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the deli's Pedal Board<br />

T-rex<br />

room-Mate<br />

Tube reverb<br />

• Built-in 300-volt power<br />

supply powers a tube that<br />

adds voluminous, earthy<br />

warmth reverb and<br />

spacious true stereo.<br />

• Four selectable signature<br />

sounds: Spring, Room,<br />

Hall and Chorus/Hall<br />

(the latter works best with<br />

acoustic guitar).<br />

• Features mix and decay<br />

knob that works also a<br />

hi cut filter.<br />

electro-Harmonix<br />

Freeze<br />

Sound retainer<br />

• <strong>Deli</strong>vers infinite sustain of any<br />

note or chord at the press of a<br />

momentary footswitch. Release<br />

the footswitch and again you are<br />

sample-ready.<br />

• 3 selectable decay rates,<br />

including a latch mode, guarantee<br />

liquid smooth tonal transitions.<br />

• Hooking it to your other pedals<br />

opens up sonic collage possibilities.<br />

• Handles input gains from<br />

pedal boards.<br />

Death By Audio<br />

robot<br />

• Low fidelity 8 bit pitch<br />

transposer with absolutely<br />

no feelings what-so-ever.<br />

• Arpeggiator mode with<br />

speed control!<br />

• Control knob on the side<br />

changes the pitch of the<br />

effect to NORMAL, OCTAVE<br />

DOWN, and OCTAVE UP<br />

modes.<br />

Heavy electronics<br />

Grind Fuzz<br />

• Fuzz/overdrive hybrid that<br />

maintains note definition of<br />

chords and arpeggios.<br />

• Excellent impedance response<br />

with Wahs.<br />

•<br />

“Swell” function adds high-end<br />

gain and harmonics.<br />

• Side-adjust voltage pot can be<br />

adjusted to drop voltage.<br />

the deli's Plug-in inserts<br />

if you are interested in reviewing pedals<br />

and plug-ins for <strong>The</strong> <strong>Deli</strong> and<br />

<strong>Deli</strong>cious Audio, please contact<br />

delicious.editor@thedelimagazine.com.<br />

Overloud SpringAge<br />

• Based on a mix of convolution and algorithmic technology.<br />

• Three spring models: 1. AQTX ideal for guitar and vocal tracks, 2. S201 keyboards,<br />

synth or lead instrument., 3. ANGEL for drums or mastering.<br />

• Drive control lets you push into saturation the tube stage which drives the spring.<br />

• Boingy knob controls the spring response to transients.<br />

UAD-2 eP-34 Tape echo<br />

• Recreates the warm tape delay effects of<br />

vintage Echoplex EP-3 and EP-4 units.<br />

• Faithful to the original, also delivers<br />

chaotic Echoplex sound, “warts and all.”<br />

• Unique movable record head design<br />

creates warm, rich sound.<br />

• Runs exclusively with Universal Audio’s<br />

UAD-2 DSP Accelerator Cards.<br />

the deli_49 fall 2010<br />

2C Audio Aether<br />

• Claims to rival the best hardware<br />

reverb units available.<br />

• 2x & 4x Oversampling, Double<br />

Precision 64bit DSP.<br />

• Lush sounding, each reverb aspect<br />

can be modified.<br />

• Two simple modulation controls add<br />

random LFO modulations in the Late<br />

Reflections section.<br />

Audiodamage Axon<br />

• FM plug-in instrument that triggers 7<br />

percussion-tuned FM voices.<br />

• Easily creates original rhythms and<br />

textural patterns.<br />

• Features on-board effects and mixing,<br />

and full MIDI I/O capabilities (in the VST<br />

version only).<br />

• Gets away from grid pattern generation<br />

and to allows creation of longer, less<br />

repetitive rhythm patterns.

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