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Masterpiece ★★★★★ Excellent ★★★★ Good ★★★ Fair ★★ Poor ★<br />

Inside<br />

51 / Jazz<br />

54 / Blues<br />

58 / Beyond<br />

65 / Historical<br />

67 / Books<br />

Tommy Flanagan/Jaki Byard<br />

The Magic Of 2<br />

Resonance 2013<br />

HHHH<br />

Jaki Byard (left) and<br />

Tommy Flanagan<br />

The pleasure of two pianists in tandem ideally<br />

comes in the ricocheting tension of contrasting<br />

identities engaging one another in close-quarter<br />

debate. Think of the Count Basie-Oscar Peterson<br />

Pablo duets of the ’70s. And now this 1982 meeting<br />

of Tommy Flanagan and Jaki Byard in San<br />

Francisco’s Keystone Korner<br />

When the contrasts come, they are not so<br />

much between the players as within them.<br />

Especially Byard. He serves up such an aggressive<br />

vocabulary of piano styles, he can turn a relatively<br />

brief tune into a procession of keyboard reference<br />

points. In three minutes of “Land Of Make<br />

Believe,” he leads us through a brooding romanticism,<br />

a zig-zag whirlpool of prickly arpeggios,<br />

expansive chords, rumbling tremolos and a quick<br />

and witty endpoint. “Sunday” suggests a modern<br />

take on Fats Waller first, then at around the<br />

two-minute mark drops behind the beat in the<br />

Erroll Garner manner. He loves quick changes in<br />

temperature and a strong, sometimes rolling left<br />

hand. Flanagan is the less melodramatic, eccentric<br />

and percussive of the two. His solo features<br />

favor the Duke Ellington/Billy Straythorn book,<br />

which embody adult romance without the pastel<br />

sentiments. Even inside “Chelsea Bridge,” he can’t<br />

resist a brief quote of “Lush Life.”<br />

Where Byard can be acerbic and bold,<br />

Flanagan tends toward a clever and poised elegance.<br />

But such contrasts are slightly smudged<br />

here. Only five of the 11 pieces here are duets; six<br />

are stand-alone solo features. More important, the<br />

original Keystone tapes, otherwise excellent, deny<br />

each player his own physical space and discrete<br />

identity. So the listener has to reach out for that<br />

sense of duality and conversation, particularly on<br />

“Just One Of Those Things” and “The Theme,”<br />

where the players volley eights to one another like<br />

a couple of tennis masters on the same side of the<br />

net. Both these men were (and remain) master<br />

modernists whose reputations have grown posthumously.<br />

But they play to one another’s most<br />

natural instincts when the material is transparent<br />

and second nature. —John McDonough<br />

tom copi<br />

Magic Of 2: Scrapple From The Apple; Just One Of Those Things;<br />

Satin Doll; Something To Live For; Our Delight; All Day Long; Sunday;<br />

Chelsea Bridge; Land Of Make Believe; Theme. (56:56)<br />

Personnel: Tommy Flanagan, Jaki Byard, piano.<br />

Ordering info: resonancerecords.org<br />

JULY 2013 DOWNBEAT 45

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