136_141_Studio Hard intro.indd - medialink - Sweetwater.com

WHAT’S 

AT SWEETWATER 

PG 176 

M-Audio 

BX5a Deluxe 

PG 152 

Yamaha 

Pocketrak 2G 

PG 201 

Heil PR35 

PG 205 

Blue Joe 

PG 228 

Focusrite 

ISA One 

PG 233 

Audient Mico 

PG 140 

Allen & Heath 

ZED-14 

PG 236 

PreSonus DigiMAX D8 

contents 

Digital Recording Mixers ........138 

Analog Mixers .........................139 

Personal Digital Studios .........143 

Stereo Recorders & Players ...147 

Field Recording.......................151 

Duplication Systems ...............160 

Studio Monitors ......................163 

Monitor Management .............178 

Headphones ............................180 

Headphone Amps & Dist. ........185 

Microphones ...........................188 

Drum Microphones .................224 

Mic Accessories ......................226 

Microphone Preamps .............228 

Channel Strips ........................240 

Dynamics ................................245 

Mastering ................................251 

EQ ............................................252 

Reverb & Multi-FX ..................256 

Multi-FX Vocal ........................262 

Direct Boxes ............................265 

ARTcessories ..........................270 

www.sweetwater.com/shop/studiohardware 

Why buy studio hardware from Sweetwater? 

Twenty-eight years ago, Sweetwater started with a portable recorder in 

the back of a Volkswagen bus. Today, along with being the nation’s leader 

in music technology retail, we also maintain a world-class recording 

studio on the premises. This facility serves the local music community and 

functions as a proving ground where our Sales Engineers, who’ve logged 

many an hour in pro studios themselves, can give you the full benefi t of 

their hands-on experience with the latest gear.

studio hardware 

packages 

WANT YOUR OWN CUSTOM PACKAGE? We specialize in 

building personalized packages that are perfect for your wants, needs, and 

budget. Give us a call today and we’ll help build the package of your dreams. 

Recording Starter Pack 

If you’re just getting started in recording, or you just want an easy-to-use, portable 

recording rig, Sweetwater’s got a great-sounding, affordable system for you! The TASCAM 

DP-02 Digital Portastudio 8-track digital recorder includes a built-in CD-RW burner and 

onboard effects. Track your voice or instruments with a high-quality Audio-Technica 

condenser mic. The Samson active monitors give you great sound and built-in controls! 

List $1,215.94 

UNDER 

DAW Digital Mixer Solution 

Here’s a great way to get your audio into your DAW while maintaining the feel of a classic 

studio console setup. TASCAM’s DM-3200 digital console works equally well as a DAW 

control surface and a digital mixer, and the added meter bridge and FireWire card make 

it even better. You also get a classic AKG C 414 B-XL II condenser mic, Mackie active 

monitors, boom mic stand, and studio headphones. 

List $8,480.93 

UNDER 

$ 800 

$ 6,500 

1 DP02 TASCAM Portastudio w/CD-RW 

1 AT2020 Audio-Technica Cardioid Condenser Mic 

1 MediaOne3 Samson Active Studio Monitors (pair) 

1 ATHM3X Audio-Technica Closed-back Studiophones 

1 MicStdBoomLt Tele Boom Microphone Stand 

Studio Front End 

Whether you record and mix using a large-format console or record direct to your 

computer’s audio interface, your studio deserves a stable of great-quality front-end gear! 

For your choice of golden channels, there’s the A-Designs Pacifica 2-channel mic pre, SSL’s 

hitmaking XLogic Alpha Channel, and Great River’s dual 4-band EQ. For compression, 

we’ve included the classic sound of the Universal Audio 1176LN and the musically versatile 

Empirical Labs Distressor. Rounding out the package is the Apogee Rosetta 800 192k for 

superior AD/DA conversion, plus Monster power conditioning. Don’t forget the 12U Gator 

rack case! 

List $14,803.94 

1 DM3200 TASCAM 32-ch Digital Rec. Console 

1 IFFWDMmkII TASCAM 96k FireWire card for DM 

1 MU1000 TASCAM DM3200/4800 Meter Bridge 

2 HR824mk2 Mackie Active 8.75” Monitor (ea) 

1 HD280Pro Sennheiser Closed Circumaural Headphones 

1 C414BXLII AKG Large-diaphragm Condenser Mic 

1 StuBoom On-Stage Stands Tripod Boom Stand 

Mic Cabinet Package 

Even the most elite pro studios are only as good as their microphones. Sweetwater has 

made it easy for you to stock a mic cabinet with a collection of the best mics around! 

We’ve selected top-quality microphones for vocals, instruments, stereo overheads…any 

recording application. You’ll find the most prominent names in the business here, including 

AKG, Sennheiser, Neumann, Blue, RØDE, Royer, and Shure. 

List $13,568.00 

UNDER 

$ 9,700 

UNDER 

$ 12,700 

1 Pacifi ca A Designs 2-channel Solid-state Mic Pre 

1 AlphaChan Solid State Logic XLogic Channel Strip 

1 EQ2NV Great River 4-band EQ w/ Class A Output 

1 1176LN Universal Audio Limiting Amplifi er 

1 ELI8M Empirical Labs Single-channel Distressor 

1 Rosetta800192 Apogee 8-ch 24-bit/192kHz ADC/DAC 

1 PRO3500 Monster Power 2 RU Rack Power Center 

1 GR12L Gator 12U Deluxe Rack 

1 SM57 Shure Dynamic Microphone 

1 RE20 Electro Voice Large-diaphragm Dyn Mic 

1 MD421 Sennheiser Cardioid Dynamic Mic 

1 NT5 Rode Matched Pr Cond Mics 

1 KSM44 Shure Multi-pattern Condenser Microphone 

1 MA200 Mojave Audio Tube Condenser Microphone 

1 PR30 Heil Large-diaphragm Dyn Mic 

1 195 Bock Audio Large-diaphragm FET Mic 

1 TLM103 Neumann Large-diaphragm Mic - Nickel 

1 C414BXLS AKG Large-diaphragm Condenser 

1 R121 Royer Dynamic Ribbon Mic 

1 RSM1 Royer Shockmount for Royer Mics 

1 Dragonfl y BLUE Cardioid Condenser Microphone 

1 OpusDrumPkSE Beyerdynamic Opus Drum Pk SWS Exclusive 

Get into one of these amazing packages today! Call your Sweetwater Sales Engineer at (800) 222-4700.

138 

ProGear2008 

www.sweetwater.com 

Digital Recording Mixers Call today! (800) 222-4700 

THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY! 

DM-4800 

48-channel/16-return Digital Mixing Console 

TASCAM has a knack for observing trends in audio production and coming up with products that 

address all of the needs that audio professionals face, in convenient single-unit designs. The DM-4800 

Digital Mixer is just such a product. This is the digital console for professional users who require a 

flexible, 64-input mix platform that configures to fit their needs. A “fat channel” strip in the center of 

the board provides instant access to 4-band parametric EQ, dynamics, and aux controls for the first 48 

channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can 

be added using expansion cards with external preamps. The standard complement of analog and digital 

I/O is more than you’ll find on consoles costing three times as much, and a completely configurable 

24-bus routing system allows you to re-patch the board at the flick of a switch. The DM-4800 also fits 

seamlessly into the computer DAW recording environment. Its Remote layer provides 24-fader Mackie 

HUI or Mackie Control emulation for control of premiere workstations like Pro Tools, Logic, SONAR, and 

Nuendo. Other useful features include assignable transport controls, powerful automation with touchsensitive 

motorized faders, 4-band EQ, compression, and gating on each channel, and two built-in 

effects processors, each able to run world-class TC Electronic reverb programs. The optional MU-1000 

meter bridge is also available for pro-level visual monitoring. 

DM-3200 

32-channel 16-bus 

Mixer 

The amazing TASCAM 

DM-3200 handles a 

remarkable variety 

of I/O, and can be a 

powerhouse front 

end for your digital 

recording rig. 

It’s an all-in-one 

solution that 

combines an audio 

interface, DAW control 

surface, and a mixer 

with ample channels 

and inputs — plus, 

the sound quality is 

very impressive. At 

MUSIC, POST, LIVE, OR WITH YOUR DAW! 

sweetwater.com/DM3200 

its full 24-bit/96kHz audio resolution, it’s a 32-channel digital mixing 

console. It also features 16 aux returns for 48 total inputs, 16 buses, 

eight aux sends, 16 analog mic/line inputs with phantom power, and 

analog multi-channel inserts. Also included are two effects processors 

plus a 4-band fully parametric EQ and dynamics processor on every 

channel. It mixes in surround, panning up to 6.1 output channels. 

TASCAM also offers the optional MU-1000 meter bridge. With a 

dedicated port that allows two DM-3200s to be cascaded together, you 

can build the ultimate 64-channel mixer/control surface/audio interface 

for your studio. 

Specs: 32-ch/16-bus/16-ret • 16 mic pres • 17 faders/100mm • 8 aux sends • 24-bit/96kHz • 

Dig I/O: 3 x TDIF, ADAT, S/PDIF • Other I/O: RCA time code input, MIDI, BNC word sync, AES/EBU 

$ 

2999 97 

ONLY $150/mo. 

ONLY $90/mo. 

$ 

DM4800 48-ch Digital Rec. Console .......List $ 5999 4999 97 Specs: 48-ch/24-bus/16-return •24 preamps • 24 

00 faders/100mm • 12 aux sends • 24-bit/96kHz • 24 buses • DM3200 32-ch Digital Rec. Console .........................................List $ 3799 00 

MU1000 DM3200/4800 Meter Bridge ......List $ 999 00 $ 749 97 Dig I/O: 24 x TDIF, 1 x ADAT 

MU1000 DM3200/4800 Meter Bridge .......................................List $ 999 00 $ 749 97 

02R96V2 

56-channel 8-bus 24- 

bit/96kHz Digital Mixing 

Console with Automated 

Faders 

As one of the most popular 

consoles in the world, it’s no 

wonder that the 02R96V2 is 

a must-have in studios, post 

houses, and composers’ suites. 

The reasons are apparent 

— 24-bit/96kHz audio, up to 

56-tracks of audio, surround 

mixing and monitoring, 

Studio Manager software, and built-in DAW control for Pro Tools, Nuendo, and other 

applications — there’s no better choice for your audio and music production facilities! 

Enhanced LFE management and support for surround mixing make film and DVD work faster, easier, 

and more precise. A built-in joystick supports Pro Tools and Nuendo surround panning. The DAW feature 

includes MMC transport control to give you control over tape decks. Not just for recording, the 02R96V2 

is easy to configure for TV/radio control rooms or a conferencing environment. Plus, user-assignable 

layers, fader and mute group masters, and instant auxiliary monitoring also make live mixing much 

easier. You can customize your 02R96V2 I/O to handle any audio setup. 

With high-quality preamps (from the acclaimed DM2000) and crystal-clear 24-bit/96kHz A/D 

conversion, the 02R96V2’s sound quality is unmatched by any board anywhere near the price. This 

incredible console gives you the tactile feel of analog with the power and flexibility of digital! 

O1V96V2 

40-channel 8- 

bus 24-bit/96kHz 

Digital Mixer 

If you’d like the 

power of a digital 

console in a 

compact and easily 

transported unit, 

then the Yamaha 

O1V96V2 is your 

next console. The O1V96V2 has gotten praise from so many customers. 

One wrote, “…it has been an amazing board. Great mic pres, great 

software, and an easy-to-use interface…an amazing buy!” 

This console incorporates many features from the 02R96V2 to provide 

flexible digital mixing for project studios, mobile recording rigs, and 

anywhere space is tight. The mixer offers 24-bit/96kHz audio conversion, 

16 analog channels (with 12 high-performance mic preamps), 

8-channel ADAT optical I/O, and much more. Version 2 software lets you 

use add-on effects plug-ins for more mixing and mastering capabilities. 

Yamaha’s upgraded Studio Manager software has new editing abilities 

and onscreen console control. Step up to digital! 

Specs: 40-ch/8-bus • 12 mic pres • 17 faders/100mm • 8 aux sends • 24-bit/96kHz • Dig I/O: 

S/PDIF, ADAT 

ONLY $279/mo. 

$ 

02R96 Digital 8-Bus Rec. Console v2 ........List $ 10299 9299 99 Specs: 56-ch/8-bus/8aux • 16 preamps • 24-bit/96kHz • 

ONLY $66/mo. 

25 faders/100mm • Channel EQ/dynamics 

00 01V96 24-ch Digital Mixing Console ............................... List $ 2499 00 

$ 

2199 99

Mixers 

www.sweetwater.com ProGear2008 139 

ATB Series 

32-channel Analog Mixing Console with Trident 

EQ and Eight Mix Buses 

In the audio world, there are some pieces of gear that 

command the respect of engineers worldwide, imparting a 

bit of sonic magic on everything they touch. One such item 

was the Trident Series 80 console, a board that’s renowned 

for excellent quality, pristine accuracy, and most of all, its 

amazing vintage equalizer. This potent combination left its 

fingerprint on countless hit records. To this day, the Trident 

Series 80 is still named by engineers as one of the best 

consoles ever built, and thanks to Toft Audio, these analog marvels are available once again, redesigned by the 

original designer himself, Malcolm Toft. For an entire generation of new engineers, these new Toft consoles offer 

the first glimpse of what made analog consoles great to begin with. 

The Toft ATB Series console resurrects the pure analog sound and quality of the legendary Trident Series 80 

board. This uncompromising mixing console gives you an incredible amount of control and truly impressive 

sound for a down-to-earth price that puts a premium-quality console within your studio’s reach. ATB consoles 

offer a host of features you’d expect to find only in much more expensive units. The Trident’s EQ section is 

widely regarded as one of the best sounding EQs ever, and the ATB consoles faithfully recreate that magic! The 

super musical 4-band EQ on the ATB unleashes all your creativity without any limits or boundaries, making the 

Toft ATB equalizer the ultimate tool in your sound-shaping arsenal. The ATB series console is equipped with a master 

control section normally only seen in much more expensive, high-end recording consoles, but even with 32 channels, 

the largest ATB board is still affordable. Other impressive features include everything from the super-accurate meters, 

a wide-range of routing capabilities, talkback function, and the 8-buses. From top to bottom, the ATB offers you 

everything you need to produce the best possible recording. 

There’s an ATB console to fit any studio situation or budget. For larger facilities, there’s the 32-channel ATB32. The 

next size down, the ATB24, provides 24-channels of Trident 80 sound. The most compact ATB board — the ATB16 

— offers the same great performance with a 16-channel footprint, perfect for smaller facilities. With up to 32 top-notch 

channel strip modules and Vintage Series 80 EQ on each channel, the ATB series are amazing-sounding boards that fit 

perfectly into any studio, and they’re priced to truly be attainable for even project studios. Plus, you get to tap into the 

legacy of the legendary Trident Series 80, adding the unmistakeable and classic Trident signature sound to everything 

you record or mix. 

Specs: ATB32/ATB24/ATB16 32-ch/24-ch/16-ch/8-bus/8 st ret • 32 mic pres/24 mic pres/16 mic pres • 6 aux sends 

Onyx Small-format Series 

Analog Mixers with Onyx Preamps and FireWire Option 

Onyx mixers can be whatever you want them to be — phenomenal-sounding analog mixers for live 

sound and rehearsal spaces, or the front end for your computer DAW simply by adding the optional Onyx 

FireWire Card. You can send up to 16 channels of 

24-bit/96kHz audio direct to your Mac OS X or Windows 

XP computer — it comes bundled with Tracktion 2 

Music Production Software. Built from the ground up 

to give you premium sound over the long haul, Onyx 

mixers feature top-of-the-line components. For instance, 

the special Onyx mic preamps are a result of exhaustive 

efforts by Mackie’s R&D team to come up with a preamp 

design that holds its own against some of the best 

“boutique” pres out there — and it shows. Mackie also used 

some of the best resources out there to turn these mixers into great performers: the Onyx EQ 

section was developed by venerable audio engineer Cal Perkins, who gave the EQ circuitry it’s 

“British console” sound. The Perkins EQ circuitry goes one better, however, keeping phase shift 

to a minimum while giving you maximum tonal control. 

The Onyx 1640 is a 4-bus board with 16 Onyx preamps, six aux sends, and 4-band Perkins 

EQ. This flagship model also includes 4-bus architecture, allowing you to sub-group tracks 

with an incredible amount of flexibility — a great feature for live recording and broadcast 

work; in fact, we have so much faith in the Onyx boards that our employees use one to 

simultaneously record and mix live sound for an NBC-affiliate television show. The Onyx 

1620 offers 16 channels with eight Onyx preamps 

and four stereo line-level inputs, and four aux 

sends with pre/post switches. 

The Onyx 1220 is a 12-channel mixer with four Onyx 

preamps and four stereo line-level inputs, 3-band Perkins 

EQ, and two aux sends with pre/post switches. Rack ears 

and sturdy padded carrying bags are available for the 

1620 and the 1220. 

Specs: 1640 16-ch/4-bus/4-st ret • 16 mic pres • 4-band EQ 1620 16-ch/2- 

bus/4-st ret • 8 mic pres • 4-band EQ 1220 12-ch/2-bus/2-st ret • 4 mic pres 

• 3-band EQ 

THE SWEETWATER DIFFERENCE — EXPERIENCE IT TODAY! (800) 222-4700 

“Mackie revolutionized the industry by bringing 

an affordable, good sounding mixer into the 

market many years ago. They have raised the bar 

again with the Onyx series.” 

— Dan VanAmerongen, Sales Engineer, Ext. 1253 

ATB32 32-channel Analog Console ....................... 



HOW CAN THE FIREWIRE OPTION HELP MY STUDIO? 

sweetwater.com/Onyx1640! 

Onyx 1640 

Onyx FireWire 

Card 

Onyx 1620 

Onyx 1220 

Onyx1640 16 x 4 Analog Mixer with Onyx preamps, Perkins EQ, and Support for FireWire Option ................................................................. List $ 1649 99 

Onyx1620 16-ch Stereo Mixer ....................List $ 999 99 $ 849 99 

Onyx1220 12-ch Stereo Mixer ....................List $ 689 99 $ 579 99 Onyx1620Bag Bag for Onyx 1620 .................................... 

OnyxFWCard FireWire Card for Onyx Mixer ......List $ 519 99 $ 449 99 

Onyx1620ear Rack Ears for Onyx 1620 ........................... 

Onyx1220ear Rack Ears for Onyx 1220 ........................... 

Onyx1220Bag Bag for Onyx 1220 .................................... 

$ 

56 99 

ATB 16 

ATB 24 

ONLY $210/mo. 

$ 

6999 99 

$ 

5499 99 

$ 

4499 99 

ONLY $42/mo. 

$ 

1399 99 

$ 

56 99 

$ 

47 99 

$ 

43 99

140 

ProGear2008 


Mixers Call today! (800) 222-4700 


MultiMix 16USB 

ZED-14 

12-channel Live Mixer with USB 

Never content to rest on their laurels, Allen & Heath 

continue to break new sonic ground in the world of live 

sound mixers, both large- and small-format. Their latest 

offering is the ZED-14. The ZED-14 live mixer gives you 

the quality you’ve come to expect from Allen & Heath 

in a compact and affordable 12-channel configuration. 

Brand-new DuoPre preamps represent A & H’s latest 

technology — a design that incorporates a 2-stage 

design with carefully controlled amounts of gain at 

each stage — while flexible 3-band EQs on each mono 

channel feature tailored frequency and response. The 

ZED-14 gives you a variety of great input options, as 

well as easy USB connectivity for computer integration. 

Need more channels? the ZED-24 gives you 24 channels 

along with all the flexibility and features of the ZED-14. 

Specs: ZED-14 12-ch stereo • In: 6 x XLR/TRS, 4 x TRS, 2 x RCA • Main 

Out: 2 x XLR/TRS • 3-band • USB ZED-24 24-ch stereo • In: 16 x XLR/TRS, 

4 x TRS, 2 x RCA • Main Out: 2 x XLR/TRS • 3-band • USB 

Compact 16-channel Mixer with USB 

Who says you can’t take it all with you? Whether you’re 

working on projects in different locations, doing field- or liverecording 

work, or just need a compact mixer for your recording 

setup, Alesis has a USB-equipped unit that’s perfect for you — at a 

price that won’t break the bank! 

The MultiMix 16 USB is a compact 16-channel 4-bus mixer featuring 

low-noise analog electronics, 100 great-sounding 28-bit digital effects, 

and USB and S/PDIF digital outputs. With TRS balanced inputs, RCA 

connections, and XLR mic inputs with high gain, the MultiMix 16USB is 

flexible enough for many applications. Other features include low noise 

mic preamps, switchable phantom power and high-pass filters, and 

3-band EQ on every channel. The MultiMix 12 USB is a 12-channel 

version that shares all the same features including the USB digital 

output. This is a great “in-between” choice for the project or home studio 

recordist who needs input versatility while working in a desktop environment. 

For an even more space-friendly option, take a look at the MultiMix 8 USB. It’s an 

8-channel version with a USB output and the same quality EQ and preamps as 

its big brothers. It’s made to easily coexist with your desktop computer and 

other hardware, or go along to the gig or rehearsal with your other gear. 

With TRS balanced inputs, RCA connections, and high gain XLR mic 

inputs; the MultiMix Series is flexible enough for sound reinforcement, 

rehearsals, studio recording, sub-mixing, field recording, and digital 

audio/video computer workstation mixing. 

Specs: MM 16 USB 16-channel/4-bus • 3-band EQ • In: 8 x XLR, 8 x TRS • Out: 4 x TRS • send/ret • USB 

MM 12 USB 12-Ch/4-bus • 3-band EQ • FX: 100 • In: 4 x XLR, 4 x TS, 4 x TRS, 2 x RCA • Out: 6 x TRS, 2 x RCA, 

headphone • 2 x send/ret (12USB adds USB) MM 8 USB 8-ch version of MM 12USB 

MultiMix 16 USB 



MultiMix16USB 16-channel Stereo Mixer with 28-bit DSP Effects and USB Digital Out ........................................................................... List $ 499 00 ZED14 12-ch Live Mixer w/USB ..................List $ 499 00 $ 

399 97 

ONLY $12/mo. 

ONLY $11/mo. 

$ 

349 97 

ONLY $21/mo. 

$ 

$ 

M16DX 16-ch Digital Mixing Console .....List $ 799 699 97 MultiMix8FW 8-channel Stereo Mixer with 28-bit DSP Effects, 24-bit/44.1/48kHz FireWire Interface ..................................................... List $ 599 299 97 

00 

00 MultiMix16U2 16-ch USB Mixr w/FX ...List $ 799 00 $ 499 97 

M10DX 10-ch Digital Mixing Console ......List $ 449 00 $ 399 97 MultiMix6FX 6-ch Mixer w/FX ............List $ 149 00 $ 99 97 

ZED24 24-ch Live Mixer w/USB ..................List $ 799 00 $ 699 97 MultiMix12USB 12-ch USB Mixer/FX .....List $ 399 00 $ 249 97 MultiMix8USB 8-ch USB Mixer w/FX ....List $ 199 00 $ 149 97 

M-16DX 2.0 

16-channel 24-bit/96kHz Digital 

MultiMix 8 FireWire 

Mixing Console with USB 

8-channel Compact Mixer with FireWire 

Edirol merges 

Looking for a quality compact mixer? With FireWire connectivity? Or how 

their interface 

about something that fits your budget? The Alesis MultiMix 8 FireWire 

expertise with 

fits the bill in all three cases! You get a high-quality 24-bit/96kHz conversion 

a sharp new 

in a premium FireWire interface that’s integrated into a feature-filled mixer 

mixer design. 

with a desktop-friendly small footprint. The 100 built-in 28-bit reverb, delay, 

The incredible 

and modulation effects sound incredible, too. This handy little powerhouse 

M-16DX 2.0 

also ships with Cubase LE software, allowing you to get started producing 

far exceeds 

great music right out of the box. The 16-channel MultiMix 16 USB 2.0 

what other 

mixer includes the same digital quality and onboard effects of the MultiMix 

comparably priced 

8 FireWire, with the added control and flexibility of 16 channels 

digital mixers can do. A wide 

(including eight top-notch XLR inputs). USB 2.0 connectivity and 

array of analog and digital inputs 

the included Cubase LE software add up to a great companion for 

enable you to connect virtually 

your computer workstation. An 8-channel version is also available, 

any piece of gear to the M-16DX, 

with four XLR inputs. Want an even more affordable option, without 

and everything is handled by 

the digital connection? The 6FX is an ultra-compact, high-quality mixer 

pristine 24-bit/96kHz processing. 

featuring two mic/line (XLR and ¼" balanced) inputs with phantom power, 

MultiMix 16 USB 2.0 

And this isn’t the type of digital 

4 stereo balanced ¼" line inputs, and 100 onboard preset effects. 

mixer where everything is buried 

For those who don’t need onboard effects, but want 12 channels of 

in submenus; in fact, it’s set up 

rackmountable transparent Alesis sound, the affordable 

MultiMix 12R 12-channel mixer packs eight 

much like a traditional analog mixer. COSM effects, 

3-band EQ, Scene Memory, and Edirol’s exclusive “Room 

mic/line inputs with phantom power and two stereo 

Acoustic Control” allow you to easily shape the sound. 

balanced ¼" line inputs into a 3U rack space. 

Plus, the M-16DX can function as a control surface for 

Specs: MM 8FW 8-ch • 3-band EQ • FX: 100 • In: 4 x XLR, 2 x TRS, 4 

x TS • Out: 4 x TRS, 2 x TS, 2 x RCA • FireWire MM 16 USB 2.0 16-ch 

many popular DAW applications. Also available is the 

• FX: 100 • 3-band EQ • In: 8 x XLR, 2 x TRS, 8 x TS • Out: 4 x TRS, 2 

MultiMix 8 USB 2.0 

M-10DX, a 10-channel version. 

x RCA • USB 2.0 MM 8 USB 2.0 8-ch • FX: 100 • 3-band EQ • In: 4 x 

XLR, 2 x TRS, 4 x TS • Out: 4 x TRS, 2 x RCA MM 6Fx 6-ch • 3-band EQ 

Specs: M-16DX 16-ch/2-bus/2-st ret • 4 mic pres • 2 aux sends • 

• FX: 100 • In: 2 x XLR, 2 x TS, 2 x TRS, 2 x RCA • Out: 4 x TRS, 2 x RCA 

24-bit/96kHz • Dig I/O: S/PDIF M-10DX 10-ch • 2 mic pres • 1 aux send • MM 12R 12-ch • 2-band EQ • In: 8 x XLR, 12 x TRS, 2 x RCA • Out: 4 x 

24-bit/96kHz • S/PDIF 

TRS, 2 x RCA • 3U 

MultiMix 6FX MultiMix 12 Rack 

ONLY $10/mo.

n 12 

Mixers 

www.sweetwater.com ProGear2008 141 

n 12 back panel 


n12 

12-channel Mixer with Cubase Integration 

Yamaha’s new n12 is a marvel of modern recording 

technology. Not only is it a full-function mixer, but it’s 

also an integrated interface for 

Cubase. Onboard there’s eight 

pristine Yamaha preamps, 

3-band EQ, morph-able 

compressor, and a FireWire 

connection to the computer. 

The mixer layout (complete 

with eleven 100mm faders 

and familiar channel strip 

controls), as well as handy 

transport controls — placed 

right where you need them. 

You even get built-in Yamaha 

Rev-X digital reverb. The 

audio passes through the 

n12 — which allows you to 

n 8 

manipulate signal as you would 

on a conventional mixer, including setting up monitor 

mixes for the performers — and then straight into the 

included Cubase AI4 software. 

Also available: the n8, an 8-channel version of the 

n12, with four great-sounding mic preamps and seven 

smooth-operating 100mm faders. 

Specs: n12 12-ch/2-bus • 8 mic pres • 11 faders/100mm • 1 aux send • 24-bit/96kHz n8 

8-ch/2-bus • 4 mic pres • 7 faders/100mm • 1 aux send • 24-bit/96kHz 

NRV10 

10-channel FireWire Interface/Mixer 

Most control surfaces 

lack the true 

functionality of a 

traditional analog 

board, like the ability 

to integrate external 

effects. M-Audio’s 

NRV10 merges the 

familiar function and 

feel of an analog mixer 

and digital effects with 

a FireWire output, 

and adds the ability 

to integrate two VST 

effects per channel 

from your computer in a live setting. 

The NRV10’s flexible I/O includes five XLR inputs, three 

pairs of stereo inputs, two aux sends and returns, and 

FireWire connectivity that sends or returns 10 channels of 

audio to and from a computer. Your favorite VST effects 

installed in your computer can be accessed via FireWire 

for real-time processing. Imagine being able to take your 

favorite plug-ins and virtual instruments along with 

your presets to the gig, and then recording the show with 

crystal-clear 24-bit/96kHz quality all through the same 

unit. The very portable, surprisingly affordable NRV10 

makes this a reality. 

n12 12-channel/2-bus Mixer/FireWire Audio Interface ................................................................................................................. List $ 1599 00 $ 

1499 99 

ONLY $45/mo. 

n8 8-channel Digital Mixer/FireWire Interface ............................................................................................................................. List $ 1099 00 $ 999 99 

MW12CX MW8CX MW10c 

MW12CX 

12-channel Stereo Mixer with USB and FX 

MW Series II mixers are also USB audio interfaces. Plus, Yamaha throws in high-quality music production software 

(specially designed to integrate with these units) to sweeten the deal! The MW12CX gives you 12 inputs with six 

preamps, ideal for capturing multiple sound sources at the same time — it’s an incredibly easy and affordable way 

to track an entire band or ensemble live without compromising control over individual instruments or voices. This 

versatile mixer also includes great built-in digital effects. The more compact MW8CX offers you a similar package, 

complete with onboard effects. It sports eight inputs with four great mic preamps, giving you portability without 

sacrificing great-sounding features. If you don’t need the effects, the even more affordable 10-channel MW10c has 

you covered. It features a similar layout to the MW8CX, with an additional stereo input. All three mixers included 

inserts for connecting outboard effects, and aux sends allow you to add effects or send a monitor mix. Taking the tactile 

convenience of the conventional mixer’s control strip functions a step forward, these units include innovative one-knob 

compression, as well as effective 3-band EQ. Add the included Cubase AI4 music production software and you’ve got 

everything you need to produce music in one box! 

Specs: MW12CX 12-ch/2-bus/2-ret • 6 mic pres • 3-band EQ • USB MW8CX 8-ch/2-bus/2-ret • 4 mic pres • 3-band EQ• USB MW10c 10-ch/2-bus/2-ret • 4 mic 

pres • 3-band EQ• USB 

MW12cx 12-channel USB Mixer with Effects, Compression, and Software .................................................................................................... List $ 449 00 $ 

359 99 

ONLY $11/mo. 

MW8cx 8-ch Mixer w/USB, Software ......List $ 329 00 $ 259 99 MW10c 10-ch Stereo Mixer w/USB ........List $ 249 00 $ 199 99 

Specs: 10-ch/2-bus/2-st ret • 5 mic pres • 3-band EQ/ch • FireWire 

NRV10 10-ch FW Mixer w/FX ..........List $ 899 95 $ 

699 97 

ONLY $21/mo. 

MG206C-USB 

20-channel Stereo 

Mixer with USB 

Yamaha packs a ton of 

professional features 

into the MG206C-USB 

20-channel mixer, 

including premium 

mic preamps, topquality 

components, 

and flexible signalrouting 

capability 

— and still 

manages to make 

this great-sounding 

mixer extremely 

lightweight and portable. 

The MG206C-USB 

has what you need to 

put great sound right 

into your computer. 

The MG166CX-USB 

includes 16 channels 

and built-in digital 

effects. Both mixers 

come complete with 

Cubase AI4 software. 

Specs: MG206C-USB 20-ch/6-bus/2-ret • 

16 mic pres • 19 faders/60mm • 3-band EQ • USB MG166CX-USB 16-ch/6- 

bus/1-ret • 10 mic pres • 16 faders/60mm • 3-band EQ• USB 

ONLY $21/mo. 

$ 

679 97 

MG206Cusb 20-ch/6-bus Mixer w/ USB .........List $ 799 00 

MG166CXusb 16-ch/6-bus Mixer w/ FX, USB ... List $ 599 00 $ 499 97

142 

ProGear2008 


COMPACT 10 

10-channel DAW Recording Mixer 

Soundcraft built the COMPACT 10 and COMPACT 4 with 

features that make computer recording easy and powerful. 

Input sources include mic, line, and a special DI for guitars. 

Stereo inputs are provided for keyboards, CD/tape sources, 

even turntables (a special RIAA EQ is included). The 

COMPACT 10 incorporates four mono and six stereo inputs, 

with four additional 1/4" jacks on the stereo inputs. The 

DI input automatically matches the input impedance of 

the mixer to the instrument, ensuring professional-quality 

audio capture with no fuss. A blend knob controls the level 

of the computer playback mix and the track being recorded, 

giving you ultra-low latency and a monitor mix that can be 

tweaked to your liking. Plus, all monitoring is performed 

in true stereo rather than summed mono — what you 

hear when you’re monitoring is what you’ll hear when you 

master the final product! You also 

get great-sounding EQ and 

phantom power. 

Specs: C10 10-ch • 

3-band EQ • In: 4 x XLR, 

14 x TRS, 7 x RCA • Out: 6 

x TRS, RCA, 2 phones • C4: 4-ch 

• 2 x XLR, 4 x TRS • Out: 6 x TRS, RCA, 

2 phones 

Mixers Call today! (800) 222-4700 


PV 20 USB 

Compact Mixer with USB 

With PV USB Series mixers, you can document your live 

performances by connecting your board to your laptop 

computer via the built-in USB port. All PV Series mixers 

have 3-band EQ, three auxes, two monitor outs, and one 

EFX out. Available in 20-, 14-, and 10-channel models, 

there’s a PV mixer to fit into any recording situation. 

The PV 20 USB provides plenty of input and routing 

options, making it an excellent console for a home 

studio, or a 

great solution for capturing several sources at once in a live setting. PV USB 

Series mixers also feature built-in DSP effects. 

SM 82S 

Rackmount Line Mixer with Eight Stereo Channels 

Specs: PV20 USB 20-ch • 3-band EQ • In: 16 x XLR, 16 x TRS, 2 x dual switchable stereo line 

in, 2 x RCA • Out: 6 x TRS/TS, 2 x RCA, 1 x phone • USB PV14 USB 14-ch • 3-band EQ • In: 

10 x XLR, 10 x TRS, 2 x dual switchable stereo line in, 2 x RCA • Out: 6 x TRS/TS, 2 x RCA, 

1 x phone, USB PV10USB 10-ch • 3-band EQ • In: 6 x XLR, 6 x TRS, 2 x dual switchable 

stereo line in, 2 x RCA • Out: 6 x TRS/TS, 2 x RCA, 1 x phone, USB 

PV20USB 20-ch Mixer w/USB ..................List $ 649 99 $ 

499 99 

ONLY $15/mo. 

PV14USB 14-ch Mixer w/USB ...................List $ 449 99 $ 349 99 

PV10USB 10-ch Mixer w/USB ...................List $ 369 99 $ 299 99 

The Rane SM 82S is an ideal solution for keyboard players and guitarists with multiple amp/effects setups. Its 16 

inputs are configured as eight stereo pairs, plus, you can plug mono sources into the SM 82S and have full panning 

control. Each input channel features a stereo level control, an aux send with level control, and a L/R balance slider. 

Short internal signal paths make audio much cleaner than many full-sized consoles and the division of control types by 

ONLY $10/mo. 

$ 

Compact10 10-ch Mixer ..........................List $ 239 179 99 function makes it simple to use. 

ONLY $15/mo. 

00 

Specs: 8-channel stereo • In: 16 x TS • Out: 2 x XLR • stereo send/return 

$ 

Compact4 4-ch Mixer .............................List $ 119 00 $ 99 99 

SM82 8-ch Stereo Line Mixer ..........List $ 629 499 97 

00 

SM26S Splitter Mixer 

6-channel Splitter Mixer with Configurable Balanced Inputs and Outputs 

Rane’s SM26S Splitter Mixer is an extremely versatile single-rack space unit providing a number of different solutions 

balanced in/out and for line-level signal routing problems. The SM26S Splitter Mixer isn’t nicknamed the “Swiss Army 

Mixer” for nothing! This unit is great for line-level mixes, especially with gear such as keyboards and drum machines. 

SCM 262 

Stereo Microphone Mixer 

Configurations available are (2-in, 6-out) a (6-in, 2 -out) line splitter or a (6-in, 6-out) booster amp. All connections 

are balanced 1/4" TRS In/Out. The compact, efficient SM26S Splitter Mixer has a built-in power supply. 

Sometimes you need just the right tool for the job — no Specs: In: 8 x TRS • Out: 10 x TRS 

ONLY $12/mo. 

more, no less. When you’re dealing with hands-off 

$ 

SM26S 6-ch Splitter/Mixer, 1U ..........List $ 459 369 97 

sound-reinforcement situations, a few simple, wellplaced 

features go a long way. Shure is a name that’s 

00 

synonymous with reliable quality audio products, and 

their SCM262 provides an excellent tool for your needs. 

This unit is perfect for installations such as corporate or 

restaurant settings, where ease of use and dependability 

are paramount. For smaller environments with installed 

sound applications, the SCM262 offers a great no-fuss LX-308B 

mixer solution without paying for extra features that 8-channel Stereo Line Mixer with Balanced Inputs 

you don’t need or will never use. 

The Ashly LX-308B is a true stereo 8-channel line mixer (16-ch mono) for live sound, studio, mobile units, and other 

Specs: 8-ch • In: 2 x XLR, 1 x TRS, 6 x RCA • Out: 2 x TRS, 2 x RCA 

applications. Each input has level and pan controls for either balanced or unbalanced signals. Channels one and two are 

switchable to mic level and input on/off switches allow channel muting. The LX-308B has stereo outputs (bal/unbal) with 

level and pan controls. The headphone out with level control is conveniently located on the front panel. 

ONLY $10/mo. 

Specs: 8-ch stereo • In: 16 x TRS • Out: 3 x TRS, 2 x TS 

$ 

SCM262 8-ch Stereo Line Mixer ..........List $ 318 239 97 23 

LX308B 8-ch Stereo Line Mixer ..........List $ 640 00 $ 

515 97 

ONLY $16/mo.

Personal Digital Studios 



BR-1600CD 

16-track Digital Workstation 

The BOSS BR-1600CD Digital Recording 

Studio is a 16-track, all-in-one recorder 

and music creation workstation that 

gives you eight tracks of simultaneous 

recording and 256 virtual tracks, plus all 

the effects and tools you need to create 

a finished production. The BR-1600CD 

includes eight sweet-sounding XLR mic 

inputs with phantom power. Use them 

to mic up a drum set or to record your 

entire band in a single pass. Recording 

eight tracks at once is easy — just pick your 

inputs and start recording while taking 

advantage of powerful channel effects 

like a compressor, 3-band EQ, and bass 

cut filter. Speaking of effects, you also get 

world-class BOSS effects and COSM amp 

modeling, plus mic modeling. and a Vocal 

Tool Box. The BR-1600CD now includes 

separate Drum, Bass, and Loop Phrase tracks for creating 

complete backing arrangements. The Loop Phrase track 

can be loaded with user samples, or you can choose from a 

collection of loop phrases pre-loaded onto the hard disk. A 

USB port makes it easy to load WAV/AIFF files into a track, 

or export your audio for further editing in software or data 

backup. Add video control with V-LINK and an optional 

Edirol video editor! The BR-1600CD is a great way to 

record and produce your band! 

Specs: 16-ch play/8-ch record • 8 pres • 13 faders • 16-bit/44.1kHz • 40GB HD 

• CD-RW • Other I/O: S/PDIF, MIDI, USB 

FLEXIBLE FINANCING 

Roland BR-1600CD at a Glance: 

• All-in-one 16-track recorder/workstation 

for start-to-finish productions 

• Eight onboard quality XLR microphone 

preamps with phantom power 

• Built-in BOSS effects, plus Roland COSM 

amp and mic models 

BR1600CD 16-trk DAW w/Sequencer ...List $ 1399 00 $ 

1195 97 

ONLY $36/mo. 

BR-1200CD 

12-track Digital Workstation with EZ 

Compose 

Comparable in both usage and functionality 

to the BR-1600CD, the 12-track BR1200CD is 

a very user-friendly, comprehensive hard disk 

recorder. Thanks to its logical arrangement of 

buttons, knobs, faders, and easy user interface, 

recording, mixing, and CD-burning is simple. 

The BR-1200CD is equipped with a powerful 

COSM multi-effects processor, derived from the 

famous BOSS GT-6/GT-6B. The lineup of COSM 

models include the world-standard Roland 

JC-120 Jazz Chorus, R-Flier Vintage, and 

Metal Stack amps, along with BOSS Compact 

Pedal models such as OD-1 and MT-2, and 

more. Also onboard the BR1200CD are amazing-sounding COSM Mic Models, which emulate expensive condenser mics. 

Another great feature is its world-class bass and drum programmer, packed with instruments and patterns . 

Realistic acoustic drums and percussion are included, as well as a variety of bass sounds, such as slapped, picked, and 

fretless basses. The EZ Compose feature makes ultra-realistic custom programming a snap. There’s also a selection of 

great loop phrases on the internal hard drive. Correct pitch and add harmonies with the Vocal Tool Box, and for the 

finishing touch, tap into the Mastering Tool Kit to polish your track. Take it wherever you want to go with the BA-CB3 

carrying bag. 

Specs: 12-ch play/2-ch record • 2 pres • 11 faders • 16-bit/44.1kHz • 40GB BR1200CD 12-track Digital Studio ............List $ 1049 00 

HD • CD-RW • USB 

BossBkpk3 Boss Backpack ...........................List $ 109 50 $ 89 97 

Apply today at www.sweetwater.com/allaccess 

ONLY $27/mo. 

$ 

895 97 

About 

Digital 

Workstations 

Back in the “old days,” 

studios were often built 

piecemeal. You could buy 

a recorder, find a mixing 

console that provided all 

the necessary ins and 

outs, then choose all the 

hardware peripherals for processing your audio. 

Unfortunately, not every item was a perfect match 

and connecting everything quite often led to miles of 

tangled cables and connectors, often dubbed “studio 

spaghetti.” 

While many studios are still built in this fashion, 

most musicians today just want to focus on making 

music. And what could be simpler than purchasing 

an all-in-one digital audio workstation, or DAW? 

In one convenient unit, you can have all of the 

components of a recording studio, including an 

automated console with total recall and moving 

faders, great-sounding mic preamps, not to mention 

the ability to integrate additional studio-quality 

effects processing plug-ins, and all with no 

compromises in sound quality. Now it really is as 

simple as plugging in a microphone and hitting the 

record button. Even better, you get to choose the level 

of sophistication you want in your DAW. 

BR-900CD 

Battery-powered 8-track Digital Recording 

Workstation 

Using Roland’s battery-powered BR-900CD is like 

having a recording studio and backup band that can go 

where you go! The BR-900CD features a built-in CD-RW 

drive, full COSM guitar multi-effects processor, quality 

effects that include reverb, EQ, vocal pitch correction, 

intelligent harmony, bass simulation, pedal-wah, and 

mastering tools. Plus, you can import and export audio 

files and song data via USB. Songwriters will love the 

BR-900CD’s built-in rhythm programmer, packed with 

294 expressive patterns. You can even customize your 

own beats using the handy Tone Load function. Whether 

you’re in your home studio or on the road, all you’ll need 

is a BR-900CD. The BR-BG is a padded bag with space 

for the recorder and accessories. 

Specs: 8-ch play/2-ch record • 2 pres • 9 faders • 16-bit/44.1kHz • CD-RW • 

Other I/O: S/PDIF, USB, MIDI 

BR900CD 8-track Digital Studio ................List $ 709 00 $ 

599 97 

ONLY $18/mo. 

BRBG Carry Bag for BR-Series ................List $ 60 00 $ 49 97

144 

ProGear2008 


Personal Digital Studios Call today! (800) 222-4700 


MICRO BR 

Compact 4-track Digital Studio 

BR-600 

Battery-powered 8-track Digital Workstation 

There are certain items that become standard fare in every guitar case and gig bag. The 

next ubiquitous box for musicians might just be the iPod ® -sized BOSS MICRO BR. The affordable, ultra-portable BR-600 is an 8-track studio built with guitarists in 

It offers four simultaneous playback tracks plus 32 virtual tracks, two simultaneous mind. It provides eight simultaneous playback tracks, each with eight virtual tracks, 

record/input tracks, MP3 player, onboard COSM amp models and multi-effects, built-in which gives you access to 64 tracks that can be manipulated with powerful built-in 

rhythm patterns, a tuner, USB, SD (Secure Digital) Card slot, and more. The MICRO BR COSM effects, guitar and bass amp models, and EQ for every channel. A programmable 

is loaded with almost 300 drum patterns that play independently of the four playback built-in drum machine has nearly 300 patterns and velocity-sensitive pads. Ideal for 

tracks, and also boasts a powerful multi-effects processor and a time-stretch function for field recording, the BR-600 can operate on six AA batteries (or AC). High-quality stereo 

changing the tempo of your MP3 audio tracks without changing pitch — a great tool microphones are built in for point-and-capture recording on the spot. The BR-600 

for songwriting, editing, and phrase training. You can also convert songs to MP3s inside records direct to the included Compact Flash card, and even comes with a custom 

the unit! 

carrying bag and XLR-to-1/4" microphone adapter. 

ONLY $10/mo. 

ONLY $11/mo. 

$ 

MicroBR 4-track Digital Studio ............List $ 319 229 97 Specs: 4-ch play/2-ch record • USB Specs: 8-ch play/2-ch record • 2 

$ 50 pres • 8 faders • Other I/O: USB 

BR600 8-track Digital Studio ............List $ 399 349 97 

00 

Digital Studios 

HD8CD 

HD16CD 

HD16 

16-track Multitrack Recorder with CD Burner 

The ability to produce high-quality recordings anywhere is becoming more and more important, and Zoom has 

an entire series of dedicated portable recorders that let you record on-the-go without sacrificing sound quality. 

The HD16CD has 16 physical tracks, each with ten virtual tracks, and 8-track simultaneous recording. This Zoom 

machine also has eight XLR/TRS combination input jacks with phantom power for condenser microphones. If you 

don’t need 16 tracks, the HD8CD provides eight tracks, over 100 built-in effects, a programmable drum machine, 

80GB hard drive, and a CD-R/RW drive so you can master your songs to CD. The MRS-8 offers eight tracks, 2-track 

simultaneous recording, and a bass/drum machine for easy backing tracks. All of these portable recorders offer 

amazing sound quality and intuitive operation, plus they’re all very affordable units. 

Specs: HD16CD 16-ch play/8-ch record • 8 pres • 16-bit/44.1kHz • 14 faders • 80GB HD • CD-RW • Other I/O: S/PDIF, MIDI, USB HD8CD 8-ch 

play/2-ch record • 2 pre • 9 faders • 16-bit/44.1kHz • 80GB HD • CD-RW • Other I/O: S/PDIF, MIDI, USB MRS8 8-ch play/2-ch record • 8 faders • 

16-bit/44.1kHz • Other I/O: MIDI MRS4B 4-ch play/2-ch record • 2 pres • 5 faders • 32kHz • Other I/O: MIDI 

MRS8 

ONLY $21/mo. 

$ 

699 97 

HD16CD 16-trk80GB DAW w/CD-RW .........List $ 1249 99 

HD8CD 8-trk/40GB DAW w/CD-RW ............List $ 899 99 $ 499 97 

MRS8 8-trk SD Card DAW ..........................List $ 524 99 $ 299 97 

AD0006D AC Adapter ..................................................... $ 

24 99

Personal Digital Studios 



2488mkII 

24-track DAW with CD-RW and USB 

Here’s an incredibly afforable way to record 24 tracks of audio 

in crystal-clear digital sound quality! You can get start-to-finish, 

studio-quality results out of this standalone recorder. The 2488mkII 

is an easy-to-use workstation that lets you play back 24 tracks of 24- 

bit/44.1kHz audio, and record eight tracks simultaneously. It features 19 faders 

for easy mixing, 3-band EQ, DAW-style editing, and a built-in CD-RW drive, giving you the 

ability to go from creative spark to finished CD with a single machine! 

The 2488mkII sports an 80GB hard drive, LCD display, 250 virtual tracks, eight assignable dynamics processors, and 

three aux sends. This updated unit showcases guitar-friendly features, such as improved onboard guitar effects and “Slow- 

Speed Audition” (from TASCAM’s line of CD trainers). You can also transfer tracks, mixes, and files to your computer via a high-speed 

USB 2.0 port. 

You can get up to speed on the 2488mkII with ease, thanks to the 2488mkII Tutorial DVD from TASCAM. This comprehensive manual allows you to get familiar with 

your 2488mkII quickly and easily, allowing you to get the most out of your workstation. 

ONLY $24/mo. 

$ 

2488mk2 24-track Recorder ...............List $ 1199 799 97 

Specs: 24-ch play/8-ch record • 4 pres • 20 faders/45mm • 24-bit/44.1kHz • 80GB HD • CD-RW • Other I/O: S/PDIF, USB 2.0, MIDI 

00 2488mk2DVD Tutorial DVD .............................List $ 49 00 $ 39 97 

DP-02 

Digital Portastudio 

The DP-02 is perfect for those of us that cut our 

teeth on cassette Portastudios back in the day, but 

Porta02mkII 

MF-P01 

now want to tap into the convenience of digital 

recording with a decidedly analog feel. This 8-track Cassette 4-track Recorder 

Cassette 4-track Recorder 

digital recorder makes recording fun, ditching 

Sometimes a no-frills audio “sketchpad” is just what you If you’re just getting into multitrack recording and 

menus for simple knobs and faders. The DP-02 

need for putting down ideas. This affordable 4-track cassette 

recorder allows you to lay down four tracks simply, the MF-PO1 cassette 4-track recorder is ideal. Now 

want to “learn the ropes” without spending a bundle, 

sports dedicated controls for level, pan, effects 

send and EQ instead of the menu-cursor interface 

with great-sounding results. Plus, you can “jot” down a you can put an entire band on tape, or try out those 

found on many digital recorders. The DP-02CF is 

stereo recording and play the tape back at normal speed cool vocal harmonies you have in your head. The 

identical to the DP-02, except it has no CD-RW drive 

in your car or home stereo cassette deck. This recorder is MF-P01 uses inexpensive cassette tapes and gives you 

and records to CompactFlash cards. 

great for capturing live performances, too. 

authentic analog sound. It’s a great way to get started! 

Specs: 8-ch play/2-ch record • 2 pres • 9 faders • 16-bit/44.1kHz • 

40GB • CD-RW DP-02CF adds CompactFlash, no CD-RW 

Specs: cassette • 4-ch play/2-ch record • 2 faders • In: 2 x 1/4" • Out: RCA, Specs: cassette • 4-ch play/1-ch record • 1 fader • In: 1 x 1/4" • Out: 

ONLY $15/mo. headphone 

headphone 

$ 

DP02 Portastudio w/CD-RW ................. List $ 799 499 97 

00 ONLY $10/mo. 

DP02CF CompactFlash Portastudio ...........List $ 499 00 $ 299 $ 97 Porta2mkII 4-track Cassette Recorder ......List $ 189 149 99 $ 99 MFP01 4-track Cassette Recorder ......List $ 125 99 97 

00 

X-48 

48-track 24-bit/96kHz Hard Disk 

Recorder/Mixer Workstation 

The TASCAM X-48 integrates the best of both worlds: the stability and ease-of-use of a standalone hard 

disk recorder, with the GUI, editing features, and plug-in compatibility of a computer-based digital audio 

workstation. You get 48-track digital recording at up to 24-bit/96kHz quality with an incredible degree of 

tactile control plus an onboard 80GB hard drive. The X-48’s built-in DVD+RW drive allows for easy backups 

and audio/file transfers, while the large graphic interface provides DAW-like viewing for easy tracking and 

editing. The X-48 offers you the benefit of console-style transport, metering, and track-arming functions, 

while its 24 buses, six aux sends and six stereo returns (as well as a stereo master bus) provide flexible 

routing for any project. 

The IF-AN24x card adds 24 channels of analog I/O to the already powerful X-48, while the IF-AD24 

expansion gives you 24 channels of ADAT I/O. 

ONLY $135/mo. 

$ 

X48 48-tr 24-bit/96kHz HDR ..........List $ 4999 4499 97 

Specs: 48-track (24-bit/96kHz) • 80GB HD • Dig I/O: 48 

00 channels TDIF, stereo S/PDIF • word clock I/O • video I/O • 

IFAN24x 24-ch Analog I/O .....................List $ 1149 00 $ 1099 97 MIDI I/O • SMPTE I/O (balanced TRS) • USB (4 ports) • 

FireWire (2 ports) • Gigabit Ethernet 

IFAD24 24-ch ADAT I/O .........................List $ 499 00 $ 459 97

146 

ProGear2008 


D3200 

32-track Recorder with Automation and USB 

D3200 32-trk/40GB DAW w/CD-RW .....List $ 1799 00 $ 

1299 97 

ONLY $39/mo. 

D888 8-trk DAW/Mixer .........................List $ 800 00 $ 699 97 

Personal Digital Studios Call today! (800) 222-4700 


If you prefer the portability and features of a dedicated stand-alone 

workstation to a computer program, but need more than 24 

tracks, Korg’s D3200 32-track digital recording studio delivers 

high-resolution recording and playback at an affordable price. 

The powerful, flexible 12-bus, 44-channel automated mixer offers 

4-band EQ, and a total of 11 high-quality effects can be used 

simultaneously. Plus, the new and interactive “Session Drums ” 

allow you to easily create realistic and natural drum tracks 

with easy editing capabilities. Onboard CD-RW, Master Track, and Album 

CD Project features allow you to produce a finished CD with ease. The D888 is 

perfect for live performance capture and live track playback, thanks to its intuitive 

analog-style mixer along with eight tracks of simultaneous record and playback at 

16-bit/44.1kHz. Audio is stored in WAV format on the internal 40GB hard drive, and 

a convenient USB port allows easy data transfer to a computer for further editing. 

Specs: D3200 32-ch play/12-ch rec • 8 mic pres • 17 faders/60mm • 24-bit/48kHz • 40GB HD • CD-RW • 

Dig I/O: S/PDIF, USB D888 8-ch play/8-ch rec • 8 mic pres • 9 faders/60mm • 16-bit/44.1kHz • 40GB HD • 

Dig I/O: S/PDIF, USB 

AW1600 

AW1600 

16-track Digital Workstation with Automation 

Yamaha workstations have been engineered from the ground up 

to be the best multitrack recorders they can be — no crashes, 

and no OS updates. The 16-track AW1600 includes eight 

phantom-powered combo inputs, a hi-Z guitar input, USB 2.0, 

24-bit resolution, and a 40GB hard drive. 

The AW2400 offers 24 simultaneous tracks of playback, 

motorized 100mm faders, and a 40GB internal drive. This 

24-bit marvel offers eight phantom-powered XLR inputs, eight 

TRS inputs, inserts on channels 1 and 2, four dedicated aux outputs, USB 2.0, and 

a large, 02R-sized LCD screen. Other features include Pitch Fix for correcting vocals, 

Quick Loop Sample function, great-sounding guitar and mastering effects, and 

sample playback pads. 

Both units are fully backward-compatible with prior Yamaha workstations, and 

have everything you need to record your music. 

Specs: 1600 16-ch play/8-ch rec @ 16-bit, 8-ch play/8-ch rec @ 24-bit • 8 mic pres • 13 faders/60mm • 

24-bit/44.1kHz • 40GB HD • CD-RW • Dig I/O: S/PDIF, USB • MIDI 2400 

24-ch play/16-ch rec @16-bit, 12-ch play/8-ch rec @ 24-bit • 8 mic pres • 13 

AW2400 

ONLY $30/mo. 

$ 

AW1600 16-tr DAW w/CD-RW .............List $ 1499 999 99 

ONLY $18/mo. 

faders/100mm • 24-bit/44.1kHz • 40GB • CD-RW • Dig I/O: S/PDIF, USB • MIDI 

$ 00 iMM16USB 16-ch USB Mixer w/FX ........List $ 799 599 97 

00 

AW2400 24-tr DAW w/CD-RW ..............List $ 2699 00 $ 1999 99 

iMM8USB 8-ch USB Mixer w/FX ...........List $ 499 00 $ 299 97 

HD24XR 

24-track, 24-bit Hard Disk MultiPort 

Recorder 

2-channel 

Direct-to-iPod 

Both the HD24XR and HD24 hard disk Recorder 

recorders put high-resolution multitrack 

recording in handy rackmountable formats Bringing a new level of 

— powerful performance in a clean setup! iPod recording directly 

With 24 simultaneous tracks of 24-bit to your desktop, the 

digital recording (12 at 96kHz with the MultiPort includes two channels of balanced inputs 

HD24XR), plus analog and ADAT I/O, an with phantom power and a pair of stereo outputs as well 

Alesis HD24 fits seamlessly into your studio. as a headphone output. The MultiPort offers an onboard 

Internal editing abilities include cut, copy, iPod dock, and controls that give you complete, easy 

paste, and track move. The HD24s are great for remote recording, and a rear-panel Ethernet connection makes files access to your iPod — you can even play back from your 

accessible to your computer DAW software back at the studio. 

iPod at the same time you’re recording! No matter what 

you’re recording — from a meeting, to a band practice 

If you’re looking for lightning-fast file transfers to your computer, the Fireport FireWire interface connects your — when you’re finished, you can dismount your iPod 

ONLY $60/mo. 

$ 

HD24XR 24-tr 24-bit HDR .....................List $ 2999 1999 97 

HD24XR’s hard drives. Plus, you can take your projects and listen to your recording anywhere! 

anywhere with the handy Alesis HD24 Caddy removable 

00 

HD24 24-trk 24-bit/48kHz HDR .........List $ 2499 00 $ 1499 97 hard drive media caddy. 

Specs: In: 2 x XLR/line • Out: 2 x 1/4", phones 

Fireport FW Intrfc for HD24 Drives ...........List $ 249 00 $ 199 97 Specs: HD24XR 24-ch play/24-ch rec • 24-bit/96kHz • 40GB HD • LRC, ADAT 

HD24Caddy Empty Caddy for HD24 ............................... $ 

29 00 sync I/O, Ethernet • Dig I/O: 24-ch ADAT, WC HD24 24-bit/48kHz 

D3200 

D888 

iMultiMix 16 USB 

16-channel Mixer/Recorder with Integrated 

iPod Recording 

Alesis’ MultiMix series offers home recordists a very 

affordable and convenient means to get audio into 

a computer. This latest incarnation of the popular 

series takes convenience a step further by integrating 

recording straight into Apple’s hugely successful 

iPod portable music player right into the recorder itself. 

How cool is that? 

The iMultiMix 16 USB provides a compact yet sturdy 

tabletop mixer and recorder with 100 studio-grade 

28-bit effects. A built-in limiter prevents overs during 

recording, and an integrated iPod dock with control 

wheel transport controls for fast, easy direct-to-iPod 

recording. There are eight phantom-powered XLR inputs 

and each channel sports 3-band EQ and guitar/line 

inputs. The iMultiMix 16 USB can record at 44.1 or 

48kHz. After your song is recorded and mixed, simply 

transfer the file to iTunes. For a more compact and 

affordable version with the same basic feature set, look 

to the iMultiMix 8 USB, the 8-channel version. The 

iMultiMix series is 

compatible with 

both Macs and PCs, 

including Vista. 

Specs: iMultiMix 

16 USB 16-ch play/8 

record • 8 mic pres • 

16-bit/48kHz • USB 

iMultiMix 8 USB 8-ch 

play/4-ch rec • 4 mic pres 

• 16-bit/48kHz • USB 

MultiPort 2-ch USB Mixer w/FX ..........List $ 399 00 $ 

199 97 

ONLY $10/mo.

Stereo Recorders & Players 



MasterLink 

24-bit High-resolution Master CD Recorder 

MASTER IN 24-BIT. FIND OUT HOW! 

sweetwater.com/Masterlink 

This is one of a very few devices to come along in audio that’s a slam-dunk right out of the box. The Alesis MasterLink 

lets you capture your mixes and apply finishing touches the same way the elite recording engineers do and at an amazing 

price! Who says that high-end pro recording and mastering gear has to carry a high-end price? The engineers behind the 

biggest hits in contemporary music will tell you that the MasterLink 2-track hard disk recorder has become the industry 

standard for file storage, delivery to mastering houses, and even do-it yourself mastering right in the box. Inside is a 40-gigabyte IDE hard drive, which provides nearly 450 minutes of 

24-bit/96kHz audio, or a whopping 1,800 minutes of standard 16-bit/44.1kHz audio. It can do sample-rate and bit-rate conversion on any data you send it. You can record highresolution 

audio for editing, DSP, and playlist creation. Burn CDs to full Red Book standard or create high-resolution “CD24” master discs. MasterLink belongs in every 

studio, post-production facility, and mastering house. 

Specs: In: 2 x XLR, 2 x RCA • Out: 2 x XLR, 2 x RCA, headphone • Dig I/O: AES/EBU on XLR, S/PDIF on RCA • 24-bit/96kHz 

“One of the best ideas in recent memory for a 

product. MasterLink seamlessly combines 2-track 

recording, basic mastering processing, and CD 

mastering/burning into one easy-to-use box. 

Whether for live use or studio, there’s 

nothing out there quite like it.” 

— Paul Lea, Sales Engineer, Ext. 1246 

Masterlink 24-bit CD Recorder ..............List $ 1699 00 

ONLY $24/mo. 

$ 

799 97 

CDR882 

24-bit Rackmountable Dual CD-R Recorder with Digital I/O 

HHB’s CDR882 gives you a range of recording options, including extended recording 

time across two or more discs, simultaneous recording, and high-speed duplication. It 

supports all CD-R media, and includes both analog and digital inputs and outputs for 

maximum recording and playback flexibility. Great for broadcast, mastering, and more! 

Specs: In: 2 x XLR, 2 x RCA • Out: 2 x XLR, 2 x RCA • Dig I/O: S/PDIF (coax and TOSlink optical), AES/EBU on XLR • 

word clock • 24-bit/96kHz 

CDR632 

Single-bay CD-R/RW Recorder 

Here’s a professional CD recorder that’s designed to take many recording and playback 

tasks off your hands. The Marantz CDR632 includes sync recording, auto-track increment, 

and programmable fade-in/out for convenient, great-sounding recordings that 

require minimal effort. Single Play automatically stops after playing a selected song, and 

Power-on play starts playback automatically when the CDR632 is turned on. 

Specs:In: 2 x RCA • Out: 2 x RCA, 

ONLY $30/mo. 

$ 

CDR882 24-bit CD Recorder ..............List $ 1149 999 97 ONLY $17/mo. 

headphone • Dig I/O: S/PDIF • 

$ 00 CDR632 2U Rackmount CD Recorder ...List $ 699 549 99 

16-bit/44.1kHz 

99 

CD-RW900SL 

Slot-loading, Rackmountable 24-bit CD-R/RW with Digital I/O 

CD-01U Pro 

Single-rackspace CD Player with AES Digital Output 

TASCAM’s CD-01U Pro provides both balanced analog outputs and AES and S/PDIF 

digital outs . The CD-01U Pro plays CD, CD-R, and CD-RW, plus MP3s. Auto Ready and 

TASCAM’S CD-RW900SL features quality 24-bit digital converters, CD-R/RW support, Auto Cue guarantee your tracks start without delay. A Call function returns to the last 

S/PDIF digital I/O with both coax and optical connectors, and CD Text for easy track starting point, handy for rehearsals. The CD-01U Pro uses a slot-loading CD transport 

naming. The CD-RW901SL adds an AES/EBU digital connector, with automatic sample for trouble-free operation. Don’t need the balanced outs? Get the CD-01U, with RCA and 

rate conversion. 

ONLY $18/mo. 

S/PDIF outputs. 

ONLY $18/mo. 

$ 

CDRW900SL Slot-load CD-RW ..................List $ 699 599 97 Specs: CD-RW900SL In: 2 x RCA, 

$ 00 

Specs: CD-01U Pro Out: 2 x 

CD01UPro 1U CD Player w/ XLR Out ......List $ 699 599 97 

S/PDIF • Out: 2 x RCA, S/PDIF • 

00 

CDRW901SL Slot-load CD-RW .................List $ 1125 00 $ 899 97 ±16 CD-RW901SL adds AES/EBU 

XLR, 2 x RCA, S/PDIF, headphones • 

±12.5 CD-01U no XLR outputs CD01U 1U CD Player ..........................List $ 599 00 $ 499 97 

CD-160 mkII 

Professional CD Player for Studios and Fixed Installations 

TASCAM’s CD-160 mkII is a 2U rackmountable, cost-effective CD player designed for 

quality performance at a price you can afford. The CD-160 mkII includes a S/PDIF and 

optical output to send digital signals to other recorders or through digital consoles. Its 

Auto Cue capability positions the machine at the first audio in a CD track, eliminating 

dead space in the beginning of the track and allowing tighter cues for live shows. It also 

plays MP3 discs. 

CD-RW880 

CD Recorder/Rewriter with Analog and Digital Inputs, Centermounted 

Drive Mechanism, and Level Metering 

The CD-RW880 from TEAC provides a quick and easy way to create audio CDs from 

digital or analog sources. The CD-RW880 also functions as a conventional CD player 

with Program, Repeat, and Shuffle play modes . The CD-880RW accepts both analog and 

digital signals, and can output an analog signal. Consumer CD-R and CD-RW are both 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

CD160mkII CD Player w/S/PDIF ..............List $ 399 299 97 supported media types . 

Specs: Out: 2 x RCA, S/PDIF, 

$ 00 headphones • ±12 

Specs: In: 2 x RCA • Dig In: coaxial 

CDRW880 CD Recorder/Rewriter ............List $ 349 299 97 

00 

• Out: 2 x RCA, headphones

148 

ProGear2008 


DN-C640 

Rackmountable Network CD/Digital Audio Player with 

Pitch Control 

Stereo Recorders & Players Call today! (800) 222-4700 


DN-C615 

Rackmount CD/MP3 Player 

The DN-C615 

includes CD Text 

support for track 

names, plus MP3 

folder search by file, 

title, artist, and album. It also reads m3u WinAmp playlists, so you can play a full MP3 set 

in order. The adjustable pitch control lets you raise or lower pitch by more than a whole 

step. Instant start mode locates the first audio on a track so there’s no delay when you 

press “Play.” It’s great for theatrical sound effects! The DN-C635 adds additional features 

such as balanced I/O and a pitch slider for flexible studio use. 

It seems in this day and age that we’re always looking to get more functionality out of 

a single device. Cameras are now standard equipment on cell phones, portable music 

Specs: DN-C615 Out: 2 x RCA, headphone (DN-C635 adds 2 x XLR) • Dig Out: S/PDIF • 

ONLY $10/mo. 

players can surf the web and take phone calls, the list goes on and on. With the 

Pitch Control: ±12 • DN-C635 adds 

DN-C640, Denon elevates the concept of the CD player, forever rasing the 

$ 

DNC615 CD/MP3 Player .........................List $ 369 299 97 

parallel, RS-232 

99 

expectations for multi-purpose rackmounted music players. 

DNC635 CD/MP3 Player w/Bal I/O ..........List $ 639 99 $ 499 97 

The DN-C640 CD/digital audio player puts a host of professional-level features into 

a 1U rackmountable unit, giving you the functionality you need and the compact 

format you want. The DN-C640 supports CD-DA, WAV, MP3, MPG, and WMA file 

DN-T625 

formats, so you always have a dependable platform to play back your files. It can even 2-motor Cassette Recorder with CD Player 

read data DVDs! 

This professional 

The DN-C640 is capable of collecting and playing audio files stored anywhere on 

cassette recorder 

a connected network or networked devices for the ultimate in convenience. When 

includes its own 

connected to a network, an internal WEB GUI enables remote control over the 

CD player for easy 

DN-C640 from any web-enabled computer on the network. 

dubbing 

of CDs to tape. The 

Other features such as a ±12 percent pitch control, Quick Replay, Cue to Music, and 

DN-T625 boasts XLR and RCA inputs and Dolby B and C noise reduction. Memory 

Program Play functions give you maximum control over your playback. Monitoring 

rewind makes cueing easy , and Instant Start mode avoids awkward silence gaps. Access 

is provided via a front-panel 1/4" jack with a volume control. 

tracks with the 11-key Direct Track Select keypad and rotary Track Select knob. Frame 

Specs: Out: 2 x XLR, 4 x RCA, headphone • Dig I/O: S/PDIF, AES/EBU • Pitch Control: ±12 

Search and Back Cue functions let you dial in selected program passages. 

Specs: In: 2 x XLR, 2 x RCA • Out: 4 x XLR, 4 x RCA, headphone • Dig I/O: S/PDIF • Other 

ONLY $21/mo. 

I/O: ext sync & cascade, parallel, 

ONLY $15/mo. 

$ 

DNC640 Rackmount CD/Dgtl Aud Playr ......List $ 899 699 97 RS-422 • Pitch Control: ±12% • 

$ 99 DNT625 CD Player/Cassette Rcrdr .......List $ 599 499 97 

2 heads 

99 

MDS-JE480 

Multi-mode MiniDisc Recorder 

Here’s a MiniDisc recorder that’s fun to use in your studio 

or your home entertainment system. Sony’s MDS-JE480 

player/recorder gives you the best possible performance from 

a MiniDisc unit in this price range. The MDS-JE480 boasts a 

number of great features like ATRAC Type “S” Digital Signal 

Processing for premium sound quality, MiniDisc Long Play 

(MDLP) modes — which hold up to four times normal 

capacity — and Time Machine Recording that captures 

music up to six seconds before you press the record button. 

No more lost intros! Connect through analog I/O or a digital 

inputs. There’s a built-in sample rate converter and MP3 

playback capability. This reliable recorder has a price that 

won’t break the bank! 

Specs: In: 2 x RCA • Out: 2 x RCA, headphone • Dig in: S/PDIF on optical • 


MDSJE480 MiniDisc Recorder/Player ......List $ 200 00 Call 

“Due to the time difference between Maui and Indiana, business 

hours communication is very difficult. Your team handled 

my difficulties impeccably. My hat’s off to you all. Aloha!!!” 

— Randall Rospond 

PMD570 

Rackmountable Flash Recorder 

Now that CompactFlash cards are becoming a common recording medium, you need a reliable recorder with the 

right features to suit your needs. Whether you’re recording live events or putting together a high-quality permanent 

installation, you’ll be impressed with what the Marantz PMD570 has to offer. You can record to mono or stereo MP3 

formats to capture audio over long time periods, or choose high-quality 16-bit linear PCM audio at 44.1kHz or 48kHz. 

The PMD570 gives you over 40 assignable settings and includes balanced XLR inputs with trim control, RCA I/O, and 

S/PDIF I/O. 

Specs: CompactFlash In: 2 x XLR, 2 x RCA • Out: 2 x RCA, headphone • 

48kHz • Dig I/O: S/PDIF on RCA 

PMD570 16-bit Comp Flash Recorder .List $ 1099 99 $ 

899 97 

ONLY $27/mo. 

PMD560 

Fixed Install Flash Recorder 

Marantz Professional’s PMD Series offers high-quality, reliable solid-state recorders for critical field applications, 

meetings, voice dictation, concerts, rehearsals, worship services, and other events in rackmountable units. Their 

CompactFlash recorders offer great features and, of course, the kind of stellar sound and build quality that Marantz is 

known for. 

The PMD560 features RCA I/O and can record up to 36 hours of audio (monaural MP3 at 64 kbps), or 17 hours of 

music (stereo MP3 at 128 kbps) on one 1GB CompactFlash card. The same card can also contain up to one-and-a-half 

hours’ worth of high-quality 16-bit linear PCM audio at 44.1kHz or 48kHz. 

Specs: CompactFlash In: 2 x RCA • Out: 2 x RCA, headphones • 48kHz 

PMD560 Rackmount 16-bit Recorder ...List $ 659 99 $ 

499 97 

ONLY $15/mo.

Stereo Recorders & Players 



CC-222SL 

Combination CD-RW and Cassette Deck with RIAA Phono Preamp 

Perfect for schools, public organizations, and houses of worship, the TASCAM 

CC-222SL CD-RW/cassette recorder combo comes with a grounded RIAA phono 

preamp built in! That means you can plug your turntable directly in for hum-free 

transfers from vinyl to CD or cassette. The CC-222SL adds MP3 CD playback to its list 

of attributes, along with a sleek, slot-loading mechanism. 

Specs: CD-A500 In: 2 x RCA • Out: 

ONLY $12/mo. 

2 x RCA • ±12 CD-A700 In: 2 x XLR, 

$ 

CDA500 CD Player/Cassette Combo .........List $ 499 399 97 

The CD and cassette sides can operate independently and simultaneously. The CD 

2 x RCA • Out: 4 x XLR, 4 x RCA • 

00 

S/PDIF • ±12 

recorder employs 24-bit digital conversion to ensure maximum dynamic range, will 

CDA700 CD Player/Cassette w/XLR .........List $ 675 00 $ 549 97 

accept a wide range of analog and digital inputs, and is compatible with CD-R-DA and 

CD-RW-DA as well as CD-R and CD-RW. This is a music lover’s dream! 

WHAT OUR CUSTOMERS ARE SAYING… 

ONLY $24/mo. 

$ 

CC222SL CD-RW/Cassette Combo ........List $ 949 799 97 Specs: S/PDIF, In: 4 x RCA, 2 x phono, 

“In setting up my studio, my Sales Engineer was 100% on the money as far as guiding me in the right 

00 S/PDIF, optical optical • • Out: ±12 

4 x RCA, 

direction. When it comes to service, Sweetwater should be teaching others how to do it!” 

— Adrian Hill 

202 mkIV 

Dual-deck Cassette 

Recorder 

The latest generation of 

TASCAM’s great dual-deck 

recorders boasts features 

such as CPS (Computerized 

Program Search), CD/deck 

synchronous dubbing, Intro 

Check, and an easy-to-read, effective L/R independent peak program level meter with peak hold. 

DN780R Dual Dubbing Cassette Deck ..List $ 779 99 ONLY $19/mo. 

$ 

619 97 DNT645 CD/MP3/Cassette Player .......List $ 819 99 ONLY $21/mo. 

$ 

669 97 

CD-A500 

Cassette Recorder/CD Player with Sync 

The CD-A500 CD player/auto reverse cassette recorder makes dubs to cassette easy. 

The A-Side/B-Side feature lets you see how much time each new track occupies. You can 

easily program the CD-A500 to reverse to side B at the appropriate time without any loss 

of material. With the CD-A700, you can treat the CD and cassette as separate units with 

independent outputs and separate pitch control for each player, or take advantage of 

their integration with enhanced dubbing and extended play features. 

322 

Dual-well Tape Deck 

The 202mkIV comes in a 3U rackmountable housing, perfect for studio use. Double deck recording capability allows 

you to make two identical copies from an external master at the same time. This professional, multifunctional deck TASCAM built the 322 with features that were specifically 

also includes pitch control, a front mic input with level control, Dolby B noise reduction, dual recording speed, and dual requested by professional engineers. The result is a deck 

auto reverse. 

that fits into a wide variety of applications: recording 

ONLY $12/mo. 

studios, boardrooms, houses of worship, live venues, and 

$ 

202mkIV Dual Cassette Deck ................List $ 525 399 97 Specs: In: 2 x RCA, 1 x 1/4" mic • Out: 2 x RCA • ±12 • 2 heads 

more. The 322 uses an optical sensor to detect leader on 

00 

tapes. When the tape approaches the leader tape at the 

end of the cassette, it will immediately flip to the other 

side. This function minimizes the amount of time lost 

when switching sides, since the deck won’t have to pass 

through the leader to the end of the reel, then back to the 

recordable tape again. In addition to saving you the time 

and effort of physically flipping the tape, it makes the 322 

the ideal machine for logging or long-form recording. 

DN-780R 

DN-T645 

You also get pitch control, advanced Dolby noise 

CD, MP3, and Cassette Combo 

Dual-well Auto-reverse Cassette Deck 

reduction, and several input and output options. Each 

Check out our studio’s media shelves and you’ll see a well on the 322 can operate independently — play from 

Denon makes ultra-reliable products that give you 

“history” of recording technology — everything from one while you record an external source into the other. 

the features and ease-of-use you need to get the results 

1" and 2" reels to cassettes, DATs, ADATs, CDs — you get You can slave up to 10 units together for a premium 

you want. The DN-780R Dual-well Cassette Deck gives 

the picture. When we need to record a cassette or play duplicating system. 

you plenty of flexible options for recording, dubbing, 

back a tape from the archives we need a reliable deck. Specs: In: 4 x XLR, 4 x RCA • Out: 4 x XLR, 6 x RCA • ±12 • 2 heads 

and playback. It includes two stereo mic inputs a mic 

Denon’s DN-T645 does the job beautifully, but it doesn’t 

mixing control , auto tape select, and Dolby B and C noise 

stop there — it’s also a CD/MP3 player! And it’s loaded 

“I’ve been relying on TASCAM cassette decks 

reduction with Hx Pro. You also get a Memory Rewind 

with features such as MP3 folder search, CD Text, Dolby 

since 1987. Tens of thousands of hours of 

function, dual-recording options including two masters 

B, C and HX Pro noise reduction, CD-to-tape duplication, 

recording later, I’ve never had an equipment 

at once or A to B deck recording, and Relay play or 

digital S/PDIF outputs and more. 

failure. When it comes to cassettes, 

record . The DN-780R is rackmountable (3U). 

