London Musicals 1995-1999.pub - Over The Footlights

SAUCY JACK AND THE SPACE VIXENS
London run: Queen’s Theatre, March 25 th (85 Performances)
Music & Lyrics: Robin Forrest & Jonathan Croose
Book & Additional lyrics: Charlotte Mann & Michael Fidler
Director: Keith Strachan
Choreographer: Cristina Avery & Ian Stuart-Ferguson
Musical Director: James Compton
Cast: David Schofield (Saucy Jack), Catherine Porter (Jubilee),
Natasha Bain (Anna), Johanna Alitt (Bunny),
David Ashley (Booby), Adam Meggido (Dr Whackoff),
Hannah Waddingham (Chesty), Daniel Wexler (Sammy),
Mark Oxtoby (Mitch)
(In the original Hackney version Saucy Jack was played by Joe Young)
1998
Songs: Glitter Boots, Saved My Life, All I Need is Disco, Living
in Hell, Plastic Leather and Love, Fetish Number from Nowhere,
I’m Just a Tortured Plaything
Hannah Waddingham
Story: Set in a future galaxy, Saucy
Jack’s bar is the meanest dive on the Planet Frottage, and is a regular haunt for
Booby, a transvestite waitress, Chesty Prospects, the barmaid, and a doctor called
Willie Whackoff. But, a serial killer is on the loose: one by one the bar’s cabaret
performers are found with a sequinned stiletto-heel sling-back rammed through
their hearts. Enter the Space Vixens - Jubilee Climax, Anna Labia, and Bunny
Lingus – the inter-galactic, crime-fighting babes who zoom in, all glitter boots and
zap-guns, to solve the crimes. By the end, Jubilee Climax and Saucy Jack have
fallen in love, Chesty and Bunny are having a Lesbian affair, and Whackoff and a
character called Mitch are dressed in rubber.
Starting at the Edinburgh Festival, followed by a two week London try-out at
Hackney Empire in November 1997, this moved into the West End, only to receive
universally damning reviews. It managed a ten week run.
41
Photo by Sheila Burnett
OH WHAT A LOVELY WAR! (1 st Revival)
London run: South Bank Big TopTheatre, April 8 th – 25 th (Limited season)
Repeated: Round House, August 12 th – October 4 th (Limited season)
Music:& Lyrics: Various
Book: Charles Chilton & Company
Director: Fiona Laird
Choreographer: Peter Darling
Musical Director: Neil McArthur
Producer: Royal National Theatre Mobile Production
Cast: (South Bank) David Arneil, David Birrell, Simon Day, David Grant,
Clive Hayward, Richard Henders, Dean Lennox Kelly, Karl Morgan,
Jackie Morrison, Elizabeth Renihan, Joanna Riding, Sonia Swaby, Kraig Thornber.
Cast: (Round House) David Arneil, Clive Hayward, Richard Henders, Dean Lennox
Kelly, Rebecca Lock, Paul J. Medford, Karl Morgan, Jackie Morrison,
Dominic McHale, Mark Oxotby, Elizabeth Renihan, Rachel Spry, Kraig Thornber,
Nicholas Tigg, Luke Williams
.
Notes: This was a touring production in a circus-type tent, designed to take the
production around the UK especially to places where there was no permanent theatre.
It had begun its tour in Milton Keynes.
Original London production: Wyndham’s Theatre, June 1963

SHOWBOAT (4 th
Revival)
1998
London run: Prince Edward, April 28 th
(175 performances)
Music: Jerome Kern
Lyrics & Book: Oscar Hammerstein II
Director: Harold Prince
Choreographer: Susan Stroman
Musical Director: David Charles Abell
42
Cast: Terry Burrell (Julie),
Hugh Panaro (Ravenal), Teri Hansen (Magnolia),
Michel Bell (Joe),
Gretha Boston (Queenie),
George Grizzard (Cap’n Andy),
Clare Leach (Ellie)
This production, with a cast of 57 and directed by the legendary Hal Prince, had originated in
Toronto, then transferred to Broadway, where it was highly praised and heaped with awards. It
was hugely spectacular, superbly staged and performed, and felt by many to be one of the finest
productions to grace the London stage in many a year. It ran for 21 weeks on a limited term
engagement.
