> Montreal in the 1920s<br />

Suzanne R., Concordia University<br />

Ida Maze, Yiddish poet<br />

Dominique C., Memorial University<br />

<strong>Jewish</strong> Labour Committee Collection<br />

Perec Z., Montreal<br />

Workmen’s Circle Collection<br />

Eiran Harris is the<br />

JPL’s resident Archivist<br />

Emeritus.<br />

He is generally<br />

well tempered,<br />

extremely knowledgeable<br />

and<br />

has been known<br />

to exchange bits of<br />

wisdom for cookies.


L’affaire Dreyfus<br />

This newsletter was partially conceived to promote<br />

some of the lesser known, yet significant, Special<br />

Collections of the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong>. In this first<br />

issue, we have the distinct pleasure of presenting the<br />

Dreyfus Affair Collection.<br />

The Dreyfus Affair was a political scandal which<br />

divided France during the 1890s and early 1900s. It<br />

involved the wrongful treason conviction of <strong>Jewish</strong><br />

military officer Alfred Dreyfus.<br />

Building an<br />

endowment fund…<br />

To preserve the future, to supply cookies to the archivists,<br />

the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> initiated a campaign<br />

to build much-needed funds for the Archives. The<br />

JPL-A would like to thank the following initial donors<br />

to this fund<br />

Myer Zuraw<br />

Ben Pekeles<br />

Issie Nachshen<br />

Kenneth Atlas<br />

Charles and Ninel Segal<br />

Alfred Dreyfus<br />

To join these donors in helping to preserve your history,<br />

please contact Jennifer Solomon at (514) 345-2627,<br />

ext. 3042.<br />

Captain Alfred Dreyfus was the highest-ranking<br />

<strong>Jewish</strong> artillery officer in the French army. Charged<br />

with passing military secrets to the German Embassy<br />

in Paris, he was convicted of treason in 1894 and imprisoned<br />

on Devil’s Island. The conviction was based<br />

on documents which were found in the waste-paper<br />

basket of the German military attaché, and which<br />

initially appeared to the French military authorities to<br />

implicate Dreyfus. Fearing that the sometimes anti-<br />

Semitic press would learn of the affair and accuse<br />

the French army of covering up for a <strong>Jewish</strong> officer,<br />

the French military command pushed for an early<br />

trial and conviction. By the time they realised that<br />

they had very little evidence against Dreyfus (and<br />

that what they had was not at all conclusive), it was<br />

already politically impossible to withdraw the prosecution<br />

without provoking a political scandal that would<br />

have brought down the French government. The<br />

subsequent court martial was notable for numerous<br />

errors of procedure.<br />

The writer Émile Zola is often thought to have exposed<br />

the affair to the general public in a famous open<br />

letter to President Félix Faure to which the French<br />

statesman and journalist Georges Clemenceau appended<br />

the eye-catching title “J’accuse !” (I Accuse!);<br />

it was published 13 January 1898 in the newspaper<br />

L’Aurore (The Dawn). In the words of historian Barbara<br />

Tuchman, it was “one of the great commotions of<br />

history.” Zola in fact was a latecomer who did, however,<br />

bring world-wide attention and publicity to Dreyfus’<br />

unjust treatment. The real credit for exposing<br />

the flaws behind Dreyfus’ conviction belongs to four<br />

others: Dreyfus’ brother Mathieu, who fought a lonely<br />

campaign for several years; the journalist Bernard<br />

Lazare; a whistle-blower in the intelligence service,<br />

Colonel Picquart, who was the new chief of French


counter-espionage and was, ironically, an anti-Semite<br />

himself but who wished to have the real traitor Major<br />

Ferdinand Walsin Esterhazy exposed[1]; and finally<br />

the politician Scheurer-Kestner, who brought the<br />

injustice to the attention of the French political class.<br />

Picquart himself was “reassigned” to Tunisia, North<br />

Africa in December 1896 for his continual attempts<br />

to expose Major Esterhazy and rehabilitate Dreyfus.<br />

The abundant production of iconographic materials<br />

was due in part to the newness of their media.<br />

That photography was just becoming popularized<br />

can be seen in the many small photographic portraits<br />

mounted on paperboard backings, referred to as cartes<br />

de visite. The Dreyfus Affair material is truly unique,<br />

a perfect example of the treasures held in the stacks of<br />

the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong>.<br />

Dreyfus was put on trial in 1894 and was accused of<br />

espionage, found guilty and sentenced to life in prison<br />

on Devil’s Island. In September of 1899, he was offered<br />

a pardon from the president of France, which he<br />

declined.<br />

While the JPL’s Dreyfus Affair Collection includes<br />

numerous materials dating from the 1880s and early<br />