I trust only TASCAM!” 

Specs: CD/Cassette • In: 2 x 1/4" (front, mic/line), 2 x XLR, 2 x RCA • Out: 4 

Specs: Cassette • In: 2 x 1/4" (front, mic/line), 2 x RCA • Out: 2 x RCA, 

x XLR, 4 x RCA, Headphone • Ext Sync & Cascade, Parallel, RS-242 • Dig Out: 

— Ron Daniel, Sales Engineer, Ext. 1233 

headphone • Serial D-sub RS232C, Cascade, Parallel D-sub 25 

S/PDIF on RCA • Plays CD/CD-R/CD-RW/MP3 

ONLY $15/mo. 

$ 

322 Dual Cassette Deck ................List $ 649 499 97 

00

150 

ProGear2008 


Stereo Recorders & Players Call today! (800) 222-4700 


DV-RA1000 HD 

Audiophile Master Recorder for CD, DVD, and 

DSD with Internal 60GB Hard Drive 

If you’ve thought about getting into the DSD game you 

know that the entry price is high. That’s why we were 

stunned by TASCAM’s new DV-RA1000HD, which allows 

you to record directly to DSD at a very down-to-earth price! The DV-RA1000HD offers you recording 

and playback options for a number of professional applications, and it includes a robust internal 

60GB hard drive. For master recording, you can record your final mix at the best possible resolution 

from 44.1kHz up to 192kHz or DSD. For live recording, connect the DV-RA1000HD to a top-quality 

mixer or mic preamp for stunningly detailed recordings. In an installed sound environment, put it 

in any system where you would specify a professional CD recorder. For mastering, transfer analog 

masters to DSD or 192kHz for remastering to SACD or DVD-Audio. The more affordable 

DV-RA1000 offers the same configuration and features, minus the hard drive. 

Specs: In: 2 x XLR, 2 x RCA • Out: 2 x XLR, 2 x RCA • Dig I/O: AES/EBU, S/PDIF, SDIF-3 (BNC), word clock • Pitch control: 

± 6 •24-bit/192kHz 

ONLY $60/mo. 

$ 

1999 97 

DVRA1000HD High-res Master Recorder ........List $ 2499 00 

DVRA1000 High-res Master Recorder ...... List $ 1499 00 $ 1299 97 


“I’m a serious hobbyist who is considering a professional venture, so I’m upgrading my 

recording equipment. My Sales Engineer is an excellent guide. He is knowledgeable and patient 

and takes a genuine interest in my goals and objectives. This is a win-win. I’m not purchasing 

blindly, and you get a loyal customer.” — John Genette 

DV-D01U 

Rackmountable DVD and CD Player 

The TASCAM DV-D01U professional DVD player lets you 

play an exhaustive list of formats (DVD, DVD-Audio, CD- 

DA, MP3, WMA, WAV, and video CD to name a few) and fits 

into one rack space. Output options include unbalanced 

RCA, coaxial and optical S/PDIF, S-Video, and component 

video. The DV-D01U also features Dolby and DTS digital 

surround, HDMI (High Definition Multimedia Interface), 

Timer Play function, and progressive scan. 

The DV-D01U is a great centerpiece to a multimedia 

center. The wide range of features available cover 

practically all the media possibilities that could arise. 

From schools to houses of worship to office presentations, 

the DV-D01U will prove itself indispensable in any 

situation where reliable playback of a variety of media 

sources is required. 

Specs: Audio Out: 2 x RCA, optical • Video Out: Component Video, S-Video, 

RCA, HDMI 

MD-CD1 

CD Playback, MiniDisc Recorder 

Just as the record labels have discovered that it’s very 

expensive to release music in several different formats, 

establishments that require music playback have 

discovered that it’s not only expensive, but also takes up 

a lot of space to have several different units for recording 

and playback. 

TASCAM’s MD-CD1 is a multimedia component that 

solves that problem by combining CD playback and 

MiniDisc recording in a 2-rack-space unit designed to 

save space and installation budgets. A reliable player 

designed for years of trouble-free use, the unit is stocked 

with features such as ±12.5% pitch control and MP3 and 

CD playback. 

Specs: In: 2 X S/PDIF, RCA • Out: 2 x S/PDIF, RCA • wireless remote • Pitch 

Control: ±12 • 16-bit/44.1kHz 

MD-350 

Rackmount MiniDisc Recorder 

This MiniDisc recorder/player reaches out to 

professionals on a budget — small theaters, houses of 

worship, budget-conscious broadcasters, and live venues. 

The MD-350 gives you stereo XLR and line-level inputs 

and outputs to connect to your mixing board. There’s 

also digital I/O and a headphone out with its own level 

control. Plus, you can plug a computer keyboard into the 

front panel to easily type in track titles and markers. 

The MD-350 employs new long-play encoding schemes 

that give you up to 320 minutes of record time on a 

standard 80-minute MiniDisc. Long on usefulness, short 

on price — the MD-350 is your audio solution! 

Specs: In: 2 x XLR, 2 x RCA • Out: 2 x XLR, 2 x RCA, headphone • S/PDIF • 

Pitch control: ±12% • 16-bit/44.1kHz 

CD Player/MiniDisc Combo ....List $ 949 00 Pro MiniDisc Recorder ...........List $ 599 00 DVD01U 1U CD/DVD Player ................List $ 649 00 $ 

549 97 MDCD1 $ 

799 97 MD350 $ 

489 97 

ONLY $17/mo. 

ONLY $24/mo. 

ONLY $15/mo. 

SS-CDR1 

Rackmountable CompactFlash/CD Recorder 

TASCAM’s SS-CDR1 provides an impressive set of recording and playback features 

in a compact single-rack unit that’s ideal for installations. Whether you’re recording 

important meetings, capturing audio and speech in your house of worship, or want a 

great solution for live performances, the SS-CDR1 gives you the flexibility you need. This 

unit records in WAV or MP3 formats, and its combination of CompactFlash and CD-RW 

recorders allows you to go from source audio to finished disc inside one quality package! 

The SS-CDR1 includes balanced XLR and unbalanced RCA audio inputs and outputs, as 

well as S/DIF digital I/O. The more streamlined SS-R1 includes all the features of the 

SS-CDR1, without the CD recorder. 

ONLY $30/mo. 

$ 

999 97 

Specs: In: 2 x XLR, RCA Out: 2 x 

XLR, RCA • Dig I/O: S/PDIF 

HD-R1 

2-channel CompactFlash Installation Recorder 

If you want to get reliable audio recordings from your installation setup, you need a 

recorder built specifically for the job. It doesn’t hurt if it’s rackmountable and compact, 

either. Here’s one that fits the bill perfectly: The TASCAM HD-R1 Solid State Recorder. 

This unit packs a high-quality 2-channel solid-state recorder into a compact 1U rackmountable 

chassis. Using CompactFlash media, the HD-R1 records up to 24-bit/48kHz 

PCM or MP3 files and can be controlled remotely. Mic preamps (with 20dB pad) and 

selectable phantom power are included, as are a range of I/O options, including RCA, 

XLR, Euroblock, and S/PDIF. You get practical features, such as Power-on Play, selectable 

monitoring, and a range of play modes with the HD-R1. 

Specs: In: 2 x XLR, RCA Out: 2 x XLR, RCA • Remote: D-sub25 • Dig I/O: S/PDIF, Ethernet 

SSCDR1 CD-RW/Flash Recorder Combo .....List $ 1249 00 

ONLY $33/mo. 

SSR1 24-bit CompactFlash Recorder .........List $ 749 00 $ 549 97 HDR1 24-bit CompFlash Rcrdr .......List $ 1299 00 

$ 

1099 97

Portable Handheld Recorders 



Record Anything, Anywhere 

with a Portable Handheld Recorder! 

No Moving Parts 

Handheld recorders record to SD or CompactFlash cards (like the ones you might use 

for your portable digital camera) for hours of high-quality, ultra-quiet, reliable recordings. 

Gone are the days of noisy, high-maintenance tape recorders! 

Pocket-sized Convenience 

These modern recording wonders are about the size of a deck of cards and easily fit 

into a pocket. They combine a go-anywhere attitude with professional features and 

qualities you’d expect to see in much larger packages. Due to their miniature size, 

they’re the ideal recorder where space is limited, or for the musician on the go. 

Built-in Microphones 

With high-quality microphones built into most models (except for the MicroTrack, which 

ships with an external stereo mic that fits right onto the top of the unit), getting a great 

recording really is as easy as point, press record, and capture your audio! They also 

have some form of additional microphone inputs so you can use your own microphones, 

positioned exactly where you want them, to record your audio as well. 

Battery-powered Brilliance 

It may sound like a small thing, but a big advantage of handheld recorders is that they 

run on batteries. Because they have no moving parts, they don’t use much power giving 

you hours of recording without the need to be plugged into a power outlet. 

Simple Transfer to Your Computer 

After recording, it’s easy to transfer files to your computer for editing, sending to others 

via email, turning into podcasts, making CDs, or any number of other uses. These units have 

USB ports on them, so in most cases it’s just a matter of connecting them to your computer 

via a USB cable and dragging the audio files over to your desktop. 

Top 10 

Handheld Recorder 

Uses: 

1. Record your gigs! 

2. Record your 

band rehearsals! 

3. Capture musical 

ideas — wherever 

your are! 

4. Record interviews 

for broadcast! 

5. Music & audio 

playback device! 

6. Record conferences 

and meetings! 

7. Field recording & 

sample gathering! 

8. Secondary 

recording device! 

9. Audio Notepad — 

memos, to-dos, etc.! 

10. Capture audio 

for a podcast! 

Call Your Sales Engineer today at 

1-800-222-4700 for answers to all of your 

handheld recorder questions

152 

ProGear2008 


H4 4-track Portable Recorder ................List $ 499 99 ONLY $10/mo. 

R09 24-bit SD Recorder ....................List $ 450 00 $ 

399 97 

ONLY $12/mo. 

R09red 24-bit SD Recorder .....................List $ 450 00 $ 399 97 

R09white 24-bit SD Recorder .....................List $ 450 00 $ 399 97 

R09Stand R09 Cover/Stand Set ....................List $ 79 00 $ 59 97 

R09MSA R09 Mic Stand Adapter ............................. $ 

24 97 

R09case Case for R-09 Recorder ................List $ 69 00 $ 59 97 

R09pouch Case for R-09 Recorder ................List $ 39 00 $ 29 97 

CS15 Cardioid Stereo Mic ....................List $ 159 00 $ 119 97 

Field Recording Call today! (800) 222-4700 


H4 Handy Recorder 

Dual-function Stereo/4-track Field Recorder 

The H4 can function as both a premium stereo field recorder 

and a multitrack — you’ll be amazed at the level of 

recording quality you get out of such a small package! As 

if that wasn’t enough to drop your jaw, the H4 has loads 

of onboard signal processing functions, top-notch effects, 

and external inputs for even more recording options, and 

can even function as a USB audio interface. This mini 

marvel fits in the palm of your hand and is perfect for just 

about any mobile recording application. Performing as a 

dual-function device with a stereo mode 2-track for handy 

field recording, and 4-track mode, the H4 offers dual 

electret condenser mics built in plus two XLR/1/4" combo 

jacks with 48-volt phantom power. A hi-Z input handles 

guitars and basses, literally giving you a handheld studio 

that can record just about anything, and do it well. The H4 

is loaded with recording effects and guitar effects drawn 

from the Zoom G2. 

$ 

299 97 24-bit/96kHz 

Specs: In: 2 x 1/8" • Out: 1 x 1/8" • 24-bit/96kHz 

ONLY $10/mo. 

$ 

H2 Handheld SD Recorder ......................List $ 334 199 97 

99 

PCMD50 24-bit/96kHz Portable Recorder ...List $ 599 99 

PCMD50std Stand for PCM-D50 Recorder ....................... 

PCMD50rem Remote for PCM-D50 Recorder .................... 

PCMD50ws Windscrn for PCM-D50 Recordr ................... 

Specs: In: 2 x XLR/TRS combo • 

R-09 

Portable Field Recorder with SDHC Capability 

The palm-sized R-09 records 24-bit/44.1kHz or 48kHz 

audio without compression to a removable SD memory 

card allowing up to 32GB of memory! How? The R-09 

is SDHC-capable, meaning longer recording times and 

faster transfers than recorders without SDHC. The 

R-09 can capture everything that’s going on with great 

detail through its built-in 

electret condenser microphones 

(positioned at 120˚ for accurate 

stereo imaging). The R-09 can 

even record and play back MP3s 

at up to 320kbps. Transfer audio 

files to your computer with the 

USB 2.0 port. Optional 

accessories include a 

carrying case, stand and 

adapter, and external 

stereo mic. 

Specs: In: 1 x 1/8" w/phantom 

power • Out: 1 x 1/8" convertible to 

S/PDIF • 24-bit/48kHz 

PCM-D50 

Portable PCM Recorder 

If you want to make high-quality stereo digital recordings 

anywhere , but need a budget-friendly, ultra-portable unit, 

the streamlined PCM-D50 might just be the compact 

recorder for you. It certainly doesn’t skimp on the good 

stuff, including 24-bit/96kHz quality audio, a Memory 

Stick PRO-HG Duo slot, MP3 playback, and dual digital 

limiter . The PCM-D50’s two built-in electret condenser 

microphones can be adusted for X/Y or wide-stereo 

recording . An array of accessories are available for the 

PCM-D50, including a windscreen, tripod stand, leather 

case, and remote control. 

Specs: In: 1 x 1/8" • Out: 1 x 1/8"/optical combo, headphones • 

24-bit/96kHz • Dig I/O: S/PDIF 

ONLY $15/mo. 

$ 

499 99 

H2 Handy Recorder 

Handheld Field Recorder 

The follow-up to the super-successful H4, the Zoom H2 Handy 

Recorder fits in the palm of your hand and records pristine 

audio in a variety of applications. The H2 comes with four 

internal mic capsules arranged in a W-XY pattern, plus 

signal processing, giving you a variety of polar patterns 

and miking options. This little recorder not only captures 

pristine audio with 24-bit clarity, it’s packed with the kind of 

functional features that make it even more of an incredible 

bargain than its low price would indicate! The H2’s 

surround recording function gives you the ability to capture 

what’s going on onstage as well as in the audience — the 

actual sound of the room! Record 360 degrees of sound 

sources as 4-channel data, which can then be authored into 

5.1 surround sound. 

The H2 records on SD media cards up to 2GB and ships with 

a 128MB card. In addition, you can set the file format to the 

widest variety of bit rates available for increased recording time. 

DR-1 

Handheld Compact Flash Recorder with 

Variable Angle Microphones 

TASCAM’s DR-1 records both CD- and MP3-quality 

audio, so you can use it wherever you want to get 

amazing sounds accurately. Its built-in stereo condenser 

microphones are adjustable, allowing you to record 

incredible stereo sound from nearly every angle. A great 

tool for everything from live performances to rehearsals, 

song sketches to finished tunes, the DR-1 has what you 

need to capture an incredible variety of sound sources 

with 24-bit/48kHz digital clarity. You can use the 

onboard low-cut filter, analog Auto Gain control, and 

analog limiter to ensure what goes into the DR-1 suits 

your taste. This ultra-portable recorder even allows you 

to add an overdub to an existing recording! The DR1’s 

built-in tuner is very handy, and a Vocal Cancel feature 

lets you add your own flavor to tracks. Included with the DR- 

1 is a 1GB SD card, which gives you hours of great recording time. If you’re importing 

audio or want to put it into your computer from the DR-1, a fast, handy USB connection 

is onboard for easy data transfer. 

Specs: In: 1 x 1/8" • Out: 1 x 1/8" 

• 24-bit/48kHz • Dig I/O: USB 

Pocketrak 2G 

Handheld SD Recorder 

DR1 24-bit SD Recorder ................List $ 399 00 $ 

299 97 

ONLY $10/mo. 

Yamaha created quite a buzz this year at the Winter NAMM 

show with a marvelous little device that really rocks! The new 

Pocketrak 2G handheld portable 

digital recorder packs CD-quality stereo 

recording capability into a handy little 

feature-filled unit. Now you can capture 

great audio anywhere, thanks to the 

easy-to-use, super-slim (1/2"-thick) 

Pocketrack 2G, which includes a tilt-up 

adjustable mic, built-in speaker, and 

USB connectivity. It’s onboard 2GB of 

memory gives you hours of recording 

time, and the included Cubase AI 

production software lets you get started 

making incredible recordings right 

$ 

69 95 away from the Pocketrak 2G. 

$ 

49 95 

ONLY $11/mo. 

Specs: Out: 1 x 1/8" headphone • 

$ 

49 $ 95 Pocketrak2G Handheld SD Recorder ...........List $ 450 349 99 

00 

16-bit/44.1kHz • Dig I/O: USB 2.0

(800) 222-4700 

www.sweetwater.com

154 

ProGear2008 




PMD-620 

Compact Flash Recorder 

with 360-degree Recording 

Capability and Built-in 

Speaker 

Put Marantz quality in the palm of 

your hand — literally! This supercompact 

recorder uses SD Flash media 

for convenient and flexible recording, 

and its results are spectacular! 

You can record high-quality WAV or 

MP3 files, perform non-destructive 

editing functions onboard — even 

use the PMD-620’s built-in speaker 

to monitor your results instantly. Its 

internal mic design (featuring two 

premium condenser mics) gives you 

plenty of sound-capture options, 

including stellar 360-degree recording 

capability. This is an incredibly useful 

feature for capturing conferences, or 

even getting that “you are there” live feel 

at a performance! If you want more options, line-in and external 

mic inputs are provided. The PMD-620’s large display and onboard non-destructive 

editing allow you to get great results in the field, while its ability to accomodate 

unlimited SD card sizes means you can record practically anything, anywhere! And when 

you get back, you can use the PMD-620’s USB connectivity to easily send sound files to 

your computer with “drag-and-drop” simplicity. 

Specs: In: 2 x 1/8" • Out: 1 x 1/8", headphone • 24-bit/192kHz • Dig I/O: USB 

MicroTrack II 

Portable 2-track 

CompactFlash Recorder with 

Phantom Power and USB 

M-Audio’s MicroTrack II brings you 

the next generation of a high-fidelity 

performer! This 2-channel digital 

unit records WAV and MP3 files to 

CompactFlash or microdrives, making 

it ideal for field recording, lectures, and 

live musical performances. 

You can record via balanced line inputs 

or use the MicroTrack’s premium mic 

preamps (complete with 48V phantom 

power) to plug in condenser mics. 

This unit connects to your computer 

via USB, so you can easily drag 

and drop recordings for immediate 

editing or storage. Features include 

an analog limiter, improved metering 

for more accurate level control, file 

time-stamping, and a Li-Poly battery 

for extended battery life. The compact, 

affordable MicroTrack II’s housing is rugged 

enough to stand up to use in the field, and an LED backlight dimmer makes it easy to 

control in any environment. The MicroTrack II is compatible with both Mac and PC 

computers and can seamlessly record files in excess of 2GB. 

Specs: In: 1 x 1/8", 2 x TRS • Out: 1 x 1/8", 2 x RCA • Dig I/O: S/PDIF, USB • 24-bit/96kHz 

PMD620 CompactFlash Recorder ................List $ 599 99 $ 

399 97 MicroTrack2 24-bit CompFlash Recorder .....List $ 499 95 $ 

299 97 

ONLY $12/mo. 

ONLY $10/mo.

Meet the only mobile recorder 

that sounds better than the MicroTrack. 

palm sized 

Professional 2-Channel Mobile Digital Recorder 

Sound matters—that’s why the MicroTrack recorder has become the only choice for audio professionals worldwide. Now M-Audio 

has designed the MicroTrack II, featuring even higher audio fidelity, an extended input gain range, workflow enhancements including 

faster file transfer rate, and more. A new standard from the people who set the standard, the MicroTrack II delivers what’s most 

important—superior-quality recordings. 

• 2-channel WAV (BWF) and MP3 recording and playback 

• new features include extended input gain range, analog input limiter and BWF file marking ability 

• balanced ¼” TRS inputs with line inputs and 48V phantom-powered mic preamps 

• drag-and-drop file transfer to PC and Mac via high-speed USB 2.0 

• storage via CompactFlash or Microdrives (not included) 

Call your Sweetwater Sales Engineer and get “M-Powered” today. 

Includes stereo electret microphone, earbuds, 

headphone extension cable with lapel clip, power supply, 

USB cable (A to Mini B) and protective carrying case with mic pouch 

(800) 222-4700 • www.sweetwater.com 

© 2007 Avid Technology, Inc. All rights reserved. Avid, M-Audio, the “> logo” and MicroTrack are either trademarks or registered trademarks of Avid Technology, Inc. All other trademarks contained 

herein are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice.

156 

ProGear2008 




CDR420 

MP3 and CD-R Recorder 

Marantz’s CDR420 is as easy 

to operate as a standard tape 

deck, but captures audio in 

great-sounding uncompressed 

WAV format. The audio is saved to an internal 20GB hard 

drive that’s capable of holding 24 hours of uncompressed 44.1/48kHz WAV files or a 

staggering 1,800 hours of MP3-quality files. 

Backup of your recordings is super-easy with the CDR420. Either burn a CD for listening 

or archiving on the spot, burn an MP3 disc, or use the built-in USB port to move your 

files to a computer. The CDR420 can also rip audio from CDs, copy CDs, and provides 

onboard editing. Automatic time-date stamping makes archiving a much less painful 

process, and you can name files on-the-fly, further enhancing the archiving of data. A 

built-in condenser mic is great for spontaneous recording, and the CDR420 accepts XLR 

(with phantom power), 1/4", and S/PDIF inputs as well. This is a great all-in-one unit 

for recording on-the-go! 

Specs: In: 2 x XLR, 2 x1/4", 2 x RCA • 

Out: 2 x RCA • Dig I/O: S/PDIF • 


CDR420 MP3/CD-R Recorder ............List $ 1499 99 $ 

1199 97 

ONLY $36/mo. 

CDR310 

Direct-to-disc Recorder 

The CDR310 sports an 

internal mic as well as 

XLR inputs with phantom 

power, and it can finalize a 

disc for instant playback on 

any player. One of the most 

innovative new features on the CDR310 is the ability to record even when in pause mode, 

allowing you to never miss a second of the action. The CDR310 is capable of handling 

whatever you throw at it, as the built-in microphone preamps with XLR connectors and 

48V phantom power allow for the use of external condenser microphones for high-quality 

sound pickup. The built-in high-quality microphone and the ability to record for hours is 

very convenient and enables you to streamline your rig down to just a single unit without 

sacrificing quality. From there, you can finish the final project to the built-in CD-R/-RW 

burner — and you can accomplish all this within one lightweight, compact unit. The 

burner can create audio discs for instant playback on any CD player, or data discs for 

transfer to a computer or for archiving purposes. 

Specs: In: 2 x XLR, 2 x RCA • Out: 

2 x RCA • Dig I/O: S/PDIF on RCA 

• 16-bit/44.1kHz 

FlashMic Digital Recording Mic ..........List $ 1049 00 $ 

999 97 

ONLY $30/mo. 

PMD Portable 

Portable Flash Recorders 

MR1000 

MR1 

MR1000 1-bit Tabletop Recorder ............List $ 1499 00 $ 

1199 97 

ONLY $36/mo. 

MR1 1-bit/2.8MHZ/20GB Recorder ....List $ 899 00 $ 699 97 

Professionals who use portable 

recording devices for ENG, location 

recording of choirs and ensembles, 

ONLY $21/mo. 

$ 

CDR310 Port CDR/RW Recorder ........List $ 1049 699 97 or any other type of field recording 

00 know that a recorder needs to not only 

sound good, but be reliable. Marantz 

Professional PMD Series portable 

recorders are built to withstand the 

PMD660 

rigors of all types of field recording. 

The PMD660 is an entry-level 

16-bit/48kHz recorder with XLR 

inputs and is great for recording 

interviews and voice dictation. 

The PMD670 raises the 

bar to preamps with higher 

headroom, and is well-suited for 

PMD670 

voice recording as well as portable 

music recording. The PMD671 ups 

the ante by recording 24-bit/48kHz 

audio. All three of these units record 

onto CompactFlash cards, and are 

built with the serious professional 

in mind. 

PMD671 

Specs: PMD660 In: 2 x 

ONLY $15/mo. 

$ 

PMD660 CompactFlash Recorder ..............List $ 649 499 97 

99 

FlashMic 

Condenser Mic/Flash Recorder with 1GB Memory 

Why didn’t anybody think of this before? HHB has developed the FlashMic DRM85, the 

world’s first professional digital recording microphone, which records WAV and MPEG2 

files. Perfect for broadcast and press interviewing, the FlashMic combines a high-quality 

Sennheiser omnidirectional condenser capsule with 1GB of flash recording memory. You 

can operate it straight out of the box or create and store nine custom configurations 

using the Mac/PC GUI software supplied. Parameters include audio mode, automatic 

gain control, on/off, record level, pre-record buffer, highpass filter, plus an expert user 

mode. This is the ultimate in no-fuss portable recording. There are no cables to deal 

with, no external units to drag with you, and with 16-bit/48kHz resolution, you can 

be sure that your recording is going to sound great. You can even convert your files to 

MP3s via downloadable software! This is a must-have microphone for anyone doing field 

interviews, and a great all-around, all-in-one tool for easily and accurately capturing 

sound sources. 

Specs: omni • 16-bit/48kHz 

MR-1000 

1-bit/5.6MHz Recorder with Internal Hard Drive and USB 2.0 

The MR-1000 utilizes the amazing sound quality of 1-bit technology — the same 

technology used to produce SACDs — normally available only to major labels. This 

amazing portable recorder is perfect for any recording situation ranging from ENG 

(Electronic News Gathering) to recording rehearsals or live performances — any 

application where you want to ensure that you get every last nuance captured with 

exceptional detail. The MR-1000 is a portable/tabletop unit that’s equipped with XLR/line 

combo jacks with phantom power and a built-in limiter . With the ability 

to record incredible 1-bit/5.6MHz audio (twice the SACD standard!), 

the MR-1000 excels as not only a location recording device, but as 

a means to master and archive your final mixes. It can also record 

PCM files at resolutions up to 24-bit/192kHz and includes a USB port 

to easily move your recordings to a computer for editing. Plus, the 

included Audio Gate software (Mac/PC) easily performs real-time 

1-bit-to-WAV or -AIFF conversions and vice-versa. Now you can get 

truly pro-level mixes, archives, and flawless location recordings 

with this portable wonder! The MR-1000 uses “AA” batteries, or can 

be powered via AC. The more affordable, handheld MR-1 records 

1-bit/2.8MHz audio and features two 1/8" balanced inputs. Plus, the 

MR-1 now ships with a free external battery pack. 

Specs: MR-1000 In: 2 x 

XLR/line combo • Out: 2 x XLR. 2 

x RCA, headphones • 1-bit/5.6MHz 

MR-1 In: 2 x 1/8" • Out: 1 x 1/8", 

headphones • 1-bit/2.8MHz 

XLR, 1 x 1/4" • Out: 1 x 1/4" • 

16-bit/48kHz PMD670 In: 2 x 

XLR, 2 x RCA • Out: 2 x RCA, 

headphone • Dig I/O: S/PDIF on 

RCA • 16-bit/48kHz PMD671 In: 

2 x XLR, 2 x RCA • Out: 2 x RCA, 

headphone • Dig I/O: S/PDIF on 

RCA • 24-bit/96k 

PMD670 16-bit CompFlash Recorder .........List $ 899 99 $ 699 97 

PMD671 24-bit CompFlash Recorder .......List $ 1199 99 $ 999 97 

RB1100 Battery for PMD .........................List $ 110 00 $ 89 97

Field Recording 


CD-2e 

CompactFlash Recorder and CD Burner 

Recording is a breeze on the compact CD-2e. A 

high-quality stereo microphone is built-in for on-the-spot 

recording. Additional mics can be plugged in, and an 

onboard speaker is included. The CD-2e records directly 

onto CD-Rs, so as soon as you’re done you’ll have a 

finished, professional disc! For extra-long performances , 

the CD-2e lets you record to CompactFlash media (you 

can capture up to 12 hours on an 8GB SDHC card). 

Transport your CD-2e in the fitted CB-CD2E case. 

Specs: In: 2 x XLR/TRS, 2 x RCA • Out: 2 x RCA, 1 x 1/4" headphone • 



HD-P2 

High-res CompactFlash Recorder 

When you need to capture pro-quality audio in 

the field but don’t want to settle for a bulky 

recorder, TASCAM has you covered. 

The HD-P2 packs 24-bit/192kHz 

recording with integrated timecode 

synchronization into a portable, 

affordable package. Its reliable design 

and high-end features take it well 

beyond consumer portable recorders, 

with built-in timecode chase, peak limiting, and 

FireWire computer connectivity. 

The HD-P2’s large angled LCD makes this deck perfect for any application from overthe-shoulder 

location work to live recording and commercial applications. The 

HD-P2 records in stereo from 44.1kHz to 192kHz, at 16- or 24-bit, to affordable 

CompactFlash media. The HD-P2’s two 

XLR mic inputs have switchable analog 

peak limiting, handy for unpredictable 

live recording. The CS-P2 case is 

designed to protect your HD-P2 while 

allowing ready access to its functions. 

Specs: In: 2 x XLR, 2 x RCA • Out: 2 x RCA, phone • 

Dig I/O: AES, S/PDIF, SMPTE in (XLR), Video clock in 

(BNC) • 24-bit/192kHz 

ONLY $18/mo. 

ONLY $30/mo. 

$ $ 

CD2e HDP2 24-bit CompFlash Rcrdr ...........List $ 1249 999 97 

CD/SD Card Recorder .................List $ 699 599 97 

00 00 

CD2eCase Case for R-09 Recorder ................List $ 89 00 $ 79 97 CS-P2case 

HDP2case Case for TASCAM HD-P2 ..............List $ 69 97 $ 49 97 

R-44 

FLEXIBLE 

4-channel Field Recorder 

FINANCING 

Edirol’s R-44 gives you an incredibly powerful and flexible 

Apply today at www.sweetwater.com/allaccess 4-channel field recorder in a very compact package. Though the 

ultra-portable R-44 weighs in at a lightweight 3 lbs, it offers a 

huge range of recording options, whether you’re using it to 

record live performances, speaking events, or capturing and 

preparing audio for broadcast. The R-44 uses convenient SD 

and large-capacity SDHC card media. 

The R-4 Pro shares the same rugged construction, robust 

feature set, and great sound quality while adding AES/EBU support and 

SMPTE time code. For the ultimate in convenience, both of these units sport XLR inputs 

and quality built-in condenser mics. Record up to four channels at 24-bit/192kHz with the R-44 

(up to 96kHz with the R-4 Pro) and monitor each channel discretely. The onboard limiter helps keep 

your recording from going into the red. The R4-Pro’s 80GB hard drive will store up to 125 hours of high-quality audio. 

You can plug in any standard USB drive and enjoy fast back-ups of your projects. Geared for pro videographers and 

recordists, the R-4 Pro delivers professional sound and features in a package that everyone can afford. Both recorders 

ONLY $24/mo. 

R44Edirol 24-bit Rec w/HD .......................List $ 895 00 

MZ-M200 

Hi-MD MiniDisc Recorder 

The Sony MZ-M200 Hi-MD portable audio recorder 

is the perfect companion for journalists or musicians 

who need to have instant record-ready gear without 

sacrificing fidelity. The MZ-M200 comes supplied with an 

ECM-DS70P Stereo Microphone and MDR-EO931 Earbud 

Headphones. The MZ-M200 uses affordable Hi-MD media 

with 1GB storage capacity. Four recording modes are 

supported, including Linear (PCM), ATRAC3plus (Hi-LP 

and Hi SP) mode, and ATRAC (SP) mode. The MZ-M200 

supports USB uploading/downloading, allowing transfer 

of audio recordings to a computer in WAV format. 

This handy unit can operate for up to 19 hours with its 

rechargeable battery, which is supplied. Operation is 

incredibly easy using the included remote control. You 

can monitor activity on the MZ-M200 via the 2-line EL 

(Organic Electroluminescence) display. The MZ-M200 is 

compatible with both Mac and Windows. 

have studio-class onboard effects and excellent WAV file 

editing features. 

Specs: R-44 In: 4 x XLR/TRS • Out: 2 x RCA, phones • Dig Out: S/PDIF • 

24-bit/192kHz R-4 Pro adds AES/EBU I/O and SMPTE time code support 

MDP500 

Portable MiniDisc Recorder 

with USB 

$ 

795 97 

R4Pro 24-bit Rec w/HD .....................List $ 2395 00 $ 1999 97 

Journalists, broadcasters, and portable recordists have 

long championed the virtues of the MiniDisc. The ability to 

record up to 160 minutes of mono audio on a single disc makes 

MiniDisc a convenient and affordable medium. The MDP500 

was built with input from the industry’s leading ENG professionals 

to ensure that the MDP500 meets the demands of today’s modern 

journalist. It incorporates an advanced V4.5 ATRAC recording algorithm 

coupled with exceptional mic pres for clean audio capture, and built-in limiters to prevent overs. The MDP500 also 

boasts built-in editing tools that allow you to combine two tracks together to make one, divide one track into two, move 

Specs: In: 2 x 1/8" stereo mic/line (analog/opt) • Out: 1/8" headphone/ 

dedicated remote • 16-bit/44.1kHz 

tracks, and erase tracks, all from within the unit. Built-in SRC with digital sync recording rounds out this full-featured 

ONLY $12/mo. MiniDisc recorder. 

$ 

MZM200 HiMD Recorder w/El Disp ......List $ 439 399 97 ONLY $45/mo. 

Specs: In: 2 x XLR • Out: 2 x RCA, phone • Dig. I/O: S/PDIF • 16-bit/44.1kHz 

$ 95 

MDP500 MiniDisc Recorder w/USB ...List $ 1712 1499 97 

50

158 

ProGear2008 




702 

702T 

722 

2-track Digital 

Recorder with 40GB 

Hard Drive 

The Sound Devices 722 

2-track recorder gives you the option to 

record to its internal 40GB hard drive, CompactFlash media, or an external 

FireWire drive. This versatile, compact unit writes and reads uncompressed PCM audio 

at high bit and sample rates, and also supports MP3 recording playback. Its preamps are 

designed specifically for high-definition recording, and they provide amazing frequency 

response, low distortion, and very low noise. The super-compact, lightweight 722 also 

includes a range of analog and digital connections for audio and video applications. 

702 

2-track Compact Flash Recorder 

Sound Devices products are built tough and to very high standards. Though compact, they’re 

packed full of features, too. The 702 is a streamlined 2-track CompactFlash recorder that’s 

loaded with two Sound Devices next-generation preamps, complete with phantom power, 

limiters, and high-pass filters. These units might be considered the next step beyond DAT 

recorders, with 24-bit resolution and sampling rates up to 192kHz, as well as a ton of features 

such as MP3 decoding and compressed and uncompressed record and read function. Plus, 

their amazingly light weight makes them optimum for field use. The 702T includes the same 

features as the 702, plus time-code functionality. 

Specs: In: 2 x XLR • Out: 2 x TA3, 1 x TS, 

headphone • Dig I/O: AES, S/PDIF, FireWire 

• 24-bit/192kHz • 702T includes word clock 

I/O, time code 

702 CompactFlash Recorder ............List $ 2195 00 $ 

1875 97 

ONLY $57/mo. 

702T CompactFlash Recorder .............List $ 2775 00 $ 2495 97 

744T 

4-track Digital 

Recorder with 

Timecode 

This is one incredibly compact 

professional 4-track recorder! The 

744T records four assignable tracks of audio in 16- or 24-bit, 32kHz to 192kHz accuracy 

— using its built-in 80GB hard drive or CompactFlash media. This unit’s high-quality 

components are housed in a lightweight, rugged aluminum and stainless steel chassis. 

The 744T gets its power from a removable Li-on rechargeable battery, and it features two 

channels of phantom power with high-pass filters and limiters, plus two TA3 line-level 

inputs. The front panel includes an easy-to-read LED display. 

Specs: In: 2 x XLR • Out: 2 x TA3, 1 x TS, headphone • Dig I/O: AES, S/PDIF, FireWire, c.link, word clock • 24-bit/192kHz Specs: In: 2 x XLR, 2 x TR3 • Out: 2 x TR3, 1 x TRS, 

1 x TS • Dig I/O: AES, S/PDIF, FireWire, c.link, word 

ONLY $75/mo. 

$ 

722 Portable Recorder ................List $ 2775 2495 97 clock, Ambient timecode • 24-bit/192kHz 

ONLY $123/mo. 

00 744T Digital 4-track Field Recorder .........List $ 4395 00 

442 

Compact Field 

Mixer with 

Phantom Power 

Field production 

relies on well-designed equipment that’s 

lightweight enough to go anywhere, yet made to provide the 

best sound quality possible. The 442 mixer certainly fits the bill, with four 

phantom-powered XLR inputs and a range of direct ins and outs for all sorts of applications. 

This compact mixer includes a mid-side stereo matrix for great stereo sound 

capture, as well as two independent monitor return inputs. It’s an ideal companion for 

Sound Designs’ field recorders, and comes housed in a rugged, lightweight chassis. 

Specs: In: 4 x XLR, 1 x TA3 • Out: 2 x XLR, 6 x TA3 (bal), 2 x TA3 (unbal) • 4 mic pre • 2 x 1/8" • 1 x 1/8" headphone, 

1 x 1/4" headphone 

$ 

4095 97 

USBPre 

2-channel USB 

Interface 

The USBPre lets you 

quickly and easily interface 

microphones, instruments, 

line-level sources, and digital audio 

with your Mac or PC. This small-footprint interface features two phantom-powered 

mic inputs, level controls for each channel, a mix control, and volume adjustment for 

headphones. You can also mix sources; for instance, you could simultaneously input a 

microphone and instrument and adjust levels easily. The mix control allows you to blend 

source audio and audio from the computer to your taste. This bus-powered unit gives 

you a wide dynamic range and low distortion. 

2-ch USB Mic Preamp ...........List $ 695 00 442 4-ch Field Production Mixer ...............List $ 3195 00 $ 

2495 97 headphone, 1 x 1/4" headphone • 

Dig: I/O: S/PDIF, USB • 10Hz-22kHz USBPre 

• Imp: 2k ohms 

$ 

549 97 

ONLY $75/mo. 

Specs: In: 2 x XLR, 2 x DI, 2 x RCA • Out: 2 x RCA, 1 x 1/8" 

ONLY $17/mo. 

MixPre 

2-channel Batterypowered 

Compact 

Mixer/Pre 

This 2-channel, studioquality 

preamp/mixer just 

happens to be packaged in a durable 1.7" x 3.7" x 

5.5" aluminum box, giving you one of the most compact pro-level units 

around. The MixPre offers two phantom-powered mic inputs complete with high-pass 

filters and “unclippable” peak limiters, as well as pan switches, a 1kHz tone oscillator, 

and slate mic. It might be mini, but it’s a great-sounding, no-compromise piece of 

professional audio gear. The MixPre is powered via two AA batteries or external DC. 

Specs: In: 2 x XLR, 1 x 1/8" • Out: 2 x XLR, 1 x 1/8", headphone • 2 mic pre • 20Hz-30kHz • Imp: 2k ohms •Gain range: 

66dB 

302 

3-channel Compact 

Field Mixer with 

Phantom Power 

The Sound Designs 302 field 

mixer gives you incredible sound 

quality in a portable package. It’s especially effective for highly mobile video and film 

production. The 302’s flexible interfaces let you connect to practically any professional 

microphone, camera, or wireless system, and features such as stereo and MS (mid-side) 

linking (channel 1 and 2), continuously adjustable input trim, phantom-powered mic 

inputs, an onboard MS stereo matrix, high-pass filter, and limiters on inputs and outputs 

make this unit a true necessity for any professional’s toolbox. 

Specs: In: 3 x XLR, 1 x TA3, 1 x 1/8" • Out: 2 x XLR, 1 x TA3 (unbal), 1 x 1/8" headphone, 1 x 

1/4" headphone • 3 mic pre • 20Hz-30kHz • Imp: 2.5k ohms • Gain range: 75dB 

3-ch Portable Mixer ............List $ 1625 00 MixPre Compact Field Mixer ..............List $ 855 00 $ 

665 97 302 $ 

1295 97 

ONLY $20/mo. 

ONLY $39/mo.

Anywhere. 

[ thinking inside the box ] 

® 

Sweetwater customers trust Sound Devices portable 

audio mixers, recorders, computer interfaces, and 

accessories for their most important assignments. 

The 7-Series digital recorders have become the 

standard by which all production recorders are 

measured, sonically and physically. 

Whether your production is in the climatecontrolled 

comfort of a studio or the extreme 

temperatures of the Himalayas, Sound Devices 

products are designed to provide the highest 

quality audio in any environment. 

For more information Sound Devices products and 

applications visit www.sweetwater.com/sounddevices 

Contact Sweetwater today at 800.222.4700 or visit www.sweetwater.com

160 

ProGear2008 


GX2publisher CD/DVD Printer/Duplicator ...List $ 1995 00 

CX1 CD/DVD Printer/Dup ............List $ 2695 00 $ 

2095 97 

ONLY $63/mo. 

CWLive Live Rcrdr/CD Dupilcator ........List $ 799 00 $ 

699 97 

ONLY $21/mo. 

PrintFactory3 CD/DVD Printer ...........List $ 2495 00 ONLY $57/mo. 

Duplication Systems Call today! (800) 222-4700 


GX-2 

CD/DVD Printer/Duplicator 

The 50-disc, USB 2.0 GX-2 from Microboards lets you easily design labels, print, 

and burn discs with its high-speed CD/DVD combo drive, integrated inkjet 

printer, and small desktop footprint. It’s perfect for short runs of discs in 

virtually any DVD or CD format, including dual-layer. The GX-2 is a great 

duplication/burning solution for anyone in need of short runs of discs. 

The small desktop footprint keeps the GX-2 from taking up valuable real 

estate in the studio, which is a real plus for small studios that are already 

short on space. Plus, the ability to print a disc in less than a minute is an 

enormous time-saver. The GX-2 costs only 20 cents per print for full-color 

disc labels, making it very cost-effective, and the ability to produce a 

professional-quality product within the confines of your own studio, 

makes the GX-2 priceless. 

ONLY $45/mo. 

ONLY $10/mo. 

$ 

1495 97 

$ 

CDTwinLE CD Duplicator ........................List $ 379 179 97 

00 

Bravo II 

CD/DVD Duplication 

Don’t waste money and time on a single run of 

professional-looking CDs. With the Bravo II you can 

have discs that look as professional as commercially 

available CDs and DVDs! Bravo II combines automated, 

robotic disc transportation with full-color printing in a 

CopyWriter Live 

compact, all-in-one desktop unit. Up to 25 discs per job 

CD Recorder and Duplicator 

(50 discs with Kiosk Mode) are automatically printed 

— hands-free and totally unattended! No matter what 

CopyWriter Live lets you record any 

event live to CD, then make duplicates in 

minutes using the same machine! This is 

the CD recorder for you if your school or house 

P-11 

Thermal Disc Printer 

The P11 includes a USB 

connection and free design 

software for Windows users. 

$ 

StompKit CD Stomper Pro Labeling Kit ........List $ 32 25 97 

45 

$ 

1895 97 StompJewel CD Stomper Jewel Insert Pack ................... $ 

14 97 

StompLabelM CD Labels 100ct. Matte Finish .................... $ 

22 97 

StompLabelG CD Labels 40ct. Gloss Finish .........List $ 44 49 $ 29 99 

CX-1 

CD/DVD Duplication and Printing 

of worship is still tied to tape for recording live 

events. You can record from practically any audio source, including a live feed 

from a microphone, a cassette deck, a mixer, and many others. The CopyWriter Live can also be configured for disc-todisc 

recording capability and can record 160 minutes or even more, switching discs automatically and continuously 

capturing virtually any audio source. CopyWriter Live exclusively features the ability to span — start the second disc 

recording as the first disc becomes full. Its 20x duplication speed means making CD copies is fast and efficient. 

Print Factory 3 

Direct-to-disc CD and DVD Printer 

If you’re selling your CDs at gigs then you know that image is everything. 

The best way to get a totally pro look is to print direct to the CD — and when 

you have to print a lot of CDs or DVDs in a hurry, we suggest the Print 

Factory 3 disk printer from Microboards Technology. When it comes to 

printing CDs and DVDs the PF-3 achieves the highest throughput without 

sacrificing quality. That means that you can print for a lower-cost-per-disc 

than any other printer! Plus, the ink cartridges will yield discs in the 

hundreds before replacement is needed. Additional features include a 100-disc 

capacity and spindled output for perfectly handled discs every time! Up to five 

PF-3s can be connected to a single computer. 

In today’s digital world, virtually everything ends up on a disc at 

some point. To accomplish this with professional results, you need a 

high-quality problem-solver. The CX-1 Disc Publisher is an all-in-one 

production package, controlled from your PC via a single USB 2.0 cable 

and included software suite. A single, high-speed DVD/CD combo drive 

and robust software make designing labels, printing, and burning discs 

a snap. You can create and submit multiple unique jobs simultaneously, 

then load up to 100 discs and walk away while the CX-1 prints at up to 

4,800dpi resolution and burns at 18x (DVD) or 48x (CD). The CX-1 can 

burn virtually any DVD or CD format including dual-layer. The CX-1 is ideal 

for churches, schools, videographers, and recording studios. 

CD Twin LE 

Stand-alone CD Duplicator 

The CD Twin LE from Alesis is one of the fastest and 

easiest ways to produce backup copies of any audio or 

data CD. The CD Twin LE supports the use of all audio 

CDs, data CD, VCD, CD-I, CD+G, Photo-CD, 

and will work with either CD-R or 

CD-RW discs. The CD Twin LE 

is perfect for houses of 

worship, studios, or 

anyone in need of 

high-quality, flexible, 

and fast CD duplication 

on a budget. 

you need to duplicate — audio, video, music, software, 

photos, images, presentations, and more — you can feel 

confident with Bravo II’s performance and reliability. 

Best of all, it delivers truly professional results at an 

affordable price! 

Bravo CD/DVD Printer/Duplicator ............List $ 2695 00 $ 

2499 97 

ONLY $75/mo. 

P11printer CD/DVD Printer .....................List $ 149 00 $ 

139 97 

ONLY $10/mo. 

CD Stomper 

The CD Stomper Labeling System 

kit includes easy-to-use Click’N Design 

label software, pre-cut label sheets, and 

the CD Stomper label applicator.

162 

ProGear2008 


Duplication Systems Call today! (800) 222-4700 


DVD PRM-1016 

10-disc DVD and CD Duplicator 

Burn 10 DVDs at a time, in no time, with the Microboards 

DVD PRM PRO-1016. Compatible with a wide array of 

supported formats, including DVD Video, DVD-ROM, DVD-R, 

DVD-RW, and Dual-layer DVD (plus CD formats such as 

CD-DA, CD-Extra, CD-ROM, Photo CD, Video CD, Hybrid CD, 

and more), this tower is a versatile duplicator for just about 

any application. 

The DVD PRM PRO-1016 also includes Track Extraction 

mode, allowing you to upload tracks from masters to the 

onboard hard drive. You can write CDs at up to 48x speed, 

and burn DVDs at up to 16x. Image Archival permits storage 

of up to 10 disc images, while Copy & Verify mode checks 

each copy after recording to ensure a perfect burn every 

time. The tower profile of the DVD PRM PRO-1016 makes it 

easy to implement into any setup. 

ONLY $33/mo. 

ONLY $33/mo. 

$ 

$ 

DVDPRM1016 10-DVD Duplicator ....List $ 1425 1095 97 CWPro1052 10-CD Duplicator .................List $ 1375 1075 97 

00 

99 CWT1052 10-CD Duplicator ..................List $ 1275 00 $ 995 97 

Quic Disc 123 

3-disc CD Duplicator 

CopyWriter PRO-1052 

10-disc CD Recorder 

Record 10 CDs at once from a single tower! The 

Microboards CopyWriter PRO-1052 gives you 

professional-level results in a stand-alone, small-footprint 

format that’s easy to use and doesn’t take up much 

room. The PRO-1052 writes most CD formats (even 

CD+G karaoke discs) and includes an 80GB hard drive 

and recording speed adjustment (up to 52x), job count 

function, and audio extraction capability. An easy-to-read 

LCD display and 2-button interface make it easy to access 

all these features. The CopyWriter Tower 1052 shares all 

the features of the Pro, without the hard drive and speed 

adjustment. Recording speeds up to 52x means fast results from 

these CopyWriter recorders. 

Quic Disc DVD 123 

DVD and CD Duplicator 

The Microboards Quic Disc 123 can 

The Quic Disc QD DVD 123 is a one-to-three 

duplicate CDs on the fly, turning out three DVD copier that burns DVDs at 16x speed 

simultaneous copies in CD-R, CD-RW, and and CDs at 48x speed. It’s perfectly suited to 

even CD+G formats — quickly, quietly, and organizations that need to deliver small runs 

without tying up your computer. The QD 123 on demand or need to have in-house control 

writes at 52X, and gives you accurate copies of their content. Use it stand-alone or connect 

every time. The Quic Disc 123 couldn’t be it to your PC for easy mastering over the USB 

easier to use: 1-button operation and a clear port with the included recording software. The 

LED display mean you get what you need QD-DVD-123 supports DVD+R and DVD-R, and 

quickly and almost effortlessly. You can copy can copy DVD video or data. Even dual-layer DVD discs 

in Disc-At-Once (DAO) or Track-At-Once can be copied. It also supports all of the most popular 

(TAO) modes. Its user-friendly operation, sleek desktop footprint, and office environment CD recording formats. There’s a model for every need, 

aesthetics make the QD 123 a perfect fit for anyone requiring easy copying of audio, including the one-to-one Quic Disc QD DVD, Quic 

ONLY $15/mo. 

video, or data CDs; this unit is as unobtrusive as it is useful, and it will definitely pay Disc DVD 125 one-tofive 

duplicator, and the 

$ 

for itself in no time! Also 

QDDVD123 1 to 3 CD/±DVD Duplicator ...List 

ONLY $12/mo. 

599 499 97 

97 

$ 

QD123 1x3 CD Duplicator .....................List $ 499 399 97 available: the 7-disc Quic convenient one-to-seven QDDVD 1 to 1 CD/±DVD Duplicator ....List $ 365 99 $ 299 97 

99 Disc 127. 

Quic Disc DVD 127. QDDVD125 1 to 5 CD/±DVD Duplicator ....List $ 899 99 $ 699 97 

QD127 1 x 7 CD Duplicator ....................List $ 789 99 $ 649 97 QDDVD127 1 to 7 CD/±DVD Duplicator ....List $ 999 99 $ 799 97 

DVW/D11A 

Stand-alone DVD Duplicator 

TASCAM gives you a very affordable option 

for your short-run DVD production needs. 

The standalone DVW/D11A provides 

fast 16x DVD duplication speed, plus 48x 

speed for CDs. Best of all, you don’t need a 

computer to use it! 

Whether you’re supplying short runs for your studio, school, or house of worship, the 

DVD/D11A delivers, with great reliability and quality results. It features an easy-to-read 

LCD display, three eject options, and a handy CD Edit Track function. 

The 1 x 3 DVW/D13A includes all the features of the DVW/D11A, plus an onboard 160GB 

hard drive and auto-detect of DVD media. Duplicate three DVDs or CDs at once for small 

to medium runs and get great results — no computer needed! 

CD-D11U 

CD Duplicator with USB 

Connectivity 

CD duplication doesn’t get much simpler 

— or more practical. If you’re creating 

demos or producing CDs or CD-ROMs 

for distribution, the CD-D11U gets the 

job done quickly and easily with reliable, 

industrial-grade TEAC CD-ROM and CD-RW 

mechanisms. Plus, a built-in USB 2.0 connection allows the CD-D11U to transfer data to 

and from your computer at high speeds. 

Need more CDs? Take a look at the practical, dependable CD-D13. It’s an affordable, 

high-speed 1 x 3 duplicator that’s perfect for creating demos or producing CDs or 

CD-ROMs for distribution. 

The DVW/D17A lets you burn up to seven DVDs or CDs simultaneously. It also includes The CD-D17HD is an affordable, high-speed 1 x 7 duplicator for 

ONLY $11/mo. 

continuous copying 

studios, churches, and other installations requiring moderate batches of 

ONLY $10/mo. 

$ 

DVWD11A Standalone DVD/CD Duplicator ....List $ 449 349 97 capability and a robust CDs. It includes a hard 

$ 00 

CDD11USB 1x1 CD Duplicator w/USB ......List $ 399 299 97 

built-in hard drive. 

drive for ultra-fast copying. 

00 

DVWD13A Standalone DVD/CD Duplicator .....List $ 899 00 $ 799 97 

CDD13 1x3 Tower CD Duplicator .........List $ 799 00 $ 599 97 

DVWD17A Standalone DVD/CD Duplicator ...List $ 1599 00 $ 1299 97 CDD17HD 1x7 CD Duplicator w/HD .......List $ 1499 00 $ 1099 97

Studio Monitors 


8000 MDE Series 

Active Bi-amplified Studio Monitor with Iso-Pod Stand Mount 


8020.LSE TriPak 

Compact Sub-assisted Monitoring System 

Genelecs are the first choice, go-to monitors of audio professionals, seen in 

Even a space-challenged listening room can have 

more top studios than any other speaker. Size and features may vary, but 

quality Genelec monitors with the 8020.LSE TriPak 

Genelec always maintains outstanding and consistent sound quality. 

system! Studios all over the world rely on Genelec 

monitor systems every day. Now Genelec has delivered its 

The 8050A active monitor offers smooth response, superb imaging, and 

smallest speaker system to date. The new TriPak features 

flat frequency response both on-and off-axis, providing less ear fatigue. 

two 8020A bi-amplified 

Room Response Controls are provided to compensate for difficult acoustic 

monitors and one 7050B 

environments. Very low distortion amplifiers power the drivers, with onboard 

subwoofer. This system 

overload protection. Mounting options include integrated rear support points 

will fit today’s smaller 

for wall installation. The included Iso-Pod stand allows vertical or horizontal 

environments while 

positioning on almost any surface. 

providing highly accurate 

Offering performance comparable to much larger systems, the 8040A active 

sound reproduction. 

ONLY $57/mo. 

monitor provides extended low frequencies and higher output than many 

$ 

8020TriPak Pwrd Mon w/Sub Assist ......List $ 2150 1899 97 

00 

similarly sized systems with all the diffraction improvements of Genelec’s MDE 

cabinet technology. To increase the woofer’s low-frequency extension and SPL 

capacity, Genelec designed an ingenious flow-optimized reflex port so the 8040A 

7000 Series 

can reproduce deep bass with outstanding articulation and detail. 

LSE Active Subwoofers 

8030LSE 5.1 Surround Power Pak ...........List $ 5895 00 $ 5299 97 7050B 8” Active 70W Sub ......................List $ 1275 00 $ 1099 97 

The 8030A bi-amplified monitor brings Genelec quality to project and home studios, workstations, and surround Genelec’s unique LSE cabinet 

sound installations. The 8020A is designed for monitoring in limited space, featuring all the natural, uncolored, and technology provides accurate 

extremely low distortion reproduction characteristics of the highly praised Genelec 8000 series. 

articulation with very low distortion at 

all frequencies. Room response controls 

Genelec has the ideal 3-piece, bass-managed stereo solution with the 8030.LSE Triple Play. It combines two 8030A 

allow flawless integration. 

nearfield monitors with a 7050B active subwoofer. For 5.1 surround monitoring, go with the 8030.LSE Power Pak, 

Specs: 7071A 2 x 12" LF • 500W • 19Hz-120Hz • XLR 7070A 12" LF • 

with five 8030A nearfield monitors and a 7060B active 

ONLY $60/mo. 

250W • 19Hz-120Hz • front & rear L/R/C I/O: XLR, LFE I/O: XLR 7060B 

$ 

8050A 8” Active Monitor (ea) .............List $ 2250 1999 97 subwoofer. 

powered • 10" LF • 120W • 19Hz-85Hz • front & rear L/R/C I/O: XLR, LFE I/O: 

00 XLR 7050B 8" LF• 70W • 25Hz-85Hz • In: 5 x XLR main 

ONLY $150/mo. 

8040A 6.5” Active Monitor (ea) ...........List $ 1350 00 $ 1149 97 Specs: 8050A 8" LF, 1" HF • 150W LF, 120W HF • 38Hz-20kHz (-2dB) • 

1 x XLR LFE • Out: 5 x XLR 

XLR • 17.1" x 11.25" x 10.9" 8040A 6.5" LF, 3/4" HF • 90W LF, 90W HF • 

$ 

8030A 5” Active Monitor (ea) ................List $ 750 00 $ 649 97 

7071A 500-watt Dual 12” Active Sub ....List $ 5550 4999 97 

48Hz-20kHz (-2dB) • XLR • 13.8" x 9.4" x 8.8" 8030A 5" LF, 3/4" HF • 40W LF, 

00 

8020A 4” Active Monitor (ea) ................List $ 495 00 $ 449 97 40W HF • 58Hz-20kHz (-2dB) • XLR • 11.25" x 7" x 7.1" 8020A 4" LF, 3/4" HF 

• 20W LF, 20W HF • 65Hz-20kHz • XLR 8030.LSE Triple Play 2 x 8030A, 1 x 7070A 12” Active 250W Sub ..................List $ 3395 00 $ 2999 97 

8030TriplePlay 2.1 Active Monitor System .......List $ 2650 00 $ 2399 97 7050B 8030.LSE Power Pak 5 x 8030A, 1 x 7060B 

7060B 10” Active 120W Sub ..................List $ 2495 00 $ 2199 97

164 

ProGear2008 


Studio Monitors Call today! (800) 222-4700 


ONLY $78/mo. 

LSR4328Ppak 8” Powered Monitor Pak (pr) Including Accessory Kit ....................... List $ 1759 00 $ 

1459 97 

ONLY $44/mo. 

LSR4326P 6” Powered Monitor (ea).................................................................. List $ 619 00 $ 519 97 LSR6325P 5.25” Powered Monitor (ea)............................................................. List $ 499 00 $ 399 97 

LSR4326Ppak 6” Powered Monitor Pak (pr) Including Accessory Kit ....................... List $ 1239 00 $ 1039 97 LSR6328PPak 8” Powered Monitors (pr)............................................................... List $ 3198 00 

LSR4328P 8” Powered Monitor (ea).................................................................. List $ 879 00 $ 729 97 LSR6328P 8” Powered Monitor (ea)................................................................ List $ 1599 00 $ 1299 97 

LSR4312SP 450W 12” Powered Subwoofer ..... List $ 1139 00 

LSR4300 

Series 

Studio Monitor with 

Automatic Room 

Compensation 

Instead of spending thousands 

of dollars to adjust rooms to 

monitors, you need only buy 

a set of JBL LSR4300 Series 

monitors. Using JBL’s RMC 

Room Mode Correction 

system, each speaker 

automatically analyzes 

and compensates for 

problems caused by low-frequency 

standing waves and proximity to boundaries. The process is remarkably simple; just 

plug the LSR4300 calibration microphone (included with the LSR4326P Pak and 

LSR4328P Pak monitor/accessory packages) into the speaker and push a button 

— the LSR4300 meter provides a reference of the output from each speaker in the 

system. The results are a calibrated listening environment where the monitors truly work 

in harmony with the room. The LSR4300 Series includes the LSR4326P bi-amplified 

system with 6" woofer and 1" dome tweeter, and the LSR4328P bi-amplified system 

with 8" woofer and 1" dome tweeter. LSR4300 Series systems can be configured with up 

to eight main speakers in any desired mix of 6" and 8" models and two subwoofers. Since 

a small studio may lack the space to position surround channels at the optimal physical 

distance from the mix position, the system is automatically aligned so the sound arriving 

at the mix position from all speakers is balanced producing a precise image regardless 

of each speaker’s actual physical placement. The LSR4300 monitor features stunning JBL 

sound, provides accurate mixes in any workspace, and is priced well within the reach of any 

project studio. 

Specs: 4328P 8" LF, 1" HF • 150W LF, 70W HF • 50Hz–20 kHz • Digital proc: 24-bit/96kHz • In: XLR/TRS • Dig in: 

AES/EBU, S/PDIF, RCA • 17.25" x 10.5" x 10.6" 4326P 6.25" LF, 1" HF • 55Hz–20 kHz • 15.25" x 9.3" 

x 10.3" (all other specs are the same as the 4328P) 

LSR4312SP 

Powered Subwoofer for LSR4300 Series 

JBL caused quite a stir 

with their introduction 

of the LSR4326P and 

LSR4328P monitors, 

and now they have 

completed the set with 

the introduction of the 

LSR4312SP subwoofer. 

An LSR4300 system 

configured with the 

LSR4312SP subwoofer 

provides professional 

bass management of the 

main channels, plus LFE (low-frequency effects) input, 

adjustable crossover points, and powerful features for 

surround sound production. The LSR4312SP boasts a 

custom 12" low-frequency transducer with a neodymium 

motor structure, and it’s driven by 450 watts. The 

LSR4312SP can be networked with the LSR4328 and 

LSR4362 monitors to take advantage of JBL’s RMC system 

and to create an integrated surround system with no need 

for an external monitor controller. 

Specs: 12" • 450W • 27Hz-150kHz • In: 6 x XLR, 2 x TRS • digital I/O: 

AES/EBU, S/PDIF 

LSR6312SP 

Powered Subwoofer 

The LSR6312SP powered subwoofer is built with a 12" 

woofer using JBL’s patented Neodymium Differential 

Drive and backed by 250 watts of power. Like all LSR6300 

monitors, the LSR6312SP employs Linear Spatial 

Reference Technology, which keeps the response flat at 

the mix position. This ensures that you get the clearest 

picture possible of what’s happening at the board. JBL 

equipped the LSR6312SP with their RMC technology, 

allowing you to calibrate the subwoofer to correct bass 

problems caused by room modes. Improve the accuracy 

of your mixes with the LSR6323SP. 

Specs: 12" • 260W • 28Hz-80Hz • In: 4 x XLR/TRS • Out: 4 x XLR 

LSR6328PPak 

LSR6328P 

LSR6300 Series 

High-powered monitors with Room Correction 

High-powered productions require high-powered monitors. Featuring RMC room 

correction technology similar to that on the LSR4300 series (left) the LSR6300 Series 

studio monitors provide ultra-flat response, extraordinary SPL capability, and a key 

advance in transducer design; JBL’s patented Differential Drive ® Technology, which uses 

two drive coils with twice the thermal surface area of traditional speakers to provide 

better linearity, higher power handling, and greater dynamic accuracy. Not only do LSR 

monitors sound the same at low, medium, and high levels, all models are shielded and 

THX ® pm3 approved, and ready for mounting.To optimize your LSR6300 monitors to 

your room, use the RMC Calibration Kit included with the LSR6328PPak. 

The LSR6328P is the choice for stereo and multi-channel music and post audio 

applications where accuracy and high SPL are required. The compact LSR6325P-1 

provides exceptional performance for use in applications where accuracy is a must, 

but space is limited. Providing 150 watts of amplification, the LSR6325 outperforms 

many larger systems. 

Specs: 6328P 8" LF, 1" HF • 250W LF, 120W HF • 50Hz–20 kHz • In: XLR/TRS • 16" x 13" x 12.75" 6325P 5.25" LF, 1" 

HF • 100W LF, 50W HF • 70Hz–20 kHz • 6.8" x 10.6" x 9.5" 

FLEXIBLE 

FINANCING 

LSR6325P-1 

$ 

2599 97 

Apply today at www.sweetwater.com/allaccess 

RMC Calibration Kit 

The RMC Calibration Kit calculates the correct 

bass response for your mix environment and eliminates 

the effects of low-frequency room modes. It includes a 

sound level meter, a remote bypass switch, a test CD, 

and a template. For use with JBL LSR6312SP, LSR6328P. 

ONLY $29/mo. 

$ 

939 97 LSR6312SP 12” Active 250-watt Sub .....List $ 1799 00 ONLY $44/mo. 

$ 

1449 97 RMCCal RMC Calibration Kit ...............List $ 149 00 ONLY $10/mo. 

$ 

119 97

JIMMY DOUGLASS 

Multi-GRAMMY ® Award-Winning Engineer, Producer whose credits include projects with: 

Duran Duran Jay-Z Justin Timberlake Ludacris Missy Elliott Timbaland 

Nelly Furtado Rob Thomas Foreigner Aretha Franklin The Rolling Stones 

Amazing ears, extraordinary musicality and technological savvy keep 

Jimmy Douglass first call among top producers and artists. “I picked 

up a JBL LSR4300 5.1 surround system for my studio because the 

speakers are extremely transparent, very very clear, and with RMC 

tune - ability, everything is right in its place. They're a really great 

reference.” Like world-renowned engineer Jimmy Douglass, your projects 

demand accurate response at the mix position. Accuracy and tuneability 

have made the LSR4300 Series a hit with Sweetwater Sales 

Engineers. They know that no matter what your mixing environment, 

the LSR4300 Series will deliver accurate mixes every time! 

To find out more, call your Sales Engineer now. 

The use of the artists’ names above is a factual statement and does not 

constitute an endorsement or sponsorship of JBL Professional or any of its products. 

GRAMMY is a registered trademark of the National Academy of Recording Arts & Sciences, Inc.

166 

ProGear2008 




S3A 

Tri-amplified 

Nearfield Monitor 

with Dual 

Woofers and 

Folded Ribbon Tweeter 

Many recording and mastering engineers choose this 

nearfield monitor for its big, round sound. With ADAM’s 

S3A, one of the dual woofers acts as a full-range 

driver, while the second woofer joins it below 150Hz, 

providing an exceptionally tight, punchy low end without 

compromising midrange performance. The A.R.T. folded 

ribbon tweeter provides crystal-clear high-frequency 

response. A trio of 250-watt amplifiers powers it all. For 

an outstanding 2-way monitor, try the S2A. It utilizes the 

same 7.5" woofer, A.R.T. tweeter, and 250-watt amps. 

Specs: S3A 2 x 7.5" LF • A.R.T. folded ribbon HF • 2 x 250W LF, 250W HF • 

32Hz-35kHz • XLR • 20" x 9.5" x 13" S2A 7.5" LF • A.R.T. folded ribbon HF 

• 250W LF, 250W HF • 40Hz-25kHz • XLR • 9" x 15" x 13" 

S3Aa Active Midfi eld Monitor (ea)...................... 

S2A 7.5” Active Monitor (ea) ............................ 

P22A 9” Active Monitor (ea) ............................... 

P11A 7.25” Active Monitor (ea) .......................... 

A7 6.5” Active Monitor (ea) ........................ 

ONLY $81/mo. 

$ 

2675 00 

P22A 

2-way Active Monitor with 9" Woofer 

These monitors can deliver the 

balanced output you need in a small 

control room. The ADAM P22A, 

with dual 100-watt amps for woofer 

and tweeter, also pack a high-SPL 

punch. If you haven’t heard ADAM’s 

revolutionary folded ribbon, you’ve 

never heard highs so smooth or clear. 

These will make those long mix 

sessions go by without ear fatigue. 

Stereo imaging is superb, even in cramped setups. The 9" 

woofer delivers bass that thumps, with response down to 

35Hz. The P11A is ideal for small to mid-sized studios or 

surround use. 

Specs: P22A 9" LF • A.R.T. ribbon HF • 100W LF, 100W HF • 35Hz-35kHz • 

XLR • 10" x 17" x 13.5" P11A 7.25" LF • A.R.T. ribbon HF • 100W LF, 100W HF 

• 48Hz-35kHz • XLR • 8.5" x 13" x 11" 

A7 

Nearfield Monitors with Folded Ribbon Tweeter 

We’ve always made it abundantly clear that monitors were one of, if 

not the most important part of your signal chain. Everything you do 

in the studio, from laying the first track to final mix will be measured 

by the frequency response and accuracy of your speakers. Using poor 

monitors to record and mix music is like trying to paint while wearing 

sunglasses (or blindfolded). Shine the light on your mixes with the A7 monitors. They have every bit of the detail and accuracy ADAM is 

famous for, but the lower price point makes ADAM quality more accessible to project and small studios. The A7 sports the unique A.R.T. 

(Accelerated Ribbon Technology) Transducer, which is what sets A7 nearfield monitors apart from other monitors in this price range. 

The A.R.T. Transducer sports a 4:1 velocity transformation between diaphragm and air, which improves the transient response, and the 

larger diaphragm allows for greater volume. Two 50-watt amps (RMS) power the A7. One drives the folded ribbon tweeter, the other a 

cutting-edge carbon-fiber 6.5" woofer, which offers high rigidity and high internal damping. The result is an extremely accurate monitor 

with all the clarity, detail, and spectacular imaging you expect from ADAM. The A7’s well-thought-out features include a front-panel 

volume control, tweeter level control, and high- and low-frequency shelving controls, as well as balanced XLR and unbalanced RCA inputs, 

allowing it to be used in almost any audio application. 

ONLY $15/mo. 

$ 

499 50 

$ 

1750 00 S25A 9” Active Monitor (ea) ........................... 

ONLY $38/mo. 

$ 

1249 50 

S2.5A 

2-way Active Monitors 

with 250-watt Power 

The S2.5A is our “go-to” monitor 

in Sweetwater Productions’ A 

room. With dual 250-watt amps, 

these speakers qualify for both 

high-powered nearfield and 

midfield use. The S2.5A delivers 

extremely open and detailed 

high-frequency response and outstanding imaging with 

a huge sweet spot. The highs are brilliantly clear, yet 

natural and unforced. The 9" woofer provides clean, 

deep bass without any rough edges and frequency 

response down to 34Hz. You must experience the sound 

of these incredible studio monitors! 

Specs: 9" LF • ribbon HF • 250W LF, 250W HF • 34Hz-35kHz • XLR • 

11" x 18" x 12" 

P33A 

Compact Dual-woofer Active Monitor 

Here’s an excellent 

choice for those of 

you who want the 

advantages of ADAM’s 

unique mirrored S3A 

midfield design at a 

lower price. In the 

P33A, one woofer acts as a full-range driver while the 

second woofer kicks in below 150Hz. This approach 

effectively doubles the area and power of the woofer, 

resulting in exceptional low end and reliable midrange. 

The P33A is shielded and has three 100-watt amplifiers 

to deliver outstanding dynamic performance. It can be 

used either horizontally or vertically and can be wall- or 

soffit-mounted, or placed behind your mix desk. The P33A 

is a very flexible speaker! 

Specs: 2 x 7.25" LF • A.R.T. ribbon HF • 2 x 100W LF, 100W HF • 34Hz-35kHz 

• XLR • 20" x 9" x 11" 

$ 

999 50 P33Aa 7.25” Active Monitor (ea) ...................... 

“There are a lot of monitors at this price, but there 

is NOTHING that is as accurate throughout the entire 

frequency range as the A7 monitors. They absolutely 

thump on the bottom end and don’t fizzle on the high 

end. These are now my go-to monitors for mixing 

in a smaller room.” 

—Andrew Malloy, Sales Engineer, Ext.1317 

Specs: 6.5" LF • A.R.T. ribbon HF • 50W HF, 50W LF • 46Hz-35kHz • XLR, RCA • 

7" x 12" x 11" 

Sub12 

2-way Active Subwoofer 

If you like your bass way down low 

and deep, you’ll love the ADAM 

Sub12 Subwoofer. A special longthrow 

12" bass speaker is tuned in 

a bass reflex enclosure to a corner 

frequency of 22Hz and combined 

with a 200-watt power amplifier to 

deliver impressive low end without 

boominess or compression. The Sub10 is a 200-watt 

powered subwoofer with a 10" long-throw speaker, tuned 

enclosure, and variable low- and high-pass filters. The 

Sub8 is a 160-watt subwoofer with an 8" speaker. 

Specs: Sub12 12" • 22Hz-150Hz • 200W • In: XLR (bal) 14.2" x 23.6" x 

17.7" Sub10 10" • 25Hz-150Hz • 200W • In: XLR (bal) 11.8" x 21.6" x 15.7" 

Sub8 8" • 28Hz-150Hz • 160W • 10.2" x 16.1" x 14.9" 

Sub12 12” Active 200W Subwoofer ..................... 

ONLY $64/mo. 

$ 

2125 00 Sub10 10” Active 200W Subwoofer ..................... 

Sub8 Active Subwoofer ...................................... 

ONLY $45/mo. 

$ 

1499 50 ANF10 7” Passive Monitor (ea) ......................... 

ONLY $53/mo. 

$ 

1749 00 

$ 

1349 00 

$ 

699 00 

ANF10 

Passive 2-way Monitor 

End-users asked ADAM: how about a 

version of your A.R.T. folded ribbon 

tweeters in a monitor for working 

musicians and project studios on 

a tight budget? They responded 

with the ANF10, a 2-way shielded 

passive monitor that combines a 

folded ribbon with a 7" woofer in a 

desktop-friendly bass reflex cabinet. Choose your favorite 

power amps and hook these up to realize the sheer 

clarity of the unique tweeter design — drawn from the 

A.R.T. principle, these ribbons achieve an incredible 4:1 

velocity transformation between the diaphragm and the 

air. Compact, affordable, sounds great — how can you 

go wrong? 

Specs: 7" LF • A.R.T. folded ribbon HF • 90W • 50Hz-35kHz • binding posts 

• 7" x 13" x 11" 

ONLY $12/mo. 

$ 

374 50

sweetwater.com

168 

ProGear2008 


HR624 mk2 

HR624 mk2 

Compact Active Monitors 



HR824 mk2 

Many of us are working in spaces that are just too short on space to be able to have a big pair of monitors, but 

that’s no reason to sacrifice sound quality! The HR624 mk2 monitors from Mackie pack all the features 

of their big brother — the HR824 mk2 — into a package that’s more compact, making them ideal for 

space-challenged studios. There are no trade-offs with the HR624 mk2. Like the HR824, these monitors are 

THX pm3-approved and are suitable for mixing in surround or any other high-resolution application. You 

can also fine-tune the HR624 mk2 to your room with a series of switches that adjust EQ curves to compensate 

for acoustic deficiencies in your mixing area. The design aspects of the cabinet also play a large role in the 

success of the HR series with a 3/4"-thick MDF cabinet and open cell adiabatic “foam fill” acoustical damping 

material to absorb internal reflections, preventing delayed sound coloration. These monitors are affordable, 

accurate, and perfect for today’s high-resolution world! 

Specs: 6.7" LF • 1" HF • 100W LF, 40W HF • 49Hz-20kHz • In: 

XLR, TRS, RCA • 13.1" x 8.6" x 10.3" 

HR824 mk2 

High-Resolution Active Studio 

Reference Monitors 

When you think of accurate monitors, Mackie and 

their line of HR Series monitors are often at the top 

of the list. The original HR824s are studio staples, 

thanks to their extremely accurate bottom end and 

smooth high-frequency response. Engineers like the 

original 824s so much that they’ve stayed unchanged 

for over a decade — until now that is. 2007 marked 

the release of the HR824 mk2, and — fear not 

legions of 824 fans — these are everything you’d 

expect from an 824 and more! 

Like their predecessor, the HR824 mk2 are THX 

pm3-certified, making them the ideal monitor for 

any studio that mixes high-definition audio or 

handles 5.1 or 7.1 surround. These monitors also 

boast the amazingly accurate and natural frequency 

response that made their older brothers such popular 

monitors. The precision-engineered contours of the 

cast aluminum “Zero Edge Baffle” is instrumental in 

minimizing diffraction for an amazingly clear stereo 

image. Plus, this design aids in controlling sound 

waves so your lows have all the power and impact 

they should with punchy, articulate mids and highs 

that shimmer without harshness. Three room mode 

switches on the back allow you to tailor the HR824 

mk2s to fit your room acoustics. The back panel also 

incorporates a variety of balanced and unbalanced 

inputs to accommodate different setups. These new HR824s also 

come shrouded in a piano gloss finish, adding an air of distinction 

to any mix room. 

Specs: 8.75" LF • 1" HF • 150W LF, 100W HF • 37Hz-20kHz • In: XLR, TRS, RCA • 16.8" 

x 10.8" x 11.4" 

HR824mk2 Active 8.75” Monitor (ea)...........................List $ 779 99 $ 

649 99 

ONLY $20/mo. 

“The HR824mk2 is Mackie’s newest update to their best 

selling HR824 speakers... and they’ve done an incredible job 

at bringing their industry-standard studio monitors to our 

modern times. These are yet another classic monitor speaker 

that should be considered for every studio setup.” 