Notes: Original London production: Drury Lane 1928;
First revival: London, 1943 ; 2nd revival: Adelphi, June 1971;
3rd revival: London Palladium, July 1990 (and again, March 1991)
SATURDAY NIGHT FEVER
London run: London Palladium, May 5th (758 Performances)
Music: The Bee Gees (and others)
Adaptation: Nan Knighton, Robert Stigwood, Paul Nicholas
Director-Choreographer: Arlene Phillips
Musical Director: Phil Edwards
Producer: Robert Stigwood, Paul Nicholas, David Ian
Cast: Adam Garcia (Tony Monero), Anita Louise Combe (Stephanie),
Tara Wilkinson (Annette), Simon Greiff (Bobby C), Richard Calkin (Monty),
David Paynton-Bruhl (Fusco), Jonathan Avery (Frank Monero), Susan Fay (Flo Manero),
John Stacey (Frank Junior), Lara Costa (Maria), Daryn Crosbie (Cesar)
Songs: Stayin’ Alive, More Than a Woman, If I Can’t Have You, It’s My Neighbourhood,
You Should Be Dancing, Jive Talkin’, Nights on Broadway, How Deep is Your Love (Non
Bee Gee songs: Boogie Shoes, Disco Inferno, Disco Duck, What Kind of Fool, Open Sesame,
Salsation)
Story: Tony Manero is a Brooklyn youth who luxuriates in the admiration of the
crowd at the local disco. Here he can forget his dead-end job and his gang of
dead-beat friends. In spite of his adoring, homespun girl-friend, Annette, Tony
becomes romantically involved with Stephanie, a social-climbing girl who
thinks she is too good for him. A sub-plot involves poor Bobby C, a perpetual
loser who gets his girlfriend pregnant and brings an element of tragedy to the
plot. Tony and Stephanie team up for a major disco competition, facing strong
opposition from Maria and Cesar, a rival Puerto Rican pair.
Notes: Originally a story by Nik Cohn, it became a smash-hit 1977 Paramount
film with a screenplay by Norman Wexler, starring John Travolta. The £4
million stage adaptation was attributed to Nan Knighton “in collaboration with
Arlene Phillips, Paul Nicholas and Robert Stigwood”. Many of the film's darker
elements, including references to racial conflict, drug use and violence, were
eliminated from the plot. It received very mixed reviews, though there was
universal praise for Adam Garcia. It ran for 21 months at the Palladium and
later undertook several UK tours, and international stagings.
Adam Garcia
Photo by Michael Le Poer Trench

RENT
London run: Shaftesbury Theatre, May 12 th
(614 Performances)
Music, Lyrics & Book: Jonathan Larson
Director: Michael Greif
Choreographer: Marlies Yearby
Musical Director: Dave Adams
Cast: Anthony Rapp (Mark Cohen), Adam Pascal (Roger),
Krysten Cummings (Mimi), Wilson Jermaine Heredia (Angel),
Jess L Martin (Tom), Jessica Tezier (Maureen),
Jacqui Dubois (Joanne), Bonny Lockhart, Angela Bradley.
Songs: One Song Glory, Light My Candle, I Should Tell You,
Tango, Maureen, I’ll Cover You, Over the Moon, Seasons of
Love, Without You, Your Eyes, La Vie Bohème
1998
43
Story: Based loosely on Puccini’s opera “La Bohème”, the
action is narrated and literally recorded by Mark Cohen, a filmmaker
on the rebound from a broken relationship – his girlfriend
Maureen has left him for a lesbian relationship with Joanne. The action takes place from one Christmas to the
next in the shabbiest of lower Manhattan tenements, and the characters include Roger, an HIV positive
songwriter who wants to make a significant contribution before he dies of AIDS; Mimi, a heroin-addict dancer
working in an S&M club; Angel, a drag queen and his lover, Tom. They are threatened with eviction from
their slum tenement because their landlord, Benny, wants to sell the building to create a cyber-studio. In spite
of the many deaths, the extremes of rich and poor, happiness and exploitation, loyalty and betrayal, the overall
message is that friends can be alternative family.
Notes: This show had opened with a six-week off-Broadway try-out in February 1996. Sadly its composer,
Jonathan Larsen died of a heart attack, aged 35, on the night of its final dress rehearsal. He did not live to see
its Broadway premiere in April, followed by rave reviews, a Pulitzer Prize for Drama, three Tony and several
other awards. The show ran for 5,124 performances. The London production received very mixed notices. . .
“saccharine, ghoulish stuff”, “ moments of a yearning, tentative, lyrical love”, “the finale and the musical itself
will haunt me beautifully”, “a cracking good show with some terrific songs”, “Being rude about “Rent” is a bit
like drowning a cuddly kitten, for the show is so desperately determined to be cute and winning, with every
sexual minority slickly catered for”. The London production ran for a year and a half.
Photo by Nobby Clark

44
SWEET CHARITY (2 nd
Revival)
London run: Victoria Palace, May 19 th (103 Performances)
Music: Cy Coleman
Lyrics: Dorothy Fields
Book: Neil Simon
Director: Carol Metcalfe
Choreographer: Bob Fosse reproduced by Chet Walker
Musical Director: Rob Mitchell
Producer: Michael Rose
Cast: Bonnie Langford (Charity), Cornell John (Oscar) ,
Mark Wynter (Vittorio Vidal) Johanne Murdock (Nicky),
Jane Fowler (Helene), Omar F. Okai (Brubeck)
This production originated at the Churchill Theatre, Bromley. Its West End run was
just three months, following very mixed reviews.
