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December, 2007 - Minnesota Nature Photography Club

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From the President<br />

As I am writing this, it is late November and still<br />

no snow on the ground. I am one of those<br />

photographers that really enjoy photographing in<br />

the winter, but I like my images to show a good<br />

old fashioned <strong>Minnesota</strong> winter. This of course<br />

means; snow, ice, frost or anything that conveys<br />

a winter message. But it is early yet and maybe<br />

we will get lucky this year and have a couple of<br />

feet of snow by Christmas.<br />

Thanks to Dale Bohlke and Dave Vivich for<br />

doing a great job of judging in November. And<br />

speaking of judging our end of year judge will<br />

be Stan Tekiela. I have known Stan for several<br />

years; he is a naturalist, writer, author of several<br />

nature books, and a professional photographer.<br />

Also remember that in <strong>December</strong> right after the<br />

End of Year judging, we will be having our<br />

Holiday Party. So bring some goodies to share!<br />

As of now I have scheduled a Board Meeting for<br />

Monday night <strong>December</strong> 10 th , one of the items<br />

on the agenda will be a microphone. As many of<br />

you know the REI microphone did not work in<br />

November. We will make a decision if the club<br />

should purchase a microphone.<br />

Happy Holidays<br />

John Pennoyer<br />

Field Notes<br />

“Shooting in the Field”<br />

By John Pennoyer<br />

The temperature was in the teens and for early<br />

November it certainly was much colder than<br />

normal. I had been in my blind for about 2 to3<br />

hours trying to capture an image of a huge<br />

whitetail buck that had been hanging out in this<br />

area. I had spotted him several times but so far<br />

no images. The Whitetail rut was on and I was<br />

not going to give up on photographing this<br />

magnificent buck. In the still of the morning I<br />

heard noise in the marsh and I could make out<br />

two big bucks fighting. There was no chance for<br />

photos because of the cattails and the position of<br />

my blind. The battle did not last very long but to<br />

my surprise both bucks came in my direction<br />

and I was able to expose about 2 rolls of film.<br />

I was so excited that instead of using my normal<br />

mail order, I went right to a local outlet and had<br />

my film processed. The next day I went to get<br />

my processed film and they could not find one<br />

of the rolls!! In over 25 years of shooting<br />

thousands of rolls of film I have only had two<br />

lost. This one and a mail order one. However I<br />

do think that lost roll would have been one of<br />

my best Trophy Whitetail Buck portraits!!<br />

That certainly is one of the nice things about<br />

shooting digital - no developing, no lost rolls as<br />

our images are imbedded in the memory card<br />

which is then loaded on our computers and we<br />

are set to go. But wait a minute, what happens if<br />

I lost the memory card, my portable storage<br />

device crashes or is dropped. Like the old saying<br />

---- does happen! A couple of years ago when I<br />

was in Alaska photographing Bald Eagles a<br />

workshop leader had put his photo pack down<br />

on the beach and in his moving around getting<br />

photos, the tide came in and his photo pack was<br />

totally under water. His Portable Storage Device<br />

(PSD) was in that photo bag with many Bald<br />

Eagle images loaded. Every photographer<br />

should always have more than one copy of their<br />

images whether in the field or permanent files at<br />

the home office.<br />

So when shooting in the field, this is my process<br />

of trying to reduce any chance of unfortunate<br />

incidents and losing my valuable images. (Note:<br />

I said reduce!) As soon as one of my compact


flash cards is filled, I install an empty card and<br />

my filled card is put in the card holder. (The<br />

