11.11.2014 Views

1rUn3Zf

1rUn3Zf

1rUn3Zf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

It is generally acknowledged among rock aficionados that<br />

The Who in their heyday were the most exciting live band on<br />

the planet, with their Live at Leeds album (1970) hailed as<br />

the greatest live album of all time. The compositional skills of<br />

Townshend have always been way beyond the conventional,<br />

as is proven not only in classic songs like “My Generation”<br />

and “Baba O’Riley” but also in his two great rock operas (a<br />

form he more or less invented single-handed) Tommy and<br />

Quadrophenia.<br />

Today, despite the deaths of Keith Moon and John Entwistle, The<br />

Who strongly remain a potent force on the rock music scene,<br />

with Townshend continuing to write and seek new musical<br />

challenges and Daltrey still the charismatic front-man he’s<br />

always been. Their “Concert for New York City” appearance<br />

after the tragedy of 9/11 was a classic, as have been their<br />

annual performances at the Royal Albert Hall in aid of the<br />

Teenage Cancer Trust. In 2006, Pete Townshend wrote The Who’s<br />

first studio album for the new millennium, Endless Wire and the<br />

band toured Europe and the US during 2006 and 2007.<br />

In 2012/2013, The Who embarked on the Quadrophenia and<br />

More Tour, performing their landmark rock opera in its entirety,<br />

marking the 40th anniversary of the original 1973 release of<br />

this double-album masterpiece. The critically acclaimed and<br />

highly successful tour closed at London’s Wembley Arena<br />

(Quadrophenia: Live in London DVD came out in June).<br />

“The visual presentation was stunning, which is credited to Roger and<br />

his creative team. I was in charge of the musical arrangements that<br />

drove the visuals,” recalls Frank Simes, who’s been working as<br />

the musical director for The Who. “We also sang four-, five-, and<br />

six-part vocals, and these were all live without an audio track. These<br />

vocal parts were sung on the records, but The Who had never sung all<br />

the harmonies in their entirety on stage. It was a huge responsibility to<br />

prepare for the tour, and, yes, I felt the pressure and stress at times, but<br />

all in all, it was an incredibly rewarding experience.”<br />

360 MAGAZINE<br />

41

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!