London Musicals 1975-1979.pub - Over The Footlights

TOMMY
London run: Queen’s Theatre, February 6 th (118 Performances)
Music: Pete Townshend & The Who
Director: Paul Tomlinson
Choreographer: Tudor Davies
Musical Director: Simon Webb
Cast: Allan Love (Tommy), Anna Nicholas (Acid Queen),
Peter Straker (Narrator), Kevin Williams (Cousin Kevin),
Sue Bond (Nurse), Steve Devereaux (Lover), Bob Grant (Uncle Ernie)
Story: After witnessing the accidental murder of his mother's lover by
his father, young Tommy is so traumatized that he loses his ability to
speak or to care about life. The shocks applied by sadistic Cousin
Kevin, a molesting Uncle Ernie and a drug-dealing Acid Queen fail to
bring him back to normal and he takes refuge in staring into a mirror
and in pinball machines. When his mother smashes the mirror, Tommy
returns to the world and becomes such an expert at Pinball that he rises
to the stature of an international superstar and inspires youth around the
world.
1979
Allan Love as Tommy
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Notes: This was the first West End stage presentation of the smash-hit 1967 recording. A concert version was
given at the Rainbow Theatre in 1972, a stage version had played in America, and Ken Russell directed a film
version starring Roger Daltrey in 1975. That same year a fully-staged production was produced at Derby
Playhouse. An expanded version was staged by the Queen’s Theatre, Hornchurch in 1978 and it was this latest
version that came into London. However, with its confused messages of biblical and rock-drug references, and
the absence of its original pop heroes, it received poor notices and managed just a three month run.
Photo by John Timbers
AIN’T MISBEHAVIN’
London run: Her Majesty’s. March 22 nd (6 months)
Music: Fats Waller
Lyrics: Various
Book: Murray Horowitz & Richard Maltby Jr.
Director: Richard Maltby Jr.
Choreographer: Arthur Faria
Musical Director: Luther Henderson
Producer: Michael White & Ray Cooney
Cast: Evan Bell, André de Shields, Annie Joe Edwards, Jozella Reed,
Charlaine Woodard
Songs: Ain’t Misbehavin’, Honeysuckle Rose, Jitterbug Waltz, Cash for your Trash,
The Joint is Jumpin’, Your Feet’s Too Big, I
Can’t Give You Anything But Love, It’s a Sin
to Tell a Lie
Notes: A musical revue and tribute to the
black musicians of the 1920s and 1930s who
were part of the Harlem Renaissance, an era
of growing creativity, cultural awareness, and
ethnic pride. Manhattan nightclubs like the
Cotton Club and the Savoy Ballroom attracted
the high society, while the Lennox Avenue
low-down dives were filled with piano players
banging out the new beat known as swing.
Five performers present an evening of rowdy,
raunchy, and humorous songs that encapsulate
the various moods of the era and vaguely tell
the story and philosophy of Fats Waller.
Jozella Reed, Evan Bell, Anna Joe Edwards, André de Shields & Charlaine Woodward

1979
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A DAY IN HOLLYWOOD, A NIGHT IN THE UKRAINE
London run: New End January 15 th (168 Performances)
Transferred to Mayfair Theatre, March 28th
Music: Frank Lazarus
Book & Lyrics: Dick Vosburgh
Director: Ian Davidson
Musical Director: Frank Lazarus
Producer: Danny O’Donovan, Helen Montagu, Michael Winner
Cast: Frank Lazarus (Chico), John Bay (Groucho), Sheila Steafel (Harpo), Paddie O’Neal (Margaret Dumont),
Maureen Scott, John Glover, Alexandra Sebastian
Songs: Original: I Love a Film Cliché, Famous Feet, It All Comes out of a Piano, Doin’ the Production Code, A
Night in the Ukraine, Samovar the Lawyer,. (Existing: Over the Rainbow, Remember my Forgotten Man, Who’s
Afraid of the Big Bad Wolf”)
Story: This was a seven-handed show in two parts. The first was a series of songs in praise of Hollywood – using
existing songs from films like “Wizard of Oz”, Disney’s “Big Bad Wolf” and some Busby Berkeley movies,
together with half-a-dozen original songs all on the subject of film-land. The second half had the same actors in a
version of Chekov’s one-act play “The Bear”, performed in the style of a Marx Brothers film.