filled card is put in backwards so as not to get<br />

mixed up with empty cards which are installed<br />

with the label up) In my photo pack I carry an<br />

80GB Sanho Hyper-Drive PSD, the filled card is<br />

downloaded to the Hyper-Drive either in the<br />

field or motel room. If I am on an extended trip<br />

the same card is then downloaded to my laptop<br />

computer. (If I am at home the card is<br />

downloaded to my desk top) It is then that I will<br />

format my memory card, for it is now backed up<br />

with two electronic copies. I will also then write<br />

CD’s/DVD’s of those images. So I now have<br />

two electronic copies and a hard copy written on<br />

CD/DVD.<br />

laptop. Also he told me a couple of days later<br />

that his PSD still worked, along with his other<br />

equipment. (That must say something about<br />

Lowe-pro bags).<br />

The whitetail attached with this article is one of<br />

the truly magnificent bucks that I have ever<br />

photographed. This image was on the roll that I<br />

got back. So what makes my other image<br />

better? The buck left and came back from the<br />

other side so instead of being backlight I had<br />

great front lighting with steam from his body<br />

and great eye contact! My consolation from the<br />

developer (won’t mention name, but I never<br />

went back ever again) a free roll of Provia 100!<br />

There are many different Portable Storage<br />

Devices on the market, some with LCD viewing<br />

screens, some without. My Hyper-drive is about<br />

2 years old and does not have a viewing screen.<br />

These PSD’s can cost anywhere form $150.00 to<br />

$700.00 or more.<br />

Some examples of PSD’s are Epson, Wolverine,<br />

Hyper-drive, JoBo and many others. They come<br />

in various hard drives, 40GB, 60GB, 80GB, and<br />

120GB, depending on your shooting. My<br />

caution is don’t short change yourself on<br />

memory. Personally I would not consider one<br />

under 80GB. Some are truly portable with<br />

battery operation (my choice) some will need<br />

USB connection from a laptop. I think all of<br />

them will also connect to 110VAC. Due to the<br />

fact that I now have a new desk top which is so<br />

much faster, I will probably quit bringing my<br />

laptop with me and will purchase another PSD,<br />

this time with a viewing screen. I will still bring<br />

my laptop on extended trips so I can write<br />

images to CD/DVD.<br />

If you are shooting digital, my advice is to<br />

always have at least two copies of your images<br />

on separate hard drives of some type. And also<br />

write them on CD’s/DVD’s. That will give you<br />

three copies of your images which will greatly<br />

reduce the chance of losing all your images<br />

when unfortunate things happen.<br />

That workshop leader that had his bag under<br />

“salt water” had his images backed up on his<br />

Whitetail Buck<br />

John Pennoyer<br />

Note: My trophy whitetail photography is really<br />

taking a hit. The regional park I used to go to in<br />

the above mentioned episode is now a “GOLF<br />

COURSE”! Good Shooting<br />

2


“On Safari”<br />

(Continued from last month)<br />

By Ron Winch<br />

Our guide coaxes the Land Rover ever so close<br />

to the bank and positions it broadside to the river<br />

allowing each shooter the best possible view –<br />

than we wait. Thousands of wildebeest crowd<br />

the edge of the 20 foot bank. Below, zebras test<br />

the water of the Mara River, but are hesitant to<br />

take the final plunge.<br />

Up top wildebeests are crowding back – making<br />

way for a 6,000 pound hippo returning from<br />

grazing and seeking the cool water where it will<br />

spend the daylight hours. His balloon-like body<br />

ambles along on short thin legs as he looks for a<br />

pathway to the river. It is some sight to see this<br />

primitive looking hippo plodding along, backed<br />

by thousands of wildebeest and fore grounded<br />

by zebras testing the water below the 20 foot<br />

bank. Great photos of rarely seen animal<br />

