2013-14-Annual-Review-LOW
2013-14-Annual-Review-LOW
2013-14-Annual-Review-LOW
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<strong>Annual</strong> <strong>Review</strong><br />
<strong>2013</strong>-<strong>14</strong>
We performed to 40,948 young people and adults, an increase<br />
of 20% on last season, in 235 schools and 17 venues, giving<br />
217 performances and <strong>14</strong>8 workshops.<br />
Box Clever’s Mission<br />
......................................................................................................<br />
We have an holistic approach with and for young people in that we explore many different<br />
aspects of their world and encourage them to do the same through theatre and creativity.<br />
There are three clear strands of activity all of which develop knowledge and understanding,<br />
creativity and imagination, self-confidence and personal relationships with others and<br />
support their education in some way or other.<br />
Creative Practitioners<br />
......................................................................................................<br />
We employed 35 creative practitioners, of whom 29% came from a BAME background.<br />
David Ajao<br />
Emma Butcher<br />
Charlyne Francis<br />
Iqbal Khan<br />
Asha Reid<br />
Ajjaz Award-Ibrahim<br />
Stephanie Butler<br />
Philip Gainsbury<br />
Alan Magor<br />
Matthew Rutherford<br />
Darrel Bailey<br />
Carl Chambers<br />
Rachael Garnett<br />
Ronan McMahon<br />
OneNess Sankara<br />
Terri Ann Bailey<br />
Annie Cherbonnier<br />
Maria Gray<br />
Miles Mitchell<br />
Abdul Shylon<br />
Kaja Bjorndvedt<br />
Philippe Cherbonnier<br />
Mike Hay<br />
Jon Nichols<br />
Liv Spencer<br />
Sarah Booth<br />
Jessie Dubieniec<br />
Virgil Howe<br />
Lucy Osborne<br />
Lloyd Thomas<br />
Anna Bosworth<br />
Itai Erdal<br />
Rhys Jarman<br />
Aryana Ramkhalawon<br />
Czes Wicherek
Year Summary<br />
......................................................................................................<br />
We performed to 40,948 young people and adults in 235 schools and 17 venues, giving 217<br />
performances and <strong>14</strong>8 workshops<br />
Special projects<br />
.......................................<br />
Urban Mischief<br />
Nationally<br />
The Wigan Streetwise Project :<br />
Make sure it turns out nice again<br />
Wigan<br />
The Hate Play Project<br />
London Boroughs of Tower Hamlets & Brent<br />
Box in LOV 2<br />
Lincolnshire<br />
Touring<br />
.......................................................................................................<br />
productions<br />
Romeo & Juliet<br />
The Unicorn, London;;<br />
Contact Theatre, Manchester;;<br />
Lighthouse Poole;; Brighton Dome;;<br />
Louth Playgoers’ Riverhead Theatre;;<br />
Lincoln Performing Arts Centre<br />
Introduction to Shakespeare<br />
Nationally to schools<br />
Feet First & Car Story<br />
Derbyshire and London Primary Schools<br />
Bespoke workshops on poetry, writing, drama, Shakespeare and Dickens<br />
Nationally to schools<br />
Time for the Good Looking Boy<br />
The Emporium, Brighton;;<br />
Greenbelt Festival, Cheltenham;;<br />
New Wolsey Theatre, Ipswich;;<br />
Forum Centre, Darlington;;<br />
Arts Centre, Washington;;<br />
Urban Mischief<br />
The Tramshed, London and to<br />
secondary schools<br />
The Boxed Romeo and Juliet<br />
Nationally to schools<br />
The Boxed Macbeth<br />
Nationally to schools and Trinity<br />
Arts Centre
Box in LOV Project: Year 2<br />
......................................................................................................<br />
Bringing theatre to young people and young<br />
people to the theatres<br />
Creative team<br />
Emma Butcher, Maria Gray, Alan Major (Actors);;<br />
Philippe Cherbonnier, Michael Wicherek (directors);;<br />
Stephen Burke (facilitator).<br />
Also supported by East Lindsey Council<br />
Stage 1- bringing young people to the theatre<br />
Throughout January 20<strong>14</strong>, the Company was in residence at three theatre venues in the county: The Lincoln Performing Arts Centre<br />
(LPAC), The Louth Playgoers’ Riverhead Theatre (LPRT) and the Trinity Arts Centre (TAC) in Gainsborough. 50% of the partner<br />
schools in the project took advantage of the opportunity to attend open rehearsals at their nearest venue, giving their<br />
students the chance to engage more fully with the art of making plays in a theatre environment.<br />
“Really enjoyed the experience. It brought theatre alive and<br />
especially because the director assisted us through the<br />