Notes: It opened at the New End fringe theatre and transferred to the May Fair. It was then exported to Broadway,
with the second half remaining intact, but the first half drastically re-written, with three interpolated songs from
Jerry Herman (Just Go to the Movies, The Best in the World, Nelson) and the songs from existing films replaced
with a Richard Whiting medley. The re-written American version was a big hit, running for a year and half and
winning several awards.
THE ROCKY HORROR SHOW (Transfer)
West End run: Transferred to Comedy Theatre, April 6 th ,
Cast at time of transfer: George Little (Narrator), Peer Blake (Frank-n-Furter).
Jeremy Gittins (Rocky Horror), Frederick Marks (Brad), Pippa Hardman (Janet), Neil McCaul (Riff-Raff),
Kathryn Drew (Magenta), Melanie Wallis (Columbia), Nick Llewellyn(Eddie/Dr Scott).
Notes: See original production: Theatre Upstairs (Royal Court), June 19 th 1973
CHICAGO
London run: Cambridge Theatre, April 10 th (600 plus performances)
Photo by Ken Phillip
Ben Cross as Billy Flynn

1979
CHICAGO
London run: Cambridge Theatre, April 10 th (600 plus performances)
Music: John Kander
Lyrics: Fred Ebb
Book: Fred Ebb & Bob Fosse
Director: Peter James
Choreographer: Gillian Gregory
Musical Director: David Firman
Producer: Ray Cooney & Larry Parnes
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Cast: Antonia Ellis (Roxie Hart), Jenny Logan (Velma Kelly),
Don Fellows (Amos Hart), Hope Jackman (Momma Morton),
Ben Cross (Billy Flynn), G.Lyons (Mary Sunsine)
Songs: All That Jazz, All I Care About is Love, Mr Cellophane, Cell Block Tango, Razzle-Dazzle, Class,
Nowadays
Story: Roxie Hart, a chorus girl married to inconsequential Amos, kills her faithless lover, and whilst in prison
awaiting the court hearing accepts the wise counsel of money-making Prison matron, Momma Morton, and
engages the services of the razzle-dazzle Lawyer, Billy Flynn, who has the Press in his pocket, especially
showbiz reporter Mary Sunshine. In jail she meets up with Velma Kelly, another inmate, and when they are
released and bounced off the headlines by another juicier murder, they team up for a song and dance act to
prove that lust and murder are just two parts of the All-American success story.
Notes: Based on the 1926 play by Maurine Dallas Watkins’ and its subsequent film starring Ginger Rogers, the
1975 Broadway musical starred Gwen Verdon and Chita Rivera. Shortly after the New York opening Gwen
Verdon was taken ill and temporarily replaced with Liza Minelli. The London production originated at the
Crucible Theatre, Sheffield in November 1978.
CANTERBURY TALES (1st Revival)
London run: Shaftesbury Theatre, April 24th (96 Performances)
Music: Richard Hill & John Hawkins
Lyrics: Nevill Coghill
Book: Nevill Coghill & Martin Starkie
Director: Martin Starkie
Choreographer: Hugh Halliday
Musical Director: Denys Rawson
Producer: Chanticleer Productions
Cast: Dudley Owen (Chaucer), Ian Steele (Squire), Anna Sharkey (Prioress),
Jessie Evans (Wife of Bath), Percy Herbert (Miller), Buddy Elias (Steward),
Michael Logan, Peter Forest, Barbara Miller,
Notes: See Original run, Phoenix Theatre, March 1968
Jessie Evans
BRAZIL TROPICAL
London run: Theatre Royal Drury Lane, May 29 th (short “filler” season)
Music: Various
Director: Edvaldo Carneiro & Domingo Campos
Choreographer: Domingo Campos & Claudette Walker
Company: The Tropicana Theatre Co
Notes: This was a stage extravaganza from the Rio Carnival which was squeezed into Drury Lane at the last
minute. The long-running “Chorus Line” had ended and the next show was advertised as “Bob Fosse’s
Dancin”. However, this ran into Equity problems over the American cast, and “Dancin’” was cancelled. (It
would eventually make it to London in 1983). “Brazil Tropical” was hastily put on through the summer until a
new production of “Hello Dolly” with Carol Channing replaced it on September 25th.