behavior.<br />

A note to future safari-goers; if you go to the<br />

Mara with aspirations of photographing a river<br />

crossing be sure to stay somewhere in the central<br />

Mara so when you approach the river you will<br />

be on the river’s left bank (as the current flows<br />

downstream). This assures you that you will see<br />

the animals coming toward you – rather than<br />

hundreds of rear-ends. The best light is from<br />

first light till noon – especially if it is sunny.<br />

One of the best crossings is river left across the<br />

river from the Mara Sepena Lodge.<br />

Long lenses (300mm to 500mm) nestled into<br />

bean bags provides a stable platform to<br />

photograph the plunging, wild-eyed animals<br />

who are feverishly swimming, hoping not to<br />

become a meal for a hungry croc. Shorter lenses<br />

yield a panorama of the entire scene from the<br />

plunge to the dripping exhausted animals<br />

scurrying past your Land Rover. What a thrill!<br />

Hope it can be yours someday.<br />

Cruising the savanna on an afternoon game drive<br />

we observed tupi, thomson’s gazelle, wildebeest,<br />

warthogs and zebras. All presented wonderful<br />

photo ops, but it was the zebras that really made<br />

the Nikon’s motor drive sing. One aggressive<br />

young stallion thought he was hot stuff and<br />

wanted some of the actions. No young upstart<br />

was going to intimidate the herd stallion. He<br />

stood erect with head high, ears pointed and tail<br />

arched in a display of dominance. “Hot Stuff”<br />

was not intimidated – with teeth bared and ears<br />

laid back, he charged into the leader. Up on<br />

hind feet, bodies almost erect and front feet<br />

slashing – each had their moment of glory as a<br />

cloud of dust chased by a slight breeze drifted<br />

toward the seemingly uncaring herd.<br />

Meanwhile, as they moved, we moved with<br />

them, always staying in good range for the<br />

Nikon 200-400 zoom lens. Ouch, a sharp blow<br />

to the shoulder caught “Hot Stuff” off balance<br />

and down he went, only to quickly recover and<br />

continue the battle. Finally after 7 or 8 minutes<br />

the youngster was tiring. Laying his ears back<br />

and open-mouthed chewing displayed<br />

submission and he beat a hasty retreat. For us it<br />

was a time to really be thankful for shooting<br />

digital as changing film four or five times would<br />

have interrupted the flow of the action.<br />

The sun was racing for the western horizon as<br />

Toni, with pocket binoculars, spotted two<br />

bateleur eagles in a dead tree some 200 yards<br />

out. We have photographed bateleur eagles on<br />

every trip to Kenya, but never two perched side<br />

by side in such sweet light with only a blue sky<br />

behind. Needless to say, the Land Rover made<br />

its way toward the eagles – stopping several<br />

times to get insurance shots in case the birds<br />

took flight. They didn’t and our final shots were<br />

full frame bateleur eagles. The eye rings, lopes<br />

and lower legs showed a brilliant red<br />

complimented by the low sun. How many<br />

photos can you take of two bateleur eagles?<br />

Let’s put you in the same situation and you tell<br />

me.<br />

At lunch one day Joe suggested we all display<br />

our favorite images. There were some fantastic<br />

shots of birds, animals and landscapes. Joe’s<br />

comment was “I’ve been here 32 times and after<br />

only 8 days you folks have gotten shots that I’m<br />

still dreaming of”.<br />

3


Masai Mara - sounds pretty hard to beat,<br />

especially if you hook up with the right outfitter.<br />

May your dreams get bigger and your trips more<br />

exotic.<br />

Ron & Toni<br />

November Salon Results<br />

Judges: Dale Bohlke and Dave Vichich<br />

Score of 8<br />

Alan Schulz<br />

David Zosel<br />

Dotti Lillestrand<br />

Jim Terpstra<br />

John Ringquist<br />

Jon Wilbrecht<br />

Kristin Holt<br />

Lil Polley<br />

Lyle Bergman<br />

Mariann Cyr<br />

Mary Kay Bertas<br />

Mary Olson<br />

Nadav Cassuto<br />