— Jeff Hollman, Sales Engineer, Ext. 1285 

ONLY $15/mo. 

$ 

479 99 

HR8 

MR Series HRS120 

HR5 

Active Monitors 

Active Subwoofer 

Designed by the same team that created the studio-legend How powerful is the 

HR series, the MR Series provides an affordable way to Mackie HRS120 sub? A 

bring pro-level monitoring to your home studio. These customer from Maryland 

monitors are built with a minimum-diffraction molded wrote to say, “This is a 

baffle to create a wide sweet spot for mixing, and are 

rocker! It will shake your 

magnetically shielded for safe placement near computer studio.” The HRS120 

monitors. The bigger of the two, the MR8, is loaded with offers amazing frequency 

an 8" woofer and a 1-inch high-resolution high-frequency response in a cabinet that 

transducer. Power-wise, the MR8 is driven by 150 watts won’t take up too much real estate . 

of Class A/B power, which is plenty for accurate sound 

reproduction across the entire spectrum. The MR5 is 

The HRS120 is equipped for Dolby AC-3 and is THXcertified, 

with a 0dB/+10dB output level switch and a 

similarly equipped, but sports a smaller woofer (5.25") and 

less power (85 total watts). This smaller, more compact 

crossover defeat switch. It also provides a number of 

monitor lets even the most space-challenged rooms reap the 

other control options including an adjustable high-pass 

benefits of Mackie technology and sound quality. The real 

output for use with full-range monitors, an adjustable 

show-stopper here is the price. Not only are these some of the more powerful monitors at this pricepoint, but they are 

60Hz-200Hz crossover point, and an elliptical filter for 

equipped with features similar to those found on Mackie’s higher-end monitors. 

Dolby AC-3. The Mackie HRS120 is an outstanding choice 

for the “.1” of your surround system! 

ONLY $10/mo. 

Specs: MR8 8" LF • 1" HF • 100W LF, 50W HF • 40Hz-20kHz • In: XLR, TRS, 

$ ONLY $36/mo. 

MR8 8” Active Monitors ....................List $ 329 249 99 

RCA • 16.00" x 10.85" x 13.60" MR5 5.25" LF • 1" HF • 55W LF, 30W HF • Specs: 12" LF • 400W • 20Hz-150Hz • In: XLR, RCA • 21" x 18" x 18.8" 

99 60Hz-20kHz • In: XLR, TRS, RCA • 11.50" x 7.75" x 10.50" 

MR5 5.25” Active Monitors ................List $ 

HRS120 400W Active Sub ................List $ 1419 1199 99 

199 99 $ 149 99 

99

Does size matter 

to you? Mackie 

MR Reference 

Monitors are 

available as 

a 5" or 8"! 

 

 

 

The word “affordable” often equals a sacrifice in 

power or performance…or both. But if you do the 

math the Mackie way, you’ll see that we make it 

add up to something great. That’s the reason 

musicians from all walks of life love Mackie 

gear. With every product we release into the 

wild—from monitors to loudspeakers to 

mixers—we up the ante on performance, 

power and affordability. And now, with 

our new MR5 and MR8 Mackie Reference 

Studio Monitors, we’re doing it again. 

Your Sweetwater Sales Engineer knows 

that accurate studio monitoring is 

critical to creating great mixes. 

That’s why they recommend 

Mackie Reference Monitors 

so often. 

Minimum-Diffraction Molded Baffle: 

Thanks to our unique baffle design, sound 

waves radiate smoothly, and are dispersed 

optimally. Whether you’re in mix position 

or not, on axis or off, you’ll always hear an 

accurate representation of your mix. 

Amplifier Design: 

Featuring our proven Class A/B 

architecture, our amplifiers are 

meticulously tuned to deliver ultra-flat 

frequency response, so the sound 

remains true. 

Mackoids (below): 

Essential to the “spirit” of all 

our great Mackie products! 

Cabinet: 

Our cabinet features a rear port, carefully 

tuned to deliver superior bass performance 

with no audible vent noise, and rigid 

construction, so you never have 

unwanted resonance. 

Transducers: 

Our transducers work perfectly in 

concert with all the components in each 

MR monitor, so you get a precisely 

tuned monitor that performs with 

impeccable consistency.

www.eventelectronics.com

Every Event studio monitor is designed to provide precise stereo imaging and exceptional clarity. 

Its flat frequency response and delivery of uncolored sound offers a true sonic reference 

to ensure that you have the optimal platform for your mix.

172 

ProGear2008 




Precision 8D 

Active Digital Monitor 

Tannoy’s Precision 8D lets 

you maintain a digital signal 

path, with 24-bit/96kHz 

S/PDIF inputs. The passive 

Precision 8D features a unique 

dual-concentric design that 

ensures the best possible phase 

alignment between the highs 

and lows . The SuperTweeter 

delivers highs up to 51kHz . 

The Precision 6D uses a 6" 

low-mid-frequency driver. Passive versions are available. 

Specs: 8D 3-way • 8" LF, 2 x 1" HF • 120W LF, 60W HF • 44Hz-51kHZ • 

XLR/TRS • Dig I/O: S/PDIF • 17.375" x 10.75" x 14.625" 6D 2-way • 6" LF, 1" 

HF • 59Hz-51kHZ • XLR/TRS • Dig I/O: S/PDIF • 14" x 8.625" x 17.875" P8 

3-way • 8" LF, 1" HF • 56Hz-51kHz • binding posts P6 3-way • 6" LF, 1" HF 

• 62Hz-51kHz • binding posts 

Reveal Series 

Compact 2-way Active 

Monitors 

Tannoy monitors are 

meticulously crafted, and under 

their cabinetry is cutting-edge 

technology. The Reveal and 

Reveal D Series monitors offer 

incredible accuracy and great 

bass response, even from the 

most compact models. In addition, the 

Reveal D Series gives you digital input capability. 

Specs: 5A 2-way • 5" LF, 1" HF • 40W LF, 20W HF • 70Hz-30kHz • XLR/TRS • 

11.75" x 7.25" x 12" Rvl 6 2-way • 6" LF, 1" HF • 63Hz-51kHz • binding posts 

• 13.375" x 8.25" x 12.5" 66 2-way • 2 x 6" LF, 1" HF • 66Hz-51kHz • binding 

posts • 9" x 20.75" x 13.375" 6D 2-way • 6" LF, 1" HF • 75W LF, 35W HF • 

60Hz-51kHz • XLR/TRS • Dig I/O: S/PDIF • 13.375" x 8.25" x 15" 66D 2-way 

• 2 x 6" LF, 1” HF • 100W LF, 50W HF • 49Hz-51kHz (I/O same as 6D) • 9.06" 

x 20.75" x 13.375" 8D 2-way • powered • 8" LF, 1" HF • 120W LF, 60W HF • 

46Hz-51kHz • XLR/TRS • Dig I/O: S/PDIF • 

16.75" x 10.312" x 14.312" 

ONLY $21/mo. 

ONLY $27/mo. 

$ 

$ 

P8DAMon 8” Act Dual Conc Mon (ea).......List $ 1029 899 97 Reveal5A 5” Active Monitor (pr)................List $ 798 698 97 

00 

00 

Reveal6 6” Passive Monitor (pr)...............List $ 458 00 $ 399 97 

ONLY $24/mo. 

$ 

P8Mon 8” Pass Dual Conc Mon (pr) ......List $ 1078 00 $ 949 97 Reveal66DA 6” Act Ctr Ch Monitor (ea)...........List $ 799 00 $ 699 97 TS12 12” Active 500W Subwoofer ........List $ 919 799 97 

00 

P6DAMon 6” Active Dual Conc Mon (ea) .....List $ 859 00 $ 749 97 Reveal6DA 6” Active Monitor (pr)...............List $ 1258 00 $ 1098 97 TS10 10” Active 300W Subwoofer .........List $ 629 00 $ 549 97 

P6Mon 6” Pass Dual Conc Mon (pr) ........List $ 858 00 $ 749 97 Reveal8DA 8” Active Monitor (ea) ................List $ 799 00 $ 699 97 TS8 8” Active 200W Subwoofer ..........List $ 459 00 $ 399 97 

Studio Precision 8 

Magnetically Shielded, Bi-amplified Critical Listening Monitors 

Studio monitors are, without a doubt, a very critical link in the audio signal chain. If your monitors color the audio 

in any way, you will make decisions based on what you hear — and what you hear may be inaccurate. A good set of 

monitors need to be able to give you a clear picture of your audio — and it doesn’t hurt if they’re really loud, either! 

If you can only have one set of monitors, it’s essential that they work well in all situations, with rich, deep bass and 

power enough to satisfy your “I want it loud!” clients while still providing clean, uncolored accuracy for critical 

listening. From the elliptical waveguide high-frequency driver to the dual low-air-restriction bass ports, Event designed 

the Studio Precision 8 to deliver ultra-low distortion, exceptional stereo imaging, superb low-end punch, and 

crystalline highs. The bi-amplified Studio Precision 8 sports Event’s most powerful amplifier ever: 280 watts per speaker 

(200-watts LF driver / 80-watts HF driver) — so you’ll always have plenty of headroom for even the most demanding 

applications. The Studio Precision 6 packs the same power into a more compact enclosure with a 

6.5" woofer. 

Specs: Studio Precision 8 2-way • biamplified • 8" LF, 1" HF • 200W LF, 80W HF • 35Hz-20kHz • XLR, TRS • 16" x 12.5" x 11.9" Studio Precion 6 2-way • 

biamplified • 6.5" LF, 1" HF • 200W LF, 80W HF • 40Hz-20kHz 

• XLR, TRS • 13.6" x 10.75" x 10" 

ASP8 2-way Active Monitor with 8” Woofer (ea) ................... List $ 749 50 $ 

649 97 

ONLY $20/mo. 

ASP6 2-way Active Monitor with 6” Woofer (ea) .................... List $ 649 50 $ 499 97 

ALP 5 

Bi-amplified Linear Phase Monitor 

Event’s Active Linear Phase ALP 5 puts a 

sweet-sounding, bi-amplified design in a 

small, affordable cabinet. It features a 1" 

dome high-frequency driver mounted in 

an elliptical waveguide for a wide sweet 

spot. It’s paired with a 5.25" polypropylene 

woofer that delivers solid, uniform bass. 

The bi-amplified design provides 50-watts 

LF/30W HF. The ALP 5’s inputs are balanced 

XLR and TRS plus unbalanced RCA. The 

ALP 5’s are also magnetically shielded . The 

perfect companion for big low end with ALP 

5 is the S100 active sub. 

Specs: Alp 5 2-way • 5.25" LF, 1" 

HF • 53Hz-20kHz • XLR, TRS, TS • 

7.5" x 10.5" x 9" S100 sub • 8”LF 

• 100W • 35Hz-120Hz • TS • 12" x 

Tuned Reference 8 

Magnetically Shielded, Active 2-way 

Based on system technology from Event’s critically 

acclaimed 20/20bas series, the active Tuned 

Reference series are economical monitors with 

great bass response and clear stereo imaging. You 

can get the Tuned Reference 8 in two varieties, 

one with 50 watts for lows and 30 watts for highs, 

or the 150W LF/50W HF “XL” model. The Tuned 

Reference 6 monitors are ideal for smaller 

studios . These monitors give you flat, accurate 

response at a great price! 

Specs: TR8 2-way • 8" LF, 1" HF • 50W LF, 30W HF • 38Hz-20kHz 

• XLR, TRS, TS • 10.25" x 14.75" x 11.75" TR8XL 100W LF, 50W HF 

• 35Hz-20kHz • XLR, TRS, TS TR6 6.5" LF, 1" HF • 50W LF, 30W HF • 

45Hz-20kHz • XLR, TRS, TS • 8.25" 

TS12 

500-watt Subwoofer 

The TS Series utilizes longthrow 

transducers that are 

designed to maximize the 

low-frequency extension 

while maintaining the 

ability to deliver the high 

SPL required by today’s 

music and film soundtracks. 

The TS12 offers 500 watts of 

bass punch, with lows down 

to 26Hz in a special-design sealed enclosure. The TS10 

has a 10" speaker that has plenty of “oomph.” Even the 

TS8, with an 8" driver and a 200-watt amp, delivers low 

frequencies down to 32Hz! 

Specs: TS12 sub • 12" LF • 500W • 26Hz-150Hz • 2 x RCA, 2 x XLR • 12.7" 

x 11.3" x 11.3" TS10 sub • 10" LF • 300W • 29Hz-150Hz • 2 x TS, 2 x XLR • 

12.7" x 11.3" x 11.3" TS8 sub • 8" LF • 200W • 32Hz-150Hz • 2 x TS, 2 x XLR 

• 11.5" x 11.5" x 10" 

ONLY $10/mo. 

ONLY $10/mo. 

$ $ 

ALP5 Active Bi-amped Monitor, pr. ......List $ 429 329 97 

TR8N 8” Active Monitor (ea) ..............List $ 299 249 97 

x 12.5" x 10" 

50 00 TR8XL 8” Active Monitor (ea) ................List $ 349 50 $ 299 97 

S100Sub 8” Active Subwoofer ...................List $ 399 00 $ 299 97 16.675" x 10.75" 

TR6 6.5” Active Monitor (ea) .............List $ 249 50 $ 199 97

174 

ProGear2008 


BM 5A 

Compact Active Bi-amped Nearfield Monitor 

BM5A 6.5” Active Monitor (pr)...........List $ 1299 00 $ 

999 97 

ONLY $30/mo. 

BM6AmkII 6.5” Active Monitor (pr)............List $ 1745 00 $ 1499 97 

HS80M 8” Active Monitor (ea) ...............List $ 449 00 $ 

349 99 

ONLY $11/mo. 



During a recent demonstration here at Sweetwater, a Dynaudio product 

specialist played his reference CD through the BM 5As. We thought they were 

using the twin-woofer AIR 25 monitors. Imagine our surprise when it turned 

out to be the 2-way, 6.5" active BM 5As we were hearing! Afterward, someone 

said, “I’ve heard that song a million times and I never knew they used a pad 

in the intro.” The BM 6A mkII monitors were even more detailed and bigger 

sounding! Needless to say, these compact beauties are a perfect fit for any 

studio, professional or project. 

Specs: BM 5A 2-way • powered • 6.5" LF, 1.1" HF • 100W • 50W LF, 50W HF • 50Hz-21kHz (±3dB) • 

12.5" x 12.5" w x 7.3" BM 6A mkII 2-way • powered • 6.5" LF, 1.1" HF • 200W • 100W LF, 100W HF • 

41Hz-21kHz (±3dB) • 13.3" x 8.5" x 12.6" 

BM 15A 

Active 2-way Nearfield Monitors 

BM 9S 

Active Subwoofer 

The BM 9S subwoofer is intended to operate with the 

BM series monitors, particularly, the BM 5A monitor. 

Its compact design is extremely well-suited for adding 

that extra punch to the bottom in setups where space is 

limited. It delivers surprisingly powerful punch when you 

take its almost diminutive size into account. The BM 9S is 

well-suited for stereo and multichannel monitoring, and 

sports a low-level LFE input/output that comes in handy 

when daisy-chaining subwoofers is needed. 

After one of our clients had their first hit, they decided to upgrade the monitors 

in their studio. We suggested the Dynaudio BM 15A active 2-way monitor. After 

installing a pair in the studio, the feedback we got from the client was pretty much 

the same we hear all the time about Dynaudio: the detail and dynamics from the 

The 300-watt BM 14S will complement stereo and 

low to high frequencies is amazing, with no nasty surprises when you play mixes 

multichannel monitoring in demanding production 

on different systems. Plus, you can work for hours without ear fatigue. The BM 15A 

environments like music recording and mixing, DVD 

is completely custom-designed and built to assure a perfect match of components, 

authoring and mastering, and multichannel production. 

and its 10" low-frequency driver employs a proprietary flat cone technology that 

Specs: BM9S 10" • 200W • 29Hz-250Hz• XLR • 11.6" x 11.4" x 12.5" 

outperforms most 12" speakers! It also incorporates built-in protection circuitry that 

BM14S 12" • 300W • 18Hz-250Hz • XLR, single-ended RCA • 13.8" x 14.5" 

helps prevent damage to the driver during the loudest of sessions, while preserving 

x 16.5" 

transient response. 

ONLY $30/mo. 

ONLY $39/mo. 

Specs: BM 15A 10" LF, 1" HF 

$ 

$ 

BM15AR 10” Active Monitor (ea) .......List $ 1572 1275 97 BM9S Active 10” Subwoofer .............List $ 1245 999 97 

• 200W LF, 100W HF • 30Hz-21kHz • XLR • 17.9" x 15.2" x 11.4" 

00 

50 

BM14S 300W Active 12” Sub ..............List $ 2195 00 $ 1799 97 

HS80M 

Bi-amplified Nearfield Monitor with 8" Woofer 

Yamaha’s HS80M powered monitors were designed to be true studio reference 

monitors in the tradition of the company’s famous NS10Ms (they even sport the 

white speaker cones). Whether you’re mixing for stereo or surround, mixes that 

sound good on HS80M reference monitors will sound good on any other system. 

Tailor it to your room with the mid EQ, room control, and high trim response 

control switches. The 70-watt, 5" HS50M is a great compact model. The HS10W 

sub complements the HS80M and HS50M monitors and easily handles today’s 

bass-enhanced music or the most dramatic surround effects. 

Specs: HS80M 8" LF, 1" HF • 75W LF, 45W HF • 42Hz-20kHz • XLR/TRS • 

15.35" x 8.7" x 13.1" HS50M 5" LF, 1" HF • 45W LF, 25W HF • 55Hz-20kHz 

• XLR/TRS • 10.55" x 6.5" x 

8.75" HS10W 8" LF • 150W 

• 30Hz-180Hz • 15.2" x 11.8" 

x 13.77" 

“In my 31 years of music, this is the most reliable company I have ever 

dealt with. Outstanding service (don’t ever lose sight of that).” 

—Brian Meyer 

HS50M 5” Active Monitor (ea) ................List $ 249 00 $ 199 99 HS10W 8” Active 150W Subwoofer ........List $ 599 00 ONLY $15/mo. 

MSP3 4” Active Monitor (ea) ...............List $ 189 00 $ 

149 99 

ONLY $10/mo. 

MSP5stu 5” Active Monitor (ea) ................List $ 299 00 $ 249 99 

MSP7stu 6.5” Active Monitor (ea) .............List $ 699 00 $ 599 99 

MSP3 

Compact Active Monitor 

The ultra-compact, affordable MSP3’s built-in amplifier pumps 20 watts 

into a 4" woofer and 7/8" tweeter, giving you amazing sound quality in 

a small footprint that’s ideal for space-starved studios. If you need more 

horsepower for your project studio or desktop, check out the bi-amplified 

MSP5 Studio, which features a 5" woofer driven by a 40-watt amp, plus 

a 1" dome tweeter powered by its own 27-watt amplifier. Onboard trim 

switches allow for incredibly easy room matching. The even larger MSP7 

Studio gives you a 6.5" woofer, 1" tweeter, and 80-watt LF/50-watt HF 

power amps, providing reference-quality sound reproduction. 

Specs: MSP3 4" LF, 7/8" HF • 20W • 65Hz-22kHz • XLR, TRS, RCA • 5.68" x 

9.31" x 6.56" MSP5stu 5" LF, 1" HF • 40W LF, 27W LF • 50Hz-40kHz • XLR, 

TS • 6.98" x 10.88" x 8.11" • MSP7stu 6.5" LF, 1" HF • 80W LF, 50W HF • 

45Hz-40kHz • 8.5" x 12.87" x 9.16" 

HS10W 

Active 120W Subwoofer 

If you want an accurate mix you know will sound good 

anywhere you play it, you need great monitor system 

components. Built to complement Yamaha’s HS Series 

powered monitors (the heirs to the NS10 throne), the 

HS10W active subwoofer incorporates an 8" longstroke 

driver and 120 watts of clean built-in power for 

maximum efficiency, headroom, and flat, clear sound 

reproduction. It includes dual XLR and 1/4" inputs, as 

well as three balanced XLR outputs, a phase switch, and 

low- and high-pass filter control. 

Specs: 8" • 120W • 30Hz-120Hz • XLR/TRS 

$ 

499 99




ONLY $129/mo. 

$ 

4290 97 

$ 

3090 97 

ONLY $93/mo. 

SkySys51 Active Surround Monitor System ...List $ 4740 00 

ProDesk51 Active Surround Monitor Systm ...List $ 3540 00 

SkySys21 Active Monitor System .............List $ 1995 00 $ 1795 97 ProDesk21 Active Monitor System .............List $ 1395 00 $ 1195 97 

MediaDesk 5.1 System 

Active Desktop Surround Monitor System 

The Blue Sky MediaDesk 5.1 active surround 

monitor system gives you amazing, full-range sound 

from components optimized for desktop recording. 

Five super-compact, 60-watt active 2-way speakers are 

paired with a dedicated 60-watt powered subwoofer 

for an incredibly accurate, full sound. The MediaDesk 

5.1 system is designed for practical desktop recording 

applications, so the 2-way speakers each have a small 

footprint and excellent shielding that makes them easy 

to place beside a computer monitor. A wired remote 

control offers volume control and level adjustments for 

all channels. The 2-channel MediaDesk 2.1 is also 

available. This compact system is ideal for accurate 

stereo monitoring where space is at a premium. 

Specs: MediaDesk (satellites) 2-way • powered • 4" LF, 1" HF • 60W • 

110Hz-20kHz (±3dB) • 9.5" x 6.25" x 6.225" (sub) powered • 8" • 60W • 

20Hz-200Hz • 16" x 14" x 15" 

ONLY $36/mo. 

$ 

1198 97 

Sky System One 

5.1 System 

Active 5.1 Surround Monitor 

System 

If you’re mixing in a surround 

environment, you know how critical a 

highly accurate, great-sounding monitor 

setup is to getting good results. Blue 

Sky’s systems start with high-quality 

components and an integrated approach 

that lets you get the most out of your 

investment — and your mixes. 

The Sky System One 5.1 surround 

setup gives you incredibly accurate, 

full-range surround monitoring that’s 

integrated between the active satellite speakers and a robust, low-distortion powered 200-watt 12" subwoofer. The 

System One 5.1 system’s crossover and Bass Management Controller (BMC) allow the 100-watt bi-amplified speakers 

and sub to work seamlessly together, providing incredible sound reproduction in a 5.1 format. THX pm3-approved for 

use in THX pm3-certified studios, Blue Sky’s Sky System One 5.1 is a great addition to any recording room. 

A 2.1 version of the Sky System is also available, with the same quality subwoofer and two satellite speakers. A built-in 

crossover in the subwoofer makes the Sky System One 2.1 system a fully integrated unit, rather than simply a 

collection of speakers. You’ll love the accuracy, low-frequency articulation, and broad “sweet spot” this system provides, 

as well as its compact format, which lends itself well to project and pro studios alike. Whether you’re after spot-on 

surround or clear, clean stereo monitoring, Blue Sky has the system for you! 

Specs: Sky System (satellites) 2-way • powered • 6.5" LF, 1.5" HF • 100W LF, 100W HF • 80Hz-20kHz (±3dB) • 12" x 8" x 11.88" (sub) powered • 12" • 200W • 

20Hz-200Hz • 18" x 16" x 22.07" 

EXO 

Active 2.1 Monitor System with Remote 

The EXO active stereo monitoring system gives you 

full-range monitoring capability and a handy remote 

control and connection hub, all for an incredibly low 

price. Like its bigger siblings in the Blue Sky line, the 

EXO system features a 90-watt powered subwoofer and 

satellite speakers for controlled bass and clear, accurate 

mids and highs. The 35-watt powered satellite speakers 

include an easy-to-use desktop remote hub that allows 

you to effectively control the system. It includes ample 

connection options for monitoring — there’s even an 

iPod input and a headphone jack for added flexibility! 

The EXO system provides full-range monitoring with 

great control options, a reasonable footprint, and a 

downright friendly price for your studio setup! 

Specs: EXO (satellites) 2-way • powered • 3" LF, 1" HF • 35W • 

140Hz-20kHz (±3dB) • 8" x 5" x 5" (sub) powered • 8" • 90W • 

35Hz-140Hz • 12" x 12" x 13" 

ProDesk 5.1 System 

Premium Active 5.1 Surround 

Monitor System 

For pro-level post-production and sound-for-video 

applications, the Blue Sky ProDesk 5.1 active 

surround monitor system brings full-range, accurate 

5.1 monitoring capability to your desktop studio 

environment. Five AT 5 MK II satellite speakers (each 

powered by dual 60-watt power amps) give you premium 

sound reproduction for critical listening situations, 

including mixing and video/film post applications. The 

ProDesk 5.1 system also effectively and efficiently covers 

the low end with an active 100-watt SUB 8 subwoofer and 

Bass Management Controller (BMP). Like the other Blue 

Sky surround systems, there’s a 2.1 version, as well. 

Specs: ProDesk (satellites) 2-way • powered • 5.25" LF, 0.75" HF • 60W LF, 

60W HF • 80Hz-30kHz (±3dB) • 10.88" x 6.62" x 11.43" (sub) powered • 8" • 

100W • 20Hz-200Hz • 13" x 16" x 15.76" 

RM2 

Bi-amplified Digital Nearfield Monitor 

Developed in conjunction 

with PMC (a 

renowned manufacturer 

of audiophile-quality 

speaker systems and 

monitors), Digidesign’s 

incredible RMS monitors 

provide amazingly 

clear, high-resolution 

sound, and incorporate 

onboard digital signal 

processors to optimize 

response and sound 

quality, as well as 

emulate the frequency 

response and sound of 

larger, bass-reflex ported monitors — a handy shortcut 

for comparison listening in the studio. The RM2 features 

a 6.7" low-frequency driver and 1" soft dome ferrofluidcooled 

HF driver, while the RM1 has a 5.5" LF driver 

and 1" HF driver (also ferrofluid-cooled). Each driver 

is powered by an independent Class D amp . Back-panel 

controls and connections include high- and low-frequency 

response knobs, AES in and through for digital 

connections, and a balanced analog XLR input. 

Specs: RM2 6.7" LF, 1" HF • 100W LF, 50W HF • 40Hz-25kHz • XLR • Dig 

I/O: AES/EBU • 15.75" x 7.64" x 14.57" RM1 5.5" LF, 1" HF • 80W LF, 50W HF • 

50Hz-25kHz • XLR • Dig I/O: AES/EBU • 11.42" x 6.1" x 11.81" 

MediaDesk51 Actv Surround Monitor Systm .. List $ 1398 00 

ONLY $11/mo. 

$ MediaDesk21 Active Studio Monitor System .... List $ 699 00 $ 599 97 EXO21 34997 RM2Mon 6.7” Active Monitors (ea)........................... 

Active Studio Monitor Sys .....List $ 399 00 RM1Mon 5.5” Active Monitors (ea)........................... 

ONLY $53/mo. 

$ 

1749 00 

$ 

1249 00

176 

ProGear2008 




EX66 

Dual Midwoofer 

Monitor 

If you thought that 

you had to pay in 

excess of two thousand 

dollars a pair to get 

high-end, dual-driver 

studio monitors — just 

listen to the M-Audio 

EX66 monitors. The 

midwoofer-tweetermidwoofer 

design 

yields a wide sweet 

spot while minimizing 

room reflections, 

delivering exceptional smoothness 

and transparency across the entire audio band, without 

resonant peaks. S/PDIF and AES/EBU digital inputs 

allow up to 24-bit/192kHz signals for total digital studio 

connectivity. Onboard DSP handles cabinet resonance 

tuning and crossover optimization to provide incredibly 

accurate frequency response. Once you hear this excellent 

midwoofer box, you’ll realize what your monitor setup’s 

been missing! 

Specs: 6" LF, 1" HF • 104W LF, 104W HF • 37Hz-22kHz • In: XLR/TRS • 

Dig in: S/PDIF, AES/EBU • 19" x 8.25" x 9.5" 

ONLY $10/mo. 

BX5aDeluxe 5” Active Monitor (pr)............List $ 399 95 

ONLY $18/mo. 

$ 

EX66 200W Bi-amplifi ed Monitor (ea)....List $ 699 599 97 BX8aDeluxe 8” Active Monitors (pr) ...........List $ 

AV40 Studiophile AV 40 speakers (pr)............List $ 199 149 97 

$ 599 95 $ 499 97 

95 

95 BX10Sub 10” Active Subwoofer .............List $ 499 95 $ 399 97 AV20 4” Active Monitors (pr).........................List $ 129 95 $ 99 97 

Monitor One mkII 

2-way Nearfield Monitors 

The Monitor One mkII comes loaded with a 6.5" 

polypropylene low-frequency driver for tight, accurate 

bass response. By installing a 1-inch pure silk-dome 

transducer for the upper frequencies, the Monitor One 

gives you clear, detailed response and a broad sound 

stage. The wide 45Hz-20kHz frequency response further 

ensures a balanced mixing situation. The Monitor One 

also features radiused edges for reduced edge diffraction 

along with improved porting to eliminate the “choking” 

effect of smaller, shorter ports. The result is lowfrequency 

response that extends well below comparable 

monitors. Magnetic shielding allows close proximity to 

video and computer monitors. 

Specs: 6.5" LF • 1" HF • 120W program • 45Hz-20kHz • In: binding posts • 

8.5" x 15" x 10" 

Monitor1mkII 6.5” Passive Montr (pr) ...List $ 299 00 

BX5a Deluxe 

Compact Desktop Monitor 

Perfect for home and project studios, the redesigned 

BX5a Deluxe monitors sport curved 5" Kevlar woofers for 

clean, tight bass, and silk-dome tweeters deliver smooth, 

clear high frequencies. These active monitors deliver a 

bi-amped total of 70 watts. Magnetic shielding allows you 

to place these compact units next to computer monitors 

without worry. You won’t believe you’re hearing a 5" 

woofer! The powerful BX8a Deluxe produces bass down 

to 30Hz with a total of 130 watts through its 8" woofer 

and 1" high-frequency driver, and gives you highly 

accurate sound at an affordable price. Turn your system 

into a 2.1 configuration with a BX10s sub, which drives 

a 10" woofer with 240 watts of power . 

Specs: BX5a Deluxe 5.25" LF, 1" HF • 40W LF, 30W HF • 56Hz-22kHz • 

XLR, TRS • 9.6" x 6.9" x 7.9" BX8a Deluxe 8" LF, 1" HF • 70W LF, 60W HF • 

30Hz-24kHz • 15" x 10" x 12" BX10 10" LF • 240W • 20Hz-200Hz • XLR, TRS 

• 15" x 15" x 15" 

ONLY $10/mo. 

$ 

299 97 

M1 Active Mk II 

100-watt Bi-amplified Active Studio Monitor 

Use M1 Active MkII monitors and your mixes will 

translate well to every playback system. They feature 

audiophile-quality 75-watt (lows) and 25-watt (highs) 

amps, and a crossover point calibrated to produce a wide 

dispersion zone and minimal midrange coloration, plus 

time alignment to avoid smeared audio. The woofer’s 

non-woven carbon fiber cone provides quicker transient 

response and superb midrange reproduction. The silk 

dome tweeter’s natural response makes for hours of 

fatigue-free mixing. 

Specs: M1 Active mkII 2-way • powered • 6.5" LF, 1" HF • 75W LF, 25W HF 

• 38Hz-23.5kHz • XLR/TRS • 8.5" x 15" x 9.75" Monitor1 mkII unpowered 

• Prog/Peak: 120W/200W • 45Hz-20kHz • binding posts 

Studiophile AV 40 

Powered 40-watt Reference Monitors 

M-Audio’s Studiophile AV 40 powered reference 

speakers provide accurate response in a compact package 

that’s great for traveling musicians or space-deficient 

desktop recording setups. A 4" polypropylene-coated 

driver and 3/4" ferrofluid-cooled silk dome tweeter 

are mounted in a quality dense wood cabinet . Each 

20-watt powered speaker features Optimage III 

wave-guide technology for the highest possible fidelity. 

The Studiophile AV20 speakers are ultra-compact 

performers with distinctive angled fronts and 10 watts per 

channel of power. They provide great sound for cramped 

recording setups! 

Specs: AV40 4" LF, 0.75" HF • 40W • 85Hz-20kHz • In: TRS, RCA, 1/8" • 

8.25" x 6" x 7.25" AV20 2" LF 0.75" HF • 20W • In: RCA 

M1 Active 620 

2-way Monitors with Room Treatment EQ 

Alesis’ M1 Active 

620 bi-amped 

nearfield monitors 

offer features that 

allow you to tailor 

them to their 

room placement. 

They include 

magnetic shielding 

for close proximity 

to video monitors, 

as well as a lowfrequency 

density 

switch for acoustic 

space adjustment. 

The M1 monitors 

also offer high-, 

mid-, and low-frequency EQ 

switches to accommodate 

subwoofers. The precision-designed 

crossover creates a very smooth transition 

between the woofer and the tweeter, and it also features 

an acoustical waveguide to accurately reproduce imaging 

evenly across your control room. The M1 Active 520 

is a compact version with a 5" low- frequency driver. It 

includes the same great features as the 620. 

Specs: M1 Active 620 6.5" LF • 1" HF • 65W LF, 30W HF • 49Hz-20kHz • 

In: XLR, TRS • 8.5" x 15.0" x 10.25" M1 Active 520 5" LF • 1" HF • 50W LF, 

25W HF • 56Hz-20kHz • In: XLR, TRS (bal/unbal) • 6.5" x 10.5" x 7.75" 

ONLY $12/mo. 

ONLY $10/mo. 

$ 

199 97 ONLY $10/mo. 

$ 

$ 

M1ActiveMkII 6.5” Active Monitor (pr) ..List $ 599 299 97 M1Active620 6.5” Active Monitors (pr) ...List $ 599 399 97 

00 

00 

M1Active520 5” Active Monitors (pr) ......List $ 499 00 $ 199 97



Rubicon 6a Active Ribbon 

Studio Monitor 

2-way Monitor with Ribbon 

Samson’s Rubicon 6a brings you 

an affordable monitor with a ribbon 

tweeter for small- and medium-sized 

studios. The ribbon tweeter doesn’t add 

or subtract harmonics, which makes 

it completely neutral, thus providing 

clean, accurate, and precise sound. 

The compact Rubicon 5a puts 75 total 

watts through a 5" low-frequency driver 

and ribbon tweeter, while the Rubicon R8a’s power section delivers 75 watts . Want to 

strenthen the low end? The 10s sub gives you 150 watts of power through a 10" driver. 

Specs: R5a 5" LF, 2" HF ribbon • 50W LF, 25W HF • 58Hz-27kHz • In: 1 x TRS, 1 x RCA • 13.5" x 8" x 8.625" R6a 6.5" 

LF, 2" HF ribbon • 75W LF, 25W HF • 57Hz-27kHz • In: 1 x TRS, 1 x XLR • 15" x 9.25" x 10.75" R8a 8" LF, 2" HF ribbon • 

75W LF, 25W HF • 20Hz-20kHz • In: 1 x TRS, 1 x XLR, 1 x RCA 17.25" x 11.18" x 12" R10s 10" • 150W • 20Hz-200Hz • 

ONLY $12/mo. 

$ 

399 97 

Rubicon6a 6” Active Monitor (pr)................List $ 499 99 

Rubicon5a 5” Active Monitor (pr).................List $ 399 99 $ 299 97 

Rubicon10s 10” Active Sub ...........................List $ 389 99 $ 299 97 

In: 1 x XLR, 1 x RCA • Out: 1 x XLR • 

16" x 12.75" x 13.5" 

Media One 5a 

Compact Nearfield Active 



Resolv A8 

Active Biamplified Monitors 

Getting highly accurate results from your 

studio setup doesn’t have to mean spending 

a bundle on your monitors. Samson’s 

Resolv A8 active monitors give you the 

performance you need at a price you’ll 

love. Samson completely redesigned their Resolv series, using 

carbon fiber 8" woofers receiving power from a 75-watt LF amp. A 25-watt HF amp feeds 

its 1" silk dome tweeter, giving you smooth highs — a 4-position high-frequency lift 

control ensures accurate HF performance in different environments. The Resolv series’ 

tuned, ported cabinets are built to handle high SPLs, and AV shielding lets you use these 

monitors in close proximity to computer and video screens. The A8 includeds XLR, 1/4" 

balanced, and RCA inputs. The A6 includes a 6.5" LF driver and the same wattage and 

features as the A8. The 75-watt A5 sports a 5" woofer and RCA and 1/4" TRS inputs. 

Specs: A8 8" LF, 1" HF • 100W • 70Hz-20kHz • In: 1 x XLR 2 x RCA, 1 x 1/8" TRS A6 

6.5" LF, 1" HF • 100W • In: 1 x XLR 2 

x RCA, 1 x 1/8" TRS A5 5" LF, 1" HF • 

75W • In: 2 x RCA, 1 x 1/8" TRS 

MA-15D BK 

Active Desktop Monitors 

ResolvA8 Active 8” Studio Monitor (pr) .....List $ 559 99 $ 

449 97 

ONLY $14/mo. 

ResolvA6 Active 6.5” Studio Monitor (pr) ...List $ 499 99 $ 399 97 

ResolvA5 Active 5” Studio Monitor (pr) ......List $ 374 99 $ 299 97 

Edirol’s 15-watt MA-15D BK monitors 

provide accurate sound and plenty of 

Compact monitors are a necessity 

power for desktop monitoring. A built-in 

for home and project studios, 

Bass Enhancer provides the extra “beef” 

not to mention a space-freindly 

you need for playback , and flexible analog 

enhancement for computer sound 

and digital I/O means great options for 

and gaming. The trick is finding a pair that fit the footprint while delivering big enough 

your setup. Front-panel controls include 

bass and enough extended high end for accurate mixing. Samson’s active MediaOne 

bass, treble, volume controls and power 

monitors fit the bill, while making a minimal dent in your budget. Dual 20-watt 

switches, in addition to Bass Boost and 

amplifiers mounted inside the right enclosure of the MediaOne 5a pair power each 

a headphone jack. MA-7A BK monitors 

speaker’s 5" LF driver and 1" silk dome tweeter. A volume control and headphone output 

feature 3.5" full-range speakers and RCA 

are also built-in. The MediaOne 4a set offers the same self-contained performance in a 

I/O. Both models are also available with natural 

slightly smaller size, with 4" woofers. For an even more compact solution, check out the 

wood side finishes. 

MediaOne 3a, with 15 watts of power per side into 3" LF drivers. Great sound and an 

Specs: MA-15D 4" LF, 2" HF • 15W • 70Hz-20kHz • In: 2 x RCA, 1 x 1/8" • Out: 2 x RCA • Dig I/O: S/PDIF (coax, 

optical) • 5.75" x 7.4" x 8.5" (left), 

incredible value! 

5.75" x 7.7" x 8.5" (right) MA-7A 

ONLY $10/mo. 

3.5" • 7W • 90Hz-20kHz • In: 2 x 

ONLY $10/mo. Specs: AMediaOne 5a 5" LF, 1" 

$ 

$ 

MediaOne5 Active Studio Monitor (pr) .....List $ 279 199 97 

RCA, 1 x 1/8" • Out: 2 x RCA • 5.75" 

MA15DBK 4” Active Monitors (pr) ..............List $ 219 179 97 

HF • 40W • In: 2 x RCA MediaOne 

x 7.4" x 8.5" (left), 5.75" x 7.7 x 

00 

99 

4a 4" LF, 1" HF • 40W • In: 2 x RCA 

8.5" (right) 

MA15D 4” Active Monitors (pr) ...............List $ 219 00 $ 179 97 

MediaOne4 Active Studio Monitors (pr).....List $ 209 99 $ 149 97 MediaOne 3a 3" LF, 1" HF • 30W 

• In: 2 x RCA 

MA7ABK 3” Active Monitors, Blk (pr).........List $ 129 00 $ 99 97 

MediaOne3 Active Studio Monitors (pr).....List $ 139 99 $ 99 97 MA7A 3” Active Monitors (pr) ...............List $ 129 00 $ 99 97 

Active MixCubes 

Active Mini Monitors 

Active MixCubes give you the kind of “real world” 

reference you need to hear what your mixes will sound 

like on bass-deficient systems . Active MixCubes feature 

a 5.25" shielded speaker and a 40-watt FET amplifier in 

each unit . Passive MixCubes are also available. 

Specs: Active MixCubes 5.25" • 40W • 90Hz-17kHz • 1 x XLR/TRS, 2 

x RCA • 6.5" x 6.5" x 6.5" MixCubes 5.25" • 10W-200W • 90Hz-17kHz • 

binding posts • 6.5" x 6.5" x 6.5" x 6.5" 

MixCubesAct Mini Passive Reference Monitors (pr).......... 

MixCubes Mini Passive Reference Monitors (pr).......... 

ONLY $11/mo. 

$ 

349 00 

Pyramids 

20-watt Passive 

Monitors 

One of the most important 

things to consider when mixing is how well your mix will 

translate on a variety of systems. The Pyramids from 

Triple P Designs were created to give you a good idea 

of how your mix will translate on lower fidelity systems 

like boom boxes and car stereos. Countless professional 

engineers rely on these unique monitors on a daily basis 

to ensure great mixes for any system. It’s important to 

hear how those mixes sound out there in the real world. 

Pyramids are a quality solution, with distinctive looks! 

Specs: 2.92" x 5.4" • 5W-30W • 80H-18kHz • binding posts • 7.12" x 7.87" 

x 6.5" 

$ 

199 00 Pyramids Passive Monitors (pr) ............................ 

StudioDock Series 

Active Monitors with iPod Dock 

StudioDock Series 

powered monitors 

feature a built-in iPod 

dock! There are two 

versions available: the 

StudioDock 3i with 

3" woofers, 1" silk 

dome tweeters, and 

15 watts of power per 

side, and the 40-watt StudioDock 4i monitors include 

4" wooofers and 1" tweeters.. A front-panel volume knob, 

headphone jack, and 3.5mm stereo aux input jack add 

convenience . 

Specs: 4i 2.92" x 5.4" • 5W-30W • 80H-18kHz • binding posts • 7.12" x 7.87" 

x 6.5" 3i 3"• 30W • 80H-18kHz • binding posts • 7.12" x 7.87" x 6.5" 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

$ 

299 00 StuDock4i 40W Active Monitors w/Dock (pr)...List $ 259 199 97 

99 

StuDock3i 30W Active Monitors w/Dock (pr)...List $ 194 99 $ 149 97

178 

ProGear2008 


Monitor Management Call today! (800) 222-4700 


Central Station 

Passive Monitor Control 

Our customers can’t believe that the Central Station monitor 

switcher/level control/talkback system does so much and costs so little. Central Station allows you 

to effortlessly perform A/B comparisons of mixes on different speaker systems. Its totally passive 

routing provides natural, uncolored playback, while its 24-bit/192kHz D/A converters deliver 121dB 

of dynamic range. A built-in talkback mic lets you communicate with musicians through the cue 

outputs. The optional CSR1 remote has all the controls plus a talkback mic. 

Specs: In: 1 x XLR (talkback), 4 x TRS, 2 x RCA • Out: 4 x line, 6 x TRS, 2 x 

headphone • S/PDIF, Toslink 

“The fact that the Central Station employs a purely passive audio 

path makes it a must for any professional who needs to manage 

their system. From the moment I took it out of the box I was 

impressed. PreSonus has a winner in the Central Station!” 

—Rob Russell, Sales Engineer, Ext. 1250 

ONLY $15/mo. 

$ 

499 97 

CentralStat Passive Audio Control Center ...List $ 699 95 

CSR1 Remote for Central Station ..... List $ 199 95 $ 149 97 

Monitor Station 

Desktop Studio Monitor Control System 

Presonus gives you a compact, effective unit to control your 

monitors and headphone mixes from one source. The Monitor 

Station includes controls for selecting speakers, main outs, and 

cue sources, with a handy central level meter. You can switch between 

three sets of speakers to audition mixes. Four headphone outs with individual 

level controls let you route cue mixes to performers while routing a main mix to your 

control room speakers. The setup is a snap to customize, and easy-to-read, well-lit selector 

buttons make it easy to use the Monitor Station in any studio lighting situation. You can also choose between a built-in 

talkback mic or plug in your own via an XLR input. The Monitor Station is a value-packed studio essential! 

Specs: In: 1 x XLR, 4 x TRS, 2 x RCA • Out: 10 x TRS, 4 x phones 

MonitorStat Desktop Monitor Controller ....List $ 349 95 

CSR1 

Big Knob 

Monitor, Headphone Mix, and Talkback 

DAWs can make connecting and controlling monitors and 

headphone mixes much more complicated than it needs 

to be. Mackie’s Big Knob is a great simplifying solution. 

This desktop audio control center handles your playback 

and talkback needs with level control, monitor selection, 

source selection, and headphone control. Big Knob lets 

you adjust volume the old-fashioned way, with a knob, 

not a mouse, for quicker level adjustments. Connect up 

to four stereo input sources at once — your mixer, DAW, 

CD player, turntable, keyboards, or nearly anything else. 

Big Knob’s built-in talkback mic lets you communicate 

with musicians in both the studio and tracking room. 

This easy-to-use and versatile control center’s price and 

features put it in the “must-have” category for studios of 

all sizes! 

Specs: In: 6 x TRS, 2 x RCA • Out: 16 x TRS, headphones 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

299 97 $ 

BigKnob Studio Controller ....................List $ 389 299 99 

99 

Monitor ST 

Stereo Monitor Controller with Remote 

The folks at Dangerous Music know what it takes to build and manage a top-notch studio environment — they have 

tons of experience operating premium studios and building custom equipment. In designing the Monitor ST they 

recreated a console’s master section and took it into the 21st century. The Monitor ST provides programmable remotecontrol 

switching for four input sources and three speaker sets, a dedicated subwoofer output, and a flexible cue/ 

talkback system with headphone amplifier. You get all the control-room functionality you need in one great-sounding 

package! The Monitor ST’s 100% analog, mastering-quality signal path makes it a versatile and high-quality addition to 

your recording setup. Bring your control room into focus and take command of your studio with the Monitor ST. Up the 

capabilities of the Monitor ST to include 5.1 with the 

Monitor SR expansion module. 

Specs: In: 1 X 25-pin “D” connector, 2 x XLR (aux in), 1 x TRS • Out: 1 x 

25-pin “D” connector, 2 x XLR, headphone 

D-Box 

Analog Summing and Monitor Management System 

ONLY $57/mo. 

$ 

1899 99 

MonitorST Monitor Controller ................List $ 2199 00 

MonitorSR Surround Expansion for ST .....List $ 1499 00 $ 1299 97 

The Dangerous Music D-Box Combination Summing and Monitoring System provides analog summing and monitor 

management solution for DAW based systems. Music production is evolving, which means more and more albums are 

being recorded and mixed on location with mobile DAW rigs or in tight control room settings. The D-Box gives you eight 

channels of the renowned Dangerous Music analog summing technology and a fantastic sounding monitor section with 

two speaker outputs, two digital inputs with D/A conversion, two headphone outputs, talkback, and an auxiliary analog 

input. If you’re an engineer on the go, you need the D-Box! 

Specs: In: 2 x XLR, 2 x AES/EBU, 1 x DB25 • Out: 4 x XLR, 2 x phones 

DBox Summing/Monitoring System ..........List $ 1599 00 $ 

1399 99 

ONLY $42/mo. 

Avocet 

Stereo Monitor Controller 

The geniuses at Crane Song continue to expand 

their line of incredible, top-quality products. The 

Avocet has become the go-to monitor control box for 

some of the most respected names in recording and 

mastering because of its broad range of capabilities 

and its outstanding sound quality. Three digital inputs, 

three analog inputs, three monitor outs, and built-in 

headphone amp with talkback functionality make the 

Avocet flexible enough to be the centerpiece for any studio 

— there are even dim, mute, and mono functions built 

in. Buffered meter outputs are also included. 

All digital signals are up-sampled and jitter-reduced 

for outstanding accuracy during D/A conversion. 

Whether you’re tracking, mixing, or mastering, you need 

maximum control to get the best results. Avocet helps 

you get the most out of your studio while providing the 

efficiency and convenience you and your clients need to 

make sonic magic happen. 

Specs: In: 6 x XLR • Out: 6 x XLR • Dig I/O: AES/EBU 

Avocet Stereo Monitor Controller .....List $ 2800 00 $ 

2380 00 

ONLY $72/mo.

Monitor Management 



ONLY $13/mo. 

$ 

429 97 

TalkBackMV Talk Back 600 MV ..............List $ 499 00 

TalkBackIR2 2-button Remote ..................List $ 69 95 $ 49 97 

TalkBackIR1 1-button Remote ..................List $ 52 95 $ 42 97 

SwitchWitch Pwrd Monitored Switcher ......List $ 324 99 

Talk Back 600 MV 

Studio Talkback and Monitor Control 

Monitoring and communicating with the talent has always been problematic in the project studio, especially if you have 

numerous pairs of monitors. Cost-effective, quality monitor switching and talkback control has been hard to come by. 

Until now, that is. The Talk Back 600 MV adds talkback, monitor master volume, monitor switching, and monitor 

dimming capability to your studio. It can handle a stereo mix plus six separate inputs from your console and route 

Switch Witch 

Powered Monitor Switcher 

them to two sets of speakers and the Hear Back Hub. Two 

infrared remote controls are available. 

Specs: In: 8 x TRS • Out: 10 x TRS 

When people show up in our Sweetwater showroom looking for recording gear, monitors, or both, we have to be able to 

A/B a number of different systems through a number of different monitor sets on the fly, without speaker pops or sound 

coloration, so the true sound of the monitors comes through. We use the ProCo Switch Witch to accomplish this task. 

You can use it when it’s time to see how your mixes translate to other speaker systems. 

Featuring stereo XLR inputs and four pairs of XLR outputs plus an in/out switch for each, the Switch Witch enables 

you to switch smoothly and noiselessly between up to four pairs of studio monitors from a single source. Its passive 

electronics give you an accurate, uncolored sonic picture of your mix. Now you can set up multiple sets of monitors and 

ONLY $10/mo. hear how well your mixes work on different speakers. 

$ 

227 97 CControl Control Room Matrix ..............List $ 159 99 $ 

99 97 

Specs: In: 2 x XLR • Out: 8 x XLR 

C-control 

Monitor, Talkback, and Headphone Mix 

Controller 

How do you integrate the control that big analog consoles 

have with the power of a DAW? The C-control Control 

Room Matrix Selector is an excellent and affordable 

solution for connecting multiple monitors, headphone 

mixes, and tape inputs and outputs to your DAW. Its 

four sets of stereo inputs, plus three stereo speaker outs 

give you more than enough connection and monitoring 

options for your studio setup. A headphone amp and 

a built-in talkback mic make the C-control even more 

useful. A small footprint keeps the C-control from 

being cumbersome in the studio, and solves numerous 

problems for owners of home and project studios. Now, 

no matter what your budget, you can have the features 

that the pros have had access to for years with Samson 

reliability. The C-Control is an incredible value! 

Specs: In: 6 x TRS, 2 x RCA • Out: 6 x TRS, 6 x RCA, headphone 

M3PH MKII 

Precision Monitor Control 

How many of us still have a console that really only serves as a glorified volume control 

for our monitors? Maybe it’s time to use the right tool for the job: the Coleman Audio 

M3PH MKII. The M3PH MKII handles setting monitor levels and switching between 

sets of monitors. It has L/R mute controls, allowing speaker isolation, as well as polarity 

reverse. This lets you monitor the signal integrity for each speaker individually, and 

check for overall phase problems. The M3PH MKII offers a 4-gang stepped volume 

attenuator that tracks within ±0.05dB, ensuring repeatable stereo imaging at any level. 

This comprehensive DAW monitor module duplicates the control room section of a 

high-end mixing console. 

M3PHmkII Monitor Selector ..................List $ 1025 00 $ 

899 97 

ONLY $27/mo. 

Specs: In: 8 x XLR • Out: 6 x XLR, 

headphones 

LS3 

Passive Line Selector 

With the LS3, Coleman Audio brings their studio 

problem-solving to the budget-minded owners 

of project and home studios. The LS3 provides 

bi-directional line-level passive switching. You can select 

three stereo outputs from a single stereo source, or route any of three stereo 

sources to a single stereo output. As a speaker selector, you can select multiple outputs 

simultaneously. All inputs and outputs are on 1⁄4" TRS jacks. It’s an excellent tool for 

isolating your subwoofer or using it with multiple pairs of speakers. 

Of course, you get Coleman Audio’s attention to detail that yields amazingly transparent 

results. The LS3 won’t color your audio in any way. What you hear coming out of the 

speakers is what’s coming out of your DAW or your board. Now everyone can have 

Coleman control in their rig! 

Specs: I/O: 8 x TRS 

LS3 3/1 Balanced Splitter ............List $ 125 00 $ 

119 97 

ONLY $10/mo. 

SR5.1 MKII 

Surround Monitoring Control 

CMC4 

Subwoofer Monitor Controller 

Coleman Audio built their business by providing the audio world with real solutions The fine folks at Coleman Audio help you rein in your subwoofer, allowing you to easily 

to many of the common problems professional engineers face every day. Surround tie its signal to your other monitors with the CMC4. It’s a snap: once you establish a 

mixing professionals, for example, require premium audio quality and accuracy from balance between your sub and main speakers, the CMC4’s Main Level control lets you 

their playback systems, and Coleman delivers. The SR5.1 MKII surround monitoring control all of them at once. 

controller uses true analog electronics with minimal circuitry to ensure no interference 

with the playback signal. It provides precision 5.1 surround monitoring, as well as folddown 

to stereo and mono. The control room signal path has a 6-gang stepped attenuator the subwoofer. This unit includes four balanced stereo inputs (XLR) and three balanced 

A handy mute switch is also onboard, allowing you to listen to playback with or without 

that tracks within 0.05dB throughout its range. Front-panel trims and mute switches XLR outputs, and its flexible routing options make it a great tool for keeping your 

allow proper calibration and easy evaluation of signal location. 

monitor system working as accurately as possible. 

ONLY $33/mo. 

$ 

SR51mkII 5.1 Monitor Controller .........List $ 1125 1069 97 Specs: In: 6 x XLR/TRS • Out: Specs: In: 4 x XLR • Out: 3 x XLR 

ONLY $19/mo. 

6 x XLR 

$ 00 CMC4 Studio Monitor Controller .......List $ 700 629 97 

00

180 

ProGear2008 


Headphones Call today! (800) 222-4700 


TELL ME 

MORE 

ABOUT 

Headphones Even if you work in a space where you can crank up your studio monitors with abandon, you’re still going to want one set of good 

headphones (or probably more). Headphones are essential when you’re tracking with microphones, so performers can hear what’s happening without the 

mics picking up sound from the studio monitors and the recording room. They’re also useful for putting sounds “under the microscope” when mixing and 

editing. Headphones can have “circumaural” (around the ears) or “supra-aural” (on the ears) earcups; try both types to find the most comfortable for you. 

Sealed or closed headphones are for tracking and isolation; open and semi-open ‘phones let in some external sound (and let some out), but may be more 

comfortable for long-term listening. 

MDR-7506 

MDR Series Headphones 

Headphones for Studio Recording, DJs, and 

Listening 

The MDR-7506 headphones are seen in just about every 

Hollywood studio. Rugged, with excellent sound quality, this 

model can function effectively in the commercial studio, 

MDR-7509HD MDR-7505 MDR-7502 MDR-700DJ 

on location, at home, or on your portable player. The MDR-7506 is perfect for “tracking” — the closed-ear design keeps sound from 

bleeding into mics. The MDR-7509HD model includes a circumaural earcup design, a 2" driver unit, frequency response extending up 

to 80kHz, and super-high power handling capacity. The MDR-7505 is an excellent alternative to the 7506, with a closed, supra-aural 

design and swivel earcups for convenient single-sided monitoring. The small-diaphragm, lightweight MDR-7502 features a closed-ear 

design with a 1.2" driver unit for clear, high-quality sound reproduction. MDR-V700DJ features extended bottom end, making it perfect 

for rap, hip-hop, DJ, and techno use. The MDR Series headphones include a stereo Unimatch plug for use in 1/4" and 1/8" applications. 

Put on a pair of Sonys and you’ll hear things you may not have heard before. 

MDR7506 Closed Circumaural Headphones with Foldable Design ................................................................................................................... List $ 130 00 $ 

99 97 

MDR7509HD Closed-back Pro Headphones ......List $ 265 00 $ 219 97 MDR7502 Closed Stereo Headphones ............List $ 65 00 $ 52 97 

MDR7505 Closed Monitor Headphones ........List $ 115 00 $ 84 97 MDRV700DJ Closed Pro DJ Headphone ...........List $ 149 99 $ 129 97 

HD 280 Pro 

HD Series Headphones 

Studio-standard Headphones 

Sennheiser’s focus for all of their products is to present sound that’s precise and true to the original. That’s 

why their headphones are staples in recording studios everywhere. The HD 280 Pro is especially well suited 

for the studio and vocal booth. With audiophile-quality sound, swiveling earcups, and 32dB of attenuation, it’s 

comfortable, versatile, and prevents bleed into mics — perfect for DJ applications where single-ear monitoring is 

required. If you want the best in sound reproduction, choose the HD 650. This audiophile-quality headphone will 

open your eyes (and your ears) to things you’ve never heard before, even in your favorite songs. 

The HD 600 is an ideal choice for the professional engineer recording classical music. It’s a great gift for the music 

lover in your life. The incredibly affordable HD 150 provides great sound quality, with the ability to handle high 

sound pressure levels — ideal for modern rock mixes! Excellent sound attenuation, superior comfort, and a replaceable 

cable make the EH 250 a favorite for DJs as well as the serious home listener. 

HD280Pro Closed Circumaural Headphones with Collapsible Design ............................................................................................................... List $ 199 95 $ 

99 99 

HD650 Hi-fi Pro Stereo Headphones .......List $ 599 95 $ 499 99 EH250 Closed Stereo Headphones ..........List $ 109 95 $ 59 97 

HD600 Hi-fi Pro Stereo Headphones .......List $ 499 95 $ 399 97 

WHAT OUR CUSTOMERS 

ARE SAYING… 

“The great prices are a good incentive, but service is paramount 

in my book, and you guys always take care of my every need.” 

— Gary Gidak 

HD 650 

HD 600 

EH 250 

EH 150 

EH150 Closed Stereo Headphones ............List $ 69 95 $ 44 97 K240mk2 Semi-open Headphones ......................List $ 269 00 ONLY $10/mo. 

K240 MKII 

AKG Headphones 

Studio Quality for Every Musician 

The K240 MK II is a retooled version of the long-time 

studio standard. Its 15Hz-25kHz frequency response 

provides wide range, detail, and much higher 

K701 K271 MKII K141 MKII K171 MKII K99 K77 

sensitivity than comparably priced headphones. The K701, employs a cutting-edge flat-wire voice coil, which enables it to deliver 

brilliantly detailed highs, rich bass, and perfectly balanced, natural overall sound that places every musician at a specific location 

in the mix with pinpoint accuracy. The K271 MK II uses a closed-back design that delivers impressive ambient noise isolation with 

ultra-wide response, making it perfect for monitoring in live sound 

situations. The K141 MK II is the latest version of one of the most 

widely used headphones in U.S. studios. It’s a punchy, dynamic supraaural 

headphone capable of high SPL while maintaining low distortion. 

Ideal for studio tracking as well as DJ use, the K171 MK II dynamic 

closed-back headphones give you great sound and comfort. AKG also 

offers two budget-minded models — the K99 and K77 — which are 

great for home recording and pleasure listening. 

$ 

199 97 

K701 Semi-open Headhones ....................................... $ 

449 95 

K271mk2 Closed-back Headphones ....................List $ 299 00 $ 269 97 

K141mk2 Semi-open Studio Headphones ...........List $ 239 00 $ 189 97 

K171mk2 Dynamic Closed-back Headphones ......List $ 269 00 $ 199 97 

K99 Semi-open Headphones ........................List $ 89 99 $ 79 99 

K77 Dynamic Closed-back Headphone .........List $ 59 99 $ 49 99

Headphones 



ATH-M40 

ATH-D40 

ATH-M20 

ATH-M3X 

ATH-M2X 

ATH-M50 

Headphones for Studio, Stage, and Home 

Audio-Technica headphones are designed to give you superior performance and 

exceptional value. The flagship ATH-M50 is designed for pro-level mixing and 

monitoring, and features a large 45mm driver for exceptional power-handling and 

clarity. The ATH-M50’s thick and comfortable padding provides excellent isolation, as 

well as the long-wearing listening comfort that professional studio situations demand. 

The ATH-M40 produces extended frequency response from 5Hz to 28kHz. It features 

a generously padded closed-ear design, and its rotating earcups allow easy 1-ear 

monitoring. The ATH-D40 provides enhanced low-end response and is studiofriendly, 

with replaceable cables, drivers, and ear pads. It’s ideal for monitoring bass 

instruments, drums, and percussion, and handles very high SPL while providing 

astounding audio quality. The ATH-M20 delivers exceptional clarity and isolation, 

and the lightweight cushioned design is comfortable even when worn for hours. 

Its extensively padded closed-back design provides great isolation. The ATH-M3X 

is a mid-sized headphone with big sound! It’s great for listening to digital sources. 

The frequency response extends from 20Hz up to 20kHz, reproducing everything 

from ground-shaking bass to airy highs with exceptional detail, and the closed-back 

design isolates the listener from external sound sources. The ATH-M2X is an open-back 

headphone with high-performance drivers and low-mass diaphragms for maximized 

power handling. The clean, linear low-end response reproduces bass sounds 

without a hint of distortion. The ATH-M2X headphone is built to handle any 

number of studio tasks, but also does well with digital material like gaming 

and DVD viewing. Plus, it’s priced to make purchasing multiple sets practical. 

ATH-M50 

ATHM50 Closed Studio Headphones .....List $ 199 00 $ 

189 99 

ONLY $10/mo. 

ATHM40 Reference Headphones ..........List $ 150 00 $ 79 97 

ATHD40 Closed Monitor Headphones ...List $ 150 00 $ 59 97 

ATHM20 Closed Stereo Headphones .......List $ 69 00 $ 49 97 

ATHM3X Closed-back Studiophones .......List $ 49 95 $ 34 97 

ATHM2X Open-back Studiophones .........List $ 39 95 $ 29 97 

DT 770 Pro 

DT 770 PRO 

Open Circumaural Studio Headphones 

The DT 770 Pro headphones were designed for drummers performing live to a 

click or backing tracks. They’re perfect for any recording situation requiring extreme 

isolation from external sound sources. They’re also ideal for FOH engineers and DJs 

who do beatmixing. The DT 770 M model adds an in-line volume control. DT 880s 

are outstanding for recording. They’re designed to minimize leakage, so what’s coming out of 

the headphones won’t bleed into the recording mics. The extremely wide frequency response 

provides deep lows and smooth highs, giving you a well-balanced representation of the music. 

While most professional engineers agree that listening to a mix through headphones is a useful 

tool, the close proximity of the headphones to your ears makes accurate monitoring difficult at 

best. That all changes with the DT 990 Pro. These open design ‘phones offer an overall tonal 

balance close to that of top-flight monitors, making them an extremely accurate alternative in 

situations where conventional mixing through monitors is impractical 

or impossible, such as mixing on a laptop in a dorm room or an 

apartment. The MMX1 couples a condenser mic with closed-back 

headphones to create a hands-free setup that’s great for podcasting. 

The USB cable pipes your voice into the computer for editing and 

mixing. Also available: the ultra-lightweight, affordable DT 131. 

DT 770M 

DT 880 

MMX1 

DT 990Pro 

DT131 

DT770pro Closed Stu Mon Headphone ......... List $ 279 00 $ 

239 97 

ONLY $10/mo. 

DT770M Closed Mon Headphone w/Vol ..... List $ 299 00 $ 259 97 

DT880 Semi-Open Studio Headphones .... List $ 349 00 $ 299 97 

DT990Pro Open Monitor Headphones ........... List $ 279 00 $ 239 97 

MMX1 USB Headset w/Microphone ........ List $ 129 00 $ 99 97 

DT131 Lightweight Headphones ................ List $ 59 00 $ 49 97 

RH600 

RH600 

Open-ear Headphones 

Samson continues to defy the price/performance barrier with their line of studio headphones. The RH600 

sports an open-ear design and a very wide dynamic range with linear frequency response from 20Hz to 

22kHz for accurate, balanced audio reproduction. The CH700 has 40mm drivers with ultra-thin mylar 

diaphragms and high-output neodymium magnets. The closed-ear design offers great isolation for tracking 

or monitoring in noisy environments. The CH70 also features 40mm drivers with mylar diaphragms 

and closed-back construction that provides good isolation and a well-balanced sound for an accurate 

representation of the sonic picture. A great all-around model, the CH70 is ideal for listening at home or in 

the studio. Both the CH700 and the CH70 offer rugged performance at a great price point. Engineered for 

comfort and uncolored audio reproduction, the RH100 is built with high-output neodymium magnets 

and a high-performance transducer. This translates to clear, transparent 

sound, perfect for studio applications or casual listening. The PH60 features 

a distinctive translucent blue headband and is designed for enjoying audio on 

the go. The PH60 employs a special 34mm mylar driver with an isotropic ferrite 

magnet for an open sound not common to headphones in this price range. No 

matter what your budget, Samson has great headphones for you! 

CH 700 CH 70 

RH 100 PH 60 

RH600 Open Stereo Headphones .............List $ 69 99 $ 

49 97 

CH700 Closed Stereo Headphones ............List $ 54 99 $ 39 97 

CH70 Closed Back Headphones ..............List $ 44 99 $ 29 97 

RH100 Closed Stereo Headphones ............List $ 44 99 $ 29 97 

PH60 Lightweight Headphones ...............List $ 21 99 $ 14 97

182 

ProGear2008 


ATHANC7 Noise-cancelling Headphones ....List $ 219 95 

ATHANC3 Noise-cancelling Headphones .....List $ 169 95 

SCL5 

ER4P 

ER6i 



Noise-Cancelling Headphones 

ATH-ANC7 

Lightweight Noise-cancelling Headphones 

The Audio-Technica ATH-ANC7 QuietPoint noise-cancelling headphones give you amazing 

sound quality while reducing outside noise by up to 85 percent. Using ANC circuitry, the 

ATH-ANC7 headphones ease noisy distractions at home, in the office, or during long flights, 

and the electronics are fully integrated — no external modules needed! 

The lightweight, compact design is ideal for travel, and the phones fold flat for easy 

portability. Whether you’re enjoying MP3s, CDs, DVDs, or in-flight entertainment, these 

great headphones give you distraction-free sound quality, and they’re an incredible value! 

ONLY $10/mo. 

$ 

199 97 

ONLY $10/mo. 

ATH-ANC3 

Noise-cancelling Earphones 

Based on the Quietpoint technology used in the ATH-ANC7 

headphones (above), Audio-Technica’s ATH-ANC3 active noisecancelling 

in-ear headphones cut down on a huge percentage of 

outside noise while giving you the kind of stellar sound quality you 

expect from A-T products. A miniature microphone in each earpiece 

actually picks up ambient noise and sends a signal to a small, portable 

battery-powered control box. It’s there that a noise-cancelling wave is 

created that’s 180 degrees out of phase with the outside noise, effectively 

cancelling it out. You end up with a sound environment dictated by 

you, not your surroundings. The ATH-ANC3 ‘phones are ideal for use with all sources, including MP3 players, and they 

function passively when battery power is not in use. Interchangeable earpieces and a hard carrying case are included. 


ARE SAYING… 

“Once again, my Sales Engineer has been very helpful. His 

knowledge and understanding of my needs has been excellent. 

Thanks.” 

— Anthony Muniz 

NC900 

Noise-cancelling 

Headphones 

Samson NC900 

headphones give you 

incredible sound reproduction 

while filtering out background noise, making it easier for 

you to hear what you’re listening to without distraction. 

In addition to high performance, these headphones 

feature a comfortable ergonomic design, large drivers for 

great sound quality, and a detachable cable and folding 

design for easy portability. You get peaceful listening 

pleasure at a great price! 

$ 

149 97 NC900 Noise-canceling Headphones ...List $ 79 00 $ 

49 97 

® 

ETYMOTIC RESEARCH INC. 

ER-4P 

High-fidelity Noise-isolating Earphones 

M5 

In-ear Monitoring 

System with 

We love our portable music players but not the included ear buds. What’s the solution? Get 

better earbuds! Luckily for you, Sweetwater carries a full line of earbuds that will handle 

Ambient Noise 

anything from personal in-ear monitoring to listening to music on the go. The Cadillac of the 

Reduction 

Etymotic Research line is the ER-4P earphones, which are the next best thing to live music, The Future Sonics Atrio Series earbuds are the result 

with noise isolation far surpassing that of active noise-cancelling earphones (35-42dB). of more than three years of extensive research and 

They can be plugged into any audio source and allow you to hear the full dynamic range of development . The result is the M5, a miniature 

recordings without having to play them at unsafe levels — perfect for in-ear monitoring and loudspeaker system that delivers all of the elements of 

mixing. The ER-6 Isolator earphones provide unsurpassed audio quality with 34-36dB of your true sound. You are actually hearing the richness 

external noise isolation. They feature a stay-put design and impressive audio performance . of the details, dynamics, and even subtle tones that are 

ER-6i Isolator earphones are designed specifically for use with 

ONLY $10/mo. not realized by other similar products. These are great for 

the iPod (see page 

$ 

ER4P In-ear Earphone System ............................. 299 00 in-ear monitoring or audiophile pleasure listening! 

130) and other 

ER6iPod In-ear Earphone System ............................. $ 

129 99 

ONLY $10/mo. 

small portable 

ER6 In-ear Earphone System ............................. $ 

music players. 

99 00 

$ 

M5Atrio Professional Earphones ..........List $ 199 159 97 

ER6 

00 

SCL2 

SCL3 Low-profi le Earbuds ...................List $ 199 00 $ 179 97 

$ 

SCL2 Full-range Earbuds .....................List $ 110 00 $ 99 97 IE4 Ear Buds for In-ear Monitoring ............List $ 78 54 97 

20 

SCL5 

IE4 

Sound-isolating Earbuds with Dual-driver Design 

Earbuds for In-ear Monitor Systems 

Specifically designed for use with Shure PSM personal monitor systems, the SCL5 When you want to get great 

SCL4 

dual-driver earbuds contain separate high-definition woofer and tweeter drivers, 

results onstage, you need 

complete with an inline crossover. These features result in incredibly natural sound to hear yourself clearly. 

with clearly defined highs, mids, and lows. These ‘buds deliver the low-end goods! The Sennheiser’s IE4 earbuds are 

“natural” design of the SCL5 units allows them to comfortably rest in the ear, giving made for in-ear monitoring 

you a good seal for effective sound isolation, and Shure includes a variety of accessory systems, and they provide 

SCL3 

sleeves to tailor the fit to your own ears. Shure also offers a range of other earbud natural, clear sound — even at 

options, including the high-definition SCL4 earbuds, the low-profile SCL3 units 

high levels. You get a great fit, thanks 

(featuring WideBand micro-drivers), and the full-range, affordable ONLY $15/mo. to exchangeable sleeves that are made to fit any ear 

SCL2 ‘buds, featuring 

$ 

SCL5 Dual-driver Earbuds ...................List $ 590 499 97 comfortably. The result? Great isolation against outside 

single dynamic drivers. 

00 noise and optimum bass response. 

SCL4 High-defi nition Earbuds ...............List $ 319 99 $ 299 97

184 

ProGear2008 




RH-3C 

RH-2C 

RH-5MA 

Monitor Headphones 

Yamaha has a long tradition of creating amazing products that far 

exceed the price/performance barrier. The perfect partner for any 

electronic instruments or studio situation, the RH-5MA gives you an 

accurate and immediate impression of your music without bringing 

down the house. While some other headphones let valuable sound escape, the cozy, closed-design cushions of the 

RH-5MA keep all the sound close to your ears, ensuring that you hear the full impact of your music. They sound 

great too! You won’t miss an ounce of treble or resounding bass in your music. These headphones are perfect for 

mixing and monitoring when you can’t be in the studio with your monitor speakers. 

Equipped with pro-quality components, RH3C headphones give you the deep bass and clear high end 

musicians, engineers, and producers demand. A more affordable alternative to the RH-5MA, the noisereducing 

closed-ear design helps to isolate the sound, allowing you to concentrate on what you’re hearing, 

rather than having to deal with sonic distractions from the outside. 

The RH2C is made with the dedicated musician in mind, as well as the music lover who wants the best 

sound possible. You get fantastic overall balance and clear bass — no “tin” or “mud” in your sound as 

with so many affordable portable headphones. In fact, the RH2C’s technical specs and careful design are 

so fine, it makes a great studio monitor headphone for recording applications, especially in smaller home 

studios, and they sound great with portable 

RH5MA Closed Stereo Headphones ..........List $ 69 99 $ 

49 99 

RH3C Stereo Headphones .......................List $ 49 99 $ 34 97 

RH2C Closed Headphones ................................... $ 

19 99 

music players, too. No matter your situation, 

Yamaha has a pair of headphones for you! 

RH-5MA 

PRO 2500 ultra 

PRO2500 

Studio Headphones with S-Logic 

As audio professionals and enthusiasts, we’re always looking for the best sound. Whether it’s a 

preamp, a mic, speakers, or headphones, sound quality is very important. That’s why we’re such 

fans of Ultrasone — their ultimate goal is pure, natural sound. Their proprietary S-Logic provides 

the most natural-sounding headphone experiece around. You really get the sensation that the 

sound coming through the headphones is coming from meters away. 

PRO 2500 and PRO 750 headphones by Ultrasone combine powerful titanium drivers, 

with innovative, comfortable design to give you clean and natural sound. The 2500s feature 

an open-air design, while the otherwise-identical 750s have a closed back for external noise 

attenuation. S-Logic technology uses decentralized driver positioning to direct the audio signal 

to the back of your outer ear (your pinna), where it is then reflected naturally down your ear 

canal, as it would be in the real world. You hear an incredible perception of distance, direction, 

and depth in your music. Sound pressure levels and fatigue are greatly reduced, with the same 

perceived volume. EMFs (radiation) are shielded on all Ultrasone models by up to 98%. 

The PRO 650 offers a spectacular open 3-dimensional image with maximum transparency, while 

the PRO 550 gives you a great closed-ear design and tight bass response that’s ideal for broadcast, 

recording, or just listening. PRO series ‘phones also come with a handy hard zippered carrying 

case. The HFi.580s are designed to allow you to perceive directions and distances as if you were at 

a live concert. Whether you are a surround mixer, a gamer, or avid listener, you’ll love the 3D effect 

of the HFI.780 headphones — the soundstage is enormous. Both the HFI.580 and HFI.780 feature 

cool chrome highlights and come with a velour carrying pouch. iCans headphones are designed to offer 

amazingly large sound for the iPod and other portable music players. They’re also ultra-portable, allowing 

you to fold them up for easy, convenient storage. When you need to hear every last detail of audio, Ultrasone 

headphones will more than satisfy. 

Pro2500ultra Open-back Headphones ......................... 

Pro750 Pro Headphones w/S-Logic ....................... 

Pro650 Pro Headphones ........................................ 

Pro550 Pro Headphones w/S-logic ........................ 

HFI780 Circumaural Studio Headphones ................. 

HFI580 Closed Circumaural Headphone .................. 

iCan Semi-open Headphones ............................. 

ONLY $12/mo. 

$ 

399 00 

$ 

399 00 

$ 

299 00 

$ 

239 00 

$ 

249 00 

$ 

199 00 

$ 

129 00 

PRO 750 

PRO 650 PRO 550 HFI.780 HFI.580 iCan

Headphone Amps & Distribution 


A-16ii 

A-16II 

Personal Monitor Mixer 

Players and singers can get never-before-realized 

control over their monitor mixes with Aviom’s A-16II 

Personal Mixer! Each performer can control 16 

channels of levels, groups, pan, stereo spread, and 

master volume. Imagine — no more wrestling with 

monitor levels! No more bulky snakes, either. Thin 

Cat-5E computer cable carries the signal — and 

hundreds of feet of cable runs are possible. The 

A-16II’s stereo output can drive earphones, in-ear 

monitors, transmitters, headphones, or powered 

speakers. The A-16II is fully compatible with all 

Pro16 Series products, including Aviom’s digital 

interface cards for Yamaha and DiGiCo digital 

mixing consoles. It mounts easily on a mic stand with 

the optional MT-1 mic stand mount. If your studio 

works with several different types of sound sources and 

performance approaches, you’ll appreciate the built-in 

versatility of the A-16II. 

Simplifying connections to in-ear monitors and amps, 

the A-16R rackmount version puts the Personal Mixer 

right in the guitarist’s or keyboard player’s “gear zone.” 

It has all the features of the A-16II and adds balanced 

outputs on the rear panel, stereo balanced insert points, 

and a stereo auxiliary mix input with a front-panel 

level control. 

