Vol. 2 No. 1 - Modernist Magazines Project
Vol. 2 No. 1 - Modernist Magazines Project
Vol. 2 No. 1 - Modernist Magazines Project
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9 1916-1941 : TRADITION AND CREATION<br />
litter and the snipe's crooked flight over the bog. The<br />
people took the coins—though not, be it remembered,<br />
without a good deal of persiflage and criticism—but the<br />
novels and plays and poems were a bit too much for them.<br />
There was nothing unusual about that. In England<br />
W, & H. Smith refused to stock Tess of the D'Urberuilles.<br />
In France they prosecuted Flaubert. Boston banned<br />
Mencken. All now honour Hardy, Flaubert, and<br />
Mencken. Cabinet Ministers attended the funerals of<br />
JE y and Higgins. That simply means that the old pieties<br />
survive inside the new * realism.'<br />
We remember what Yeats said of Synge. * When a<br />
country produces a man of genius he is never what it<br />
wants : he is always unlike its idea of itself. Scotland<br />
believed itself religious, moral, and gloomy, and its national<br />
poet came not to speak of these things but to speak of<br />
lust and drink and drunken gaiety. Ireland, since the<br />
Young Irelanders, has given itself up to apologetics.<br />
Every impression of life or impulse of imagination has been<br />
examined to see if it helped or hurt the glory of Ireland<br />
or the political claim of Ireland. A sincere impression of<br />
life became at last impossible, all was apologetics. There<br />
was no longer an impartial imagination, delighting in<br />
whatever is naturally exciting. Synge was the rushing<br />
up of the buried fire, an explosion of all that had been<br />
denied or refused, a furious impartiality, an indifferent,<br />
turbulent sorrow. Like Burns, his work was to say all<br />
that the people did not want to have said . . . '<br />
People are always wanting things not to be said. They<br />
cleave to the old symbols all the time. When new men<br />
make new symbols in spite of them, the people then cleave<br />
to these new symbols and will have no more innovation.<br />
Our traditionalists attacked The Playboy just as our traditionalists<br />
attacked The Plough and the Stars, and the later<br />
ones probably scorn the former ones. How many people<br />
know this fine thing that was said about that :—<br />
' Ireland in our day as in the past has excommunicated