Tom Samuelson<br />

Tom Wilson<br />

Vern Nelson<br />

Albatross Colony (W)<br />

Fishing Heron (W)<br />

Cardinal Flower<br />

Star Trails Circular<br />

Mystic<br />

Poppy<br />

Hooded Merganser Hen (W)<br />

Foxtail<br />

Hyena Meal (W)<br />

Elephant Seal (W)<br />

Loveable<br />

Reflections<br />

GGO 1 (W)<br />

Water Lily<br />

Pretty Suzie (W)<br />

Tieger Swallowtail Caterpiller<br />

Location, Location, Location<br />

By Don Nadreau<br />

Locating the sun or moon is usually not very<br />

difficult. However; there are times when it is<br />

helpful to be able to predict with a great deal of<br />

certainty the exact location. This is most helpful<br />

to me when shooting on the north shore of Lake<br />

Superior. The challenge with the north shore is<br />

it runs from southwest to northeast. For some<br />

reason I always think of it running south to north<br />

and as a result the sunrise or moonrise is in a<br />

different place than I think it should be.<br />

The easiest tool I have found to aid in<br />

determining the exact location for these events is<br />

the US Naval Observatory website at<br />

http://aa.usno.navy.mil/data/docs/RS_OneDay.p<br />

hp. At this site click on the “Data Services” line<br />

at the left area on the webpage, then click on<br />

”Altitude & Azimuth of Sun or Moon”. You<br />

will be brought to a screen to fill out with you<br />

location and date. As an example, I selected<br />

Beaver Bay (near Split Rock Lighthouse) for the<br />

date of 12/07/<strong>2007</strong> for the sun and got these<br />

results:<br />

Altitude<br />

Azimuth<br />

(E of N)<br />

Score of 9<br />

Claire Dolan<br />

Dave Ellenbecker<br />

Jean McDonough<br />

Mariann Cyr<br />

Mary Kay Bertas<br />

Matthew<br />

Schillerberg<br />

Score of 10<br />

David Hoyt<br />

Jean McDonough<br />

Jeff Morgan<br />

John Dykstra<br />

Tom Samuelson<br />

Tom Wilson<br />

Romping Calves (W)<br />

Turkey Tail<br />

Male & Female Lion (W)<br />

Scurvy Grass<br />

Kanab, Utah<br />

Autumn Hawk (W)<br />

White-phase Redish Egret (W)<br />

Two Zebrase Nose to Nose<br />

(W)<br />

Thrush (W)<br />

Sun Rays<br />

BWCA<br />

Screaming Eagle<br />

h m o o<br />

06:30 -11.0 111.5<br />

06:40 -9.4 113.2<br />

06:50 -7.9 114.9<br />

07:00 -6.4 116.7<br />

07:10 -4.9 118.4<br />

07:20 -3.4 120.2<br />

07:30 -1.9 122.0<br />

07:40 0.1 123.8<br />

From this I know sunrise will be at 7:40 and<br />

located at 123.8 degrees east of north.<br />

I find this handy for pre-scouting a location<br />

and set-up when I’m ready to shot.<br />

There are more complicated sites and<br />

software to accomplish this, but I like the<br />

Navy site best. Good luck!!<br />

4


The View from Here<br />

by Lawrence C. Duke<br />

<strong>Photography</strong> Spoken Here<br />

The Dust Bowl Days of long ago are back<br />

and finding it's way to your Sensor.<br />

For years dust found it's way on to sheet<br />

film, I'll even bet it ended up on glass plates,<br />

if your that old? It made its way on to slides<br />

with no trouble, along with the occasional<br />

fingerprint.<br />

First it was the card board mount; it was<br />

card board dust from the paper in the mount.<br />

Then, somewhere in the 60's the plastic<br />

mount was going to solve the dust problem,<br />

but not the fingerprint part. With plastic<br />

came a more exciting problem, if you were<br />

that unlucky. They were the scratches like<br />

railroad tracks, the whole length of the<br />

frame. They came from the auto mounting<br />

machines and the way the film was handled,<br />

to get it into the mount, the fingerprints<br />

came later with the sorting. The Dust would<br />

never dare be in the camera, oh, an<br />

occasional hair might get into the shutter<br />

track when changing film and you would<br />

see funny spots in the view finder, now and<br />

then. But for the most part you could change<br />

lenses as many times as you needed to. I<br />

can't deny that it was a problem during the<br />