For further control, the A-16CS remote control for 

the rack mixer can be stand-mounted or set up in any 

convenient location. The AN-16i converts 16 line-level 

audio channels into 24-bit data. The handy A-16D and 

A-16DPro units distribute a 16-channel Pro16 A-Net 

stream to up to eight additional Pro16 devices, with the 

A-16Pro providing power as well. 


AN-16i 

A-16R 

A-16CS 

“The Aviom mixing system is a must have for any 

serious live setup or studio. Using A-Net instead of 

cable snakes is a great cost reducer. They also make 

it easy for every musician to have their own personal 

mix regardless if you are using monitor speakers, 

headphones, or in-ear systems.” 

— Jeff Rodgers, Tech Support 

A16ii Personal Monitor Mixer .............List $ 605 00 $ 

575 97 

ONLY $18/mo. 

AN16i 16-channel Input Module ..........List $ 1180 00 $ 1070 97 

A16R Rackmountable Monitor Mixer ....List $ 980 00 $ 905 97 

A16CS Remote Control for A16R ............List $ 495 00 $ 452 97 

A16Dist 8-port A-Net Distributor .............List $ 450 00 $ 420 97 

A16DPro 8-port A-Net Distributor ...........List $ 1295 00 $ 1190 97 

About 

Personal 

Monitoring 

The benefits of 

in-ear monitors 

to the musician 

and engineer are 

immediately 

apparent: better 

sound, improved 

stereo imaging, 

less vocal strain, 

protection 

against hearing damage, portability, increased gain 

before feedback, and reduced on-stage volume. 

Loud stage volume has the effect of muddying the 

house mix causing excessive overall volume as the 

sound engineer is forced to turn up the mains to 

compensate for stage levels. A well-thought-out IEM 

system can replace the speakers and amplifiers in 

a monitor system with a single rack of equipment. 

Besides protecting your hearing against high sound 

levels, IEMs offer other advantages, such as improved 

and consistent sound quality and reduced feedback. 

Another advantage of IEM is their use in conjunction 

with self-monitoring systems. This enables musicians 

to control their own monitor mix on stage, freeing 

the FOH engineer from sending multiple cue mixes. 

Personal monitors also offer numerous advantages 

for the studio. Whether it’s for stage or studio, 

Sweetwater can help you configure a personal 

monitoring system that’s perfect for your needs. 

Aviom and the experts at Sweetwater both know how important the monitor 

mix is to a live performance. Whether you’re working with powered wedges, 

headphones, or in-ear monitors, Sweetwater knows that Aviom’s Pro16 

Monitor Mixing System solves on-stage monitoring issues by giving 

each musician control of channel volume, grouping, pan, stereo 

spread and master volume at their fingertips. 

Contact our friends at Sweetwater 

today for more on the standard for 

personal monitor mixing. 

1-800-222-4700 

www.Sweetwater.com

186 

ProGear2008 


Headphones Amps & Distribution Call today! (800) 222-4700 


HA-6AB 

6-channel 

Headphone Amp 

One of the biggest complaints we hear about many headphone monitor amplifiers is that they’re not loud enough 

for overdubs or live rehearsals. The Furman HA-6AB was designed specifically to address this problem. It’s an 

extremely economical 20-watt-per-channel stereo amp with six headphone outputs on the front panel, each with 

an independent volume control. While most headphone amps provide 1/2-watt or less per headphone channel, the 

HA-6AB’s higher power can drive headphones of any impedance to their full rated listening level, and do it with 

minimal noise and distortion. Plus, when the session is over and the musicians remove their headphones, 

the HA-6AB can also power playback through either of two sets of studio monitor speakers, selected by 

pressing front-panel push buttons. Furman lets you expand your setup with the HR-2 Remote Station, a 

passive volume control for remote use in conjunction with the HA-6AB. The HR-2 can accomodate two sets of 

headphones, each with a separate gain control. You can daisy-chain up to 24 HR-2s to the HA-6AB via its XLR 

output. With a simple adapter, an HR-2 can turn any stereo power amp under 50 watts into a headphone distribution 

system.The Furman HR-6 is a compact 6-channel, 5-pot remote mixer that clamps to any mic stand. It allows 

musicians to customize their own headphone or monitor mix, and the engineer doesn’t have to touch the board! The 

HDS-6 audio distribution system provides up to 16 users with personal mixes. It connects to your console and delivers 

power and signal to individual HR-6 remote mixers. 

HP60 

Headphone Amplification System 

Need a flexible, high-quality multi-headphone amp 

system that won’t bust your budget? The PreSonus HP60 

might just fit the bill. This compact (1U) rackmountable 

unit includes six independent headphone amps, each 

with controls that allow you to mix between three stereo 

audio sources (the HP60 includes two stereo inputs and 

an external input). This functionality makes it easy, 

for instance, for performers to make a mix between the 

control room input, a click track, and themselves. 

The HP60 also lets you send line-level headphone channel 

mixes out of each channel to additional headphone 

amps or monitors for even more flexibility. Mute and 

mono buttons are also included on each channel. This 

system is ideal for everything from home studios to pro 

facilities, and the price is right! 

HC 6S 

6-channel Headphone Amp 

The Rane HC 6S headphone console is great for studio 

headphone monitoring, with six amplified, individually 

adjustable headphone outs. But this versatile unit can 

do a whole lot more! A mono switch lets you drive both 

channels of all six amplifiers from a common mono 

source, plus, six individual unbalanced stereo inputs 

allow you to drive any one of the HC 6S’s individual 

amplifiers from a separate stereo source! Now performers 

have all the options they need to get the headphone mix 

they want, giving them the confidence to do their best. All 

of the channels are provided on both the front and back 

of the unit, so you can plug your headphones in from 

either side — you can even use the double outputs to 

drive two sets of headphones from each channel! 

HA6 6-ch Headphone Amp .................List $ 445 00 $ 

369 97 

ONLY $12/mo. 

HR6 Headphone Mix Station ...............List $ 155 00 $ 129 97 

HR2 2-ch Headphone Remote Box ........List $ 99 00 $ 89 97 

HDS6 6-ch Headphone Distribution .......List $ 299 00 $ 249 97 

HMX-56 

Headphone Amp with Effects Loop 

Mackie rose to 

prominence by offering 

live sound and studio 

engineers gear that 

was not only built 

tough, but priced 

to be accessible by 

virtually everyone. This is Mackie’s “More ME!” solution 

that allows up to six musicians to dial in their own 

personalized headphone mixes. The HMX-56 Headphone 

Matrix Mixer is equally at home in the studio or onstage. 

While volume levels have been an issue with other 

systems, the HMX-56 has six low-noise, high-fidelity 

headphone amplifiers with more than enough output to 

drive headphones to high volume levels. An effects loop 

with individual level control on each channel lets each 

performer add external effects to taste. 

6-Ch Headphone Amp ............List $ 529 00 6-ch Headph Mix/Amp ..........List $ 199 99 HP60 6-ch Headphone Monitor .......List $ 399 95 $ 

299 97 HC6 $ 

419 97 HMX56 $ 

149 99 

ONLY $10/mo. 

ONLY $13/mo. 

ONLY $10/mo. 

Hear Back Four Pack 

Monitor Distribution and Mixer System 

The Hear Back Four Pack lets musicians control their perfect personal mix. And it 

works with headphones, in-ear systems and conventional floor monitors. The included 

Hear Back Hub (also sold separately) accepts analog or digital inputs and distributes 

signal to up to eight personal mixers via slim Cat-5E cables. You can also daisy-chain 

hubs together for virtually unlimited system size. Each of the Hear Back Four Pack’s 

compact, effective Personal Mixers controls up to 10 audio channels plus master 

HR-6 

Mix Back 

16-channel Monitor Mixer with 

Digital and Analog Outputs 

ONLY $45/mo. volume — every musician 

$ 

HearBack4pk Monitor Mix Matrix ........List $ 1895 1495 97 can have his or her 

00 

preferred mix! You also 

HearBackMix Hear Back Mixer ................List $ 279 00 $ 230 97 

ONLY $75/mo. 

have control over the builtin 

DSP limiter . 

HearBackHub Hear Back Hub ..................List $ 699 00 $ 579 97 MixBack 16x16 Matrix Mixer ............List $ 2995 00 

HR-2 

HDS-6 

The incredibly flexible Mix Back monitor 

mixer gives you all the input and output 

options you’ll need to get great onstage sound 

for the whole band or ensemble! As in-ear 

monitoring becomes more and more common, 

the need for top-notch monitor mixes becomes 

paramount. Mix Back gives you 16 mic/line 

inputs with phantom power switches, high-pass 

filter, 4-band EQ (with separate sweep and mid 

cut/boost controls), and inserts. You also get 

two stereo outputs and 12 mono outputs, and a 

talk-back mic preamp that can be assigned to any mono output, master outputs, or the 

intercom out. Adding to this unit’s versatility is a master section that offers an array of 

auxiliary and effects returns for easy routing — great for FOH or studio cue mixes. ADAT 

optical outs give you 16 channels of digital output, plus two HearBus outs are provided 

to integrate the mixer with other Hear Technologies gear, such as the Hear Back Hub 

(see left). 

$ 

2495 97

Headphones Amps & Distribution 



m902 

Headphone Amplifier and Monitor Controller with 24-bit/192kHz Resolution 

Professionals have trusted Grace Design for high-quality headphone amplifiers for years, and now the m902 

offers an even higher standard for performance. With five different analog and digital input sources, it can 

connect to your studio gear at virtually any stage of the signal path. You’ll be floored by the m902’s highperformance 

24-bit/192kHz DAC, which includes Grace’s unique s-Lock dual-stage Phase Lock Loop for extremely 

low jitter and rock-solid digital performance. 

The m902 also includes an exciting feature that simulates the acoustics of a loudspeaker listening environment, 

which significantly improves imaging while reducing fatigue when you’re using headphones. Grace’s proprietary 

circuits simulate HRTF (Head Related Transfer Functions) for increased monitoring accuracy. The m902 was 

specifically designed with low impedance headphones in mind. Its high-current transimpedance output amplifier 

design drives loads as low as 25 ohms. 

The m902 provides balanced and unbalanced analog inputs plus AES/EBU, S/PDIF, and USB digital ins. Two 

headphone outputs are controlled with the front-panel knob, with levels shown on the 7-segment LED display. 

Plus, the m902’s stereo line out jacks allow you to use it as a monitor preamp. This is a huge feature as the 

m902 provides not only reference-quality headphone monitoring but will also function as an elegantly simple 

high-fidelity monitor controller. 

m902 Headphone Amp/Speaker Control .......List $ 1695 00 ONLY $48/mo. 

HJ-4P 

4-channel Headphone Junction Box 

The Pro Co HJ-4P is designed to provide trouble-free 

distribution and control of cue mixes for recording 

or broadcast studios. It may also be used in sound 

reinforcement systems where headphones for hearingimpaired 

individuals are required. You can easily control 

the HJ-4P via master left and right level controls, and the 

unit also features switches for mono/stereo and left/right 

monitoring, plus four stereo 1/4" headphone outputs. 

The HJ6 splits your mono or stereo output to six stereo 

1/4" resistor-isolated headphone outputs. 

$ 159597 HJ4P 4-output Headphone Junction Box .......List $ 20549 $ 

117 97 

ONLY $10/mo. 

HJ6 6-output Headphone Junction Box .........List $ 153 99 $ 76 97 

S•phone 

4-channel, 12-output Headphone Amp 

You’ve never seen this kind of performance from a headphone amp at this price! The 

Samson S•phone features four channels with three headphone outputs each and 

individual level meters, and an overall volume control. A convenient stereo auxiliary 

input is available on each channel, and a balance control adjusts the ratio of the main 

and auxiliary signal or the left to right balance so that each headphone mix can be 

further tailored for a particular listener’s individual needs (“more me”). S•phone also 

features a 2-band equalizer on each of the four channels. A master stereo aux input on 

the front panel is supplied for inserting a second signal to all headphones. 

SPhones Headphone Mixer/Amp ..........List $ 259 99 ONLY $10/mo. 

C•Que 8 

4-channel, 8-output 

Headphone Amp 

The C•Que 8 isn’t much larger 

than a paperback book, but it has four channels, with two outputs per channel. 

Channels have independent volume controls and a 6-segment LED level indicator. An 

EQ shape circuit offers tone control for each channel so listeners can manage their 

own personalized mixes. The C•Que 8 allows you to monitor any stereo or mono 

source signal (bal/unbal) over as many as eight separate headphones — and its high 

power level and fidelity let it drive virtually any popular headphone. The front panel 

controls include a master input level and a stereo/2-channel (dual mono) switch. 

Each headphone output has its own individual shape circuit, level meters, and level 

control. Not limited to just recording studios, you can use the C•Que 8 in broadcast 

environments, and 

live performances. 

$ 

159 97 CQue8 4-ch Headphone Amp ............List $ 159 99 $ 

99 97 

S•Monitor 

2-channel Monitor and 

Headphone Amp 

A convenient and reliable solution for 

headphone monitoring on stage or in the HP4 

studio, the Samson S•Monitor is a 2-channel 4-channel 

monitor and headphone amp that offers great Headphone Amp 

performance for very little money. Housed in a rugged enclosure, with Line Output 

the S•Monitor is built to go wherever you need it, and it provides 

The HP4 from PreSonus offers the project studio owner an affordable headphone 

the features you want in a compact package that travels easily 

distribution system with professional specifications and big features in a small package. 

in a gig bag or case. The S•Monitor features volume controls for 

The HP4 features four discrete headphone outputs on the front panel, each with its own 

both headphone outs, a 1/4" stereo input, XLR mic in and thru 

volume potentiometer and 250mW of amplification per channel. Also, the HP4 can feed 

with mic and mix controls . The S•Amp packs a streamlined, 

$ 

SMonitor 2-ch Mon/Headphn Amp .........List $ 79 49 97 

signal to studio monitors with a separate volume potentiometer. Monitor output can be 

high-quality 4-channel 

muted using the monitor 

99 

headphone amp into a 

SAmp 4-ch Headphone Amp ...................List $ 79 99 $ 49 $ 97 mute button. 

compact, tough housing. 

HP4 4-ch Headphone Monitor .......List $ 129 99 97 

95

188 

ProGear2008 


Microphones Call today! (800) 222-4700 


TELL ME 

MORE 

ABOUT 

Neumann Since the earliest days of recording, Neumann mics have been a distinct part of the sound of recorded music. From their first “bottle” 

mic in the 1920s to the digital Solution-D, Neumann has continually invested in research and development, listened to user needs and demands, and 

designed microphones with the highest quality standards. Neumann capsules are built to operate flawlessly for decades. There have been dozens of 

attempts to make microphones that look like Neumanns, but they’ve never matched the superlative sound of the real things. 

Large-diaphragm Tube Mic ............. List $ 6398 00 

Specs: cardioid • 20Hz-20kHz • 

M147 Lg-diaphragm Tube Condenser ..........List $ 3398 00 $ 

2499 97 M149 

ONLY $75/mo. Max SPL: 134dB 

ONLY $141/mo. 

U 87 Ai 

Large-diaphragm Multi-pattern 

Condenser 

The U 87, arguably the most famous 

mic in the Neumann line, features 

switchable omni, cardioid, and figure- 

8 polar patterns, low-frequency roll-off, 

and 10dB preattenuation. Used for vocals 

on countless hit records, it also excels for 

instrumental close-miking or capturing 

orchestral ensemble and solo performances. 

Its large dual-diaphragm capsule (drawn 

from Neumann’s famed K 67) can 

capture both the body and the air 

of a performance without sounding 

harsh. The U 87 is available in a set 

that includes the mic and shockmount, 

in either nickel or black finish. If you’re 

serious about your recordings, you owe it 

to yourself to have at least one U 87, if not 

a pair. 

Specs: omni, cardioid, figure-8 • 20Hz-20kHz • Max SPL: 

127dB • bass roll-off • Pad: 10dB 

M 147 Tube 

Transformerless Tube Condenser 

The M 147 Tube 

delivers incredibly 

trasnsparent 

sound that engineers 

everywhere trust to 

accurately capture 

acoustic instruments. 

It’s a great mic for bass 

instruments, yet can be 

used for delicate vocals 

as well. At the heart of this 

cardioid tube condenser 

microphone is the K 47/49 dualdiaphragm 

capsule, inherited 

from Neumann’s legendary 

U 47 and M 49. The M 147’s 

transformerless output circuit 

guarantees extremely low 

self-noise. The flat frequency 

response in the upper midrange, 

with a 3dB boost above 2kHz, 

adds shimmer to sources that 

would sound dull with other 

mics. Includes power supply, 

swivel mount, cable, dust cover, 

and aluminum case. 

U 87 Anniversary 

Edition 

Limited-edition 

Large-diaphragm 

Condenser 

The U 87 Anniversary 

Edition celebrates 40 

years of being parked 

in front of the world’s 

most famous singers 

and instrumentalists. 

This is the legendary 

U 87 microphone in a 

special polished nickel 

finish, accompanied by 

an exclusively designed 

PS 87 popscreen and 

EA 87 shockmount in a 

matching finish. The set 

comes in a elegant vintage-style case 

with fine embroidery and leather details 

with a signed, framed certificate of 

authenticity including the individual microphone serial 

number. The U 87 Anniversary Set is only available for 12 

months, so order today and reserve yours! 

M 149 Tube 

Large-diaphragm Condenser 

Mic with Nine Polar Patterns 

If you could have just one mic to do 

everything in your studio, this could 

be it. The M 149 Tube draws from 

the classic M 49/M 50, which ruled the 

broadcast world for decades. Almost a 

universal mic, its warm yet transparent 

sound gives character and presence to 

vocalists. Its seven selectable high-pass filter 

positions and nine pickup patterns make it 

an extremely versatile addition to 

your collection, giving you subtle 

differentiation of sounds. This 

mic incorporates modern technology 

with a transformerless tube amp to 

produce unprecedented specifications 

and incredibly low self-noise. Includes 

power supply, shockmount, cable, dust 

cover, and aluminum case. 

Specs: 9 polar patterns • 20Hz-20kHz • Bass roll-off: 7 

positions from 20Hz-160Hz 

“The M 149 is the must-have studio microphone for the serious 

recording engineer or studio. One listen to this mic and you’ll 

hear a unique, smooth, warm, refined quality that is not present 

in any other microphone.” 

— Jeffrey Green, Sales Engineer, Ext. 1272 

KM 184 

Small-diaphragm 

Condenser Mic 

$ 

4699 97 

For years, Neumann’s legendary KM 83 

and KM 84 small-diaphragm condenser 

mics were studio standards for miking hihats, 

overheads, stereo miking, and room 

sounds. The Neumann Series 180 

microphones are the successors of those 

time-honored gems. The line begins with 

the popular studio workhorse KM 184 

cardioid, and the KM 184 Pair works 

well as an XY or ORTF pair. The omni 

KM 183 is also available in the matched 

KM 183 Pair. The hypercardioid KM 

185 is great for capturing the nuances of 

acoustic instruments. 

Specs: KM 184 cardioid • 20Hz-20kHz • Max SPL: 

138dB • KM 183 omni • Max SPL: 140dB KM 185 

hypercardioid • 20Hz-20kHz • Max SPL: 142dB 

ONLY $26/mo. 

$ 

ONLY $96/mo. 

KM184 Sm-diaphragm Condenser .......List $ 1158 849 97 

00 

$ 

U87SetZ U87 w/Shckmnt - Nckl ............List $ 4398 3199 97 

KM184Ni Condenser Mic - Nickel .............List $ 1158 00 $ 849 97 

00 

KM184Pair Condenser Stereo Pair - Black ...List $ 2298 00 $ 1699 97 

U87Ai Lg-diaphragm Mic - Silver ........List $ 3998 00 $ 2999 97 

KM183Pair Condenser Stereo Pair - Black ...List $ 2598 00 $ 1799 97 

U87SetZMT U87 w/Shckmnt - Blk ..............List $ 4398 00 $ 3199 97 

ONLY $110/mo. 

KM183 Omni Condenser - Black ...........List $ 1258 00 $ 899 97 

U87AiMT Lg-diaphragm Mic - Black ........List $ 3998 00 $ 2999 $ 97 U87Anniversary 364997 

U 87 Anniversary .......List $ 4999 00 

KM185 Hypercardioid Cond Nickel ........List $ 1258 00 $ 899 97

U 87 Anniversary Set 

Chances are, if you scan through any recording 

magazine, website or discussion forum, you’ll 

see recording engineers and artists using the 

Neumann U 87. Listen to the voice-overs on TV 

and movies and you’re probably hearing a 

U 87. It’s no coincidence – the U 87 is the most 

commonly used large diaphragm condenser 

in the world. With a legendary sound that’s 

powered literally thousands of hits from 1967 

through today, 2007 marked the 40th 

anniversary of this studio staple. 

To celebrate this historic landmark, Neumann 

proudly offers the U 87 Anniversary Set. Find 

out more about this limited collector’s edition 

model and the rest of the Neumann family of 

microphones by contacting your Sweetwater 

Sales Engineer today. The finest link between 

great performances and great recordings is the U 

87 from Neumann… and the finest link between 

Neumann and you is Sweetwater. 

The set comes in an elegant vintage case 

with matching accessories and much more. 

The U 87 Anniversary Set is available for a limited time only, 

so don’t wait... contact your Sweetwater Sales Engineer and 

order yours today!

190 

ProGear2008 




find media online at 

sweetwater.com 

TLM 127 

Transformerless Condenser Microphone with Optional Remote 

Pattern Selection 

Neumann’s TLM 127 boasts a capsule drawn from the U 67 for a pure, uncolored sound. Clients 

have used it for close-miking instruments with high sound pressure levels. It’s captured string 

sections, pianos, kick drums, and even guitar amps. Five different polar patterns (selectable via 

an optional N248 remote control) range from omni to cardioid and make the TLM 127 versatile. 

The large-diaphragm capsule has excellent transient response. A 14dB attenuation switch is the 

secret that lets you use the TLM 127 on loud amps, and a dual-position bass roll-off switch handles 

room noise and rumble. The TLM 127 offers exceptionally low noise and very high resolution, 

making it possible to capture audio with clarity and precision. The Set Z value pack includes the 

TLM 127, a spider shockmount, and a wooden case. Set A offers the TLM 127 and 

includes a swivel mount. 

find media online at 

sweetwater.com 

Specs: omni, cardioid • 20Hz-20kHz 

• Max SPL: 154dB • Bass roll-off: 

15Hz, 100Hz • Pad: 14dB 

ONLY $72/mo. 

$ 

2399 97 

TLM127setZ Lg-diaph Mic w/Shockmnt ............. List $ 3119 00 

TLM127SetA Lg-diaphragm Condenser Mic ......... List $ 2699 00 $ 1799 97 

N248 Remote Control for TLM127 ............. List $ 998 00 $ 649 97 

EA1MT Black Shockmount .......................List $ 378 00 Max SPL: 138dB 

KMS105Nickel Handheld Condenser - Nickel ......List $ 938 00 $ 649 97 

TLM 49 

BCM104 Cardioid Studio Microphone ......List $ 1458 00 $ 

999 97 

ONLY $30/mo. 

Transformerless Cardioid Large-diaphragm Condenser 

SG5 Swivel Mount for BCM104 ...........List $ 70 00 $ 59 97 

Inspired by the classic M 49 and M 50 microphones of the ‘50s, the TLM 49 is a largediaphragm 

condenser optimized for capturing vocal performances. Though it’s perfect for BCM 705 

voice, the wide frequency response of the TLM 49 makes it suitable for a number of studio 

Neumann Dynamic Mic 

tasks, such as acoustic guitars or other instrumental applications, including low-frequency 

If you’ve ever wondered what a Neumann 

applications. Voiced in the tradition of Neumann’s M 49 and the U 47, the TLM 49 uses 

could do for electric guitar, bass, or 

the K 47 capsule with flat response up to the upper mids and a slight boost above 2kHz. To 

kick drum in your recordings but were 

keep external vibrations from affecting the sound, Neumann mounted the entire internal 

concerned about putting an expensive 

structure elastically and suspended the capsule in a rubber mount. The TLM 49 includes a 

condenser mic in front of an amp or 

quality shockmount. 

ONLY $45/mo. 

kick, wonder no more. Neumann has 

Specs: cardioid • 20Hz-20kHz • Max SPL: 

$ 

TLM49 Large-diaph Condensr Mic ...............List $ 1998 1499 97 

created the BCM 705, the first-ever 

129dB 

00 Neumann dynamic microphone. It’s 

the ideal complement to the BCM 104 

condenser (see above). 

TLM 193 

Ultra-low Noise, High SPL Large-diaphragm Condenser Microphone 

The BCM 705 utilizes a Neumannredesigned 

version of the Sennheiser 

Step into the world of high-end studio mics with the moderately priced TLM 193! This largediaphragm 

double-membrane cardioid condenser microphone is designed for critical recording, chamber surrounding the capsule is enlarged and 

MD 431 capsule. To enhance low frequencies, the entire 

broadcast, and live sound applications. You’ll find dozens of uses for the TLM 193. It’s ideal for acoustically coupled to a rear entrance port. 

close-miking instruments with high sound pressure levels such as amplified guitars or basses, 

Specs: dynamic • hypercardioid • 20Hz-20kHz 

brass, and saxes, or you can use it to capture a vocal performance, with all its delicate 

nuances intact. The TLM 193 uses the same legendary large-diaphragm capsule used in the 

ONLY $21/mo. 

U 89i/TLM 170 family. This is mated to the proven FET 100 circuitry of the KM 100 series. A 

$ 

transformerless circuit is responsible for its extremely low self-noise and wide dynamic range. BCM705 Dynamic Studio Mic ..............List $ 958 699 97 

00 

The polar response is very linear — even off-axis signals are reproduced faithfully. All this means 

ultra-low self-noise, high sound pressure capability, wide dynamic range and frequency response, 

as well as quality, durability, longevity, and glorious sound . Includes swivel 

ONLY $45/mo. KMS 104 

mount and wooden box. 

$ 

TLM193 Large-diaph Condensr Mic ..............List $ 1998 1499 97 Hand-held Condenser Mic 

00 

EA1MT Black Shockmount ............................List $ 378 00 $ 259 99 The KMS 104 is a hand-held cardioid 

EA1Nickel Nickel Shockmount ...........................List $ 378 00 $ 259 97 vocal condenser mic boasting the same 

capabilities as Neumann’s supercardioid 

KMS 105. A built-in pop filter virtually 

TLM 103 

eliminates pops and handling noise, 

Transformerless Condenser Mic Based on U 87 Capsule 

and the KMS 104/105 can handle an 

The TLM 103 is a great mic for any pro or project studio, and due to its minimal selfnoise 

impressive 150dB allowing the artist to 

and wide dynamic range, it’s been used for classical recordings, sampling, and perform unrestrained without fear of 

Foley work. The cardioid TLM 103 utilizes a transformerless circuit found in high-end distorting. With the studio condenser 

Neumann microphones to achieve its low self-noise and the highest sound pressure level capsule, all the nuances and power of 

transmission possible. Speaking of classical recordings, read what Tim B. of Huntsville, the voice come through with amazing 

Alabama has to say about this mic: “As the recording engineer for the Huntsville 

clarity and presence not often seen in 

Symphony I can attest to its wonderful sound.” The TLM 103 Anniversary Edition a live mic. 

includes a sturdy aluminum briefcase and the EA-1 shockmount! The 

Specs: KMS 104 cardioid • 20Hz-20kHz • Max SPL: 

ONLY $30/mo. 

TLM 103MT is the same 

great microphone with a 

$ 

TLM103 Large-diaph Mic - Nickel ..........List $ 1478 999 97 

150dB KMS 105 supercardioid • 20Hz-20kHz Max 

SPL: 150dB 

00 

TLM103Anniv Large-diaphragm Mic - Nickel ...List $ 1798 00 $ 1299 97 

ONLY $20/mo. 

matte black finish, and it includes 

$ 

a wooden box and swivel mount. TLM103MT Large-diaphragm Mic - Black ....List $ 1478 00 $ 999 97 KMS104MT Handheld Vocal Condenser .....List $ 938 649 97 

00 

Specs: cardioid • 20Hz-20kHz • 

EA1Nickel Nickel Shockmount ......................List $ 378 00 $ 259 97 

259 99 KMS105MT Handhld Condensr-Matte Blk .......List $ 938 00 $ 649 97 

Specs: cardioid • 20Hz-20kHz • Max SPL: 140dB 

BCM 104 

Condenser with Proximity 

Switch 

The BCM 104 condenser 

microphone is especially tailored 

for close-miked vocal recording. 

The large-diaphragm cardioid 

capsule has internally switchable 

proximity effect compensation as 

well as a built-in gauze pop screen 

to protect the capsule against 

plosives. The BCM 104 also has a 

shockmount that protects against 

structure-borne noise. 

Specs: cardioid • 20Hz-20kHz • SPL: 152dB • Bass roll-off: 

100Hz • Pad: 14dB

192 

ProGear2008 




TELL ME 

MORE 

ABOUT 

AKG For more than 60 years AKG has been producing top-grade microphones for studio, broadcast, and live use, as well as renowned high-quality 

headphones. The resultant design, engineering, and applications knowledge and experience (over 1,500 patents) allows AKG to continue to be one of the 

leading manufacturers of mics in the world today. From vintage reissues such as the C12 VR to modern classics such as the C 414 B-XL II, you can’t go 

wrong when you use AKG for your recording and live sound needs! 

C 414 B-XL II 

Large-diaphragm Condenser Mic with Five Polar Patterns 

We couldn’t wait to get our hands on the upgraded C 414 B-XL II. AKG has made 

this legendary mic even better! It still has the distinctive timbre that adds presence 

to close-miked vocals and instruments — a slight high-frequency boost that 

captures the “air” around the notes . 

The C 414 B-XL II includes all of AKG’s latest improvements: increased 

sensitivity, lower self-noise, a new internal cartridge shockmount, and 

transformerless output. Five switchable polar patterns give you plenty 

of placement options, and LEDs indicate selected patterns, filters, and 

pads, as well as output overload. 

Specs: omni, wide cardioid, cardioid, hypercardioid, figure-8 • 

20Hz-20kHz • Max SPL: 158dB • Bass Roll-off: 40, 80, 160Hz • Pad: 6, 

12, 18dB 

ONLY $32/mo. 

$ 

1049 97 

ONLY $18/mo. 

C414BXLII Large-diaphragm Condenser Mic ... List $ 1349 $ 00 

C451B Classic Sm Diaph Condenser Mic .List $ 689 579 97 

00 

C414BXLII/ST Large-diaphragm Mics (pr) ........... List $ 2999 00 $ 2299 97 C451BST Matched Pair C451B (pr) ..........List $ 1513 00 $ 1299 97 

C 3000 B 

Condenser Microphones 

The AKG “C” series condenser mics are 

used in studios worldwide and feature 

European quality and legendary 

sound. A large-diaphragm transducer 

and special capsule tuning make the 

ONLY $30/mo. C 3000 B an exceptionally smoothsounding 

mic with AKG’s “voice- 

00 $ 

C414BXLS Large-diaph Condensr .........List $ 1299 999 97 

friendly” sound. An acoustically 

C414BXLS/ST Large-diaphragm Mics (pr) ....List $ 2899 00 $ 2199 97 

optimized cardioid pattern provides 

high gain before feedback. AKG’s 

stellar medium-diaphragm 

C 2000 B provides a highfrequency 

presence peak, 

making it great for acoustic 

guitars or drums that need 

extra sparkle. The C 1000 S 

is a “do it all” microphone 

for instruments or vocals. 

It comes with two adapters 

that allow it to be switched 

between cardioid and 

hypercardioid patterns, plus a 

third that adds extra presence 

boost in the 5-9kHz range. It 

runs on phantom power or a 

9-volt battery. 

Specs: C3000B card • 20Hz-20kHz • Max 

SPL: 150dB • Bass roll-off: 500Hz • Pad: 10dB 

C2000B card • 30Hz-20kHz • Max SPL: 140dB 

• Bass roll-off: 500Hz • Pad: 10dB C1000S 

card, hypercard • 50Hz-20kHz • Max SPL: 

ONLY $10/mo. 137dB 

$ 

Percep400 Multi-pattern Cond Mic .........List $ 559 299 97 

ONLY $13/mo. 

$ 95 

C3000B Lg-diaphragm Condenser Mic .....List $ 649 429 97 

00 

Percep200 Cardioid Condenser Mic ..........List $ 319 95 $ 159 97 C2000B Sm-diaphragm Condenser Mic ....List $ 449 00 $ 289 97 

Percep100 Cardioid Condenser Mic ..........List $ 199 95 $ 99 97 C1000S Condenser Microphone ...............List $ 399 00 $ 279 97 

C 414 B-XLS 

Reference-grade Condenser Microphone 

While the C 414 B-XL II (above) is a superior vocal mic, the C 414 B-XLS is 

often used for reference-quality capture of the details of acoustic instruments. 

This mic produces clear, transparent, open highs, without a hint of harshness. 

An internal shockmount protects the capsule, while the high sensitivity and low 

self-noise ensure uncompromised reproduction of the most delicate sounds. 

Specs: omni, wide cardioid, cardioid, hypercardioid, figure-8 • 20Hz-20kHz • Max SPL: 158dB 

• Bass roll-off: 40, 80, 160Hz • Pad: 6, 12, 18dB 

Perception Series 

Large-diaphragm Condenser Microphones 

Don’t let the price of these mics fool you; they sound every bit as good as you would expect from 

an AKG mic and then some. The Perception 400 features a dual large-diaphragm capsule 

with a selection of cardioid, omnidirectional, or figure-eight pickup patterns. 

The switchable bass roll-off and pre-attenuation pads enable close-miking 

at high SPLs up to 145dB. In use, the sound has all the classic warmth 

you’d expect from AKG along with a healthy dose of detail. Used in omni 

mode, you get the experience of being in the room with the music. We 

tested the Perception 200 on acoustic guitar and vocals through an 

inexpensive mic pre. On playback, the guitar sounded just like it did in 

the room, only bigger, and vocals were clear and present . The Perception 

100 offers the same sound quality plus high SPL handling . These are true 

phantom-powered, large-diaphragm condenser mics featuring a rugged, 

die-cast metal housing, a nickel-plated grille, and gold-plated XLR connectors. 

The Perception 200/400 add switchable bass roll-off, a pre-attenuation pad, and 

shockmount. 

Specs: Perception 100 cardioid • 20Hz-20kHz • Max SPL: 135dB • Bass roll-off: 12dB/octave from 300Hz 

Perception 200 cardioid • 20Hz-20kHz • Max SPL: 135dB • Bass roll-off: 12dB/ 

octave from 300Hz • Pad: 10dB 

Perception 400 cardioid, omni, 

figure 8 • 20Hz-20kHz • Max SPL: 

135dB • Bass roll-off: 12dB/octave 

from 300Hz • Pad: 10dB 

“The C 414 has been one of the standard professional studio microphones 

for years. I’ve used them on everything from grand pianos to Marshall 

half-stacks to a full orchestra (and, of course, vocals) with great results on 

everything. With the new models, they’ve made a good thing even better!” 

— Ted Hunter, Sales Engineer, Ext. 1397 

C 451 B 

Small-diaphragm Condenser Mic 

For more than 30 years, the original AKG C 451 

with the CK1 capsule was the industry-standard 

pencil mic . Its latest incarnation, the smalldiaphragm 

C 451 B has lightning-fast transient 

response just made for drum overheads, acoustic 

guitars, and percussion. It delivers extremely 

accurate signals with all of their sonic nuances 

perfectly captured, and its ruler-flat response 

is enhanced by a slight high-frequency lift to 

make it open and musical. With its feather-light 

diaphragm, the C 451 B is almost totally immune 

to handling noise . The beautiful nickel-plated 

body ensures superb rejection of RF and EM 

interference, while the transformerless output 

section contributes to the very low self-noise. 

Switchable pads and bass roll-off filters help 

you tailor the mic to its environment. This mic is also 

available as a factory-matched stereo pair 

C 451 B/ST, with an included stereo bar and a case. 

Specs: C 451 card • 20Hz-20kHz • Max SPL: 155dB • Bass roll-off: 75Hz, 

150Hz • Pad: 10dB, 20dB • Self-noise: 18dB

Studio Legends. 

Refined over 

35 years. 

AKG® C 414 B-XLII | C 414 B-XLS | 

Since 1971, the C 414 has been 

recognized as one of the premier 

studio condenser microphones. 

That’s why you’ll hear it on literally 

hundreds of classic recordings. 

These latest incarnations 

represent the pinnacle of this 

classic design.The stunning 

clarity and beautifully detailed 

sound are joined by enhanced 

features including a choice of five 

polar patterns and 3 switchable 

bass filters. 

The B-XLS delivers superb quality 

recordings across a wide range 

of acoustic sources, while for 

solo vocals and instruments the 

B-XLII has been specifically 

designed to capture every detail 

of the performance. 

When it’s time for a new microphone, 

choose a legend. 


When it comes to legendary service, no one 

knows AKG microphones better than the 

Sales Engineers at Sweetwater.

194 

ProGear2008 


RE20 


Dynamic Microphone 

The Electro-Voice RE20 is one of 

those “secret weapon” mics used in recording 

studios everywhere to get incredible sounds. The RE20 

is renowned as a broadcast workhorse microphone created 

specially for applications requiring flat response over a very 

wide frequency range — perfect for vocal reproduction in radio, 

television, and film voiceovers. 

This mic has been used for years to put great sound on countless 

records, and its high SPL-handling makes it at home on kick 

drums. It has virtually no proximity effect, and works well for 

vocals, bass cabinets, guitar amps, or any application where 

uncolored sound pickup is a must. Simply put, the RE20 is an 

ultra-reliable, great-sounding broadcast and recording studio 

essential! 

Specs: cardioid • 45Hz-18kHz • Bass roll-off: 400Hz-100Hz 



ONLY $12/mo. 

$ 

RE20 Large-diaphragm Dyn Mic ..............List $ 750 399 97 

00 ONLY $10/mo. 

320 Mic Stand Clamp for RE20 .................List $ 49 00 $ 39 $ 97 ND967 Dynamic Vocal Mic ................List $ 322 199 97 

50 

D 5 

Hand-held Dynamic Mic 

The D5 is an extremely rugged dynamic mic that works well for lead and 

background vocals, with a dual shock mount to reduce handling noise. 

An advanced diaphragm design also contributes to the D5’s incredibly 

clear and accurate sound . The C5 handheld condenser mic will help 

your vocals cut through even the loudest onstage mix, while giving you 

amazing sound quality. A cardioid polar pattern allows for maximum gain 

before feedback, and its optimization for use with in-ear systems makes 

the C5 a great choice for stage work — it’s a great mic for use with in-ear 

monitoring systems. 

Specs: D5 supercardioid • 70Hz-20kHz • Max SPL: 156dB C5 cardioid • 65Hz-20kHz • 

Max SPL: 145dB 

D5 Supercardioid Vocal Mic .............List $ 160 00 $ 

99 97 

C5 Condenser Vocal Mic ..................List $ 299 00 $ 199 97 

N/D967 

Dynamic Vocal Mic 

Go into any live sound venue and you’re likely to see 

Electro-Voice all over the place, from the speakers to the 

microphones. Built for the live stage, the N/D967 offers high 

output and excellent feedback rejection. The unique magnet 

geometry combined with a reinforced diaphragm design forms 

a smooth, extended frequency response with a warm, open 

and transparent sound quality. Sporting a unique personality 

switch, the N/D967 can be tailored to fit the demands of 

your situation. In the normal position the mic exhibits a 

very smooth slightly rising response for fuller sound. In the 

presence position, the mids are slightly attenuated, providing 

more cut and clarity, especially when the mic is very close to 

the sound source. A 2-stage pop filter reduces plosives. Thanks 

to these unique characteristics, the N/D967 is fast becoming a 

staple in the live sound arena. 

Specs: supercardioid • 50Hz-13kHz 

RE410 

Handeld Condenser Microphone 

The RE410 brings amazing sound and clarity to the live 

stage, but packs it in an extremely rugged package designed 

to withstand the rigors of hard touring. Perfect for vocals, 

the RE410 has a smooth, airy top-end that is never harsh, 

yet maintains a midrange that’s nice and strong. If bass 

boost is needed, the RE410 responds well to “working the 

mic” using proximity effect. The cardioid pickup pattern 

is effective at reducing instances of feedback, and the 

2-stage pop filter keeps plosives away. Not just for vocals, the 

RE410 also performs well on instruments in a live sound 

environment. 

Specs: cardioid • 50Hz-20kHz 

RE410 Cardioid Condenser ..........................List $ 322 50 $ 

199 97 

ONLY $10/mo. 

M 88 TG 

Dynamic Live 

Performance Microphone 

Even though Beyerdynamic is 

famous for producing sensitive 

studio microphones like the M160 

(see page 220), they also understand 

the demands that touring groups make 

of their gear. Beyerdynamic designed 

the M 88 TG to withstand the hazards 

of the road and the stage. The M 88 TG 

offers both wide frequency response and 

high SPL capability, so you can stick it 

in front of a trumpet or a guitar amp 

without fear. This mic’s hypercardioid 

pattern rejects bleed, making it a great 

choice for densely packed stage setups. 

The M 88 TG is equally impressive as a 

vocal microphone, with rising high-end 

presence for enhanced clarity. A built-in 

humbucking filter contributes to low 

noise specs. 

Specs: hypercardioid • 

30Hz-20kHz 

Opus 89 

Hypercardioid Dynamic Stage 

Microphone 

The Opus 89 dynamic microphone 

sounds incredible, plus, it’s built for 

consistent, quality performance! Rock 

singers will love the fast response, high 

feedback rejection, and low handling 

noise of this versatile Beyerdaynamic mic. 

Its sturdy construction and built-in pop 

shield make the Opus 89 road-friendly. 

Specially voiced for singers, this mic also 

features relatively moderate proximity 

effect, making it effective up close or at 

screaming distance. 

This mic’s shock-mounted capsule also 

helps to significantly reduce handling 

noise, adding to its effectiveness for live 

work. The Opus 89 is designed to take 

the stage night after night, plus, it’s an 

incredible value. 

Specs: hypercardioid • 35Hz-18kHz. 

ONLY $12/mo. 

$ 

M88TG Vocal and Brass Mic ..............List $ 469 399 97 ONLY $10/mo. 

00 Opus89 Hypercard Dynamic Mic .........List $ 299 00 

TG-X 48 

Affordable Hand-held 

Dynamic Mic 

Beyerdynamic’s TG-X 48 

dynamic microphone is great 

for live use, and it’s amazingly 

affordable. Ruggedly constructed, 

the Beyerdynamic TG-X 48 gives you 

clear sound reproduction, and its 

supercardioid pickup pattern rejects 

outside noise effectively. What does 

that mean to you? Very high gain 

before feedback! The TG-X 48 also 

includes a sturdy integrated pop filter, 

which protects the capsule and filters 

out those pesky vocal plosives. It all 

adds up to an ideal value-priced mic 

for live vocals. For this price, you can 

load up your live case with TG-X 48s! 

If you want a stage microphone built 

for worry-free performance, look no 

further than this microphone. 

Specs: supercardioid • 

50Hz-15kHz. 

$ 

249 97 TGX48 Supercard Dynamic Mic .........List $ 120 00 $ 

99 97

Microphones 


KSM9 

Handheld Condenser Mic 


Beta Series 

Live Performance and Studio Mics 

Merging the amazing sound of The Beta58A is a high-output 

Shure’s KSM Series of condenser supercardioid dynamic vocal microphone 

Beta58A 

microphones with the rugged, designed for professional sound reinforcement 

indestructible construction of the and project studio recording. It accentuates 

SM Series, the KSM9 provides the warmth and clarity of vocals. The 

superb sound on stage. With Beta57A is designed for amplified or 

its dual-diaphragm design acoustic instruments. The compact 

the KSM9 reveals nuance and grille design gets the mic close to the 

subtlety in a microphone sound source. Typical applications include 

optimized for the most 

drums, guitar amplifiers, and vocals. The 

demanding live environments. Beta87A is a supercardioid handheld electret 

The KSM9 offers exceptional condenser vocal microphone with exceptionally 

consistency across all 

smooth frequency response and high sound pressure level 

frequencies, providing high (SPL) capability. The Beta87A has a smooth, tailored response 

gain before feedback, and for warm, accurate sound. Its supercardioid design provides 

minimizing proximity effect. maximum isolation from nearby vocalists or instruments. The 

Thanks to the selectable cardioid/supercardioid pickup Beta87C is a cardioid version of the Beta87A. 

pattern, vocalists can move around freely on stage with Specs: Beta58A supercardioid • 50Hz-16kHz Beta57A supercardioid • 50Hz-16kHz Beta87A 

little sonic bleed from the surrounding musicians, and supercardioid • 50Hz-20kHz • Max SPL: 140.5dB Beta87C cardioid • 50Hz-20kHz • Max SPL: 139dB 

a 2-stage shockmount system virtually eliminates any 

handling noise . The KSM9 is available in charcoal or 

champagne finish. 

ONLY $10/mo. 

Specs: cardioid/supercardioid • 50Hz-20kHz • 153dB SPL 

“Shure Beta mics have a brilliant sound that 

will cut through the mix, making them my top 

$ 

Beta58a Supercardioid Vocal Mic .............List $ 332 159 97 

50 ONLY $21/mo. 

$ 

KSM9CG Handheld Condenser Mic ...........List $ 850 699 97 

choice for live sound.” 

Beta57A Supercardioid Mic ......................List $ 275 00 $ 139 97 

00 — Sean Wooldridge, Sales Engineer, Ext. 1346 Beta87A Supercardioid Handheld Mic ........List $ 542 50 $ 249 97 

KSM9SL Handheld Condenser Mic ............List $ 850 00 $ 699 97 Beta87C Cardioid Handheld Vocal Mic .......List $ 462 88 $ 249 97 

PG 58-XLR 

PG 57-XLR 

PG 81-XLR 

Beta57A 

Beta87A 

Beta87C 

PG 48-XLR 

PG Series 

Vocal and Instrument Microphones 

PG 52-XLR 

Shure’s PG Series gives you the reliability and performance you expect from Shure, at 

amazingly low prices. These mics are built for the long haul, and they sound terrific! The 

rugged PG58-XLR dynamic mic is tuned to accentuate the clarity of lead and backup 

vocals. It’s also an ideal microphone for public address use. The dynamic PG48-XLR is 

great for handheld or podium use in spoken word applications. Try the PG57-XLR on 

live or recorded instruments. Its smooth frequency response makes this microphone a 

natural. The PG52-XLR works great on low-end sources such as kick drums and bass 

cabinets, while the PG81-XLR cardioid condenser provides sensitive, flat response that’s 

perfect for capturing acoustic instruments. PG Series mics are a great value! 

SM58 SM58S: On/Off SM57 SM81 SM86 

Switch Included 

SM Series 

Handheld Microphones for Studio and Stage 

The SM58 dynamic mic is perhaps the most popular vocal mic in history and has 

been used onstage and in the studio by a who’s who of popular music. Take a look at 

practically any stage — from humble coffeehouses to massive arenas — and you’ll find 

the “old standby” SM58. The frequency response is tailored for vocals, with emphasized 

midrange and bass roll-off. The SM58S adds an on/off switch. Another Shure legend, 

the SM57 is the industry standard for miking drums and guitar amps. Live or in 

the studio, you should have one. The SM81 is a small-diaphragm condenser perfect 

for overheads or acoustic guitars. The SM86 is a rugged cardioid condenser vocal 

microphone for professional use in live performance. 

$ 

PG58XLR Dynamic Microphone - XLR ...List $ 104 59 97 Specs: PG48XLR cardioid • Specs: SM58 cardioid • 50Hz- 

$ 90 SM58 Dynamic Microphone .................List $ 188 99 97 

70Hz-15kHz PG58XLR cardioid • 15kHz • Max SPL: 140dB SM57 

00 

PG57XLR Dynamic Instrument Mic .........List $ 104 81 $ 59 97 

60Hz-15kHz PG57XLR cardioid • cardioid • 40Hz-15kHz • Max SPL: 

SM58S Dynamic Vocal Mic w/ Switch ....List $ 196 00 $ 104 97 

PG81XLR Cardioid Condenser Inst Mic ....List $ 161 45 $ 129 97 50Hz-15kHz • PG52XLR cardioid • 140dB SM81 cardioid • 20Hz-20kHz 

30Hz-13kHz • PG81XLR • cardioid • Max SPL: 146 • Bass roll-off: 80Hz, SM57 Dynamic Microphone ..................List $ 158 00 $ 99 97 

PG52XLR Dynamic Kick Drum Mic .........List $ 264 46 $ 119 97 • 40Hz-18kHz • Max SPL: 131dB 100Hz • Pad: 10dB SM86 cardioid • SM81 Cardioid Condenser Inst Mic ........List $ 591 60 $ 349 97 

PG48XLR Dynamic Microphone ................List $ 66 26 $ 39 97 50Hz-18kHz • Max SPL: 147dB SM86 Cardioid Condenser Vocal Mic .....List $ 300 00 $ 179 97

196 

ProGear2008 




VP88 

Mid-side Stereo 

Condenser Microphone 

Shure brings you a versatile stereo 

mic that can go anywhere! The 

VP88 condenser can be powered via 

battery or phantom power, and uses 

a mid-side (M-S) configuration to 

accurately capture sound sources in 

a true stereo environment. An on-axis 

cardioid capsule faces forward to pick 

up sounds straight ahead of the mic, 

while a bi-directional capsule picks 

up signals from both sides. This allows 

flexible control over the stereo field (a 

great tool for electronic news-gathering 

and field production), and an onboard 

internal matrix includes three settings 

for different degrees of separation. 

Other features include bass roll-off, 

battery on/off, and output mode. Not just 

a broadcast tool, the VP88 can also shine 

in the studio as a stereo recording tool. 

Specs: cardioid, bi-directional • 40Hz-20kHz • Max 

SPL: 129dB • Bass roll-off: 80Hz 

VP88 Stereo Mic w/Internal Matrix & Battery ....List $ 1266 60 

SM7B 

Broadcast/Studio Dynamic Microphone 

Originally designed as a broadcast and radio voiceover 

mic, Shure’s SM7B has become quite popular in the 

studio world on just about anything. Frequently found 

enduring the screams of rock vocalists as well as parked 

in front of bass amps, the SM7B has steadily grown in 

popularity, starting as an underground favorite and 

eventually attaining the status of full-blown studio 

classic. Its smooth response curve is also great for 

taming “edgy” instrumental sounds. Now that DAWs and 

podcasts have become incredibly popular, mics often get 

parked in front of computer screens. The SM7B offers 

excellent shielding against electromagnetic hum that 

CRT monitors (as well as neon lights and other electrical 

devices) can give off. 

Specs: cardioid • 50Hz-20kHz • Bass roll-off: 300Hz 

SM7B Cardioid Dynamic Vocal Mic ..........List $ 619 51 $ 

349 97 

ONLY $11/mo. 

KSM Series 


Condenser Mics 

for Voice and Instruments 

KSM44 

These condenser mics have found homes 

in countless studios, capturing all the 

nuances of vocal and instrumental 

performance. The KSM44 is a multiple 

pattern large-diaphragm mic with 

extremely low self-noise (7dBA). 

Developed especially for studio 

recording, it delivers warm, rich 

sound tailored for vivid vocal 

reproduction. The KSM44 also works well 

on acoustic and amplified instruments. 

The KSM32/SL is a favorite for recording 

vocal choirs and horn ensembles. It’s 

also the mic of choice for bluegrass 

groups, both live and in the studio. The 

KSM27 is an affordable cardioid mic 

that excels on voiceover, acoustic bass, and distance 

miking. Our employees use one as the desk mic for a 

local television comedy/talk show and get great results 

from two feet out, whether the host is on- or off-axis. 

Specs: KSM44 omni, card, fig-8 • 20Hz-20kHz • Max SPL: 156dB • Bass 

roll-off: 80, 115Hz • Pad: 15dB KSM32 card • 20Hz-20kHz • Max SPL: 

ONLY $24/mo. 

137dB • Bass roll-off: 80, 115Hz • Pad: 15dB KSM27 card • 20Hz-20kHz • 

$ 

KSM44 Multi-pattern Condenser Mic .............. List $ 1340 799 97 

Max SPL: 152dB • Bass roll-off: 80, 115Hz • Pad: 15dB 

00 KSM32/CG Cardioid Condenser Mic - Gray ............ List $ 1029 00 $ 499 97 

ONLY $21/mo. 

$ 

699 97 

KSM Series 

Small-diaphragm 

Small-diaphragm Condenser Mics 

The KSM141 by Shure is a versatile mic that 

excels at the “in your face” sound. It’s an 

audiophile-quality condenser microphone with 

mechanically switching dual polar patterns designed 

for studio use, yet rugged enough for live work. It 

can withstand extremely high SPLs for close-miking 

loud instruments. In cardioid, the sound is very 

focused and forward in nature. In omni, the mic 

sounds totally different, with more low end and a 

smooth open top. The KSM137 is a fixed cardioid 

version of the KSM141 for close-miking acoustic 

and electric instruments, drum overheads, brass and 

woodwind ensembles, and even bass instruments 

such as acoustic bass and kick drum. Both the 

KSM141 and KSM137 are available as stereo pairs. 

The KSM109 offers incredible performance for the 

price. It combines extended frequency response with 

smooth high end and tight, controlled low end for 

instrument miking and ambience. These mics are 

ideal additions to any studio’s mic locker. 

Specs: KSM141 omni, card • 20Hz-20kHz • Max SPL: 139 • Bass roll-off: 

80Hz, 115Hz • Pad: 15dB, 5dB KSM137 card • 20Hz-20kHz • Max SPL: 170dB 

KSM109 card • 20Hz-20kHz • Max SPL: 150db 

KSM141 Dual-pattern Condenser Mic ..........List $ 770 00 $ 

399 97 

ONLY $12/mo. 

KSM141ST KSM141 Stereo Pair ....................List $ 1540 00 $ 799 97 

KSM137 Cardioid Condenser Inst Mic ...........List $ 575 00 $ 299 97 

KSM137ST KSM137 Stereo Pair ....................List $ 1150 00 $ 599 97 

KSM109 Cardioid Condenser Inst Mic ...........List $ 305 00 $ 179 97 

KSM141 

KSM32/SL 

KSM32/CG 

KSM27 

KSM32/SL Cardioid Condenser Mic - Sil ............... List $ 102900 $ 54997 

KSM27 Condenser Studio Mic ........................... List $ 575 00 $ 299 97 

KSM137 

KSM141 

Stereo Pair 

KSM109 

KSM137 

Stereo Pair

FOR A MIC WITH SUCH LOW SELF-NOISE, 

IT CLEARLY CREATES A LOT OF BUZZ. 

“I tested the KSM44 on vocals, bass, guitar, and drums, 

and haven’t stopped using it since. It’s hard to describe, 

but there is an immediacy to the KSM44 that is very appealing 

– sort of like a dynamic mic, but more elegant.” 

— Brad Wood 

(Smashing Pumpkins, Liz Phair, Better Than Ezra, …) 

“The KSM44 is a remarkable achievement. 

I am especially impressed with the versatility of this 

microphone and have yet to find its limits.” 

— Steve Albini 

(Nirvana, Page and Plant, PJ Harvey, …) 

“I found the KSM44 to have an excellent natural quality 

with good presence and a nice open top end. This mic is 

so smooth in the midrange, even a banjo sounded good!” 

— Joe Chiccarelli 

(Beck, U2, Elton John, …) 

The KSM44 multi-pattern studio condenser microphone has become quite the conversation piece in 

studios around the world. Maybe that’s because its incredibly low self-noise (7 dB) lets you record 

only what you want to hear. Or maybe it’s the three polar patterns and the design of the externally 

biased dual-diaphragm cartridge. Once you experience it for yourself, you’ll be talking, too. 

Contact your Sweetwater Sales Representative today at 1-800-222-4700 to experience the dualdiaphragm 

KSM44 in your studio! 

© 2008 Shure Incorporated

198 

ProGear2008 




40 Series 

Renowned for their ability to make vocals stand out in a mix and add a little touch of magic to whatever 

they record, 40 Series microphones are used regularly in top commercial facilities as well as in project 

and home studios. 

AT4051a 

AT4041 

AT4060 

AT4040 AT4033/CL AT4047/SV 

AT8449 

AT4050 


40 Series 

The AT4060 tube condenser mic has accurate midrange with enough full bottom and top-end 

“wow” factor to intrigue your ear. The tubes are hand-selected, aged, and individually tested. 

The AT4050 employs a dual gold-plated, aged, large-diaphragm condenser capsule for extended 

frequency response. The AT4040 was designed with phenomenal noise specs and smooth, natural 

sonic character. The 2-micron diaphragm accurately reproduces the subtlest sounds, while its 

transformerless circuitry eliminates low-frequency distortion and provides superior correlation of 

high-speed transients. For vocals, the AT4047/SV offers rich, full-sounding takes with a pleasing 

overall sheen. For guitars, it provides full-range response without ever getting boxy. Its transformercoupled 

output and specially tuned element provide sound characteristics reminiscent of early FET 

studio microphones. Another great vocal mic, the AT4033/CL features transformerless circuitry 

that virtually eliminates low-frequency distortion and provides superior correlation of high-speed 

transients. The AT4051a rivals expensive European models in both build quality and sonic accuracy. 

The AT4041’s low self-noise and transient response make it ideal for drum overheads, acoustic 

guitar, and piano. 

Specs: AT4060 cardioid • 20Hz-20kHz • Max SPL: 

150dB AT4050 cardioid, omni, figure-8 • 20Hz-18kHz 

• Max SPL: 149dB • Bass roll-off: 80Hz • Pad: 10dB 

AT4040 cardioid • 20Hz-20kHz • Max SPL: 145dB • 

Bass roll-off: 80Hz • Pad: 10dB AT4033/CL cardioid 

• 30Hz-20kHz • Max SPL: 145dB • Bass roll-off: 80Hz 

• Pad: 10dB AT4051a cardioid • 20Hz-20kHz • Max 

SPL: 146dB • Bass-roll off: 80Hz AT4047 cardioid • 

20Hz-18kHz • Max SPL: 149dB • Bass roll-off: 80Hz • 

Pad: 10dB AT4041 cardioid • 20Hz-20kHz • Max SPL: 

145dB • Bass roll-off: 80Hz 

ONLY $33/mo. 

$ 

1099 97 

AT4060 Condenser Tube Mic ........................List $ 1495 00 

AT4050 Multi-pattern Condenser Mic .............List $ 895 00 $ 599 97 

AT4040 Cardioid Condenser Mic .....................List $ 495 00 $ 299 97 

AT4033CL Cardioid Condenser Mic .....................List $ 595 00 $ 399 97 

AT4051 Studio Cardioid Condenser .................List $ 595 00 $ 499 97 

AT4047 Cardioid Condenser Mic .....................List $ 745 00 $ 549 97 

AT4041 Cardioid Condenser Inst Mic ..............List $ 395 00 $ 279 97 

AT8449 Shockmnt for 4033/4040/4050 ........List $ 126 00 $ 79 97 

30 Series 

Audio-Technica’s 30 Series microphones bring a new level of professional performance to home and 

project studios. These studio-quality microphones are engineered to meet exacting performance 

standards at a very affordable price. 

AT3035 

AT3032 

AT3031 

30 Series 


Audio-Technica’s affordable AT3035 is a winner on three fronts: ergonomics, industrial 

engineering, and sound quality. This large-diaphragm, cardioid condenser microphone excels 

on female vocals, providing the right blend of close-in proximity effect for fullness, with linear 

high end that’s never shrill or edgy. 

The omnidirectional AT3032 condenser mic excels on piano, acoustic guitar, and other 

acoustic instruments. Its cardioid counterpart, the AT3031 small-diaphragm condenser mic 

provides clean and balanced sound for acoustic guitar, hi-hat, and other bright sources. 

Specs: AT3035 cardioid • 30Hz-20kHz • Max 

SPL: 148dB • Bass roll-off: 80Hz • Pad: 10dB 

AT3032 omni • 30Hz-20kHz • Max SPL: 148dB • 

Bass roll-off: 80Hz • Pad: 10dB AT3031 cardioid 

• 30Hz-20kHz • Max SPL: 148dB • Bass roll-off: 

80Hz • Pad: 10dB 

AT3035 Cardioid Mic w/Shockmount .......List $ 349 00 $ 

199 97 

ONLY $10/mo. 

AT3032 Omni Condenser Inst Mic .............List $ 259 00 $ 169 97 

AT3031 Cardioid Condenser Inst Mic .........List $ 259 00 $ 169 97

( 40 SERIES: 

) 

UNMASKED 

From the outside, the side-address condensers in Audio-Technica’s 

acclaimed 40 Series look pretty much identical: One elegant, acoustically 

ideal case design. That’s the way our engineers wanted it — so they could 

concentrate all resources under the hood, where the distinct character of 

each microphone is born. This left us with the challenge of differentiating 

near look-alikes in our ads. Solution: We’ve opened up the hoods to give 

you a tour through five unique interior landscapes. Check our web site for 

a closer look. 

LISTEN AND COMPARE ONLINE 

But there’s an even better way to appreciate the warmth, power, clarity and 

sensitivity that make each 40 Series model so individual: Listen for yourself. 

We’ve posted audio samples on our web site so you can experience the 

distinctive sound of each microphone. 

Inspired sound. It’s what the 40 Series is all about. 

Listen in at www.audio-technica.com. 

The Sales Engineers at Sweetwater can help you unmask the 40 Series 

mics. They’ve heard them, used them and sold them to discerning 

buyers for years. 

AT4033/CL 

A Studio Classic 

AT4050 

Multi-pattern Condenser 

AT4040 

Technically Advanced Large Diaphragm 

AT4047/SV 

Vintage F.E.T. Sound 

AT4060 

Modern Tube Technology 

(800) 222-4700 • www.sweetwater.com

200 

ProGear2008 


20 Series 



Even by home studio standards, the Audio-Technica 20 Series represents an astounding value in microphones. 

Priced at a point that will barely dent the average budget without sacrificing quality, the 20 Series has 

become a staple of home studio audio production. 

AT2020USB 

AT8458 

AT2010 

AT2020 

AT2041sp 

MB1k/c 

High-output Handheld 

Vocal Mic 

If you’re looking for a low-cost vocal 

performance mic, the MB1k/c is a 

great place to start. Designed for lead, 

background, or choral vocals, this 

unidirectional dynamic mic features 

high output and fast transient response 

for clarity in a mix. Its silent on-off 

switch prevents speaker pops. 

The MB3k/c offers extended 

frequency range and an incredible 

price/performance ratio. If you need 

great sound and worry-free onstage 

performance night after night, this mic 

is definitely worth looking into. Both of 

these microphones come complete with a 

15-foot cable. 

Specs: MB1k/c cardioid • dynamic • 80Hz-12kHz 

MB3k/c cardioid • dynamic • 60Hz-14kHz 

ATM350 Mini Cardioid Condenser Mic ......List $ 44900 $ 

MB1kc Dynamic Vocal Mic w/Cable .........List $ 59 39 97 

ATM650 

00 

ATM710 

97 ATM410 


ARE SAYING… 

ONLY $10/mo. 

$ 

249 97 

My Sales Engineer did a great job with my order. He was 

really laid back and fun to talk to. It’s his professionalism 

and personality that convinced me to buy from Sweetwater.” 

— Krishna Sadasivam 

Audio-Technica’s 20 Series represents a breakthrough in price/performance ratio — offering 

professional sound for home and project studios. 

The AT2020 USB provides great A-T sound quality in a cardioid condenser mic that connects directly 

to your computer! Whether you’re capturing vocals, recording instruments, or podcasting, the AT2020 

USB (based on the AT2020’s great design) gives you the clean, clear performance you want, with the 

convenience of USB connectivity. 

The AT2020 has classic A-T sound quality at a price anyone can afford! Its low-mass diaphragm is 

tailored for extended frequency response and outstanding transient response. The AT2020 sports a 

remarkably wide dynamic range and high SPL capacity to make it a versatile studio performer. Great 

for capturing the subtlety and nuances of vocals and acoustic guitars, yet able to handle screaming 

guitar amplifier cabinets, this mic is the Swiss Army knife of affordable condensers. The price point 

makes owning a pair for stereo miking extremely reasonable. 

Audio-Technica put the same diaphragm found in the AT2020 in the stage-ready AT2010. This 

rugged and accurate handheld microphone brings the articulation of a studio-quality condenser mic 

to the live performer for articulate and incredibly clear vocals. 

The AT2041 Studio Pack offers two versatile 20 Series condenser microphones for use in 

home, project, and commercial studios. The AT2020 side-address condenser is ideal for vocal and 

instrument applications. It offers wide dynamic range and can handle high SPLs with ease. The 

AT8458 shockmount isolates the AT2020 

ONLY $10/mo. 

from room vibrations. 

$ 

AT2020USB USB Mic ...............................List $ 249 149 97 

Specs: AT2020/AT2020 USB cardioid • 20Hz-20kHz 

00 

• Max SPL: 144dB AT2010 cardioid • 40Hz-20kHz • AT2020 Cardioid Condenser Mic ..........List $ 169 00 $ 99 97 

Max SPL: 136dB AT2021 cardioid • 30Hz-20kHz • Max 

AT2010 Handheld Condenser Mic ........List $ 169 00 $ 99 97 

SPL: 145dB 

AT2041sp Card Condens Mic Bundle .......List $ 249 00 $ 149 97 

AT8458 Shockmount for AT2020 ...........List $ 99 00 $ 74 97 

Artist Series ATM350 

Mini Cardioid Condenser Mic 

ATM350 

Have you ever been faced with a miking situation where you found yourself wishing 

there was a way to discreetly mount a mic to the sound source? Well, Audio-Technica’s 

ATM350 is the solution to that problem! The ATM350 easily attaches to brass, woodwinds, 

snares, toms, or upright bass. A-T included a special violin mount for low-profile miking. The ATM350 

is a cardioid mini-condenser that can handle an impressive 149dB, yet manages to be 

very detailed. An integrated roll-off switch eliminates rumble from elsewhere on-stage. 

For stand-mount situations, the ATM450 stands out, offering a side-address design . 

Use the ATM450’s roll-off switch to eliminate rumble, and take advantage of 

the mic’s flat frequency response . Isolate sound sources effectively 

with the ATM650 hypercardioid. This durable performer is 

ideal for miking snare and percussion instruments . The 

ATM710 vocal condenser mic offers remarkable clarity 

and features a switchable 10dB pad and bass roll-off. 

The dynamic ATM410 is a sturdy, great-sounding 

“go-to” vocal mic, with excellent side and back 

rejection and a multi-stage grille design to protect 

against plosives. 

Specs: ATM350 cardioid • 40Hz-20kHz • Max SPL: 149dB • 

Bass roll-off: 80Hz ATM450 cardioid • 40Hz-20kHz • Max 

SPL: 152dB • Bass roll-off: 80Hz • Pad: 10dB ATM650 

hypercardioid • 80Hz-17kHz ATM710 card • 40Hz-20kHz • 

Max SPL: 148dB • Bass roll-off: 80Hz • Pad: 10dB ATM410 

cardioid • 90Hz-16kHz 

ATM450 

ATM350 

ATM450 Cardioid Condenser Mic ..............List $ 369 00 $ 219 97 

ATM650 Hypercardioid Dynamic Mic ........List $ 169 00 $ 99 97 

ATM710 Cardioid Condenser Mic ..............List $ 299 00 $ 169 97 

ATM410 Cardioid Dynamic Vocal Mic ........List $ 169 00 $ 99 97

Microphones 



PR 40 


Dynamic Mic with Case 

Sounding as good as — if not better than — many 

condensers, the Heil PR 40 may be the best bargain in 

recording mics, with extended bottom and smooth mids. A 

tight pickup pattern rejects less than ideal room noise. This 

mic has already been used as the lead vocal mic on major CD 

releases and is also excellent live as a kick drum mic, or on bass 

cabs or percussion. 

PR 20 

Handheld Large-diaphragm 

Dynamic Mic 

The PR 20 looks like a handheld but is really a compact 

large-diaphragm dynamic mic. Use it on snare for some of the 

biggest, meatiest snare sounds ever. Use it on toms, percussion, 

guitar cabinets, and vocals for a wonderful thick tone. As a 

general-purpose recording mic, the PR 20 reduces unwanted “room sound.” 


PR20 Large-diapragm Dyn Mic ................List $ 179 00 


ONLY $10/mo. 

$ 

PR40mic Large-diaphragm Dynamic Mic ...List $ 375 325 00 

00 ONLY $10/mo. 

$ 

150 00 

PR30 Large-diaphragm Dyn Mic ................List $ 299 00 $ 

250 00 

ONLY $10/mo. 

PR 30 

PR 35 

Handheld Dynamic Mic 


The handheld counterpart to the PR 30 (left), the PR 35 brings 

Dynamic Mic 

the ribbon-esque response of its bigger brother to live stages everywhere. 

Boasting a sound and response very much like a ribbon 

The 1.5" diaphragm sports a humbucking design, and the mic 

mic, the PR 30 easily handles a wide variety of sources, 

incorporates a 3-position roll-off switch to tailor the low-end response. 

from acoustic and electric guitars to vocals, bass, and drums. 

The diaphragm is constructed using a unique dual-wound voice coil 

Capable of handling extremely high levels and sporting smooth 

with a magnet structure of neodymium, iron, and boron that creates a 

midrange and great rejection, the PR 30 is rapidly becoming a 

magnetic field ten times stronger than the traditional magnets of other 

“go to” mic in L.A. studios for guitarists fussy about tone. Use the 

microphones. The result: more detailed pickup and a response that’s 

PR 30 anywhere a ribbon is desired but you need a tight cardioid. 

nearly unheard of in dynamic mics. Though it’s intended for use as a 


vocal mic, the PR 35 works well on snare, guitar cabinets, and piano. 


PR35 Large-diaphragm Dyn Mic ................List $ 299 00 $ 

250 00 

ONLY $10/mo. 

Heil dynamics are like no 

other dynamic microphone 

you’ve ever heard. 

Find out for yourself, today! 

PR 30

202 

ProGear2008 




MD 421 II 

Dynamic Mic 

Sennheiser’s MD 421-II is one of the best dynamic 

mics around, and it manages to sound great in all kinds 

of applications, from kick miking to lead vocals. A studiostandard 

on toms, the MD 421 II features a 5-position bass switch 

that allows it to handle the full range of tom sounds. The MD 421 II is a 

very flexible microphone, able to withstand huge sound pressure levels and 

providing excellent bass extension. 

MD421 Cardioid Dynamic Mic ...............List $ 598 00 $ 

379 97 

ONLY $12/mo. 

MZS421 Shockmount for MD421 ................List $ 50 00 $ 47 97 

MZA421 Mic Clip for MD421 ................................... $ 

29 97 

e 609 Silver 

Dynamic Mic 

The e 609 Silver is the 

reincarnation of Sennheiser’s 

mythic MD-409 drum/guitar amp 

mic. It’s a side-address design that 

can simply be hung over a guitar 

amp (suspended by the cable) 

and be exactly in the sweet spot to 

provide great sound. With its high 

SPL capability and supercardioid 

pattern to reject bleed, this one’s ready for 

anything. Not just for guitar amps, it’s also 

great on bass amps, toms, trumpets, and 

trombones. This mic is a great addition to 

anyone’s mic cabinet! 

Specs: supercardioid • 40Hz-15kHz • Max SPL: >150dB 

Specs: cardioid • 30Hz- 

17kHz • Max SPL: >160dB • 

Bass roll-off: 5-position 

e614 

Small-diaphragm Condenser Mic 

Sennheiser’s e614 condenser microphone was specially 

designed to capture sonic detail with clarity. It features 

extended frequency response, high SPL capacity, fast 

transient response, and compact size. It’s great for drum 

overhead miking, and it also works exceptionally well 

on string instruments, flute, and sax . The supercardioid 

pattern reduces bleed from other instruments onstage 

or in the studio. Plus, it’s affordable enough for project 

studio recording. 

Specs: small-diaphragm • condenser • supercardioid • 40Hz-20kHz • Nom 

imp: 50 ohms 

E609Silver Dynamic Guitar Amp Mic .......List $ 154 00 ONLY $10/mo. 

$ 

109 97 e614 Sm-diaph Condensr Mic .........List $ 300 00 ONLY $10/mo. 

e Series Handhelds 

Handheld Vocal Mic 

Sennheiser makes great-sounding, affordable handheld 

mics. Want proof? Check out any or all of these beauties! 

The e 835 has a slight presence boost ensuring vocal 

clarity and projection (an on/off switch is provided 

on the e 835-S model). For screaming vocals in a 

high-intensity stage environment, the e 845 microphone 

features a tight supercardioid pattern for outstanding 

feedback rejection. The e 865 — considered by many to 

be the best handheld mic Sennheiser makes — utilizes 

the very best in condenser technology to achieve new 

standards of quality and sound. The high-output e 935 

cardioid vocal mic is specially designed to perform under 

pressure while cutting through a mix. 

Specs: 835/835-S cardioid • 40Hz-16kHz 845 supercardioid • 40Hz-16kHz 

865 supercardioid • 40Hz-20kHz 935 cardioid • 40Hz-16kHz 

$ 

219 97 E835 Handheld Cardioid Mic ...............List $ 150 00 $ 

99 97 

E835S Dynamic Mic w/Switch ..............List $ 156 00 $ 109 97 

E845 Handheld Supercardioid Mic ........List $ 168 00 $ 139 97 

E935 Cardioid Vocal Microphone ..........List $ 262 00 $ 169 97 

195 

FET Condenser Mic with “Fat/Norm” 

Switch 

Bock Audio (formerly Soundelux) brings you a truly 

versatile condenser. The double-duty 195 FET design 

employs a unique “Fat/Norm” switch that makes 

this mic extra-versatile. The Norm position provides 

extended flat response with slightly elevated high end 

typical of FET condensers, while the Fat setting creates 

a low-end boost that adds extra oomph to things like 

guitar tracks. A massive output transformer, high-SPL 

tolerance, 15dB pad, and a low-cut switch make this 

mic even more versatile. The 195 could just be your 

favorite all-around studio workhorse microphone ! 

Specs: card • 20Hz-16kHz • Max SPL: 129dB• Bass roll-off: 30Hz • Pad: 

15dB 

“The 195 is a well balanced microphone that delivers 

high quality at a reasonable price. The idea of 

having two different sounding mics in one body 

gives you that ability to buy one mic and have it fill 

in many different applications.” 

— Brian VanDeKeere, Sales Engineer, Ext. 1290 

195 Large-diaphragm FET Mic ....List $ 1200 00 ONLY $33/mo. 

251 

Multi-pattern Tube Condenser Mic 

We’ve heard of engineers who have engaged in a life-long quest to find a 

“magic” Ela M 251 in good working condition. Bock Audio (formerly known as 

Soundelux) made that unnecessary when they introduced the Bock 251, a new 

mic with that “magic” sound that’s so elusive in the world of modern audio . The 

Bock 251 is a “go-to” mic for your most important tracks. Its powerful bottom 

and airy, unabrasive top put this mic leagues ahead of most large-diaphragm tube 

microphones. Vocals, pianos, acoustic guitars, and percussion sound extraordinary 

at a distance or up close. 

Specs: card, omni, figure-8 • 10Hz-18kHz • Max SPL: 129dB 

$ 

1075 00 251 

151 

Cardioid 

Specs: cardioid 

Large-diaphragm Tube Mic ............. List $ 5350 00 

Tube Condenser Mic 

30Hz-16kHz • Max SPL: 129dB 

ONLY $144/mo. 

$ 

4795 00 

$ 

2995 00 

• 

The 151 is a cardioid-only version of the Bock 251, with a bright/ 

normal switch to increase versatility. Designed first as a premier vocal 

mic, the Bock 151 will sound fantastic on a variety of voices, male 

and female. The normal mode will reduce sibilance. In bright mode at 

distance it is excellent on anything with strings, orchestra, or as a room 

mic. The Bock 151 is one of the industry’s best bargains, for it sounds far 

better than it should for the price. 

151 Large-diaphragm Tube Mic ...................... List $ 3325 00 ONLY $90/mo.

the 

right 

mic 

for OK Go 

904 

The e 904 is designed for 

capturing the pure sound 

of toms and snare drums. 

Its low-profile metal 

construction allows the 

drummer to concentrate 

on drumming, not on 

hitting the microphone. 

When you need a great 

tom sound in a compact 

format, the e 904 is the 

only choice. 

914 

The e 914 is a German 

designed, professionallevel 

condenser mic for 

demanding applications. 

The e 914 is equally at 

home on stage or in the 

studio. Its two externally 

mounted controls allow the 

user to quickly customize 

the microphone to capture 

the fine nuances of any 

instrument. 

935 

The e 935 is a cardioid 

vocal stage microphone 

specially designed to 

perform under pressure 

while cutting through the 

mix with its high output. 

Made for the working 

musician. Excellent sound 

results guaranteed, day 

to day, 365 days a year. 

