December, 2007 - Minnesota Nature Photography Club
December, 2007 - Minnesota Nature Photography Club
December, 2007 - Minnesota Nature Photography Club
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From the President<br />
As I am writing this, it is late November and still<br />
no snow on the ground. I am one of those<br />
photographers that really enjoy photographing in<br />
the winter, but I like my images to show a good<br />
old fashioned <strong>Minnesota</strong> winter. This of course<br />
means; snow, ice, frost or anything that conveys<br />
a winter message. But it is early yet and maybe<br />
we will get lucky this year and have a couple of<br />
feet of snow by Christmas.<br />
Thanks to Dale Bohlke and Dave Vivich for<br />
doing a great job of judging in November. And<br />
speaking of judging our end of year judge will<br />
be Stan Tekiela. I have known Stan for several<br />
years; he is a naturalist, writer, author of several<br />
nature books, and a professional photographer.<br />
Also remember that in <strong>December</strong> right after the<br />
End of Year judging, we will be having our<br />
Holiday Party. So bring some goodies to share!<br />
As of now I have scheduled a Board Meeting for<br />
Monday night <strong>December</strong> 10 th , one of the items<br />
on the agenda will be a microphone. As many of<br />
you know the REI microphone did not work in<br />
November. We will make a decision if the club<br />
should purchase a microphone.<br />
Happy Holidays<br />
John Pennoyer<br />
Field Notes<br />
“Shooting in the Field”<br />
By John Pennoyer<br />
The temperature was in the teens and for early<br />
November it certainly was much colder than<br />
normal. I had been in my blind for about 2 to3<br />
hours trying to capture an image of a huge<br />
whitetail buck that had been hanging out in this<br />
area. I had spotted him several times but so far<br />
no images. The Whitetail rut was on and I was<br />
not going to give up on photographing this<br />
magnificent buck. In the still of the morning I<br />
heard noise in the marsh and I could make out<br />
two big bucks fighting. There was no chance for<br />
photos because of the cattails and the position of<br />
my blind. The battle did not last very long but to<br />
my surprise both bucks came in my direction<br />
and I was able to expose about 2 rolls of film.<br />
I was so excited that instead of using my normal<br />
mail order, I went right to a local outlet and had<br />
my film processed. The next day I went to get<br />
my processed film and they could not find one<br />
of the rolls!! In over 25 years of shooting<br />
thousands of rolls of film I have only had two<br />
lost. This one and a mail order one. However I<br />
do think that lost roll would have been one of<br />
my best Trophy Whitetail Buck portraits!!<br />
That certainly is one of the nice things about<br />
shooting digital - no developing, no lost rolls as<br />
our images are imbedded in the memory card<br />
which is then loaded on our computers and we<br />
are set to go. But wait a minute, what happens if<br />
I lost the memory card, my portable storage<br />
device crashes or is dropped. Like the old saying<br />
---- does happen! A couple of years ago when I<br />
was in Alaska photographing Bald Eagles a<br />
workshop leader had put his photo pack down<br />
on the beach and in his moving around getting<br />
photos, the tide came in and his photo pack was<br />
totally under water. His Portable Storage Device<br />
(PSD) was in that photo bag with many Bald<br />
Eagle images loaded. Every photographer<br />
should always have more than one copy of their<br />
images whether in the field or permanent files at<br />
the home office.<br />
So when shooting in the field, this is my process<br />
of trying to reduce any chance of unfortunate<br />
incidents and losing my valuable images. (Note:<br />
I said reduce!) As soon as one of my compact
flash cards is filled, I install an empty card and<br />