time of film, but it sure was a heck of a lot<br />

easier to keep clean. You just got out your<br />

can of air and a brush or lens cloth, and<br />

spent 5 minutes.<br />

and my lenses, making very few lens<br />

changes in the field. I've had to send the<br />

bodies back to the manufactures, because I<br />

didn't know how to clean, I mean really<br />

clean, that sensor thing. The body was no<br />

problem; wipe it down," no fingers on the<br />

monitor ", get a Hoodman cover for the<br />

LCD, so you can catch the Dust on the<br />

monitor, and in general be careful of your<br />

camera.<br />

Age and wisdom, don't come easy. I've<br />

been plagued with Dust, some times I feel<br />

like I'm back in Arizona, just before a rain<br />

storm. That's the age part, now for the<br />

wisdom part. This last week, I let a friendly<br />

Sales Associates, convince me that I could<br />

learn to clean my own Sensors.<br />

You don't get smarter as you get older. You<br />

learn that some things are better left to<br />

someone else. I now have about three hours<br />

on the web learning how to use all the new<br />

stuff. I also have some great images of a<br />

bald sky, a blank wall and a bracket of<br />

exposures. All have different arrangements<br />

of Dust from; the sensor swabs, the electric<br />

brush, the super air blower, and I think I saw<br />

something jump on to the sensor from the<br />

loupe.<br />

Really, I just want to make beautiful photos,<br />

that are free of all the above.<br />

Now we are in a new era of the Dust Bowl<br />

Days. It's those fun off color spots in your<br />

skies, or the black blob on the flower petal<br />

or someone's face, the curly gray thing,<br />

looking like a vapor trail from a jet.<br />

And now being a member of the Digital<br />

world, I have a new dislike for Dust. I've<br />

been super careful of my digital cameras,<br />

5


<strong>Nature</strong> Photo Times<br />

Published Sept.-May by the<br />

<strong>Minnesota</strong> <strong>Nature</strong> <strong>Photography</strong> <strong>Club</strong><br />

www.minnesotanature.org<br />

FIRST CLASS MAIL<br />

Editor: Don Nadreau, 763-377-4589,<br />

don.nadreau@gmail.com<br />

124 Ardmore Dr.<br />

Golden Valley, MN 55422<br />

President: John Pennoyer 763-416-4134<br />

johnpennoyer@comcast.net<br />

Vice Pres.: Rod Blesener 952.465.3420<br />

rblesener@fishbowlsolutions.com<br />

Treasurer: Jim Duncan 651-459-3558<br />

Jduncan001@comcast.net<br />

Secretary: Linda Nygren 651-778-0340<br />

Lnygren@pol.net<br />

Meetings are held on the third Wednesday<br />

of the month, September through May<br />

6:00 PM - Set-up and Social Time<br />

6:30 PM - Announcements and Business<br />

6:45 PM - Program<br />

7:45 PM - <strong>Nature</strong> Salon (Competition and<br />

Judge's Comments).<br />

Meetings are held at:<br />

REI<br />

750 West American Blvd<br />

Bloomington, MN 55420<br />

<strong>December</strong> 19, <strong>2007</strong> Meeting<br />

<strong>December</strong> Program:<br />

End of Year competition results. Judging by<br />

Stan Tekiela . He is a naturalist, writer,<br />

author of several nature books, and a<br />

professional photographer. We will also<br />

have our annual Holiday Party, so remember<br />

to bring an item to pass around.<br />

Refreshment coordinator: Would someone be<br />

willing to help coordinate refreshments for our<br />

monthly meetings? If you are interested let John<br />

Pennoyer know.<br />

Field Trips: If you would be interested in leading<br />

one or two field trips sometime in the future, I will<br />

have a sign up sheet and just pick a month and type<br />

of trip or location. We have not had field trips for the<br />

last couple of years and I would like to get this<br />

started again.<br />

The field trip leader would not be expected to do any<br />

type of instruction, but like all photographers try to<br />

pick the optimum time of year, day etc to photograph<br />

the location or subject.<br />

6

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