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the deli's Pedal Board<br />
T-rex<br />
room-Mate<br />
Tube reverb<br />
• Built-in 300-volt power<br />
supply powers a tube that<br />
adds voluminous, earthy<br />
warmth reverb and<br />
spacious true stereo.<br />
• Four selectable signature<br />
sounds: Spring, Room,<br />
Hall and Chorus/Hall<br />
(the latter works best with<br />
acoustic guitar).<br />
• Features mix and decay<br />
knob that works also a<br />
hi cut filter.<br />
electro-Harmonix<br />
Freeze<br />
Sound retainer<br />
• <strong>Deli</strong>vers infinite sustain of any<br />
note or chord at the press of a<br />
momentary footswitch. Release<br />
the footswitch and again you are<br />
sample-ready.<br />
• 3 selectable decay rates,<br />
including a latch mode, guarantee<br />
liquid smooth tonal transitions.<br />
• Hooking it to your other pedals<br />
opens up sonic collage possibilities.<br />
• Handles input gains from<br />
pedal boards.<br />
Death By Audio<br />
robot<br />
• Low fidelity 8 bit pitch<br />
transposer with absolutely<br />
no feelings what-so-ever.<br />
• Arpeggiator mode with<br />
speed control!<br />
• Control knob on the side<br />
changes the pitch of the<br />
effect to NORMAL, OCTAVE<br />
DOWN, and OCTAVE UP<br />
modes.<br />
Heavy electronics<br />
Grind Fuzz<br />
• Fuzz/overdrive hybrid that<br />
maintains note definition of<br />
chords and arpeggios.<br />
• Excellent impedance response<br />
with Wahs.<br />
•<br />
“Swell” function adds high-end<br />
gain and harmonics.<br />
• Side-adjust voltage pot can be<br />
adjusted to drop voltage.<br />
the deli's Plug-in inserts<br />
if you are interested in reviewing pedals<br />
and plug-ins for <strong>The</strong> <strong>Deli</strong> and<br />
<strong>Deli</strong>cious Audio, please contact<br />
delicious.editor@thedelimagazine.com.<br />
Overloud SpringAge<br />
• Based on a mix of convolution and algorithmic technology.<br />
• Three spring models: 1. AQTX ideal for guitar and vocal tracks, 2. S201 keyboards,<br />
synth or lead instrument., 3. ANGEL for drums or mastering.<br />
• Drive control lets you push into saturation the tube stage which drives the spring.<br />
• Boingy knob controls the spring response to transients.<br />
UAD-2 eP-34 Tape echo<br />
• Recreates the warm tape delay effects of<br />
vintage Echoplex EP-3 and EP-4 units.<br />
• Faithful to the original, also delivers<br />
chaotic Echoplex sound, “warts and all.”<br />
• Unique movable record head design<br />
creates warm, rich sound.<br />
• Runs exclusively with Universal Audio’s<br />
UAD-2 DSP Accelerator Cards.<br />
the deli_49 fall 2010<br />
2C Audio Aether<br />
• Claims to rival the best hardware<br />
reverb units available.<br />
• 2x & 4x Oversampling, Double<br />
Precision 64bit DSP.<br />
• Lush sounding, each reverb aspect<br />
can be modified.<br />
• Two simple modulation controls add<br />
random LFO modulations in the Late<br />
Reflections section.<br />
Audiodamage Axon<br />
• FM plug-in instrument that triggers 7<br />
percussion-tuned FM voices.<br />
• Easily creates original rhythms and<br />
textural patterns.<br />
• Features on-board effects and mixing,<br />
and full MIDI I/O capabilities (in the VST<br />
version only).<br />
• Gets away from grid pattern generation<br />
and to allows creation of longer, less<br />
repetitive rhythm patterns.