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Masterpiece ★★★★★ Excellent ★★★★ Good ★★★ Fair ★★ Poor ★<br />
Inside<br />
51 / Jazz<br />
54 / Blues<br />
58 / Beyond<br />
65 / Historical<br />
67 / Books<br />
Tommy Flanagan/Jaki Byard<br />
The Magic Of 2<br />
Resonance 2013<br />
HHHH<br />
Jaki Byard (left) and<br />
Tommy Flanagan<br />
The pleasure of two pianists in tandem ideally<br />
comes in the ricocheting tension of contrasting<br />
identities engaging one another in close-quarter<br />
debate. Think of the Count Basie-Oscar Peterson<br />
Pablo duets of the ’70s. And now this 1982 meeting<br />
of Tommy Flanagan and Jaki Byard in San<br />
Francisco’s Keystone Korner<br />
When the contrasts come, they are not so<br />
much between the players as within them.<br />
Especially Byard. He serves up such an aggressive<br />
vocabulary of piano styles, he can turn a relatively<br />
brief tune into a procession of keyboard reference<br />
points. In three minutes of “Land Of Make<br />
Believe,” he leads us through a brooding romanticism,<br />
a zig-zag whirlpool of prickly arpeggios,<br />
expansive chords, rumbling tremolos and a quick<br />
and witty endpoint. “Sunday” suggests a modern<br />
take on Fats Waller first, then at around the<br />
two-minute mark drops behind the beat in the<br />
Erroll Garner manner. He loves quick changes in<br />
temperature and a strong, sometimes rolling left<br />
hand. Flanagan is the less melodramatic, eccentric<br />
and percussive of the two. His solo features<br />
favor the Duke Ellington/Billy Straythorn book,<br />
which embody adult romance without the pastel<br />
sentiments. Even inside “Chelsea Bridge,” he can’t<br />
resist a brief quote of “Lush Life.”<br />
Where Byard can be acerbic and bold,<br />
Flanagan tends toward a clever and poised elegance.<br />
But such contrasts are slightly smudged<br />
here. Only five of the 11 pieces here are duets; six<br />
are stand-alone solo features. More important, the<br />
original Keystone tapes, otherwise excellent, deny<br />
each player his own physical space and discrete<br />
identity. So the listener has to reach out for that<br />
sense of duality and conversation, particularly on<br />
“Just One Of Those Things” and “The Theme,”<br />
where the players volley eights to one another like<br />
a couple of tennis masters on the same side of the<br />
net. Both these men were (and remain) master<br />
modernists whose reputations have grown posthumously.<br />
But they play to one another’s most<br />
natural instincts when the material is transparent<br />
and second nature. —John McDonough<br />
tom copi<br />
Magic Of 2: Scrapple From The Apple; Just One Of Those Things;<br />
Satin Doll; Something To Live For; Our Delight; All Day Long; Sunday;<br />
Chelsea Bridge; Land Of Make Believe; Theme. (56:56)<br />
Personnel: Tommy Flanagan, Jaki Byard, piano.<br />
Ordering info: resonancerecords.org<br />
JULY 2013 DOWNBEAT 45