FULL HOUSE Turning Data into Audiences - Creative New Zealand
FULL HOUSE Turning Data into Audiences - Creative New Zealand
FULL HOUSE Turning Data into Audiences - Creative New Zealand
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CONTENTS<br />
FOREWORD<br />
INTRODUCTION<br />
20 Reasons For Using <strong>Data</strong> on Customers ix<br />
How to Use this Manual<br />
SECTION ONE – CREATING THE POTENTIAL 1<br />
1. The Heart of Marketing 2<br />
Strategic and Tactical Questions 5<br />
Do you Know the Answers? 6<br />
2. People Not ‘Bums on Seats’,<br />
Customers Not ‘Punters’ 7<br />
Building Relationships with Customers 8<br />
Case 1: Finding Non-Attenders in Christchurch 9<br />
Available <strong>Audiences</strong> 10<br />
Case 2: Some Observations on 50:35:15 11<br />
Customer Relationship Management 14<br />
Lifetime Value 16<br />
The Loyalty Ladder 18<br />
Re-engineering to Focus on the Customer 19<br />
Case 3: Sydney Symphony Orchestra CRM Experience 20<br />
20 Things Sydney Symphony Orchestra<br />
Wanted from a <strong>New</strong> Ticketing/CRM System 22<br />
A Multitude of Customer Types but One View 23<br />
Relationship Routes 23<br />
Friends and Memberships 25<br />
Subscriptions 25<br />
iii<br />
viii<br />
x<br />
3. The Human Equation 27<br />
Management and Motivation 28<br />
Management Responsibility 29<br />
Case 4: Why Should Marketing and<br />
Ticketing Work Together? 29<br />
The Marketing and Sales Team 31<br />
Motivation and Involvement 32<br />
Briefing Meetings 32<br />
Case 5: Empowering the Ticket-selling Staff 33<br />
Effective and Regular Communication 33<br />
Staff Attendance at Events 34<br />
Staffing Levels 34<br />
Analysing Times of Pressure 35<br />
Extending Hours 35<br />
Collecting Information 35<br />
iv<br />
<strong>FULL</strong> <strong>HOUSE</strong>: <strong>Turning</strong> <strong>Data</strong> <strong>into</strong> <strong>Audiences</strong> © Roger Tomlinson & Tim Roberts