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<strong>Annual</strong> <strong>Review</strong><br />

<strong>2013</strong>-<strong>14</strong>


We performed to 40,948 young people and adults, an increase<br />

of 20% on last season, in 235 schools and 17 venues, giving<br />

217 performances and <strong>14</strong>8 workshops.<br />

Box Clever’s Mission<br />

......................................................................................................<br />

We have an holistic approach with and for young people in that we explore many different<br />

aspects of their world and encourage them to do the same through theatre and creativity.<br />

There are three clear strands of activity all of which develop knowledge and understanding,<br />

creativity and imagination, self-confidence and personal relationships with others and<br />

support their education in some way or other.<br />

Creative Practitioners<br />

......................................................................................................<br />

We employed 35 creative practitioners, of whom 29% came from a BAME background.<br />

David Ajao<br />

Emma Butcher<br />

Charlyne Francis<br />

Iqbal Khan<br />

Asha Reid<br />

Ajjaz Award-Ibrahim<br />

Stephanie Butler<br />

Philip Gainsbury<br />

Alan Magor<br />

Matthew Rutherford<br />

Darrel Bailey<br />

Carl Chambers<br />

Rachael Garnett<br />

Ronan McMahon<br />

OneNess Sankara<br />

Terri Ann Bailey<br />

Annie Cherbonnier<br />

Maria Gray<br />

Miles Mitchell<br />

Abdul Shylon<br />

Kaja Bjorndvedt<br />

Philippe Cherbonnier<br />

Mike Hay<br />

Jon Nichols<br />

Liv Spencer<br />

Sarah Booth<br />

Jessie Dubieniec<br />

Virgil Howe<br />

Lucy Osborne<br />

Lloyd Thomas<br />

Anna Bosworth<br />

Itai Erdal<br />

Rhys Jarman<br />

Aryana Ramkhalawon<br />

Czes Wicherek


Year Summary<br />

......................................................................................................<br />

We performed to 40,948 young people and adults in 235 schools and 17 venues, giving 217<br />

performances and <strong>14</strong>8 workshops<br />

Special projects<br />

.......................................<br />

Urban Mischief<br />

Nationally<br />

The Wigan Streetwise Project :<br />

Make sure it turns out nice again<br />

Wigan<br />

The Hate Play Project<br />

London Boroughs of Tower Hamlets & Brent<br />

Box in LOV 2<br />

Lincolnshire<br />

Touring<br />

.......................................................................................................<br />

productions<br />

Romeo & Juliet<br />

The Unicorn, London;;<br />

Contact Theatre, Manchester;;<br />

Lighthouse Poole;; Brighton Dome;;<br />

Louth Playgoers’ Riverhead Theatre;;<br />

Lincoln Performing Arts Centre<br />

Introduction to Shakespeare<br />

Nationally to schools<br />

Feet First & Car Story<br />

Derbyshire and London Primary Schools<br />

Bespoke workshops on poetry, writing, drama, Shakespeare and Dickens<br />

Nationally to schools<br />

Time for the Good Looking Boy<br />

The Emporium, Brighton;;<br />

Greenbelt Festival, Cheltenham;;<br />

New Wolsey Theatre, Ipswich;;<br />

Forum Centre, Darlington;;<br />

Arts Centre, Washington;;<br />

Urban Mischief<br />

The Tramshed, London and to<br />

secondary schools<br />

The Boxed Romeo and Juliet<br />

Nationally to schools<br />

The Boxed Macbeth<br />

Nationally to schools and Trinity<br />

Arts Centre


Box in LOV Project: Year 2<br />

......................................................................................................<br />

Bringing theatre to young people and young<br />

people to the theatres<br />

Creative team<br />

Emma Butcher, Maria Gray, Alan Major (Actors);;<br />

Philippe Cherbonnier, Michael Wicherek (directors);;<br />

Stephen Burke (facilitator).<br />

Also supported by East Lindsey Council<br />

Stage 1- bringing young people to the theatre<br />

Throughout January 20<strong>14</strong>, the Company was in residence at three theatre venues in the county: The Lincoln Performing Arts Centre<br />

