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A Book of Myths, by Jean Lang - Umnet

A Book of Myths, by Jean Lang - Umnet

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deep, hidden meaning in each part <strong>of</strong> the story. So you will find that<br />

some will tell you that Orpheus is the personification <strong>of</strong> the winds<br />

which "tear up trees as they course along, chanting their wild music,"<br />

and that Eurydice is the morning "with its short-lived beauty." Others<br />

say that Orpheus is "the mythological expression <strong>of</strong> the delight which<br />

music gives to the primitive races," while yet others accept without<br />

hesitation the idea that Orpheus is the sun that, when day is done,<br />

plunges into the black a<strong>by</strong>ss <strong>of</strong> night, in the vain hope <strong>of</strong> overtaking his<br />

lost bride, Eurydice, the rosy dawn. And, whether they be right or<br />

wrong, it would seem that the sadness that comes to us sometimes as<br />

the day dies and the last <strong>of</strong> the sun's rays vanish to leave the hills and<br />

valleys dark and cold, the sorrowful feeling that we cannot understand<br />

when, in country places, we hear music coming from far away, or listen<br />

to the plaintive song <strong>of</strong> the bird, are things that very specially belong to<br />

the story <strong>of</strong> Orpheus.<br />

In the country <strong>of</strong> Thrace, surrounded <strong>by</strong> all the best gifts <strong>of</strong> the gods,<br />

Orpheus was born. His father was Apollo, the god <strong>of</strong> music and <strong>of</strong> song,<br />

his mother the muse Calliope. Apollo gave his little son a lyre, and<br />

himself taught him how to play it. It was not long before all the wild<br />

things in the woods <strong>of</strong> Thrace crept out from the green trees and thick<br />

undergrowth, and from the holes and caves in the rocks, to listen to the<br />

music that the child's fingers made. The coo <strong>of</strong> the dove to his mate, the<br />

flute-clear trill <strong>of</strong> the blackbird, the song <strong>of</strong> the lark, the liquid carol <strong>of</strong><br />

the nightingale--all ceased when the boy made music. The winds that<br />

whispered their secrets to the trees owned him for their lord, and the<br />

proudest trees <strong>of</strong> the forest bowed their heads that they might not miss<br />

one exquisite sigh that his fingers drew from the magical strings. Nor<br />

man nor beast lived in his day that he could not sway <strong>by</strong> the power <strong>of</strong><br />

his melody. He played a lulla<strong>by</strong>, and all things slept. He played a<br />

love-lilt, and the flowers sprang up in full bloom from the cold earth,<br />

and the dreaming red rosebud opened wide her velvet petals, and all the<br />

land seemed full <strong>of</strong> the loving echoes <strong>of</strong> the lilt he played. He played a<br />

war-march, and, afar <strong>of</strong>f, the sleeping tyrants <strong>of</strong> the forest sprang up,<br />

wide awake, and bared their angry teeth, and the untried youths <strong>of</strong><br />

Thrace ran to beg their fathers to let them taste battle, while the scarred<br />

warriors felt on their thumbs the sharpness <strong>of</strong> their sword blades, and

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