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CONTENTS International Competition Jury Films Cinema of the ...

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The Burial <strong>of</strong> a Potato<br />

1991, 96 minutes<br />

Director: Jan Jakub Kolski<br />

Screenplay: Jan Jakub Kolski<br />

Camera: Wojciech Todorow<br />

Editor: Ewa Pakulska<br />

Sound: Norbert Zbigniew Medlewski<br />

Art Direction: Jacek Turewicz<br />

Production: Irzykowski Film Studio<br />

Cast: Franciszek Pieczka, Adam Ferency, Mariusz Saniternik, Ewa<br />

Zukowska, Grazyna Blecka-Kolska, Boguslaw Sochnacki, Grzegorz<br />

Herominski<br />

Synopsis<br />

Spring 1946. Mateusz, an old harness- maker, returns to his<br />

native village from a concentration camp form Germany . He<br />

finds his house empty, all his property stolen, and <strong>the</strong><br />

neighbours are hostile to him in a strange way. Barely coping<br />

with difficulties and humiliations, he regains part <strong>of</strong> his lost<br />

property. But <strong>the</strong> aggressive behaviour <strong>of</strong> <strong>the</strong> people around him<br />

is on <strong>the</strong> increase. They attempt to set his house on fire and shoot<br />

him. They justify <strong>the</strong>ir acts by maintaining that Mateusz is a Jew.<br />

In part, <strong>the</strong>ir animosity is caused by <strong>the</strong> fear that <strong>the</strong>ir share in <strong>the</strong><br />

land to be distributed free <strong>of</strong> charge among <strong>the</strong> peasants would<br />

be smaller than expected. But this is not <strong>the</strong> most important<br />

reason. The enmity <strong>of</strong> <strong>the</strong> villagers is <strong>the</strong> result <strong>of</strong> <strong>the</strong>ir sense <strong>of</strong> guilt<br />

for <strong>the</strong> death <strong>of</strong> Mateusz's son. They allowed a young lieutenant to<br />

die ra<strong>the</strong>r than be suspected <strong>of</strong> collaborating with <strong>the</strong> anticommunist<br />

underground movement, which would be tantamount<br />

to losing <strong>the</strong>ir claim on <strong>the</strong> dreamt <strong>of</strong> piece <strong>of</strong> land.<br />

In an act <strong>of</strong> retaliation, <strong>the</strong> old harness -maker digs out his son's<br />

body and forces <strong>the</strong> three most responsible peasants to form a<br />

funereal span. They are made to haul <strong>the</strong> carriage to <strong>the</strong><br />

cemetery to give <strong>the</strong>ir victim a proper burial.

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