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London Musicals 1945-1949.pub - Over The Footlights

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CALYPSO<br />

<strong>London</strong> run: Playhouse, May 24 th (32 performances)<br />

Music & Lyrics: Ronnie Hill<br />

Book: Hedley Briggs<br />

Director: Hedley Briggs<br />

Choreographer: John Cranko<br />

Musical Director:<br />

Producer: Jack Hylton & Claude Soman<br />

Cast: Evelyn Dove (Marie), Mabel Lee (Amanda),<br />

Edric Connor (Napoleon), James Browne (Pincher),<br />

Bill Dayne (Lofty), Barry Gosney (Dusty), John Shackell (Nobby),<br />

Norma Amsden (Sally), Gretta Grayson (Lois), Gwenda Grayson (Jean),<br />

Joan Mullen (Anne), Edward Baxter (L/Sergeant Brandon),<br />

Moya Nugent (Miss Dennington)<br />

Songs: <strong>The</strong> Day to Ourselves, Nobody’s Business, Democracy<br />

1948<br />

Story: An odd mixture of comedy, revue, ballet, negro spirituals and<br />

Edric Connor<br />

West Indian music with very little dialogue and a lot of song and dance,<br />

this was performed by a cast that was half West Indian and half British,. <strong>The</strong> story involves a Harlem cabaret<br />

singer, Amanda, who has returned to her native village and to Napoleon, her boyfriend, only to become<br />

extremely jealous when she finds he has received a letter from another girl called Julia. (By the end, it turns out<br />

that Julia is his sister!) Meantime four sailors have docked in the port – Pincher, Lofty, Dusty and Nobby – and<br />

very soon they are joined by their girl-friends - Sally, Lois, Jean and Anne - and they provide the “English”<br />

songs in the show. <strong>The</strong> romantic misunderstandings between all these couples, and between Lieutenant<br />

Sergeant Brandon and a Miss Eddington form the very thin basis of the plot.<br />

Notes: According to <strong>The</strong> Stage: “It cannot be denied the long succession of little musical numbers tends<br />

towards monotony, and that the vigour of the artists is by no means always matched by their technical ability”.<br />

<strong>The</strong> music was supplied by two pianos and an onstage steel band. Its tour had brought it to Wimbledon and<br />

then into the Playhouse <strong>The</strong>atre, where it ran just under a month.<br />

24<br />

LES CLOCHES DE CORNEVILLE (3 rd Revival)<br />

<strong>London</strong> run: <strong>The</strong> Boltons, June 10 th<br />

Music: Robert Planquette<br />

Book & Lyrics: H.B. Farnie & R.Reece<br />

Director: John Wyse<br />

Cast: Wilfred Fletcher (Gaspard), Louise Traill (Germaine),<br />

Terry Trent (Jean Grenicheux), Daphne Anderson (Serpolette),<br />

Dennis Wood (Henri, Marquis de Corneville)<br />

Louise Traill<br />

Notes: <strong>The</strong> Boltons was a small theatre of the kind that would later be<br />

called a “fringe” venue. This was its second year in existence, and “Les<br />

Cloches de Corneville” was its first production of a “big” musical. <strong>The</strong><br />

music was provided by two pianos, and the cast included a very small<br />

chorus. <strong>The</strong> <strong>London</strong> critics had very little experience of scaled-down<br />

musicals, and tended to treat shows like these with a great deal of<br />

condescension. Of the young newcomer Louise Traill <strong>The</strong> Stage said<br />

“she has a pleasing enough voice, but the part is a little beyond her”. Six<br />

years later she was an acclaimed Musetta in the BBC TV production of<br />

“La Boheme”.<br />

Original <strong>London</strong> run: Folly <strong>The</strong>atre/ Globe, February 1878<br />

First revival: 1880<br />

Second revival: Prince Edward, March 1931

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