Notes: See original London production: Prince of Wales, October 1968
First revival: Man in the Moon/BAC November 1993
MERRILY WE ROLL ALONG
London run: Prince, SE 10 , May 27 th – June 21 st
Music & Lyrics: Stephen Sondheim
Book: George Furth
Director: Nick Bligh
Choreographer: Darren Royston
Musical Director: Tim Davies
Cast: Marcus Allen Cooper (Franklin Shepard), Marc Joseph (Charles Kringas),
Tracy Wiles (Mary Flynn), Barbara Hastings, Suzi Pattison, Johnson Willis,
Alison Brooks, Andy Chaplin, Andy Charal, Matthew Lessall, Polly Sands,
Michelle Witton
Songs: The Hills of Tomorrow, Rich and Happy, Old Friends, Like it Was,
Franklin Shepard Inc, Not a Day Goes By, Now You Know, It’s a Hit, Good
Thing Going, Bobbie and Jackie and Jack, Opening Doors, Our Time.
Story: Starting in 1976 and told in flashback, this is the story of songwriter
Franklin Shepard, lyricist Charles Kringas and their mutual friend, Mary Flynn.
The musical begins at the height of his Hollywood fame and moves backwards in
time, showing snapshots of the most important moments in Frank's life that
shaped the man that he is today. Having once been a talented composer of Broadway musicals, he abandoned
his friends and his serious career to become a producer of Hollywood flicks. His pursuit of money and glory
over 20 years and the failure of his marriage and betrayal of his friends are all revealed before the end of the
show, since the end of the show is actually the beginning, showing how the friends first meet in 1957.
Notes: Based on the 1934 play by George S. Kaufman and Moss Hart, this opened in New York in November
1981 and ran for just 16 performances (after 52 troubled previews). It marked a break in the celebrated run of
Hal Prince/Sondheim productions and was heavily criticised for its scenery, its choreography, and its casting.
The difficulty here was having the same actors play from middle-age to teen-age, and working backwards, the
claim being they were too young at the start of the show and too old at the end. However, its musical score,
complex and inventive, was nominated for a Tony Award, and the show would go on to have many revivals
and re-writes.

ANIMAL CRACKERS
1998
45
London run: Barbican outdoors, June 19 th – July 11 th
Music & Lyrics: Bert Kalmar & Harry Ruby
Additional songs: Chris Jordan
Book: George S. Kaufman & Morrie Ryskind
Director: Emil Wolk & Gregory Hersov
Choreographer: Susan Swanton
Musical Director: Chris Jordan
Producer: Royal Exchange, Manchester
Cast: Ben Keaton (Captain Spaulding “Groucho),
Toby Sedgewick (Professor “Harpo”),
Joseph Alessi (Ravelli “Chico”),
Jean Challis (Mrs Rittenhouse),
Sue Holland (Mrs Van Damme), Sarah Redmond,
Warren Kimmell, Nicholas Khan, James Smith,
Miltos Yerolemou, Gail Ghislaine Sixsmith
Songs: (From the Original score): Hooray for Captain Spalding, Hello I Must Be Going, Who’s Been Listening to
My Heart, Long Island Low-Down, Go Places and Do Things, Watching the Clouds Roll By, When Things are
Bright and Rosy, Cool Off, Four of the Three Musketeers
Story: The famous explorer, Captain Geoffrey T. Spaulding, is attending the unveiling of a statue at the mansion
of society matron Mrs. Rittenhouse, but a rival society hostess, Mrs Van Damme is anxious to have the Captain
attend one of her own parties. Meantime, a valuable painting goes missing, and the Captain is asked to investigate.
Notes: This basic plot was nothing more than an excuse for Groucho and the other Marx Brothers to indulge in
their crazy farcical routines in between some musical numbers. The original production opened on Broadway in
October 1928, and ran for 191 performances. It was filmed in 1930, with most of the songs cut out, and became one
of the Marx Brothers’ most enduring hits. The original score contained nine songs. This was a touring production,
playing in a circus-type tent which was a temporary home to the Manchester Royal Exchange Theatre following its
bombing by the IRA. This same production would return to a legitimate theatre – the Lyric – in March 1999, where
it would run for 70 performances.
