Fine Arts 2012-13 - The British School at Rome
Fine Arts 2012-13 - The British School at Rome
Fine Arts 2012-13 - The British School at Rome
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I NTRODUCTION<br />
<strong>Fine</strong> <strong>Arts</strong> activities for <strong>2012</strong>-<strong>13</strong> started in September, with the exhibition In the World, comprised of works cre<strong>at</strong>ed<br />
by Australia Council Resident Rebecca Ross during her summer residency.<br />
October began – as each of the academic year’s quarterly terms – with short present<strong>at</strong>ions by the new scholars,<br />
including Abbey Fellow Anne-Marie Creamer, whose project revolved around the film Luigi Pirandello tried to<br />
draw from his play Six Characters in Search of an Author, whose world premiere was held <strong>at</strong> Te<strong>at</strong>ro Valle in <strong>Rome</strong><br />
in 1921. This prompted a group visit to the Valle, occupied since 2011; Anne-Marie was introduced to the<br />
occup<strong>at</strong>ion activists, who embraced her project allowing her to photograph and shoot footage in the the<strong>at</strong>re.<br />
A visit took place l<strong>at</strong>er in October to the Centrale Montemartini in Ostiense on the occasion of the exhibition<br />
60 Years of Fashion Made in Italy th<strong>at</strong> presented a hundred historic garments by leading Italian fashion houses<br />
alongside the Roman sculptures of the Capitoline Museum collection.<br />
In November, a day trip was organized to the historic centre of L’Aquila, destroyed by the earthquake of 6 April<br />
2009. BSR residents were shown around the city by former <strong>Fine</strong> <strong>Arts</strong> intern Martina Sconci, currently cur<strong>at</strong>or <strong>at</strong><br />
L’Aquila’s Experimental Museum of Contemporary Art (MUSPAC), and Enrico Sconci, professor <strong>at</strong> L’Aquila’s<br />
Academy of <strong>Fine</strong> <strong>Arts</strong> and director of MUSPAC.<br />
December brought a screening of David Forgacs’s 2005 film San Lorenzo: memory and place, in connection<br />
with the workshop <strong>Rome</strong> Under the Bombs, organized by <strong>Rome</strong> Fellow Sofia Serenelli and Balsdon Fellow<br />
Claudia Baldoli; and a walk around EUR involving visits to Libera’s Palazzo dei Congressi and Minnucci’s<br />
Palazzo degli Uffici.<br />
<strong>The</strong> first <strong>Fine</strong> <strong>Arts</strong> group show of the year, I Have Lived, opened on 14 December. It fe<strong>at</strong>ured works by artists<br />
Amir Chasson, Anne-Marie Creamer, Michele Di Menna (the inaugural <strong>Rome</strong> Fellow in Contemporary Art),<br />
K<strong>at</strong>y Kirbach, Michael Needham, Candida Powell-Williams, and architects Tom Brigden and Tao Sule-DuFour.<br />
As customary for BSR <strong>Fine</strong> <strong>Arts</strong> exhibitions, the public included scholars of the other foreign academies, as well<br />
as <strong>Rome</strong> artists, critics, collectors and dealers.<br />
Two visits to Giovan B<strong>at</strong>tista Piranesi’s church of Santa Maria del Prior<strong>at</strong>o took place in January and February<br />
20<strong>13</strong>. This year, Piranesi was dealt with in different ways by all three resident architects, Tom Brigden, N<strong>at</strong>acha<br />
Boucher and Tao Sule-DuFour.<br />
<strong>The</strong> second <strong>Fine</strong> <strong>Arts</strong> exhibition, entitled Ides of March, opening on 15 March, included works by Stuart<br />
Cumberland, Felix Davey, Yasmin Fedda, K<strong>at</strong>y Kirbach, Candida Powell-Williams, Arryn Snowball, and architects<br />
1-2. Rebecca Ross, In the World, September <strong>2012</strong><br />
1<br />
2<br />
6<br />
<strong>Fine</strong> <strong>Arts</strong> <strong>2012</strong>-20<strong>13</strong>