process of how and where he gets his ideas from.”<br />
Year 11 student, Lincoln Christ’s Hospital School<br />
Stage 2- bringing theatre to young people<br />
In February, Macbeth and Introduction to Shakespeare<br />
toured to 16 schools in the region, reaching a total of<br />
3,429 students while performances of Macbeth took<br />
place at Trinity Arts Centre in Gainsborough and of Romeo<br />
and Juliet at the Lincoln Performing Arts and the Riverhead<br />
Theatre.<br />
Creative team<br />
Emma Butcher, Maria Gray, Alan Major (Actors);;<br />
Philippe Cherbonnier, Michael Wicherek (directors);;<br />
Stephen Burke (facilitator).<br />
“I thought it was amazing. Thank you for making me understand ‘Macbeth’ and Shakespeare more clearly. I think the way the<br />
actors performed it was a great way for me to understand more and it has made me think that Shakespeare is a great poet.”<br />
Year 8 student, The Humberston Academy<br />
Stage 3- The Clever Collective<br />
In the spring half-term, students were invited to join the members of the Company’s professional artistic team at the Riverhead<br />
Theatre for three days of creative workshops.<br />
“Being part of something where there are other dedicated people was brilliant. The whole concept, the script-writing etc was<br />
interesting. Experiences like this are rare so it would be lovely to take part in more events like this. The way Box Clever plays<br />
seem to be written, re-written and performed is incredibly interesting and unique.”<br />
Year 10, John Whitgift Academy<br />
Project schools<br />
Skegness Academy, John Whitgift Academy,<br />
Monks' Dyke Tennyson College, The Priory Witham Academy,<br />
Lincoln Christ's Hospital School, Cherry Willingham Community<br />
School, Caistor Yarborough Academy, Caistor Grammar School,<br />
The Queen Elizabeth's High School, Melior Community Academy,<br />
Baysgarth School, The Humberston Academy, John Spendluffe<br />
Technology College, King Edward VI Grammar School, The North<br />
Kesteven School, Frederick Gough School
The Urban Mischief Project<br />
......................................................................................................<br />
Students and professional artists working together on an<br />
innovative project to write and develop a new play<br />
Creative team<br />
Lloyd Thomas, David Ajao, Charlyne Francis,<br />
Aryana Ramkhalawon (actors);;<br />
Iqbal Khan, Michael Wicherek (directors),<br />
OneNess Sankara (composer), Anna Bosworth<br />
(digital practitioner)<br />
The second and concluding part of the innovative Urban Mischief Project involved further creative work in the participating schools and<br />
online and a ‘How to review a play’ workshop at the Unicorn Theatre. Urban Mischief-the play-then premiered at the Tramshed as part<br />
of the Greenwich Children’s Theatre Festival before touring to all the participating schools. The production of Urban Mischief at the<br />
Tramshed was performed by David Ajao and Charlyne Francis with live music by OneNess.<br />
“The Box Clever project allowed me to experience new ideas and put all my talents to the test. I have learnt how to be creative and<br />
how to incorporate other people’s ideas to make a fabulous play.”<br />
Year 11, St Catherine’s Catholic School<br />
“I enjoyed going to London and working with professional<br />
actors/artists as I loved watching their work. I have enjoyed<br />
being able to participate in the production of the play since I<br />
feel that it has improved my abilities and helped create<br />
an awesome piece.”<br />
Year 11 students, Riddlesdown Collegiate<br />
“A really excellent project run by compassionate people who<br />
know how to engage pupils.”<br />
Teacher, The Charter School<br />
Creative team<br />
Emma Butcher, Maria Gray, Alan Major (Actors);;<br />
Philippe Cherbonnier, Michael Wicherek (directors);;<br />
Stephen Burke (facilitator).<br />
Project schools<br />
St Edmund's Catholic School, Dover;; The Clarendon Academy, Trowbridge;;<br />
Bow School of Maths and Computing, Tower Hamlets;; Riddlesdown Collegiate, Purley;;<br />
St Catherine's Catholic School for Girls, Bexleyheath;; The Charter School, Southwark;;<br />
Chichester High School for Girls
The Hate Play Project<br />
......................................................................................................<br />
Engaging students creatively in the issues of hate crime,<br />
victimisation and social cohesion<br />
Creative team<br />