(LPAC), The Louth Playgoers’ Riverhead Theatre (LPRT) and the Trinity Arts Centre (TAC) in Gainsborough. 50% of the partner<br />

schools in the project took advantage of the opportunity to attend open rehearsals at their nearest venue, giving their<br />

students the chance to engage more fully with the art of making plays in a theatre environment.<br />

“Really enjoyed the experience. It brought theatre alive and<br />

especially because the director assisted us through the<br />

process of how and where he gets his ideas from.”<br />

Year 11 student, Lincoln Christ’s Hospital School<br />

Stage 2- bringing theatre to young people<br />

In February, Macbeth and Introduction to Shakespeare<br />

toured to 16 schools in the region, reaching a total of<br />

3,429 students while performances of Macbeth took<br />

place at Trinity Arts Centre in Gainsborough and of Romeo<br />

and Juliet at the Lincoln Performing Arts and the Riverhead<br />

Theatre.<br />

Creative team<br />

Emma Butcher, Maria Gray, Alan Major (Actors);;<br />

Philippe Cherbonnier, Michael Wicherek (directors);;<br />

Stephen Burke (facilitator).<br />

“I thought it was amazing. Thank you for making me understand ‘Macbeth’ and Shakespeare more clearly. I think the way the<br />

actors performed it was a great way for me to understand more and it has made me think that Shakespeare is a great poet.”<br />

Year 8 student, The Humberston Academy<br />

Stage 3- The Clever Collective<br />

In the spring half-term, students were invited to join the members of the Company’s professional artistic team at the Riverhead<br />

Theatre for three days of creative workshops.<br />

“Being part of something where there are other dedicated people was brilliant. The whole concept, the script-writing etc was<br />

interesting. Experiences like this are rare so it would be lovely to take part in more events like this. The way Box Clever plays<br />

seem to be written, re-written and performed is incredibly interesting and unique.”<br />

Year 10, John Whitgift Academy<br />

Project schools<br />

Skegness Academy, John Whitgift Academy,<br />

Monks' Dyke Tennyson College, The Priory Witham Academy,<br />

Lincoln Christ's Hospital School, Cherry Willingham Community<br />

School, Caistor Yarborough Academy, Caistor Grammar School,<br />

The Queen Elizabeth's High School, Melior Community Academy,<br />

Baysgarth School, The Humberston Academy, John Spendluffe<br />

Technology College, King Edward VI Grammar School, The North<br />

Kesteven School, Frederick Gough School


The Urban Mischief Project<br />

......................................................................................................<br />

Students and professional artists working together on an<br />

innovative project to write and develop a new play<br />

Creative team<br />

Lloyd Thomas, David Ajao, Charlyne Francis,<br />

Aryana Ramkhalawon (actors);;<br />

Iqbal Khan, Michael Wicherek (directors),<br />

OneNess Sankara (composer), Anna Bosworth<br />

(digital practitioner)<br />

The second and concluding part of the innovative Urban Mischief Project involved further creative work in the participating schools and<br />

online and a ‘How to review a play’ workshop at the Unicorn Theatre. Urban Mischief-the play-then premiered at the Tramshed as part<br />

of the Greenwich Children’s Theatre Festival before touring to all the participating schools. The production of Urban Mischief at the<br />

Tramshed was performed by David Ajao and Charlyne Francis with live music by OneNess.<br />

“The Box Clever project allowed me to experience new ideas and put all my talents to the test. I have learnt how to be creative and<br />

how to incorporate other people’s ideas to make a fabulous play.”<br />

Year 11, St Catherine’s Catholic School<br />

“I enjoyed going to London and working with professional<br />

actors/artists as I loved watching their work. I have enjoyed<br />

being able to participate in the production of the play since I<br />

feel that it has improved my abilities and helped create<br />

an awesome piece.”<br />

Year 11 students, Riddlesdown Collegiate<br />

“A really excellent project run by compassionate people who<br />

know how to engage pupils.”<br />

Teacher, The Charter School<br />

Creative team<br />

Emma Butcher, Maria Gray, Alan Major (Actors);;<br />

Philippe Cherbonnier, Michael Wicherek (directors);;<br />

Stephen Burke (facilitator).<br />

Project schools<br />

St Edmund's Catholic School, Dover;; The Clarendon Academy, Trowbridge;;<br />

Bow School of Maths and Computing, Tower Hamlets;; Riddlesdown Collegiate, Purley;;<br />

