Leo Chaloukian: All the way to Tinseltown - Armenian Reporter
Leo Chaloukian: All the way to Tinseltown - Armenian Reporter
Leo Chaloukian: All the way to Tinseltown - Armenian Reporter
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Letters <strong>to</strong> a young, <strong>Armenian</strong> poet: letter three<br />
by Lory<br />
Bedikian<br />
The following letter, <strong>the</strong> third among four, is<br />
inspired by <strong>the</strong> well-known published Letters<br />
<strong>to</strong> a Young Poet, written by Rainer<br />
Maria Rilke, <strong>the</strong> great German poet. Rilke<br />
was known <strong>to</strong> receive letters from young<br />
people and in <strong>the</strong> one set referred <strong>to</strong> above,<br />
from 1903 <strong>to</strong> 1908, he wrote a series of letters<br />
<strong>to</strong> a young, beginning poet answering<br />
questions about poetry and life. The idea<br />
of writing <strong>the</strong>se letters has been borrowed<br />
as a starting point for discussion between<br />
a poet and beginning poets or artists who<br />
may need support in <strong>the</strong>ir callings.<br />
Dear Poet,<br />
I must apologize for not writing <strong>to</strong><br />
you sooner. I know months have passed<br />
since I have corresponded with you and<br />
this has much <strong>to</strong> do with my own challenges.<br />
Someday I am sure a younger poet will<br />
write <strong>to</strong> you as well and ask for advice<br />
on poems, on <strong>the</strong>ir endeavors, and you<br />
will have <strong>to</strong> search inside yourself for<br />
<strong>the</strong> correct words and ideas so as <strong>to</strong> be<br />
honest and at <strong>the</strong> same time not crush<br />
such a magnanimous spirit!<br />
Let me be honest with you now as <strong>to</strong><br />
why it <strong>to</strong>ok me so long <strong>to</strong> write. Promise<br />
yourself that you will not be discouraged<br />
by what I tell you, but encouraged, inspired,<br />
for in all curses, some sort of<br />
blessing eventually emerges.<br />
For <strong>the</strong> past several months I have<br />
been overwhelmed by concerns pertaining<br />
<strong>to</strong> that of finances. Now, as artists,<br />
we look at <strong>the</strong> <strong>to</strong>pic of money, of income<br />
as <strong>the</strong> fur<strong>the</strong>st a<strong>way</strong> from our own creations.<br />
And perhaps <strong>the</strong>y are. After all,<br />
our work is created out of spirit, whereas<br />
<strong>the</strong> money we need for survival comes<br />
from <strong>the</strong> structure of society. I will put<br />
it simply: money will never make us<br />
more creative, will never enhance <strong>the</strong><br />
genius within us. Money is only a <strong>to</strong>ol<br />
<strong>to</strong>ward surviving on this earthly plain.<br />
Unfortunately, <strong>the</strong>re will be phases, perhaps<br />
years, decades, when you will need<br />
more money than you have <strong>to</strong> make<br />
ends meet. I do not mean <strong>the</strong> amount<br />
of money that o<strong>the</strong>rs have that supply<br />
<strong>the</strong>m with dwellings made for a family<br />
of ten, though <strong>the</strong>y live alone. I do not<br />
mean an income that provides for two<br />
of everything and plenty of unnecessary<br />
material items that take up space.<br />
Lory Bedikian received her MFA in poetry from <strong>the</strong><br />
University of Oregon. Her collection of poetry has<br />
twice been selected as a finalist in <strong>the</strong> Crab Orchard<br />
Series in Poetry Open Competition and twice in<br />
<strong>the</strong> Crab Orchard Series in Poetry First Book Award<br />
Competition.<br />
<strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture<br />
Copyright © 2008 by <strong>Armenian</strong> <strong>Reporter</strong> llc<br />
<strong>All</strong> Rights Reserved<br />
Contact arts@reporter.am with announcements<br />
To advertise, write business@reporter.am or call 1-201-226-1995<br />
The great German poet Rainer Maria Rilke wrote a series of letters <strong>to</strong> a young, beginning poet answering questions about poetry and life.<br />
I mean you will need enough money <strong>to</strong><br />
pay for your rent, your food, your doc<strong>to</strong>r’s<br />
bills, etc. (I will not include clo<strong>the</strong>s<br />
or cars and anything in those categories,<br />
because I speak only of necessities.)<br />
Take <strong>the</strong> frustrations you<br />
feel and form <strong>the</strong>m in<strong>to</strong><br />
stanzas, songs, concer<strong>to</strong>s,<br />
paintings, plays, sculptures,<br />
whatever it may be that suits<br />
<strong>the</strong> subject.<br />
“...some sort of blessing eventually emerges.”<br />
There will be moments – and <strong>the</strong>y will<br />
emerge at <strong>the</strong> oddest of times – when<br />
you will realize that people who are<br />
not searching within <strong>the</strong>mselves, people<br />
who could care less about creating<br />
something for <strong>the</strong> betterment of <strong>the</strong>mselves<br />
and o<strong>the</strong>rs are living with much<br />