David Ajao, Miles Mitchell, Darrel Bailey, Asha Reid (actors);; Iqbal Khan (director), Michael Wicherek (facilitator), OneNess<br />
Sankara (composer/poet), Anna Bosworth (digital practitioner), Sarah Booth (costume), Matt Rutherford (project manager)<br />
London Borough of Tower Hamlets<br />
.................................................<br />
London Borough of Brent<br />
.................................................<br />
Stage 1: & Stage 2 as Tower Hamlets<br />
Stage 1: Box Clever performed their innovative and dynamic<br />
production of The Hate Play, dealing with the key issues of<br />
bullying, hate crime and victimisation in each of the project<br />
schools, giving 8 performances to a total of 1,310 students.<br />
Stage 2: members of the company returned to each school to<br />
lead two workshops working with 20-25 students from Years 8<br />
and 9 in order to explore the issues of the play through creative<br />
writing.<br />
Stage 3: 4/5 students from each school gathered at the Ideas<br />
Store,Whitechapel to share and perform their work<br />
Stage 3: a gathering was held at the Capital City Academy, at<br />
which students from each school met to share and<br />
perform their work.<br />
Project schools<br />
Queens Park Community School, Alperton Community School,<br />
Capital City Academy<br />
“I really loved how they made links with actual life and that they<br />
asked us questions and let us be part of the play. The whole<br />
project has made me a better person. I’ve learnt that we can<br />
help each other, not betray each other, give moral support and<br />
make gatherings to discuss things.”<br />
Year 9 student<br />
Stage 4: A Symposium was held at The People’s Palace,<br />
Queen Mary, University of London, at which representatives of<br />
the schools, the company, Aldgate and Allhallows Foundation<br />
and invited guests came together at the climax of the project.<br />
Project schools<br />
Stepney Green Maths and Computing College, Central<br />
Foundation Girls’ School, Mulberry School for Girls,<br />
Bishop Challoner Catholic Collegiate School, Bow<br />
School of Maths and Computing,<br />
Swanlea School and Business Enterprise College, St Paul’s<br />
Way Trust School, Raine's Foundation School.<br />
“The play, the workshops and gathering really got the students<br />
engaged and actively involved on the subject of hate and bullying.<br />
The poetry task I felt was particularly good because the students<br />
were given freedom to create and express their own ideas on<br />
topics they encounter every day of their school lives. It was<br />
brilliant. Well done. ”<br />
Teacher<br />
“I have enjoyed being part of this and the school will benefit.<br />
We need to work together, understand the consequences of<br />
bullying and learn how to respect each other.”<br />
Year 9 student<br />
“Excellent characterisation in the play. The character of Vic<br />
could have been any student, so was very relatable for<br />
many students. The staging was imaginative and involving.<br />
The forum theatre at the end was excellent. I have been<br />
truly impressed with the standard of the students’ work<br />
and their willingness to share it in performance Well done!<br />
Would love you to come again! ”<br />
Teacher
Romeo & Juliet<br />
......................................................................................................<br />
National Tour<br />
The play was performed in 6 venues to a total audience of 3,942 young people and adults. The<br />
production was developed in partnership with Oxford High School.<br />
“A witty, brilliant, bright and perceptive look at a revered classic.”<br />
Audience member, the Dome, Brighton<br />
“Eloquently communicating to young people and seasoned audiences alike, this innovative<br />
production intertwines Shakespeare’s text with contemporary language to allow<br />
literature’s most famous lovers to speak directly to a 21st century audience.”<br />
Fringe<strong>Review</strong>, Highly Recommended Show<br />
“As someone who doesn’t like Romeo & Juliet much, I loved this energetic and youthful production.”<br />
Peter Vinery<br />
“This unique and compelling version of Romeo and Juliet comes highly recommended.”<br />
ALT <strong>Review</strong>er<br />
Creative team<br />
David Ajao, Jessie Dubieniec, Carl<br />
Chambers (actors), Iqbal Khan (director),<br />
OneNess Sankara (writing contributor),<br />
Lucy Osborne (set), Virgil Howe (sound),<br />
Pip Thurlow (lighting),Sarah Booth (costume)
Time for the Good Looking Boy<br />
