London Musicals 1945-1949.pub - Over The Footlights
London Musicals 1945-1949.pub - Over The Footlights
London Musicals 1945-1949.pub - Over The Footlights
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CALYPSO<br />
<strong>London</strong> run: Playhouse, May 24 th (32 performances)<br />
Music & Lyrics: Ronnie Hill<br />
Book: Hedley Briggs<br />
Director: Hedley Briggs<br />
Choreographer: John Cranko<br />
Musical Director:<br />
Producer: Jack Hylton & Claude Soman<br />
Cast: Evelyn Dove (Marie), Mabel Lee (Amanda),<br />
Edric Connor (Napoleon), James Browne (Pincher),<br />
Bill Dayne (Lofty), Barry Gosney (Dusty), John Shackell (Nobby),<br />
Norma Amsden (Sally), Gretta Grayson (Lois), Gwenda Grayson (Jean),<br />
Joan Mullen (Anne), Edward Baxter (L/Sergeant Brandon),<br />
Moya Nugent (Miss Dennington)<br />
Songs: <strong>The</strong> Day to Ourselves, Nobody’s Business, Democracy<br />
1948<br />
Story: An odd mixture of comedy, revue, ballet, negro spirituals and<br />
Edric Connor<br />
West Indian music with very little dialogue and a lot of song and dance,<br />
this was performed by a cast that was half West Indian and half British,. <strong>The</strong> story involves a Harlem cabaret<br />
singer, Amanda, who has returned to her native village and to Napoleon, her boyfriend, only to become<br />
extremely jealous when she finds he has received a letter from another girl called Julia. (By the end, it turns out<br />
that Julia is his sister!) Meantime four sailors have docked in the port – Pincher, Lofty, Dusty and Nobby – and<br />
very soon they are joined by their girl-friends - Sally, Lois, Jean and Anne - and they provide the “English”<br />
songs in the show. <strong>The</strong> romantic misunderstandings between all these couples, and between Lieutenant<br />
Sergeant Brandon and a Miss Eddington form the very thin basis of the plot.<br />
Notes: According to <strong>The</strong> Stage: “It cannot be denied the long succession of little musical numbers tends<br />
towards monotony, and that the vigour of the artists is by no means always matched by their technical ability”.<br />
<strong>The</strong> music was supplied by two pianos and an onstage steel band. Its tour had brought it to Wimbledon and<br />
then into the Playhouse <strong>The</strong>atre, where it ran just under a month.<br />
24<br />
LES CLOCHES DE CORNEVILLE (3 rd Revival)<br />
<strong>London</strong> run: <strong>The</strong> Boltons, June 10 th<br />
Music: Robert Planquette<br />
Book & Lyrics: H.B. Farnie & R.Reece<br />
Director: John Wyse<br />
Cast: Wilfred Fletcher (Gaspard), Louise Traill (Germaine),<br />
Terry Trent (Jean Grenicheux), Daphne Anderson (Serpolette),<br />
Dennis Wood (Henri, Marquis de Corneville)<br />
Louise Traill<br />
Notes: <strong>The</strong> Boltons was a small theatre of the kind that would later be<br />
called a “fringe” venue. This was its second year in existence, and “Les<br />
Cloches de Corneville” was its first production of a “big” musical. <strong>The</strong><br />
music was provided by two pianos, and the cast included a very small<br />
chorus. <strong>The</strong> <strong>London</strong> critics had very little experience of scaled-down<br />
musicals, and tended to treat shows like these with a great deal of<br />
condescension. Of the young newcomer Louise Traill <strong>The</strong> Stage said<br />
“she has a pleasing enough voice, but the part is a little beyond her”. Six<br />
years later she was an acclaimed Musetta in the BBC TV production of<br />
“La Boheme”.<br />
Original <strong>London</strong> run: Folly <strong>The</strong>atre/ Globe, February 1878<br />
First revival: 1880<br />
Second revival: Prince Edward, March 1931