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Vol. 2 No. 1 - Modernist Magazines Project

Vol. 2 No. 1 - Modernist Magazines Project

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9 1916-1941 : TRADITION AND CREATION<br />

litter and the snipe's crooked flight over the bog. The<br />

people took the coins—though not, be it remembered,<br />

without a good deal of persiflage and criticism—but the<br />

novels and plays and poems were a bit too much for them.<br />

There was nothing unusual about that. In England<br />

W, & H. Smith refused to stock Tess of the D'Urberuilles.<br />

In France they prosecuted Flaubert. Boston banned<br />

Mencken. All now honour Hardy, Flaubert, and<br />

Mencken. Cabinet Ministers attended the funerals of<br />

JE y and Higgins. That simply means that the old pieties<br />

survive inside the new * realism.'<br />

We remember what Yeats said of Synge. * When a<br />

country produces a man of genius he is never what it<br />

wants : he is always unlike its idea of itself. Scotland<br />

believed itself religious, moral, and gloomy, and its national<br />

poet came not to speak of these things but to speak of<br />

lust and drink and drunken gaiety. Ireland, since the<br />

Young Irelanders, has given itself up to apologetics.<br />

Every impression of life or impulse of imagination has been<br />

examined to see if it helped or hurt the glory of Ireland<br />

or the political claim of Ireland. A sincere impression of<br />

life became at last impossible, all was apologetics. There<br />

was no longer an impartial imagination, delighting in<br />

whatever is naturally exciting. Synge was the rushing<br />

up of the buried fire, an explosion of all that had been<br />

denied or refused, a furious impartiality, an indifferent,<br />

turbulent sorrow. Like Burns, his work was to say all<br />

that the people did not want to have said . . . '<br />

People are always wanting things not to be said. They<br />

cleave to the old symbols all the time. When new men<br />

make new symbols in spite of them, the people then cleave<br />

to these new symbols and will have no more innovation.<br />

Our traditionalists attacked The Playboy just as our traditionalists<br />

attacked The Plough and the Stars, and the later<br />

ones probably scorn the former ones. How many people<br />

know this fine thing that was said about that :—<br />

' Ireland in our day as in the past has excommunicated

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