1890s, and many others that appeared between 1909<br />

and 1961, its strength lies in the period contemporary<br />

to the Affair itself. The three most intense years--<br />

1898 to 1900--saw the greatest production, and a<br />

correspondingly high proportion of the material in<br />

the Collection dates from this time: approximately<br />

eighty-five percent of the books and pamphlets and<br />

virtually all of the manuscripts and ephemera in the<br />

Collection.<br />

The JPL owns books and pamphlets written by the<br />

principal figures: Bernard Lazare, Joseph Reinach,<br />

Georges Clemenceau, Maurice Barrès, Emile Zola,<br />

Jean Jaurès, Alfred Dreyfus, Yves Guyot, Ferdinand<br />

Brunetière, Ferdinand Walsin Esterhazy, Francis de<br />

Pressensé, Emile Duclaux, Abbé Ludovic Trarieux,<br />

Louis Havet, Jules Lemaître, Jean Ajalbert, and<br />

others. If we associate many of these names with<br />

the pro-Dreyfus campaign, the reason is simple:<br />

while anti-Dreyfusards overwhelmingly dominated<br />

the popular press, Dreyfusards carried the day on<br />

the field of l’édition, of independent publishing.<br />

Separately issued publications ranging in size from<br />

several-page pamphlets to several-hundred-page<br />

studies and essays lent themselves far better to the<br />

painstaking pursuit of Truth and Justice than the<br />

brief, sensational articles that became the trademark<br />

of so much of the daily press. Yet they could hardly<br />

compete with the newspapers, which could also follow<br />

events as they unfolded day by day. As a result,<br />

many of these books and pamphlets sold poorly and<br />

failed to galvanize public opinion on a massive scale<br />

in the way that the papers did.<br />

Colourful ephemera from the Dreyfus Affair Collection.


In the next issue…<br />

<br />

<br />

<br />

Capturing Memory on Film<br />

Learning through the Lens<br />

New to the Archives<br />

Give us your ideas! The next two issues of Prologue<br />

are planned already but if you have a suggestion for<br />

topics you would like covered, e-mail Shannon Hodge<br />

at archives@jplmontreal.org.<br />

Virtually Yours!<br />

The JPL and the Archives are pleased to present a<br />

basic introduction to the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Rare<br />

Book Collection. For those individuals who would<br />

like to catch up on Josephus, in Latin that is, or interested<br />

in deciphering prayers in Geez, check out the<br />

virtual introduction to the Rare Books through the<br />

Archives website.<br />

The JPL-A on the road!<br />

The JPL-A was pleased to participate in several<br />

external exhibits and publications over the past year.<br />

Working with researchers and other heritage institutions<br />

is an excellent indication of the importance of<br />

Archives in communicating Canada’s cultural history.<br />

Prayer book for Shabbat and holidays that are reckoned by the moon,<br />

prayers for burials and for difficult times.<br />

Asforegie (Dabat district, Gondar province) Ethiopia, 178-.<br />

For more information, visit ATSA at:<br />

http://www.atsa.qc.ca/pages/frags2home.asp.<br />

300 ans de manuels scolaires au Québec<br />

Organized by the Bibliothèque et archives nationales<br />

du Québec, the exhibit borrowed Hebrew manuals<br />

and flashcards from the Bernard Figler material of the<br />

JPL’s <strong>Jewish</strong> Canadiana collection. The exhibit runs<br />

at the Grande Bibliothèque from <strong>November</strong> 21st to<br />

May 27th.<br />

On the bookshelf<br />

The latest book to take advantage of the JPL-A<br />

Photograph Collection is Mordecai Richler Was Here,<br />

published in Canada under<br />

Madison Press Books.<br />

The book is conveniently<br />

available in the <strong>Library</strong>!<br />

In the display cases<br />

Lace Up: Canada’s Passion for Skating<br />

This Canadian Museum of Civilization exhibit contains<br />

JPL-A material on Louis Rubenstein, Canada’s<br />

first world fancy-skating champion and an active leader<br />

in the Montreal <strong>Jewish</strong> community. The exhibit<br />

runs until April 1, 2007.<br />

FRAG on the Main<br />

Created by ATSA (Action Terroriste Socialement<br />

Acceptable), FRAG on the Main displays the colorful<br />

heritage of St. Laurent Boulevard as viewed through<br />

images and historical descriptions. Featured prominently<br />

is Léa Roback, activist and union organizer.<br />

North America’s oldest <strong>Jewish</strong> lending institution, the JPL is an<br />

agency of FEDERATION CJA. The JPL Archives contain 800<br />

linear meters of textual documents, 17,000 photographs as well<br />

as artifacts, textiles and ephemera reflective of Montreal’s <strong>Jewish</strong><br />

community’s culture and history.<br />

We are located at: 5151 Côte Ste-Catherine<br />

(514) 345-2627, x 3015

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