GREASE (1st Revival)
London run: Astoria Theatre, June 7 th (124 Performances)
Music & Lyrics: Jim Jacobs & Warren Casey
Director: Tom Moore and Robert Kipp
Choreographer: Louis St Louis
Musical Director: Keith Strachan
Cast: Michael Howe (Danny Zuko), Jacqueline Reddin (Sandy), Paul Felber, Andrew Paul,
Timothy Whitnall, Gretchen Franklin, Sue Pollard, Tracey Ullman, Zelah Clarke
Notes: See Original London production, New London Theatre, June 1973
1979
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THE KING AND I (2 nd Revival)
London run: London Palladium, June 12 th
(538 Performances)
Music: Richard Rodgers
Lyrics & Book: Oscar Hammerstein II
Director: Yuriko
Choreographer: Jerome Robbins
(re-produced by Susan Kikuchi)
Musical Director: Cyril Ornadel
Producer: Tom Arnold & Ross Taylor
Cast: Virginia McKenna (Anna), Yul Brynner (King),
Hye-Young Choi (Lady Thiang),
June Angela (Tuptim), Marty Rhone (Lun Tha)
Notes: See original London production, Drury Lane, June
1953; First London revival: Adelphi, October 1973
Yul Brynner & Virginia McKenna
FLOWERS FOR ALGERNON
London run: Queen’s Theatre, June 14 th (29 Performances)
Music: Charles Strouse
Lyrics: David Rodgers
Director: Peter Coe
Choreographer: Rhoda Levine
Cast: Michael Crawford (Charlie Gordon) , Betty Benfield, Aubrey Woods,
Ralph Nossek, Jason Ash, Jeanna L’Esty,
Songs: His Name is Charlie Gordon, I Got a Friend, Some Bright Morning, Our
Boy Charlie, Dream Safe With Me, I Can't Tell You, Charlie and Algernon,
Whatever Time There Is, I Really Loved You.
Story: The main characters are Charlie, a mentally retarded man, and a laboratory Michael Crawford
mouse. Charlie volunteers to participate in an experimental intelligence-enhancing
treatment, which has already proved successful with earlier experiments on Algernon. Charlie makes rapid
progress, but soon the mouse's enhanced intelligence begins to fade, and Charlie realises he,
too, is fated to revert to his original mental state.
Notes: Based on the novel by Daniel Keyes. The musical was first produced in Canada in
December 1978 before its London premiere. A much talked-of scene had Michael Crawford
singing one number in a spotlight while a trained white mouse ran from one of his hands to
the other, by way of Crawford's shoulders and neck. (This was a trick he would repeat 24
years later in a completely different musical, “The Woman in White”). Despite the
enormous popularity of Michael Crawford, the show was disliked by critics and public
alike, and came off after 29 performances. A Broadway production, re-named “Charlie and
Algernon”, opened in September 1980 and ran for just 17 performances, though it did
receive a Tony nomination for Best Score.
Photo by Zoe Dominic

FAUST
London run: Young Vic, July 4 th (26 Performances)
Music: Terry Mortimer
Lyrics : Jamie Reid & Michael Bogdanov
Director: Michael Bogdanov
Cast: Micky O’Donoghue/ Ian Taylor/ Bill Wallis/ Bev Willis (Faust), Tina Jones (Margaret),
James Carter (Mephistopheles) , Kate Versey, Laura Cox, John Darrell
1979
Story: Faust is a University Don who undergoes plastic surgery to stay young and to seduce 15 year old
Margaret. She becomes pregnant and subsequently murders the child, for which crime she is hanged. Faust
attempts to solve the ills of the world by political means until his time is up and Mephistopheles comes to claim
him.