my filled card is put in the card holder. (The<br />
filled card is put in backwards so as not to get<br />
mixed up with empty cards which are installed<br />
with the label up) In my photo pack I carry an<br />
80GB Sanho Hyper-Drive PSD, the filled card is<br />
downloaded to the Hyper-Drive either in the<br />
field or motel room. If I am on an extended trip<br />
the same card is then downloaded to my laptop<br />
computer. (If I am at home the card is<br />
downloaded to my desk top) It is then that I will<br />
format my memory card, for it is now backed up<br />
with two electronic copies. I will also then write<br />
CD’s/DVD’s of those images. So I now have<br />
two electronic copies and a hard copy written on<br />
CD/DVD.<br />
laptop. Also he told me a couple of days later<br />
that his PSD still worked, along with his other<br />
equipment. (That must say something about<br />
Lowe-pro bags).<br />
The whitetail attached with this article is one of<br />
the truly magnificent bucks that I have ever<br />
photographed. This image was on the roll that I<br />
got back. So what makes my other image<br />
better? The buck left and came back from the<br />
other side so instead of being backlight I had<br />
great front lighting with steam from his body<br />
and great eye contact! My consolation from the<br />
developer (won’t mention name, but I never<br />
went back ever again) a free roll of Provia 100!<br />
There are many different Portable Storage<br />
Devices on the market, some with LCD viewing<br />
screens, some without. My Hyper-drive is about<br />
2 years old and does not have a viewing screen.<br />
These PSD’s can cost anywhere form $150.00 to<br />
$700.00 or more.<br />
Some examples of PSD’s are Epson, Wolverine,<br />
Hyper-drive, JoBo and many others. They come<br />
in various hard drives, 40GB, 60GB, 80GB, and<br />
120GB, depending on your shooting. My<br />
caution is don’t short change yourself on<br />
memory. Personally I would not consider one<br />
under 80GB. Some are truly portable with<br />
battery operation (my choice) some will need<br />
USB connection from a laptop. I think all of<br />
them will also connect to 110VAC. Due to the<br />
fact that I now have a new desk top which is so<br />
much faster, I will probably quit bringing my<br />
laptop with me and will purchase another PSD,<br />
this time with a viewing screen. I will still bring<br />
my laptop on extended trips so I can write<br />
images to CD/DVD.<br />
If you are shooting digital, my advice is to<br />
always have at least two copies of your images<br />
on separate hard drives of some type. And also<br />
write them on CD’s/DVD’s. That will give you<br />
three copies of your images which will greatly<br />
reduce the chance of losing all your images<br />
when unfortunate things happen.<br />
That workshop leader that had his bag under<br />
“salt water” had his images backed up on his<br />
Whitetail Buck<br />
John Pennoyer<br />
Note: My trophy whitetail photography is really<br />
taking a hit. The regional park I used to go to in<br />
the above mentioned episode is now a “GOLF<br />
COURSE”! Good Shooting<br />
2
“On Safari”<br />
(Continued from last month)<br />
By Ron Winch<br />
Our guide coaxes the Land Rover ever so close<br />
to the bank and positions it broadside to the river<br />
allowing each shooter the best possible view –<br />
than we wait. Thousands of wildebeest crowd<br />
the edge of the 20 foot bank. Below, zebras test<br />
the water of the Mara River, but are hesitant to<br />
take the final plunge.<br />
Up top wildebeests are crowding back – making<br />
way for a 6,000 pound hippo returning from<br />
grazing and seeking the cool water where it will<br />
spend the daylight hours. His balloon-like body<br />
ambles along on short thin legs as he looks for a<br />
pathway to the river. It is some sight to see this<br />
primitive looking hippo plodding along, backed<br />
by thousands of wildebeest and fore grounded<br />
