in every room a story of the art in every room a ... - La Fonda Hotel
in every room a story of the art in every room a ... - La Fonda Hotel
in every room a story of the art in every room a ... - La Fonda Hotel
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Stroll<strong>in</strong>g back to <strong>the</strong> lobby and just before <strong>the</strong> Concierge Desk hangs<br />
a pa<strong>in</strong>t<strong>in</strong>g <strong>of</strong> Horace Ak<strong>in</strong> by Jamie Chase next to one <strong>of</strong> Ak<strong>in</strong>’s<br />
own pa<strong>in</strong>t<strong>in</strong>gs. Ak<strong>in</strong> was a playwright, a pa<strong>in</strong>ter, and an eccentric<br />
fixture at <strong>La</strong> <strong>Fonda</strong>, where he lived <strong>in</strong> <strong>the</strong> 1970s. He hung out <strong>in</strong><br />
<strong>the</strong> lobby, fell asleep <strong>in</strong> <strong>the</strong> d<strong>in</strong><strong>in</strong>g <strong>room</strong>, and hoarded newspapers<br />
<strong>in</strong> his <strong>room</strong>. Chase captured o<strong>the</strong>r colorful <strong>La</strong> <strong>Fonda</strong> patrons <strong>in</strong><br />
portraits that hang throughout <strong>the</strong> lobby. Prom<strong>in</strong>ently displayed near <strong>La</strong> Plazuela’s<br />
entrance is <strong>the</strong> portrait <strong>of</strong> Judge Lewis R. Sut<strong>in</strong>, who died <strong>in</strong> 1992. Judge Sut<strong>in</strong><br />
used to hold court, as it were, at luncheons <strong>in</strong> <strong>La</strong> Plazuela. The tradition <strong>of</strong> legal<br />
lum<strong>in</strong>aries ga<strong>the</strong>r<strong>in</strong>g <strong>in</strong> <strong>the</strong> restaurant cont<strong>in</strong>ues today. Primarily a portrait<br />
pa<strong>in</strong>ter at <strong>the</strong> time he produced <strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs at <strong>La</strong> <strong>Fonda</strong>, Chase now pa<strong>in</strong>ts<br />
colorful abstract figures <strong>in</strong> his Santa Fe studio.<br />
Jamie Chase captured<br />
many colorful figures<br />
<strong>of</strong> <strong>La</strong> <strong>Fonda</strong>’s past<br />
<strong>in</strong> portraits on display<br />
throughout <strong>the</strong> lobby.<br />
A display case <strong>in</strong> <strong>the</strong> Lobby holds one <strong>of</strong> <strong>La</strong> <strong>Fonda</strong>’s oldest works <strong>of</strong> <strong>art</strong>, l<strong>in</strong>k<strong>in</strong>g<br />
<strong>the</strong> collection to <strong>the</strong> earliest traditions <strong>of</strong> Spanish Colonial <strong>art</strong>. When <strong>the</strong> Spanish<br />
first arrived <strong>in</strong> <strong>the</strong> area, <strong>the</strong>y tra<strong>in</strong>ed Native Americans to carve holy images<br />
for devotional purposes, s<strong>in</strong>ce <strong>the</strong>y couldn’t br<strong>in</strong>g <strong>the</strong>se images with <strong>the</strong>m from<br />
Spa<strong>in</strong>. These <strong>art</strong>isans were called santeros or “sa<strong>in</strong>t makers.” This bulto<br />
(a three dimensional figure) <strong>of</strong> <strong>the</strong> Virg<strong>in</strong> Mary with her hands clasped <strong>in</strong> prayer has<br />
been dated to 1820 by a follower <strong>of</strong> <strong>the</strong> santero Molleno who worked <strong>in</strong> New Mexico<br />
between 1800 and 1850. In an adjo<strong>in</strong><strong>in</strong>g case is an 18th-century bulto, Our <strong>La</strong>dy <strong>of</strong><br />
<strong>the</strong> Immaculate Conception, from Bolivia.<br />
26 27<br />
On ei<strong>the</strong>r side <strong>of</strong> <strong>the</strong> mezzan<strong>in</strong>e above <strong>La</strong> Plazuela are murals by Yugoslavianborn<br />
Vladan Stiha (1908–1992), who ran a gallery featur<strong>in</strong>g his work at <strong>the</strong><br />
southwest corner <strong>of</strong> <strong>La</strong> <strong>Fonda</strong> and paid for his gallery and <strong>room</strong> rent with <strong>art</strong>.<br />
Stiha, like so many <strong>art</strong>ists before and after him, was captivated by <strong>the</strong> quality <strong>of</strong><br />
Santa Fe’s light. He is quoted <strong>in</strong> a biographical statement, “The play <strong>of</strong> light on<br />
<strong>the</strong> terra<strong>in</strong>s <strong>of</strong> mounta<strong>in</strong> and desert <strong>in</strong> New Mexico exhilarate <strong>the</strong> senses. Colors<br />
shift and flow beneath cloud sweeps—rais<strong>in</strong>g <strong>the</strong> m<strong>in</strong>d to an understand<strong>in</strong>g for<br />
Jamie Chase<br />
“Maria Benitez” (Detail)<br />
Oil on Canvas