St Catherine's Catholic School for Girls, Bexleyheath;; The Charter School, Southwark;;<br />

Chichester High School for Girls


The Hate Play Project<br />

......................................................................................................<br />

Engaging students creatively in the issues of hate crime,<br />

victimisation and social cohesion<br />

Creative team<br />

David Ajao, Miles Mitchell, Darrel Bailey, Asha Reid (actors);; Iqbal Khan (director), Michael Wicherek (facilitator), OneNess<br />

Sankara (composer/poet), Anna Bosworth (digital practitioner), Sarah Booth (costume), Matt Rutherford (project manager)<br />

London Borough of Tower Hamlets<br />

.................................................<br />

London Borough of Brent<br />

.................................................<br />

Stage 1: & Stage 2 as Tower Hamlets<br />

Stage 1: Box Clever performed their innovative and dynamic<br />

production of The Hate Play, dealing with the key issues of<br />

bullying, hate crime and victimisation in each of the project<br />

schools, giving 8 performances to a total of 1,310 students.<br />

Stage 2: members of the company returned to each school to<br />

lead two workshops working with 20-25 students from Years 8<br />

and 9 in order to explore the issues of the play through creative<br />

writing.<br />

Stage 3: 4/5 students from each school gathered at the Ideas<br />

Store,Whitechapel to share and perform their work<br />

Stage 3: a gathering was held at the Capital City Academy, at<br />

which students from each school met to share and<br />

perform their work.<br />

Project schools<br />

Queens Park Community School, Alperton Community School,<br />

Capital City Academy<br />

“I really loved how they made links with actual life and that they<br />

asked us questions and let us be part of the play. The whole<br />

project has made me a better person. I’ve learnt that we can<br />

help each other, not betray each other, give moral support and<br />

make gatherings to discuss things.”<br />

Year 9 student<br />

Stage 4: A Symposium was held at The People’s Palace,<br />

Queen Mary, University of London, at which representatives of<br />

the schools, the company, Aldgate and Allhallows Foundation<br />

and invited guests came together at the climax of the project.<br />

Project schools<br />

Stepney Green Maths and Computing College, Central<br />

Foundation Girls’ School, Mulberry School for Girls,<br />

Bishop Challoner Catholic Collegiate School, Bow<br />

School of Maths and Computing,<br />

Swanlea School and Business Enterprise College, St Paul’s<br />

Way Trust School, Raine's Foundation School.<br />

“The play, the workshops and gathering really got the students<br />

engaged and actively involved on the subject of hate and bullying.<br />

The poetry task I felt was particularly good because the students<br />

were given freedom to create and express their own ideas on<br />

topics they encounter every day of their school lives. It was<br />

brilliant. Well done. ”<br />

Teacher<br />

“I have enjoyed being part of this and the school will benefit.<br />

We need to work together, understand the consequences of<br />

bullying and learn how to respect each other.”<br />

Year 9 student<br />

“Excellent characterisation in the play. The character of Vic<br />

could have been any student, so was very relatable for<br />

many students. The staging was imaginative and involving.<br />

The forum theatre at the end was excellent. I have been<br />

truly impressed with the standard of the students’ work<br />

and their willingness to share it in performance Well done!<br />

Would love you to come again! ”<br />

Teacher


Romeo & Juliet<br />

......................................................................................................<br />

National Tour<br />

The play was performed in 6 venues to a total audience of 3,942 young people and adults. The<br />

production was developed in partnership with Oxford High School.<br />

“A witty, brilliant, bright and perceptive look at a revered classic.”<br />

Audience member, the Dome, Brighton<br />

“Eloquently communicating to young people and seasoned audiences alike, this innovative<br />

production intertwines Shakespeare’s text with contemporary language to allow<br />

literature’s most famous lovers to speak directly to a 21st century audience.”<br />

Fringe<strong>Review</strong>, Highly Recommended Show<br />

“As someone who doesn’t like Romeo & Juliet much, I loved this energetic and youthful production.”<br />

Peter Vinery<br />

“This unique and compelling version of Romeo and Juliet comes highly recommended.”<br />