WHISTLE DOWN THE WIND
London run: Aldwych, July 1 st , (1,044 Performances)
Photo by Ivan Kyncl
Marcus Lovett as The Man & Lottie Mayor as Swallow

WHISTLE DOWN THE WIND
London run: Aldwych, July 1 st , (1,044 Performances)
Music: Andrew Lloyd Webber
Lyrics: Jim Steinman
Book: Patricia Knop, Gale Edwards & Andrew Lloyd Webber
Director: Gale Edwards
Choreographer: Anthony van Laast
Musical Director: Christopher Nightingale
Producer: Really Useful Theatre Company
Cast: Marcus Lovett (The Man), Lottie Mayor (Swallow),
Ashley Andrews/Danielle Calvert (Brat), Dean Clish/Ricki Cuttell (Poor Baby),
Dean Collinson (Amos), Veronica Hart (Candy),Christopher Howard (Snake Preacher),
John Turner (Sheriff), Reg Eppey (Minister), Nicolas Colicos (Darryl),
James Graeme (Boone)
Songs: I Never Get What I Pray For, Home By Now, Cold, Unsettled Scores, Tire Tracks and Broken Hearts, Long
Overdue for a Miracle, When Children Rule the World, Annie Christmas, No Matter What, Try Not to Be Afraid, A
Kiss is a Terrible Thing to Waste, Wrestle With the Devil
Story: In a small 1950s Louisiana town, three children – Swallow, Poor Baby, and Brat – discover The Man, an
escaped killer, in their barn. They believe he is Jesus come back to earth . They share their secret with other
children, including Candy, a young black girl and Amos, a white boy, both of whom are anxious to get away from
the prejudices of the town. Meanwhile the adults are hunting down the escaped killer, and arrive at the barn, only
to find it surrounded by kids determined to protect him. The Man takes Swallow hostage, but quickly changes his
mind, pushes her out and sets fire to the barn. When Swallow finally gets back in, there's no trace of him, but she
says "He'll be back...I just know he will." Her father tries to convince her this wasn't Jesus, but she asks "But how
do you know?"
Notes: Based on the novel by Mary Hayley Bell and the screenplay by Keith Waterhouse and Willis Hall, the show
had its premiere in Washington DC in December 1996, but following a critical drubbing, its Broadway opening was
postponed and eventually cancelled. After major re-writing, with Gale Edwards and Lloyd Webber collaborating
on a revised book, and with the five new songs, it was re-launched at the Aldwych . It received very mixed notices,
but ran for 1044 performances, closing in January 2001.
46
EYAM
London run: Bridewell, July 13 th – August 1 st
Music: Andrew Peggie
Book & Lyrics: Stephen Clark
Director: Clive Paget
Choreographer: Mitch Sebastian
Musical Director: Andrew Peggie
Cast: Peter Prentice (William Mompesson),
Seeta Indrani (Katherine Mompesson),
Geoff Abbot (Matthew Mortin),
Leigh McDonald (Sarah Halksworth)
Halcro Johnston, Paul Baker, Eileen O’Grady,
Tal Shamir, Clive Adams
Songs: Dressing the Wells, Moth Song, There’s a
Man, Did I Tell a Lie?, Something in the Air, Have
You No Pity? Why Should I Stay? Look at that
Smile, The Story of the Plague
Story: The new rector, William Mompesson, arrives in the Derbyshire village of Eyam in 1665. He is met with
outright hostility when people start dropping like flies, for no one realises that a rat flea in a parcel of cloth from
London has introduced them to the Great Plague.) When the rector suggests they close off the village to all
outsiders and martyr themselves to the contagion rather than let it spread, this creates a highly dramatic conflict
between social class and faith. By the time the plague abates, over a year later, over a quarter of the 800 inhabitants
are dead.
Notes: This began life at one of the Stephen Sondheim workshops at Oxford University

DOCTOR DOLITTLE
London run: Labatt’s Apollo, July 14 th (375 performances)
Music & Lyrics: Leslie Bricusse
Book: Leslie Bricusse
Director: Steven Pimlott
Choreographer: Aletta Collins
Musical Director: Michael England
Cast: Phillip Schofield (Dr Dolittle), Bryan Smith (Matthew Mugg),
James Paul Bradley/Samuel Carter-Brown/Darien Smith (Tommy
Stubbins), Sarah Jane Hassell (Emma Fairfax),
Peter Cellier (General Bellowes), John Rawnsley (Albert Blossom),
Holli Hoffman (Chee-Chee), Peter Gallagher (Straight Arrow),
Voice of Julie Andrews (Polynesia), Gary Forbes, Michael Gyngell,
Drew Varley
1998
Songs: My Friend the Doctor, The Vegetarian, Talk To The Animals, I've Never Seen Anything Like It, Beautiful
Things, When I Look Into Your Eyes, Save the Animals, Something In Your Smile.