by zebras testing the water below the 20 foot<br />
bank. Great photos of rarely seen animal<br />
behavior.<br />
A note to future safari-goers; if you go to the<br />
Mara with aspirations of photographing a river<br />
crossing be sure to stay somewhere in the central<br />
Mara so when you approach the river you will<br />
be on the river’s left bank (as the current flows<br />
downstream). This assures you that you will see<br />
the animals coming toward you – rather than<br />
hundreds of rear-ends. The best light is from<br />
first light till noon – especially if it is sunny.<br />
One of the best crossings is river left across the<br />
river from the Mara Sepena Lodge.<br />
Long lenses (300mm to 500mm) nestled into<br />
bean bags provides a stable platform to<br />
photograph the plunging, wild-eyed animals<br />
who are feverishly swimming, hoping not to<br />
become a meal for a hungry croc. Shorter lenses<br />
yield a panorama of the entire scene from the<br />
plunge to the dripping exhausted animals<br />
scurrying past your Land Rover. What a thrill!<br />
Hope it can be yours someday.<br />
Cruising the savanna on an afternoon game drive<br />
we observed tupi, thomson’s gazelle, wildebeest,<br />
warthogs and zebras. All presented wonderful<br />
photo ops, but it was the zebras that really made<br />
the Nikon’s motor drive sing. One aggressive<br />
young stallion thought he was hot stuff and<br />
wanted some of the actions. No young upstart<br />
was going to intimidate the herd stallion. He<br />
stood erect with head high, ears pointed and tail<br />
arched in a display of dominance. “Hot Stuff”<br />
was not intimidated – with teeth bared and ears<br />
laid back, he charged into the leader. Up on<br />
hind feet, bodies almost erect and front feet<br />
slashing – each had their moment of glory as a<br />
cloud of dust chased by a slight breeze drifted<br />
toward the seemingly uncaring herd.<br />
Meanwhile, as they moved, we moved with<br />
them, always staying in good range for the<br />
Nikon 200-400 zoom lens. Ouch, a sharp blow<br />
to the shoulder caught “Hot Stuff” off balance<br />
and down he went, only to quickly recover and<br />
continue the battle. Finally after 7 or 8 minutes<br />
the youngster was tiring. Laying his ears back<br />
and open-mouthed chewing displayed<br />
submission and he beat a hasty retreat. For us it<br />
was a time to really be thankful for shooting<br />
digital as changing film four or five times would<br />
have interrupted the flow of the action.<br />
The sun was racing for the western horizon as<br />
Toni, with pocket binoculars, spotted two<br />
bateleur eagles in a dead tree some 200 yards<br />
out. We have photographed bateleur eagles on<br />
every trip to Kenya, but never two perched side<br />
by side in such sweet light with only a blue sky<br />
behind. Needless to say, the Land Rover made<br />
its way toward the eagles – stopping several<br />
times to get insurance shots in case the birds<br />
took flight. They didn’t and our final shots were<br />
full frame bateleur eagles. The eye rings, lopes<br />
and lower legs showed a brilliant red<br />
complimented by the low sun. How many<br />
photos can you take of two bateleur eagles?<br />
Let’s put you in the same situation and you tell<br />
me.<br />
At lunch one day Joe suggested we all display<br />
our favorite images. There were some fantastic<br />
shots of birds, animals and landscapes. Joe’s<br />
comment was “I’ve been here 32 times and after<br />
only 8 days you folks have gotten shots that I’m<br />
still dreaming of”.<br />
3
Masai Mara - sounds pretty hard to beat,<br />
especially if you hook up with the right outfitter.<br />
May your dreams get bigger and your trips more<br />
exotic.<br />
Ron & Toni<br />
November Salon Results<br />
Judges: Dale Bohlke and Dave Vichich<br />
Score of 8<br />
Alan Schulz<br />
David Zosel<br />
Dotti Lillestrand<br />
Jim Terpstra<br />
John Ringquist<br />
Jon Wilbrecht<br />
Kristin Holt<br />
Lil Polley<br />
Lyle Bergman<br />
