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<strong>Chekhov</strong><br />
1860–1904<br />
<strong>By</strong> Gavin Witt, Production Dramaturg<br />
When <strong>Anton</strong> <strong>Chekhov</strong> was born in the Black expanse of the steppes. The population surged to the cities<br />
Sea backwater of Taganrog, anywhere from<br />
20 to 40 million Russians lived in slavery as<br />
serfs, the legal property of landowners, the<br />
imperial family, or the Church. The czar freed the<br />
serfs by proclamation in 1861, two years before four million<br />
“You ask ‘What is life?’<br />
That is the same as asking<br />
‘What is a carrot?’<br />
A carrot is a carrot and<br />
we know nothing more.”<br />
in search of work. There were conflicts of expansion with<br />
Turkey, Japan, and China; and there continued a diplomatic<br />
and military quadrille of shifting allegiances with the nations<br />
of Europe. There were wild swings from political reform—or<br />
the semblance of reform—to reactionary repression. While an<br />
American slaves gained their freedom. Russia, mired in tradition,<br />
harnessed to a rigidly stratified society, governed by an imperial<br />
autocracy, and entrenched in a centuries-old agricultural<br />
economy, embarked on an all-out effort to industrialize and<br />
compete. Webs of railways were thrown across the infinite<br />
elite of about 100,000 enjoyed a steadily rising standard of<br />
living and all modern luxuries, many of Russia’s 120 million or so<br />
citizens lived in nearly medieval conditions. As for the serfs, they<br />
emerged from slavery into a poverty made even more abject by<br />
the burden of debt. >>><br />
Next <strong>Stage</strong>: The Three Sisters | 4