Story : Matthew Mugg and his friend Tommy Stubbins visit Doctor John Dolittle and his houseful of animals,
including a talking parrot named Polynesia. Dolittle says he can speak over 500 animal languages. Matthew meets
the rare two-headed Pushmi-Pullyu from Tibet and falls in love with Emma, the niece of Dolittle’s crusty neighbour,
General Bellowes. At Albert Blossom’s circus Dolittle talks to a sea-lion named Sophie
who longs to return to her husband, so he takes her to some cliffs and throws her into the
sea. However, two fishermen mistake the seal for a woman, and Dolittle is charged with
murder. Matthew, Tommy, Polynesia, Chee-Chee, the chimp, Jip the dog, and Emma all
join the Doctor and flee the country by ship. Following a shipwreck they land on Sea Star
Island for a series of adventures, and finally meet Sophie and her husband who bring a
message that all is forgiven and the Doctor will be welcomed back home. The others sail
back home on the Great Pink Sea Snail, whilst the Doctor chooses to fly home on the
back of the Giant Lunar Moth.
Notes: With clever animatronic puppets from the Jim Henson studio, and a flying moth
over the auditorium, this £4 million production was a satisfactory adaptation of the Rex
Harrison/Anthony Newley film version, and provided ideal family entertainment for the
best part of a year’s run.
47
OKLAHOMA (2 nd Revival)
London run: Olivier Theatre, July 15 th – October 3 rd (Fixed run)
Transferred (re-staged) Lyceum Theatre, Jan 20 th , 1999 (93 Performances)
Photo by Michael Le Poer Trench

1998
OKLAHOMA (2 nd Revival)
London run: Olivier Theatre, July 15 th – October 3 rd (Fixed run)
Re-staged Lyceum Theatre, Jan 20 th , 1999 (93 Performances)
Music: Richard Rodgers
Book & Lyrics: Oscar Hammerstein II
Director: Trevor Nunn
Choreographer: Susan Stroman
Musical Director: John Owen Edwards
Producer: Cameron Mackintosh
48
Cast: Maureen Lipman (Aunt Eller), Hugh Jackman (Curly),
Josefina Gabrielle (Laurey), Jimmy Johnston (Will Parker),
Vicki Simon (Ado Annie), Shuler Hensley (Jud Fry),
Peter Polycarpou (Ali Hakim), Gavin Lee
Notes: With additional funding from Cameron Mackintosh this was a glorious full-scale production, and a sellout
for its National Theatre season, earning the desperately needed money following cuts in the arts grants.
Reservations were expressed about whether the subsidised National Theatre should be producing such
obviously commercial material, but everyone agreed it was of a standard unlikely to be bettered. Following its
sell-out success at the Olivier it was
re-staged for a five month run at the
Lyceum.
Original London Production:
Drury Lane, April 1947
First Revival: Palace Theatre
September 1980
Hugh Jackman &
Maureen Lipman
Photo by Michael Le Poer Trench
CLOSER THAN EVER (1st Revival)
London run: Jermyn Street Theatre, July 20 th – August 22 nd
Music: David Shire
Lyrics: Richard Malty Jr.
Director: Matthew White
Choreographer: Sam Spencer-Lane
Musical Director: Caroline Humphris/Martin Lowe
Cast: Helen Hobson, Beverley Klein, Mark McKerracher, Gareth Snook
Songs: Doors, She Loves Me Not, You Want to Be My Friend? The Bear the
Tiger the Hamster & the Mole, The Sound of Muzak, One of the Good Guys,
You’re my First Second, Fandango, The March of Time, Father of Fathers,
Another Wedding Song, I’ve Been Here Before
Photo by Ash Scott Lockyer
Story: Four singers with 24 songs sing about love, rejection, obsession,
fatherhood, marriage, sex, friendship, getting old. There is no plot, but , a bit
like Sondheim’s “Company”, a great deal of emotional life is covered as the
characters slide in and out of a mocked up subway train. This was an intimate
but “very American” entertainment.
Original London production: Bridewell, 1995
Mark McKerracher, Gareth Snook, Beverly Klein & Helen Hobson

1998
GENTLEMEN PREFER BLONDES (1 st Revival)
London run: Regent’s Park Open Air Theatre, July 23 rd – September 1st
Music: Jule Styne
Lyrics: Leo Robin
Book: Anita Loos & Joseph Fields
Director: Ian Talbot
Choreographer: Lisa Kent
Musical Director: Catherine Jayes
49
Photo by Alastair Muir
Debby Bishop, Audrey Palmer, Sara Crowe, Clive Rowe,
Harry Burton & Martin Turner
Cast: Sara Crowe (Lorelei Lee),
Debby Bishop (Dorothy),
Clive Rowe (Gus),
Harry Burton (Henry),
Audrey Palmer (Ella),
John Griffiths (Sir Francis
Beekman), Gary Raymond,
Jeffrey Dench, Joanne Redman,
Nova Skipp
Following its season in the Park, this
production did a UK tour.
