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SPANISH PAVILION, EXPO 2005 .NAGOYA, JAPAN .FOREIGN ...

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<strong>SPANISH</strong> <strong>PAVILION</strong>, <strong>EXPO</strong> <strong>2005</strong><br />

.<strong>NAGOYA</strong>, <strong>JAPAN</strong> .<strong>FOREIGN</strong> OFFICE ARCHITECTS<br />

INTRODUCTION<br />

This pavilion was created to represent Spain in the Universal Expo of the year <strong>2005</strong> in Aichi, Japan,<br />

and tackles the crucial subject of sustainable development through construction tradition, typical of<br />

the Spanish culture. Expressing this subject through architecture, the architects have tried to link the<br />

Spanish historical legacy with a vision of the future, identifying the most representative architectural<br />

elements of this culture of synthesis and playing with them in the pavilion’s design. The elements chose<br />

constitute a range of spatial organizations: patios, churches and chapels, structural elements (arches and<br />

vaults), and surrounding and decorative elements (lattices and traceries).


FUNCTIONAL ORGANIZATION<br />

The pavilion is organized around a large<br />

central space wich connects seven different<br />

areas that house exhibitions. The movement<br />

between the central space and the secondary<br />

theme chapels is not lineally structured,<br />

but permits the public to go into and out of<br />

the different exhibitions without following a<br />

pre-established sequential order.<br />

This spatial sequence is reminiscent of the<br />

one in catherdral, between the nave and<br />

the chapels, or between the cloister and<br />

its colonnade. Every chapel is built as a<br />

vaulted bubble, trying to create spaces that<br />

are halfway between a vaulted traditional<br />

structure and a contemporary spherical<br />

space. Here, ornate Gothic vaults, Islamic<br />

domes and faceted vaults are reinterpreted<br />

as more freeform structures.


MATERIALS AND BUILDING CONSTRUCTION<br />

A kind of latice has been designed consisting of six differnet pieces, based on an orthagonal grid, and<br />

encoded with a color. The blocks are made of glazed ceramic, a customary technique common on<br />

the Mediterranean Spanish coast, but also in traditional Japanese ceramics. The idea of creating a<br />

ceramic facade symbolizes the spanish approach to Japan. Recovery of the traditional ceramic lattice<br />

from Meditteranean architecture in order to acheive traditional spaces and shadow in the building<br />

perimter help in regulating the solar gains and spread of thermal load over the pavilion.


Plan<br />

BUILDING ANALYSIS<br />

The selected area of the building that I<br />

will be analyzing includes a section of<br />

the tile latice wall and portion of the the<br />

plan illustrating the faceted vaults of<br />

the first and second floor.<br />

Elevation<br />

Section

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