05.11.2014 Views

in every room a story of the art in every room a ... - La Fonda Hotel

in every room a story of the art in every room a ... - La Fonda Hotel

in every room a story of the art in every room a ... - La Fonda Hotel

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Some <strong>of</strong> <strong>the</strong> first Native American <strong>art</strong> to enter <strong>La</strong> <strong>Fonda</strong>’s collection was<br />

acquired by Mary Jane Colter. Among early acquisitions were works<br />

by Romando Vigil, Julian M<strong>art</strong><strong>in</strong>ez, and Tomás Vigil. These <strong>art</strong>ists<br />

flourished under <strong>the</strong> encouragement <strong>of</strong> Edgar Lee Hewett, a key<br />

supporter <strong>of</strong> Native American <strong>art</strong>.<br />

Tomás Vigil (1889–1960) was born at Tesuque Pueblo and was known as Pan-Yo-P<strong>in</strong><br />

(“Summer Mounta<strong>in</strong>”). Self-taught, he pa<strong>in</strong>ted traditionally <strong>in</strong> a two-dimensional<br />

style without perspective. In 1927 his work was shown at <strong>the</strong> former Riverside<br />

Museum <strong>in</strong> New York. A writer for Forum Magaz<strong>in</strong>e stated “<strong>the</strong> pa<strong>in</strong>t<strong>in</strong>gs made<br />

a tremendous impression upon <strong>the</strong> Eastern public, and <strong>the</strong>ir spontaneity <strong>of</strong><br />

conception and real beauty <strong>of</strong> color, and design, has been praised <strong>in</strong> <strong>the</strong> Eastern<br />

press.” His pa<strong>in</strong>t<strong>in</strong>gs, as well as those <strong>of</strong> Romando Vigil and Julian M<strong>art</strong><strong>in</strong>ez from<br />

<strong>the</strong> same exhibition, eventually became p<strong>art</strong> <strong>of</strong> Brandeis University’s collection.<br />

Julian M<strong>art</strong><strong>in</strong>ez (1897-1943),<br />

called Pocano, was born<br />

at San Ildefonso Pueblo.<br />

Julian’s bro<strong>the</strong>r-<strong>in</strong>-law<br />

Crescencio M<strong>art</strong><strong>in</strong>ez is<br />

known as <strong>the</strong> fa<strong>the</strong>r <strong>of</strong><br />

<strong>the</strong> watercolor movement<br />

among Pueblo <strong>art</strong>ists and<br />

Julian took to <strong>the</strong> stylized<br />

method <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>g. Julian<br />

is credited with br<strong>in</strong>g<strong>in</strong>g<br />

Pueblo mythological subjects<br />

<strong>in</strong>to easel pa<strong>in</strong>t<strong>in</strong>g.<br />

46 47<br />

Julian M<strong>art</strong><strong>in</strong>ez (1897-1943), called Pocano (“Com<strong>in</strong>g <strong>of</strong> <strong>the</strong> Spirits”), was born<br />

at San Ildefonso Pueblo and is <strong>the</strong> most famous <strong>of</strong> <strong>the</strong> three. Julian’s bro<strong>the</strong>r-<strong>in</strong>-law<br />

Crescencio M<strong>art</strong><strong>in</strong>ez is known as <strong>the</strong> fa<strong>the</strong>r <strong>of</strong> <strong>the</strong> Pueblo watercolor movement,<br />

and Julian took to <strong>the</strong> stylized method <strong>of</strong> pa<strong>in</strong>t<strong>in</strong>g. Edgar Lee Hewett gave Julian<br />

pa<strong>in</strong>ts and paper to encourage his work, and Julian is credited with br<strong>in</strong>g<strong>in</strong>g<br />

Pueblo mythological subjects <strong>in</strong>to easel pa<strong>in</strong>t<strong>in</strong>g.<br />

Julian and his wife Maria also established a reputation as consummate potters.<br />

Immediately after <strong>the</strong>ir wedd<strong>in</strong>g <strong>the</strong>y went to <strong>the</strong> St. Louis World’s Fair <strong>of</strong> 1904<br />

where Maria demonstrated pottery mak<strong>in</strong>g and Julian took p<strong>art</strong> <strong>in</strong> Native<br />

American dances. As <strong>the</strong>ir fame spread <strong>the</strong>y p<strong>art</strong>icipated <strong>in</strong> <strong>the</strong> 1915 Panama-<br />

California Exposition <strong>in</strong> San Diego, and <strong>the</strong> 1934 Chicago World’s Fair.<br />

The talented Hewett was an archaeologist as well as an anthropologist. In his 1908<br />

and 1909 excavations at San Ildefonso Pueblo he unear<strong>the</strong>d shards <strong>of</strong> prehistoric<br />

Julian M<strong>art</strong><strong>in</strong>ez<br />

“Untitled”<br />

Tempera on Paper

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!