Notes: Four different actors played Faust at various times in his life, and some of the cast were played by
oversized puppets. It was a political-morality-rock musical
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SONGBOOK
London run: Globe Theatre, July 25 th (208 Performances)
Music: Monty Norman
Lyrics: Julian More
Director: Jonathan Lynn
Choreographer: Gillian Lynne
Musical Director: George Faison
Producer: Jack Gill (Stoll Productions)
Cast: David Healey (Mooney Shapiro), Anton Rodgers, Gemma Craven,
Diane Langton, Andrew C.Wadsworth
Songs : East River Rhapsody, Talking Picture Show, Mr Destiny, Je vous aime
Milady, Nazi Party Pooper, Bumpity Bump, April in Wisconsin, Don’t Play That
Love Song Any More, Golden Oldie
Story: This was the ultimate send-up of the recent shows drawn from the works of a single composer
(“Cowardy Custard”, “Cole”, “Side by Side by Sondheim”, “Lionel”, etc.). This was an evening devoted to the
songs of Mooney Shapiro, a (fictional) Irish Catholic Liverpudlian who moved to New York and converted to
Judaism, and whose fifty years in showbiz saw him writing songs for the earliest Talking Pictures, for the
Depression era movies, and then to Berlin where he wrote suitable songs for the 1936 Olympics. Back in Wartime
London he wrote some stirring war-time hits, and then cashed in on the “Oklahoma” boom with his
“Happy Hickory” and towards the
end of his career he returned to his
Liverpool roots to write Beatles-type
songs. Much married, and finally
winning the fame that had eluded
him, he sadly died following an
electric shock from his new
synthesiser.
Notes: An absolute delight, this
show received mountains of praise,
but a whole evening of parody of
film and musical theatre could only
truly be enjoyed by an audience who
understood what was being
parodied. After 268 performances it
finally ran out of audience.
Anton Rodgers, Diane Langton, David Healy, Gemma Craven & Andrew C. Wadsworth
Photo by Donald Cooper

HELLO DOLLY (Revival)
London run: Drury Lane, September 25 th (170 Performances)
Transferred to Shaftesbury Theatre January 1980
Music & Lyrics: Jerry Herman
Book: Michael Stewart
Director: Lucia Victor (based on the Gower Champion original)
Choreographer: Ron Crofoot
Musical Director: Clive Chaplin
Producer: Paul Elliott & Ray Cooney
1979
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Cast: Carol Channing (Dolly Levi),
Eddie Bracken (Horace Vandergelder),
Maureen Scott (Irene Molloy),
Mandy More (Minnie Fay),
Tudor Davies (Cornelius Hackl),
Richard Drabble (Barnaby Tucker)
Notes: See Original London Production:
Drury Lane, December 1965.
London had seen Mary Martin followed by Dora Bryan as “Dolly” - but this was a
chance to see the original New York Dolly in the person of the legendary Carol
Channing. The performance was hailed as absolute magic—though the production
itself was said to be not a patch on the first time round.
BEATLEMANIA
London run: Astoria Theatre, October 18 th ( 6 months)
Music & Lyrics: John Lennon & Paul McCartney
Book: Steven Leber, David Krebs & Jules Fisher
Cast: Michael Palaikis (John), Tony Kishman (Paul), James Poe (George),
Louis Colucci (Ringo)
Notes: This was an American cast, creating a “look-alike” tribute show which had been
performed originally in Los Angeles and had toured the USA and Canada. The London
production was restricted to six months under an agreement with Equity. The show
than went on a European and world-wide tour, running in total for over five years.
Credit Unknown
MY FAIR LADY (1st Revival)
London run: Adelphi, October 25 th (891 Performances)
Music: Frederick Loewe
Lyrics & Book: Alan Jay Lerner
Director: Robin Midgley
Choreographer: Gillian Lynne
Musical Director: Ray Cook
Producer: Cameron Mackintosh & Harold Fielding
Cast: Tony Britton (Henry Higgins), Liz Robertson (Eliza Doolittle),
Peter Bayliss (Alfred P. Doolittle), Richard Caldicott (Colonel Pickering),
Anna Neagle (Mrs Higgins), Peter Land (Freddy Eynsford-Hill)
This production was created at Leicester Haymarket under the management of Cameron Mackintosh who, with
Arts Council support, was determined to created regional touring product of the highest quality—so that “West
End shows” would be available to provincial theatres with no drop in standards. When the show arrived in the
West End the critics felt it was equally as good as first time round.
Notes: See original London production: Drury Lane, April 1958

TIN PAN ALI
London run: Shaftesbury Theatre, October 29 th ( 6 Performances)
Revived: Jeanetta Cochrane Theatre, December 31 st (6 performances)
Music: David Nield
Book & Lyrics: Jeremy James Taylor
Director: Jeremy James Taylor
Choreographer: Ann Burden
Cast: An amateur production, with a cast of teenagers and children.