Notes: Original London run:
Princes Theatre, August 1962
NO WAY TO TREAT A LADY
London run: Arts Theatre, August 3 rd (25 performances)
Music, Book & Lyrics: Douglas J. Cohen
Director: Neil Marcus
Choreographer: Donna McKechnie
Musical Director:
Cast: Paul Brown (Morris Brummell), Joan Savage (Flora Brummell), Tim Flavin (Christopher Gill),
Donna McKechnie (Alexandra Gill, Mrs Sullivan, Carmella, Sadie), Joanna Riding (Sarah Stone),
Bruce Alexander, Kate Graham, Clare Rimmer, James Spilling.
Songs: One of the Beautiful People, I’ve Been a Bad Boy
Story: The two mother-fixated men at the heart of this musical murder
show are the Jewish Police Detective Morris Brummell, pursued by his
suffocating mother, Flora; and Christopher “Kit” Gill, a failed actor
haunted by the ghost of his successful actress mother. There is a
mother-fixated woman, too, Sarah Stone – her mother is a rich
socialite only interested in glamorous charities. Kit decides the only
way to out-do his mother’s fame is to become a serial killer, carrying
out his crimes in various disguises including a priest, a flamenco
dancer, and a stiletto heeled woman. Morris can earn respect from his
mother if he manages to find the killer. Sarah is a potential witness,
and, after questioning, falls in love with Morris.
Notes: Based on the novel by William Goldman and the 1967 film
starring Lee Remick and Rod Steiger, this had a top-class star cast
appearing in what was generally regarded as London’s tackiest theatre
and a very cheap production. Donna McKechnie playing all the
murder victims and Kit’s mother, Joan Savage as a superbly funny
Jewish mother, Tim Flavin, top-quality dancer and singer – all were
highly praised, but the show itself received very mixed notices and ran
just three weeks.
Donna McKechnie & Tim Flavin
Photo by Ash Scott Lockyer

WHISTLE DOWN
THE WIND
London run: Kenneth More Theatre,
September 2 nd
(5 performances – fixed run)
Music & Lyrics: Richard Taylor
Book: Russell Labey &
Richard Taylor
Director: Vivyan Ellacott
Musical Director: Edna Graham
Cast: Nic Greenshields (The Man),
Katie Waller (Cathy Bostock),
Leonard Charles (Dad), Jason Kew,
David Kingsmill, Steven Day,
Pharic Scott, Kelly Chinery,
Sophia Wrightman
1998
Notes: The first musical version of
Nic Greenshields as The Man
“Whistle Down the Wind” was created
by Russell Labey and Richard Taylor at the New Olympus Theatre in Gloucester. It was then given a large amateur
production by the National Youth Music Theatre in August 1993 in Kirkcaldy and toured to Edinburgh and the
Lilian Baylis Theatre at Sadler’s Wells. Andrew Lloyd Webber, patron of the NYMT, expressed interest in staging
a professional production, but became so taken with the idea that he decided to write his own version. The Lloyd-
Webber version had opened two months earlier than this Kenneth More Theatre production - a fully-staged version
with professional leads and a large children’s chorus - making it possible to compare two very different versions of
the same story.
50
Photo by Philip Wade
Photo by Joss Reiver Bany
PERSONALS
London run: New End, September 3 rd – October 11th
Music: Various
Book & Lyrics: David Crane, Seth Friedman, Marta Kaufman
Director: Dion McHugh
Choreographer: Sam Spencer-Lane
Musical Director: Matthew Freeman
Cast: David Bardsley (Louis), Martin Callaghan (Typesetter), Marcus Allen Cooper (Sam), Christina Fry (Louise),
Ria Jones (Kim), Summer Rognlie (Claire)
Songs: Nothing to do with Love, Moving in With Linda, Mama’s Boys, I Think You Should Know, Some Things
Don’t End, The Guy I Love
Marcus Allen Cooper, David Bardsley & Martin Callaghan
Story: A musical revue of some 15 songs provides
an insight into six people seeking love through the
Personal columns : Kim, a lonely divorcée,
obsessed with her ex-husband; Claire and Sam are
neighbours who unknowingly end up on a blind
date together; a newspaper typesetter puts in a joke
personal ad for his wife and ends up in a threesome
with a dwarf; Louis, a nerdy guy needs a self-help
videotape on how to date a woman; and sparkly
Louise is determined to change the nature of her
Mr Potato-Head boyfriend .
Notes: With a three piece band and an excellent
cast, the few critics who reviewed this fringe
production felt it deserved a wider audience.
However, the show would have to wait a couple of
years before making it to the West End itself.

1998
51
Photo by Ivan Kyncl
ANNIE (2 nd Revival)
London run: Victoria Palace, September 30 th (173 performances)
Music: Charles Strouse
Lyrics: Martin Charnin
Book: Thomas Meehan
Director: Martin Charnin
Choreographer: Peter Gennaro
Musical Director: John Evans
Producer: Paul Elliott, etc.