All 

wired microphones are backed by a 10 year warranty 


Sweetwater Expert Advice 

Whether you’re recording your first album or your fifth, playing your first gig or heading 

out on a national tour, you can rely on Sennheiser and Sweetwater to help you pick the 

best microphones. Contact your Sweetwater Sales Engineer for expert advice about the 

right mic today!

204 

ProGear2008 




The Bottle 

Multi-pattern Tube Condenser Microphone 

Recording engineers require maximum 

flexibility from their tools. With this in mind, 

Blue’s Bottle tube mic is an amazing 

recording tool that features a unique 

system of eight optional interchangeable 

capsules (the “Bottle Caps”) — each 

capsule offering a completely unique tonal 

characteristic and pickup pattern. These 

Specs: 9 polar patterns • 20Hz-20kHz • Max SPL: 133dB 

bayonet-mounted capsules can be exchanged 

ONLY $60/mo. 

to provide different tonal characteristics 

$ 

and pickup patterns — while the power Kiwi Multipattern Condenser Mic ...........List $ 2399 1999 97 

00 

supply remains on! Because switching 

capsules takes just seconds , you can avoid 

interrupting the session to set up a new 

Blueberry 

Blueberry 

mic. The Bottle combines the sonic magic 

of high-grade electronics and hand-selected 

Solid-state Condenser Mic with Vintage Sound 

tubes with a vibe that harkens back to Whether you record in a pro or project studio, you know 

the earliest European mics. Baby Bottle how vital a good vocal sound is to a successful mix. In 

follows in the footsteps of Blue’s high-end years past, the great vocal mics commanded a substantial 

solid-state mics and it sounds terrific, with price, with vintage editions of these classics reaching into 

a warm character and detailed midrange. the stratosphere price-wise. The Blueberry is designed 

It also displays a robust character on male to provide the commanding presence associated with the 

vocals. The Baby Bottle features a handselected 

gold-sputtered capsule and discrete more manageable price. The Blueberry’s detailed highs 

world’s best vintage vocal microphones, but at a much 

Class A circuitry. A custom shockmount and and smooth midrange deliver a vocal right to the front of 

pop filter are included. 

a mix where it belongs, with minimal proximity effect. Not 

Specs: Bottle multiple patterns via eight optional just a one trick pony, the Blueberry is also great on acoustic 

capsules • 30Hz-20kHz • Max SPL: 134dB Baby Bottle guitars or drums. Includes custom shockmount . 

cardioid • 20Hz-20kHz • Max SPL: 133dB 


ONLY $30/mo. 

ONLY $120/mo. 

$ $ 

Bottle Multi-pattern Condenser Mic ...List $ 4999 3995 97 Blueberry Cardioid Condenser Mic .......List $ 1299 999 97 

00 00 

BabyBottle Cardioid Condenser Mic ..............List $ 799 00 $ 499 97 BlueberryCab 20’ Premium Mic Cable ......................... $ 

29 97 

Ball Mics 

Cardioid mics 

8Ball Pressure-gradient Condenser .....List $ 139 00 $ 

99 97 

Snowball USB Dual-cap Cndnsr Mic ...........List $ 139 00 $ 99 97 

Ringer Shockmount for Ball Microphones .List $ 69 00 $ 59 97 

Perfect for studio and live use, the 8-Ball 

is priced within reach of the beginning 

home user and uses Blue’s discrete 

Class-A low-noise circuitry to deliver 

smooth frequency response that’s 

great for uses as varied as drum 

overheads, guitars, and vocals. The 

Snowball is Blue’s 

USB direct-recording 

condenser mic, and 

it sounds as good on 

your desktop as it 

does in a pro studio. 

Its design is also ideal 

for mobile laptop use. 

The Snowball is a 

direct, plug-and-play 

mic that works easily with both Mac 

and PC — no additional software 

required. This great-sounding mic 

boasts a dual-capsule design and 

unique 3-pattern switch (cardioid, 

cardioid with 10dB pad, and omni). Also 

included: a tripod and USB cable. 

Specs: 8-Ball cardioid 

• 35Hz-20kHz • Max 

SPL: 150dB Snowball 

dual-capsule cardioid/omni 

• 40Hz-18kHz • Max SPL: 

150dB 

Kiwi 

Kiwi 

Multi-pattern Solid-state Mic 

When Blue designed the Kiwi, they combined painstaking craftsmanship 

with unparalleled performance to deliver a sound that gives life to any 

recording. Vocals, acoustic instruments, pianos, and drums will take on a 

life of their own when touched by the Kiwi’s modern tone and extended top 

end. The transformerless Class A electronics ensure an output stage with 

virtually no artifacts or coloration, and the precision double-backplate 

B6 capsule borrowed from the Bottle has nine polar patterns for versatility. 

Includes custom shockmount. 

Dragonfly 

Transformerless Condenser Mic 

For detailed vocals, percussion, electric guitar, bass, Dragonfly 

saxophones, and strings, the Dragonfly soars — with extended 

top end for maximum detail and clarity. The Dragonfly employs 

Blue’s hand-built single-membrane large-diaphragm capsule 

coated with pure gold and aluminum, enclosed in a rotating 

spherical grille for precise positioning. The discrete Class A 

circuitry with transformerless output delivers a wide frequency 

range. Includes integrated shockmount. 


Dragonfly Cardioid Condenser Microphone ....List $ 1099 00 

Bluebird 

Large-diaphragm Condenser Mic 

ONLY $24/mo. 

$ 

799 97 

The Bluebird is a large-diaphragm 

cardioid condenser, utilizing Blue’s 

renowned precision capsule technology 

and Class A discrete circuitry. Blue 

engineered the Bluebird to be as versatile 

as possible, so it can handle anything 

from vocals and electric and acoustic 

guitars to drums, overheads, percussion, piano, horns, 

strings, and more. Includes custom shockmount and 

pop filter. 


Bluebird Cardioid Condenser Mic .........List $ 699 99 $ 

349 97 

ONLY $11/mo. 

Bluebird

Microphones 



Joe 

Large-diaphragm Condenser Mic 

Blue microphones have dazzled both the ears 

and the eyes of producers and performers since 

1995. The company’s attention to sonic and 

visual detail is matched by a knack for coming 

up with very useful products that meet the 

needs of home, project, and pro studios alike. 

True to form, here’s Joe, a great-sounding 

large-diaphragm condenser that blends 

classic styling with modern cool, all while 

providing the kind of utility you need in today’s 

recording environments. Joe’s Class A discrete 

amplifier circuit and hand-built capsule make 

this mic an ideal choice for capturing vocals 

and instruments. Rich and clear with robust 

lows and detailed highs, this mic sounds great 

on a variety of sources. The retro-modern built-in 

clip allows for easy positioning and lets the capsule 

“float” freely. Adding to the “vintage” vibe, you plug the 

mic cable right into Joe’s clip! The ultra-cool anodized 

finish lets Joe add some visual flair to your mic locker. 

And you don’t have to be a pro to use Joe — this mic is 

astoundingly affordable, giving you the chance to own a 

premium large-condenser microphone without breaking 

your studio’s budget. You get an amazing mic for your 

dough with Joe! 

AirTime 

Phantom-powered Dynamic Broadcast Mic 

In many respects, dynamic microphone technology hasn’t changed much 

in the last 30 years. Blue — a company that’s famous for great-sounding 

mics and eye-catching designs — works to change the way you look at 

dynamic mics (and broadcast mics in particular) with AirTime. 

Built using Blue’s patent-pending phantom-powered dynamic 

technology AirTime delivers clarity, detail, and sonic punch that 

often eludes conventional dynamic mics, along with hotter 

output and cleaner gain. The output sports a pure resistive load 

— a true rarity in broadcast mics — which means that no 

matter what you plug AirTime into, the tone will be more 

consistent than that of many other broadcast-standard 

mics. The wide frequency response provides rich, thick 

lows and smooth highs. But in the event of too 

much low-end richness, a bass roll-off 

switch can easily tame proximity effect. 

AirTime also represents a great solution 

for pro-level podcasts. It’s shielded from 

electromagnetic hum and internally 

shockmounted to protect against handling 

noise and infrasonic interference. 

Aesthetically, AirTime is everything you’d expect 

from Blue, with a sharp industrial design that’s both 

classic and modern at the same time. The integrated yokemount makes for quick and 

easy mounting and mic positioning. In broadcast and studio applications, AirTime is 

certain to challenge the perceptions of what dynamic mics are capable of. 

Phantom-pwrd Dynamic ........List $ 599 00 Joe Condenser Mic ......................List $ 499 00 $ 

299 97 AirTime $ 

349 97 

ONLY $10/mo. 

ONLY $11/mo. 

Not 

your average Joe. 

Introducing Joe, the decidedly above-average new cardioid large diaphragm 

condenser microphone from Blue. With a classic look and way-cool anodized 

finish, Joe’s styling is uniquely Blue, while its Class A discrete electronics and 

hand tuned and tested capsules are built on the pedigree of award-winning 

Blue mics like the Dragonfly, Kiwi, and venerable Bottle microphone system. 

Designed to capture a wide variety of sound sources (vocals, acoustic instruments, 

drums and more) with excellent detail and clarity, Joe is the perfect 

addition to any project studio microphone cabinet or anyone looking 

to expand their microphone choices. In fact, the only thing about 

Joe that’s below average is it’s price, which fit’s nicely into 

anyone’s budget. 

When it comes to sales and service, the experienced Sales 

Engineers at Sweetwater are way above par as well. They not 

only know their products, they know their audience: they’ve set 

the industry standard for outstanding customer support, service 

and value. So if you’re looking to meet Joe — or any of the other outstanding 

Blue products — give the exceptional folks at Sweetwater a call today. 

Step up to the mic ṬM 

800.222.4700 


©2008 Blue Microphones. All rights reserved. Blue Microphones, Joe and the Blue Oval are trademarks or registered trademarks of Blue Microphones, Inc. All other trademarks contained herein are the property of their respective owners. All features and specifications subject to change without notice.

206 

ProGear2008 




K2 

Large-diaphragm Tube Condenser Microphone 

with Continuously Variable Polar Pattern 

NT2-A 

Large-diaphragm Condenser with 

Variable Polar Pattern, Pad, and 

High-pass Filter 

Wouldn’t it be great to have a studio mic 

that had the ability to control polar pattern, 

attenuation, and bass roll-off right on the 

microphone itself? RØDE thought so too. The 

result — the NT2-A. Like the NT2000, which 

features variable controls, the NT2-A is a professional 

large-diaphragm (1") condenser studio microphone 

featuring switchable pick-up pattern, high-pass filter, and 

pad. This new transducer has been voiced to complement 

today’s modern recording techniques, and yet still evoke the 

silky-smooth character of the legendary microphones of the 

1950s and ‘60s. 

The K2 large-diaphragm tube condenser features a sound 

reminiscent of classic vintage mics while being updated with 

improved capsule and diaphragm technology, extremely low 

noise, and increased stability and consistency. The K2 has a 

continuously variable polar pattern, omni through cardioid to 

figure-8, controlled from the power supply. Continuously variable 

polar patterns let you dial in the exact pattern you want. With a 

Specs: omni, cardioid, figure-8 • 20Hz-20kHz • Max SPL: 147-157dB • Bass roll-off: 

maximum SPL of 162dB, there’s no need for a pad on this mic. Plus, 80Hz, 40Hz • Pad: 5dB, 10dB 

its 10dbA of self-noise makes it one of the quietest mics you’ll find at 

ONLY $12/mo. 

any price! The K2 comes with a hardshell case, external power supply, a 

$ 

NT2A Multi-pattern Condenser Microphone ....List $ 699 399 97 

00 

9-pin cable that connects the mic to the power supply, and a shockmount. SM2 RODE Shockmount ..................................List $ 49 00 $ 39 97 

A gentle peak centered at 10kHz and extending to 20kHz opens 

SM2 RODE Shockmount .................................List $ 49 00 $ 39 97 

up the top end and adds “air” to the mic’s tonality. 

The K2 can add fullness to vocals, guitar amps, NT1-A 

acoustic guitars, and more. 

Large-diaphragm Condenser with Low 

Specs: variable pattern • 20Hz-20kHz • Max SPL: 162dB 

Self-noise and High SPL Handling 

ONLY $21/mo. 

$ 

K2Tube Multi-pattern Tube Condenser List $ 999 699 97 We put the RØDE NT1-A through its paces here 

00 

at Sweetwater Studios and were knocked out by its 

sonic performance. It excelled at capturing everything 

“The NTK is a great all-around mic for many 

from acoustic guitars to guitar amplifiers to vocals to 

purposes, not just vocals. I used one on a bass 

percussion, and it handled high-SPL sources without 

guitar cabinet, and it brought the proper balance of a problem. Incredibly, the amazingly affordable NT1-A 

articulation, low end, and warmth to the track.” 

generates a miniscule 5dB of self-noise, making it the 

— David Stewart, Sales Manager, Ext. 1215 

world’s quietest condenser microphone. Finished in durable 

and handsome satin nickel, it’s right at home in any studio. 

NTK 

At this price, you might just want to get two, and here’s the 

Large-diaphragm Tube Condenser Microphone kicker: this amazing mic is also available as a matched pair. 

The RØDE NTK large-diaphragm tube condenser mic will put 

Specs: NT1-A cardioid • 20Hz-20kHz • Max SPL: 137dB 

you on equal footing with many new and vintage microphones 

ONLY $10/mo. 

that cost several times as much. The NTK uses an 

$ 

externally polarized capsule with a twin-triode NT1A Cardioid Condenser Microphone ......List $ 369 229 97 

00 

6922 tube. The mic’s gentle presence boost 

SM1 Shockmount for NT1/NT2 ..................List $ 39 00 $ 29 97 

makes everything sound good, especially vocals, NTWS Windscreen for NT1/NT2 ............................... $ 

19 99 

and the tone really opens up as you hit the 

NT1AMP Condenser Mic Matched Pair ...........List $ 949 00 $ 549 97 

capsule with more level. 

Specs: cardioid • 20Hz-20kHz • Max SPL: 158dB NT3 

ONLY $16/mo. 

Cardioid Condenser 

$ 

NTK Vacuum Tube Condenser Mic ............List $ 999 529 97 Microphone 

00 

RØDE has been building great mics that 

defy the expected bang-for-the-buck for years now. 

NT2000 

Their mics are used industry-wide — both on stage and 

Solid-state, Large-diaphragm Studio 

in the studio — with exceptional results, especially when 


you consider how cost-effective these gems really are. The 

NT3 gives you the great sound reproduction you expect from 

The NT2000 is a solid-state, multi-pattern, largediaphragm 

studio condenser mic. Besides its pristine 7dBA design with ultra-low noise circuitry, and its cardioid pickup 

the brand. This medium-diaphragm mic is a true condenser 

self-noise and clear, smooth sound, what sets it apart from pattern is ideal for recording sound sources with a minimum of 

the rest is the versatility of its “Totally Variable” controls. 

signal bleed from their surroundings. The NT3 is equally suitable 

Set into the mic body are continuous pots for setting polar 

for studio, broadcast, and location recording. Its rugged metal 

pattern (from omni through cardioid to figure-8 and anything body, heat-treated mesh head, and high resistance to RF interference 

in between), a 20Hz to 150Hz tunable high-pass filter and variable — combined with the ability to run on battery power as well as 

pad for handling up to 157dB SPL. The NT1000 is a 1", externally phantom power — makes the NT3 a top-notch field recording mic. An 

polarized cardioid JFET condenser mic with transformerless output. internal capsule shockmounting system helps to hold down handling 

Use it for vocals and just about any instrument at all. Its very clear noise. The NT3 comes complete with a zip pouch, external windscreen, 

and accurate response is perfect when you want a mic to tell the truth. stand mount, and thread adapter. 

ONLY $18/mo. 

$ 

NT2000 Multi-pattern Condensr Mic ................List $ 899 599 97 

Specs: cardioid • 20Hz-20kHz • SPL: 140dB 

00 

NT1000 Cardioid Condenser Microphone ...........List $ 599 00 $ 329 97 

Specs: NT2000 variable polar pattern • 20Hz-20kHz • SPL: 147-157dB • 

Variable bass roll-off: 20Hz-150Hz 

• Variable 

pad: 0dB-10dB 

NT1000 cardioid 

• 20Hz-20kHz • 


NT3 Cardioid Condenser Microphone ..............List $ 349 00 $ 

249 97 

ONLY $10/mo.

Microphones 



NT4 

Stereo Condenser Microphone 

The benefit of the RØDE NT4 stereo cardioid condenser mic is the 

convenience of matched capsules with X/Y placement, which allows you to 

record high-quality stereo with just one mic stand! The NT4’s 1/2" capsules 

are designed for clarity and accurate sound capture. Perhaps the NT4’s most 

outstanding feature is its ability to record on location without the need for 

phantom power — it can be powered by a 9-volt battery, making it ideal for 

both studio and location recording applications. The NT4 package includes 

a handy stand adapter, wind shield, and two custom stereo cables. 


NT4 Stereo Condenser Mic ............List $ 899 00 ONLY $15/mo. 

NT5 

Small-diaphragm Condenser Mics — Matched Stereo Pair 

As always with RØDE, price is a nice surprise. That’s right, you get two 

mics for the price of one! The NT5 is a small-diaphragm condenser 

mic offered in matched pairs. They’re great as drum overheads, and 

we’ve found them to be detailed and clear, with just a tiny bit of 

compression. The NT5 shares the same specs as the NT4 but gives you 

the flexibility of positioning. The NT5 is also available as a single mic 

for a great price. 


$ 

479 97 NT5 Matched Pr Cond Mics ...............List $ 699 00 $ 

429 97 

ONLY $13/mo. 

NT5Sing Condenser Mic (Single) ...............List $ 349 00 $ 219 97 

NT55 

Condenser Mic 

The NT55 builds on the success of the NT5, providing 

an excellent mic for practically any recording application. 

The NT55 utilizes a 1/2" externally biased gold-sputtered 

true-condenser transducer and comes with two different mic 

heads to provide a variety of polar patterns to handle applications 

as wide-ranging as broadcast, film, studio recording, live sound 

capture, and location recording. This mic features a 3-position 

pad and 3-position variable high-pass filter. 

Specs: cardioid/omni • 20Hz-20kHz • Max SPL: 136db • Pad: 0/10/20db • Bass roll-off: 

75/150Hz 

NT6 

Compact Condenser Mic 

The NT6 is specifically designed for difficult 

mounting applications, and is extremely well 

suited to any situation where an unobtrusive 

but powerful microphone system is required. 

The NT6 utilizes the same transducer as the 

renowned NT5, and the capsule is designed 

to attach to a custom-made, multi-position 

swivel mount . The capsule is connected to the 

preamplifier (body) by a custom 3-meter Kevlar fiber-reinforced cable. 

Specs: cardioid • 40Hz-20kHz • Max SPL: 138dB • Pad: O/10dB • Bass roll-off: 80Hz 

Compact Condenser Mic ........List $ 499 00 NT55 Sm-diaphragm Condenser .....List $ 499 00 $ 

349 97 NT6 $ 

369 97 

ONLY $11/mo. 

ONLY $12/mo. 

S1 

Handheld Condenser Microphone for Live 

Performance 

Performing artists demand the same sound quality for their live 

performance as they have in the studio. RØDE has answered with the 

S1, a handheld vocal mic designed for the rigors of live performance. 

The S1 employs a true condenser transducer for optimal sound 

reproduction, and the frequency response is tailored to ensure clear 

vocals. The unidirectional pickup pattern limits background noise and 

reduces susceptibility to feedback, and a 5-piece mesh head provides 

filtering of breath, wind, and plosives without interfering with the S1’s 

sensitivity or frequency response. 

Specs: supercardioid • 20Hz-20kHz • Max SPL: 151dB 

Cardioid Condenser Mic .........List $ 299 00 S1Rode Condenser Mic ......................List $ 599 00 $ 

299 97 M3Rode $ 

199 97 

ONLY $10/mo. 

ONLY $10/mo. 

Podcaster 

Dynamic Mic with Built-in USB Interface 

The RØDE Podcaster USB mic is designed to provide a professional-sounding 

microphone for podcasters. This end-address 

dynamic mic features a built-in A/D converter and a 3-meter USB 

cable for easy connection to a computer. 

The Podcaster is tailored specifically for voice , and the tight cardioid 

pickup pattern provides excellent rejection of off-axis sounds. An 

integrated headphone amplifier allows you to monitor directly at the 

microphone. This great-sounding microphone’s all-in-one approach 

to recording and monitoring represents a great value for podcasters. 

Specs: cardioid • 40Hz-14kHz • Max SPL: 115db 

M3 

Cardioid Electret Condenser Microphone 

Essentially an electret version of the widely used NT3 (p 206) with an 

expanded feature set, the M3 is great for location or studio work. You 

can power the M3 from either phantom power or battery power for the 

ultimate in convenience, making it a great addition to a live recording 

rig or as an add-on to a video or ENG setup. The capsule is supported by 

internal shockmounting to minimize handling noise and to protect the 

inner workings of the microphone. RØDE equipped the cardioid M3 with a 

high-pass filter and 10- and 20dB pads, allowing you to tailor the mic to the 

sound source and minimize low-frequency rumblings from air conditioners 

and passing traffic. 

Specs: cardioid • 40Hz-20kHz • SPL: 142 dB • Bass roll-off: 80Hz • Pad: 10dB, 20dB 

D-Power Plug 

In-line Cable-mounted Amplifier 

Long microphone cable runs can be a real headache, sapping signal 

strength and requiring costly extra gear just to juice up the signal 

enough to bring it back to a useable level. Now you don’t have to resort 

to extreme, complicated measures to boost your mic’s power — RØDE’s 

D-Power Plug gives you a simple, effective, and affordable solution! 

The D-Power Plug features a precision preamplifier circuit that will turn 

any standard dynamic microphone into a high-gain, electronically 

balanced output device (it’s also an outstanding way to boost 

low-level ribbon mics). Using standard 48-volt phantom 

power, it can drive cables in excess of 300 feet with 

negligible loss of signal quality or power. 

Podcaster USB Dynamic Mic .................List $ 369 00 ONLY $10/mo. 

$ 

229 97 DPowerPlug XLR In-line Mic Preamp ........List $ 129 00 $ 

99 97

THE WRITING’S 

Here at RØDE Microphones we don’t need to brag about how good our microphones are... 

Sweetwater’s trusted Sales Engineers already know and are happy to pass on their experience 

with premium quality RØDE products. So speak to your Sweetwater Sales Engineer today at 

800 222 4700 or visit www.sweetwater.com

ON THE WALL...

210 

ProGear2008 




MA-200 

Dave Royer Tube Condenser Mic 

Since 1985, Dave Royer has been making custom condenser 

mics for a select group of L.A.-based audio professionals. Now, 

Dave’s condenser expertise is available to Sweetwater customers 

with his Mojave Audio MA-200 large-diaphragm tube mic. The 

MA-200 uses hand-selected 3-micron gold-sputtered capsules, 

Jensen audio transformers, and military-grade JAN 5840 vacuum 

tubes for exceptional sound quality. Here’s what our own audio 

expert, Mitch Gallagher, had to say about it: “This mic is great, 

regardless of the price — which, by the way, is really affordable! I 

tracked several vocal tunes using the MA-200, and I was floored. The 

sound has a full, fat midrange and open, detailed top, without a shrill 

high end. This is a good mic to get close in on for intimate sounds. It 

handled everything I threw at it without compromise.” The MA-200 

comes in a road case that holds the mic, power supply, shockmount, 

and cables. 

Specs: cardioid • 20Hz-20kHz • Max SPL: 136dB • Bass roll-off: 75Hz • Pad: 15dB 

MA200 Tube Condenser Microphone ................... 

MA-100 

Pencil Tube Condenser Microphone 

MA100 Tube Condenser Microphone ................... 

ONLY $30/mo. 

$ 

995 00 

Following the success of the large-diaphragm MA-200 tube condenser, 

Mojave Audio unveils the MA-100 pencil tube condenser mic. Two 

interchangeable capsules — cardioid and omnidirectional — make 

the MA-100 well-suited for instrument recording or use as drum 

overheads. At the heart of the medium-diaphragm MA-100 is a 5840 

pentode tube, which operates as a unity gain buffer stage driving 

the 0.8", three-micron diaphragm. The ability to withstand 140dB 

SPL frees the MA-100 to be placed in front of virtually any sound 

source, even a close-miked snare drum! The MA-100’s combination 

of extended low-frequency response and ultra-fast transient response 

gives you the best attributes of both small- and large-diapragm mics, 

in one low-profile package! By bringing the audiophile quality of 

the bigger MA-200 to a pencil condenser, the MA-100 is destined to 

become a studio classic. 

Specs: cardioid, omni • 30Hz-18kHz • 140dB SPL 

GT Convertible 

Handheld Condenser Mic 

The GT Convertible condenser mic performs 

double duty as a handheld vocal mic (with 

the included ball windscreen) or a great 

instrument mic with the windscreen removed. 

Park the Convertible in front of a guitar 

cabinet for detailed and accurate pickup. 

Throw a pair over a drum kit for a perceptive 

set of overheads. Pop the ball windscreen on 

and the Convertible “converts” to a top-notch 

vocal condenser mic for live stage use. A 

rubber-isolated capsule assembly effectively 

cuts handling noise, allowing this top-shelf mic 

to provide studio-quality condenser sound you can take to the stage! The 

Hardtop is the same mic with just the windscreen. A swiveling hard mount 

and rugged zippered case are included with each mic. 

Specs: hypercardioid • 20Hz-18kHz • 146dB SPL 

ONLY $10/mo. 

$ 

GTConvert Handheld Condenser Mic .......List $ 149 119 97 

00 

GTHardTop Handheld Condenser Mic ........List $ 129 00 $ 109 97 

GT40 

Medium-diaphragm Tube Condenser 

The Groove Tubes GT40 medium-diaphragm condenser 

offers great sound and versatility for a number of recording 

applications. From acoustic guitar to drums to small vocal or 

instrumental ensembles, the GT40 captures it all accurately, 

while imparting the sweet Groove Tubes tone that has 

established them as one of the leading authorities in tubebased 

technology. 

The capsule is a 0.75" six-micron gold-evaporated diaphragm 

with a cardioid pickup pattern (the GTC3 omni capsule is 

also available for the GT40), and is powered by Class A tube 

circuitry with a good old American-made GT6205 tube. There’s 

nothing like the combination of detail and warmth you get 

from a quality tube mic, and the GT40 is built to the highest 

standards. The Groove Tubes includes a power supply, cable, and 

shockmount with the GT40. 

Specs: cardioid • tube • 20Hz-20kHz • 130dB SPL ONLY $19/mo. 

ONLY $24/mo. 

$ 

$ 

795 00 GT40 Tube Condenser Mic ..................List $ 699 629 97 

00 

GTC3 Omni Capsule for GT40 ...............List $ 129 00 $ 103 97 

C01 

C03 

C02 

C01 

Affordable Studio and Live Mics 

Large-diaphragm condenser mics just can’t be topped bringing out 

the richness and warmth of a vocal. Samson condenser mics offer 

rich, accurate sound at incredibly low prices. The Samson C01 

condenser is accurate and detailed, and adds body and dimension to 

acoustic guitar and vocals. The C02 small-diaphragm condensers are 

sold as a pair, and are ideal for overheads. The C03 is a multi-pattern 

condenser that offers incredible flexibility for 

close-miking, room ambience, or multiinstrument 

recording. 

G-Track 

Large-diaphragm USB 

Microphone/Interface 

A follow-up to the world’s first 

USB mic, the G-Track packs 

a great USB studio mic and an 

audio interface into a single 

self-contained unit. Inside the 

G-Track resides a largediaphragm 

capsule that can 

feed directly into the included 

SONAR LE software for editing 

Specs: C01 hypercardioid • 40Hz-18kHz • Max SPL: 136dB C02 and mixing. Stereo input jacks 

cardioid • 40Hz-20kHz • Max SPL: 134dB C03 hyper-cardioid/omni/ 

for instrument and line-level signal 

figure-8 • 40Hz-18kHz • Max SPL: 142dB • Bass roll-off: 100Hz • 

Pad: 10 dB 

further expand the functionality of this 

$ 

C01 Lg-diaphragm Condenser Mic .......List $ 87 69 97 unique device. The G-Track is perfect for smallscale 

home recording setups! 

49 

C02 Pencil Condenser Mics (pr) .........List $ 149 99 $ 119 97 Specs: super-cardioid • 20Hz-16kHz • Max SPL: 132dB 

C03 Multi-pattern Condenser Mic ......List $ 124 99 $ 99 97 

ONLY $10/mo. 

$ 

SP01 Shockmount for C01/C03 ..............List $ 39 99 $ 29 97 GTrackUSB USB Mic/Interface .................List $ 199 129 97 

99

On the MA-200 

“ I've tracked great sounding vocals, drums, guitars and bass through 

these mics, and my clients are consistently blown away by the results. 

From the moment I first put a pair up, they have continued to impress 

me with a wide open and balanced sound.” 

On the MA-100 

"These MA-100s are the business! I'm using them on acoustic guitars 

and other string instruments on the new Flogging Molly record. Blew 

away the 'standard' small-diaphragm mics I've used before. The 

players were all floored, as was my assistant." 

Ryan Hewitt 

(Engineer/Mixer: Red Hot Chili Peppers, blink-182, Alkaline Trio) 

"When we tested the MA-200 in our studio, we found it it to 

be among the sweetest mics we’ve used. It It does an 

amazing job of capturing both vocals and instruments. A 

great all-around mic for every studio." 

-Chet Chambers, - Studio Manager, Sweetwater 

“The overwhelming response I have gotten selling the 

MA-100 is 'Thank You! My Customers continue to rave 

about the detail they are getting from their recordings. 

From piano to close micing guitar cabinets and drums... the 

mic sounds amazing everywhere!" 

Chad Byers - Sweetwater Sales Engineer

212 

ProGear2008 




C1 

CS1 

CS5 

C3 

CS Series 

Large-diaphragm Condenser Microphones 

C4 

B Series 

Economical Cardioid Condenser Mic 

CS1mic Large-diaphragm Condenser Mic .....List $ 849 99 $ 

599 99 

ONLY $18/mo. 

CS5mic Lg-diaph Multi-ptrn Condenser ......List $ 1149 99 $ 849 99 

C1Mic Cardioid Condenser Mic ..............List $ 359 99 $ 

239 99 

ONLY $10/mo. 

C3Mic Multi-pattern Condenser Mic ......List $ 479 99 $ 324 99 

C4mic Sm-diaph Cond Stereo Pair .........List $ 649 99 $ 399 99 

T3Mic Multi-pattern Condenser Mic ......List $ 839 99 $ 599 99 

The Studio Projects B1 condenser is a great step-up choice if you’ve reached the limitations of your 

current dynamic studio mic. You can put it in front of a guitar amp and then use it to cut a mellow vocal 

track. The B1 features dual selectable pads and high-pass filters, plus a heavy-duty grille to complement 

its new look. If you’re looking for that traditional European-sounding mic for your studio but can’t 

spend big bucks to get it, then the B3 is the microphone for you. It stands up against mics costing 

much more. The B3 offers three pickup patterns, high-pass filter, and pad so it can handle almost 

any recording situation. A pair is ideal for recording a choir or recital! The TB1 is a cardioid 

large-diaphragm vacuum tube mic with a 6072 tube that excels on applications such as acoustic 

guitars and vocals, or anywhere you need a warm, transparent signal. 

Specs: B1 cardioid • 20Hz-20kHz • Max SPL: 132dB 

• Bass roll-off: 75, 150Hz • Pad: 10, 20dB B3 cardioid, 

omni, figure-8 • 20Hz-20kHz • Max SPL: 142dB (w/ pad) • 

Pad: 10dB TB1 cardioid • 20Hz-20kHz • 

Max SPL: 128 


ARE SAYING… 

“A fine, service-oriented company, with very friendly, 

professional, and knowledgable staff.” — John DiLeo 

If we’ve come to expect one thing from Studio Projects, 

it’s performance that far outweighs the price. The new CS Series of large-diaphragm condensers, aside from being 

visually striking, serve as great all-around microphones. The CS1 boasts a 1.06" capsule with a 6-micron diaphragm 

in a fixed cardioid polar pattern. Designed to excel at practically any recording application, the CS1 is equally at 

home capturing airy vocals and parked in front of an amp. There’s no shortage of control on the CS1, as it’s equipped 

with a 4-position pad as well as high- and low-pass filters. The CS5 is the multi-pattern big brother to the CS1, with five 

selectable polar patterns and the same complement of filters and pad. Both mics come with a shockmount, 

case, and foam windscreen. 

Specs: CS1 cardioid • 20Hz-20kHz • Max SPL: 136dB • 

Bass roll-off: 50, 75, 150, 300Hz • Low-pass: 15, 

7, 5, 3kHz • Pad: 20dB CS5 cardioid, wide cardioid, 

hypercardioid, omni, figure 8 

C Series 

Large-diaphragm Cardioid Condenser Microphone with Dual Pads and Filters 

For vocals, the C1 rivals some high-profile microphones that cost more than ten times the price! This flexible 

large-diaphragm microphone is also ideal for close-miking amplifiers, broadcast use, and a wide variety 

T3 

of other recording tasks. The C3 is a dual-diaphragm condenser with cardioid, omni, and figure-8 

patterns. The C4 is a stereo pair of small-diaphragm condensers with interchangeable capsules, 

10dB pad, and a high-pass filter. The T3 vacuum tube mic is based on classic 1950s-era 

designs combined with present-day technological refinements. It features an oversized 

1.35" precision dual-membrane capsule coupled through a tube circuit designed around a 

12AY7 (6072) triode and a balanced transformer output. 

Specs: C1 cardioid • 20Hz-20kHz • Max 

SPL: 131dB • Bass roll-off: 75, 150Hz • 

Pad: 10, 20dB C3 cardioid, omni, figure-8 • 

40Hz-20kHz • Max SPL: 132dB C4 cardioid, 

omni• 40Hz-20kHz • Max SPL: 150dB (with 

10db pad) T3 6 polar patterns • 30Hz-20kHz • 


B1Mic Cardioid Condenser Mic .............List $ 149 99 $ 

119 99 

ONLY $10/mo. 

B3Mic Multi-pattern Condenser Mic ......List $ 264 99 $ 194 99 

TB1Mic Cardioid Tube Condenser Mic .......List $ 479 99 $ 299 99 

B1 

B3 

TB1 

LSD2 

LSD2 

Dual-capsule Stereo Condenser Microphone 

The LSD2 comprises two separate dual-membrane solid-state microphones contained within 

a single housing. Its capsules are mounted in close proximity on a vertical axis — the upper 

capsule assembly has the ability to rotate 270° horizontally relative to the lower capsule. Two 

C&K 3-way switches control the polar response, high-pass filter, and 10dB pad for each capsule. 

With this combination of capsule articulation and independent pattern switching, you can achieve a 

variety of coincident pair stereophonic recording techniques including X-Y, mid-side, and Blumlein. 

Due to the close proximity of the capsules, there’s virtually no phase cancellation resulting from time 

delay between the two signals. This also translates into excellent mono compatibility. With improved 

sensitivity and sonic characteristics, plus increased signal-to-noise ratio, the LSD2 can be used as an 

overhead main mic for drums, vocal groups, and instrumental sections. Sporting a classy new look, the 

LSD-2 features a heavy-duty grille, dedicated 7-pin XLR to dual 3-pin XLR “Y” cable, magnum-sized foam 

windscreen, new “halo” elastic suspension shockmount, and a carrying case. 

Specs: omni, cardioid, figure-8 • 30Hz-20kHz • Max SPL: 146dB • Bass roll-off: 150Hz • Pad: 10dB 

LSD2 Large-diaphragm Stereo Condenser .......List $ 959 99 $ 

659 99 

ONLY $20/mo.

Microphones 



GT67 

Large-diaphragm Tube Condenser Microphone with 

Switchable Polar Patterns 

The GT67 is a tube condenser with a 3-micron diaphragm that excels at 

capturing the fine details of a performance, either vocal or instrument. 

The selectable polar patterns — cardioid, hypercardioid, omni, and 

figure-8 — let you tune the mic to your sound source. The GT67 really 

shines on vocals, as Groove Tubes’ clean, fat-sounding tube technology 

produces a smooth bottom and vintage tone that’s perfect for smoothing a 

thin or brassy female vocal or imparting a big tone to any voice. 

Specs: cardioid, omni, hypercardioid, fig-8 • 20Hz-20kHz • Max SPL: 130dB • Bass 

Roll-off: 75Hz • Pad: 10dB 

GT50 

Large-diaphragm FET Condenser Mic 

The Groove Tubes GT50 is one of those mics that can do anything. 

The ultra-thin 3-micron gold-evaporated Mylar diaphragm is situated 

inside a hand-assembled 1.25" all-brass capsule. The GT50 is 

great for situations where extreme detail is needed, such as acoustic 

guitar, but it also fares well in more raucous settings like in front of 

a guitar cabinet or over a drum kit. The Class A FET circuitry really 

shines in vocal applications, adding a bit of warmth and grit when 

pushed harder. The GT50 is one of those mics that certainly exceeds 

expectations, outperforming mics that cost three times as much. 

Specs: cardioid • 20Hz-18kHz • Max SPL: 134dB • Bass roll-off: 75Hz • Pad: 10dB 

FET Condenser Microphone ....List $ 399 00 GT67 Tube Condenser .....................List $ 899 00 $ 

649 97 GT50 $ 

359 97 

ONLY $20/mo. 

ONLY $11/mo. 

GT60 

Cardioid Large-diaphragm Condenser Mic 

For exceptional detail on instrument and vocal recordings, you can’t 

go wrong with the GT60. Using Groove Tubes’ exclusive Disk Resonator 

capsule with a 3-micron diaphragm, the GT60 is very effective at adding 

warmth and depth to any sound source. The Class A triode circuit design 

is loaded with a low-noise GT6205M tube for extremely quiet operation, 

especially for a tube mic. The cardioid pickup pattern keeps the GT60 

focused and limits bleed from external sounds. The GT60 ships with a power 

supply, cable, and shockmount. 

Specs: cardioid • 20Hz-20kHz • Max SPL: 130dB • Bass roll-off: 

75Hz • Pad: 10dB 

MD1B Tube 

Large-diaphragm Tube Condenser Mic 

No one knows tubes like Groove Tubes, and the MD1B Tube is a 

reissue of their first tube mic. The MD1B Tube is a classic vocal 

mic with a non-disk capsule design that imparts a vintage sound 

to your recordings. At the heart of the Class A tube electronics is 

a JAN spec GT6205M-USA tube. The auto load-compensating PSM 

power supply allows for extended cable runs exceeding 200 feet. A 

shockmount is included. 

Specs: cardioid • 20Hz-20 kHz • Max SPL: 130dB 

ONLY $19/mo. 

ONLY $17/mo. 

$ 

GT60 Cardioid Tube Condenser .......List $ 699 629 97 $ 00 MD1BT Card Tube Condenser Mic .......List $ 699 559 97 

00

214 

ProGear2008 




M30 

Reference-grade Condenser Mic 

When you need to tune your room with surgical precision, the M30 picks 

up what is happening at a particular location in space very precisely. In 

terms of the standard real-world audio range, the M30’s performance is well 

within ±0.5dB from 20Hz to 20kHz. Coupled with its exemplary impulse 

response and incredibly fast diaphragm settling time, that gives you about 

the most accurate reference signal you could ask for. 

The M30 has become the de facto standard reference for Smaart, MLSSA, 

SIMM, and TEF. It’s the most cost-effective measurement mic you’ll find 

— and the most trustworthy! It exceeds the specified requirements for all 

audio-band measurement systems. 

The M30 is completely temperature-stable and comes with a reference plot 

and sensitivity value you can input into your measurement program. The 

M30 also doubles as a great sounding-recording microphone. Sturdy and 

reliable, the M30 is a sound investment. 

Specs: condenser • 9Hz-30kHz • Max SPL: 150dB 

M30 Omni Measurement Mic ........List $ 795 00 ONLY $20/mo. 

$ 

639 97 SR20 Cardioid Mic With Windscreen .............List $ 765 00 ONLY $19/mo. 

$ 

619 97 

QTC50 

Omni Condenser Microphone 

QTC40 

The QTC40 delivers precise frequency response from 4Hz to 40kHz. 

Its low self-noise and very high sensitivity make it a wonderful 

choice for ambient miking and delicate and detailed sources. The 

QTC50 boasts an impressive 3Hz to 50kHz frequency response, 

and is whisper-quiet, delivering exceptional sound quality. The 

QTC30 is an economical alternative. Its 30kHz high-frequency 

response makes it ideal for capturing high-quality sound where 

space is a concern. All three models are also available in matched 

stereo pairs. 

Specs: QTC50 omni • 3Hz-50kHz • Max SPL: 142dB QTC40 omni • 4Hz-40kHz Max SPL: 142dB 

QTC30 omni • 6Hz-30kHz • SPL: 142dB 

QTC40 Omnidirectional Mic ................List $ 1295 00 $ 

1039 97 

ONLY $32/mo. 

QTC40mp Omni Mic/Stereo Pair ...............List $ 2690 00 $ 2159 97 

QTC50 Omnidirectional Mic .................List $ 1795 00 $ 1439 97 

QTC50mp Omni Mic/Stereo Pair ...............List $ 3690 00 $ 2959 97 

QTC30MP Omni Mic/Stereo Pair ...............List $ 2290 00 $ 1839 97 

PianoMic System 

Stereo Piano Microphone System 

QTC50 

Earthworks is renowned for their uncompromising approach to 

making some of the most accurate, clear-sounding microphones 

you’ll find anywhere. The innovative PianoMic System is a 

great example, giving you an incredible-sounding piano mic setup 

that’s both highly functional and visually unobtrusive. Engineers 

are well aware of how difficult it can be to obtain great sounds 

from pianos with conventional mic setups. Often painstaking and 

rarely consistent between instruments, the art of miking pianos not only involves getting a great sound; placement 

issues inevitably crop up, especially in live applications. The PianoMic System addresses both issues at once with 

its elegant inside-the-instrument bar-mounted design (invisible to audiences), as well as its two specialized mics. 

These omnidirectional condenser microphones give you an incredible frequency range and negligible proximity 

effect, as well as high gain before feedback. Plus, they’re able to withstand high sound pressure levels for dependable 

performance both onstage and in the studio. This translates to rich, nuanced sound reproduction that can reach 

impressive volume levels in any venue, and a mounting system that brings new meaning to “raising the bar.” The 

adjustable bar mount allows the mics to pick up every aspect of what makes a piano sound great, and the mics 

themselves are highly adjustable — different parts of the piano’s sound can be emphasized or reduced, depending 

on mic and bar placement. The PianoMic system even allows you to mic with the piano’s lid closed, giving you great 

control over outside sound leakage while capturing the piano’s sound in great detail. 

Specs: Omni • 9Hz-40kHz • Max SPL: 148dB 


ARE SAYING… 

“Wow! Truly excellent service. Keep up the awesome service, it 

is what makes me want to be your continuing customer. Forget 

the others.” 

— Steve Davis 

SR20 

Handheld Condenser Microphone 

The SR20 captures the sound of both male and female vocals 

beautifully. It has no presence peak, and EQ is often not needed. 

Its openness allows the vocalist to take a step back and belt it out 

with confidence. Rock and roll screamers do need to be aware of the 

limitations of your equipment — the SR20 can put out 10 volts if the 

source is loud enough! It’s also superb for podium, voice production, 

and choir applications. But what makes the SR20 such a great value 

is that, live or in the studio, it can also accurately capture acoustic 

guitars and folk instruments such as mandolin, banjo, Dobro, and 

acoustic bass. Guitar and bass amps sound realistic. Plus, the SR20 

is good for piano. 

TC20 

Omni Small-diaphragm Condenser 

The Earthworks TC20 is a cost-effective omni for live sound and recording. 

It offers flat response from 10Hz to 20kHz with completely natural sound 

throughout. The TC20 effortlessly handles signals up to 150dB, while 

simultaneously capturing subtle detail. You can use the TC20 to close-mic 

louder sources like guitar amps, bass drum, and piano. Place one beneath 

the bridge of an acoustic bass for accurate reproduction and optimum gain 

before feedback. Two TC20s placed on a jazz drum kit yield an extremely 

realistic sound. It’s excellent for recording orchestral music, as well as any 

studio applications where you want to capture sound as it actually occurs in 

the room. The TC20mp matched pair is great for stereo recording. 

The TC30 extends time-coherent response to 30kHz and is also available as a 

matched pair (TC30MP). 

Specs: TC20 omni • 10Hz-20kHz • Max SPL: 150dB TC30 omni • condenser 9Hz-30kHz • Max SPL: 

150dB 

TC20 10Hz-20kHz Omni Mic ...............List $ 595 00 $ 

479 97 

ONLY $15/mo. 

TC20mp 10Hz-20kHz Omni Mic Pair .......List $ 1290 00 $ 1029 97 

TC30mp 9Hz-30kHz Omni TC Mic Pair ....List $ 2090 00 $ 1669 97 

PianoMicSys Piano-specifi c Mic System .............. List $ 4495 00 

Specs: cardioid • condenser • 


ONLY $108/mo. 

$ 

3595 97

216 

ProGear2008 




Ribbon Mics 

R-122V 

Vaccuum Tube Ribbon Mic 

The ribbon mic has seen a boost in popularity in recent 

years, being used on everything from guitar cabinets to 

vocals to drum overheads. The natural response of a 

ribbon mic makes them wonderful on just about any 

sound source. The resurgence of the ribbon can be largely 

traced to one man’s innovative design that’s catapulted 

ribbon microphones back to the forefront of studio 

technology: Dave Royer. 

Just when you thought that the sound of their ribbon mics 

couldn’t get any better, Royer Labs introduces the R-122V 

Vacuum Tube Ribbon Microphone. A compact, monaural, 

bi-directional mic, the limited production R-122V utilizes 

the same large-ribbon transducer assembly that’s found 

in the R-121 and R-122 (right). Smooth frequency 

response and phase linearity coupled with classic 

triode-connected vacuum tube circuitry enable it to 

deliver consistent acoustic performance with stunning realism. 

Frequency response is excellent, regardless of the angle of sound 

striking the ribbon, and off-axis coloration is negligible. Like its 

predecessors, it has the ability to withstand high SPL levels, and 

thanks to its tube design, it can drive virtually any preamplifier 

and long cable runs with ease. 

R-121 & R-122 

Dynamic Ribbon Microphone 

An R-121 ribbon microphone hears things the way 

your ears hear them; the sound is natural and alive. 

The R-121’s response is flat and well balanced, while 

low end is deep and full without getting boomy. Mids 

are well defined and realistic, and the high-end response is sweet 

and natural sounding, never edgy or sibilant. The R-122 is a 

phantom-powered ribbon mic, delivering 15dB more gain while 

maintaining all of the warm, natural tone of the R-121. 

Royer ribbon mics are favored by countless engineers for use on 

guitar cabinets, as they can withstand huge amounts of volume while 

maintaining natural response and smooth sound — and they fare 

well on quieter sources, too! 

Specs: R-121 figure-8 • ribbon • 30Hz-15kHz • Max SPL: 135dB R-122 figure-8 • 30Hz-15kHz 

• Max SPL: 135dB 

ONLY $39/mo. 

$ 

R121 Dynamic Ribbon Mic ................List $ 1395 1295 00 

00 

R122 Ribbon Microphone ...................List $ 1895 00 $ 1750 00 

SF-12 & SF-24 

Coincident Stereo Ribbon Microphone 

What could be better than one great ribbon mic? How 

The R-122V is a visually striking microphone that comes with a 

about a stereo pair housed in a single mic? With the SF-series from 

dedicated power supply and cable set equipped with militarygrade, 

locking-type XLR connectors. 

microphone combines premium-quality audio performance with 

Royer Labs, that’s exactly what you get! The SF-12 stereo ribbon 

Specs: figure-8 • 30Hz-15kHz • Max SPL: 135dB 

outstanding stereo separation and imaging. The SF-12 is actually 

two matched microphones placed in one body, each aimed 45 degrees 

from center. The frequency response is excellent regardless of the angle 

of sound striking the ribbons, and off-axis coloration is negligible. The 

SF-24 is a phantom-powered stereo ribbon microphone with an output 

“Amazing! Royer is again pioneering ribbon 

of -38dB — a full 14dB more sensitive than the non-powered SF-12. 

microphone technology with addition of a tube to its 

Royer’s been at the forefront of the ribbon mic’s return to popularity, 

R-122V. Incredible headroom and stunning Royer 

clarity make the R-122V one of the world’s most versatile 

and even a cursory listen to either of these great-sounding stereo mics 

studio mics.” 

will tell you why! 

— Scott Bradley, Sales Engineer, Ext. 1294 

Specs: SF-12 dual figure-8 • 30Hz-15kHz • Max SPL: >130dB • SF-24 dual figure-8 • 30Hz-15kHz 


ONLY $81/mo. 

ONLY $84/mo. 

$ 

$ 

R122V Tube Ribbon Microphone ......List $ 2995 2795 00 SF12 Stereo Coincident Ribbon Mic ...List $ 2895 2695 00 

00 

00 SF24 Active Stereo Ribbon Mic .........List $ 4495 00 $ 4295 00 

NEW Ribbon Mics 

for Live Sound 

R121 Live 

Version 

Dynamic Live Ribbon Mic 

Royer’s R-121 Live Version is an R-121 

with a thicker ribbon manufactured specifically 

for use on the live stage. If anyone could 

figure out a way to make great ribbon mic 

sound practical for live use, it’s Royer. You can 

use the R-121 Live on everything from guitar 

amps and percussion to woodwind and acoustic 

instruments and rest assured that your ribbon will 

survive its time on stage. Creative placement of this mic 

onstage allows you to use the figure-8 pattern to your 

advantage and reduce bleed. 

Specs: figure-8 • ribbon • 30Hz-15kHz • Max SPL: 135dB 

R122 Live 

Version 

Phantom-powered Live 

Ribbon Mic 

Take an incredible-sounding, phantompowered 

ribbon mic, add a slightly thicker 

ribbon (which causes negligible gain and 

sensitivity decreases), and you’ve got a 

robust live ribbon microphone that sounds 

fantastic! The R-122 Live Version 

provides that smooth, natural tone that 

Royer ribbons are known for, and now you can 

take it to the stage with confidence! 


SF-24 Live 

Version 

Coincident Stereo Ribbon 

Microphone for Live Use 

What’s better than a great phantom-powered 

ribbon mic made tough enough for live use? 

How about a matched pair of them built into one 

compact body? The SF-24 Live Version uses the 

same design as the great-sounding SF-24, but adds 

a slightly thicker ribbon to handle the rigors of the 

stage. Use the SF-24 Live Version for everything from 

drum overheads to capturing the essence of ensembles. 

You can even give this mic “studio specs” by replacing the 

its live-optimized ribbon with a standard ribbon! 

Specs: dual figure-8 • 30Hz-15kHz • Max SPL: 130dB 

Live Ribbon Mic ..................List $ 1895 00 Stereo Ribbon Mic/Live .......List $ 4495 00 R121Live Dynamic Ribbon Live Mic ....List $ 1395 00 $ 

1295 00 R122Live $ 

1750 00 SF24Live $ 

4295 00 

ONLY $39/mo. 

ONLY $53/mo. 

ONLY $129/mo.

Shhhh... 

Producer/Engineer/Mixer Joe Chiccarelli had a sleepless 2007, recording 

The Shins, The White Stripes, Morrissey, Mika, Stars, Kurt Elling, 

Grace Potter, Raconteurs and My Morning Jacket. His Royers were on 

every session. Let’s give them this one moment of downtime... 

“I couldn't be without my Royers. I use them on every album project. If it's 

jazz, it's on a trumpet or piano. If it's rock, it's on the electric guitar. If it's 

classical, it's on a violin or a woodwind instrument. Royer ribbons just seem 

to work. Most importantly, the musicians respond positively to their sound, 

and that's always a major indicator to me. These mics positively make my 

job easier. 

“The modern day recording studio is not complete without a pair of Royers.” 

Joe Chiccarelli 

“Royer mics are one of the few sure things in this subjective 

mic industry; I work with some of the biggest names 

in the recording business and the one constant hit, every 

time, is when I send them a Royer. R-121 or 122 on guitar 

cabs, SF-12 or 24 for overheads or pianos. Hard to beat.” 

Jason Koons - Sweetwater Sales Engineer 

www.sweetwater.com 1-800-222-4700

218 

ProGear2008 




Ribbon Mics Recent years have seen a resurgence in the popularity of ribbon mics — we’ve rediscovered what 

made ribbons the “go to” choice of producers and engineers for many years. From the sweet and real top end to the big and warm 

low end, tracks recorded with ribbons sound as if you’re right there, standing in the room during the session. For natural sound 

without hype or harshness, a ribbon is the way to go! 

M160Anniv Hypercardioid Ribbon Mic ......List $ 759 00 

M160 50th Anniversary 

Limited-edition Hypercardioid Ribbon Mic 

The M 160 turns 50! Long regarded by audio 

professionals as one of their top choices , the 

Beyerdynamic M 160 50th Anniversary 

delivers impressive results on virtually anything. It 

was the key to the huge drum sound on Zeppelin’s 

“When the Levee Breaks” and found its way into 

countless other great tracks. Sweetwater is the 

exclusive U.S. dealer, so call today to get this 

special edition of the M 160! 

ONLY $21/mo. 

Specs: hypercardioid • 40Hz-18kHz 


Woodpecker 

Active Ribbon Microphone 

Blue’s first foray into ribbon mics produces the Woodpecker, a 

mic with a smooth sound, discrete Class A handmade electronics, 

and a distinctive body with an exotic wood finish. The Woodpecker 

can record close-miked guitar cabinets, drums, room mics 

— even vocals, while faithfully reproducing the sonic signature 

associated with much sought-after vintage ribbons. A custommade 

solid brass shockmount and a beautiful wood storage box 

are included. 

Specs: figure-8 • 20Hz-20kHz • Max SPL: 136dB 

Woodpecker Active Ribbon Mic .........List $ 1299 00 

ONLY $30/mo. 

$ 

999 97 

$ 

699 97 Velo8 Ribbon Mic ...........................List $ 799 00 ONLY $20/mo. 

R92 

Large Ribbon for Close-miking 

While AEA’s R84 (right) is a great general purpose 

mic, the R92 has been specifically designed to handle 

amplified instruments, vocals, and percussion. In short, 

any situation where handling high SPL is needed. AEA 

has designed the R92 to have slightly different tones 

on the front and rear pickup lobes of the microphone. 

The front lobe of the R92 is the “crisp” side, offering 

exceptionally clean and realistic high-end detail. 

The rear lobe is “smooth.” Its proximity effect is 

well-balanced for close-up use and a smooth extend ed 

high-end lets instrumental tracks fit well into a mix 

with little or no EQ. A flexible positioning system and 

integrated shockmount make the R92 a breeze to set 

up and use. A captive 12-foot XLR mic cable, and a 

foam-lined carrying/storage case are included. 


R92 LRG Instrument Mic ...............List $ 900 00 $ 

810 00 

ONLY $25/mo. 

$ 

990 00 

ONLY $30/mo. 

R88 LRG Stereo Ribbon Mic .............List $ 1895 00 $ 1705 50 

VR88 

VR88 Figure-8 Double Ribbon Mic ...List $ 599 99 $ 

399 97 

ONLY $12/mo. 

Handmade Velocity Ribbon Mic 

Five years in the making, the handmade 

Samson VR88 velocity ribbon 

mic produces a warm and natural 

response that’s silky smooth from top 

to bottom. In addition, it’s capable of handling 

up to 138dB SPL, making it an excellent choice 

for miking vocals, acoustic instruments, and even 

electric guitars. Case included. 

Specs: bi-directional (figure-8) • 138dB SPL 

VELO 8 

Classic Ribbon Mic with 

Shockmount and Pop Filter 

Aspen Pittman and the good folks at Groove Tubes have 

been providing guitarists with top-notch tubes for their 

amplification needs for years. More recently, they’ve thrown 

their hat into the pro audio ring as well, offering a line of 

great mics, preamps, and processors that sound fantastic. 

Their latest entry is the VELO 8, a classic ribbon mic (or 

velocity mic, as they were once called) boasting a large (2" 

x 0.25") ribbon element with a neodymium magnet that 

engineers will find extremely useful on horns, vocals, and 

guitars. The VELO 8 is a call-back to the classic ribbons of 

yesteryear, and the design merges the best of the past with 

modern technologies for a mic that’s extremely versatile and 

priced to be attainable for anyone. 


$ 

639 97

Up Close...and Personal 

 

 

R92 

“Crisp, clear, accurate, just absolutely gorgeous. The R92 was 

great with the TRP...It was extremely clean, with no noise, no 

fuss, and more gain than I would ever need.” 

– Adam Crampton, Sales Engineer 

“It provided the body other mics lacked with a really full, heavy 

sound. Where some mics were brittle, this one was buttery.” 

– Nate Edwards, Sales Engineer 

“The R92 is incredibly smooth but not at the expense of treble 

response. It has a very clear and natural top end that takes EQ 

extremely well and never sounds harsh. I’ve used the R92 on 

both acoustic and electric guitars with outstanding results, but 

the big suprise is how great it sounds on vocals” 

– Bob Bailey, Roland Sales Representative 

Try Before You Buy 

A sweet deal gets sweeter: If you try and then 

buy an R92 or TRP before July 15th, you can 

win an AEA Microphone or Preamp. 

Call your Sweetwater sales engineer today 

to book a free AEA Big Ribbon audition. 

Your music, your ears, your decision 

& 

Audio Engineering 

Associates 

(800) 222-4700 


TRP

220 

ProGear2008 




Sweetwater & Beyerdynamic’s 

Exclusive Offer! 

Save $ 

100 

with the M160 & M130 Bundle .......Only $ 1199 .97 

M 160 

Dual-element Ribbon Mic 

A good ribbon microphone can add an incredible amount of dimension to your mixes, 

lending a smooth, natural tone that both contrasts and complements the sound of a 

studio condenser mic. As the ribbon regains its standing among the best-sounding mics 

out there, it’s due in no small part to the forward-thinking designs that continued its 

use throughout the last half-century. Beyerdynamic has taken the traditional qualities 

that make ribbon microphones respected and put them in the M 160 . Its wide dynamic 

range is capable of capturing everything from pianissimo strings to the highest SPLs of 

percussion instruments. However, unlike other ribbon mics, the M 160 has two ribbons to 

contribute to the ultra-fast transient response. This mic’s smooth, natural sound is great 

for vocals and voiceovers, and the hypercardioid pattern of the M 160 

makes it an ideal “mid” mic for mid-side stereo recording. 

“We used this mic in front of a drum kit at a studio I used to work 

at in London and it was THE SOUND. Out of the 13 other mics set 

up in the room for the kit, this one soloed in the mix impressed the 

band more than anything else. Impress the band. Buy the mic.” 

— Austin Moss, Sales Engineer, Ext. 1282 

Specs: 

hypercardioid • 

40Hz-18kHz • Max 

SPL: 116dB 

Ribbon Mics 

M 130 

Figure-8 Double Ribbon Microphone 

“Compact” may not be the first word that 

comes to mind when you think “ribbon 

microphone,” but this this little double-ribbon 

wonder brings you that great natural tone, and 

much more! Beyerdynamic’s M 130 is ideal 

for creating an authentic stereo image when used 

in M-S configuration with the hypercardioid 

M 160 (left). It delivers excellent results when 

recording or broadcasting a true stereo image. 

Used by itself, the M 130 allows the recording 

of background audience noise and concert 

hall “ambience” without unwanted 

resonances. In the studio the M 130 is 

incredibly effective at capturing backing 

vocal groups, percussion, and mounted 

toms. Its crisply articulated, uncolored 

sound is well-suited to such demanding 

audiophile applications as digital and 

direct-to-disc recording, and it excels 

at capturing room ambience without 

resonance effects. 

Specs: figure-8 pattern • 40Hz-18kHz 

Figure-8 Double Ribbon Mic ...List $ 759 00 M160 Hypercardioid Ribbon Mic ......List $ 759 00 $ 

649 97 M130 $ 

649 97 

ONLY $20/mo. 

ONLY $20/mo. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SAVE 

$100

Microphones 



Sound Grabber II 

Pressure Zone Microphone 

Now you can use the same technology recording studios 

and theaters have used for years to record your recital 

or play — or to get a great ambient drum sound! The 

Sound Grabber II picks up sound waves at the surface 

of a wall or floor, where they are strongest. There’s no 

need to aim or move the Sound Grabber II to follow the 

action, since it has a wide-angle pickup pattern. It will 

pick up sound from any direction or angle so speakers or 

vocalists can move freely around with no change in tone 

quality. The Sound Grabber II runs on a single AA battery 

and comes with an attached 10-foot cable and a 1/4" 

plug adapter. 

Specs: hemispherical • 50Hz-16kHz 

MicroBoom MB1245-A 

Mini Condenser Instrument Mic with Boom 

The MB1245-A cardioid 

condenser excels at 

recording acoustic 

instruments, ambient room 

miking, symphonic area 

miking, and overheads for 

just about everything from 

choirs and group vocals to 

drums . The MB1245-A is an 

excellent choice for both recording and live applications . 

The MicroBoom 50-inch carbon fiber boom arm 

attaches to any microphone stand and securely holds the 

microphone in place. Mogami cable is used internally for 

signal purity. 

Specs: condenser • cardioid • 80Hz-20kHz • Max SPL: 138dB 

Mini Card Cond w/Boom ........List $ 549 00 SoundGrabber Boundary Mic ..............List $ 116 00 $ 

69 97 PCC160 Boundary Condenser Mic .......List $ 505 00 $ 

299 97 MB1245 $ 

399 97 

ONLY $10/mo. 

ONLY $12/mo. 

U853RW 

Hanging Condenser Mic 

The U853RW hanging condenser microphone 

gives you an unobtrusive, clear-sounding way to 

capture overhead audio from choral, orchestral, 

and house of worship applications. The UniGuard 

design makes it practically immune to RF 

interference. This phantom-powered mic features 

a cardioid pickup pattern, allowing accurate sound 

capture with excellent outside noise rejection. 

It also includes an 80Hz low-cut filter, power 

module with XLRM connector, and 2-stage foam 

windscreen. A steel hanger, and stand adapter are 

included. The U853a is a phantom- or batterypowered 

version. 

Specs: U853RW cardioid • 30Hz-20kHz • Max SPL: 

132dB • Bass roll-off: 80Hz MaU853a cardioid • 30Hz- 

20kHz • Max SPL: 135dB • Bass roll-off: 80Hz 

PCC-160 

Boundary Condenser Microphone 

Crown’s effective 

and unobtrusive 

PCC-160 

boundary 

microphone 

provides excellent 

sound capture in a lowprofile 

design that lends itself well to 

installations. This condenser mic gives you very smooth 

frequency response, without phase issues from floor or 

wall reflections. The PCC-160’s durable construction 

makes it a dependable performer at a great price. 

Specs: hemispherical • 50Hz-18kHz • Max SPL: 120dB 

Pro 45 

Self-contained Hanging Mic 

When you hang microphones over 

choirs or orchestras, you want the mics to be 

as unobtrusive as possible. Audio-Technica 

offers an economical and great-sounding 

solution: the Pro 45, a miniature cardioid 

condenser mic with its own adjustable boom. All 

electronics are built into the unit, so no external 

power module is needed. 

The Pro 45’s wide dynamic range can handle 

high SPLs without breaking up. It’s an 

ideal mic for school auditoriums and 

houses of worship. 


MX418/S 

18-inch Gooseneck 


Microflex Gooseneck microphones bring 

a whole new meaning to the word flexible. 

The MX418/S is an 18-inch gooseneck 

condenser microphone with attached XLR 

preamp, shockmount, and snap-fit foam 

windscreen. This versatile mic features high 

sensitivity and transformerless output for 

immunity to hum and RF interference. Each 

Microflex gooseneck microphone comes with 

a complete installation kit and flange mount, 

allowing easy and stable attachment to pulpits, 

lecterns, and conference tables. 

Specs: 18" gooseneck • supercardioid • condenser • 50Hz-17kHz 

• Max SPL: 122.7dB 

U853RW Hanging Condenser Mic, White ...List $ 240 00 ONLY $10/mo. 

$ 

184 97 

U853a Cardioid Hanging Mic ..................List $ 290 00 $ 249 97 Pro45 Cardioid Condenser Hanging Mic .........List $ 135 00 $ 

99 97 MX418S Supercard Goosnk Mic ...........List $ 270 00 ONLY $10/mo. 

$ 

184 97 

ADX10-FLP 

Condenser Flute 

Mic with Custom 

Mount 

Flutes can be tough 

to mic, so Audix created the ADX10-FLP, a mini-size 

cardioid condenser with a custom-designed head 

joint mount allowing the player to move their head 

without fading out. To keep the microphone securely 

positioned on the flute, Audix designed an innovative 

clip that fastens to the headstock of a standard-size flute. 

Operating on phantom power of 9-52 volts with the 

provided preamp module (APS-910), this microphone 

can also be used in battery mode with an optional power 

supply. The microphone package includes the mount, 

power supply, and phantom power adapter. 


ADX10FL Mini Condenser Mic ...............List $ 259 00 ONLY $10/mo. 

i-5 

Multi-purpose Dynamic 

Microphone 

The Audix i-5 compact dynamic mic 

does justice to numerous sound sources, 

on stage or in the studio. Designed to 

be an all-purpose microphone that 

can be used for any instrument miking 

application, the i-5 sports a cardioid polar 

pattern to minimize bleed from other 

sources. The i-5 can be used very effectively 

for toms, guitars, drums, and vocals. It has 

good definition, captures lots of tone, has big 

low end, and its durable all-metal housing can take the 

abuse of live stage work. 


OM-5 

Dynamic Vocal Mic 

The OM-5 is attenuated in the lower 

mid-bass with a slight presence peak in 

the upper mids. Many engineers and artists 

consider the OM-6 to be the best dynamic 

mic ever produced. Characterized as 

extremely pure and accurate, it has a more 

“studio-like” sound and appeals to vocalists 

who want minimal coloration. A touring 

standard, the OM-7 provides high gain 

before feedback. It handles incredibly high 

SPLs without sacrificing tonal quality. 

Specs: OM-5 tight hypercardioid • 48Hz-19kHz • Max 

SPL: 144dB OM-6 hypercardioid • 40Hz-19kHz • Max SPL: 144dB OM-7 

extreme hypercardioid • 45Hz-19kHz • Max SPL: 144dB 

OM5 Tight Hypercardioid Dynamic Mic ..............List $ 265 00 $ 

159 97 

ONLY $10/mo. 

OM6 Broad Hypercardioid Dynamic Mic .............List $ 329 00 $ 219 97 

OM7 Extreme Hypercardioid Dynamic Mic ..........List $ 349 00 $ 229 97

222 

ProGear2008 




E6 

4088 

Miniature Headworn Condenser Miniature Cardioid Headband Microphone 

The Countryman E6 is one 

of the smallest and lightest 

headsets in the world! Equally 

at home onstage, on TV, or 

in church, this is the answer 

when you need the highest 

possible sound quality without 

the bulk and appearance of 

normal headsets. The E6 comes with a 1mm diameter 

cable, with a 2mm cable available as special order. Call 

your Sales Engineer for more information. 

Specs: omni • 20Hz-20kHz • Max SPL: 135dB 

The DPA 4088F gives 

you a great-sounding 

directional headworn 

microphone for any 

performance situation. It 

delivers the same sound 

whether the performer 

is looking up, down, straight ahead, or to the side. Unlike 

omnidirectional headset mics, the 4088F is designed 

to reject sound coming from behind, including floor 

monitors, loud instruments, and other unwanted sound 

sources. The 4066F is a headband-worn omni mini mic 

with transparent sound and plenty of headroom. 

ONLY $12/mo. 

$ 

E6OP5T EarSet Hardwired Miniature Mic ....List $ 514 399 97 Specs: 4088F cardioid • 100Hz-20kHz • Max SPL: 144db • Self-noise: 

60 26db 4066F omni • 20Hz-20kHz • Max SPL: 144dB 

E6OW5TSL EarSet Miniature Mic w/TA4F ........List $ 495 00 $ 389 97 

E6OW5TSD EarSet Miniature Mic for Senn ........List $ 495 00 $ 399 97 4088F Beige Cardioid Headset Mic .......List $ 652 Call 

00 

E6OW5TAT EarSet Miniature Mic for AT ...........List $ 495 00 $ 389 97 

ME 3 

Supercardioid Headworn Microphone 

for Wireless Systems 

DPA4066F Mini Omni Headband Mic ...........List $ 612 00 Call 

Headworn Omni Mic 

AT892 

Representing the latest 

in miniaturization 

technology, the AT892 

MicroSet ® utilizes 

a condenser capsule 

with a diameter of 

2.5mm, perfect for applications requiring minimum 

visibility. Choose from the AT892cW A-T UniPak ® model, 

the AT892cT4 with a Shure TA4F connector, or the 

AT892cLM3 model with a locking 3.5mm connector for 

Sennheiser bodypacks. 

Specs: omni • 20Hz-20kHz • Max SPL: 122db 

WBH53 

Headworn Omni Condenser Microphone 

ONLY $10/mo. 

$ 

299 97 

AT892cWTH Omni Headwrn Mic, Beige .....List $ 439 00 

AT892cW Omni Headworn Mic, Black .....List $ 439 00 $ 299 97 

AT892cT4TH Headworn Mic, Shure, Beige ...List $ 439 00 $ 299 97 

AT892cT4 Headworn Mic, Shure, Black ....List $ 439 00 $ 299 97 

AT892cLM3TH Headworn Mic, Senn, Beige ....List $ 439 00 $ 299 97 

AT892cLM3 Headworn Mic, Senn, Black .....List $ 439 00 $ 299 97 

If you’re looking for Shure quality in a headworn mic, 

Does your show require dancing and singing? 

take a look at the Beta 53 WBH53, a fully adjustable omnidirectional condenser 

Do you play guitar or drums and sing? You need the ME 3 Headset Microphone by microphone built for impeccable sound, inconspicuous appearance, and wearing 

Sennheiser! A headset microphone of exceptional sound quality, the ME 3 is specifically comfort. It’s lightweight, adjustable, modular headband, flexible wire-frame, and soft 

designed for music and speech applications that require maximum movement and closeproximity 

earpieces provide a comfortable fit while still allowing the Beta 53 to be positioned 

signal reproduction. The ME 3 has a supercardioid capsule with outstanding as close to the left or right corner of the mouth as possible, assuring maximum voice 

feedback rejection, so high onstage sound levels are no problem. 

pickup. The WBH53 is available in either black or tan. 

ONLY $10/mo. 

Specs: supercardioid • Max SPL: 150dB 

ONLY $10/mo. 

$ $ ME3 Specs: omnidirectional • 20Hz- 

97 WBH53T 299 97 

Beta53 Omni Headworn Mic Tan ...List $ 50965 Supercardioid Headset Mic ....List $ 220 00 WBH53B Beta 53 Omni Headworn Mic Blk ....List $ 509 65 $ 299 97 

COUNTRYMAN

Microphones 


NTG-2 

Video Shotgun Condenser Mic 

The NTG-2 and NTG-1 represent design innovations 

specifically for video applications. Both mics are 

lightweight microphones purpose-built for 

professional film, video, television, and ENG 

applications. The NTG-1 requires 

phantom power, while the 

NTG-2 can operate on AA 

batteries as well. 

And don’t forget 

the Dead Cat 

wind muff. 

Specs: supercardioid • 20Hz-20kHz • Max SPL: 131dB (NTG-2), 139dB 

(NTG-1) • Bass roll-off: 80Hz 

NTG2 Directional Shotgun Mic .............List $ 369 00 $ 

269 97 

ONLY $10/mo. 

NTG1 Directional Shotgun Mic ..............List $ 349 00 $ 249 97 

DeadCat Wind Muff for Shotgun Mics .........List $ 59 00 $ 39 97 


Stereo VideoMic 

X/Y Stereo On-camera Mic 

The Stereo VideoMic lets 

you record in stereo 

— straight 

from your 

cold-shoe 

mount. 

This mic is 

completely 

batterypowered 

and 

sends a stereo 

signal into your camera via the 1/8" jack. 

The mic capsules are permanently set in an XY 

configuration for focused stereo sound pickup. 

Specs: cardioid • 40Hz-20kHz • Max SPL: 130dB • Bass roll-off: 80Hz • 

Pad: 10dB 

Supercardioid Shotgun Mic ....List $ 249 00 SM4 Shockmount for NTG1, NTG2 .........List $ 69 00 $ 49 97 VideoMicSt X/Y Stereo Mic ..............List $ 349 00 $ 

249 97 VideoMic $ 

149 97 

ONLY $10/mo. 

ONLY $10/mo. 

MKH 416 

Short Shotgun Mic 

You’ll find Sennheiser’s name on some of the finest studio 

mics available, and with the MKH 416 they bring studio-quality 

sound to the world of broadcast and film. The MKH 416 is a short shotgun tube 

microphone. Its excellent directivity and compact design, low self-noise, high consonant 

articulation, and feedback rejection make the MKH 416 a superb all-round microphone 

for film, radio, and television, especially for outside broadcast applications. The 40Hz- 

20kHz frequency response allows you to tackle a wide variety of applications — from 

speech to nature sounds — with utmost clarity. 

The MKH 416 is extremely durable and rugged, easily performing well in a variety 

of adverse conditions. Even in high humidity situations, the MKH 416 is very stable. 

Vibrations and dust don’t even impact its performance. This kind of legendary reliability 

has situated the MKH 416 as the industry-standard shotgun mic. It requires phantom 

power to operate, and needs very little gain from the input channel to achieve optimal 

signal. The supercardioid pickup pattern does an excellent job isolating the MKH 416 

from unwanted sounds. 


MKH416 Short Shotgun Condenser .....List $ 1957 50 ONLY $39/mo. 

$ 

1299 97 TR40 Studio Omni Condenser Mic ...List $ 249 00 ONLY $10/mo. 

$ 

189 97 

VideoMic 

Cold-shoe Mount Shotgun Mic 

R ØDE’s 

VideoMic is a 

professionalgrade 

shotgun 

microphone 

designed specifically for use 

with high-quality digital video 

cameras. Powered by a 9-volt 

battery, the VideoMic offers a Low 

Battery LED status indicator and a 

switchable high-pass filter to reduce 

unwanted low-frequency rumble. It attaches 

to any standard cold-shoe fitting. 

Specs: supercardioid • 40Hz-20kHz • Max SPL: 134dB • Bass roll-off: 80Hz 

• Pad: 0/10/20dB 

TR-40 

Omnidirectional Condenser Mic 

An excellent value for the contractor and touring professional 

alike, SMAART acoustic measurement software users find the 

Audix TR-40 to be an excellent solution to their needs. This 

omnidirectional test and measurement microphone has a 1/4" 

pre-polarized condenser capsule. It’s an extremely affordable 

alternative to measurement and calibration microphones 

costing many times more. The TR-40, with its excellent sonic 

characteristics and smooth, accurate response from 20Hz to 19kHz, 

is also suited for miking group vocals, choirs, pianos, drum 

overheads, and room ambience. The TR-40 also does well as an 

audience mic, capturing the response of a crowd, re-creating the 

“live” feeling for broadcast. 

The TR-40 combines phase coherency with an extremely linear 

frequency response, making it perfect for use as a measurement 

or calibration microphone for many real-time room 

analyzers, automated equalizers, and software-driven 

measurement programs. 

Specs: omni • 20Hz-19kHz • Max SPL: 128dB 

AT8035 

Shotgun Microphone 

Shotgun microphones are ideal 

for pinpointing and capturing an audio 

source from far away, with minimum bleed 

from ambient noises. These qualities make 

shotgun mics essential for video and film 

location recording. The slim, sleek AT8035 

shotgun microphone has just what you need for 

long-distance recording. It possesses outstanding 

isolation properties, yet its frequency response 

equals that of most studio mics. The AT8035 runs 

on battery or phantom power and has a bass 

roll-off switch to control rumble. 

Specs: cardioid • 40Hz-20kHz • Max SPL: 132dB • 

Bass roll-off: 80Hz 

AT835b Shotgun Mic .........................List $ 339 00 ONLY $10/mo. 

PRO 24 

Stereo Condenser Microphone 

Audio-Technica’s PRO 24 is an incredible 

value! You get an accurate, compact stereo 

condenser microphone for less than you’d 

expect to pay for most dynamic mics, without 

sacrificing sound quality or reliability. The 

excellent PRO 24 features a pair of cardioid 

elements in an X-Y configuration, providing a 

clear and correct stereo “picture.” 

You can use this versatile mic in the studio for 

audio and video production, and its light weight 

and rugged design make the PRO 24 ideal for 

field recordings and camera-mounted use. The 

PRO 24 is equipped with an on/off switch and 

includes a 6' cable. 

AT825 

Stereo Mic 

The AT825 stereo mic 

sounds great in the field or 

in the studio. The fixed-charge, 

permanently polarized capsules are set in 

an X/Y configuration and the included cable 

allows you to connect the single output of the mic 

to two independent input channels for total control over 

the stereo field. For the ultimate in portablilty, the AT825 

can be phantom-powered or run on batteries. The AT822 

runs on battery power exclusively, and routes the stereo 

signal to a single stereo 3.5mm miniplug. 