ALT <strong>Review</strong>er<br />

Creative team<br />

David Ajao, Jessie Dubieniec, Carl<br />

Chambers (actors), Iqbal Khan (director),<br />

OneNess Sankara (writing contributor),<br />

Lucy Osborne (set), Virgil Howe (sound),<br />

Pip Thurlow (lighting),Sarah Booth (costume)


Time for the Good Looking Boy<br />

......................................................................................................<br />

National Tour<br />

Creative team<br />

Carl Chambers (actor);; Iqbal Khan (director),<br />

Michael Wicherek (writer), Rhys Jarman (set),<br />

Jon Nichols (sound), Itai Erdal (lighting)<br />

The play was performed in 5 venues to a total audience of 1,158 young people and adults. In<br />

an evaluation completed by a sample audience, 95% agreed that they had been completely<br />

absorbed by what was happening on stage and 100% had been gripped by the sights and<br />

sounds of the performance and had found some aspects of the performance very moving.<br />

An extremely engaging and clever piece of new writing which was very appropriate for the<br />

students we brought to see the performance. A really strong performance too. Audience<br />

engagement was also a strength.<br />

Audience member, Arts Centre, Washington, Tyne and Wear


National Shakespeare to Schools Tour<br />

Boxed Romeo & Juliet, Boxed Macbeth and Introduction to Shakespeare<br />

......................................................................................................<br />

National Tour<br />

Boxed Romeo and Juliet<br />

The production toured to 23 schools to a total audience of 4,194 students.<br />

3,894 students also took part in workshops on the play led by company<br />

members. Of those who took part in the evaluation process, 87% of the<br />

students and 95% of the teachers who saw the production and were<br />

part of the workshop agreed that the experience had been worthwhile.<br />

“I found the play and workshop very helpful. I liked the fact that you made the play very<br />

realistic mentally and very thrilling.” Year 10 student, Castle View School<br />

“I loved the power of the emotions shown;; the engagement with the students;; I feel this<br />

will support our students with the academic learning of ‘Romeo and Juliet.”<br />

Member of staff, Addington Academy<br />

“Please come back- several students (understatement) will never have been to the<br />

theatre nor had an experience like this. It is so essential that they access more of this.”<br />

Assistant Headteacher, Holloway Secondary School<br />

Creative team<br />

Emma Butcher, Maria Gray,<br />

Alan Magor, (actors);;<br />

Philippe Cherbonnier, Michael Wicherek<br />

(directors)<br />

Boxed Macbeth<br />

The production toured to 15 schools to a total audience of 1,854 students who also took<br />

part in subsequent workshops. Of those who took part in the evaluation process, 84% of<br />

the students and 94% of the teachers who both saw the performance and were<br />

part of the workshop agreed that the experience had been worthwhile.<br />

“I thought the actors were really unusual and made me feel involved. I<br />

thought it was an extremely worthwhile performance!”<br />

Year 9 student, St Benedict’s<br />

“Thank you so much- a very well organised and professional event that our<br />

staff and pupils will remember as a special day at Pakefield!”<br />

Deputy Head Teacher, Pakefield High School<br />

Introduction to Shakespeare<br />

The production toured to 23 schools to a total audience of 3,221 students.<br />

Of those who took part in the evaluation process, 92% of the students and<br />

100% of the teachers agreed that the experience had been worthwhile.<br />

“The actors sold Shakespeare to us right from the start. All the extracts that they performed were done to perfection and brilliant. ”<br />

Year 8, Our Lady of Sion<br />

“Fantastic! The structure, the energy and the interaction of the whole thing was brilliant!” Teacher of English, East Bergholt High School<br />

“This was a fantastically energetic and engaging performance. The pupils were all very focused. Thank you.”<br />

Head of English, Bromley High School


Feet First and Car Story<br />

......................................................................................................<br />

Dynamic and engaging plays with a strong emphasis on travel and personal responsibility<br />

for safety on the roads.<br />

Commissioned by the London Boroughs of Bexley and Hackney and Derbyshire County Council.<br />

Feet First<br />

Toured to 20 schools to a total audience of 1,994 pupils in Years 1 & 2. Of those who took part in the evaluation process, 99% of the<br />

pupils thought that it was really good and helpful that they had seen the play and 100% of the teachers agreed that the whole<br />

experience had been really worthwhile.<br />

“I think that the simple staging and use of music were very effective. The children were very engaged and I really enjoyed the<br />

performance. I liked the way the story was told and think the repetition really helped to keep the story clear. The story held a<br />

very meaningful message. I would love you to come back.” Year 2 class teacher, St John of Jerusalem Primary School<br />

