nnl)hbahh Flcspedectll nixesrhrruiT neck. pfemillcnnial dnrn h,bass trnh rhe (;cfmanirl[st disco etecrro. \\h!t's hapFning oh rhe Brass Ke].,s funwal is e\en nore mind-bloeins. tJpon hearing the ni\, thc sript4rs bend orer g.ab ihen.ankles, and *isgle !hcn. runps into a rlujrerins Iiehzi. sehding the Brass licJ's patrons scrambling for Suddenlr a frield of Fles's appeds nt tlrc booth. imnticrlh {avinga rccord...}b, ! lcxx,lou gorta plal rhis: 'be Iells or.r thc din. l los ihslrcrs thc rinJt, ptaces it on tle hrrntablc, and listens tu it on his headthones. A hnge grin creeps aooss his lice, and he hdngs the song 18-iear old gherb tech prodigt l)J Disco Dis iiwherf ThcI At?" into thc mi\. ..wllere mJ .logs ali where nv husrlcrs at? Wlere nv plar'' eNatl" intones, deep. henacihs lojce on tho r€cont. The ho\'ler-har {eannA, g.td me.lalln)n spofting h,sses at the Bfass Ket ansNer lh. song's call, raisihs rheir tluLs ol.hnnpagne in apprclat. nce onlJ.'the soundrrack il) a nighi ol boolx ogling in clubs like rhe Bfnss Iie$ eheti&Lech lus bcco e the soun.t oi Drhlit, hi{d nos at rbe dtJ-\ r?Ios and nish.cluhs, and even on oainsrrcan It& B,tip holr sations like ihe highl). rate.l ur.ILB 1r?.1,.lhough it ofr.n incor.I)orares druh n' bass, hjp hop. and Miami b!ss, Ahetto tech is essehrialtJ a fusjon.frhe rrunchy \rics and sped up bealc ofgbetro h0use pr.duc€rs like DJ t\nk ahd rhe techno bass ofDetfoit artisrs tike scotr (;rooyes, rvhose femix of parliaocnts ''Mothehhip Connecrion" sf,q a sortdq,jde <strong>Ghetto</strong>lech enersed in lhe earlX,90s when Dethit radio nixjocks tike WJLB,S Gafl'' Chandier trking a cue froh sr.ip dub D,ls like Flexx began nrixihssnch techno reco s as Juan ArkinJ classic (rr''botron track Clear" trith Miahi bass rccords like the hison Cla.'s ,,Shake What Ya MlDa cavc Ya" !t absufdh high speeds, Like ganesta |at, gheurrtech C [00ty Aill ffi [tAt A film0ffflt $Aitpttfl ol Assaulr Lfl&rh.rarft. €r.ctro, funk/Ass.u I n b t prcb'bty rh. rin.sr !h.to_ r*h .rbum out tlerc, rrdarr.Fur:/Q bingr ro!€h.r th. huric s ncr t.scMou. cuc (ik€ 'as3.n-Iihi.t" "Ho.: G.t r{skod," .nd ,&r., lislin") int Ep.u.i *ith .n uninl.,nina ny hit.r skrl rrch lh. €€rti5py Ass'lt 'oue hihsctt (.h.cr oul a Rc.t Nr.$z p.Ep..riE,, in $tch th.Drdiecusr.itFdm.Ehc.b.tu.i.rfiy sr 6nd a arc.k tsnn. h .t.o rs.luE I mn_ dcrtur. 6nry.ii.D.rEir dd .rh! tu.. Arkins rrop_ D' D|SCO o C.nd ltr.r rrrr 12 {co.r.- hin,rod) rnd rh. oaoD EP (it!n: D,5 pdu.rjon .rdk h.6 r m.rlErr Ft and rh. ttoa" rcieisc.d "|Nn r€ Th€yar?".€m, lke .i 6byio6 6 ot|X blr rh. 18-F.rord Dl a€ knft h@ 'ifi ro nrit . etcny h6k lnd th. srun..$n6 or .Fuk rh.t r.jck Dff. 3h6 fEt oi. ro.n h* pl€.ty 6t F.!ni*. o, GoDFATHER t Lr.r rl.t.E [r rn no@, rdhrri.c co txddy (D.i.b.3r): codtdn./. try.r pe'sr is mn. r@ ir .Ertn!, rnd h. cdld @. pFducdon*i4'd nk ||l D€' or. rid€ tr.ck hrE . eihish. qo.rit dDt ooer p€@durt homy th.to-l*h r'.ck....t iolch. DlFUxx6,t.|'ofloErbr''Dr'2 (o.hc.tuni'):Cht..9o.b*.dqh.tio.hout. n.rr.r ol Funk p.Ed lh. *!y tor th.to.t*h,5 .rr.incrustE $n.ib riy wior tr.e. b,ini..t clrrr whi.h bre I rrit trb.h ehpr€. ot D.n hlnk, ln. c.p 6.nd, Am..d lAn H.tds, $d s. . $und birc ot John B.bsni r .horhi.c ir oEr unli||..yil'sm,.3Fch'M/r'@d,Hd... fioE inlfution .bolt k * tu ods c.h h. fo!"d .r wsuhnuo.ffi, ot th.r.,n b. @Ed t@n R..otd fttu, .t (a1o) 77r155O