......................................................................................................<br />
National Tour<br />
Creative team<br />
Carl Chambers (actor);; Iqbal Khan (director),<br />
Michael Wicherek (writer), Rhys Jarman (set),<br />
Jon Nichols (sound), Itai Erdal (lighting)<br />
The play was performed in 5 venues to a total audience of 1,158 young people and adults. In<br />
an evaluation completed by a sample audience, 95% agreed that they had been completely<br />
absorbed by what was happening on stage and 100% had been gripped by the sights and<br />
sounds of the performance and had found some aspects of the performance very moving.<br />
An extremely engaging and clever piece of new writing which was very appropriate for the<br />
students we brought to see the performance. A really strong performance too. Audience<br />
engagement was also a strength.<br />
Audience member, Arts Centre, Washington, Tyne and Wear
National Shakespeare to Schools Tour<br />
Boxed Romeo & Juliet, Boxed Macbeth and Introduction to Shakespeare<br />
......................................................................................................<br />
National Tour<br />
Boxed Romeo and Juliet<br />
The production toured to 23 schools to a total audience of 4,194 students.<br />
3,894 students also took part in workshops on the play led by company<br />
members. Of those who took part in the evaluation process, 87% of the<br />
students and 95% of the teachers who saw the production and were<br />
part of the workshop agreed that the experience had been worthwhile.<br />
“I found the play and workshop very helpful. I liked the fact that you made the play very<br />
realistic mentally and very thrilling.” Year 10 student, Castle View School<br />
“I loved the power of the emotions shown;; the engagement with the students;; I feel this<br />
will support our students with the academic learning of ‘Romeo and Juliet.”<br />
Member of staff, Addington Academy<br />
“Please come back- several students (understatement) will never have been to the<br />
theatre nor had an experience like this. It is so essential that they access more of this.”<br />
Assistant Headteacher, Holloway Secondary School<br />
Creative team<br />
Emma Butcher, Maria Gray,<br />
Alan Magor, (actors);;<br />
Philippe Cherbonnier, Michael Wicherek<br />
(directors)<br />
Boxed Macbeth<br />
The production toured to 15 schools to a total audience of 1,854 students who also took<br />
part in subsequent workshops. Of those who took part in the evaluation process, 84% of<br />
the students and 94% of the teachers who both saw the performance and were<br />
part of the workshop agreed that the experience had been worthwhile.<br />
“I thought the actors were really unusual and made me feel involved. I<br />
thought it was an extremely worthwhile performance!”<br />
Year 9 student, St Benedict’s<br />
“Thank you so much- a very well organised and professional event that our<br />
staff and pupils will remember as a special day at Pakefield!”<br />
Deputy Head Teacher, Pakefield High School<br />
Introduction to Shakespeare<br />
The production toured to 23 schools to a total audience of 3,221 students.<br />
Of those who took part in the evaluation process, 92% of the students and<br />
100% of the teachers agreed that the experience had been worthwhile.<br />
“The actors sold Shakespeare to us right from the start. All the extracts that they performed were done to perfection and brilliant. ”<br />
Year 8, Our Lady of Sion<br />
“Fantastic! The structure, the energy and the interaction of the whole thing was brilliant!” Teacher of English, East Bergholt High School<br />
“This was a fantastically energetic and engaging performance. The pupils were all very focused. Thank you.”<br />
Head of English, Bromley High School
Feet First and Car Story<br />
......................................................................................................<br />
Dynamic and engaging plays with a strong emphasis on travel and personal responsibility<br />
for safety on the roads.<br />
Commissioned by the London Boroughs of Bexley and Hackney and Derbyshire County Council.<br />
Feet First<br />
Toured to 20 schools to a total audience of 1,994 pupils in Years 1 & 2. Of those who took part in the evaluation process, 99% of the<br />
pupils thought that it was really good and helpful that they had seen the play and 100% of the teachers agreed that the whole<br />
experience had been really worthwhile.<br />
“I think that the simple staging and use of music were very effective. The children were very engaged and I really enjoyed the<br />