Cast: Lesley Joseph (Miss Hannigan), Charlene Barton/Sophie McShera (Annie),
Kevin Colson (Oliver Warbucks), Kate Normington (Grace Farrell). Andrew Kennedy (Rooster),
Gail Marie Shapter (Lily), Matt Zimmerman (Bert Healy), Peter Harding (FDR)
This was re-created by the same production team that staged the original London production in 1978 – twenty
years earlier. Most critics welcomed it back, though one or two felt the intervening decades had taken the edge
off the show. It ran for five months.
Notes: See original London production: Victoria Palace, May 1978
First revival: Adelphi Theatre, December 1982
CITY OF ANGELS (1 st Revival)
London run: Landor Theatre, September 29 th – October 4th
Music: Cy Coleman
Lyrics: David Zippel
Book: Larry Gelbart
Director: Eileen Gourlay
Choreographer: Tim Taylor
Musical Director: Laurence Wythe
Cast: Andrew Bain (Stein), Russell Wilcox (Stone), Claire Carpenter (Oolie/Donna),
Jody Hall (Buddy Fidler), Claire Bryan, Beth Eden. Serena Giacomini. Matthew Gould, Barbara Hastings,
William Wolfe Hogan, Abigail Hopkins, Anthony O’Driscoll
This was not a success. Following a string of “fringe” revivals, many critics were suggesting that small-scale,
cut-down versions of established West End/Broadway musicals enabled the audience to concentrate more on
the works themselves, and brought some interesting gains. However, not in this case. Fringe productions
needed to be completely re-thought. This was just an attempt to produce West End glitz on a shoestring, and it
failed.
Notes: Original London Production: Prince of Wales, March 1993

1998
52
Photo by Catherine Ashmore
WEST SIDE STORY (4 th Revival)
London run: Prince Edward Theatre, October 6 th (119 performances)
Transferred : Prince of Wales, January 22 nd (403 performances)
Music: Leonard Bernstein
Lyrics: Stephen Sondheim
Book: Arthur Laurents
Director-Choreographer: Jerome Robbins (Re-produced by Alan Johnson)
Musical Director: Fraser Skeoch
Producer: Andre Ptasynski, Pola Jones & Theatre Royal Plymouth
Cast: David Habbin (Tony), Katie Knight-Adams (Maria), Edward Baker-Duly (Riff),
Edward Hayes-Neary (Diesel), Graham Macduff (Bernardo), Anna-Jane Casey (Anita) , Teddy Green,
Alexander Delamere
This touring production was as near as possible a complete re-creation of the original version from 40 years
earlier – with some added significance in that Jerome Robbins had died a few months prior to its revival.
Several critics felt the magnificent show had a whiff of mothballs about it, and needed a completely new
approach (like the current “Oklahoma” at the National Theatre.) The “dream ballet” was especially felt to be
very dated, and the finger-clicking routines seemed over-choreographed and lacking spontaneity for today’s
audiences.) However, others felt it held up extremely well and everyone agreed it remained one of the most
brilliant scores in musical theatre. It ran for fifteen weeks at the Prince Edward and then transferred to the
Prince of Wales for another year, closing January 8 th 2000.
Notes:
Original London production, Her Majesty’s, Dec 1958; First revival: Collegiate Theatre, July 1973
Second revival: Shaftesbury Theare, December 1974; Third revival: Her Majesty’s, May 1984
FAME (2 nd Revival)
London run: Prince of Wales, October 15 th (124 performances)
Music: Steve Margoshes
Lyrics: Jacques Levy
Book: David de Silva & Jose Fernandez
Director: Karen Bruce
Choreographer: Lars Bethke
Musical Director: David Beer
Producer: Adam Spiegel
Cast: Adrian Hansel (Tyrone), Ruby-Marie Hutchinson (Mabel), Kimberley Partridge (Serena),
Andrew Langtree (Nick), Loraine Velez (Carmen), Rebecca Reaney (Iris), Paul Lyons, Tom Newman,
Nina French, James Earl Adair, Michelle Dixon, Michael Bell, Zoe Tyler
Original London Production: Cambridge Theatre , June 1995
First revival: Victoria Palace, November 1997

BOOGIE NIGHTS
London run: Savoy Theatre, October 20 th (95 performances)
Music & Lyrics: Various
Director: Jon Conway
Book: Jon Conway, Shane Richie & Terry Morrison
Choreographer: Alan Harding
Musical Director: Rick Taylor
1998
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Cast: Shane Richie (Roddy), Lisa Maxwell (Debs),
Sharon Benson (Lorraine), Peter Piper (Spencer),
Nicholas Denney (Eamon), Steven Serlin (Terry), Jane Doyle,
Mark Thrippleton, Ian Royce, John Blackman, Jo Redburn, Simon
Smith.
