pdf - Schwarz Gallery
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7<br />
Thomas Birch<br />
(American, born England, 1779–1851)<br />
English Setter, 1813<br />
Oil on panel, 9 x 11 inches<br />
Signed and dated at lower right: “T Birch/1813”<br />
Inscribed in ink on canvas verso: “Painted by Thos Birch.1813. Phila.”<br />
Provenance: <strong>Schwarz</strong> <strong>Gallery</strong> by 1992; private collection until 2003<br />
Exhibited: Pennsylvania Academy of the Fine Arts, Philadelphia, Third Annual<br />
Exhibition (1813), no. 121<br />
Illustrated: F. Turner Reuter, Jr., A History of American Animal and Sporting Art,<br />
1750–1950 (Lanham, Md.: Derrydale Press, forthcoming)<br />
Thomas Birch, son of the well-known enamelist, watercolorist, and engraver William Birch (1755–1834), was one of early<br />
America’s most important marine artists and the founder of the Philadelphia tradition of marine painting. Born in England,<br />
he came to the United States with his family when he was fifteen. Birch learned the technical skills of engraving from his<br />
father, and in 1799 they published their widely known series of Philadelphia views. In addition to his father’s instruction,<br />
the young artist was able to study paintings by important English and European artists that his father owned. In 1795<br />
Thomas Birch entered two small watercolors in the Columbianum in Philadelphia, the first public art exhibition in the<br />
United States. From 1812 to 1817 Birch was curator at the Pennsylvania Academy of the Fine Arts, where he exhibited<br />
almost annually from 1811 until his death in 1851. Among his more famous students were George R. Bonfield<br />
(1802–1898), Thomas Cole (1801–1848), and James Hamilton (1819–1878).<br />
Although Birch is best known for his views of the Schuylkill and Delaware rivers, his marine views of the mid-Atlantic and<br />
New England coasts, and his ship portraits and naval battles, he also painted many landscapes that feature country houses<br />
(the subject of another print series by the two Birches) or recreational activities such as sleighing (see plate 14) and hunting.<br />
Dog portraits were an uncommon subject for American artists in the early nineteenth century, but a very popular one in the<br />
Birches’ native England.