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Abstracts & Bio Notes - Asian Studies Association of Australia

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investigator for the ‘Terrorist Motivations in Indonesia’ project, funded by <strong>Australia</strong>n Research<br />

Council. He was the C.V. Starr Visiting Pr<strong>of</strong>essor in Indonesian politics at the Johns Hopkins<br />

University School <strong>of</strong> Advanced International <strong>Studies</strong>, Washington DC, in 2003, and has been a<br />

consultant to AusAID, USAID, The Asia Foundation and BP. (greg.fealy@anu.edu.au)<br />

FERDINAL, (Deakin University)<br />

Title: Anecdotes: Representing State Violence in Modern Indonesian Literature<br />

Abstract: This paper investigates fictional representations <strong>of</strong> human rights issues in Indonesia as<br />

found in the short stories published in the Indonesian media. These stories reflect on the<br />

practice and handling <strong>of</strong> human rights in Indonesia in the last decade <strong>of</strong> the New Order (1990-<br />

1998). The analyis deals with key issues related to violence as a form <strong>of</strong> human rights violation<br />

committed by state related bodies, groups and individuals. Among a huge number <strong>of</strong> short<br />

stories in the media, some take anecdotes as the form through which the writers resist the<br />

institutional, social, or personal violence <strong>of</strong> the authoritarian and unjust regime. To maintain<br />

its supremacy, the New Order regime applied tight censorship so as not to allow publication <strong>of</strong><br />

any text which could cause trouble to national stability. So when censorship was the problem,<br />

some writers such as Putu Wijaya, took advantage <strong>of</strong> the power <strong>of</strong> anecdotes to resist. The<br />

three works examined here – Putu Wijaya’s ‘Sket’, ‘Mulut’, and ‘Rakyat’ – represent Putu’s<br />

cultural protest against the violations <strong>of</strong> human rights and unjust socioeconomic policies<br />

applied by the Suharto New Order in the 1990s. In the analysis, I turn to political criticism to<br />

show in some detail how the works come into existence. When alluding to violence and<br />

censorship, I argue that theories <strong>of</strong> political criticism can <strong>of</strong>fer us new insights into these<br />

global topics as well as specifically into Indonesian sociopolitical history.<br />

<strong>Bio</strong>note: Ferdinal is on-study-leave from the Faculty <strong>of</strong> Letters, Andalas University, Padang,<br />

Indonesia and is now undertaking a PhD program in Indonesian Literature at Deakin University,<br />

<strong>Australia</strong>. His research focuses on the issue <strong>of</strong> human rights in Indonesia, particularly in<br />

Indonesian literature. His research and publications generally deal with the issue <strong>of</strong> violence,<br />

gender, democratization and marginalization in Indonesian culture and literature.<br />

(fnu_ferdinal@yahoo.com)<br />

HALIM, Wahyuddin (The <strong>Australia</strong>n National University)<br />

Title: Pesantren As’adiyah in Sengkang, Wajo and its Role in Disseminating and Maintaining<br />

Islamic Tradition in South Sulawesi<br />

Abstract: Following the publication <strong>of</strong> Dh<strong>of</strong>ier’s thesisabout pesantren in 1982 (1999), a<br />

significant number <strong>of</strong> scholarly works have been written on this oldest Indonesian Islamic<br />

model <strong>of</strong> learning.. Most <strong>of</strong> these works, however, focus on pesantren in Java, and to some<br />

extent those in Sumatra. My paper will explore the important role played by Pesantren<br />

As’adiyah in Sengkang, South Sulawesi through its education and Islamic mission programs<br />

8

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