wealth and prosperity. Throw <strong>the</strong>se observations<br />
out <strong>to</strong> <strong>the</strong> trash cans, those<br />
places where you discard what could<br />
never be kept in your home. Treat<br />
your mind <strong>the</strong> same <strong>way</strong>, clean it out<br />
and throw a<strong>way</strong> what is accumulating<br />
as refuse. There will al<strong>way</strong>s be people<br />
who will have much material possessions<br />
and that is because <strong>the</strong>y need<br />
<strong>the</strong>se things. Do your best not <strong>to</strong> judge<br />
<strong>the</strong>m, not <strong>to</strong> think of it <strong>to</strong>o much. It<br />
will only decrease your energy for your<br />
own work. Instead say a silent prayer<br />
for <strong>the</strong>m, that some miracle will allow<br />
<strong>the</strong>m <strong>to</strong> see that <strong>the</strong>y could share <strong>the</strong>ir<br />
wealth with those who need it more<br />
than <strong>the</strong>mselves. And if you cannot discard<br />
<strong>the</strong>se thoughts, write of <strong>the</strong>m, and<br />
do something of a higher purpose. Take<br />
<strong>the</strong> frustrations you feel and form <strong>the</strong>m<br />
in<strong>to</strong> stanzas, songs, concer<strong>to</strong>s, paintings,<br />
plays, sculptures, whatever it may<br />
be that suits <strong>the</strong> subject.<br />
I cannot tell you which path <strong>to</strong> choose<br />
in terms of your livelihood, your job, but<br />
just know that your poetry, your art is<br />
your calling and a calling does not necessarily<br />
pay <strong>the</strong> bills. When it does, it’s an<br />
amazing blessing. This does not mean,<br />
abandon your calling. Absolutely not! It<br />
just means that remember <strong>to</strong> separate<br />
your art from your work and if someday<br />
both can be <strong>the</strong> source of your income,<br />
<strong>the</strong> <strong>way</strong> you survive, <strong>the</strong>n raise your<br />
arms in thanks and share your findings,<br />
On page C1: <strong>Leo</strong> <strong>Chaloukian</strong> is a distinguished sound executive in one of<br />
Hollwood’s premier sound-recording companies. He has been behind <strong>the</strong><br />
scenes of several blockbuster movies . Pho<strong>to</strong> courtesy of <strong>the</strong> Television<br />
Academy. See s<strong>to</strong>ry on page C9.<br />
solutions with o<strong>the</strong>r artists. Your art<br />
may not bring you <strong>the</strong> money you need<br />
<strong>to</strong> pay your bills, but it will al<strong>way</strong>s supply<br />
you with an abundance that cannot be<br />
counted in numbers. If your remember<br />
this, you will not resent your talents.<br />
You have my explanation, in part, of<br />
my tardiness in writing <strong>to</strong> you. I had <strong>to</strong><br />
figure out which odd jobs <strong>to</strong> take on in<br />
<strong>the</strong> coming months. I had <strong>to</strong> make sure<br />
I would still have a place <strong>to</strong> live while<br />
I write, while I keep doing what I was<br />
brought here <strong>to</strong> do. I have faith that <strong>the</strong><br />
future will bring a solution <strong>to</strong> being able<br />
<strong>to</strong> write my poems, share with o<strong>the</strong>rs<br />
and yet survive in a world where balances<br />
are al<strong>way</strong>s due and prices rise like<br />
skyscrapers.<br />
As <strong>Armenian</strong>s, we have struggled<br />
his<strong>to</strong>rically. Those who came <strong>to</strong> this<br />
country worked <strong>the</strong>ir <strong>way</strong> up from <strong>the</strong><br />
lowest rungs of wages and <strong>to</strong>il. Today,<br />
many still know what work is, how it<br />
kneads <strong>the</strong> brow and knots <strong>the</strong> back.<br />
Then <strong>the</strong>re are <strong>the</strong> ones who live easy<br />
(But, of course, no amount of money<br />
can ease <strong>the</strong> inner world we all live with<br />
when we rise and when we go <strong>to</strong> sleep<br />
at night). Don’t compare yourself <strong>to</strong> ei<strong>the</strong>r<br />
group or those in between, but look<br />
<strong>to</strong> all as voices that may speak through<br />
your poems, your art. By taking on <strong>the</strong>ir<br />
voices, you and your readers may learn<br />
something of <strong>the</strong>ir worldview and of our<br />
own.<br />
You had questions in your last letter<br />
that I have not answered. Please trust<br />
that I will do so next time I write. For<br />
now, I must go back <strong>to</strong> an idea I had for<br />
a poem, before I forget and it’s <strong>to</strong>o late<br />
<strong>to</strong> remember. It had <strong>to</strong> do with standing<br />
in line for an application <strong>to</strong> work at a local<br />
market, while an old man’s cracked<br />
glasses reflected <strong>the</strong> noonday sun, and<br />
a woman’s diamond ring sparkled under<br />
<strong>the</strong> neon light. And while both were<br />
made of different materials, both were<br />
frighteningly bright.<br />
f<br />
C2 <strong>Armenian</strong> <strong>Reporter</strong> Arts & Culture September 20, 2008