Specs: AT825 x/y • 30Hz-20kHz • Max SPL: 126dB • Bass roll-off: 150Hz 

AT822 x/y • 30Hz-20kHz • Max SPL: 125dB • Bass roll-off: 150dB 

Specs: cardioid (X/Y) • 100Hz-17kHz • Max SPL: 119dB 

ONLY $12/mo. 

$ 

249 97 $ 

Pro24 Stereo Condenser Mic ............List $ 119 89 97 AT825 Stereo Mic ................................List $ 549 00 

00 

$ 

369 97 

AT822 Onepoint Cardioid Stereo .............List $ 419 00 $ 299 97

224 

ProGear2008 


Drum Microphones Call today! (800) 222-4700 


Beta 52 

Beta 98S 

D6 

Kick Drum and Tom Mic 

Beta Series 

Drum Microphones 

When we EQ kick drums, we 

often cut at 400Hz to get rid 

of the “cardboard” sound 

and boost at around 4kHz 

to bring out the attack. This 

is precisely the frequency 

response of the studio stalwart 

Beta 56 

Shure Beta52A, which is what makes 

it a top choice for miking kick drums. 

The Beta56A is a compact drum mic 

engineered for close miking of snare and 

toms. The Shure Beta 98D/S sets a new 

standard for miking percussion, with wide 

dynamic range, high gain before feedback, 

and excellent rejection of unwanted noise. 

The Beta 91 is great for kick drum and other 

low-frequency instruments. 

Beta 91 

The D6 will impress anyone looking 

for a huge, clean, and undistorted 

kick drum sound. This versatile, 

rugged cardioid dynamic mic has a 

frequency range from 30Hz to 15kHz 

and is designed to sound good in 

any position. It’s not dependent 

on finding the “sweet spot” of the 

drum, and its ability to handle 

high sound pressure levels makes the D6 a great drum 

mic. The hypercardioid D2 gives you a natural sound 

and contoured response, while offering impressive 

outside noise rejection. 

Specs: Beta52A supercardioid • 20Hz-10kHz • Max SPL: 174dB Beta56A 

supercardioid • 50Hz-16kHz • Beta 98D/S supercardioid • 20Hz-20kHz • Max 

SPL: 160dB Beta 91 half-cardioid • 20Hz-20kHz • Max SPL: 160dB 

e 906 

evolution Series 900 

Instrument Microphones 

ONLY $10/mo. 

$ 

Beta52 Kick/Bass Dynamic Mic ...................List $ 387 189 97 

Specs: 906 supercardioid • 40Hz- 

18kHz 904 cardioid • 40Hz-18kHz 

ONLY $10/mo. 

50 902 cardioid • 20Hz-18kHz 

$ 

Beta56 SuperCardioid Swivel-Mt Dyn. Mic ....List $ 300 00 $ 159 97 

e906 Dynamic Guitar Cabinet Mic ......List $ 262 189 97 

00 

Beta98DS Instrument Mic w/Drum Mount .........List $ 457 60 $ 229 97 

e904 Dynamic Tom Mic .......................List $ 270 00 $ 199 97 

Beta91 Kick Drum Mic ..................................List $ 436 80 $ 219 97 e902 Dynamic Kick Drum Mic .............List $ 294 00 $ 199 97 

Specs:D6 cardioid • 30Hz-15kHz • Max SPL: 144dB D2 hypercardioid • 


ONLY $10/mo. Specs: cardioid • 20Hz-17kHz • Max SPL: 160dB 

$ 

D6 Cardioid Drum Mic Black .................List $ 349 199 97 

ONLY $10/mo. 

00 

D2 Hypercardioid Mic - Low/Mid ..........List $ 219 00 $ 129 97 D112 Kick Drum/Bass Microphone ..List $ 389 00 

SubKick 

Sub-bass Transducer 

Yamaha mounted a 6.5" speaker in a 10" drum shell 

and reverse-wired it to an XLR jack to convert the 

speaker diaphragm into a microphone — simply brilliant! 

The huge diaphragm of the SubKick allows it 

to pick up the low end that a normal microphone 

can’t. And since it operates as a dynamic 

microphone it can handle extremely high 

SPLs. “This is a great mic for kick drums. 

Stick it on a bass cab and feel the stage 

rumble...for the money, you won’t go wrong with it.” 

— WK, College Station, TX. 

Specs: Out: 1 x XLR • Stand • 6.5" speaker/diaphragm • 10” x 5" drum 

shell • bi-directional 

D 112 

Kick Drum and Bass 

Instrument Mic 

What becomes a legend 

most? Well, if you’re a 

kick-drum mic, handling 

massive sound pressure 

levels is a start, and that’s 

just one factor that has 

made the AKG D 112 

a go-to microphone in 

studios and on stages 

everywhere. This largediaphragm 

dynamic mic gives you definition 

in addition to rich low-frequency reproduction. It’s also 

great for bass guitar amp cabinets and acoustic bass 

instruments. The D 112’s egg-shaped housing is rugged 

and shaped perfectly for miking kick drums and cabinets. 

e904 

The e 906 is excellent for percussion, 

and also does a great job miking guitar 

amps and horns. Though it was designed 

for guitar cabinets, this dynamic 

mic’s fast response is perfect for 

capturing toms. The cardioid 

e 906 has a 3-position presence 

switch to sculpt the frequency 

response of the mic to fit the application. e902 

The dynamic e 904 is especially suited for toms. 

E906 

Designed with a built-in clip, the e 904 mounts 

right on the rim of the drum. Its compact design makes the e 

904 an ideal choice for crowded drum kits, and a cardioid pickup 

pattern means excellent rejection of outside sources. 

The cardioid e 902 is a dynamic instrument mic intended for 

low-frequency sources such as kick drums. Its “bullet” body design 

allows convenient placement on any kick drum. It also sounds 

great on bass cabinets. 

ATM250DE 

Dual-element Kick Drum Mic 

The ATM250DE uses both a 

dynamic mic capsule and a 

condenser capsule to capture 

great sounds. To alleviate phase 

problems, the ATM250DE’s capsules 

are positioned in perfect phase 

relationship. The included cable 

preserves the integrity of the signal 

from both capsules, allowing you 

to put them on separate tracks for 

mixing. The ATM250 single-element 

dynamic mic is also available. 

Specs: ATM250DE cardioid (cond)/hypercardioid (dyn) • 40Hz-20kHz 

(cond)/40Hz-15kHz (dyn) • Max SPL: 148dB • Bass roll-off: 80Hz • Pad: 10dB 

ATM250 hypercardioid • 40Hz-15kHz 

$ 24997 ATM250DE Dual-element LF Mic .............List $ 54900 $ 

299 97 

ONLY $10/mo. 

KickPad 

In-line Kick Drum Mic Optimizer 

ATM250 Hypercardioid Dynamic Mic .....List $ 329 00 $ 179 97 


“You exceeded my expectations of what a company can and will do for its customers. I am sure you 

have orders from large studios, but my purchase seemed equally important. Sweetwater will be my 

first recommendation for pro audio gear.” 

—Derek Bristow 

Earthworks’ KickPad is an affordable 

way to get great kick drum sounds from almost 

any mic — condenser, dynamic, or ribbon! Just plug one end into your mic’s XLR output 

and connect the other to the mic cable. It automatically goes to work, turning your 

mic into a kick-optimized performer. Almost invisible, the KickPad could be a “secret 

ONLY $10/mo. 

$ 

SubKick Sub-bass Transducer ..............List $ 630 299 99 weapon” for your drum mixes! 

ONLY $10/mo. 

$ 00 

KickPad In-line Kick Mic Pad w/EQ ....List $ 135 109 97 

00

Drum Microphones 



Opus Drum Pack 

8-mic Package with Free Headphones 

DP Series 

Drum Mic Kits 

Now you don’t need to mix-and-match mics for 

the drum kit thanks to Audix’s drum mic 

kits. The DP-7 is a 7-piece kit consisting 

of one i-5 for snare, two D2s for 

rack toms, one D4 for floor tom, 

the flagship D6 for kick, and two 

ADX-51 condenser overheads. The 

DP-5 provides the same setup minus 

the overheads. The DP-4a touring pack 

consists of one i5 for snare, two D2s for rack 

toms, and one D4 for kick or floor tom. The D 

Series allow for quick and easy setup, with four D-vice 

tension rim mount clips. No matter what your drum-miking 

needs, Audix has a set for you! 

$ 

1839 97 

PGDMK6XLR 6-mic Drum Mic Bundle ....List $ 975 14 

DP5A 5-mic Drum Mic Kit .................List $ 1149 00 $ 

659 97 

DP4A 4-mic Drum Mic Kit ....................List $ 899 00 $ 499 97 

ONLY $12/mo. 

$ 

399 97 

ONLY $20/mo. 

DP7 7-piece Drum Mic Package .......List $ 1747 99 $ 899 97 

e 604 3-Pack 

Clip-on Dynamic Mic 

The clip-mounted, unobtrusive e 604 

provides a great-sounding solution to this age-old problem. Plus, it handles killer 

SPLs with ease. Save money with the Three-Pack! Or couple the e 604 Three-Pack with 

the e 602 for a complete drum kit miking solution. The e 602 II combines lightweight 

high-performance voice-coil construction with a large-diaphragm capsule to deliver 

very low bass response and fast transient signals, making it an excellent choice for kick 

drums as well as bass guitar. 

Specs: e 604 cardioid • 40Hz- 

18kHz • Max SPL: over 160dB 

e 602 II cardioid • 20Hz-16kHz 

DrumKit 

Drum Mic System 

OpusDrumSetM Opus Drum Pk - Medium ............ List $ 929 00 $ 97 

The Opus Drum Pack makes miking a drum kit 

Earthworks conceived the 

easy, no matter whether you’re in a studio or at a gig. 

DrumKit System while 

Beyerdynamic packed the best of the Opus mics 

trying out their new 25kHz 

into this kit. The Opus 99 dynamic kick mic 

mics in the studio. With just 

employs a neodymium magnet and a special 

two overheads and one kick 

diaphragm for low-frequency reproduction 

mic, they found that they could 

and excellent transient response, giving 

capture more detail and sound 

your kick the “beef” it needs, as well as 

quality than a full close-up set 

great clarity. The Opus 87 condenser snare 

of seven traditional mics! They 

mic combines great sound with an ingenious mounting clamp 

captured every nuance with 

that eliminates the need for a stand. For effective miking of toms, we 

such clarity and cohesiveness 

included three Opus 88 condenser mics with built-in rim clamps. Three Opus 83 that the recording sounded like a live set of drums. The DrumKit System for recording 

small-diaphragm condenser mics deliver crisp sticks-on-cymbals response. We’ve 

includes two TC25 omnis for overheads and an SR25 cardioid for kick drum. Call your 

sweetened the deal by adding a FREE pair of beyerdynamic DT770M headphones, 

Sales Engineer and ask for Earthworks’ free DrumKit demo CD! 

designed especially for drummers, with high SPL capability and excellent ambient 

ONLY $56/mo. 

Specs: TC25 omni • 9Hz-25kHz 

DK50R DrumKit System .......................List $ 5595 00 $ 4475 97 

noise attenuation 

ONLY $36/mo. 

$ 

OpusDrumPkSE Opus Drum Pk SWS Exclusive ...List $ 2199 1199 97 

• Max SPL: 145dB SR25 cardioid • 

DK25R Drum Kit System - Recording ...List $ 2295 00 50Hz-25kHz • Max SPL: 145dB 

— a $249 value! 

00 

DK25L Drum Kit System - Live ............List $ 2295 00 $ 1839 97 

799 

PGDMK6 

Dedicated Drum Mic Kit 

The PGDMK6 drum mic kit includes three 

PG56 snare/tom mics, one PG52 kick drum 

mic, two PG81 overheads, three A50D drum 

mounts, six 15-foot XLR–XLR cables, and a 

durable case. The PG56 is a compact drum 

microphone for close miking. The PG52 

is a high-performance microphone 

tuned specifically for kick drums. 

The PG81 is a sensitive, flat-response 

microphone ideal for overhead and 

cymbal miking. For a solid basic drum 

mic package, get the PGDMK4 kit. It 

includes three PG56 snare/tom microphones, 

one PG52 kick drum microphone, three A50D 

drum mounts, four 15-foot XLR cables, and a durable 

carrying case. Great sound and easy placement doesn’t have to 

cost a fortune with these great mics from Shure! 

8 KIT 

Dedicated Drum-miking Kit 

PGDMK4XLR 4-mic Drum Mic Bundle .....List $ 552 55 $ 249 97 

Samson’s 8 KIT is a very 

Drum kits can be hard instruments to place 

affordable drum-miking kit with 

mics on and around. Not only are there a lot 

the right mix of microphones 

of different things producing sounds in many 

and sound quality. The heart of 

different frequency ranges, but getting the mics 

your kit is the kick drum, and the 

situated where they’re out of the way of the 

Samson Q Kick has a deep, resonant 

drummer can be tricky. After all, nothing ruins 

quality that sounds comparable to mics costing 

a good take like a stick hit on the mic! 

much more. Designed for both high SPL capacity 

and durability, the Q Snare is an impressive dynamic 

mic voiced specifically for the frequency range of snare 

drums. Its rugged casing can stand up to accidental hits and 

the built-in clip eliminates the need for an extra stand, and 

speeds up setup. The 8 KIT also includes three rim-mountable 

Q Tom dynamic mics, voiced for the mids and lows. For hi-hats 

or close-miking a ride cymbal, the 8 KIT includes a C02H 

ONLY $10/mo. 

mini-pencil condenser 

ONLY $11/mo. 

$ 

$ 

E604Pack Microphone 3-pack ................List $ 530 339 99 mic. For overhead 

8DrumMicKit 8-mic Drum Mic Kit .......List $ 459 299 97 

99 

coverage, Samson adds 

00 7DrumMicKit 7-mic Drum Mic Kit ........List $ 374 99 $ 249 97 

E604 Clip-on Snare/Tom Mic ............List $ 224 00 $ 139 97 two C01 large-diaphragm 5DrumMicKit 5-mic Drum Mic Kit ........List $ 229 99 $ 149 97 

E602 Bass Drum Mic .......................List $ 228 00 $ 159 97 condenser microphones. 3DrumMicKit 3-mic Drum Mic Kit ........List $ 134 99 $ 89 97

226 

ProGear2008 


Mic Accessories Call today! (800) 222-4700 


MIC CASES 

GM-15 

15-slot Microphone Case 

MIC STANDS 

A 

Height Adj. 

40"-82" 

B 

Height Adj. 

44"-80" 

The Gator GM-15 microphone case is 

designed to take the beatings a road 

gig can dish out. The interior has 15 

mic drops formed with thick foam to 

ensure maximum protection, plus a 

generous area for cables and accessories. 

Gator’s padded GM-12B holds 12 mics, and the 

GM6-PE safely stores and carries six mics. 

GM15 15-slot Microphone Case ............List $ 159 99 $ 

99 99 

GM12B Padded Microphone Bag ...............List $ 59 99 $ 39 99 

GM6 6-slot Microphone Case ................List $ 69 99 $ 39 99 

MIC CLIPS 

C 

Height Adj. 

36"-64" 

D 

Height Adj. 

36"-63" 

E 

Height Adj. 

17"-27" 

F 

Height Adj. 

36"-64" 

A25D 

Microphone Clip 

Shure’s A25D is a sturdy 

microphone clip designed for 

SM-57 or SM-58 style mic bodies. 

The Hosa MHR-122 spring mic 

clip’s self-adjusting clamp works 

with most mic sizes and styles. 

The Heavy-duty Mic Clip is 

tough and resilient for onstage use, 

and its tapered design is perfect for 

most dynamic hand-held mics. 

$ 

4 97 

A25D Mic Clip .................................................... 

MHR122 Univ Spring Clip Mic Holder ....................... $ 

4 49 

MicClip Hvy-duty Rubber Mic Clip .............List $ 17 00 $ 10 97 

A25D 

MHR-122 

Mic Clip 

G 

Height Adj. 

8"-14" 

H 

Height Adj. 

36"-63" 

I 

Height Adj. 

33"-60" 

J 

Height Adj. 

9"-13" 

ITEM Description Height Base Boom List Price Ad Price 

Diameter Length 

A StuBoomW Studio Boom w/Hex Base 40"-82" 24" 82" $270.00 $163.97 

B StuBoom Studio Boom w/Tripod Base 44"-80" Varied 82" $166.00 $103.97 

C MicStdBoom Deluxe Boom Mic Stand 36"-64" 24" 19"-33" $78.00 $48.97 

D MicStdBoomLt Standard Boom Mic Stand 36"-63" 23" 19"-33" $58.00 $36.97 

E MicStdShortBm Short Tripod Mic Stand w/Boom 17"-27" 26" 19" $48.00 $30.97 

F MicStd Deluxe Tripod Mic Stand 36"-64" 24" N/A $49.00 $35.97 

G MicStdDeskBm Short U-base Mic Stand w/Boom 8"-14" 4.5"x7.5" 16” $39.00 $24.97 

H MicStdLt Standard Tripod Mic Stand 36"-63" 23" N/A $34.00 $21.97 

I MicStdRound Standard Round Base Mic Stand 33"-60" 10" N/A $34.00 $21.97 

J MicStdDesk Adjustable Mic Desk Stand 9"-13" 6" N/A $20.00 $12.97 

POP FILTERS 

6" Pop Filter 

Pop Filter with Gooseneck 

Pop filters are the key to preventing plosives 

when recording vocals. The 6" Pop Filter 

connects easily to any microphone stand or 

boom with an “Easy Grip Clamp” and V-shaped 

bracket attachment that fits onto 

shafts up to 7/8" diameter. Includes 

6" bar and 13" gooseneck. The 

Split Screen Pop Filter’s Air 

Pressure Dispersion technology 

ensures superior plosive-free results. 

Also includes a flexible gooseneck and 

bracket for easy mounting. 

PopFilter6 6” Pop Filter w/Gooseneck ......List $ 42 00 $ 

26 97 

MASSB Split Screen Pop Filter ........................... $ 

45 00 

6" Pop Filter 

GX33 Microphone / Mic Stand Bag ...List $ 49 99 $ 

34 99 

Split Screen 

Pop Filter 

MIC STAND BAG 

GX-33 

Mic/Stand Bag 

Made from high-density nylon, the GX-33 

holds up to five mics and three mic stands simultaneously 

in one convenient unit. The mic section has five mic drops 

made from thick foam to keep mics safe.

the BEST 

Deal on the Planet! 

Exclusive Customer Appreciation Discount! 

1,000 CDs in jewel cases 

* 

$ 

1089 .00 

$1 .08 per unit 

INCLUDES 

GROUND 

SHIPPING 

to anywhere in the 

lower 48 States! 

For a customized quote call 

(800) 222-4700 

Ext. 3830 

ARTWORK AND DESIGN 

The cover art is the public’s first 

impression of your album, so make sure 

it looks its best. Our design team can 

give your album the major label look on a 

small budget! Call for quotes. 

You don’t need a major-label budget to 

release a professional CD. From small 

runs to massive multi-thousand pressings, 

there’s no job too big or too small! We 

can even master your recordings for you. 

Sweetwater DiscServices is competitively 

priced with leading national disc replication 

services, and since it’s Sweetwater, you know 

your order will be handled with the care and 

service you expect. Plus, ground shipping to 

anywhere in the lower 48 States is included 

in EVERY order! 

1,000 CDs in Jewel Cases with clear trays 

includes: 

• 4-color on-disc printing 

• 4/1 two-page insert and 4/1 tray card 

(with customer-supplied electronic art files) 

• Bar Code 

• Poly Wrap 

RESTORATION 

Please mention promo 

code SDS1106 when 

ordering to receive this 

discount offer. 

Remember vinyl and cassettes? We can 

restore the sound quality of your analog 

media and transfer the new files to a pristine 

master CD. We can restore anything from 

78s to tape reels and cassettes — with 

packages starting at just $60! 

* 

sweetwater 

replication • art design & packaging • restoration 

(800) 222-4700, Ext. 3830 

sweetwater.com/discservices 

email: discservices@sweetwater.com

228 

ProGear2008 


About 

Preamps and 

Channel strips 

Is digital audio 

cold and sterile? 

Is analog audio 

all warm and 

fuzzy? That’s a 

debate that will 

probably go on for years to come. But what’s certain is 

that a high quality, dedicated mic preamp will deliver 

a superior quality recording. While it’s true that the 

average preamp in most mixers is quite good, nothing 

beats the sound of a great preamp matched with a 

really fine microphone. 

Many engineers and audio professionals actually think 

of different preamps in terms of their “tonal colors,” 

much as an artist chooses a particular shade of blue 

or red. A premium mic preamp with vacuum tubes 

will sound quite different from one with a solidstate 

design. Some preamps even offer dynamics 

processing, and equalization, and some are designed 

with their own A/D converters onboard. 

Here at Sweetwater, we carry the finest selection of 

preamps and channel strips available today from the 

top manufacturers. What’s more, our Sales Engineers 

have the real-world knowledge to match your specific 

needs to the best possible preamp. 

Microphone Preamps Call today! (800) 222-4700 


ISA 828 

8-channel Mic Preamp with Selectable Input Impedance 

Packing eight transformer-based ISA preamps into a single 2U enclosure, the ISA 828 brings the Focusrite signature 

sound to DAW users everywhere. The real beauty of the ISA 828 lies in the fact that you not only get eight channels of 

great-sounding pres, but a 25-pin D-type connector lets you interface directly with hard disk recorders and mixing 

consoles. The input impedance is switchable (with four possible settings per channel), and one setting is even the same 

as the much sought-after ISA-110! Each channel is also equipped with insert points making it easy to connect external 

compressors or EQs to the ISA 828. With eight channels of Focusrite preamps and the ability to seamlessly integrate with 

virtually any system — be it analog or digital — the ISA 828 is destined to find itself an instant classic. 

ONLY $75/mo. 

Specs: In: 4 x TS, 8 x XLR, 8 x TRS, 1 x ADC 25-pin • Out: 1 x ADC 25-pin • 

$ 

ISA828 8-channel Mic Preamp ............List $ 2999 2499 99 

Dig I/O: AES/ S/PDIF, ADAT/ S/MUX • word clock • Imp: 600, 1,400, 2,400, 6,800 

99 

ohms 

ISA828Card A/D Card ...................................List $ 799 99 $ 699 99 

ISA 428 

4-channel Preamp with Selectable Input Impedance 

Focusrite’s ISA 428 Pre Pack is a 4-channel preamp with Focusrite’s warm-yet-transparent sound and incredible 

bandwidth. The extremely low noise floor and 60dB of gain are impressive, but it’s the 10Hz to 200kHz frequency 

response that you’ll hear when you record high-definition audio! The optional ISA 428 ACD A/D converter transmits 

eight channels at up to 24-bit/192kHz with a Soft Limiter 

to prevent any digital overs and minimize distortion. 

Specs: In: 4 x TS, 4 x XLR, 4 x TRS, 4 x XLR (ADC) • Out: 4 x XLR • Digi I/O: 

S/PDIF, AES, ADAT, word clock • Imp: 600, 2,400, 6,800 ohms • Gain range: 60dB 

PERFECT PRO TOOLS FRONT END! 

sweetwater.com/ISA428 

ISA428 4-ch Mic Preamp ................List $ 1999 99 $ 

1699 99 

ONLY $51/mo. 

ISA428Card ISA428 192k A/D ......................List $ 699 99 $ 599 99 

ISA One 

Portable 1-channel Preamp with Variable 

Impedance and Insert Point 

Focusrite proves that what was old is new again with 

the ISA One. Built on the topology of the original ISA 

110 including the Lundahl L1538 transformer and 

bespoke zobel network, the ISA One continues the legacy 

of the Forte console (The original 110 preamp was the 

cornerstone of each channel of Focusrite’s legendary 

Forte console). There’s a mic/line input as well as a 

DI input with a variable impedance selector for sonic 

coloration, all packaged in an ultra-portable desktop 

unit. Insert send and return jacks let you patch in 

external processing between the preamp and the output 

if you so desire. The ISA One’s headphone output provides 

an external stereo cue mix, which allows you to add a 

click track or adjust the monitor mix to taste. 

Specs: In: 2 x XLR, 3 x 1/4", 1 x DI • Out: 2 x XLR • Gain range: 60dB • 

Imp: 600, 1,400, 2,400, 6,800 ohms 

ISAOne Portable Preamp .........................List $ 999 99 $ 

799 99 

ONLY $24/mo. 

See the DigiDesign 

Pre on page 13! 

OctoPre 

8-channel Mic Preamp with Individual Compressor/Limiters 

Focusrite believes that studios big and small deserve 

to have a great front end that doesn’t break the bank, but also doesn’t scrimp on features, hence the OctoPre. 

OctoPre’s eight mic preamps use solid-state Class A design with the same philosophy as the legendary Red and ISA 

series to deliver detail and clarity without coloration. The first two “super channels” also feature phase reverse and 

front-panel TRS jacks for quick and easy DI-free instrument connection. Each channel features a revolutionary 

compressor/limiter circuit that provides full control over input dynamics with only one knob! DAW users, check out 

OctoPre’s digital options: The ADAT interface provides 

8-channel digital outputs at 24-bit/96kHz resolution. 

The Multi interface has ADAT plus AES/EBU and S/PDIF 

outputs. Both have word clock inputs. We also carry 

AES/EBU and S/PDIF breakout cables for the OctoPre. 

Specs: In: 8 x XLR, 8-ch 25-pin, 2 x TRS • Out: 8-ch 25-pin • Dig I/O: S/PDIF, 

AES, ADAT, word clock • Gain range: 60dB 

OctoPre LE 

8-channel Mic Preamp with Auto-switching Front and Rear Inputs 

OctoPre 8-Ch Mic Preamp ............................ List $ 999 99 $ 

799 99 

ONLY $24/mo. 

OctoPreADAT OctoPre Lightpipe A-D Option .......... List $ 249 99 $ 199 99 

OctoPreMulti OctoPre Dig Output Card ................. List $ 349 99 $ 329 99 

OctoPreAES Breakout Cables for OctoPre ............................ $ 

49 99 

OctoPreSPDIF Breakout Cables for OctoPre ............................ $ 

49 99 

Focusrite designed OctoPre LE for budget-conscious studios that don’t require all of the original OctoPre’s features, 

yet desire an excellent-sounding multi-channel front end. The OctoPre LE provides eight channels of pristine Focusrite 

preamps, including two “super channels” that offer mic impedance matching and instrument DI inputs. Auto-switching 

front- and rear-panel inputs and total control of the digital I/O from the front panel allow the unit to remain racked 

and patched, with every I/O option available at the flick of a switch. With the optional ADAT card, you can use the ADAT 

I/O on your gear along with word clock I/O (including 256x clock for Pro Tools) for studio sync. 

ONLY $18/mo. 

Specs: In: 8 x XLR, 2 x TRS • Out: 8 x TRS • Dig I/O: ADAT, word clock • 

$ 

OctoPreLE 8-ch Mic Preamp ..................List $ 699 599 99 

Impedance: 2,500 ohms • Gain range: 47dB 

99 OctoPreLEADAT A/D/A Card for OctoPreLE ......List $ 249 99 $ 199 99

Like father, like son. 

ISA 828 

Eight Classic Pre-amps & Unparalleled A/D Conversion 

See the family resemblance? You’ll hear it too. 

Each channel of the new Focusrite ISA 828 features the same classic microphone 

pre-amplifier as Focusrite’s legendary Forte console, hailed by many as the finest sounding 

console ever built. We’ve used the console’s vintage ISA 110 module in all its glory, 

complete with the original Lundahl LL1538 transformer and bespoke Zobel network. 

Today however, timeless pre-amplifier designs don’t function in isolation. To partner 

seamlessly with Pro Tools HD and other professional DAW platforms, we’ve designed a 

new eight-channel A/D converter option, which outperforms every other A/D converter on 

the market; up to 192kHz, noise at -122dBF and jitter at < 250 pico seconds. Modern DAW 

connectivity is assured via convenient 25-pin D-type connectors. 

For more than 25 years, Sweetwater has been known for outstanding computer audio 

expertise. To get the perfect recording rig, call today and Sweetwater’s Sales Engineers 

will help you configure an ISA 828 front end for your DAW. 

www.focusrite.com/828 

audio heritage | sonic integrity | professional solutions 

For more information: 800-222-4700 or www.sweetwater.com 

www.focusrite

230 

ProGear2008 




GML 8302 

Transformerless 2-channel Microphone Preamp 

From the legendary George Massenburg Labs comes the GML 8302 2-channel microphone preamplifier, a stereo version of the famed 8300 mic pre, considered a world standard for 

studio and demanding live performance use, and the defining “transparent” mic preamp. Long considered the world benchmark for “clean”, the GML 8302’s fully discrete, bipolar 

transistor circuit topology is completely transformerless with no ICs, no parts or devices that could color the audio in any way. Even the outputs are direct-coupled with proven active 

servos removing DC without adding any artificial color. 

From 15dB up to a whopping 70dB of amplification, the 8302’s input gain is selectable in precise and repeatable 5dB steps. It accommodates all input sources from low output ribbon 

mics through semi-pro keyboards. A +24dBv clip indicator and switchable phantom power are built in. Considering the amazing sound and build quality — not to mention the GML 

legacy — the 8302 is certainly a bargain for any professional studio or live situation. 

The 8302, like all GML products, is fully hand-made in California and calibrated in very limited production quantities for discerning users. Since internal power supplies can 

contribute to higher noise, the 8302 requires the 8355 external power supply for operation, ensuring the best 

audio capture. 

Specs: 8302 In: 2 x XLR • Out: 2 x XLR • 10Hz-50kHz • Imp: 1k ohms • Gain range: 55dB 

GML8302 2-ch Mic Preamp ........................List $ 2100 00 

GML8355 8200, 8302, 8304 Power Supply ........................... 

ONLY $59/mo. 

$ 

1950 00 

$ 

525 00 

2-610 

2-channel Tube Preamp with EQ 

The new 2-610 “silverface” edition includes a silver faceplate that matches current 

UA gear and a 15dB pad that helps with hot mics or very loud input signals. The 2-610 

is based on the Bill Putnam-designed 610 console preamp that left its mark on classic 

recordings from Sinatra to Van Halen. It will make you feel as if you have a whole new 

mic collection! A ribbon mic takes on unexpectedly huge dimensions when coupled with 

the 2-610, with powerful, dominating mid-bass. Even an inexpensive dynamic mic can 

sound amazingly rich, airy, and expensive. This magic is partly due to variable input 

impedance, which lets you optimize preamp to mic. High and low shelving EQ offers 

switchable boost and cut up to 9dB. It’s ideal for tracking in conjunction with an 1176LN 

FET compressor. Whether you’re running pure analog or enhancing your digital audio 

workstation, the 2-610 brings classic tube character to your recording. 

Specs: In: 2 x XLR mic, 2 x XLR line, 2 x 1/4" DI (front panel) • Out: 2 x XLR • 20Hz-20kHz • Imp: 500k, 200k ohms • 

Gain Range: 61dB • Pad: 15dB 

2610S 2-channel Tube Mic Preamp .............List $ 2399 00 $ 

2099 97 

ONLY $63/mo. 

SOLO/610 & 

SOLO/110 

Portable Tube or 

Solid-state Preamp/DI 

The SOLO/610 and SOLO/110 

mic preamp/DI boxes from 

Universal Audio bring the best of 

the renowned company’s preamp designs to a single-channel format. The SOLO series 

features the solid build and audiophile components that define UA quality. They use a 

portable form factor for convenient placement in the control room or recording room, 

stage, or desktop. Choose either the all-tube SOLO/610 or the SOLO/110 (pulled from the 

mighty 8110) for lightning-fast transients and sheer tonal versatility . 

Specs: 610 In: 1 x XLR, 1 x DI • Out: 1 x XLR • 20Hz-20kHz • Imp: 500k, 2k ohms • Gain range: 55dB 110 In: 

1 x XLR, 1 x DI • Out: 1 x XLR • 

Solo610 1-channel Tube Pre ....................List $ 949 00 $ 

799 97 

ONLY $24/mo. 

HOW CAN VARIABLE IMPEDANCE HELP YOU? 

sweetwater.com/2610 

10Hz-60kHz • Imp: 500k, 2k ohms 

• Gain range: 75dB 

8110 

8-channel Mic Preamp with Selectable Input Impedance 

Universal Audio offers their 8110 microphone preamplifier for the audio perfectionist 

who needs the absolute best in sonic quality with no compromises, providing premium 

Class A, all-discrete amplification with high headroom. No capacitors are used in the 

signal path so there’s no phase distortion or other degradation in audio quality, while 

overall image stability is improved. The 8110 has the flexibility to go from ultra-clean 

and transparent, to warm and “crunchy” via a front-panel switchable transformer 

loading or a “Shape” control. This unit features lightning-fast transient response, and 

wide dynamic range and frequency response. Every channel features input and output 

metering and dual input impedance selection. The 8110 offers a ton of sonic versatility 

and will be a welcome addition to the rack of any professional or serious project studio. 

Specs: 8110 In: 8 x XLR (mic), 8 x XLR (line) 

• Out: 8 x XLR • 10Hz-60kHz • Imp: 

500k, 2k ohms • Gain range: 74dB 

DCS Remote 

Preamp 

2-channel Remote Preamp with Midside 

Encoder and Talkback 

8110 8-channel Class A Mic Preamp ..........List $ 6899 00 $ 

5999 97 

ONLY $180/mo. 

The UA DCS Remote Preamp is designed to 

bridge the gap between the analog console and 

the digital DAW. By pairing many of the essential 

features of the talkback section of a console with 

a pair of ultra-clean mic pres, UA has created the 

ultimate accessory for modern DAW users who 

miss the good old days of large-format consoles. 

The DCS Remote Preamp was created through a 

partnership with original Euphonix founders Scott 

and Rob Silfvast. The DCS preamp also includes a mid-side encoder for stereo recording. 

Specs: In: 2 x XLR, 2 x TRS, 2 x DI • Out: 5 x TRS, 1 x phones, Cat5 

• 20Hz-20kHz • Imp: 2,000 ohms 

$ 

1199 97 

ONLY $36/mo. 

Solo110 Class A Mic Pre ..........................List $ 949 00 $ 799 97 • Gain range: 61dB • Pad: 15dB 

DCSRemotePre 2-ch Remote Pre .......List $ 1499 00

Microphone Preamps 


500 Series 

Rackmountable Modular Preamps and EQ 

Following the success of their mic pres (Pacifica and MP-2A), 

A Designs debuts the 500 Series modules and 500HR rack, 

a dual slot, single space, rackmounted frame with a power 

supply for the modules. A Designs offers five different preamp 

cards, each with their own distinct sonic flavor. 

First up is the P-1, which is essentially a single-channel version of the smash-hit 

Pacifica (below). With custom input and output transformers, the PM-1 hearkens back 

to the sound of the Quad-Eight, the famous console that was used to mix Pink Floyd’s 

The Wall. The remaining preamp modules — the EM Series — provide variations on the 

P-1. A Designs swapped out different custom-wound input and output transformers for 

each model to give them each a very distinct sound. First up is the steel-transformer EM- 

Silver, which is a perfect fit for ribbon mics, and also fares well on kick drums. The DI 

input makes it a great preamp for bass guitar. The overall tonality of the EM-Silver is a 

bit on the dark side. The EM-Blue is equipped with a custom-wound nickel transformer 

for a more open top-end. The Blue works exceedingly well with vocalists (particularly 

females) and is the bee’s knees on snare drums. Electric guitar also does quite well fed 

into the Blue’s DI input. The EM-Red sports unique 50/50 output transformer aligned 

with a different input transformer to create a preamp that condenser mics — especially 

mics pointed at acoustic guitars — just seem to love. The EM-Gold merges the input 

transformer of the Red with the output transformer of the Silver to create a preamp with 

a dark edge but plenty of “oomph” in the mids. The Gold is becoming a favorite on such 

varied sources as vocals and bass, and toms seem to like it as well. The EM-PEQ card 

sonically nods to the classic Pultec EQP-1A sound, an EQ that seemed to magically make 

everything sound better just by passing through it. A Designs 500 Series modules also fit 

in API 500 frames. 



P-1 card 

Silver Card 

Red Card 

Gold Card 

Blue Card 

EM-PEQ 

500HR Frame for Mic Pre Modules ............................................................................. List $ 335 00 $ 

299 97 

ONLY $10/mo. 

P1card “Quad Eight” Preamp Module .......................................................................... List $ 895 00 $ 795 97 

EMcardSilv “Darker” Preamp Module ................................................................................ List $ 895 00 $ 795 97 

EMcardRed “Up Front Mids” Preamp Module ..................................................................... List $ 895 00 $ 795 97 

EMcardGold “Dark” Preamp Module ................................................................................... List $ 895 00 $ 795 97 

EMcardBlue “Airy” Preamp Module .................................................................................... List $ 895 00 $ 795 97 

EMcardPEQ Pultec-style EQ Module ................................................................................ List $ 1450 00 $ 1295 97 

Pacifica 

Solid-state Stereo Mic Preamp 

Featuring perhaps the best use of transformers we’ve seen in a long time, the A Designs 

Pacifica is all about “beautiful tone.” Reminiscent of legendary “Quad Eight” vintage 

consoles known for their extreme high fidelity and musicality, the amazing Pacifica uses 

A Designs’ massive input and output transformers! Two front-panel hi-Z inputs go direct 

to the input transformer for the fullest possible sound. A very high 72dB gain (great for 

ribbon mics), a 20dB pad, polarity reverse, and phantom power give you the tools you 

need for that lead vocal sound or killer guitar, bass, or keyboard track. 

Specs: In: 2 x 1/4" hi-Z, XLR (bal) • Out: 2 x XLR • 9Hz-101kHz • 

Imp: 600 ohms • Gain range: 72dB • Pad: 20dB 

Pacifica 2-channel Solid-state Mic Pre ....List $ 2250 00 

MP-2A 

2-channel Classic Tube Preamp with Tone Switches 

Not sure what the right preamp “sound” is for your studio? The A Designs MP-2A offers 

the solution: four unique, world-class all-tube sounds from one preamp! Tone switches 

on each channel of the MP2A enable you to flip a switch and change the sound to 

match your creative mood. The MP2A uses high-end parts and construction techniques 

like custom transformers and point-to-point wiring. A healthy 60dB of gain along with 

big VU meters, 20dB pads, and a hi-Z Direct Input instrument inputs supply it all! 

Specs: In: 2 x XLR, 1/4" • Out: 2 x XLR • 28Hz-60kHz • Imp: 1.4k ohms • Gain range: 60dB • Pad: 20dB 

ONLY $60/mo. 

$ 

1995 97 MP2A 2-channel Tube Mic Pre/DI ...........List $ 2795 00 ONLY $75/mo. 

$ 

2495 97 

TG Channel MKII 

Microphone Preamp with Pultec-style EQ 

Germanium Preamp/DI 

1-channel Microphone Preamp/DI with Germanium Transistors 

Capturing the magic of the original equipment found in Abbey Road Studios — the 

Chandler Limited ® has found its niche in the pro audio world by taking the technology 

same equipment used for the Beatles albums, not to mention Dark Side of the Moon 

of the past and putting a new spin on it, creating preamps and processors that capture 

— Chandler Limited ® has brought the sound of the most famous studio in the world 

the vibe of their vintage ancestors, but with decidedly modern tone-shaping capabilities. 

to engineers the world over. The preamp section of the TG Channel MKII beautifully 

Germanium transistors have been used in audio gear including Neve, EMI, Telefunken, 

replicates the sound of the original, and, to many ears, possibly improves the high-end 

and Fairchild for their unique sonic characteristics. These transistors haven’t been 

response. The EQ section provides Pultec-style control over the sound, and, like a vintage 

used in current pro audio gear for a while now, but that all changes with the incredible 

unit, the sound is sweetened just by passing through it. The recordings done with the 

Germanium Preamp/DI. The Gain/Germanium Drive control and Feedback control 

original gear are still reference points for both musicians and engineers. Now you can 

are intricately linked. Gain acts as a standard gain control, but roll up the amount of 

own the same gear! The output control works in conjunction with the input control to 

Feedback and the Germanium Pre realizes its full potential, as well as adding a small 

offer wildly varying coloration. Use the input gain to really push the signal to saturation 

bass boost and a tasty high-frequency roll-off. For cleaner tones keep the Feedback 

and roll back the output to prevent overload at the recorder. Very handy for adding 

on the restrained side, or crank it up for fat guitars and vocals. This unit requires the 

unique tones to your recordings. The Pultec-style EQ makes it easy to further sculpt the 

Chandler Power Supply, which is available separately. 

sound on the way to the recorder. A Chandler Power Supply is required. 

ONLY $34/mo. 

Specs: In: 1 x XLR • 

ONLY $67/mo. 

$ $ TGChanMkII 222000 GermaniumPre 1105 00 

Specs: In: 1 x XLR • Out: 1 x XLR Out: 1 x XLR 

Germanium Preamp/DI ......................List $ 120500 Preamp with EQ ...........List $ 2470 00 ChandlerPS Power Supply for Chandler Products ..... List $ 225 00 $ 205 97

232 

ProGear2008 




Precision 8 

8-channel Microphone Preamp with two Instrument Inputs 

The True Systems Precision 8, with its sonically pure design, is a no-compromise choice for 

state-of-the-art audio capture in analog and digital studios. The Precision 8 provides detailed, 

transparent performance, very low noise and distortion, as well as high headroom. The 

P2Analog is one of the cleanest preamps we have ever heard . 

Precision8 8-channel Mic Preamp ........List $ 2995 00 $ 

2595 97 

ONLY $78/mo. 

P2Analog 2-channel Mic Preamp ..........List $ 1695 00 $ 1475 97 

HV-3C 

Stereo Solid-state 

Microphone Preamp 

All mic preamps exhibit coloration 

to some degree. However, 

critical acoustic recording applications demand highly 

accurate reproduction, as free from coloration as possible. That’s where the Millennia 

HV-3C really shines. This stereo mic preamp is precisely optimized to capture the 

subtlest details of music and ambience. Unlike many “textbook” preamplifier designs, the 

HV-3C signal path never unbalances or rebalances the original signal, thus maintaining 

a high degree of signal integrity. Stereo gain-matched to 0.08dB, the HV-3C offers 23dB of 

input headroom (no pads required!) and 32dB of output headroom. 

HV3C Transformerless Stereo Mic Pre ........List $ 1995 00 ONLY $54/mo. 

Specs: In: 8 x XLR, 2 x TRS • Out: 8 x TRS, 

8 x DB25 • 1.5Hz-500kHz • Imp: 5,500 ohms 

• Gain range: 48dB P2 In: 2 x DI, 2 x XLR • 

Out: 2 x XLR • 1.5Hz-500kHz • Imp: 5,500 

ohms • Gain range: 48dB 

P-SOLO 

Transformerless, High Dynamic Range Pre 

We’re thrilled about TRUE System’s P-SOLO, an incredible bargain 

in single-channel microphone/instrument preamplifiers. P-SOLO 

features a professional feature list including low-cut filter, 48-volt 

phantom power switch, multi-segment meter with signal presence, clip 

indicator, input attenuation, and internal power supply. This high end 

preamp is identical in circuit design to TRUE’s acclaimed Precision 8 

and P2 Analog mic preamps, which are noted for stunning sonic detail 

and neutral, but musical, character. The ribbon-specific P-SOLO 

Specs: In: 2 x XLR, 2 x DI • Out: 2 x XLR • 1Hz-120kHz • Impedance: 

ONLY $90/mo. 

Ribbon preamp provides the higher gain needed for ribbon mics. 

Variable • Gain range: 

44dB • Pad: 20dB 

$ 

AD2022 2-channel Mic Preamp ........List $ 3300 2970 00 

ONLY $15/mo. 

00 

$ 

PSolo 1-ch Microphone Preamp ..............List $ 695 499 97 

Specs: In: 1 x XLR, TRS • Out: 2 x XLR 

• 5Hz-500kHz • Imp: 5,500 ohms • Gain 

00 range: 48dB 

PSoloRib P-Solo Ribbon Mic Pre ..................List $ 745 00 $ 535 97 

M5 

Mono Microphone Preamp 

with Direct Instrument Input 

MP-2NV 

The Avalon M5 Pure Class A 

2-channel Mic Preamp 

microphone preamplifier is one of the most musical, low-noise, full-function 

preamplifiers available today. Designed to optimize absolute signal integrity, the 

Great River’s MP-2NV 2-channel Class A microphone preamp was designed to emulate the 

M5 combines an advanced transformer input stage with twin high-performance 

classic sound of a “British” console while allowing it to conquer the low-end buildup common 

Class A cascade FET and bipolar discrete amplifiers for sonic excellence. The M5 

to the “British” preamps, providing a more transparent signal. The MP-2NV is built with iron 

is ideal for vocals, adding sparkle to acoustic guitar, and as an active DI input for 

in the signal path for a big vintage sound, and the circuitry allows for transformer saturation. 

direct recording 

Push the preamp hard and hear your electric guitars and drums come alive with punchiness. 

guitars, bass, and 

This preamp is ultra-quiet, and responds well to ribbon microphones and handles DI tasks with 

keyboards. 

“The M5 is perfect for live or studio enviroments. 

the perfect blend of punch and clarity. The ME-1NV is single-channel version with the same 

It gives acoustic guitar, bass, and vocals 

Specs: In: 1 x XLR, 1 x 

amazing sound as the MP-2NV. The MP Series merges the best of the past with modern design B&K 4000, 2 x DI • Out: 

exceptional clarity and quality.” 

elements to create a multi-faceted preamp that makes any microphone sound better! 

1 x XLR • 1Hz-120kHz • 

— Tim Harrington, Sales Engineer, Ext. 1395 

Imp: 1,500 ohms • Gain 

Specs: MP-2NV In: 2 x XLR, 1 x DI • Out: range: 44dB • Pad: 20dB 

2 x XLR, 1 x 1/4" • 20Hz-75kHz • Imp: 1.2k, 

ONLY $65/mo. 

ONLY $48/mo. 

$ 

MP2NV 2-channel Class A Preamp ......List $ 2795 2150 00 

3k ohms • Gain range: 70dB ME-1NV mono 

• In: 1 x XLR, 1 x DI • Out: 1 x XLR, 1 x 1/4" 

$ 

M5 00 Mono Mic Preamp ..............................List $ 1750 1575 00 

• 20Hz-75kHz • Imp: 1.2k, 3k ohms • Gain 

00 

ME1NV 1-channel Class A Preamp ........List $ 1395 00 $ 1075 00 Specs: In: 2 x XLR • Out: 2 x XLR 

AD 2022 

2-channel Class “A” Microphone Preamp 

Avalon products are renowned for their premium build and sound quality . Used 

on numerous multi-platinum albums, the AD 2022 is Avalon’s fourth-generation 

fully discrete, symmetrical Pure Class A microphone preamplifier. The AD 2022 

incorporates the most advanced high-performance microphone transformer 

available. Split low-ratio primary windings are carefully combined within a 

custom mu-metal core for extended smooth frequency response and very low 

distortion. The dual mono AD 2022 includes the original sonic capabilities and 

transparency of the M2, M22, and M5 preamplifiers plus several additional 

features, including selectable microphone source loading for optimized cable/mic 

matching, improved high-voltage Class A regulated power supplies, two hi-Z 

instrument inputs, and variable-passive high-pass filter. In the low end, the AD 

2022 is crystal clear with ultrafast transients — overall, its smooth musical 

character is something that simply must be experienced. Whether you’re using 

the AD 2022 on vocals, miked instruments, or direct-line guitars, synths, or 

basses, it will give you stellar results. This preamp has become a “go-to” input 

signal solution for everyone from project studio enthusiasts to upper-echelon 

professional heavy hitters. Once you hear the AD 2022 at work, you might even 

find yourself bypassing some other signal-processing gear and going “straight to 

tape” from this incredible-sounding pre! 

TD-1 

Mic/Instrument Preamp with 

Selectable Tube or Solid-state 

Operation, EQ 

TD-1 is a compact yet sophisticated analog 

preamp for all types of instruments and 

systems, and its switchable tube/solid-state 

operation gives you a full range of great tones. 

Onboard EQ, REAMP ® and Speaker Soak technologies 

make tracking instruments easy and flexible. The TD-1 “Twin Direct” includes 

Millennia’s acclaimed HV-3 microphone preamplifier, making TD-1 an uncompromised 

front end for virtually any audio recording application. 

Specs: In: 2 x XLR, 1 x 1/4" • Out: 3 x XLR, 5 x 1/4", 1 x phones • 3Hz-300kHz • Imp: 470k ohms, 2 m-ohms, 10 m-ohms 

• Gain range: 45dB • Pad: 20dB 

ONLY $46/mo. 

$ 

1795 99 • 3Hz-300kHz • Imp: 6,750 ohms • 

Gain range: 65dB 

$ 

TD1 Twin Topology Channel Strip ...............List $ 1675 1507 99 

00




ASP008 ADAT 

ADAT-equipped 8-channel Preamp 

Formed over a decade ago by the dynamic duo of David Dearden and Gareth Davies, Audient has been providing 

incredible (and very useful) studio tools that sound consistently great. Their extensive experience and success in 

designing pro studio consoles is put to good use in Audient’s products. Now this Hampshire, England-based company 

brings you an 8-channel preamp that’s equally at home in an elite room or project studio! 

In the world of multi-channel preamps, Audient’s ASP008 ADAT presents a “best of both worlds” scenario, offering a 

discrete Class A front end and an ADAT card for digital passage of eight tracks straight into a DAW. Its amazing-sounding 

preamps are the same units Audient uses in their renowned ASP8024 recording console. These premium pres give you 

an incredible amount of headroom, and they offer incredibly low-noise operation — and that’s just the front end of this 

great pre! Each input sports switchable impedance to allow you to properly match loads for optimum performance, or 

load the mic and add a bit of “color” to the sound. This subtle feature allows the ASP008 ADAT to retain its transparency 

while giving you great tonal options. Analog output offers equally high performance and headroom, so you can rest 

assured your signal stays remarkably clean when it goes through this unit. 

Another cool feature is a high-pass filter that is selectable from 25-250Hz. Rather than using fixed filters, Audient chose 

this variable setup to give you even more tonal flexibility and control. Channels 1 and 2 are equipped with instrument 

inputs and 20dB pads for hotter signals, so plugging your guitar or keyboard straight in is a hassle-free, streamlined 

experience. The noise floor is situated near the theoretical Johnson limit (put simply, you’d need incredibly superhuman 

hearing to detect any self-produced noise from this unit). Staying cool while remaining studio-quiet is no problem 

for the ASP008 ADAT, thanks to its low-noise fan. All of these features combine to create a transparent preamp void of 

unnecessary coloration and unwanted artifacts. 

You won’t need a manual to appreciate the thought and care that went into the ASP008 ADAT — your ears will give you 

proof enough once you hear how great your mics and instruments can sound! 

Specs: In: 8 x XLR, 2 x DI, 8 x Line on D-Sub • Out: 8 x Line on D-Sub, ADAT • 10Hz-300kHz • Imp: 200, 5k,12k ohms • Gain Range: 60dB 

Mico 

2-channel Class A 

Mic Preamp 

Audient builds great gear, even when they’re thinking 

small. Case in point: the Mico 2-channel microphone 

preamp. The Mico packs major sound quality and great 

analog-to-digital converters into a very compact package 

that’s perfect for desktops. 

Audient’s renowned Class A design is used in the Mico, 

giving it great transparency. Channel 1 of this unit 

includes HMX harmonic sculpting technology from 

Audient’s Black Pre, which gives you instant access to 

vintage vibe. Channel 2 features Variphase control. Since 

modern recording needs require as much attention to 

the digital side as the analog components, Audient built 

high performance A/D conversion into this little pre, with 

a 24-bit/96kHz low-jitter internal clock, quality AES/EBU, 

S/PDIF, and TOSLINK outputs. 

You also get plenty of front-panel goodies, including 

switchable high-pass filters, phase invert, a 10dB pad, 

front-panel DI input, and more. Need a do-it-all desktop 

pre that sounds great? Call your Sweetwater Sales 

Engineer today to check out the versatile little Mico! 

Specs: In: 2 x XLR/TRS, 1 x DI • Out: 2 x XLR, AES/EBU, TOSLINK, S/PDIF, 

word clock • 20Hz-22kHz • Gain range: 60dB • Pad: 10dB 

ASP008ADAT 8-ch Pre with ADAT .......................... 

ONLY $60/mo. 

$ 

2000 00 Mico 2-ch Pre with A/D Conversion .......................... 

ONLY $33/mo. 

$ 

1100 00 

8 channels of pure, class A mic pre......with optional ADAT output 

Enhance your DAW’s front end - 

call Sweetwater today 

(800) 222-4700 

www.sweetwater.com

234 

ProGear2008 




TNT 

2-channel Tube/Solid-state Preamp 

In the world of serious recording, many engineers spend hours matching the perfect mic to the perfect preamp 

— a venture that can be very expensive when dealing with high-end boutique gear. But what if you could have one 

preamp that could fill virtually any sonic need? Manley has such a preamp, and engineers worldwide are singing 

its praises. The Manley TNT is a new concept in microphone preamplification designed for those who don’t always 

need stereo, often need choices, and must have the best at all times. The TNT is a 2-channel mic pre with two distinct 

channels, one tube and the other solid-state. The tube channel is the mic preamp from the Manley SLAM! (p. 242) 

while the second channel is a fresh solid-state design that’s as clean as it comes. Both channels are designed around 

the basic goal of “just plug a mic in and it sounds great.” The tube channel excels on traditionally difficult sources 

such as bright guitars, reeds, brass, cymbals, and some vocals. The “No Tubes” channel is more suited for smoother 

vocals, drums, bass, and raunchy guitars. The TNT incorporates variable input impedance for coloration on the way 

in, as well as a knob that allows you to control the amount of “iron” in the signal path as the sound passes through 

the output transformer. Due to the huge amount of tonal variation available, the TNT may be last mic preamp you 

ever need! 

Specs: In: 2 x XLR, 2 x DI • Out: 2 x XLR, 2 x TRS • 5Hz-45kHz • Imp: 6k, 24k, 100k ohms • Gain range: 70dB 

TNT 2-channel Tube/Solid-state Pre .........List $ 3000 00 $ 

2700 00 

ONLY $81/mo. 

Dual Mono Mic Preamplifier 

2-channel Tube Microphone/Instrument Preamp 

The Dual Mono Microphone Preamplifier is hand-wired using silver solder and audiophile-grade 

components. Its all-tube design is intended for use with modern condenser microphones, but with 40 to 60dB 

of gain, it can handle the needs of most ribbon mics too. Variable feedback is selectable in precise 5dB steps, 

which allows you to change the slew rate (speed), placement, and tonal balance of the sound from mellow 

and “tubey” all the way to fast, punchy, and aggressive. A front-panel DI jack turns the preamp into a pure 

tube line stage for instruments such as bass, drum machine, and keyboard when you want to get your tunes 

through some tubes before hitting a “sterile” digital recorder. Both transformer-coupled balanced and direct 

capacitor-coupled unbalanced outputs are provided. The Manley Mono Microphone Preamplifier is a 

single-channel version. 

Specs: Dual Mono In: 2 x XLR, 2 x DI • Out: 2 x XLR, 2 x TS • 10Hz-60kHz • Imp: 2.4k ohms • Gain Range: 60dB Mono In: 1 x XLR, 1 x DI • Out: 1 x XLR, 1 

x TS • 10Hz-60kHz • Imp: 2.4k ohms • Gain Range: 60dB 

TRP 

FET Preamp Designed for 

Ribbon Microphones 

Though valued for their sonic coloring and ability to 

handle extremely high SPLs, getting enough gain from a 

conventional preamp for a ribbon mic can be a challenge. 

The TRP ribbon mic pre provides a discrete front end with 

83dB of gain through JFET DC-coupled circuitry for a 

sound that’s clean and open with excellent bass response. 

There’s no phantom power on board, so there’s no worry 

of accidentally hitting a vintage ribbon mic with a shot 

of devastating phantom power. The TRP pre also handles 

dynamic mics and tube condensers with ease. 

Specs: In: 2 x XLR • Out: 2 x XLR, 2 x TRS • Imp: 18k ohms • Gain range: 83dB 

ONLY $27/mo. 

ONLY $22/mo. 

$ 

RibbonPre FET Preamp ..........................List $ 965 868 50 $ 00 MiniMP 2-ch Portable Mic Preamp .....List $ 795 715 97 

00 

$ 

2150 97 

ONLY $65/mo. 

X81 Class A Preamp w/EQ .....................List $ 2350 00 

VintechPS Vintech Power Supply ...................................... $ 

225 00 

ONLY $65/mo. 

$ 

MicPreDual Dual Mono Mic Preamp .......List $ 2400 2160 00 

00 

MicPreSingle Mono Mic Preamp .................List $ 1600 00 $ 1440 00 

Mini-MP 

2-channel 

Microphone Preamp 

These days, recording isn’t confined to the studio. The age 

of laptops and compact interfaces makes capturing great 

sounds on the go easier than ever, without sacrificing 

essential features. One of the more impressive compact 

mic pres we’ve seen, the Mini-MP, is an amazing 

sounding, affordable, portable mic pre that’s an ideal 

addition to Apogee Symphony and Symphony Mobile 

systems, portable studios, and pro recording facilities. 

Specs: In: 2 x XLR/TRS • Out: 2 x XLR • Impedance: 1,600 ohms • Gain 

range: 75dB 

X81 

Single-channel Class A Mic Preamp with 

4-band EQ 

Neve hardware is famous for the sonic signature it 

imparts on any audio that passes through it. Vintech 

has carved out a niche in the pro audio world conjuring 

Neve-like tones from modern units that cost considerably 

less than vintage Neve. With the X81, Vintech continues 

to faithfully recreate the magic of classic British units. 

This single-channel microphone preamp conjures 

comparisons to the Neve 1081 — a Class AB design 

— which Vintech improves on by implementing the Class 

A circuitry of the Neve 1073. Electronically, the X81 is 

quite similar to the popular X73 (p. 243), with the main 

difference being the EQ. The EQ section incorporates four 

bands with “Q” adjustments for the two mid bands and 

a wide variety of options on the low-mid and high-mid 

bands (10 frequency points each) along with high- and 

low-shelving. 

You can monitor the output level using the front-panel 

LED meter, and there’s also a DI input to add the X81’s 

sonic magic to bass, guitars, and keyboards. With stellar 

internal circuitry and the flexible and very musical EQ 

section, the X81 is a great addition to any studio looking 

to expand its tonal palette. A Vintech power supply is 

necessary for operation (sold separately). 

Specs: In: 1 x XLR, 1 x DI • Out: 1 x XLR 

Dual 72 

2-channel Class A Microphone Preamp 

Vintech has made quite a name for themselves in the 

audio world creating faithful reproductions of vintage 

Neve gear, and the Dual 72 is a stellar example of 

the company’s commitment to tonal excellence. The 

Dual 72 is a 2-channel Class A, all-discrete, transformerbalanced 

microphone preamplifier. It’s built with the 

same basic circuit design and components as the classic 

Neve 1272 module. 

This unit features input attenuator, output level 

adjustment, and St. Ives input and output transformers. 

Each channel has phase and phantom power switches 

along with an LED output level display. A good amount 

of that classic Neve transformer-based color, along with 

detailed reproduction, make this a great choice for 

studios with big budgets as well as a small studio looking 

to add a quality dual mic pre. Nothing sounds quilte like 

a Neve... except a Vintech! 

Specs: In 2 x XLR • Out: 2 x XLR 

1272 2-channel Class A Mic Preamp .........List $ 1595 00 $ 

1354 97 

ONLY $41/mo.

...themeasureofexcellence! 




Alpha VHD 

4-channel Preamp with Variable Harmonic Drive Circuit 

Solid State Logic has made sought-after studio gear for decades. They have a knack 

for producing studio products that combine superior sound and build quality with a 

practicality that guarantees they’ll see a lot of use in the studio. The SSL Xlogic Alpha 

VHD preamp gives you the flexibility to track transparent, clear audio, or add sonic 

character ranging from warm to raging. 

Four premium SSL preamps (with up to 75dB of gain) are on-board the Alpha VHD, 

combined with a Variable Harmonic Drive circuit that lets you add an extraordinary 

range of sonic color to your sound. You already know SSL’s products feature quality and 

reliablity that’s second to none; now get some of that great SSL sound for yourself! 

Specs: In: 4 x XLR/TRS, 4 x line/DI • Out: 4 x XLR • Gain range: 75dB • Pad: 20dB 

AlphaVHD 4-channel Preamp with VHD ....List $ 2235 00 

ONLY $56/mo. 

$ 

1865 97 

ViPRE 

Single-channel All-tube Microphone/Instrument Preamp 

What makes the Groove Tubes ViPRE stand out in a world seemingly jam-packed with 

tube preamps? Let’s count the ways. The fully differential signal path means the ViPRE 

is balanced from input to output (many preamps aren’t), resulting in incredibly low 

noise and outstanding common mode rejection. It offers a whopping 75dB total gain via 

precision 1dB and 5dB stepped attenuators (for pinpoint accuracy and less noise than 

potentiometers). With four selectable transformer impedances, you’ll find new tonal 

qualities from every mic — even ribbons — in your collection. Five rise-time settings 

let you vary transient response from ultra-fast and upfront to laid-back and mellow. The 

ViPRE may prove to be the most versatile tube preamp in 

your studio! 

Specs: In: 1 x XLR, 1 x TRS, 1 x DI • Out: 1 x XLR, 2 x TRS • 20Hz-20kHz • Imp: 300, 

600, 1,200, 2,400 ohms • Gain Range: 75dB • Pad: 20dB 

Vipre Tube Mic Preamp ................List $ 3499 00 $ 

2799 97 

ONLY $84/mo. 

model 101 

1-channel Preamp with DI 

The Grace model 101 uses the same fast, musical transimpedance amplifier 

architecture as the venerable 201, fully balanced, transformerless, with no electrolytic 

capacitors in the signal path, and an extended-range input that’s great for sensitive mics. 

The extended dynamic range and incredible bandwidth are much more than just fancy 

specs when you actually hear the beauty of the 101. Ribbon mics need a bit more gain 

than dynamic mics or condenser mics, and Grace Designs has a preamp that brings the 

clarity of the 101 to a pre designed just for ribbon mics. The 101 Ribbon offers the 

ultra-low noise and 70dB of gain needed to meet the demands of ribbon mics. Clearly, 

the model 101 is an outstanding value for recordists who need open, transparent sound 

regardless of musical style. 

101 Mono Mic/Inst Pre Amp ............List $ 695 00 $ 

565 97 

ONLY $17/mo. 

101Ribbon High-gain Ribbon Mic Preamp .....List $ 695 00 $ 569 97 

Specs: 101 In: 1 x XLR • Out: 1 x 

XLR • 4.5Hz-400kHz • Imp: 1,600 

Gain range: 50dB 101 R I/O: XLR, 

TRS • 4.5Hz-400 kHz • Imp: 1,600 

ohms • Gain range: 60dB 

SuPRE 

2-channel Stereo Tube Preamp 

The little brother to the successful ViPRE, Groove Tubes presents the SuPRE, a 

2-channel stereo microphone and instrument preamplifier. Using four Groove Tubes 

pentode/triode dual-element vacuum tubes, the SuPRE provides 72dB of gain. The 

SuPRE possesses variable impedance inputs for microphone optimization and toneshaping, 

and accepts mic, line, and instrument signals. The SuPRE brings you many of 

the bells and whistles on the ViPRE, but with two channels, the SuPRE is great for stereo 

recording or for powering your drum overheads. Illuminated custom VU meters adorn 

the front panel so you can keep an eye on your levels. The SuPRE offers big studio sound 

at a price that certainly keeps the SuPRE approachable for home studio owners . 

SuPRE Stereo Tube Mic Pre ............List $ 1999 00 $ 

1599 97 

ONLY $48/mo. 

Specs: I/O: 2 x XLR, 2 x TRS • Imp: 

300, 600, 1,200 ohms • Gain range: 

72dB • Pad: 0, 15, 30dB 

m201 

2-channel Microphone Preamp 

Built with an absolute commitment to audio performance and reliability, the Grace 

Design m201 is truly a timeless combination of art and technology. Using the same 

critically acclaimed circuitry as the now-classic model 801 eight-channel microphone 

preamplifier, the m201 delivers stunning audio performance in a 2-channel 

package. The m201 uses a fully balanced, transformerless design with a fast, musical 

transimpedance amplifier architecture. 

No electrolytic capacitors are present in the signal path and its high current output 

section is able to drive extremely long cable runs (up to 1,500 feet). The m201 is a 

sterling example of Grace Design’s ability to meld reliable, premium performance with 

classic looks. 

PRE420 

ONLY $65/mo. 

$ 

m201 2-ch Mic Preamp ................List $ 2295 2150 00 Specs: 201 In: 2 x XLR • Out: 

00 6 x XLR • 4.5Hz-1.0MHz • Imp: 

8,100 ohms • Pad: 20dB 

PRE420 4-channel Mic Preamp .......................... 

4-channel Preamp with Stereo Mix Bus 

A truly low-noise, low-distortion preamp, the Benchmark PRE420 is designed for 

effective use both in the studio and in the field. This compact, 1RU, 4-channel 

unit includes an integrated stereo mix bus and a stereo/mono solo bus. Driven by 

Benchmark’s MirrorPan TM zero-distortion circuitry, the PRE420 gives you excellent 

channel separation and highly accurate stereo imaging. Features also include a 20dB 

pad, switchable phantom power per channel, and high-pass filters on each channel. 

The front panel’s monitor section sports solo buttons for each channel as well. Recording 

engineers who work near sources of RF interference (such as broadcast antennas) will 

appreciate this preamp’s exclusive CMF1 TM RF filter, which gives it very high immunity to 

interference. These features, as well as the use of high-quality components throughout, 

allow the PRE420 to deliver amazingly high-resolution sound. 

Specs: In: 4 x XLR • Out: 8 x XLR • Imp: 8,100 ohms • Gain range: 38dB • Pad: 20dB 

ONLY $84/mo. 

$ 

2775 00

236 

ProGear2008 




HEAR THE ADL 600 IN ACTION! 

sweetwater.com/ADL600 

ADL 600 

Handmade Class A Tube Preamp 

The PreSonus ADL 600 is a 2-channel tube preamp, hand-built in the USA and designed by world-renowned 

Anthony DeMaria, designer of some of the finest all-tube products for the biggest names in the audio industry. 

The ADL 600 was designed to deliver the widest frequency range, highest headroom, lowest noise, and most 

musically balanced performance possible. Lows are deep and solid, and highs are smooth and silky. Every 

component was hand-selected by Anthony and scrupulously tested to maximize tonality and performance. Make 

room in your rack for this one! 

Specs: In: XLR mic, XLR line, instrument • Out: XLR • 5Hz-80kHz • Imp: 150, 300, 900, 1,500 ohms • Gain range: 54dB • 20dB pad 

“I fell in love with the ADL600 when PreSonus lent me the 

prototype a few years ago for Sonny Landreth’s Grant Street 

record. As soon as production models were available, I got one 

of my own. It’s a great, open sounding preamp that sounds 

wonderful on everything I’ve tried it with — vocals, guitars, 

bass, drums, horns, etc.” 

— David Klausner, Sales Manager, Ext. 1213 

ADL600 2-channel Tube Preamp .......List $ 2295 95 $ 

1999 97 

ONLY $60/mo. 

DigiMAX FS 

8-channel Preamp with 96kHz Lightpipe I/O 

PreSonus’ DigiMAX FS gives you eight Class A microphone preamps w/trim 

control, 24-bit/96k ADAT I/O, along with direct outs and inserts on each channel . The 

DigiMAX 96 adds EQ and limiting, while the DigiMAX LT operates at 48kHz. The 

DigiMAX D8 sports eight mic pres and a lightpipe output. 

Specs: DigiMAX FS In: 8 x XLR/TRS • Out: 8 x TRS Dig I/O: ADAT • 20Hz-40kHz • Imp: 1.6k ohms • Gain range: 55dB 

DigiMAX 96 In: 8 x XLR/TRS, 2 x DI • Out: 8 x TRS • Dig I/O: ADAT, AES/EBU, S/PDIF, word clock • 15Hz-40kHz • Imp: 1.6k 

ONLY $18/mo. ohms • Gain range: 55dB • Pad: 

20dB DigiMAX LT In: 8 x XLR, 

DigiMaxFS 8-ch Mic Preamp w/96kHz Digital Output .... List $ 799 95 

8 x TRS, 2 x DI • Out: 8 x TRS • 

Dig I/O: ADAT, AES/EBU, S/PDIF, 

DigiMax96 8-ch Mic Pre w/96kHz Digital Output ....... List $ 1699 95 $ 1329 97 word clock • 20Hz-50kHz • 

DigimaxLT 8-ch Preamp w/Lightpipe .......................... List $ 999 95 $ 799 97 Imp: 1.3k ohms • Gain range: 

DigiMaxD8 8-ch Mic Pre w/Lightpipe .......................... List $ 499 00 $ 399 97 55dB • Pad: 20dB DigiMAX D8 

In: 8 x XLR • Out: 8 x TRS • Dig 

I/O: ADAT • 

Onyx 800R 

8-channel Preamp with 192kHz Digital Outputs 

Looking to add eight premium mic preamps to your audio setup? The Onyx 800R 

is equipped with Mackie’s amazing Onyx mic preamps. They’re clear and extremely 

detailed, with a full-spectrum sound. The 800R is ideal for direct tracking to DAW, plus, 

it’s a great preamp expander for any analog or digital mixer! It supports sample rates 

up to 192kHz and accepts external clock sources too. The ADAT output lets you easily 

use the 800R with any lightpipe-equipped interface. Channels 1 and 2 feature variable 

impedance controls, and channels 7 and 8 offer hi-Z instrument inputs. 

Specs: In: 8 x XLR, 8 x DB-25, 2 x DI • Dig I/O: ADAT, AES/EBU, S/PDIF • 20Hz-30kHz • Imp: 300k, 500k, 1,300k, 2,400k 

ohm • Gain range: 60dB • Pad: 20dB 

BlueTUBE DP 

2-channel, Low-noise, High-headroom Tube Preamp 

PreSonus’ BlueTUBE DP is a phantom-powered 2-channel, low-noise, highheadroom 

preamp that gives you the choice of tube or solid-state circuits plus the 

ability to “dial in” the degree of tube warmth you want. The 1-channel TubePRE 

delivers low-noise gain control and tube warmth for vocals, guitars, bass, synths, and 

sound modules. 

$ 

599 97 Specs: DP In: 2 x XLR, 2 x TRS, 2 x DI • Out: 2 x XLR, 2 x TRS • Imp: 1.3k ohms • Gain 

ONLY $10/mo. 

$ 

BlueTubeDP 2-ch Dual Tube/Solid-state Preamp .....List $ 229 199 97 

95 

range: 55dB • Pad: 20dB PRE 

In: 1 x XLR, 1 x TS • Out: 1 

x XLR, 1 x TS • Imp: 1.3k 

ohms • Gain range: 45dB • 

Pad: 20dB 

TubePRE Mono Tube Mic Preamp ......................List $ 129 95 $ 99 97 

2BA-221 

Mic Preamp with Variable Input Impedance 

The great-sounding 

Summit Audio 2BA-221 

is so cool that many 

engineers and producers 

consider it to be a “secret 

weapon.” The 2BA-221 not 

only offers continuously variable input impedance for mic matching, it also features 

variable tube output levels . The 2BA-221 has the ability to take a basic dynamic 

microphone and coax world-class tones out of it. This is an amazingly versatile preamp 

that’s very affordable for project studio owners. Makes a great channel combined with 

Summit Audio’s TLA-50 leveling amp! 

Specs: In: 1 x XLR, 1 x TRS, 1 

ONLY $33/mo. 

$ 

Onyx800R 8-ch Rackmount Preamp .....List $ 1299 1099 99 ONLY $19/mo. 

x DI • Out: 1 x XLR,1 x TRS • 

$ 99 2BA221 1-ch Mic/Line Preamp ..........List $ 695 629 97 

00 

Imp: variable, 100k-10k ohms • 

Pad: 20dB 

SP828 

8-channel Mic Pre with 8 x 2 Mixer and Balanced I/O 

Studio Projects has addressed the needs of the audio interface user and remote recordist 

with the SP828, an amazingly affordable 8-channel preamp . Each channel offers 48V 

phantom power, a phase reverse switch, solo switch, and mic/line switch, plus there 

are separate peak and signal present indicators. The SP828 defaults to a 20dB pad for 

recording hotter signals . This unit has an expansion in/out jack to allow for cascading 

up to four units together . 

Specs: In: 8 x 1/4"/XLR Out: 11 x 1/4" • 20Hz -20kHz • Imp: 2,500 ohms • Gain range: 55dB • Pad: 25dB 

VTB-1 

Low-cost Mic Preamp with Tube Drive Control 

The VTB-1 is a value-priced tube mic pre with a warm yet transparent character on 

vocals. Incorporating true Class A/B switching, the VTB-1 is a totally discrete circuit. and 

it’s also great for use as a tube direct box for any instrument. Another thing that people 

love about the VTB-1 is its Tube Drive control. It provides continuously variable input 

voltage to the 12AX7 tube, giving you an entire spectrum of rich harmonics that you can 

add to your signal. The variable tube circuit is especially well suited for adding warmth 

and punch to vocals — simply dial in the perfect amount with the Tube Drive control. 

Run any mic through the VTB-1 and you’ll hear the difference. 

Specs: In: 1 x XLR, 1 x DI • Out: 1 

ONLY $22/mo. 

$ 

SP828 8-ch Mic Pre/8 x 2 Mixer ......List $ 959 719 99 ONLY $10/mo. 

x XLR • 20Hz-20kHz • Imp: 300k, 2k 

$ 00 ohms • Gain range: 60dB 

VTB1 Mono Mic Preamp .................List $ 219 119 99 

99



Octane 8-ch Mic Pre w/Lightpipe ......List $ 749 95 

$ 

CValve Mono Tube Mic Preamp .........List $ 124 79 97 99 favorably with preamps costing several times its price. 

ONLY $15/mo. 

$ 

207Digital 2-ch Tube Mic Preamp ...........List $ 599 499 97 

00 


Octane 

8-channel Mic Pre with ADAT Lightpipe 

This incredibly useful box packs eight mic preamps with phantom power, eight line inputs, two hi-Z front-panel 

instrument ins, and more, plus 24-bit A/D conversion and ADAT lightpipe into a 2U rackspace. The 8-channel Octane 

Robbie the Mic Pre preamp is a fantastic front end for your multitrack digital recording system; it works great as a standalone pre as well. 

Class A Discrete Tube Microphone and 

Instrument Preamp 

M-Audio applied their award-winning preamp technology to the Octane preamp, giving you transparent sound with 

plenty of headroom and frequency response. Channels 7 and 8 can be set up for M-S matrix encoding so you can easily 

Blue is renowned for their premium-quality, 

record in stereo. Octane even has direct analog outs for each channel, making it the perfect upgrade for any audio 

groundbreaking microphones. If that’s not enough, interface or mixer. 

the company’s penchant for unique, eye-catching 

Specs: 8-ch • solid-state • In: 8 x XLR, 8 x TRS • Out: 8 x TRS • Dig out: 

designs and clever (yet practical) features make Blue 

ADAT, WC • 24-bit/48kHz • Impedance: 2.85k ohms 

ONLY $18/mo. 

$ 

599 97 

Robbie 

ONLY $30/mo. 

$ 

Class A Tube Preamp ...........List $ 1299 999 97 386 

00 

products some of the most popular and sought-after 

in the industry. All of the technical quality and design 

DMP3 

innovation that goes into Blue’s great microphones has 

2-channel Microphone Preamp 

been engineered into making the Robbie the Mic Pre 

one of the quietest and most detailed preamps we’ve ever Need a preamp with just the right features, but your budget’s 

heard. Its Class A discrete electronics provide you with the tight? This might be the one for you. The DMP3’s amazing 

best of solid-state and tube technology: an electronically 20Hz-100kHz frequency response makes it ideal for today’s 

balanced, fully discrete input stage, a tube gain stage 96kHz digital recording work, and the balanced/unbalanced 

(ECC88 twin triode), and an electronically balanced TRS outputs are great for connecting to virtually any computer 

solid-state output stage, with 34dB of headroom before audio interface! You get exceptional dynamic range to capture 

clipping! Robbie gives you amazing tone from an elegant all the nuances of your music, plus a healthy 66dB of gain. The 

package: a single backlit gain knob and the glowing DMP3 is versatile: its two channels feature phantom-powered mic inputs and high-impedance line ins, making this unit 

preamp tube dominate the front of the unit, which a great instrument direct box, too. The output stage will deliver up to 22dBV, and each channel also has a phase reverse 

also features a single instrument input. The rear panel switch. You get all these features, plus classic VU meters, for an amazingly low price! 

houses a mic input, XLR line out, pad, phantom power, 

ONLY $10/mo. 