“The actors encouraged the children to want to be healthy by walking to school and to talk and use their imaginations on the way as<br />

they walk safely.” Class teacher, Horsley Woodhouse Primary School<br />

Car Story<br />

Toured to 10 schools to a total audience of 1,080 pupils mainly in years 3 & 4. Of those who took part in the evaluation process,<br />

97% of the pupils thought that it was really good and helpful that they had seen the play and 100% of the teachers agreed that the<br />

whole experience had been really worthwhile.<br />

“The actors were able to move seamlessly between light-hearted scenes and those which created a solemn atmosphere. The<br />

relationship between the actors was well presented so the children were able to immerse themselves in the story. A wide range<br />

of music added to the development of the story. This is the only presentation I have ever seen which simultaneously educates<br />

children about road safety and highly values walking/scooting/cycling to school.”<br />

Class teacher, Bursted Wood Primary School<br />

Creative team<br />

Stephanie Butler, Liv Spencer, Rachael<br />

Garnett, Matthew Rutherford (actors);;<br />

Philippe Cherbonnier (director)


The Wigan Streetwise Project<br />

Make sure it turns out nice again<br />

......................................................................................................<br />

Creative team<br />

Liv Spencer, Matthew Rutherford (actors),<br />

Sarah Booth (costume), Michael Wicherek<br />

(writer/director)<br />

Lively and entertaining street theatre, using the music of George<br />

Formby, targeting transport and road safety concerns of older<br />

members of the community.<br />

Performed to over 2,000 members of the public over four Saturdays in the centre of Wigan.


Bespoke Workshops<br />

......................................................................................................<br />

Interactive, creative and effective dramatic support for specific areas of the curriculum.<br />

The company visited 7 schools, reaching 1,006 students in Years 7- 12 to work on topics from GCSE poetry to<br />

drama, writing, Shakespeare and Dickens.<br />

“The students really enjoyed the opening session and being able to put the play in context. The leaders were very astute in<br />

choosing and developing the students who joined in the opening activities. Some of our most disengaged students<br />

were laughing along and really getting to grips with the over-arching themes of the play.”<br />

Curriculum Area Leader for English, Jack Hunt School on Romeo & Juliet bespoke workshop<br />

“Brilliant, thoroughly enjoyed it! Wish it could have been longer. I enjoyed exploring different interpretations and ideas about the<br />

poems. The music was fantastic and the layout of the room focused the energy of the room. Student interaction was enjoyable and<br />

gave depth to the workshop. The acting was brilliant.”<br />

Year 11, East Bergholt High School on an Exciting About Poetry workshop<br />

Creative team<br />

Michael Wickerek (director/<br />

facilitator) Terri Ann Bailey, Emma Butcher,<br />

Matthew Rutherford, Alan Magor, Lloyd<br />

Thomas, Abdul Shylon, Ajjaz Award-Ibrahim<br />

(actors)


Box Clever Theatre CompanyBespoke Workshops<br />

...............................................................................<br />

Patrons<br />

Joseph Mawle<br />

Tom Burke<br />

Trustees<br />

Kate Jenkins (chair)<br />

Richard Foley (vice chair)<br />

John Brown (treasurer)<br />

Jane Beacham<br />

Judith Carlisle<br />

Philippe Cherbonnier<br />

Mark Davies<br />

Andrea Gillie<br />

Iqbal Khan<br />

John Sykes<br />

Core Company<br />

Artistic Director & Writer-in Residence: Michael Wicherek<br />

Development: Mari Kondo<br />

Finance: Julie Renwick<br />

Intelligence: Callie Brown<br />

Marketing: Craig Millar<br />

Production: Pip Thurlow<br />

Administration: Eda Nacar<br />

Graphic Design<br />

designbyjump<br />

IT<br />

Networkfish<br />

Independent Examiners<br />

Wilkins Kennedy<br />

..............................................................................<br />

To work with us contact:<br />

E: admin@boxclevertheatre.com<br />

T: 0207 793 0040<br />

Oval House | 52 - 54 Kennington Oval | London | SE11 5SW

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