Songs: Ali Baba Doupa, We Are Carooni's Boys , Start The Action , The Pride Of Old
Chicago Town, Sesame Sesame, The Dust Cart Rag, The Repercussion Boogie Blues
1979
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Story: A comedy version of Ali Baba – the story of an Arabian peasant whose discovery of a magic cave
containing a trove of stolen riches leads to wealth and relentless pursuit by a band of forty thieves, except now
the setting is Prohibition-era Chicago, Ali Baba is a street sweeper, and the thieves are a bunch of incompetent
gangsters.
Notes: Written primarily as a young person’s show, with a small number of young adult parts and a children’s
chorus of up to 40 – playing the Forty Thieves - it began on the Edinburgh Fringe and then came to the
Shaftesbury for a one-week presentation. It came back again for one week over the New Year, and then went
on to have many productions in schools and youth groups.
JOSEPH & THE AMAZING
TECHNICOLOR DREAMCOAT (2nd Revival)
London run: Westminster Theatre, November 1st (142 Performances)
Music: Andrew Lloyd Webber
Lyrics: Tim Rice
Director: Ken Hill
Choreographer: Francesca Lucy
Musical Director: Jack Forsyth
Producer: Martin Gates
Cast: Paul Jones (Joseph), Philip Summerscales (Jacob), Clive Griffin (Benjamin), Frank Coda (Potiphar),
Lisa Westcott (Potiphar’s Wife), Maynard Williams (Pharaoh), Clifton Todd (Narrator),
Notes: See original London Production, Albery Theatre, February 1973
First revival: Westminster Theatre, November 27 th 1978
IRMA LA DOUCE (1st Revival)
London run: Shaftesbury Theatre, November 27 th (20 Performances)
Music: Marguerite Monnot
English lyrics & Book: Julian More, David Heneker & Monty Norman
Director-Choreographer: Billy Wilson
Musical Director: Anthony Bowles
Cast: Helen Gelzer (Irma la Douce) , Charles Dance (Nestor), Bernard Spear, Andy Norman, Alan Harding,
Paul Hillyer
This production originated at the Yvonne Arnaud Theatre, Guildford. It lasted just three weeks following
almost universally bad reviews.: mis-cast, badly produced, “. . . Revived on the cheap, and it looks like it”
Notes: See original London production: Lyric Theatre, July 17 th , 1958

NEVER MIND THE BULLOCKS
London run: May Fair Theatre, December 13 th (Christmas season)
Music & Lyrics : C.P.Lee & John Downie
Book: Alberto y los trios Paranoias
Director: Tony Bulley
1979
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Cast: Jimmy Hibbert (Arnold Hood), Pippa Sparks (Gwendoline de Grisis), Mike Morrise (Baron de Grisis),
Mark Shepherd (Mad Murdoch), Arthur Kelly (Allan a Dale), Bruce Mitchell (Milady)
Story: Arnold Hood attempts to become a living legend and rescue Lady Gwendoline from the distress she
would be in if she married the depraved hunchback, Mad Murdoch.
Notes: A tongue in cheek and saucy romp through “Twang” territory, this was a kind of pantomime for adults.
This was the same team that had limited success with “Sleak” at the Royal Court in 1977, but not even limited
success this time.
ALADDIN
London run: Lyric Hammersmith, December 21 st (Christmas season)
Music Book & Lyrics: Sandy Wilson
Director: David Giles
Choreographer: Geraldine Stephenson & Sean Bartley
Cast: Richard Freeman (Aladdin), Joe Melia (Tuang Kee Chung),
Aubrey Woods (Abanazar), Ernest Clark (Emperor),
Christine McKenna (Badr-al-Badur), Elisabeth Welch (Fatima),
Martin McEvoy (Genie)
Songs: Tuang Kee Po, It is Written in the Sands, Love’s a Luxury,
Dream About Me, Happy Ever After, Chopsticks, Life in the Laundry,
Give Him the Old Kung Fu.
Notes: The Lyric Theatre commissioned Sandy Wilson to write
“Aladdin”, which was a pantomime forced to be a musical and a musical
trying to avoid being a pantomime. It had worked for Rodgers and
Hammerstein’s “Cinderella”, and almost worked for Cole Porter’s
“Aladdin”, but not his time. Neither fish nor foul was the general
reaction.