Specs: In: 2 x XLR, 2 x DI • Out: 2 x TRS • 20Hz-100kHz • Imp: 3k ohms • 

phase reverse, and mic/DI selector switches, plus the 


$ 

DMP3 2-ch Mic Pre/Direct Box ........List $ 199 159 97 

95 

power switch. Robbie’s unique looks and incredibly clear 

response combine to make this preamp a distinctive find. 

Specs: In: 1 x XLR, 1 x 1/4" hi-Z instrument • Out: 1 x XLR, 1 x TRS • 

10Hz-100kHz • Imp: 5k ohms • Gain range: 60dB 

2-channel Tube Preamp with Front-panel DI and Digital Output 

The Silver Series 386 dual-channel tube mic preamp combines tube tone with the proprietary dbx Type IV conversion 

system . The 386 boasts 48-volt phantom power, a phase invert switch, low-cut filtering, and digital outputs in both 

AES/EBU and S/PDIF formats. The front-panel hi-Z 1/4" instrument input, mic/line switch, and 20dB pad provide 

convenience. The easy-to-read 12-segment LED meters provide visual verification of analog or digital levels at a glance. 

The rear panel includes mic and line inputs and outputs, word clock sync input and output, and digital outputs. You 

also get selectable sampling rates up to 96kHz, selectable dithering and noise shaping, and separate analog and digital 

output controls. It’s classic tube tone and digital convenience — all from one great unit! 

C•valve 

Specs: 2-channel • tube • In: 2 x XLR, 2 x TRS, 2 x DI (front-panel) • Out: 

ONLY $15/mo. 

Tube Mic Preamp with 24-bit/96kHz A/D 

2 x XLR, 2 x TRS • Dig Out: AES/EBU on XLR, S/PDIF on coax, WC on BNC • 

$ 

Converter 

386 2-ch Tube Pre w/Dig Out ......................List $ 599 499 97 

24-bit/96kHz • impedance: 330 ohms • 1U 

95 

Samson’s C•valve is an excellent choice if you need 

a mic preamp with some character to spice up your 

DAW tracks but don’t yet have the budget for a major 

audio interface. It includes 24-bit A/D conversion with a 

S/PDIF output to connect to most computer audio cards. 

Phantom power, phase reverse, and a peak limiter equip 

207 Digital 

you for any input situation. A low-cut filter removes 2-channel Tube Mic and Instrument Preamplifier with 24/96 A/D 

rumble, and an “Enhance” circuit boosts highs to help The audiophile-quality 207 Digital preamp combines a low-noise, transformerless solid-state first stage, the patented 

you shape the tone of your input. Use the variable tube and award-winning Reflected Plate Amplifier tube circuit second stage, and 24/96 A/D converters. The 207D also 

control to coax those pleasing harmonics out of the features the exclusive MicLim , a patented circuit that provides up to 20dB of gain reduction, making the 207D 

time-tested 12AX7 tube for just the degree of warmth that virtually impervious to clipping. This feature is especially useful when recording dynamic vocalists or instruments. The 

suits your track best. The C•valve also features a channel RPA tube circuit offers all the sonic benefits of conventional circuits without their drawbacks. Tracks that go through 

insert for connecting outboard gear. 

the 207D have greater presence and dimensionality, making them much easier to place in the mix. The 207 Digital will 

Specs: In: 1 x XLR, 1 x TRS • Out: 1 x TRS • Dig I/O: S/PDIF • 20Hz-20kHz • 

reveal the subtlety and power of vintage condensers, ribbons, electrets, and dynamic microphones, letting you get the 

Imp: 2.5k ohms • Gain range: 60dB 

best performance possible from your valuable equipment. Do not be fooled by the price tag — this preamp competes 

Specs: In: 2 x XLR, 2 x DI • Out: 2 x XLR 2 x TRS • Dig I/O: S/PDIF, AES/EBU, 

word clock • 30Hz-30kHz • Gain range: 45dB • Pad: 20dB

238 

ProGear2008 




TubeFire8 

8-channel Microphone Preamp with FireWire 

Tubes have been a secret weapon for great-sounding audio for many, many years now, and FireWire has proven to be a very popular format for bringing real-world audio into 

computer-based recording. The TubeFire8 from ART uses eight quality discrete Class A vacuum tube microphone preamps in a single rackspace unit with balanced I/O and FireWire 

connectivity. Ideal for any recording application, this quality and compact preamp gives you eight tube-driven mic/line inputs and eight balanced outputs to add a little warmth to 

your FireWire-equipped Mac or PC. You can also be sure you’ll get a very clean, quiet, and transparent signal — essential for today’s recording formats. Each of the inputs on the 

TubeFire 8 feature a high-pass filter, phase invert, clip indicator, and a wide-range LED meter for preamp level monitoring. Also included is Steinberg’s Cubase LE (Mac/PC), so you 

can get some tube-fired tones into your computer right away! 

Specs: In: 8 x XLR/TRS • Out: 8 TS • Dig I/O: FireWire, word clock • 12Hz-60kHz • Imp: 6.4k ohms • Gain range: 70dB 

TubeFire8 8-ch Mic Pre w/Dig Out ........List $ 669 00 $ 

529 97 

ONLY $16/mo. 

Digital MPA 

2-channel Tube Preamp with Variable Impedance and Digital Output 

The Digital MPA’s unique circuitry utilizes two 12AX7A vacuum tubes and renders 

unsurpassed sonic detail and clarity . The variable impedance input allows you to tune 

the MPA to your microphone, and then output it with 192kHz digital clarity. 

Specs: In: 2 x XLR, 2 x TRS, 2 x DI • Out: 2 x XLR, 2 x TS • Dig out: AES, ADAT, S/PDIF • 15Hz-80kHz • Imp: variable, 150 

ohms-3k ohms • Gain range: 75dB 

ONLY $12/mo. 

$ 

399 97 ONLY $10/mo. 

range: 75dB 

$ 

MPAGold 2-ch Tube Mic Preamp ...........List $ 379 299 97 

00 

DigitalMPA 2-ch Mic Pre w/Dig Out ........List $ 539 00 

MPA Gold 

The ART MPA Gold performs to incredibly high standards, and its tone, functionality, 

and performance will satisfy even the most discerning user. Like the Digital MPA, the 

MPA Gold features Variable Input Impedance. Variation of the input impedance of a 

microphone preamplifier changes the load against which the microphone has to push. 

This variation creates numerous sonic possibilities. 

Specs: In: 2 x XLR, 2 x DI (front panel) • Out: 2 x XLR, 2 x TRS • 15Hz-120kHz • Impedance: 

variable, 150 ohms-3k ohms • Gain 

DPS II 

2-channel Tube Preamp with Variable Input Impedance 

The DPS II offers variable input impedance to help you get the best performance from 

your mics. ART’s Variable Valve Voicing lets you tweak the 12AX7A gain stage for the ideal 

tube sound. The A/D is adjustable from 44.1 to 96kHz. 

Specs: In: 2 x XLR, 2 x TRS, 2 x XLR/TRS • Out: 2 x XLR, 2 x TRS • Dig out: ADAT, S/PDIF, TOSlink • 5Hz-120kHz • 

Impedance: variable, 150 ohms-3k ohms • Gain range: 74dB 

ONLY $10/mo. 

$ 

DPSII 2-ch Digital Preamp .............List $ 329 265 97 ONLY $10/mo. 

Impedance: variable, 150 ohms-3k 

00 ohms • Gain range: 80dB 

$ 

TPSII 2-ch Tube Mic/Inst Preamp ....List $ 229 185 97 

00 

Tube MP Project Series 

with USB 

Tube Preamp with USB Audio Interface 

Tube MP Studio V3 

Tube MP Project 

Series USB 

When ART’s Tube MP first came out, the buzz in the industry was as 

follows: For the sound quality and the price, it doesn’t make sense not to have 

one. The Tube MP Project Series USB lets you connect microphone, instrument, 

and line-level signals to digital audio workstations as well as standard analog devices. ART 

took their legendary Tube MP series, updated every aspect of the design, and added a USB 

output. The analog Tube MP Studio V3, Tube MP Project Series, and original Tube 

MP units are also available. 

Specs: MPUSB In: 1 x XLR, TS • Out: 1 x XLR, TS • Dig I/O: USB • 10Hz-40kHz • Imp: 600 ohms, 4.7k ohms • Gain range: 

50dB • Pad: 20dB STV3 In: 1 x XLR, TS • Out: 1 x XLR, TS • 10Hz-20kHz • Imp: 2k ohms • 

Gain range: 70dB MPps In: 1 x XLR, 

TS • Out: 1 x XLR, TS 10Hz-40kHz • 

Imp:600 ohms, 4.7k ohms • MP I/O: 

XLR, TS • 10Hz-20kHz • Imp: 2k ohms 

• Gain range: 70dB 

TPS II 

The TPS II features variable input impedance, which allows users to dial in and match 

any microphone type. ART’s V3 feature provides optimized reference points to begin the 

recording process for any instrument. The TPS II provides level monitoring with two 

analog meters as well as two input LED meters. The tube stage maintains the classic 

“warm sound” and adds additional tube voicing specifically tailored to vocal, guitar, 

bass, and acoustic instruments. 

Specs: In: 2 x XLR, 2 x TRS, 2 x XLR/TRS (front panel) • Out: 2 x XLR, 2 x TRS • 5Hz-50kHz • 

USB DualPre 

USB Preamp 

The USB 

DualPre offers 

two channels 

of ART sound 

quality and adds 

the convenience 

of USB to create a great bus-powered portable recording 

solution. Add a laptop and you can capture your music 

anywhere the inspiration strikes. Not just a portable 

device, the USB Dual Pre is great for desktop operations 

and offers plug-and-play compatibility with both Mac 

and Windows computers. 

$ 

TubeMPpsUSB Tube Preamp with USB ............ List $ 129 99 97 

00 Specs: In: 2 x XLR, 2 x TRS, 2 x DI • Out: 2 x TRS, 1 x 1/8" • Dig out: USB • 

TubeMPSTV3 Mono Tube Mic Preamp w/V3 .... List $ 89 00 $ 69 97 20Hz-20kHz • Imp: 4k ohms • Gain range: 48dB 

TubeMPps Tube Mic Pre w/Vari Imped ........ List $ 89 00 $ 69 97 

TubeMP Mono Portable Tube Pre/DI ......... List $ 55 00 $ 44 $ 97 USBDualPre USB Preamp .........................List $ 129 99 97 

00

BRING ON THE HEAT. 

Set your tracks a blaze. 

TUBEFIRE 

8 

The TubeFire8 from ART is the ultimate tube preamp with powerful 

digital connectivity to your PC or MAC. Eight high quality tube microphone 

preamps packaged in a single rack high package. No other 

eight channel preamp is as unique and versatile. 

TubeFire8's discrete Class A preamps provide clean quiet gain while 

maintaining incredible transparency. Eight balanced outputs are driven 

by either D/A converters or analog mic preamps, selectable in banks 

of two channels at a time. Connect to your computer with the Firewire 

interface and give your computer eight analog inputs and eight analog 

outputs. Outputs are switchable, allowing you to use the TubeFire8’s 

outputs as D/A or tube preamp outputs. 

Every input channel offers balanced 1/4” phone or XLR input, 70dB 

of gain, Pad, Low Cut fi lter, Phase Invert, and a wide range LED meter 

to monitor the output levels. The clip indicators monitor mic-pre and 

output peak levels. Each channel has a variable output level allowing 

you to adjust to various system levels or even mute the channel. 

Over the past two decades, Sweetwater has helped thousands of 

customers put ART gear to work for them in their studios and on stage, 

with exceptional results. To fi nd out how ART can heat up your tracks, 

call your Sweetwater Sales Engineer today! 

A R T

240 

ProGear2008 


Channel Strips Call today! (800) 222-4700 


Liquid Channel 

Classic Mic Preamp and Compressor Modeling 

When Focusrite claimed, “Quite simply, the Liquid Channel 

is every mic pre and compressor combination in history, inside a single 192kHz 2U device,” we were skeptical. But after hearing this incredible combination of classic analog and 

cutting-edge digital technology, we couldn’t wait to add it to our rack. Its list of presets includes 40 of the most respected mic preamps and 40 classic compressors. You can tweak 

settings available at the touch of a button from the front panel or using the included software until you reach channel-strip nirvana. And the list of preamp and compressor 

replications keeps growing! Starting with Focusrite’s pristine analog input stage, your signal can be processed in any manner imaginable. Crave the sound of an ISA 110 with its 

distinctive EQ section? You’ve got it. Or perhaps a transformerless output stage suits you better. Again, the Liquid Channel delivers. The only limit is your creativity! With 24-bit/192kHz 

digital I/O, you might have found the ultimate front end for your DAW. The technology behind the Liquid Channel is Dynamic Convolution — a mathematical technique for 

determining a system’s output, based on an input signal and a system impulse response. Drawing from Focusrite’s massive collection of impulse responses, the unit ships with a huge 

range of preamp and compressor presets ready to go. You can also create and store your own combinations. Once you 

have the Liquid Channel, you may never crave another vintage box again! 

Specs: In: 2 x XLR • Out: 1 x XLR • Dig I/O: AES/EBU on XLR, word clock • 20Hz-20kHz • Imp: variable • Gain range: 74dB • compressor • EQ 

LiquidChannel Pro Channel Strip ....List $ 2999 99 $ 

1999 99 

ONLY $60/mo. 

Liquid 4Pre 

192kHz Mic Preamp with 40 Classic Mic Pre Emulation Settings 

Imagine being able to call up exacting versions of nearly every classic mic preamp sound 

you can think of, then multiply it by four. That’s what you get with Focusrite’s Liquid 

4Pre! You can apply 40 different emulations of some of the most sought-after preamps 

to each of this unit’s four channels, all in pristine 192kHz clarity. Software is included to 

control the Liquid 4Pre, which also features large VU-style digital displays. An optional 

ether sound card is also available. 

ONLY $90/mo. 

$ 

2999 99 

ISA 430 mkII 

Channel Strip Based on Legendary ISA 110/130 

The ISA 430 mkII combines Focusrite’s signature mic preamp with the classic 

EQ section of the ISA 110 and an updated opto-compressor from the ISA 130. The 

transformer-based preamp incorporates Focusrite’s “Air” feature for that “transparent” 

sound. Variable impedance settings give you the ideal match for your mic. Add the 

optional ISA 430 mkII ADC card for 24-bit/192kHz A/D conversion. 

Specs: In: 2 x XLR, 2 x DI (back/front) • Out: 2 x XLR • Impedance: 600, 1,400, 2,400, 6,800 ohms 

• Gain range: 60dB •compressor 

• limiter • gate • de-esser • 

$ 

2699 99 

ONLY $81/mo. 

Specs: In: 8 x XLR • Out: 4 x XLR • 

Liquid4Pre 4-channel Mic Preamp ............List $ 3499 99 

Dig out: AES/EBU on XLR, word clock 

parametric EQ • shelf EQ ISA430mkII Vintage Channel Strip ..........List $ 2999 99 

Liquid4PreES Ethernet Card for Liquid4Pre ......List $ 1299 99 $ 1099 99 • 20Hz-20kHz • Imp: variable • 

ISA430Card A/D Card for ISA 430 ............List $ 599 99 $ 539 99 


ISA 220 Session Pack 

Channel Strip with Preamp, EQ, and 

Compression 

LEARN MORE ABOUT THE VOICEMASTER PRO! 

sweetwater.com/voicemastpro 

VoiceMaster Pro 

Channel Strip with EQ, De-esser, and 

Compressor 

Specs: In: 1 x XLR (front), 1 x DI (front), 1 x TRS • Out: 2 x TRS, 1 x 

headphone • 2.5k ohms • Gain range: 47dB • optical compressor • parametric 

EQ 

TwinTrak Pro 

2-channel Mic Pre with EQ and Optocompressor 

$ 99 

ISA220Card Digital Out for ISA220 ................List $ 529 99 $ 99 If you’re looking to add some “warmth” to digitally 

“If you’re looking for an all-in-one input channel VoiceMaster Pro gives you Focusrite’s famed Class A recorded tracks, the TwinTrak Pro could be the best 

that can also be put to work EQing, compressing, and preamp to capture every nuance from any source. Vocalshaping 

tools include the “Vintage Harmonics” processor mic, line, and instrument inputs with EQ and optical 

front end for your DAW. It offers quality analog 2-channel 

de-essing signals during mixdown, the Session Pack 

should top your list.” — Mitch Gallagher, EQ Magazine. designed to emulate classic 1970s tape-based vocal 

compression. The dual mono/stereo compressor features 

The ISA 220 channel strip’s classic preamp accepts enhancement processes, a vocal-friendly optical expander, fast-acting opto circuitry and sidechain inputs. The midscoop 

EQ corrects problematic frequencies in the lower 

mic, line, and hi-Z instrument inputs. Its EQ offers two an adjustable tube-sound circuit, voice-optimized EQ, 

fully parametric mid bands, two switchable shelves, and the de-esser from the ISA 430. The 24-bit/96kHz A/D midrange. Add the Platinum Card for high-resolution 

and high- and low-pass filters. It includes a Class A Platinum Card adds digital out as an option. 

A/D conversion. 

compressor with sidechain input for frequency-based 

Specs: In: 2 x XLR, 2 x DI, 2 x TRS • Out: 4 x XLR, 2 x TRS 3 x phones • 

control, a frequency-adaptive limiter, and a transparent Specs: In: 1 x XLR (front), 1 x DI (front) 1 x XLR, 1 x TRS • Out: 1 x XLR, 1 x 

Dig in: S/PDIF on coax, word clock on BNC • 20Hz-22kHz • Imp: continously 

TRS, 1 x XLR pre de-esser • 10Hz-200kHz • Imp: 1,400 ohms • Gain range: 60dB • 

optical de-esser. Add the ISA 220 Digital Card for 

variable • Gain range: 60dB • optical compressor • mid-scoop EQ 

optical expander • optical compressor • shaping EQ 

24-bit/96kHz conversion. 

ONLY $20/mo. 

ONLY $18/mo. 

PlatCard A/D Card for Plat Series ....List $ 249 99 $ 229 99 

x XLR • Out: 1 x XLR • 10Hz-150kHz • 

filters • comp/limiter • de-esser • VoiceMastPro Channel Strip ................List $ 799 99 


1,000 ohms • Gain range: 60dB • HP/LP $ 

649 99 

$ 

599 99 

param/shelf EQ 

PlatCard A/D Card for Plat Series List $ 249 99 $ 99 229 

TwinTrakPro Dual Mono/Stereo Pre Amp ...List 699 

PlatCard A/D Card for Plat Series .........List $ 249 99 $ 99 229 

“I picked my ISA 220 up mainly because of the TrakMaster Pro 

preamp and EQ, but I’ve also been very impresssed 

with the de-esser, which no other channel strip in this 

Channel Strip with EQ, Optical Compressor, and DI 

price range has. The instrument input sounds The TrakMaster Pro features a mic preamp derived from the award-winning Green range, front-panel DI, mid-scoop 

great as well.” 

EQ, intuitive optical compression, and latency-free monitoring. The front panel also includes line and instrument 

— Ted Hunter, Sales Engineer, Ext. 1397 inputs so you can add tube warmth to guitars and keyboards. T he optical compressor can sound clean for vocals 

and acoustic guitar, but it excels at crushing drum loops. The Platinum Card adds high-quality 

ONLY $45/mo. 

$ 

ISA220 Channel Strip/Preamp ..............List $ 1999 1499 99 24-bit/96kHz A/D conversion. 

99 TrakMasterPro Vocal/Inst Channel Strip ...List $ 399 99 

479 

ONLY $10/mo. 

$ 

299 99

Channel Strips 


XRack 

Modular Rack for SSL XRack 

Modular Units 

Have you dreamed about mixing your DAW 

tracks with an SSL console, but couldn’t 

quite swing the million bucks? Here’s a 

substantially more affordable alternative! 

SSL gives you eight great channels of 

compression with the amazing XRack Dynamic 8, which comes pre-loaded with eight XRack Dynamics Modules. 

These modules give you compression, limiting, expansion, and gating with hard- or soft-knee operation, and peak 

or RMS sensing, straight out of an SSL XL 9000 K board. You can combine multiple X-Rack modules (see below), 

creating your own 28-input SuperAnalogue mini-mixer in a single XRack chassis! The XRack DAW Edition comes 

pre-loaded with two mic pres, two dynamics modules, two 4-input modules, a single 8-input summing module, and a 

ONLY $282/mo. 

$ 

9395 97 

XRackDyn8 X-Rack with 8 Dynamics Modules ........................ 

XRackDAW Modular Mixer/Summing Sys ............List $ 10285 00 $ 9785 97 

XRackEmpty 8-space Empty X-Rack ........................................ 

X-Rack Mic Pre 

Module 

Preamp Module for X-Rack Unit 

A. XRackMicPre 1-channel Rackmountable Modular Mic Preamp for the SSL XRack ................................................................................................... 

B. XRackVHDin VHD Input Module ................................. $ 

1055 00 F. XRackEQ 1-channel EQ Module ............................ 

C. XRackDyn Dynamics Module .................................. $ 

975 00 G. XRack4input 4-input Module ..................................... 

D. XRackSBComp Stereo Bus Compressor .......................... $ 

2595 00 H. XRack8input 8-input Sum Module ............................. 

E. XRackMastBus Master Bus Module ............................... $ 

1255 00 


master bus module. 

Specs: Dynamics In: 1 x XLR • Out: 1 x XLR Dynamic 8 In: 8 x 

XLR • Out: 8 x XLR 

$ 

2045 00 

A. B. C. D. E. F. G. H. 

Specs: In: 1 x XLR, 1 x TRS, 1 x 1/4" link • Out: 1 x XLR, S/PDIF • External 

key: 1 x XLR • Pad: 20dB • comp/limit • param/shelf EQ 

ONLY $38/mo. 

AlphaChan XLogic Channel Strip ...........List $ 1495 00 

Fill up your X-Rack chassis with some of the 

best-sounding processors out there! The SSL 

XRack Mic Pre module gives you SSL’s 

famous SuperAnalogue DC-coupled design, the 

same circuitry found in the XL 9000. It boasts 

an amazing 75dB of gain, variable impedance 

control, phantom power, phase reverse, line input, front-panel DI, and high- and low-pass filters. Stay in command with 

the XRack Master Bus module. It provides control of the XRack’s internal master and record stereo busses, and acts 

as a studio control room module. It has mix and sum insert points, mono compatibility check, and master out metering. 

It can be connected to two pairs of speakers and provides dedicated controls for level, dim, and cut. The XRack EQ 

module, also featuring SuperAnalogue circuitry, is a 4-band parametric EQ with variable “Q” on the two mid bands, and 

shelf/bell control on the high and low bands. For great dynamics, there’s the XRack Dynamics module (see above for 

details). XRack 4 Input and XRack 8 Input modules allow for efficient, effective signal routing. 

Specs: Mic Amp In: 1 x XLR, 1 x TRS, 1 x DI • Out: 1 x XLR • 20Hz-20kHz • Imp: variable, 1.2k-10k ohms • Gain range: 75dB EQ 4-band parametric • In: 1 x 

XLR • Out: 1 x XLR Dynamics In: 1 x XLR • Out: 1 x XLR Dynamic 8 In: 8 x XLR • Out: 8 x XLR 

ONLY $30/mo. 

$ 

975 00 

$ 

975 00 

$ 

1055 00 

$ 

975 00 

XLogic Alpha Channel 

Channel Strip with EQ, Compression, and 

Analog and Digital Outputs 

The XLogic Alpha Channel offers a recording solution 

based on SSL’s years of experience in designing the 

world’s leading analog recording consoles. Like the other 

XLogic units, you get amazing SSL sound, but the Alpha 

Channel comes equipped with digital outputs so you 

can go direct into your interface with a digital signal. 

The Alpha Channel has variable input impedance, EQ, 

limiting to prevent overs during recording, and will sense 

the sample rate of connected devices and automatically 

adjust. SSL does it again! 

SuperAnCh 9000 K Series Channel Strip ..................... 

XLogicADC 192kHz I/O for XLogic Chnl ....................... 

$ 

1255 00 

Xlogic SuperAnalogue 

Channel 

Channel Strip From SSL XL 9000 K Console 

The XLogic SuperAnalogue Channel makes the 

signature sound of the classic SSL XL 900 K board 

available to everyone! For controlling dynamics, the 

XLogic SuperAnalogue Channel offers SSL’s famous Twin- 

Curve dynamics, which is switchable to be either pre- or 

post-EQ. Speaking of EQ, the SuperAnalogue Channel 

has a 4-band parametric EQ with dynamics sidechain 

operation for de-essing. The Xlogic ADC Card provides 

24-bit/192kHz A/D conversion for Xlogic processors. 

Specs: In: 1 x XLR, 1 x TRS • Out: 1 x XLR • External key: 1 x XLR • Link: 1 x 

1/4" • 20Hz-20kHz • Imp: 1.5k ohms • Gain range: 66dB • Pad: 18dB • comp 

• param/shelf EQ 

ONLY $132/mo. 

$ 

4395 00 

$ 

625 00 

GML 2020 

Legendary Input Channel 

George Massenburg is something of a hero around here. We love his gear and we love his 

approach to building gear that captures audio in its purest, uncorrupted form. The 

GML 2020 channel strip delivers one of the purest input signal path you’ve ever heard. 

The pristine input stage is followed by Massenburg’s unique dynamics section, which 

reacts to loudness, not voltage — like our ears do! The 2020 is a “best of the best” singlechannel 

mic pre/EQ/dynamics unit offering the ultimate in transparency. It features one 

channel of the 8302, one channel of the 8900 and four bands of the 8200 with extras 

such as a switch for EQ pre/post compressor, EQ sidechain for de-ess mode, a 2-pole HP 

filter, phase reverse, phantom power, and stereo link. Requires one 9015 external power 

supply for operation. 

ONLY $173/mo. 

$ 

5750 00 

Specs: In: 2 x XLR, 1 x XLR, 1 x DI 

• Out: 1 x XLR • sidechain • Imp: 1k 

ONLY $83/mo. 

GML2020 1-ch Integrated Input Chan ...........List $ 6000 00 

GML9015 Pwr Supply-GML 8900/2020 .........List $ 650 00 $ 595 00 ohms • Gain range: 80dB • 4-band Gain range: 60dB • 4-band 

param EQ 

GML2032 1-ch Pre w/EQ ....................List $ 3000 00 

param EQ • compressor 

2032 

1-channel Mic Preamp with EQ 

Based on the Model 8300 Transformerless Microphone Preamp, the GML 2032 provides 

a single channel of preamplification that conforms to the strict audiophile standards 

held up by GML and incorporating a bypassable 4-band EQ for surgical yet transparent 

sound sculpting. With a gain range of 10dB to 75dB, even gain-hungry ribbon mics 

are easily handled. The 2032 is built from top-notch components from front to back. 

The Class A circuitry has absolutely no integrated circuit chips; the discrete component 

design provides for completely pure audio quality. To ensure consistency of sound 

over the years, the 2032 is DC-coupled — no interstage capacitors to add distortion 

or degrade over time, and no tantalum electrolytic, ceramic, or aluminum electrolytic 

capacitors in the signal path. The 2032 is a unique piece in the GML line, being the only 

unit to incorporate an internal power supply. 

Specs: In: 2 x XLR, 1 x DI • Out: 1 x 

XLR • Imp: 1k ohms • 

$ 

2750 00

242 

ProGear2008 




LA-610 

Vintage Tube Mic Preamp and Compressor 

The LA-610 is a groundbreaking product bringing legendary vintage all-tube 

technology into a modern channel strip format at an extraordinary price. The LA-610 

injects the T4 gain reduction circuit of the famous LA-2A optical compressor into the 

legendary 610 console module. This complete channel strip includes variable impedance 

inputs (mic, hi-Z, and line), a 2-band shelving EQ, and, of course, the smooth-as-silk 

optical compressor. 

The LA-610 is a truly versatile tone box and is ideal not only for those who can afford 

just one quality front-end recording channel, but also for seasoned pros looking for a 

distinct flavor for their preamp and compressor arsenal. 

Specs: In: 2 x XLR, 1 x DI • Out: 2 x XLR • 20Hz-20kHz • Imp: 500 ohms, 2k ohms • Gain range: 77dB • Pad: 15dB • 

optical compressor • shelf EQ 

6176 

Tube Preamp and FET Compressor 

Universal Audio’s 6176 tube preamp and FET compressor provides the sonic one-two 

punch of a classic tube mic pre followed by one of the most popular solid-state 

compressors ever made. Features include a 15dB mic pad and an enhanced +300-volt 

power supply with high-voltage MOSFET regulation to improve bass response and lower 

the noise floor. The instrument jack is a definite plus for bass players and for keyboard 

players looking to beef up their sound. The 6176’s right half has a complete 1176LN with 

three new features: a bypass switch that hard-wires the preamp output directly to the 

1176LN output jack; a 1:1 ratio position to use the compressor only for its “color,” and 

an “all” ratio switch position that duplicates the all-button mode. The 6176 is a true 

original with deep retro roots in an updated and modern form, and is capable of a huge, 

deep sound. 


ONLY $45/mo. 

$ 

LA610 Tube Mic Pre/Opt Comp .......List $ 1749 1499 97 x XLR • 20Hz-20kHz • Imp: 13.8k 

ONLY $72/mo. 

ohms • Gain range: 65dB • Pad: 

00 15dB • limiting amplifier • shelf EQ 6176 Tube Channel Strip ...............List $ 2899 00 

$ 

2399 97 

VOXBOX 

Tube Channel Strip with Mic Pre, Pultec EQ, ELOP Compressor, 

De-esser 

The idea of a voice processor isn’t a novel idea, but when Manley designed one, they 

decided, in full Manley tradition, to pull out all the stops and make a truly high-end 

professional statement. Full of features, timeless style, robust build quality, and that 

world-famous “Manley Sound,” the Manley VOXBOX, combines the Mono Mic tube 

preamp, extended Pultec EQ, ELOP compressor, and a de-esser/limiter. Besides vocals, the 

VOXBOX offers great settings for drums, bass, guitar, and keys. The two sections can be 

used together or independently. 

Specs: In: 3 x XLR, 2 x TS • Out: 2 x XLR, 2 x TS • 20Hz-60kHz • Imp: 2k ohm • Gain range: 60dB • compressor/limiter 

• parametricEQ 

SLAM! 

Stereo Limiter and Microphone Preamplifier 

What if the sounds of classic limiters such as LA2As, 1176s, 2264s, and others were to be 

packed into one stereo tube unit? The folks at Manley asked that question and came up 

with this great unit. SLAM! stands for “Stereo Limiter And Mic pre” and it pretty much 

describes what it will do to most VU meters. Packing a double punch, SLAM! combines a 

musical ELOP limiter with a fast FET-based brick-wall limiter reminiscent of some cool 

classics. A Mastering Version of the SLAM! is also available with no microphone preamps. 

The mic pre and input select switch are removed and the switches become dedicated 

“mode” switches. SLAMDigital adds the 24-bit/192kHz digital option. 

Specs: SLAM/master In: 2 x XLR, 2 x TS, sidechain • Out: 2 x XLR, 2 x TS • 10Hz-40kHz 

• Imp: 2k ohms • Gain range: 60dB • limiter SLAM Digital In: 2 x XLR, 2 x TS, sidechain 

• Out: 2 x XLR, 2 x TS • Dig I/O: 24-bit/192kHz • AES/EBU • 10Hz-40kHz • Imp: 2k ohms • 

Gain range: 60dB • limiter 

VoxBox Tube Vocal Channel Strip ......List $ 4000 00 Call SLAM Stereo Mic Pre/DI/ELOP/Limiter .........List $ 6600 00 ONLY $179/mo. 

$ 

5940 00 

Dual Vocal Combo 

Channel Strip with Mic Pre, EQ, and 

Electro-optical Limiter 

Handbuilt in the U.S.A. by Manley Labs, the Langevin Dual Vocal Combo is 

already becoming a 21st-century classic! This incredible box includes a 2-channel 

microphone preamplifier with two shelf equalizers, two channels of electro-optical 

limiters, VU meters, individual phantom power, limiter linking, and time-proven 

circuitry. The mic preamps are transformer-coupled (hand-wound by Manley Labs) 

with 50dB of gain provided by pure discrete transistor circuits. 

The Dual Vocal Combo also features convenient front-panel 1/4" direct instrument 

inputs with a discrete circuit providing input impedance of 150k ohms and 40dB of 

gain. This is modern-vintage at its finest! 

Specs: In: 2 x XLR 2 x TRS, 2 x DI • Out: 2 x XLR, 2 x TRS, 2 x TS 10Hz-20kHz • Imp: 2.4k ohms • Gain range: 

53dB • limiter • shelf EQ 

MEQ-1NV 

Vintage Channel Strip with EQ 

The Great River MEQ-1NV fuses the classic Great River ME-1NV and EQ-1NV to create a 

vintage-voiced channel strip that will rise to any occasion. The MEQ-1NV is a 1-channel 

boutique Class A microphone preamp designed by Dan Kennedy to emulate the sound of 

a “British” console, with a digitally controlled, analog-driven EQ-1NV 4-band parametric 

equalizer inserted between the preamp gain stages for a wide range of gain-based 

adjustments. The MEQ-1NV’s EQ has a similar voicing to that of vintage 1081/1083 

models, and with four independently enabled bands of EQ and 15dB of boost or cut, you 

can apply your EQ with surgical precision. This unit lets you effortlessly move between 

a transparent, accurate sound reproduction to a harder-driven signal that’s full of rich 

harmonics; drums and guitars in particular sound fantastic when the preamp is dialed 

up. The MEQ-1NV’s low noise floor and high headroom give you the flexibility you need 

for any application. 

Specs: In: 2 x XLR, 1 x hi-Z • 

Out: 2 x XLR, 2 x 1/4” • Imp: 

ONLY $55/mo. 

$ 

DualVocal 2-channel Mic Preamp .......List $ 2000 1800 97 ONLY $79/mo. 

12k, 300 ohms • Gain range: 

00 70dB • param/shelf EQ MEQ1NV Vintage Channel Strip ..........List $ 3395 00 

$ 

2610 00

Channel Strips 


473 

X73 

273 

“ The preamp section basically IS a Neve preamp, 

enough said. But what is often overlooked in the 

X73 is the excellent EQ section, which really allows 

you to ‘sculpt’ a sound. This makes it a great choice 

for overdub studios who need to zero-in on a sound 

quickly and don’t want to waste time 

patching together a bunch of different 

input chain options for a session.” 

— Sean Wooldridge, Sales Engineer, Ext. 1346 

X73 1-ch Class A Pre w/EQ .................List $ 1995 00 $ 

1795 97 

ONLY $54/mo. 

X73i 1-ch Class A Preamp w/EQ ...........List $ 1595 00 $ 1349 97 

473 4-channel Class A Preamp w/EQ ...List $ 3195 00 $ 2895 97 

273 2-ch Class A Mic Pre w/EQ ...........List $ 1750 00 $ 1699 97 

VintechPS Vintech Power Supply .................................... 


X73 

Mic Preamp with 

3-band EQ 

Vintech’s X73 is based on 

the venerable 1073 channel 

strip, providing a rackmount adaptation 

of the original. The hand-built X73 boasts a level of sound 

quality that even veteran engineers can’t distinguish from 

a vintage 1073. Using the same circuit design, polystyrene 

capacitors, and transformers ensures that the X73 sounds 

just like the real thing . 

Built with premium components while using modern 

manufacturing practices to keep the cost down, the X73i 

features the same Class A mic pre as the X73 with all of the 

same EQ parameters plus additional midrange frequencies, 

selectable input impedance, 1/4" DI on the front panel, 

transformer-balanced mic/line inputs, phase reverse, 

phantom power switch, EQ switch, 70dB of gain, quality 

Grayhill rotary switches, custom-machined aluminum 

knobs, and more. 

The 473 features four 1073-style microphone preamplifiers 

for less than the price of one vintage 1073! The 473 offers 

a choice of 3.2kHz and 12kHz for high shelving, and 60Hz 

and 220Hz for low shelving. Each channel also offers an 

input sensitivity adjustment allowing up to 70dB of gain, a 

dual-position input impedance switch, a mic/line switch, an 

instrument input, and switches for phantom power, phase 

reverse, and EQ on/off. At less than $725 per channel, the 

473 is destined to become a studio workhorse. The 273 is 

a 2-channel version of the 473. 

Specs: X73 In: 2 x XLR • Out: XLR, TRS • shelf EQ X73i In: 2 x XLR • Out: 

XLR, TRS • shelf EQ 473 In: 4 x XLR (mic), 4 x XLR, 4 x TS • Out: 4 x XLR, 4 x 

TRS • shelf EQ 273 In: 2 x XLR (mic), 1 x XLR, 1 x TS • Out: 1 x XLR, 2 x TRS 

• shelf EQ (X73 power supply is required for all models — sold separately) 

$ 

225 00 VT737SP Tube Channel Strip ...............List $ 2500 00 ONLY $68/mo. 

Vintech Audio 

Life Sounds Beautiful! 

VT-737sp 

Tube Channel Strip with Opto Compressor and 

4-band EQ 

Run your dullest, most sterile mic through the Avalon 

VT-737sp and you’ll be amazed at how harmonically 

rich and sweet it sounds. This award-winning channel 

strip features a combination of tube preamp, opto 

compressor, sweep equalizer, output level, and VU 

metering. This is one of the most respected channel 

strips in the recording world. The VT-737sp has three 

input selections: a microphone input transformer with 

48-volt phantom power, a front-panel instrument DI, and 

a discrete Class A balanced line input. The mic preamp 

utilizes cascaded, dual vacuum tube triodes and offers up 

to 58dB of gain. The instrument preamp gives you both 

incredible headroom and exceptionally low noise. For 

stereo recording, two VT-737sp preamps can be linked via 

the back-panel connectors. 

The VT-737sp’s opto compressor is powered by twin Class 

A tube triodes in its signal path for gain matching and 

offers everything from soft compression to hard-knee 

limiting. The compressor bypass is a sealed silver relay 

for the most direct signal path. EQ can be applied either 

pre- or post-compression for flexibility. The VT-737sp is a 

true studio essential! 

Specs: In: 2 x XLR • Out: 1 x XLR • Gain range: 58dB • Imp: variable • 

compressor/ limiter • shelf EQ 

$ 

2250 00 

The X73i 

We put this piece head to head with vintage Neve 1073's at this 

year's AES show. It is 100% guaranteed to meet your expectations 

and is an incredible value. Call Sweetwater today about this piece! 

The X73 

The Vintech X73 features custom hand wired concentric style 

switches with gold plated pins, Swiss made military grade attenuator 

switch, custom input and output transformers, machined knobs. 

The Model 473 

The folks at Sweetwater recognize something special when 

they hear it. That’s why Vintech is proud to offer our 

products in cooperation with Sweetwater. When they heard 

our line, they were sold, and you will be too! 

The "X81 CLASS A" 

Vintech Users include: 

Jim Gaines: engineer Santana, Stevie Ray Vaughn 

Eddie Kramer: producer Jimi Hendrix, eng. Peter Frampton 

Chuck Ainlay: engineer George Strait, Trisha Yearwood, etc. 

Michael Brauer: engineer Paul McCartney, Michael Jackson 

Gary Paczosa: engineer Dixie Chicks, Alison Krauss, etc. 

Dan Shea: producer Jennifer Lopez, Marc Anthony 

Kyle Lehning: producer Randy Travis, George Jones, etc. 

(800) 222-4700 • www.sweetwater.com

244 

ProGear2008 




Eureka Variable-impedance Channel Strip 

The Eureka professional recording channel strip contains a discrete Class A transformer-coupled 

microphone preamplifier, compressor, and 3-band parametric equalizer. The microphone preamp 

features variable input impedance so the Eureka can be matched and “tuned” for all types of microphones and recording applications. The Class A transformer-coupled microphone 

preamplifier also features “Saturate,” which adjusts the drain current on the input FET amplifier to simulate the effects of tape saturation. This versatile, affordable channel strip sports 

a compressor with threshold, attack, release, and gain makeup , as well as a high-pass filter . You also get a fully parametric 3-band EQ with overlapping bands and switchable staging . 

The Eureka has instrument, line, and microphone inputs, a TRS send/return, and an optional digital output card, the 

AD192, capable of up to 24-bit/96kHz output on AES/EBU or S/PDIF. 

Eureka Preamp/Channel Strip ...................List $ 699 95 $ 

499 97 

ONLY $15/mo. 

AD192 Digital I/O Card for Eureka .............List $ 249 95 $ 199 97 

“Since I got the Eureka, I’ve been running anything I record through it. Not only 

is it super clean yet musical, it gives me a ton of flexibility and control with the 

parametric EQ and compressor to tweak my guitar and vocal tracks.” 

— Paul Allen, Sales Engineer, Ext. 1318 

Specs: 1-channel • solid-state • I/O: 1 x XLR, 1 x TRS • 10Hz-50kHz • Imp: 2.5k/1.5k/600/150/50 ohms • Gain range: 40dB • Pad: 20dB • compressor • EQ 

AD192 24-bit/96kHz • S/PDIF, word clock, AES/EBU 

MX60 Front End One 

Tube-emulating Channel Strip with EQ, Preamp, De-esser, and Switchable Impedance 

The MX60 Front End One is a unique mic/line/instrument input channel in a single rackspace providing highquality 

Drawmer processing prior to tape/hard disc recording. The MX60 is great for your project studio and live sound 

applications, functioning as a studio-grade mic preamp, program adaptive gate, de-esser, compressor, limiter, 3-band 

EQ, and multi-band tube saturation stage. The input stage may be switched to accept mic-, line- or instrument-level 

signals, with switchable 48-volt phantom power for the mic input. The line input has both a balanced +4dBu TRS jack 

and an unbalanced -10dBV jack for flexibility connecting synths, drum machines, and other line-level sources. A highimpedance 

instrument jack on the front panel handles electric guitars and basses. Phase reverse, 20dB boost, low-cut 

and bright switches, and a TRS insert jack directly after the preamp section are included. 

MX60 Mic/Line Pre w/Comp ...........List $ 899 00 $ 

799 97 

ONLY $24/mo. 

376 

Tube Channel Strip with Preamp, EQ, Compressor, and Digital Outputs 

Specs: In: 1 x XLR, 1 x DI (front panel), 1 x TRS • 20Hz-22kHz • Imp: 150 

-600 ohms • Gain range: 60dB • gate • de-esser • compressor • param. EQ 

• LF/HF shelf 

Pro Channel 

Tube Channel Strip with EQ and Compressor 

As soon as ART introduced it in 1999, the Pro Channel 

wowed the industry. It combines a hybrid tube/solid-state 

preamp and a compressor that can function as either an 

opto or variable-mu compressor (like those found on very 

pricey classics) with a 10-segment LED gain-reduction 

meter to monitor the amount of compression. The 

Pro Channel also has a flexible 4-band EQ, and insert 

points between preamp and compressor, and between 

compressor and EQ. The low- and high-shelf bands have 

a switchable boost frequency while two swept mids cover 

the entire spectrum, each with a Q control. 

Specs: In: 1 x XLR, TS, 2 x 1/4" return • Out: 1 x XLR, TS, 2 x 1/4" • 

20Hz-20kHz • Imp: 1.67k ohms (XLR), 1M ohm (1/4")• Gain range: 100dB • 

compressor • 4-band EQ 

From the innovative minds at dbx comes the 376 Tube Channel Processor. This unit’s advanced design allows you to 

take advantage of digital clarity and convenience while benefiting from the time-tested sonic magic you can only get 

ONLY $10/mo. 

from analog. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum 

$ 

tube with the proprietary dbx Type IV conversion system. Now you can interface seamlessly with your digital gear and ProChannel Mic Pre/EQ/Comp .................List $ 390 319 97 

00 

DAW while enjoying the hands-on, familiar sensation of analog operation and tone. The 376 boasts many of the same 

features as other products in the premium dbx Silver Series, such as 48-volt phantom power, a phase invert switch, 

low-cut filtering, front-panel hi-Z 1/4" instrument input, mic/line switch, and a 20dB pad. The rear panel includes both 

mic and line inputs and outputs, word clock sync I/O, insert jack, and digital outputs. Selectable sampling rates up to 

96kHz, selectable dithering and noise shaping, and separate analog and digital output controls are also included. 

Specs: In: 1 x XLR, 1 x TRS, 1 x DI (front panel) • Out: 1 x XLR, 1 x TRS • Dig Out: AES/EBU on XLR, S/PDIF on coax, word clock on BNC • 24-bit/96kHz • Imp: 

330 ohms • Gain range: 55dB • Pad: 20dB • compressor • de-esser • 3-band parametric EQ 

ONLY $15/mo. 

$ 

376 Tube Channel Strip .................List $ 599 499 Tube PAC 

97 

95 

Affordable Tube Preamp with Tube and 

Optical-based Compressor 

Looking for an affordable tube preamp/compressor that 

doubles as a full-featured direct box? Say hello to the ART 

Model 230 

Tube PAC. The Tube PAC comprises one channel of the 

Vocal Channel Strip with Aural Exciter 

incredibly popular ART Tube MP and one channel of the 

Aphex went the full nine yards for vocal processing and created the Model 230 Master Voice Channel. The 230 is a ART Tube Compressor in a single half-space unit. The 

vocal channel strip specifically designed to make voices bigger, more present, more intimate, more intelligible, and more T-PAC accepts a wide range of input levels from electric 

consistent. It can take a voice from thundering bombast to whispering waif without changing essential quality. The 230 guitars to condenser mics, allowing you to go from clean 

is a combination of tube mic preamp, Easyrider ® automatic compressor, Logic Assisted Gate, split-band de-esser, Big to crunchy. Professional features include variable input 

Bottom ® , parametric EQ, and Aural Exciter ® . It has an XLR input and also features five outputs, all of which are active and output gain controls, 70dB of gain, phantom power, 

— +4dBu analog output on XLR; -10dBV analog output on TRS. The Model 230 also gives you extensive digital output phase reversal switch, internal power supply, and gain 

options, and has an insert point (via TRS) for additional processing. Because the 230 has multiple simultaneous analog reduction meter. 

and digital outputs, it is suited for remote applications, where the ISDN codec could be fed digitally directly from the Specs: In: 1 x XLR, 1 x 1/4" • Out: 1 x XLR, 1 x 1/4" • 20Hz-20kHz • Imp: 

1.67k ohms (XLR), 1M ohm (1/4”) • Gain range: 70dB • compressor 

mic preamp. 

ONLY $21/mo. 

$ 

230 Master Voice Channel Strip ....List $ 799 699 97 Specs: In: XLR • Out: XLR, TRS • Dig out: AES/EBU, S/PDIF, Toslink • 

word clock • 18Hz-24kHz • Imp: 2k ohms • Gain range: 45dB • Pad: 20dB • 

00 compressor • EQ 

TubePac Tube Preamp and Comp .........List $ 159 00 $ 

129 97 

ONLY $10/mo.

Dynamics 


LA-2A 

Classic 

Electro-optical 

Leveling 

Amplifier 

While some copies claim to improve on its electronics, the LA-2A has a sound all its own , with silky-smooth, 

transparent dynamic control and ability to improve tone. Universal Audio still handbuilds the LA-2A, staying true to 

the original design and carefully selecting components to ensure each unit lives up to the standards of the original. It’s 

incredibly effective for treating vocals and it’s easy to use. There are just two main controls: Peak Reduction and Makeup 

Gain. So when you need to warm up a piercing or thin vocal and smooth its uneven dynamics, the LA-2A can work 

miracles. It also sounds awesome on bass guitar and kick 

drum! Accept no substitutes: the LA-2A is the real thing. 



LA2A Leveling Amplifi er .......................List $ 3599 00 $ 

2999 97 

ONLY $90/mo. 

2-LA-2 

Stereo 

Electro-optical 

Leveling Amplifier 

There are some devices — like the LA-2A for instance — that have attained legendary status in the recording world. 

So what’s the best way to go one better with a product that some believe simply can’t be improved upon? Add another 

one! Based on the classic LA-2A design, the new 2-LA-2 offers two linked or independent channels and a total of eight 

tubes, greatly expanding the uses of the original LA-2A. The 2-LA-2 is great for use on a master bus or on drums, guitars, 

vocals — pretty much anything else you can imagine. This retooled version of the LA-2A was designed by original UREI 

engineer Dennis Fink. UA’s renaissance has resulted in an exciting blend of classic recreations and new gear, and the 

2-LA-2 represents their combination of forward thinking with an eye toward what has always worked. 

Specs: 2-channel • electro-optical limiting amplifier • tube • In: 2 x XLR • 

Out: 2 x XLR • 2U 

2LA2 Twin T4 Leveling Amp .................List $ 3999 00 $ 

3499 97 

ONLY $105/mo. 

About 

Dynamics 

Ask any studio 

pro: using 

dynamics 

processors 

is about far 

more than 

simply reining 

in your tracks. 

Whether you’re 

going after 

near-invisible, 

transparent 

compression to keep a track sitting nicely in a 

mix, or applying not-so-subtle brick-wall limiting, 

good dynamics processors are studio essentials. 

As a pure utility, compression is a major timesaver. 

Imagine trying to track vocals or percussion 

without it. Even if you’re a pro at “riding the 

faders,” you’d be hard-pressed to accomplish 

what a good hardware unit can do with eminently 

tweak-able ease. During the mixing and mastering 

stages, compression and limiting tools are key. 

Effective use of dynamics processors can mean 

the difference between a consistent, comfortable 

listening experience and an uneven, harsh playback 

that leaves listeners constantly lunging for the 

volume knob. Dynamic control is crucial to making 

great recordings — this is definitely one area 

where having quality gear really pays off. 

2-1176 

2-channel 

Limiting Amplifier 

The 1176 is a studio standard for perfect vocals and punchy bass, imparting some of that elusive sonic “magic” found 

on countless classic hit songs. Many engineers yearned to have a pair of 1176s, and now the 2-1176 answers that call, 

packing two 1176 units in a convenient 2U package! All of the controls found on the classic mono 1176 are here — and 

yes, it will do “All Buttons In,” just like the original. Now you can apply the classic 1176 sound to any stereo source 

like a master bus or drums . The 1176LN is an exact clone of the most popular “D” and “E” versions of the original 

1176LN. Features include pushbutton selection of compression ratios, ultra fast attack time — 20 microseconds to 800 

microseconds; adjustable release time — 50 milliseconds 

to 1.1 second; and a Class A line-level output amplifier. 

Specs: 2-1176 In: 2 x XLR • Out: 2 x XLR • sidechain 1176LN In: 1 x XLR • 

Out: 1 x XLR • sidechain 

Germanium Compressor 

FET Compressor with Germanium Amp 

The Chandler Limited ® Germanium Compressor brings premium compression to the Germanium series. This 

incredible unit includes an adjustable wet/dry Mix control, Comp Curve, which gives different types of “character” to 

its settings for maximum flexibility, and Clean/Dirty Comp, which ditches harsh-sounding harmonics and leaves the 

tasty 2nd and 3rd harmonics in for even sweeter sounds. The Germ Comp is virtually devoid of the so-called traditional 

controls that have been used on compressors for decades. Sure, there’s a ratio knob, but it’s not a 2:1-3:1 kind of situation 

— it’s completely set by ear. You just turn the knob until it sounds right. The Comp Curve setting is handled the 

same way, using a series of Germanium or silicon diodes, resistors, or diode combinations to control the compression 

curve. Certain settings have a mild sound, while others are more aggressive. The Germanium Compressor lets you “play 

it by ear” to get great results! 


GermaniumComp FET Germanium Compressor .... List $ 1680 00 

ONLY $46/mo. 

$ 

1525 00 

LA-3A 

Electro/Optical Leveler 

2-1176 Twin Vintage Limiting Amp ......List $ 3399 00 

1176LN Limiting Amplifi er .....................List $ 2399 00 LA3A Leveling Amplifi er .......................List $ 1999 00 

Upon its initial release in 1969, the Universal Audio LA-3A 

was immediately adopted by top studio engineers and 

$ 

2799 97 roll — adding just the right edge on electric guitars and 

$ 1999 97 handling vocals beautifully. UA added a few practical 

enhancements for modern studio integration, but 

ONLY $84/mo. became one of the signature sounds of 1970s rock and 

otherwise the reissue of the LA-3A is a painstaking and 

exact replica. This m.i.p.a.-award nominee meticulously 

retains all the internal and external qualities of the 

original: the same simple control set, and the T4 electrooptical 

attenuator, which is the source of the LA-3A’s 

program-dependent compression. It also retains the 2U 

half-rack design, and comes complete with a single-unit 

rack assembly. 

All the original rear-panel connections and controls are 

also maintained, while the commonly performed “LA-3A 

gain mod” is added as an additional switch for maximum 

studio versatility. The Universal Audio LA-3A Dual is a 

pair of LA-3As with a dual rackmounting kit. 

Specs: LA-3A In: 1 x XLR, barrier strip • Out: 1 x XLR 

ONLY $51/mo. 

$ 

1699 97 

LA3ADual Dual Leveling Amplifi er ................List $ 3899 00 $ 3299 97

246 

ProGear2008 


Dynamics Call today! (800) 222-4700 


Variable Mu 

Stereo Variable Mu Limiter/Compressor for Tracking and Mastering 

The Manley Variable Mu. Here’s what it does: It creates the glue that holds a mix 

together, allowing the individual character of each instrument to stand out, yet fit 

together as a unified whole. It’s the finished “record” sound you always struggled to 

achieve — unless you already have a Manley Stereo Variable Mu Limiter Compressor. 

The Variable Mu works the same way the vintage Fairchild 670 did, by using the “remote 

cut-off” of a vacuum tube 

“The Variable Mu from Manley Labs was an instant classic. 

While it’s ideal in a mastering situation, the 

Manley VariMu serves just as well for tracking or 

even mixing. Likewise, it makes the perfect mix 

bus compressor. Built like a tank, the VariMu will 

last for many years to come — after all, it is a 

Manley product, so what else would you expect?” 

— Brad Lyons, Sales Engineer, Ext. 1362 

to achieve compression. The 

unique 5670 dual triode is at the 

center of the peak reducing and 

compression action, constantly 

being re-biased by the vacuum 

tube rectified side-chain control 

voltages, which cause this tube 

to smoothly change its gain. 

ELOP 

Stereo Electro-Optical Limiter with All-tube Audio Path 

Wanting a Manley compressor in your rack is a foregone conclusion. But which one, 

the Manley ELOP Stereo Electro-Optical Limiter or the Variable Mu? Metaphorically 

speaking, the ELOP sits in the front of the bus, the Variable Mu in the rear. The ELOP’s 

inherently fast attack makes it ideal for tracking vocals and instruments — the audio 

signal only passes through Manley’s super-clean, single-ended vacuum tube line 

amplifier. Plus, it’s incredibly easy to use. Just set it and forget it; it always seems to 

do the right thing at the right time. The ELOP shines on peak limiting of individual 

instruments, vocals, room mics on drums, and “mega-squashing” effects. 

Finding favor with bass-heavy urban music, the ELOP’s sidechain high-pass filter allows 

the big bass to punch through without affecting the rest of the mix. The principle of 

operation is based around a photo resistor in combination with a fixed resistor to act like 

a smart volume control. The ELOP uses modern VACTROL technology for precise tracking 

with no high-frequency loss while digging deep into limiting. Each channel can be run 

separately or switched to “stereo link.” 

ONLY $108/mo. 


ONLY $68/mo. 

$ 

VariMu Stereo Limiter Compressor ............List $ 4000 3600 00 Specs: In: 2 x XLR • Out: 2 x XLR 

$ 00 ElectroOptical Stereo Level Limiter .......List $ 2500 2250 00 

00 

EL7 FATSO Jr. 

Analog Tape Simulator/Optimizer 

We hear it every day: digital studio owners want to find a way to make their tracks sound 

like the classic tracks from their favorite artists. Finally they can bring the warm and 

cuddly sound of LPs and tapes to digital media with Empirical Labs EL7 FATSO Jr., 

a digitally controlled analog device that offers many of the “musical non-linearities” 

exhibited by older tube, Class A discrete, and magnetic tape devices. This 2-channel 

processor will musically integrate harmonic frequencies and transients and increase 

the apparent volume of your tracks without an actual increase in peak volume levels. 

Both channels offer four types of processing. You get Harmonic Generation and Soft 

Clipper (distortion generation), High Frequency Saturation, Transformer & Tape Head 

Emulation, and Classic Knee Compression. FATSO Jr. will put a stop to complaints about 

the “coldness” and “brittle edge” of your mixes and instruments. 

Distressor 

Classic Knee Compressor with Harmonic Distortion 

The Empirical Labs EL-8M Distressor puts some of that “vintage” sound in your 

digital recordings. It works with all types of music. It adds extra “oomph” to complex 

digital mixes by adding second- and third-order harmonic distortion. Plus, it offers 

advanced sidechain EQ, eight unique curves, and provides hundreds of options with just 

a few control settings. 

It’s also available as the EL-8S dual-channel model. “British Mode” is an emulation 

of the studio trick of pushing all four buttons in on an 1176, which imparts a very 

aggressive sound to the signal. Two models offer this option: the EL-8X-M singlechannel, 

and the EL-8S-X 

ONLY $41/mo. 

dual-channel version. 

Specs: EL8M/XM In: 2 x XLR • 

ELI8M Single-channel Distressor ........List $ 1500 00 

Out: 2 x XLR 

ELI8XM 1-ch Distressor w/Brit Mode ....List $ 1799 00 $ 1530 00 

ONLY $68/mo. Specs: In: 2 x XLR, 2 x TRS • Out: 2 

$ 

Fatso Full Analog Tape Simulator ............List $ 2500 2250 00 x XLR, 2 x TRS • sidechain 

EL8S/SX In: 2 x XLR • Out: 2 x XLR 

ELI8S Dual-channel Distressor ............List $ 300000 $ 270000 

00 ELI8SX Dual-channel w/British Mode ...List $ 3799 00 $ 2999 97 

$ 

1350 00 

8900 

Dynamic Range Controller 

If you are accustomed to using conventional compressor/limiters, the GML dynamic 

range controller will be a revelation. The 8900 reacts to loudness (rather than volts) 

like our ears do. The result is total control of dynamics that’s nearly impossible to detect. 

Use it on a track to lift a vocal or instrument to sit on top of the mix and keep it there. 

Use it on backing vocals to keep in back. Use on the 2-bus to keep overall song dynamics 

where you want them. George Massenburg’s unusual design employs unique controls 

that deliver what no other unit can do. Its psychoacoustic approach uses multiple true- 

RMS detectors, remarkably accurate log converters, and fast peak detectors to respond 

intelligently to signals. Familiar features such as stereo link, soft/hard knee, ratio, and 

output level have been optimized for flexible control over a wide dynamic range with a 

XLogic G Series Compressor 

2-channel Twin VCA Compressor 

Before SSL’s XLogic G Series Compressor came along, the only way to have access 

to the G Series mix-bus compressor (used on countless hit records) was via the center 

section of an SSL 4000 G Series console. The G Series Compressor works its magic in 

“power-behind-the-throne” fashion, making mixes louder without drawing unnecessary 

attention to itself. The controls are simple and straightforward, including an attack 

control that allows fine-tuning for program material, and a release control with an auto 

setting that does such an amazing job, you’ll hardly use any other setting. 

There are three ratios available that range from subtle to squash — and they’re all 

you’ll ever need. The unit also has a sidechain input and an Autofade function that 

allows fade-ins or fade-outs from 1−60 seconds with a slope that resembles the curve of 

a console fader. Imagine having a true SSL console mix-bus compressor, without having 

sheer minimum of to invest in a million-dollar console! Here’s your chance. Call your Sweetwater Sales 

ONLY $161/mo. 

$ 

GML8900 2-channel Dynamic Range Controller ..... List $ 5500 5350 00 audible artifacts. Engineer today! 

00 

Specs: In: 2 x XLR • Out: 2 x XLR • 

GML9015 Pwr Supply-GML 8900/2020 ................. List $ 650 00 $ 595 00 Specs: In: 2 x XLR • Out: 2 x 

XLR • sidechain 

1 x XLR external key 

GSeriesComp Stereo Bus Compressor ..................... 

ONLY $126/mo. 

$ 

4185 00

Dynamics 



CL 1B 

Single-Channel Opto-Cell Compressor with 

Tube Amplifier 

VT-747sp 

Stereo Tube Optical Compressor with 

6-band EQ 

These days the heart of a recording studio is a computer equipped with multitrack digital audio software and 

hardware. DAWs can be powerful tools for recording your music, but a common criticism is that they sound brittle and 

cold, lacking the kind of warmth that pro analog outboard 

gear provides. That’s what makes Avalon’s VT-747sp 

stereo compressor so valuable. It combines a creative 

stereo tube-discrete Class A opto compressor with a musical 

6-band program equalizer that’s sure to optimize your 

tracks. The compressor features a minimal signal path 

design utilizing sealed silver relays for all signal routing 

and bypass functions. The 6-band EQ incorporates the 

smooth characteristics of an all-passive design . 

“The VT-747SP delivers in every way. The 

VT-747 features the same stellar sonic quality 

that the world has come to expect from Avalon while 

delivering a look that is sure to 

impress and inspire.” 

Most compressors can handle a variety of signals, 

but only really shine on particular instruments or 

applications. The CL 1B from Tube Tech is one of those 

few compressors that can literally do it all. We used the 

— Ryan Sloan, Sales Engineer, Ext. 1306 

CL 1B, which is aimed at tracking, on several sources 

and found it did an amazing job. On vocals, the CL 1B 

ONLY $74/mo. 

added body to a weak vocal without the track sounding 

$ 

VT747SP Tube Stereo Compressor .......List $ 2700 2450 00 


compressed. Acoustic guitar fared equally well, with 

00 

the CL 1B adding a nice round bottom and perfectly 

preserving the high-end. When we ran the snare through 

it, the CL 1B yielded a fat sound with a good deal of 

AD2044 

snap. Every thing we used the CL 1B on sounded better Dual Mono Optical Compressor 

than it did before. This opto-cell compressor employs a Compression is often the link that turns an average mix 

gain-reduction element that’s controlled by the sidechain into an amazing one, adding punch that makes your mix stand out from the rest. Of course, you need the proper tools 

amplifier with both fixed and variable Attack/Release of the trade if you’re to fatten up your mixes, and if you only own one analog compressor, you can’t go wrong with the 

time control circuits. The signal then passes through a Avalon AD2044. This pure Class A optical compressor is one of the most transparent, low-noise devices we’ve heard. It 

tube-based push-pull amplifier with up to 30dB of gain. features a 100% discrete, pure Class A signal amplifier configured with high-speed current-monitored optical control 

Balanced inputs and outputs plus a bus selector to link elements. These “invisible” opto elements combine with a minimal signal path to ensure low noise. 

multiple compressors round out the impressive feature 

set of the Cl 1B. The Cl 1B is one of those boxes that No VCAs are incorporated, which means you’ll realize uncolored sound. The AD2044 has variable attack and release 

change the way you look at dynamics processing. 

controls to provide unlimited dynamic control from soft compression to hard limiting, plus sidechain access on each 

channel. The AD2044 can be found in the world’s leading recording studios, mastering facilities, and artist/producers’ 

Specs: I/O: XLR • sidechain 

outboard racks. These professionals rely on the AD2044 every day to help them complete their “sonic signature” and 

turn recordings into musical masterpieces. 

ONLY $84/mo. 

$ 

CL1B Opto-cell Compressor .................................... 2800 00 ONLY $90/mo. 

Specs: In: 2 x XLR • Out: 2 x XLR • Sidechain: 2 

$ 

AD2044 Dual Mono Class-A Optical Compressor ...........List $ 3300 2970 00 

00 

sound engineering 

CL 1B COMPRESSOR/LIMITER 

THE SAME… 

COLOR 

POWER 

SWITCHES 

TUBES 

METERS 

KNOBS 

WHY CHANGE A GOOD THING? 

Tube Tech is proud to partner with Sweetwater to bring 

the CL 1B to their customers. Our all tube outboard gear 

is the perfect complement to the high-tech computer 

audio systems Sweetwater is known for. To find out 

more, contact your Sweetwater Sales Engineer. 

LYDKRAFT 

(800) 222-4700 • WWW.SWEETWATER.COM

248 

ProGear2008 




Red 3 

Class A VCA-based Mono/Stereo Compressor/Limiter 

Compounder 

Dynamics Processor with Bass Expander 

The Focusrite Compounder combines high-quality 

compression with a powerful bass expander that generates 

deep, musical lows without sacrificing the clarity 

Few products are as sought-after as the Focusrite Red series. The Red 3 is a Class A VCA-based compressor/limiter. 

It employs an unusual and original single-VCA design to achieve high-quality and truly independent compression of your mix. The Compounder also includes a Class A 

and limiting without the compromise and unnecessary processing required with traditional designs. The success of gate/expander section, a superb-sounding compressor, 

the design is attested to by the Red 3’s TEC award for Outstanding Technical Achievement in the Signal Processing and a high-quality opto limiter. You can also use the 

Technology category. The VCA is fully discrete and balanced, offering superb low noise, low distortion, and excellent sidechain key inputs for creative applications such as 

common-mode rejection. In order to separate compression and limiting, the sidechain electronics contain three VCAs chopping guitar chords keyed from a programmed 

in series. These generate the compression and limiting control voltages that drive the main VCA. The result? True 

click or drum part. Use the Compounder for mastering 

compression followed by limiting, rather than the more common characteristic of compression that turns into limiting. a finished mix to get serious hard-punching results for 

Each channel has clear, identical controls for compressor ratio, threshold, gain makeup, attack and release, and limiter dance and techno tracks. This unit is a must-have for any 

threshold. A program-dependent auto-release mode is available, and the VU meters can be switched to show gain change modern music engineer, producer, or musician! 

in two ranges or to show levels. In stereo mode, the lower set takes control of both channels. Don’t settle for lesser 

Specs: gate/expander • comp/lim • 2-ch • In: 2 x XLR, 2 x TRS • Out: 2 x 

XLR, 2 x TRS • Sidechain: 2 • 1U 

compressors. The Red 3 is the real thing! 

ONLY $141/mo. 

ONLY $18/mo. 

$ 

Red3 Class A Dual Compressor .....List $ 5599 4699 99 Specs: compressor/limiter • 2-channel • In: 2 x XLR • Out: 2 x XLR • 2U 

$ 99 ComPounder Stereo Compressor ...........List $ 749 599 99 

99 

GloryComp Class A Tube Comp ..............List $ 3499 00 

Glory Comp 

Tube Compressor 

Following in the footsteps 

of the award-winning ViPRE 

mic preamp, the Groove 

Tubes Glory Comp offers a true all-tube compressor design, employing seven high-quality hand-selected vacuum 

tubes to accomplish its dynamics processing. In addition to its incredible sonic character, the unique “Glory” knob 

adds 2nd-order harmonics to accentuate tracks in a mix, perfect for bringing out a vocal or a solo instrument. There is 

virtually no trade-off in frequency response loss even at the most extreme settings. 

Unlike many “tube” compressors, the Glory Comp uses actual variable-gain tubes for its dynamics processing. The result 

is smooth gain reduction on any signal it touches. It makes basses fuller and guitars chimier without increasing the 

signal level. Like the ViPRE (p. 235), the Glory Comp employs high-quality ceramic switches (instead of less expensive 

potentiometers), allowing for easily repeatable settings. No matter what your source material is, this one-of-a-kind 

compressor will make your mixes sing! 

Trakker 

Single-channel Discrete Class A 

Compressor/Limiter 

Many engineers have a go-to compressor that imparts a 

distinct character on what passes through it. But what 

if you had a compressor that could mimic the best of 

vintage and modern compressors? The Trakker from 

Crane Song employs discrete Class A circuitry to provide 

transparent compression with a soft or hard knee that 

performs well at both the tracking and mixing stages. 

The single-channel Trakker has the controls you’d expect 

to see on a compressor, with a knob to select the type 

of compressor that will be used. This opens up a whole 

world of sonic possibilities. But our favorite feature on 

the Trakker: you can link up to eight of them together for 

surround mixing. 

Specs: I/O: XLR • sidechain 

ONLY $84/mo. Specs: I/O: XLR, TRS • 2 x TRS (control voltage) • sidechain 

$ 

2799 97 ONLY $66/mo. 

Trakker Single-channel Compressor ........List $ 2550 00 

$ 

2170 00 

TLA-50 

Tube Leveling Amplifier 

Summit Audio has been crafting stellar pro audio gear for nearly three decades. From the introduction of their 

breakthrough TLA-100 Tube Limiter in the mid-1980s to this versatile and value-priced TLA-50 Tube Leveling Amplifier, 

Summit Audio has proven that they know how to make premium products for the long haul. Just running a signal 

through the TLA-50 without any gain reduction offers sonic rewards. With XLR +4dB and 1⁄4" -10dB inputs and outputs, 

the TLA-50 will interface into any studio with ease. It features sidechain access, stereo linking with another TLA-50, 

switchable attack and release times, fully adjustable gain and gain reduction control, and accurate VU metering with 

overload indication, plus all the warmth of that classic Summit Audio tube sound at an amazing price. Not only does it 

do a phenomenal job adding polish to individual instruments, it also has the ability to bring out high-frequency content 

in electric guitars (just roll back your volume control and you’ll hear it). Not just for the studio, its solid construction 

makes it a perfect rack-mate for live work. 

Specs: TLA-50 In: 1 x 1/4" TRS, 1 x XLR • Out: 1 x 1/4" TRS, 1 x XLR • 1/4" 

DL241 

Auto Compressor/Gate/Expander 

We’re always on the lookout for audio tools that simplify 

processing functions without sacrificing signal quality. 

The Drawmer DL241 auto compressor/gate/expander 

features a novel blending of soft knee with a ratio design, 

giving you flexible control without losing traditional 

soft-knee smoothness. Drawmer’s Program Adaptive 

Expansion automatically adapts ratio, hold, attack, and 

release to incoming signal dynamics for fast, smooth 

response. An auto attack/release compressor with variable 

threshold and ratio is easy to use, and a peak limiter 

with zero overshoot provides essential protection against 

distortion for both recording and live applications. 

Specs: DL241XLR compressor • limiter • expander/gate • 2-channel • In: 2 

x XLR • Out: 2 x XLR • 1U 

ONLY $19/mo. 

$ 

TLA50 Tube Leveling Amplifi er ..........List $ 695 629 97 TRS sidechain 

ONLY $27/mo. 

$ 00 DL241XLR 2-Ch Exp/Gate/Comp/Lim Bal. i/o .....List $ 999 899 97 

00

Dynamics 



ACP88 

8-channel Compressor/Limiter/Gate 

Even if you can afford any gate/compressor/limiter on the market, you owe it to yourself to check out the PreSonus 

ACP88. It’s the right piece of gear at the right price! This 8-channel marvel gives you total dynamics control for 

multitrack recording and live sound reinforcement. Its eight independent compressor/limiters deliver transparent 

dynamics control. Eight full-featured gates seamlessly control unwanted noise and bleed. 

The versatile, easy-to-use ACP88 can be used for any number of applications: control vocals, tame drums, protect 

speakers, and tighten the low end, all from just two rackspaces. You can also use the AC88’s Link function to join 

channels, linking anywhere from two to all eight in different configurations. You can’t beat the ACP88’s combination 

of incredible features, practical functionality, and great price. 

Specs: In: 8 x TRS • Out: 8 x TRS • sidechain 

FIND OUT ABOUT THE UNIQUE LINKING FUNCTION! 

sweetwater.com/ACP88 

COMP16 

Mono Compressor with 16 Presets 

PreSonus took a practical approach with a musician’s 

needs in mind when they developed the COMP16 

— possibly the simplest compressor in the world! In fact, 

let M. Knox of Philadelphia, PA, tell you about it: “Finally 

an easy compressor! This unit is all that it’s cracked up 

to be for the price. I have only tried a few of the presets 

but the ones I tried are awesome and on point.” Sixteen 

presets have been carefully tailored for a wide range of 

applications . The COMP16 is an incredible value! 

Specs: I/O: XLR, TS 

ACP88 8-ch Compressor/Limiter/Gate .......List $ 1199 95 ONLY $27/mo. 

$ 

899 97 Comp16 Compressor/Limiter ...............List $ 129 95 $ 

99 97 

162SL 

2-channel Compressor/Limiter 

When the sound absolutely, positively has to be right, 

more pro engineers rely on dbx than any other brand. The 

Purple Series 162SL combines the best features of great dbx compressors and gives you more versatile performance than ever before. The 162SL offers AutoVelocity manual mode and 

classic dbx OverEasy mode, made standard by the legendary dbx 165A. The 162SL includes all the 160SL’s features, including variable attack and release controls as well as dbx’s latest 

limiting algorithm, PeakStopPlus. 

This unit’s dual proprietary VCAs provide amazing dynamic range, and ultra-low distortion makes the 162SL an excellent choice for studio use, while its rugged construction makes 

it tough enough for the road. The 162SL contains the best components available, including Jensen transformers. This high-quality compressor also features a 1/4" aircraft aluminum 

front panel, solid aluminum knobs, LEDs mounted individually in stainless steel housings, and custom VU meters. This is one studio and road tool that’s built to give you years of 

dependable, great-sounding service. 

Specs: In: 2 x XLR, 2 x TRS • Out: 2 x XLR 2 x TRS 

162SL 2-ch Comp/Limiter ..............List $ 2499 95 $ 

1999 97 

ONLY $60/mo. 

1046 

4-channel Compressor/Limiter 

Whether it’s studio recording or live work, the need 

for multiple channels of high-quality, easy-to-use 

compression is growing rapidly. The dbx 1046 gives 

you four channels of that “classic” dbx sound in a 

single rackspace. The 1046 provides smooth, classic dbx 

OverEasy or hard-knee compression that’s perfectly suited 

for use on individual recording tracks. The PeakStopPlus 

limiter is ideal for protecting your system from the 

aggressive peaks that could vaporize valuable speaker 

drivers. The four channels can be used independently 

or linked as stereo pairs, making the 1046 great for use 

on main speaker outs in a live environment. The 1066 

compressor/limiter/gate offers two channels, with the 

same great compression characteristics as the 1046. No 

studio or live rack is complete without one of these! 

Specs: 1046 In: 4 x XLR, 4 x TRS • Out: 4 x XLR, 4 x TRS 1066 In: 2 x XLR, 

2 x TRS • sidechain 

160A 

Single-channel Compressor 

The original dbx 160 series was introduced in the 

mid-1970s, and these units have remained invaluable 

to studios and live applications ever since. It’s easy 

to see why the dbx 160A is one of the most popular 

compressors with our customers. It carries the original’s 

solid construction, foolproof operation, great sound, 

at-a-glance metering, and bulletproof output stage. 

This single-channel compressor/limiter includes 

OverEasy and hard-knee compression curves, and 

wide-ranging threshold, ratio, and output controls, plus 

TrueRMS level detection for the most natural-sounding 

dynamics processing available. The 160A’s unique 

“Infinity +” inverse-compression mode is a lifesaver for 

correcting overbearing vocal choruses and controlling 

runaway house mix levels. Its easy-to-read meters are 

great for studio or sound-reinforcement settings. 

Specs: In: 1 x XLR, 1 x TRS • Out: 1 x XLR, 1 x TRS 

166XL 

Compressor/Limiter/Gate 

Most compressor/limiter/gates provide less than musical 

compression coupled with gating that swallows transients 

or cuts off decay and reverb tails. Not so with the 166XL! 

With excellent sonic performance, it delivers classic dbx 

compression at moderate settings, while the full range 

extends from slow leveling to aggressive peak limiting. Its 

program-dependent gate produces ultra-smooth releases, 

even with complex reverb decays. 

The quality 266XL compressor/gate features circuitry 

that adjusts attack and release times to match the 

program material. Like the 166XL, this unit’s range of 

settings allows it to work more like three units than 

one. Add sustain to guitars, tighten up drum mixes, and 

even out vocal passages with these amazingly low-priced 

high-performance compressors from dbx. 

Specs: 166XL In: 2 x XLR, 2 x TS, 2 x sidechain • Out: 2 x XLR, 2 x TS 

266XL In: 2 x XLR, 2 x TS, 2 x sidechain • Out: 2 x XLR, 2 x TS 

1046 Quad Compressor Limiter ...........List $ 749 95 ONLY $15/mo. 

$ 

499 97 

1066 2-channel Comp/Limiter/Gate .....List $ 599 95 $ 399 97 160A 1-channel Comp/Limiter ........List $ 599 95 ONLY $12/mo. 

$ 

399 97 166XL Dual Compressor/Limiter ...........List $ 359 95 ONLY $10/mo. 