Songs: YMCA, Sorry Seems to be the Hardest Word, I Will
Survive, Play that Funky Music
Story: Roddy is a wannabe rock singer with a pregnant girlfriend,
Debs, and with a roving eye for Lorraine – who is going out with
Spencer, the dope-dealing slap-head band-leader at the Boogie
Nights disco. Roddy’s life is further complicated by his Elvisloving,
obstreperous, Irish Dad, Eamon, and his thick, sex-starved
mate, Terry. It all turns out happily and any plot is nothing more
than an excuse for a whole evening of “rose-tinted nostalgia with
more flares than flair”.
Shane Ritchie & Lisa Maxwell
Notes: This was a touring production which had originated at the Churchill Theatre in Bromley, and was
playing a limited season in the West End. It received very mixed notices: “the most dismal of my theatregoing
experiences”, “a blatant rip-off”, “pleasantly terrible, weirdly wonderful”, “sends us home on a nine-mile
high”. The critics generally liked Shane Richie, but were unanimous in their praise for the young chorus boydancer,
Simon Smith, saying he was the best thing in the show.
Photo by Universal Pictorial Press
INTO THE WOODS (1 st Revival)
London run: Donmar Warehouse, November 16 th – February 13 th
Music & Lyrics: Stephen Sondheim
Book: James Lapine
Director: John Crowley
Choreographer: Jonathan Butterell
Musical Director: Mark Warman
Cast: Frank Middlemass (Narrator), Clare Burt (Witch),
Christopher Pizzey (Jack), Sheila Reid (Jack’s Mother),
Nick Holder (Baker), Sophie Thompson (Baker’s Wife),
Jenna Russell (Cinderella),
Samantha Lavender (Rapunzel),
Sheridan Smith (Red Riding Hood),
Damian Lewis (Cinderella’s Prince),
Matt Rawle (Rapunzel’s Prince),
Caroline Sheen (Florinda),
Ceri Ann Gregory (Lucinda)
Dilys Laye
Notes: Original London Production: Phoenix Theatre, September 1990

1998
KILLING RASPUTIN
London run: Bridewell, November 30 th – January 16 th
Music: James McConnel
Lyrics: Kit Kesketh-Harvey
Book: Stephen Clarke & Kit Hesketh-Harvey
Director: Ian Brown
Choreographer: Jozef Houben
Musical Director: Timothy Sutton
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Cast: Hal Fowler (Prince Felix Yusupov),
Jerome Pradon (Rasputin),
Andrew Halliday (Grand Duke Dimitri Romanov),
Meredith Braun (Princess Irina Romanov),
Gay Soper (Tsarina Alexandra),
Terry Bolton/Jamie Rockall (Tsarevitch Alexei).
Songs: But We Can Love, Kyrie Eleison, Gospodi, World Hold Your Breath, To Love is to Hate, If Only it
Would Stop , So Nearly Perfect, He heals the pain, Tennis and
Picnics, Liebling .
Story: Princess Irina is betrothed to Grand Duke Dimitri, and on
leave from the Russian front, he takes her to a night-club. In a
drunken state he is seduced by the night-club singer, who turns out
to be the cross-dressing Prince Yusupov. Yusupov is also having an
affair with the “holy” monk Rasputin, the one-time hermit who
claims to be able to cure the haemophilia of the young Tsarevitch.
Rasputin betrays Yusupov, physically beating him, so, by way of
revenge, Yusupov, with help from Dimitri, sets about ridding Russia
of the Mad Monk. They feed him poisoned wine, poisoned food,
and when those fail, they finally shoot Rasputin in spite of his dire
prophecy that his death at the hands of a Romanov will lead to
Russia “bleeding for a lifetime”
Notes: A sung-through piece with some 33 songs, this received a
very mixed critical response: admiration for the performances and
the attempt to create a “serious” musical, but general indifference to
the unfocussed and humourless.
Jerome Pradon
Photo by Roger Howard
THE KING AND I (5 th
Revival)
London run: BAC Main, December 3 rd – January 9 th (Limited run)
Music: Richard Rodgers
Lyrics & Book: Oscar Hammerstein II
Director: Phil Willmott
Choreographer: Jack Gunn
Musical Director: Annemarie Lewis Thomas
Cast: Lindsey Danvers (Anna), Alan Mosley (King), Jacqui-Lee Pryce (Lady Thiang),
Lara Parmiani (Tuptim), Learie Foster (Lun Tha), Phil Willmott (Sir Edward)
Following the previous year’s success in fitting “Sound of Music” into the Battersea Arts Centre’s main house
– which is more a gymnasium than an auditorium – this was again judged to be a great success.
Notes: See original London production, Drury Lane, June 1953
First revival: Adelphi, October 1973
Second revival: London Palladium, June 1979
Third revival: Sadler’s Wells, February & June 1991
Fourth revival: Freemason’s Hall, May 1995