performance. I liked the way the story was told and think the repetition really helped to keep the story clear. The story held a<br />
very meaningful message. I would love you to come back.” Year 2 class teacher, St John of Jerusalem Primary School<br />
“The actors encouraged the children to want to be healthy by walking to school and to talk and use their imaginations on the way as<br />
they walk safely.” Class teacher, Horsley Woodhouse Primary School<br />
Car Story<br />
Toured to 10 schools to a total audience of 1,080 pupils mainly in years 3 & 4. Of those who took part in the evaluation process,<br />
97% of the pupils thought that it was really good and helpful that they had seen the play and 100% of the teachers agreed that the<br />
whole experience had been really worthwhile.<br />
“The actors were able to move seamlessly between light-hearted scenes and those which created a solemn atmosphere. The<br />
relationship between the actors was well presented so the children were able to immerse themselves in the story. A wide range<br />
of music added to the development of the story. This is the only presentation I have ever seen which simultaneously educates<br />
children about road safety and highly values walking/scooting/cycling to school.”<br />
Class teacher, Bursted Wood Primary School<br />
Creative team<br />
Stephanie Butler, Liv Spencer, Rachael<br />
Garnett, Matthew Rutherford (actors);;<br />
Philippe Cherbonnier (director)
The Wigan Streetwise Project<br />
Make sure it turns out nice again<br />
......................................................................................................<br />
Creative team<br />
Liv Spencer, Matthew Rutherford (actors),<br />
Sarah Booth (costume), Michael Wicherek<br />
(writer/director)<br />
Lively and entertaining street theatre, using the music of George<br />
Formby, targeting transport and road safety concerns of older<br />
members of the community.<br />
Performed to over 2,000 members of the public over four Saturdays in the centre of Wigan.
Bespoke Workshops<br />
......................................................................................................<br />
Interactive, creative and effective dramatic support for specific areas of the curriculum.<br />
The company visited 7 schools, reaching 1,006 students in Years 7- 12 to work on topics from GCSE poetry to<br />
drama, writing, Shakespeare and Dickens.<br />
“The students really enjoyed the opening session and being able to put the play in context. The leaders were very astute in<br />
choosing and developing the students who joined in the opening activities. Some of our most disengaged students<br />
were laughing along and really getting to grips with the over-arching themes of the play.”<br />
Curriculum Area Leader for English, Jack Hunt School on Romeo & Juliet bespoke workshop<br />
“Brilliant, thoroughly enjoyed it! Wish it could have been longer. I enjoyed exploring different interpretations and ideas about the<br />
poems. The music was fantastic and the layout of the room focused the energy of the room. Student interaction was enjoyable and<br />
gave depth to the workshop. The acting was brilliant.”<br />
Year 11, East Bergholt High School on an Exciting About Poetry workshop<br />
Creative team<br />
Michael Wickerek (director/<br />
facilitator) Terri Ann Bailey, Emma Butcher,<br />
Matthew Rutherford, Alan Magor, Lloyd<br />
Thomas, Abdul Shylon, Ajjaz Award-Ibrahim<br />
(actors)
Box Clever Theatre CompanyBespoke Workshops<br />
...............................................................................<br />
Patrons<br />
Joseph Mawle<br />
Tom Burke<br />
Trustees<br />
Kate Jenkins (chair)<br />
Richard Foley (vice chair)<br />
John Brown (treasurer)<br />
Jane Beacham<br />
Judith Carlisle<br />
Philippe Cherbonnier<br />
Mark Davies<br />
Andrea Gillie<br />
Iqbal Khan<br />
John Sykes<br />
Core Company<br />
Artistic Director & Writer-in Residence: Michael Wicherek<br />
Development: Mari Kondo<br />
Finance: Julie Renwick<br />
Intelligence: Callie Brown<br />
Marketing: Craig Millar<br />
Production: Pip Thurlow<br />
Administration: Eda Nacar<br />
Graphic Design<br />
designbyjump<br />
IT<br />
Networkfish<br />
Independent Examiners<br />
Wilkins Kennedy<br />
..............................................................................<br />
To work with us contact:<br />
E: admin@boxclevertheatre.com<br />
T: 0207 793 0040<br />
Oval House | 52 - 54 Kennington Oval | London | SE11 5SW