Mariann Cyr<br />
Mary Kay Bertas<br />
Mary Olson<br />
Nadav Cassuto<br />
Tom Samuelson<br />
Tom Wilson<br />
Vern Nelson<br />
Albatross Colony (W)<br />
Fishing Heron (W)<br />
Cardinal Flower<br />
Star Trails Circular<br />
Mystic<br />
Poppy<br />
Hooded Merganser Hen (W)<br />
Foxtail<br />
Hyena Meal (W)<br />
Elephant Seal (W)<br />
Loveable<br />
Reflections<br />
GGO 1 (W)<br />
Water Lily<br />
Pretty Suzie (W)<br />
Tieger Swallowtail Caterpiller<br />
Location, Location, Location<br />
By Don Nadreau<br />
Locating the sun or moon is usually not very<br />
difficult. However; there are times when it is<br />
helpful to be able to predict with a great deal of<br />
certainty the exact location. This is most helpful<br />
to me when shooting on the north shore of Lake<br />
Superior. The challenge with the north shore is<br />
it runs from southwest to northeast. For some<br />
reason I always think of it running south to north<br />
and as a result the sunrise or moonrise is in a<br />
different place than I think it should be.<br />
The easiest tool I have found to aid in<br />
determining the exact location for these events is<br />
the US Naval Observatory website at<br />
http://aa.usno.navy.mil/data/docs/RS_OneDay.p<br />
hp. At this site click on the “Data Services” line<br />
at the left area on the webpage, then click on<br />
”Altitude & Azimuth of Sun or Moon”. You<br />
will be brought to a screen to fill out with you<br />
location and date. As an example, I selected<br />
Beaver Bay (near Split Rock Lighthouse) for the<br />
date of 12/07/<strong>2007</strong> for the sun and got these<br />
results:<br />
Altitude<br />
Azimuth<br />
(E of N)<br />
Score of 9<br />
Claire Dolan<br />
Dave Ellenbecker<br />
Jean McDonough<br />
Mariann Cyr<br />
Mary Kay Bertas<br />
Matthew<br />
Schillerberg<br />
Score of 10<br />
David Hoyt<br />
Jean McDonough<br />
Jeff Morgan<br />
John Dykstra<br />
Tom Samuelson<br />
Tom Wilson<br />
Romping Calves (W)<br />
Turkey Tail<br />
Male & Female Lion (W)<br />
Scurvy Grass<br />
Kanab, Utah<br />
Autumn Hawk (W)<br />
White-phase Redish Egret (W)<br />
Two Zebrase Nose to Nose<br />
(W)<br />
Thrush (W)<br />
Sun Rays<br />
BWCA<br />
Screaming Eagle<br />
h m o o<br />
06:30 -11.0 111.5<br />
06:40 -9.4 113.2<br />
06:50 -7.9 114.9<br />
07:00 -6.4 116.7<br />
07:10 -4.9 118.4<br />
07:20 -3.4 120.2<br />
07:30 -1.9 122.0<br />
07:40 0.1 123.8<br />
From this I know sunrise will be at 7:40 and<br />
located at 123.8 degrees east of north.<br />
I find this handy for pre-scouting a location<br />
and set-up when I’m ready to shot.<br />
There are more complicated sites and<br />
software to accomplish this, but I like the<br />
Navy site best. Good luck!!<br />
4
The View from Here<br />
by Lawrence C. Duke<br />
<strong>Photography</strong> Spoken Here<br />
The Dust Bowl Days of long ago are back<br />
and finding it's way to your Sensor.<br />
For years dust found it's way on to sheet<br />
film, I'll even bet it ended up on glass plates,<br />
if your that old? It made its way on to slides<br />
with no trouble, along with the occasional<br />
fingerprint.<br />
First it was the card board mount; it was<br />
card board dust from the paper in the mount.<br />
Then, somewhere in the 60's the plastic<br />
mount was going to solve the dust problem,<br />
but not the fingerprint part. With plastic<br />
came a more exciting problem, if you were<br />
that unlucky. They were the scratches like<br />
railroad tracks, the whole length of the<br />
frame. They came from the auto mounting<br />
machines and the way the film was handled,<br />
to get it into the mount, the fingerprints<br />
came later with the sorting. The Dust would<br />
never dare be in the camera, oh, an<br />
occasional hair might get into the shutter<br />
track when changing film and you would<br />
see funny spots in the view finder, now and<br />
then. But for the most part you could change<br />
lenses as many times as you needed to. I<br />
