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Hamburg Symphony Orchestra - State Theatre

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Meet the <strong>Orchestra</strong><br />

3<br />

Founded in 1957, the <strong>Hamburg</strong> <strong>Symphony</strong> has both a national and<br />

international reputation for being one of the most original symphonies in the<br />

city. As the only orchestra housed in the <strong>Hamburg</strong> Music Hall, they have<br />

secured a key spot in <strong>Hamburg</strong>’s music scene. The orchestra’s first principal<br />

conductor, Robert Heger, has been succeeded by the likes of Imre Kertesz and<br />

Miguel Gómez-Martinez, with guest conductors including Christian<br />

Theilemann, Horst Stein, and Sebastian Weigle.<br />

The <strong>Hamburg</strong> <strong>Symphony</strong>, when not touring, can be heard in subscription<br />

series, including open-air concerts in the summer. One of theses series includes<br />

chamber music concerts, vocal recitals, and concerts devoted to silent films.<br />

The second is a series of concerts for children and young adults, including<br />

outreach programs to schools. In 2008, the orchestra further dedicated itself to<br />

the advancement of young musicians and established an Artist in Residence<br />

position that has featured clarinetist Martin Fröst and violinist Guy Braunstein.<br />

In 2009, Jeffrey Tate took over as Principal Conductor and Daniel Kühnel as<br />

General Manager and Artistic Director. Together, they have strengthened the<br />

orchestra’s connection with the city and increased their audience by 56%. The<br />

<strong>Hamburg</strong> <strong>Symphony</strong> has featured some of the world’s most renowned soloists,<br />

including Frank Peter Zimmerman, Placido Domingo and Elisabeth Leonskaja.<br />

The orchestra has toured throughout Europe in Italy, Spain, Poland, Great<br />

Britain, Turkey, and France, taking it’s place as one of Europe’s foremost<br />

orchestras. This U.S. tour marks the first time the symphony as visited the <strong>State</strong>s<br />

since 2007.<br />

“From the warmth of the first<br />

horn chords and the airy<br />

lightness of the violins in the<br />

first movement, to the<br />

grandeur of the finale, the<br />

<strong>Hamburg</strong>’s performance was<br />

all one hoped for. There were<br />

moments when sections or<br />

individuals shone... when the<br />

orchestra itself seemed to<br />

dance."<br />

—Newsday

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