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Sunday in the Park with George Music and Lyrics by Stephen ...

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<strong>Sunday</strong> <strong>in</strong> <strong>the</strong> <strong>Park</strong> <strong>with</strong> <strong>George</strong> - Pre-Show<br />

Drama/Dance – Creat<strong>in</strong>g a Monologue<br />

Grades 7- 12<br />

Pedagogical Intent<br />

Students explore build<strong>in</strong>g a character us<strong>in</strong>g a pa<strong>in</strong>t<strong>in</strong>g as source material. They explore <strong>the</strong> characters<br />

us<strong>in</strong>g a variety of improvisational strategies <strong>and</strong> tableaux. Students <strong>the</strong>n create<br />

monologues that express <strong>the</strong> emotions of <strong>the</strong> characters <strong>the</strong>y create.<br />

Grade: Grades 7 - 12<br />

Subjects: Drama, Dance, Visual Arts, <strong>and</strong> English<br />

Objectives <strong>and</strong> Competencies: In <strong>the</strong>se activities, students will:<br />

• Demonstrate an underst<strong>and</strong><strong>in</strong>g of techniques used to re-create roles<br />

• Demonstrate an underst<strong>and</strong><strong>in</strong>g of how role is communicated through language, gesture,<br />

costume, props, <strong>and</strong> symbols<br />

• Identify <strong>and</strong> use effective styles of collaboration <strong>in</strong> drama<br />

• Create an orig<strong>in</strong>al or adapted dramatic presentation<br />

• Identify <strong>and</strong> evaluate <strong>the</strong>ir personal artistic strengths <strong>and</strong> weaknesses<br />

• Interpret <strong>and</strong> present a dramatic text, us<strong>in</strong>g only voice or movement techniques<br />

Materials: copies of art examples (see p. 22) <strong>in</strong>clud<strong>in</strong>g Harris Burdick draw<strong>in</strong>g<br />

http://hrsbstaff.ednet.ns.ca/davidc/6c_files/documents/mysteries/Harris%20Burdick/placetime.htm<br />

writ<strong>in</strong>g materials<br />

Warm-Up Activity: First L<strong>in</strong>e/Last L<strong>in</strong>e<br />

Instruct: Divide <strong>the</strong> class <strong>in</strong>to small groups. H<strong>and</strong> to each group one of <strong>the</strong> follow<strong>in</strong>g l<strong>in</strong>es from<br />

<strong>Sunday</strong> <strong>in</strong> <strong>the</strong> <strong>Park</strong> <strong>with</strong> <strong>George</strong>.<br />

Instruct: Build an improvisation around <strong>the</strong> l<strong>in</strong>e. The l<strong>in</strong>e must be used <strong>by</strong> one group member as<br />

ei<strong>the</strong>r an open<strong>in</strong>g or clos<strong>in</strong>g l<strong>in</strong>e. Allow a short amount of time for students to quickly choose a<br />

sett<strong>in</strong>g <strong>and</strong> various roles <strong>and</strong> work on a rough draft of <strong>the</strong>ir improvisation.<br />

“I should have been an artist. I was never <strong>in</strong>tended for work.”<br />

“You were always <strong>in</strong> some o<strong>the</strong>r place — see<strong>in</strong>g someth<strong>in</strong>g no one else could see.”<br />

“Art isn’t easy.”<br />

“Stop worry<strong>in</strong>g where you’re go<strong>in</strong>g — move on.”<br />

“White. A blank page or canvas.”<br />

“It’s hot up here.”<br />

“I want my glasses.”<br />

“These helmets weigh a lot on us.”<br />

“Well, <strong>the</strong>re are worse th<strong>in</strong>gs than sweat<strong>in</strong>g <strong>by</strong> a river on a <strong>Sunday</strong>.”<br />

“I have to f<strong>in</strong>ish <strong>the</strong> hat.”<br />

Instruct: Allow time for each group to perform <strong>the</strong>ir improvisation.<br />

27<br />

C<br />

ONNECTIONS<br />

Shaw Festival Study Guide

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