can't deny that it was a problem during the<br />
time of film, but it sure was a heck of a lot<br />
easier to keep clean. You just got out your<br />
can of air and a brush or lens cloth, and<br />
spent 5 minutes.<br />
and my lenses, making very few lens<br />
changes in the field. I've had to send the<br />
bodies back to the manufactures, because I<br />
didn't know how to clean, I mean really<br />
clean, that sensor thing. The body was no<br />
problem; wipe it down," no fingers on the<br />
monitor ", get a Hoodman cover for the<br />
LCD, so you can catch the Dust on the<br />
monitor, and in general be careful of your<br />
camera.<br />
Age and wisdom, don't come easy. I've<br />
been plagued with Dust, some times I feel<br />
like I'm back in Arizona, just before a rain<br />
storm. That's the age part, now for the<br />
wisdom part. This last week, I let a friendly<br />
Sales Associates, convince me that I could<br />
learn to clean my own Sensors.<br />
You don't get smarter as you get older. You<br />
learn that some things are better left to<br />
someone else. I now have about three hours<br />
on the web learning how to use all the new<br />
stuff. I also have some great images of a<br />
bald sky, a blank wall and a bracket of<br />
exposures. All have different arrangements<br />
of Dust from; the sensor swabs, the electric<br />
brush, the super air blower, and I think I saw<br />
something jump on to the sensor from the<br />
loupe.<br />
Really, I just want to make beautiful photos,<br />
that are free of all the above.<br />
Now we are in a new era of the Dust Bowl<br />
Days. It's those fun off color spots in your<br />
skies, or the black blob on the flower petal<br />
or someone's face, the curly gray thing,<br />
looking like a vapor trail from a jet.<br />
And now being a member of the Digital<br />
world, I have a new dislike for Dust. I've<br />
been super careful of my digital cameras,<br />
5
<strong>Nature</strong> Photo Times<br />
Published Sept.-May by the<br />
<strong>Minnesota</strong> <strong>Nature</strong> <strong>Photography</strong> <strong>Club</strong><br />
www.minnesotanature.org<br />
FIRST CLASS MAIL<br />
Editor: Don Nadreau, 763-377-4589,<br />
don.nadreau@gmail.com<br />
124 Ardmore Dr.<br />
Golden Valley, MN 55422<br />
President: John Pennoyer 763-416-4134<br />
johnpennoyer@comcast.net<br />
Vice Pres.: Rod Blesener 952.465.3420<br />
rblesener@fishbowlsolutions.com<br />
Treasurer: Jim Duncan 651-459-3558<br />
Jduncan001@comcast.net<br />
Secretary: Linda Nygren 651-778-0340<br />
Lnygren@pol.net<br />
Meetings are held on the third Wednesday<br />
of the month, September through May<br />
6:00 PM - Set-up and Social Time<br />
6:30 PM - Announcements and Business<br />
6:45 PM - Program<br />
7:45 PM - <strong>Nature</strong> Salon (Competition and<br />
Judge's Comments).<br />
Meetings are held at:<br />
REI<br />
750 West American Blvd<br />
Bloomington, MN 55420<br />
<strong>December</strong> 19, <strong>2007</strong> Meeting<br />
<strong>December</strong> Program:<br />
End of Year competition results. Judging by<br />
Stan Tekiela . He is a naturalist, writer,<br />
author of several nature books, and a<br />
professional photographer. We will also<br />
have our annual Holiday Party, so remember<br />
to bring an item to pass around.<br />
Refreshment coordinator: Would someone be<br />
willing to help coordinate refreshments for our<br />
monthly meetings? If you are interested let John<br />
Pennoyer know.<br />
Field Trips: If you would be interested in leading<br />
one or two field trips sometime in the future, I will<br />
have a sign up sheet and just pick a month and type<br />
of trip or location. We have not had field trips for the<br />
last couple of years and I would like to get this<br />
started again.<br />
The field trip leader would not be expected to do any<br />
type of instruction, but like all photographers try to<br />
pick the optimum time of year, day etc to photograph<br />
the location or subject.<br />
6