Understanding the Tonal Answer

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• The alteration takes place at the beginning of the answer. Once the typical exchange of ^1 and ^5 takes place, transpose the rest of the answer up a 4 th . • Consider this subject:
• Simply make the exchange of ^1 and ^5 and then transpose the rest of the subject up a P4. (Note that the use of ^1 in the answer already represents transposition by P4 anyway.)
Page 2 and 3: • The melodic structure of the fu
Page 4 and 5: • First, if given a fugue subject
Page 6 and 7: • Here is J. S. Bach’s subject
Page 8 and 9: In actual practice, the answer ente
Page 10 and 11: • Change the subject’s ending h
Page 12 and 13: Assume that a fugue subject will ta
Page 14 and 15: • The subject starts on ^5, so we
Page 16 and 17: • Consider the fugue subject by B
Page 18 and 19: • Modulating fugue subjects are u
Page 22 and 23: • In the actual context it sounds

Understanding the Tonal Answer

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