$ 

249 97 

266XL Dual Compressor/Gate ................List $ 229 95 $ 149 97

250 

ProGear2008 




Quad Comp/Gate 

4-channel Digital Compressor/Limiter with Gate/Expander 

Mackie’s 24-bit rackmountable Quad Comp/Gate is a high-quality, user-friendly 

compressor/limiter with an analog-style front-panel interface designed for use in a live 

music situation. Wisely built with the ability to store and instantly recall up to 99 userdefined 

presets, the Quad Comp/Gate makes recalling settings incredibly easy. The built-in 

Key Filtering allows you to set the gate or compressor to react to a specific frequency, and 

the “Auto” feature senses peaks and automatically adjusts to alleviate pumping. 

Specs: In: 4 x XLR, 4 x TRS • Out: 4 x XLR, 4 x TRS • sidechain send/return 

QuadComp 4-ch Digital Comp/Gate .......List $ 1029 99 

Squeez SQ•2 

2-ch Compressor with “Air” Filter for Classic Vocal and Guitar Sound 

In the short time the TAPCO Squeez SQ•2 has been on the market, it has become a 

huge hit with guitarists. It’s also a big hit in the studio due to the tone it imparts on 

vocals. With the Squeez SQ•2, you get two channels of compression and gating plus an 

adjustable air filter for that classic vocal sound of the ’60s and ’70s. The compressor 

section offers both auto soft-knee and hard-knee curves, while the Soft Gate employs an 

expander function at the threshold. 

Specs: In: 2 x XLR, 2 x TRS • Out: 2 x XLR, 2 x TRS • sidechain 

ONLY $27/mo. 

$ 

879 99 Squeez Compressor/Gate/Enhancer ....List $ 

129 99 $ 

99 99 

Pro VLA 

2-channel, Transformerless Leveling Amplifier 

The Pro VLA leveling amplifier is a multi-purpose audio tool for audio engineering 

and recording. Enclosed in a 2U rackmountable chassis are two independent channels 

of analog leveling/compression that work great in recording, sound reinforcement, or 

electronic instrument setups. The hybrid transformerless circuitry utilizes the latest 

analog and tube technology with exceptional signal integrity, extremely low noise, and 

superior musical performance. 

Specs: In: 2 x XLR, 2 x TRS • Out: 2 

x XLR, 2 x TRS 

LevelarPro 2-ch Leveling Amplifi er .............List $ 362 00 

C300 

Dual Stereo Gate/Compressor 

The TC Electronic C300 dual stereo gate/compressor offers an innovative new approach 

to compression and gating. This compressor has presets to quickly optimize the unit for 

the type of signal — vocals, guitars, drums, etc. — which make dialing in the sound 

a snap. There are also knobs to enter your own settings, with control over threshold, 

ratio, and makeup gain. A fourth knob is where the C300 really breaks new ground — a 

mix control that allows you to blend the dry signal with the compressed signal. For the 

money, you won’t find a more flexible compressor on the market. 

Specs: In: 2 x TRS • Out: 2 x TRS • S/PDIF 

ONLY $10/mo. 

$ 

199 97 C300TC Compressor/Limiter/Gate .......List $ 

295 00 ONLY $10/mo. 

$ 

249 97 

S•com 4 

4-channel Compressor/Limiter, Expander/Gate 

The S•com 4 is a compact and versatile single rackspace device that provides four 

channels of dynamics processing with an expander/gate and compressor/limiter on each 

channel. The four channels operate independently or in stereo pairs. The S•com Plus 

is a highly adaptable stereo compressor/limiter in an efficient single rackspace design. 

The S•com is a dual-channel, single-rackspace stereo compressor designed to control 

signal levels in a variety of applications. 

Specs: S•com 4 In: 4 x XLR, 

4 x TRS • Out: 4 x XLR, 4 x TRS 

S•com/S•com plus In: 2 x XLR, 2 

x TRS • Out: 2 x XLR, 2 x TRS 

C•com 16 

Stereo Compressor with Presets and Manual Control 

The C•com 16 stereo compressor/limiter offers 15 high-quality presets. Presets include 

Smooth Vocal, Aggressive Vocal, Slap Bass, and others. If you like to tweak, variable 

threshold, ratio, attack, decay, release, and output level controls are available. The 

C•com 16 offers key output/input for outboard triggering of the key signal. 

ONLY $10/mo. 

$ 

SCom4 4-channel Comp/Limiter ............List $ 574 169 97 

99 

SComPlus 2-ch Comp/Limit/Gate/De-ess ...List $ 239 99 $ 149 97 Specs: In: 2 x TRS • Out: 2 x TRS • sidechain 

$ 

SCom 2-ch Compressor/Limit/Gate .......List $ 199 99 $ 119 97 CCom16 Stereo Comp w/ Presets ........List $ 109 69 97 

99 

MaxCom 

Dual-channel Compressor/Maximizer 

BBE has long been a leader in live sound applications with their ground-breaking Sonic 

Maximizers. The MaxCom is their latest incarnation of this innovative device, merging 

a highly sophisticated dual-channel compressor/limiter/gate with an on-board Sonic 

Maximizer. The result is a live or recorded mix with all the clean, clear punch that only a 

truly professional dynamics controller can provide. Plus, the Sonic Maximizer kicks in to 

add crystalline clarity and air to the source material as well as revealing rich harmonic 

subtleties. No live or studio rack should be without one of these beauties! 

Specs: In: 2 x XLR, 2 x TRS • Out: 2 x XLR, TRS • sidechain 

MaxCom Dual Comp/Lim/Gate/Mxmzr ........List $ 329 99 

ONLY $10/mo. 

3630 

Independent Dual-channel Compressor and Gate 

The Alesis 3630 is a great first compressor. You get two channels of tireless compression 

for less money than many single-channel compressors. Ideal for recording, mixdown, 

instrument rigs, and sound reinforcement, it features fully variable threshold, ratio, 

attack, release, and output level, selectable peak/RMS, and hard- and soft-knee 

compression styles. As an independent dual-channel compressor, the 3630 offers separate 

controls for two different source signals making it extremely useful in any mono or 

stereo circumstances. Two fully independent gates with threshold and rate controls allow 

you to easily and efficiently stifle unwanted ambient noise. 

Specs: In: 2 x XLR, TS • Out: 2 x XLR, TS • sidechain 

$ 

199 99 3630 2-ch Compressor/Limiter .......List $ 199 00 $ 

99 97

Mastering 


2030 

Dynamic Gain Controller 

The GML 2030 is an incredibly effective yet 

unobtrusive dynamic range control device 

for mastering. For critical applications where 

transparent dynamic control and front-panel setting repeatability are a must, 

the GML 2030 offers unmatched performance. The 2030 continues the GML engineering tradition 

of “zero artifacts,” allowing you to get the most out of your mixes without adding any unwanted 

tonal color. The GML 2030 also gives you the ability to link multiple units together for multichannel 

operation. Requires two 9015 power supplies. 

GML2030 2-ch Masterng Range Controllr .....List $ 7000 00 

Specs: In: 2 x XLR • Out: 2 x XLR • sidechain 

GML9015 Pwr Supply-GML 8900/2020 .........List $ 650 00 $ 595 00 


GML9500 2-ch Mastering EQ ......................... List $ 10000 00 

GML8355 8200, 8302, 8304 Power Supply ........................ 

ONLY $200/mo. 

$ 

6650 00 

9500 

Massenburg 5-band Parametric EQ 

George Massenburg invented the parametric 

EQ, so you know you’re getting a premium 

product when his name is on it! The GML 9500 offers 

precise control and incredible transparency — necessary features for mastering and 

critical mixing applications. Boost/cut are adjustable in 0.5dB increments while frequency center and bandwidth 

(Q) controls are fully detented for recall. This precision analog EQ is the choice of top mastering engineers the world 

over. The GML EQ — imitated but never bettered! 

Specs: 5-band • In: 2 x XLR • Out: 2 x XLR 

ONLY $270/mo. 

$ 

9000 00 

$ 

525 00 

About 

Mastering 

Simply put, 

mastering is 

an art form all 

its own, and 

probably the “last 

great frontier” for 

most of today’s 

home and project studios. Poor mastering can ruin 

even the best multitrack recordings and stereo 

mixdowns. But there is good news! There are a 

number of software applications that are designed 

specifically for mastering, such as IK Multimedia’s 

T-Racks 24. But the greatest advances have 

actually come in the form of outboard gear, namely 

the TC Electronic Finalizer 96K, the BBE 882 Sonic 

Maximizer, and GML’s 2030 and 9500. 

A beautifully mastered recording will have a wide 

stereo field (or 5.1 surround) and just the right 

amount of punch and sizzle. In fact, the best 

masters are the ones that don’t sound mastered at 

all. If you feel up to the challenge and are ready to 

do your own mastering, we can help by combining 

the real-world experience of our Sales Engineers 

with the best mastering tools available. 

Finalizer 96K 

24-bit/96kHz Multi-band Mastering Processor 

Customers have told us it’s almost “too easy” to get good sounds out of this unit! The 

Finalizer 96K increases the clarity and dynamic output of audio tracks — both in the 

studio and live — with premium audio quality. You’ll hear a big round sound you never 

before imagined possible.With its 24-bit/96kHz resolution AD/DA converters, it offers 

increased dynamic range over its predecessor. 

Shape your mix with the 5-band EQ and enhance it with your choice of TC-exclusive 

processes, including stereo adjust, digital radiance generator, and spectral stereo image. 

Its multi-band expander and compressor give you dynamics control, while a multi-band 

limiter ensures maximum output without distortion. Automatic format conversion 

between AES/EBU, S/PDIF, TOSlink, and ADAT simplifies output. 

Specs: 96K 5-band • In: 2 x XLR • Out: 2 x XLR • Dig I/O: AES/EBU, S/PDIF, ADAT, word clock 

MaxxBCL 

Sound Enhancer with MaxxBass, Renaissance Compressor, and L2 

Small boxes and speaker cones can’t move enough air to produce room-shaking low 

end. Waves MaxxBCL has a new solution to this problem. Waves’ patented MaxxBass 

algorithm adds stunning bass sound by extending the perceived frequency response of 

a system about two octaves below its physical limitation! The 24-bit/96kHz MaxxBCL 

combines world-class converters and transformers with unequaled processing 

algorithms to offer you astonishing bass enhancement, dynamics processing, and 

format conversion. The built-in L2 Ultramaximizer will increase the overall strength 

of the signal level without creating artifacts, making the MaxxBCL great for live sound, 

broadcast, and studio. 

Specs: In: 2 x XLR/TRS • Out: 2 x XLR, 2 x 1/4" Dig I/O: 2 x S/PDIF optical/coax, AES, 

ONLY $75/mo. 

ONLY $72/mo. 

$ 

Finalizer96 Dynamic Processor ..............List $ 2995 2499 97 word clock 

MaxxBCL 00 

Digital Processing Unit .........List $ 3200 00 

$ 

2400 00 

882 Sonic Maximizer 

High-definition Sound Processor 

There isn’t a task in audio that can’t benefit from 

the BBE 882i and 482i Sonic Maximizer signal 

processors. The 882i is designed for applications that 

require balanced +4dBu input levels, while the 482i is 

built for unbalanced signals. These processors can be 

used to make your mixes sound bigger as well as getting 

an individual track to stand out in the mix. 

Specs: 882i In: 2 x TRS, 2 x XLR (bal) • Out: 2 x TRS, 2 x 

XLR balanced 482i I/O: 4 x 1/4", 4 x RCA unbalanced 

Aural Exciter 204 

2-channel Exciter with Optical Big Bottom ® 

For years, professional audio engineers and producers 

have relied on Aphex’s Aural Exciter ® to brighten up 

sound . Now, with the Model 204, Aphex has brought 

back the Aural Exciter in an enhanced, 2-channel version 

and thrown in Optical Big Bottom processing for extra 

measure! The Exciter extends high frequencies for greater 

perceived loudness without introduction of noise into the 

audio path due to increased gain. 

Kosmos V2 

Subharmonic Enhancement Processor 

The Peavey Kosmos V2 is a next-generation subharmonic 

and stereo image enhancement system. If you’d 

like your mixes to have the chest-thumping sensation you 

get from being in close proximity to an amp cabinet, and 

experience an enhanced high end without phasing, the 

Peavey Kosmos V2 is the box that’ll do it. Noted producers 

are among the growing legion of Kosmos endorsers using 

Kosmos 2 for instruments and full mixes in studio and 

live performances. 

Specs: In: 2 x XLR, 2 x TRS • Out: 2 x XLR, 2 x TRS, 1 x sub out 

ONLY $10/mo. 

$ 

882i Sonic Maximizer ........................List $ 499 249 99 

Specs: 2-ch I/O: 2 x XLR 

00 ONLY $10/mo. 

482i Sonic Maximizer .........................List $ 299 00 $ 179 99 $ 

204 2-channel Exciter/Enhancer ...List $ 399 199 97 ONLY $10/mo. 

$ 00 KosmosV2 Low-frequency Enhancer .......List $ 299 239 99 

99

252 

ProGear2008 


About 

Equalizers 

Historically, equalizers were used by the 

telecommunications industry to make up 

for frequency-dependent signal loss when 

transmitting voice over long distances of cable. 

Special components 

were used to boost 

certain frequency 

bands that were 

attenuated (reduced) 

over the long cables, 

thus making all 

frequencies equal 

in level — hence, “equalizer.” The use of variable 

equalization to improve sound quality first started 

with motion pictures, when people began to focus 

on how bad the sound reproduction was. 

It was only natural that equalization (EQ) would 

find its way into music. Its creative and practical 

uses can vary from adding a bit of presence to 

enhance a lead vocal, to extremely complex EQ 

that can actually “tune” a poor sounding room or 

recording environment. Essentially, EQ is used to 

enhance or control certain frequencies within the 

range of human hearing. It can be used during 

the recording process, though it is much more 

common to use EQ during the mixdown process 

as well as during the final mastering of a song or 

entire album. 

Most mixers include some form of EQ, though 

these are often best used for the broader “brush 

strokes.” For those occasions where nothing less 

than the best will do, Sweetwater stocks equalizers 

from the biggest names in the business, like 

GML, Manley, PreSonus, Summit Audio, and dbx. 

Mini-Massive 

2-channel Mastering EQ 

At only 1U high, the Mini-Massive EQ shares most of 

the design and components of the larger Manley Massive 

Passive, along with delivering some new refinements for 

the ultimate in mastering EQs. Among the changes are 

a re-tooling of the four lowest and highest shelf settings 

and the addition of higher Q bell shapes on the four 

highest frequency bands. The flexible EQ lets you dial in 

anything from fat bottom end to a smooth, airy top end 

for nice, well-balanced mixes. 

For gain, the Mini-Massive employs four of the new 

Manley Rapture Amplifiers, which are some of the 

most musical amps available. These boutique-quality 

amps combine with shunt and series power regulators 

to provide an extremely low-noise power supply. The 

Mini-Massive is perfect for anyone who wants a more 

cost-effective alternative to the Massive Passive, or who 

feels the Massive Passive imparts too much character and 

wants a more transparent EQ. The Mini-Massive has a 

very clean sound, and will certainly become one of your 

favorite EQs for virtually any source. 

Specs: 4-band • In: 2 x XLR, 2 x TRS • Out: 2 x XLR, 2 x TRS 

MiniMassive 2-ch Solid-state EQ .......List $ 2800 00 

EQ Call today! (800) 222-4700 


8200 

Massenburg 5-band 

Parametric EQ 

George Massenburg is credited with inventing the modern day parametric EQ. The benchmark GML 8200 is still used 

on more records than any other in the world. Its extraordinary resolution and precision enable you to fix problems 

precisely and without artifacts. Want to fix a fret buzz on one note of the guitar? Select one of the 8200’s five bands of 

EQ, boost/cut of 15dB and a bandwidth control (Q) from 4 to 0.4 to hone in on exactly what you want. Want to fix hum 

in a mix? The GML 8200 is how the best engineers do it without leaving the telltale audible effects of other EQs. The 

lowest and highest bands can be switched to shelving mode for ”sweetening” rather than problem correction. Requires 

one 8355 power supply. 


GML8200 2-channel, 5-band Parametric EQ .....List $ 5000 00 

GML8355 8200, 8302, 8304 Power Supply ..................... 

MassivePassive Stereo Tube EQ ......List $ 4800 00 

ONLY $143/mo. 

$ 

4750 00 

$ 

525 00 

Massive 

Passive 

2-channel, 4-band 

Tube Equalizer 

The Massive Passive uses simple passive components and exploits their natural qualities rather than forcing a 

complex circuit to meet an arbitrary clinical or scientific goal. This 2-channel, 4-band equalizer with additional 

high-pass and low-pass filters delivers both the radical EQ sometimes needed for tracking and the subtle shadings 

required for vocals and mastering. The Massive Passive is designed to be a fundamentally different EQ but 

incorporates the best strengths of Pultecs, choice console EQs, parametrics, and graphics. The difference is that the 

Massive delivers twice as much EQ with half the coloration. It allows huge HF boosts without sibilance problems and 

fatness without mud. 


Pultec EQP-1AM 

Classic Pultec Mono 3-band Parametric EQ 

ONLY $130/mo. 

$ 

4320 00 

When we asked the Manley folks if their Pultec EQs sound like the classic originals they replied, “Yes! But better!” The 

original Pultecs had three transformers in the signal path, whereas Manleys can operate in completely transformerless 

mode if you choose. The Manley Enhanced Pultec EQs have vastly superior power supplies, yielding more clarity to the 

all-tube line stage. They use components that just weren’t available 20 years ago. Available as the EQP-1AM mono and 

EQP-1AS stereo versions, these units have all-tube single-ended line amplifiers for gain make-up and extra-punchy 

sound. You can even get additional gain from the rear-mounted feedback adjustment trim pot. These Pultecs offer both 

transformer-coupled balanced and direct capacitor-coupled unbalanced outputs for easy interfacing and sonic variety. 

You’ll soon discover the magic of the individual low-frequency boost and cut controls. Need a little clarity or extension? 

Try dialing in the sharpness of the boost with the bandwidth control. 

Specs: EQP-1A 2-band (plus high-freq cut) • In: 1 x XLR, 1 x TS • 

Out: 1 x XLR, 1 x TS EQP-1AS 2-band (plus high-freq cut) • In: 2 x 

XLR, 2 x TS • Out: 2 x XLR, 2 x TS 

ONLY $59/mo. 

$ 

1935 00 

PultecEQP1AM 1-channel Enhanced Pultec EQ ..... List $ 2150 00 

PultecEQP1AS 2-ch Enhanced Pultec EQ ............. List $ 3300 00 $ 2970 00 

Germanium Tone Control EQ 

Vintage-style EQ with Germanium Transistors and Feedback Control 

Engineers are always looking for fresh tonal colors and approaches when tracking — the search for great sounds 

is almost an obsession! Chandler feeds this addiction with their innovative take on the technologies of the past. The 

Germanium Tone Control EQ is a perfect example. It begins with the unique Feedback and Drive controls found 

on the Germanium Preamp/DI (p. 231). That’s already tons of flexibility right there, but things really take off with 

both active and passive EQ circuits! The separate low-frequency cut and boost sections can operate independently or 

interactively, and both the presence and treble sections can be swept. We’re talking tremendous flexibility, combined 

with the smooth, round tone of germanium 

transistors — it’s a unique EQ that will extend the 

ONLY $76/mo. 

ONLY $46/mo. 

$ 

2520 97 capabilities of your studio. 


GermaniumEQ Vintage-style Germanium EQ .... List $ 1680 00 

$ 

1525 00

EQ 



Lil FrEQ 

EQ with High-pass, High/Low Shelving, Parametric EQ, and Dynamics 

MAQ-2NV 

Class A Stereo 

Mastering EQ 

The Lil FrEQ comprises EQ with high-pass, high and low shelving, parametric EQ, 

and a dynamics section. The high-pass section cuts all content below one of eight preselected 

frequencies. It has a special shape that prevents thinning out frequencies just many of our Sales Engineers. With the MAQ-2NV, Great River offers a stereo mastering 

Here at Sweetwater, Great River EQs are very well-respected, and personal favorites of 

above the cutoff frequency. The high and low shelving are extremely high performance, equalizer with features that adapt it nicely to the world of DAW recording. The MAQ-2NV 

providing exceptionally smooth boost and cut on the bass and treble frequencies. There sports a 1/4" TRS -10dBv output for easy “no latency” monitoring with a DAW. Like its 

are four sections of fully parametric EQ operating below 0.0007% THD at extremely high sibling the EQ-2NV, the 4-band MAQ-2NV is based on vintage 1081/1083 models and 

audio levels. The dynamics section combines filters with a compressor-like circuit that has digitally controlled, analog-driven parametric circuitry and a discrete Class A output 

can help contain and control excessive high-frequency content, such as sibilants. stage. To make the MAQ-2NV more functional as a mastering tool, a link switch allows you 

to share the same settings on both channels. 

Specs: 4-band • In: 2 x 1/4", 1 x XLR • Out: 1 x 1/4", 2 x XLR 

ONLY $123/mo. 

Specs: 4-band • 2-channel • In: 2 x 

ONLY $56/mo. 

$ $ LilFrEQ 184997 MAQ2NV 4100 00 

XLR • Out: 2 x XLR, 2 x TRS 

Stereo Mastering EQ ................List $ 533000 1-channel EQ ......................List $ 2000 00 EQ2NV 4-band EQ w/ Class A Output ...List $ 3575 00 $ 2750 00 

FeQ-50 

1-channel 4-band Tube/Solidstate 

EQ with Low and High Shelving 

The FeQ-50’s sound is simply amazing and it has a ton of versatility in a convenient 

package. When you combine the unique passive circuitry, both vacuum tube and 

solid-state outputs and pristine Summit Audio build quality with the price, there 

really is nothing else like it. This high-quality, single-channel passive EQ imparts a 

characteristically rich sound , thanks to the tube and transformerless signal path. The 

four bands of EQ have switch-selectable frequencies with fully sweepable gain, and 

Summit Audio included an 80Hz high-pass filter with 6dB-per-octave roll-off. To keep the 

I/O flexible, the FeQ-50 has a total of four outputs, both +4 XLR and -10 TRS tube, and 

+4 XLR and -10 TRS solid-state. 

ONLY $29/mo. 

Specs: 4-band • In: 1 x XLR/TRS • 

FeQ50 1-ch Parametric EQ ...............List $ 995 00 Out: 2 x XLR, 2 x 1/4 TRS 

EQ3B 

3-band Parametric EQ 

If that guitar or vocal sound 

you need eludes you, find it with 

the PreSonus EQ3B. It’s a 3-band fully parametric analog EQ with smooth highs and 

solid lows, making it perfect for carving out unwanted frequencies or musically boosting 

frequencies that need to be emphasized. The 80Hz roll-off eliminates room rumble and 

increases clarity. With ±12dB of boost/cut on three overlapping frequencies along with 

variable Q, it’s easy to dial in detailed narrow notching or wide musical shaping. The 

EQ3B is ultra-quiet and works great in your studio or onstage for vocals, guitar, bass, 

keyboards, and more. 


$ 

949 97 EQ3B Parametric EQ .......................List $ 129 95 $ 

99 97 

Here at 

Sweetwater, 

we put extensive effort into 

making sure our Sales 

Engineers are the fi nest in the 

business. Before working directly 

with customers, new Sales Engineers 

go through 13 weeks of intensive training at Sweetwater U, 

including over 120 individual classes. They’re brought up to 

date on the latest developments in music technology and 

given thorough training on every aspect of what Sweetwater 

offers, so the customer can always expect great service. 

Greg Baitz, 

Professor of Sweetwater University

254 

ProGear2008 


EQ Call today! (800) 222-4700 


Quad EQ 

4-channel 30-band Digital Graphic EQ 

You’ll probably find more Mackie boards in live music venues than any other 

brand, and building on that success, Mackie introduces the Quad EQ digital 

graphic equalizer. With the Quad EQ you get four channels of 30-band digital 

EQ plus some very handy live sound tools. The EQ features Mackie’s Adaptive-Q 

Equalizers, which allow for ±12dB with 30 individual EQ filters without the 

artifacts common to constant-Q equalization. The Quad EQ also sports SPL and real-time 

analyzer (RTA) meters, normally expensive auxiliary equipment. SPL is measured by an included reference 

microphone and a front-panel readout lets you view RTA and EQ curves simultaneously — so, if you’re going for “ruler-flat” 

on the RTA curve, you can adjust EQ and see the changes in red LEDs, while simultaneously getting visual feedback in the RTA curve via 

green LEDs. Speaking of settings, live sound guys will love the ability to instantly recall up to 99 snapshots of EQ settings. A pink noise tone 

generator makes checking speaker systems for phase problems a snap. The Quad EQ also allows for the stereo linking of channels A and B, or 

ONLY $27/mo. 

C and D, and the convenient front panel offers easy control over all functions. 

$ 

QuadEQ Digital 4-ch Graph EQ ..........List $ 1159 899 99 

99 

Specs: 30-band @ 1/3-oct • ±12dB • In: 4 x XLR, 4 x TRS, 1 x XLR/measurement mic • Out: 4 x XLR, 4 x TRS 

DEQ230 

Programmable Digital Graphic EQ 

This digital EQ is sure to quickly find a home in your 

studio or live rack, thanks to its incredible ease of 

use, programmability, and sleek, compact design. The 

DEQ230 lets you store and recall presets and EQ curves 

you design, and its detailed LED meters give you an 

extremely accurate visual display. 

Alesis built the DEQ230 with flexibility in mind, with 25 

preset/25 user-definable curves, plus store, bypass, and 

link buttons that are easy to get to and use. This graphic 

EQ is suitable for professional applications, but its price 

puts it well within the reach of home and project studio 

owners — it’s great for live sound reinforcement, too. 

Specs: 30-band @ 1/3-oct • ±6dB • In: 2 x TRS • Out: 2 x TRS 

HQ Series 

Graphic EQs with Feedback Detection 

You can light up your mix with the ART HQ-231 graphic 

equalizer! The illuminated sliders are easy to read, 

and the special proprietary technology helps you keep 

live sound under control. Feedback Detection Circuits 

instantly illuminate the EQ band with the hottest signal 

to identify a feedback source, allowing quick correction. 

The HQ-231 has constant-Q filtering with ISO centers, 

independent variable high-pass and low-pass filters, 

illuminated detented slide potentiometers, switchable 

±6dB or ±12dB boost/cut range, independent level and 

bypass controls, and EQ output LED metering. 

Specs: HQ231 31-band @ 1/3-oct • ±6 or ±12dB • In: 2 x XLR, 2 x TRS, 

RCA • Out: 2 x XLR, 2 x TRS, RCA 

355 

2-channel Constant-Q Graphic Equalizer 

ART’s 355 dual-channel 31-band graphic equalizer is 

great for live sound, recording studios, and instrument 

racks. It features constant-Q circuitry with remarkable 

center-frequency accuracy. The 20mm sliders handle a 

selectable boost/cut range of ±6dB or ±12dB, and adjustable 

high- and low-pass filters control noise. With active 

balanced and unbalanced I/O connections, variable input 

level control, and clip level indicators, the 355 offers all 

the controls you’d expect in a much more expensive unit. 

For mono work try the 1-channel 351. 

Specs: 355 31-band @ 1/3-oct • ±6 or ±12dB • In: 2 x XLR, 2 x TRS, RCA • 

Out: 2 x XLR, 2 x TRS, RCA 351 31-band @ 1/3-oct • ±6 or ±12dB • In: 2 x 

XLR, 2 x TRS, RCA • Out: 2 x XLR, 2 x TRS, RCA 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

DEQ230 2-ch 1/3-octave Graph EQ .....List $ 349 299 97 ONLY $10/mo. 

$ $ 00 

HQ231 29997 ART355 169 97 

Dual 31-band Graphic EQ ...........List $ 26900 Dual 31-band Graphic EQ .......List $ 499 00 ART351 31-band Graphic EQ ...................List $ 169 00 $ 109 97 

QF215 

PV 231EQ 

QF 215 

Graphic EQ with Feedback Location System 

QF131 

Peavey’s 31-band QF 131 and dual 15-band QF 215 graphic equalizers are ruggedly 

built with the low-noise and low-distortion characteristics that Peavey is famous for. 

These workhorse 2U rackmount EQs also include Peavey’s patented FLS ® (Feedback 

Location System) technology. At the onset of feedback, FLS visually indicates which slider 

you need to adjust, making “ringing out the room” easier than ever. Both have 45mm, 

center-detented control sliders enclosed in metal, ±15dB gain control, low-cut filters, 

+21dBu balanced I/O, and bypass switches. Q Series equalizer filters are set at ISO center 

frequencies within 3% accuracy. 

PV 231EQ 

Dual 31-band Graphic EQ 

The PV 231EQ dual 31-band, 1/3-octave graphic EQ is a win-win combination of 

proven Peavey features and affordability in a road-worthy 2U rackmountable box. The 

PV 215EQ is a single rackspace, dual 15-band, 2/3-octave graphic EQ that’s a simple 

and affordable solution to equalization. Both units allow you to select between 6dB or 

12dB of cut or boost, on frequencies ranging from 20Hz to 20kHz. A low-cut filter switch 

with status LED helps remove rumble from open microphones, while the bypass switch 

with LED indicator is convenient for sound checks. Whether on stage, in the studio, or 

simply tweaking your home hi-fi system, the PV Series has an EQ for you. 

Specs: 231EQ dual 31-band @ 1/3-oct • ±6 or ±12dB • I/O: XLR (bal)215EQ dual 15-band @ 2/3-oct • ±6 or ±12dB 

• I/O: XLR 

ONLY $10/mo. 

$ 

QF215 Dual 15-band Graphic EQ ...........List $ 299 199 99 

Specs: QF215 15-band @ 1/3-oct 

ONLY $10/mo. 

• +12dB boost/-18dB cut • I/O: XLR, 

$ 99 PV231EQ Dual 31-band Graphic EQ ...........List $ 199 159 99 

TRS QF131 31-band @ 1/3-oct • 

99 

QF131 31-band Graphic EQ ...................List $ 299 99 $ 199 99 +12dB boost/-18dB cut I/O: XLR, TRS 

PV215EQ Dual 15-band Graphic EQ ............List $ 129 99 $ 99 99 

PV 215EQ

1231 

231 

215 

131 

EQ 



2231 

31-band, 2-channel Graphic EQ 

Graphic EQs are an integral part of getting a great FOH sound, and dbx is a leader in 

that field. The 2231 is a 2-channel, 31-band graphic EQ with Type III noise reduction 

and a limiter built in. The 1231 graphic EQ was engineered to make live EQ 

chores easier and to provide years of maintenance-free operation. The 1231 provides 

dual-channels, thirty-one 1/3-octave bands, ISO frequency centers, ±12dB input gain 

range, and switchable 40Hz/18dB per octave low-cut filters. Well thought out from a 

professional’s perspective, its features include 45mm faders; selectable ±6dB or ±15dB boost/cut range for precise gain adjustments; 

XLR, barrier strip, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and 

chassis/signal ground-lift capabilities for quick hum isolation. The 2-channel, 31-band 231, and 15-band 215 exclude barrier 

strips. The dbx 131 offers one channel of 31-band EQ that’s about as simple and elegant as it can be. The single-channel 131 not 

only offers standard features like thirty-one 1/3-octave bands, ISO frequency centers, ±12dB input gain range, and switchable 

50Hz/12dB per octave low-cut filter, but also includes other insightful features designed to make EQing easier and more effective 

for FOH pro and weekend warrior alike. These features include 20mm faders; selectable ±6dB or ±12dB boost/cut range for 

precision gain adjustments; XLR, and 1/4" TRS connectors to make the 131 an easy match with your gear; 

and balanced inputs and outputs for quiet operation. 

Specs: 2231 31-band @ 1/3-oct • ±15dB • In: 2 x XLR, 2 x TRS, barrier strip • Out: 2 x 

XLT, 2 x TRS, barrier strip 1231 31-band @ 1/3-oct • ±12dB • In: 2 x XLR, 2 x TRS, barrier 

strip • Out: 2 x XLR, 2 x TRS, barrier strip 231 31-band @ 1/3-oct • ±12dB • In: 2 x XLR, 2 

x TRS • Out: 2 x XLR, 2 x TRS 215 15-band @ 2/3-oct • ±12dB 131 31-band @ 1/3-oct • 

±12dB • In: 1 x XLR, 1 x TRS • Out: 1 x XLR, 1 x TRS 

2231 Dual 31-band Graphic EQ ...........List $ 749 95 $ 

499 97 

ONLY $15/mo. 

1231 Dual 31-band Graphic EQ ............List $ 519 95 $ 349 97 

231 Dual-channel 31-band EQ ...........List $ 279 95 $ 199 97 

215 Dual-channel 15-band EQ ...........List $ 209 95 $ 149 97 

131 Single-channel 31-band EQ ........List $ 209 95 $ 149 97 

GQX3102 

Dual-channel 31-band Graphic EQ 

If you’re traveling with your live rig, you need gear that will last. Ashly’s GQX3102 is 

built to handle life on the road, and designed to be extremely quiet without the need 

for noise reduction. The front panel uses Ashly’s unique “T-Beam” construction that 

eliminates interconnections between the faders and the filters, keeping the front panel 

rigid for years of solid service. Internally, the GQX3102 uses double-sided circuit boards 

with ground plane design in the filter sections for improved RFI and electrostatic 

immunity, further maintaining signal integrity. 

Specs: 31-band @ 1/3-oct • ±6 or ±15dB • In: 2 x XLR, 2 x TRS, barrier strip • Out: 2 x XLR, 2 x TRS, barrier strip 

S•curve 231 

Stereo Graphic Equalizer 

ONLY $20/mo. 

ONLY $10/mo. 

$ 

GQX3102 Dual 31-band EQ ...................List $ 795 635 97 $ 00 Tweeq Dual 31-band Graphic EQ ...........List $ 189 139 99 

99 

The S•curve 231 is a 1/3-octave stereo EQ with 31 bands for pinpoint control over 

your mix. It features ±6 or ±12dB faders, front-panel hard-wired relay-controlled bypass 

switches, and an 8-segment output meter . Designed for professional use , the affordable 

S·curve 231 boasts constant-Q circuitry, which ensures that the bandwidth of the selected 

frequency area stays the same even when approaching maximum boost or attenuation. 

As a result, phase and intermodulation distortion is greatly reduced, making for clear, 

clean sound. Front-panel controls include output level sliders, a variable low-cut filter, 

as well as Cut Only, Range, and Bypass switches. The rear panel provides electronically 

balanced inputs and outputs on 1/4" and XLR connectors. Thanks to low-noise circuitry, 

the 231 can be used in live performance in conjunction with either FOH or monitor 

mixers, in broadcast environments, or for recording. 

Specs: 31-band @ 1/3-oct • ±6 or 

±12dB • In: 2 x XLR, 2 x TRS • Out: 

2 x XLR, 2 x TRS 

SCurve231 Dual 31-band Graphic EQ .......List $ 289 99 ONLY $10/mo. 

Tweeq T•231 

Dual-channel 31-band Graphic Equalizer 

The TAPCO Tweeq T•231 is a dual 31-band graphic equalizer with exceptional 

construction, sensible features, and great sound quality. Whether you’re running live 

sound or enhancing an installed system, you can use Tweeq with confidence. The 1/3- 

octave bands are controlled by high-quality sliders that offer smooth feel and reliable 

performance, and are switchable between ±6 and ±12dB for control flexibility. Variable 

high-pass and low-pass filters eliminate rumble and hiss. Tweeq has a bypass switch so 

you can quickly compare EQed and non-EQed signals. Tweeq is compatible with both pro 

and consumer gear, and it’s loaded with TAPCO quality, more-than-you-expected value, 

and rock-solid reliability. 

Specs: 31-band @ 1/3-oct • ±6 or ±12dB • In: 2 x XLR, 2 x TRS, 2 x RCA • 

Out: 2 x XLR, 2 x TRS, 2 x RCA 

“I just wanted someone to know that Dave with your Sweetcare Program just talked me off of a 

ledge! He got my Digidesign interface back in action in about ten minutes! This is exactly why I 

bought from Sweetwater and will continue to forever! Thank you Dave, thank you Sweetwater!!!!” 

— Steve Capp 

S•equalizer 

Miniature 7-band Stereo EQ 

Do you need something compact 

to tweak the EQ of your stage 

setup, PA, or desktop studio? The 

Samson S·equalizer is perfect 

for tone-shaping instruments or 

small recording/live systems. It 

also has a variable gain control for 

setting optimum output levels. A bypass switch makes choosing between processed and 

unprocessed signals easy. The S·equalizer has RCA inputs and outputs, plus a 1/4" TRS 

stereo output for connection to other equipment. 

$ 

219 97 Specs: 7-band • ±6 or ±12dB 

$ 

SEqualizer Stereo 7-band Graphic EQ ........List $ 79 49 97 

99 

• In: 2 x RCA, 1 x TS • Out: 2 x 

RCA, 1 x TRS 

WHAT OUR CUSTOMERS ARE SAYING…

256 

ProGear2008 


Reverb & Multi-FX Call today! (800) 222-4700 


H8000FW 

8-channel Ultra-Harmonizer with 

FireWire I/O 

Reverb 4000 

Stereo Reverb Processor with System 6000 Reverb Algorithms 

At the touch of a button, Reverb 4000 delivers an impressive menu of state-of-the-art stereo reverbs — some of 

TC’s finest! A single-engine version of the System 6000, the Reverb 4000 is a great addition to any mixing console and 

provides your studio with main reverb featuring a palette of simulated rooms, from natural sounding spaces to emulations 

of vintage reverbs and TC classics such as the DVR2, VSS4, VSS3, and others. This module also has an extremely 

easy-to-use instant-access interface. The Reverb 4000 features impressive headroom and analog I/O plus 24-bit/96kHz 

digital I/O. Offering TC quality for any budget, the M3000 and M2000 provide the pristine sound quality that has 

made TC the choice for effects processing. 

For the last 36 years, Eventide has been designing 

the most advanced and powerful digital audio effects 

processors in the industry. Their innovative products 

found their way into the guitar rigs of rock legends 

from Brian May to Frank Zappa to Led Zeppelin. The 

H8000FW unleashes 24-bit/96kHz internal processing 

Specs: Reverb4000 134 presets/100 user • In: 2 x XLR • Out: 2 x XLR • 

to deliver uncompromised sound quality. Stack as many Dig I/O: AES/EBU, S/PDIF, optical, word clock • MIDI I/O M3000 300 

ONLY $75/mo. 

as five stereo effects together to create effects you’ve never presets/300 user • In: 2 x XLR • Out: 2 x XLR • Dig I/O: AES/EBU, S/PDIF, 

optical, word clock • MIDI I/O M2000 250 presets/128 user • In: 2 x XLR • 

$ 

imagined possible and manipulate them from either 

Reverb4000 Digital Reverb .....................List $ 2995 2499 97 

Out: 2 x XLR • Dig I/O: AES/EBU, S/PDIF • MIDI I/O 

00 

the easy-to-use front panel or the included software. 

M3000 Studio Reverb .....................List $ 1845 00 $ 1499 97 

ONLY $10/mo. 

ONLY $60/mo. Specs: 256 presets/99 user • In: 2 x TRS • Out: 2 x TRS (dual send/return) • 

$ 

Eclipse Multi-effects Processor .......List $ 2995 1995 97 $ 

M350 00 Dual-engine Effects Processor .............List $ 249 199 97 

00 

For post-production work, Eventide provides a slew of 

M2000 Effects Wizard .......................List $ 995 00 $ 699 97 

studio-proven effects . Adding FireWire to the H8000 

makes it even easier than before to add that Ultra- 

Harmonizer shine to your tracks. The impressive H7600 

is a powerful stereo processor that gives you 230 effects 

modules, a massive range of presets, 174-second sampler, 

and instant access to those great Eventide effects. D-Two 

Specs: H8000FW 1,800 presets • In: 4 x XLR, 4 x hi-Z • Out: 4 x XLR • Dig 24-bit Dual-engine Delay with Tap Tempo 

I/O: AES/EBU, S/PDIF, ADAT, word clock • MIDI I/O H7600 1,000 presets • In: 2 x 

XLR/TRS • Out: 2 x XLR • Dig I/O: AES/EBU, S/PDIF, word clock • MIDI I/O The D-Two Multi-Tap Rhythm Delay boasts a dual-engine processor that allows you to tap in a tempo or a complete 

rhythmic pattern and quantize it instantly according to a selected subdivision. The D-Two also provides six direct-access 

ONLY $165/mo. 

$ 

H8000FW Ultra-Harmonizer with FireWire ...List $ 5995 5495 97 add-on effects including spatial, ping-pong, reverse, dynamic delay, chorus, and filter. The standard delay line of the 

D-Two is built around a delay line with a feedback loop. Audio is fed back via the loop, which results in repeats. The 

00 

H7600 Ultra-Harmonizer ........................List $ 4495 00 $ 3995 97 D-Two delay/feedback strategy is different from ordinary delays. The repeats are caused by a number of taps that aren’t 

fed back into the delay line. That enables the D-Two to output a specific number of repeats, giving you ultimate control. 

ONLY $15/mo. 

Specs: 50 presets/100 user • In: 2 x TRS • Out: 2 x TRS • Dig I/O: S/PDIF • MIDI I/O 

$ 

DTwo Multitap Rhythm Delay ..........List $ 695 499 97 

00 

Eclipse 3.0 

2-channel Digital Multi-effects Processor 

The Eclipse 3.0 gives you massive processing power M-One XL 

at a price that puts it in a more affordable ballpark. 

Stereo Multi-effects Unit with Digital I/O 

It outperforms the H3000 series, with 24-bit/96kHz 

resolution and ultra-low noise, so reverb tails never drift The M-One XL employs TC Electronic’s XL reverb technology with new reverb algorithms. You can create any 

off into distortion. Plus, the Eclipse has 90 of Eventide’s combination of spaces, from wide halls with short decays to narrow rooms with long decays. You can also add incredible 

best algorithms and 390 killer presets. The Eclipse was delays, wide chorus, or parametric equalizers. The M-One XL also includes flangers, gates, tremolos, phasers, and more. 

designed with musicians in mind, with easy setup and an S/PDIF digital I/O makes it easy to connect to your DAW or other digital gear. M-One XL reverbs have gone through a 

interface with customizable front-panel controls. 

general improvement process, mainly focusing on the stereo width . The results are quite dramatic and M-One owners 

will immediately notice the difference. 

A built-in search engine makes sorting and finding effects 

ONLY $12/mo. 

simple. The new OS allows user-definable scales similar to Specs: 200 presets/100 user • In: 2 x XLR • Out: 2 x XLR • Dig I/O: S/PDIF 

$ 

MOneXL Multi-effects Processor .........List $ 495 399 97 

the H3000. Besides balanced and unbalanced analog I/O, • MIDI I/O 

00 

the Eclipse gives you digital I/O with support for AES/EBU, 

ADAT optical, and S/PDIF optical or coax connections. 

Word clock I/O and a new MIDI clock output let you use 

the Eclipse as your master clock! 

Specs: 390 presets • In: 2 x XLR/TRS • Out: 2 x XLR, 2 x TRS • Dig I/O: 

AES/EBU, S/PDIF, word clock • MIDI I/O 

M350 

“A great one-stop shop for high-quality effects Dual-engine Reverb with Software Control 

processing with conversion so good you don’t need The TC Electronic M350 is an extremely user-friendly dual-engine rack processor that’s equally suited for live and 

a line mixer! The dual-engine setup is great for 

morphing from sound to sound and provides for studio applications. It combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, 

the delay and reverb trails to ring through when modulation, and compression. Studio engineers and recording musicians will benefit from the included AU/VSTcompatible 

software editor, which allows for seamless control and editing integration with DAW systems. Parameters 

switching presets.” 

—Robert Williams, Sales Engineer, Ext. 1371 and preset recalls may be fully automated or real-time controlled. The M350 delivers high-quality 24-bit processing and 

AD/DA conversion.

®

258 

ProGear2008 




PCM96 

Digital Reverb/Effects Processor with DAW Automation 

Here’s a great example of “outside the box” thinking that benefits those of us who often work “in the box.” The innovative folks at Lexicon paired their formidable expertise in the 

realm of effects with a forward-thinking approach to how they work with your recording system. The PCM96 — their latest processor — takes everything they’ve learned over the 

years about reverb and situates it in prime position to become a powerhouse in the modern production studio. Inside there are 28 reverb, delay, room, and modulation effects including 

the triumphant return of Lexicon’s famed Concert Hall reverb, all handled in pristine 32-bit floating point processing. For DAW users, the PCM96 easily fits in as a “Hardware Plugin,” 

providing classic reverbs and effects at sample rates up to 96kHz within any AudioUnits or Mac VST host application via FireWire. For those of us dwelling in the analog world, 

balanced XLR I/O let you incorporate the PCM96 into an analog rig. So whether you’re working “in the box” with your DAW or prefer a great-sounding, comprehensive hardware 

solution, the answer is right here! The PCM96 is chock full of the sounds that made Lexicon a legend in the first place. 

Specs: In: 2 x TRS • Out: 2 x TRS • Dig I/O: AES, FireWire, Ethernet • 24-bit/96kHz • word clock • MIDI I/O/T 

PCM96 Digital Reverb/Effects ..........List $ 3499 95 $ 

2699 97 

ONLY $81/mo. 

PCM91 

Dual Stereo Digital Reverb Processor with 450 Presets and Dynamic 

Spatialization 

Simply put, Lexicon wrote the book on modern digital reverb. The PCM91 manages 

to raise the bar in reverb processors, adding features such as Dynamic Spatialization 

and Keyword Search to make it easier than ever to get amazing effects. Dual Lexichip 

Architecture proprietary microprocessors drive this formidable reverb machine, and 

the PCM91’s 15 algorithms give you access to a veritable “greatest hits” collection of 

Lexicon’s best reverbs — you get 450 presets in all! Dynamic spatialization effects can be 

used in both 2-channel or surround situations, bringing a whole new dimension to your 

projects. In addition to balanced analog inputs and outputs, the PCM91 includes S/PDIF 

and AES/EBU I/O. The incredibly useful KeyWord search and sort function lets you find 

presets faster than ever before , and the Edit Matrix can contain up to 100 parameters. 

Specs: 450 presets/100 user • In: 

MPX1 

Multi-effects Processor with Dual Processing Architecture and 200 

Factory Presets 

At Sweetwater, we have a reasonable qualification for any multi-effects processor: Can 

it run separate reverb, chorus, and delay effects — each in true stereo (that is, with 

independent left/right processing), in any order and without any compromise in the 

overall sound quality — all at the same time? Enter the Lexicon MPX1 ! This unit 

uses dual complementary processing architecture to give you breathtakingly realistic 

and useable reverbs. That means it has two completely independent DSP processors. It 

draws from Lexicon’s flagship 960L and employs Lexicon’s famed LexiChip to deliver 

“idealized” reverb algorithms for world-class stereo reverb and ambience. Naturally, 

the MPX1 has that legendary Lexicon sound; rich lush reverbs, crystal clear delays, and 

swirling choruses. 


ONLY $60/mo. 

$ 

PCM91 Digital Reverb .....................List $ 3129 1999 99 ONLY $21/mo. 

2 x XLR/TRS • Out: 2 x XLR, 2 x 

2 x XLR, 2 x TRS • Out: 2 x XLR, 2 

$ 95 TRS • Dig I/O: S/PDIF, AES/EBU • x TRS • Dig I/O: AES/EBU, S/PDIF 

MPX1 Stereo Multi-effects Processor .........List $ 1129 699 97 

95 

MIDI I/O/T 

• MIDI I/O 

MX400 

Dual Stereo Reverb Processor with USB 

The most feature-packed member of the MX family 

of effects processing is the MX400, a 4-channel efects 

unit. The MX400 (TRS) and MX400XL (XLR) dual 

stereo/surround reverb processors bring those quality 

Lexicon sounds to project studios, live sound applications, 

and surround facilities on a budget. The 4-in, 4-out 

unit combines front-panel design with Lexicon’s USB 

“hardware plug-in” technology, which enables you to 

control the MX400 exactly as you would any software 

plug-in (compatible with VST and AU formats), while 

enjoying the CPU-relief that only hardware can provide. 

This is a compact, versatile hardware reverb processor. It’s 

like getting two processors for the price of one! 

Specs: MX400 In: 4 x TRS • Out: 4 x TRS • MIDI MX400XL In: 4 x XLR 

• Out: 4 x XLR • MIDI 

ONLY $12/mo. 

$ 

399 97 

MX200 

USB Multi-effects Processor with Software 

Control 

In the studio, engineers, producers and musicians no 

longer have to compromise between the instant control 

they enjoy with plug-in effects and the warm, complex 

depth of a dedicated hardware-based processor. The 

Lexicon MX200 provides a USB interface with an 

intuitive cross-platform VST plug-in window, allowing 

it to function as a “hardware plug-in” within any VSTcompatible 

workstation. Ninety-nine carefully crafted 

factory presets offer stunning reverbs and effects, with an 

additional 99 programmable slots that allow you to make 

custom effects from dozens of effects types including 

halls, chambers, plates, slap and tape-type delays, dbx 

dynamics algorithms, and special effects like chorus, 

flange, tremolo, and rotary. 

Specs: 99 presets/user • 24-bit/48kHz • I/O: 2 x TRS 

MX300 

2-channel Reverb/Delay Processor 

Many of the features that made the MX400 (right) 

such a hit have found their way into the MX300, a 

very affordable and versatile multi-effects processor 

from Lexicon. Like its stellar siblings the MX400 and 

MX200, the MX300 can function as a VST or AU plug-in 

inside your DAW for CPU-free processing. Imagine: you 

can control the MX300 from your computer just like a 

plug-in, without the sapping consequences of adding 

effects to multiple tracks. 

The MX300 can be used just as easily as a standalone 

hardware unit, making it ultra-easy to use in demanding 

live sound situations. You can program a whole night 

of presets, and dial them up quickly with the dedicated 

program select knob and bright LED display. 

Specs: 99 presets/99 user • In: 2 x TRS, 2 x XLR • Out: 2 x TRS, 2 x XLR • 

Dig I/O: S/PDIF • MIDI I/O 

MX400TRS Dual Stereo Reverb Processor ....List $ 599 95 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

MX400XLR Dual Stereo Reverb Processor .....List $ 674 95 $ 449 $ 97 MX200 MX300 2-ch Effects Processor ...........List $ 449 299 97 

2-ch Effects Processor ...........List $ 299 199 97 

95 95

Wet Your Appetite… 

for commanding VOCALS 

in any ENVIRONMENT. 

Richer Reverb, More Control. 

Don’t trust your sound to just anyone. 

From studio to stage, Lexicon’s new MX300 

offers a more sophisticated class of reverb to 

bring out the unique character and complexity 

of vocals, drums, and guitar in your mix. 

For nearly two decades, Lexicon has worked with Sweetwater 

to bring the distinctive richness of Lexicon reverb to their 

customers. To fi nd out more, call your Sales Engineer today. 

The proof is in the performance. 

800.222.4700 www.sweetwater.com/mx300

260 

ProGear2008 




Model 7 

High-resolution Digital Reverb Processor 

You’ll find a crowded field of reverb units out there, but you know the cream of the crop when you hear it. The amazingly high resolution and lush, natural reverbs the Bricasti 

Model 7 stereo reverb processor offers are proof enough. This IU rackmountable unit uses a unique algorithm to generate true stereo versions of classic, hall, plate, room, chamber, 

and ambient reverbs that you simply have to hear to believe! If you’re looking for the most detailed, natural-sounding reverb effects out there, you owe it to yourself to give this unit 

a closer look. The Model 7 is loaded with 100 onboard presets, and features 12 parameters per program. Choose four favorites for easy front-panel access and comparison functions. 

The uncluttered control panel includes parameter, preset, and selection buttons, as well as a large milled aluminum input level knob and scroll knob, and large, easy-to-read display. 

Bricasti’s attention to detail is evident in the physical design of the Model 7, which features fully differential analog and digital sections, and a dedicated toroidal transformer-based 

linear power supply for the analog side. Analog input and output circuits are fully balanced. The digital side features a high-performance switching supply, and it’s self-clocking to 

incoming sample rates from 44.1kHz to 192kHz. This incredible-sounding, versatile reverb unit is housed inside a tough stainless-steel enclosure and features a tooled aluminum front 

panel for durability and boutique looks. The Model 7 is handcrafted in the USA. 

Specs: 100 presets/100 user • In: 3 x XLR • Out: 3 x XLR • Dig I/O: AES/EBU, word clock • 24-bit/192kHz • MIDI I/O 

M7 Digital Reverb ................................................ 

ONLY $111/mo. 

$ 

3695 00 

SPX2000 

2-channel Multi-effects Processor 

The name “SPX” has been synonymous with “professional multi-effects processor” for 

more than 20 years. The SPX2000 inherits legendary programs from its predecessors 

and adds a new dimension to sound quality with its reverb algorithms and 96kHz audio 

DSP. The SPX2000’s Preset bank includes 17 programs with the newly developed “REV-X” 

reverb algorithms, a whole new generation of reverb programs with rich reverberation 

tone and smooth decays. The other 80 presets include popular SPX programs such as 

gated reverbs, delays, pitch effects, modulation, and more. 

Mangler 

2-channel Modulation Effects Processor 

If you’re after some truly unique modulation programs that will make your tracks really 

stand out, the Mangler is a real find. Its presets cover just about every effect under 

the sun, from chorus to distortion to reverb. Mangler effects offer the same legendary 

Kurzweil quality found in the KSP8 and includes truly warped flangers, intense tremolos, 

and deep, wide filters. In addition you’ll find synth-style triggers, ring modulation, the 

otherworldly LaserVerb, Pitcher pitch-shift program, and much more. The Rumour is a 

dedicated stereo reverb processor with 192 presets and pre-effect EQ. 

ONLY $18/mo. 


ONLY $30/mo. 

$ 

$ 

SPX2000 24-bit Multi-FX Processor ...List $ 1249 999 99 Mangler Effects Processor .......................List $ 649 584 97 

2 x TRS • Out: 2 x TRS • Dig I/O: 

00 S/PDIF 

00 Rumour Effects Processor ........................List $ 649 00 $ 584 97 

Specs: 122 presets/99 user • In: 2 x XLR, 2 x TRS • Out: 2 x XLR, 2 x TRS • Dig I/O: 

AES/EBU, word clock • 24-bit/96kHz 

• MIDI I/O 

MidiVerb 4 

Dual-channel Multi-effects Processor with Auto Level Sensing 

This processor was created for professional studios and musicians who need great 

sounding, fully programmable, and flexible effects. The MidiVerb 4’s superb algorithms 

produce dense natural reverbs, rich choruses, flangers, delays, pitch effects, and up to 

three simultaneous multi-effects. The MidiVerb 4 offers 18-bit A/D and D/A converters 

and 24-bit internal processing , and its 32 effects algorithms give you a complete arsenal 

of fully programmable sounds. Many employ true stereo parallel processing. The 256 

preset programs give you plenty to work with, and you can save your favorite edits in 

128 user spaces. MidiVerb 4 proves that great-sounding effects don’t necessarily need to 

break the bank. This is an essential piece of gear for any studio, and an incredible value! 

Specs: 256 presets/128 user • In: 2 x TRS • Out: 2 x TRS • MIDI I/O 

ONLY $10/mo. 

$ 

MidiVerb4 Signal Processor ....................List $ 299 199 97 Specs: 200 presets/100 user • In: 2 

ONLY $10/mo. 

x TS • Out: 2 x TS • MIDI I/O 

$ 00 MicroVerb4 Stereo Digital Reverb w/MIDI .......List $ 249 149 97 

00 

PicoVerb 

Super-compact Multi-effects 

Processor with 16 Presets 

This super-compact, ultra-affordable 

digital multi-effects unit features 16 

stereo presets including halls, rooms, plates, chorus, flange, delay, and rotary speaker 

simulation. At this price, the PicoVerb is too cool not to love! It has become a mainstay 

in project studio racks and live sound rigs. 

With 28-bit internal processing and 48kHz sample rate, the PicoVerb doesn’t fall down 

on sound quality. The 1/4" inputs and outputs make it a snap to insert into your system. 

Plus, it all fits in 1/4-rackspace! 

Specs: 16 presets • In: 2 x TS • Out: 2 x TS 

PicoVerb Digital Multi-effects Unit .........List $ 99 00 $ 

79 97 

MicroVerb 4 

Stereo 18-bit Digital Reverb and Delay 

The great-sounding, affordable MicroVerb 4 offers a wide variety of great-sounding 

effects for your small studio or live performance rig. MicroVerb 4 provides 200 programs 

that include everything from reverb, delay, chorus, and flange to exciting multi-effects 

and more. Customizing programs is sheer simplicity. Two front-panel knobs allow 

for quick and easy user-storable edits, or you can use its MIDI input to control the 

MicroVerb. You can then save your programs in the onboard 100-space user bank. The 

MicroVerb 4’s interface includes input and output level, mix control, left and right input 

level meters, footswitch bypass control, Leslie speaker emulation speed (fast or slow), 

and tap tempo. Besides MIDI control over program changes, you can also transmit effect 

parameters and sysex dumps. 

NanoVerb 

18-bit Stereo Multieffects 

with 16 Presets 

The NanoVerb gives you 

sixteen of Alesis’ best preset 

effects algorithms in a compact, easy-to-use, and incredibly affordable package. You’ll 

enjoy its hall, plate, and room reverbs, rich true stereo chorus, flange, delay, rotary 

speaker emulation, and convenient multi-effects. Plus, NanoVerb’s 18-bit digital 

converters ensure the sonic quality for any effects application from guitar rigs to studio 

recording. The front-panel adjust knob allows you to tweak NanoVerb’s great-sounding 

programs until they’re just right for your music. Plus, at such a low price, you can put 

several in your rack. 

Specs: 16 presets • In: 2 x TRS • 

Out: 2 x TRS 

NanoVerb 18-bit Digital FX Processor ....List $ 135 00 $ 

99 97

Reverb & Multi-FX 


Moogerfooger MF-101 

Lowpass Filter 

Legendary Moog Filter and Envelope Follower 


12-stage Phaser 

Modular Phaser with Sweepable LFO 

Moogerfooger MuRF MF-105 

Analog Multi-filter for Guitars, Keyboards, Loop 

Creation, and More 



Ring Modulator, Carrier Oscillator, and Dualwaveform 

LFO 

The MF-102 Ring Modulator is an award-winning effect 

designed by Bob Moog. It contains an analog ring modulator 

with a built-in voltage-controlled carrier oscillator, and 

Meet the classic Moog filter that changed the sound of 

voltage-controlled LFO. Used with guitars, basses, keyboards, 

electronic music! The award-winning Moogerfooger MF-101 

samples, or recorded tracks, the Moogerfooger MF-102 can 

Lowpass Filter’s control parameters include signal mix, cutoff 

create subtle or completely over-the-top effects. Its heavy-duty 

frequency, resonance amount, and envelope amount. The 

yet smooth-acting bypass switch allows either tabletop or 

MF-101’s filter-sweeps follow the dynamics of your playing. 

floor use. The Moogerfooger ring modulator can create effects 

The harder you play, the higher the envelope voltage goes, so you actually play the filter ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, 

as you play your instrument. Now everyone can tweak their way to analog heaven with swoops, and dive-bombs. 

classic Moog filter effects! 

ONLY $10/mo. 

ONLY $10/mo. 

$ 

MF101 Moogerfooger Low-pass Filter ........................................................................ List $ 279 265 97 $ 00 MF102 Moogerfooger Ring Modulator ......................................................................... List $ 289 275 97 

00 

Moogerfooger MF-104Z 

Analog Delay 

1,000ms Standalone Analog Delay Module 

The Moogerfooger ® MF-103 12-stage phaser is a direct 

Like all Moog products, the MF-104Z sounds fantastic, 

descendant of the original Moog modular synthesizers. It 

and like all Moogerfoogers ® , it has controls that allow you 

contains an amazing-sounding 6- or 12-stage phaser circuit, 

to manipulate your signal in a variety of ways . With delay 

as well as a wide-range LFO with adjustable sweep amount. 

time adjustable from 50ms to slightly over 1,000ms, it’s 

The MF-103’s control parameters are sweep frequency, 

second in length only to the MF-104SD Moogerfooger Super 

resonance, LFO rate, and LFO amount. All of these parameters 

Delay. (Sorry, these super-limited editions are all gone.) The 

can be controlled by the great-feeling knobs as well as 

MF-104Z’s Feedback control mixes a portion of the delayed 

expression pedals or external control voltages. The MF-103 provides extremely deep signal with the signal from your instrument to generate a single echo, sustaining echoes, 

phasing that spins your speakers and ears out of control. 

or chaotic echo buildup. In addition, it has a Mix pot so you can go from completely dry 

ONLY $10/mo. to completely wet and everything in between. 

ONLY $21/mo. 

MF103 12-stage Phaser ............................................................................................ List $ 339 00 $ 

299 97 MF104Z Moogerfooger Delay ....................................................................................... List $ 729 00 $ 

689 97 

Moogerfooger 

MF-105B Bass MuRF 

Bass Multi-filter 

An amazing processor, the Moogerfooger ® MF-105 MuRF ® 

For decades, Moog defined the sound of synth bass. It’s only fair 

produces modulation and synth-like effects via multiple 

that bass players should have a Moogerfooger ® designed just for 

resonant filters. What makes MuRF really sing is its ability to 

them. The new MF-105B Bass MuRF ® features the classic 

animate the levels of the filters in up to 24 preset patterns. The 

MuRF design specially tweaked for bass. The unique sound of the 

rate of the patterns can be set by a knob or expression pedal, or 

Bass MuRF begins in the filter section. Seven of its eight filters 

you can plug a footswitch into the tap tempo input to match 

are resonant filters voiced at lower frequencies, and at the low 

the rate to your song. Rhythmic variations can be created by 

end, Moog has added a 3dB/octave shelving filter. With a cutoff 

adjusting filter levels and envelope control. The envelope control 

frequency of 120Hz, it adds extra response where bass players need it most. You’ll find 

sets the shape of the modulation to create percolating techno 

new patterns in the Animation section with very interesting rhythmic qualities. Order 

rhythmic modulation or shimmering timbral morphing. 

yours now, or you’ll have to fight off guitar players looking for a heavier, 

ONLY $12/mo. 

$ 

MuRF Guitar Multi-fi lter ........................................................................................... List $ 449 399 97 darker sound. 

ONLY $12/mo. 

$ 00 MuRFBass Bass Multi-fi lter ............................................................................................. List $ 449 399 97 

00 

Moogerfooger MF-107 FreqBox 

Filter Effects Pedal 

Now you can get an array of effects that were once only 

possible with a modular synth, all from a single pedal. 

How? Instead of modifying the input signal to produce 

an altered version of the sound source, the FreqBox 

uses a Voltage Controlled Oscillator (VCO), modulated 

by the sound source input to provide a startling array of 

manipulations. This yields everything from classic hard sync 

effects to glitching sweeps to as-yet-unnamed sonic creations. 

VCO controls can also be manipulated by an expression pedal. 

Get the Moog experience in compact pedal form with the 

Moogerfooger FreqBox. 

CP-251 

Control Processor 

As audio signals go through a system 

of synthesizer modules, they get 

shaped into the sounds that you 

hear. Control signals, on the other 

hand, correspond to the variations in 

the sound that are imparted by the 

synthesizer modules, like invisible 

hands that turn the knobs of the modules. The Moogerfoofer ® CP-251 provides a 

dual-waveform LFO, noise generator, sample-and-hold circuit, as well as two attenuators, 

a lag processor, a CV mixer, and a 4-way mult. Used in connection with one or more 

Moogerfooger analog effects modules, or a Minimoog Voyager, the CP-251 adds the 

power and versatility of the classic Moog modular synthesizers. 

MF107 Moogerfooger Low-pass Filter ........................................................................ List $ 359 00 $ 

339 97 CP251/110 Moogerfooger Control Processor ...................................................................... List $ 369 00 $ 

359 97 

ONLY $11/mo. 

ONLY $11/mo.

262 

ProGear2008 


Multi-FX Vocal Call today! (800) 222-4700 


STUDIO AND STAGE! FIND OUT MORE… 

sweetwater.com/Vx400 

Vocalist Live Series 

Smart Multi-part Vocal Harmony and Effects Processor for Guitarists 

DigiTech’s incredible Vocalist ® Live Series smart harmony vocal and effects floor processors give singer/guitarists 

an incredible new live tool. The Vocalist Live units create vocal harmonies using proprietary MusIQ technology, which 

analyzes the guitar signal according to chord progression and structure. 

The newest member of the Vocalist Live series is the Vocalist Live Pro. This 1U rackmountable processor works 

much like its pedalboard-friendly siblings, but adds MIDI functionality so keyboardists can take advantage of this 

groundbreaking technology, as well. 

The Vocalist Live 2 can produce 2-part harmonies plus your lead vocal, while theVocalist Live Pro and 

Vocalist Live 4 can produce 3-and 4-part harmonies plus your lead vocal. The Vocalist Live 4 and Pro also add pitch 

correction to their arsenal of available tools. All three add unison voices, or voices that are a 3rd or 5th above or below 

the lead vocal (Vocalist Live 4 even adds an octave above or below with the Pro reaching for two octaves). Add effects 

to your vocal tracks with reverb, compression, and EQ. For convenience, the Vocalist Live series is equipped with an 

on-board guitar tuner, and for the sake of keeping your signal clean, the Vocalist Live also incorporates a guitar ground 

lift. An XLR mic input with phantom power and 1/4" I/O round out these very cool vocal processors. Everything you 

need to produce stellar backing vocals live is right at your fingertips with the Vocalist Live series. 

Specs: Vodalist Live Pro 99 presets • guitar effects/vocal harmony/pitch 

correction • 2-ch • In: 1 x XLR, 1 x 1/4", 2 x instrument • Out: 2 x XLR, 2 x 

1/4" • Dig Out: S/PDIF • MIDI I/O • USB Vocalist Live 2 In: 1 x XLR, 1 x 

1/4", 1 x instrument • Out: 1 x XLR, 2 x 1/4", 1 x guitar out Vocalist Live 4 50 

presets • guitar effects/vocal harmony/pitch correction • 2-ch • In: 1 x XLR, 1 

x 1/4", 1 x instrument, 1 x 1/8" • Out: 2 x XLR, 2 x 1/4", 1 x guitar out 

VLPro 4-pt Effects and Harmony .............List $ 849 95 $ 

599 97 

ONLY $18/mo. 

VL4 4-pt Effects and Harmony ..............List $ 699 95 $ 499 97 

VL2 Vocal Effects and Harmony ............List $ 499 95 $ 349 97 

Vx400 

USB Vocal Processor 

The Vx400 gives you powerful digital effects in a roadworthy 

metal package. This effects processor and USB 

recording interface lets you modulate your signal, and 

trigger the built-in drum machine with footpedal ease. It 

features 19 programmable effects with 40 presets plus 40 

user slots, giving you plenty of reverbs, delays, and other 

options for shaping your sound. The Vx400 also provides 

a hands-free USB recording interface. With the included 

Pro Tracks recording software, you can start recording 

right away. The Vocal 300 processer gives you 38 effects 

(seven simultaneous), 40 presets, 40 user settings, and an 

expression pedal. 

Specs: Vx400 40 presets/40 user • In: 1 x XLR, 2 x TRS, 1 x DI • Out: 2 x XLR • 

USB Vocal300 40 presets/40 user • In: 1 x XLR, 1 x TS, 1 x 1/8" • Out: 1 x XLR, 1 x 

TRS, 1 x 1/8" 

Vx400 Vocal Effects w/USB Audio .........List $ 359 95 $ 

249 97 

ONLY $10/mo. 

Vocal300 Vocal Effects Processor ...............List $ 249 95 $ 199 97 

“How do vocal eliminators work?” 

Every studio needs a vocal removal device. Why? Because it can be an incredibly useful — and profitable — tool. Vocal removers work by canceling audio content that’s common to 

both sides of a stereo track — namely, center-panned vocals. A common application is to create karaoke backing tracks. But a vocal remover can do so much more: create audition 

tapes for singers, make music beds for jingles and videos, make a practice CD for your band’s vocalist — the list is endless. 

Vocal Zapper 

Vocal Eliminator 

We were amazed by how well the Vocal Zapper works! 

It lets you sing to your favorite music! Ideal for practice 

at home, learning in the studio, or just for karaoke 

fun, the Vocal Zapper can be a vocalist’s best friend. 

This handy tool can remove vocals from a CD or other 

stereo music source. Regardless of whether the vocals 

are coming from the center, left, or right channel, the 

Vocal Zapper can track them down and cut them out, 

using one of 16 sophisticated algorithms. It can remove 

different ranges of vocals, from children to basses. 

Equipped with high-resolution 24-bit/96kHz sampling, 

the Zapper is also very easy to use. You’ll continually 

find new and interesting uses for the Vocal Zapper. 

Specs: 16 presets • In: 2 x TS • Out: 2 x TS 

CD-VT2 

Vocal/Instrument CD Trainer 

The TASCAM CD-VT2 portable CD vocal and musical 

instrument trainer gives vocalists, instrumentalists, 

and music educators an amazingly easy way to master 

phrases and parts. Using VSA (Variable Speed Audition) 

technology, you can adjust the speed and key of a CD 

to your liking, plus Flash Back, loop, and other play 

functions help you review parts without having to 

constantly reach for transport controls. 

The CD-VT2 includes a Vocal/Instrument Canceller, 

allowing you to play along to featured parts with your 

own vocal or instrument. You also get 10 incredible 

effects banks! 

Specs: 10 presets/10 user • In: 1 x 1/4" • Out: 2 x 1/8" TRS 

MP-VT1 

Portable MP3 Phrase 

Trainer 

Here’s a versatile voice 

and instrument trainer 

you can take anywhere! 

TASCAM’s MP-VT1 packs 

the features you need for 

effective phrase training into a super-compact unit 

that uses handy MP3 sound files. You get Variable 

Speed Audition (which changes the playback speed of 

a song without affecting its pitch), a voice canceller 

that lets you choose where your vocal/instrument sits 

in the stereo field, balance control between the input 

source and the track, and even a built-in metronome! 

The MP-VT1 can store up to 240 songs, and includes 

USB connectivity for downloading and battery 

recharging functions. There’s also a convenient 

external microphone input (with its own input 

volume), as well as onboard reverb and echo. 

Specs: 240-song cap. • In: 1 x 1/4" • Out: 1 x 1/8" TRS • USB 

MP3 Phrase Trainer ...............List $ 269 00 VocalZapper Vocal Eliminator ....................List $ 149 00 $ 

99 97 CDVT2 Vocal/Instrument CD Trainer ............List $ 199 00 $ 

149 97 MPVT1 $ 

199 97 

ONLY $10/mo. 

ONLY $10/mo.

® 

 

Vocalist ® Live 4 

 

 

 

 

 

 

3- or 4-part vocal harmony with no 

programming or learning curve — just 

play, sing and let Vocalist Live 4’s 

groundbreaking musIQ technology 

do the rest 

Pitch correction with four adjustable 

parameters 

Guitar Reverb and Chorus with four 

adjustable parameters 

Store and recall up to 50 User presets; 

and select from 50 Factory presets 

Built-in mixer with Vocal, Harmony and 

Guitar level controls 

Vocal enhancement effects matrix lets 

you adjust up to five parameters of 

Preamp, Compressor/Gate, EQ, Lead 

Effects, Harmony, Reverb, Echo Delay 

and Guitar effects 

Visit www.sweetwater.com or call 1-800-222-4700 

for more details about the Vocalist Live 4.

264 

ProGear2008 


Multi-FX Vocal Call today! (800) 222-4700 


VoiceTone Correct 

Live Vocal Pitch Correction/Processing Pedal 

Voice Tone 

Harmony M 

TC-Helicon’s VoiceTone Correct pedal uses pitch 

correction and tonal/dynamic controls to let you add studio 

“sheen” to your live vocals. This great stage tool gives you 

Voice Tone 

Harmony G 

Voice Tone 

Double 

amazingly easy and effective control over your vocal sound, with EQ, de-essing, natural-sounding pitch correction, 

and subtle, useful compression. The VoiceTone Create pedal gives you tons of reverb, delay, modulation, and 

distortion effects in 99 controllable presets. The VoiceTone Harmony M pedal gives the singing keyboardist a 

great tool for adding vocal harmonies live, while 

the VoiceTone Harmony G does the same for 

guitarists . The VoiceTone Double lets you add 

vocal doubling live, giving you that great studio vocal 

sound onstage. 

VTCorrect Pitch Correction Pedal ............List $ 345 00 $ 

249 97 

ONLY $10/mo. 

VTCreate Vocal Effects Unit ..................List $ 345 00 $ 249 97 

Voice Tone Correct 

VTHarmonyM Vocal Harmony Unit ...............List $ 395 00 $ 299 97 

VTHarmonyG Vocal Harmony - Guitar .........List $ 395 00 $ 299 97 

Voice Tone Create 


VTDouble Vocal Double Unit ..................List $ 345 00 $ 249 97 

VoicePro 

24-bit/96kHz Vocal and Effects Processor 

VoicePro integrates a complete suite of voice-optimized tools and effects with an easy-to-navigate user interface. What 

separates VoicePro from other signal processors is a series of exclusive algorithms created specifically for manipulating 

vocals. First of all, there is TC-Helicon’s transparent pitch-shifting algorithm with an 8-octave shift range. The Flextime 

algorithm preserves the naturalness of a time-stretched voice via independent recognition of voice components. You can VoiceLive 

manipulate and enhance voice character using TC-Helicon’s latest VoiceModeling technology. VoicePro lets you stack 

Live Vocal Harmony and Effects Processor 

tracks by providing four voices of natural-sounding doubling or intelligent harmony in an instant. VoicePro also allows 

you to dial up classic micro-shifted sounds including flange and chorus. Standard vocal processing effects include The new TC-Helicon VoiceLive allows you to take your 

voice-optimized delay with input ducking and tap tempo, reverb, and EQ and dynamics processing. This is one serious “studio” voice with you onstage. Plus, you can have a 

ONLY $90/mo. audio production tool! 

built-in background vocal group and utilize the best 

$ 

VoicePro Vocal and FX Processor ..............List $ 3495 2999 97 Specs:250 presets • In: 2 x XLR • Out: 2 x XLR • Dig I/O: 2-in/8-out AES/EBU, 

00 

word clock, Ethernet • MIDI I/O 

VoiceDoubler 

Live Vocal Overdub Processor with Inflection and FlexTime Controls 

Bands can face a big hurdle when trying to recreate their studio sound onstage. Vocal doubling is nearly impossible to 

duplicate live — unless you have TC Helicon’s new VoiceDoubler, the first front-of-house effects processor to create 

up to four humanized overdubs in real time. VoiceDoubler can also be used to create a “group shout” effect typically 

used for hip-hop and rap vocals. One VoiceDoubler can be used for each onstage singer to match recorded vocals and 

create virtual choirs. 

ONLY $15/mo. 

Specs: 50 presets, 99 user • In: 2 x XLR • Out: 2 x XLR • Dig I/O: AES/EBU 

VoiceDoubler Professional Voice Doubler ... List $ 1245 00 

VoiceWorks Plus 

Vocal Harmony Processor and Modeler 

Specs: 99 presets • In: 1 x XLR, 2 x TS • Out: 2 x TRS • MIDI I/O 

Make your vocals the very best they can be with the VoiceWorks Plus. This processor has all the stellar features that 

have made its predecessor, the VoiceWorks, so popular, plus a few new wrinkles. In addition to an ultra-quiet, quality 

Burr Brown-based mic preamp, the VoiceWorks Plus gives you Voice Modeling, updated harmony technology, high-Q 

band limiting (for great megaphone effects), and Transducer and iMod (micromod) blocks from VoicePro. Both units 

feature HarmonyHold, which lets you freeze your background harmonies while you sing over them, plus dozens of 

presets to edit and store, transparent pitch correction, and quality TC Electronic effects . 

FLEXIBLE 

ONLY $24/mo. 

$ FINANCING 

VoiceWorkPls Vocal and FX Processor ............... List $ 995 799 97 

Specs: VoiceWorkPls 99 presets • In: 1 x XLR, 1 x TS • Out: 2 x TRS • 

Dig I/O: S/PDIF • MIDI I/O VoiceWorks 99 presets • In: 1 x XLR, 1 x TS 

00 

• Out: 2 x TRS • Dig I/O: S/PDIF • MIDI I/O 

$ 599 97 

harmony, pitch correction, and doubling algorithms 

from TC-Helicon’s acclaimed VoiceWorks. With VoiceLive 

you get the same quality processing you’d expect in 

a studio environment: EQ, compression, delay, and 

reverb algorithms, with the renowned TC quality 

that professionals require. Using feedback from vocal 

artists, TC-Helicon designed VoiceLive for easy control 

onstage. Creating realistic background vocals is easy 

with VoiceLive. Unique harmony logic algorithms add 

harmonies with varying amounts of intelligence. The 

VoiceLive generates harmony parts from your lead 

voice — or if you’re looking for even more punch from 

your harmonies, let a second singer use it to create a 

multi-voice back-up ensemble. Each of the four harmony 

$ 

499 97 voices uses TC-Helicon’s superior pitch-shifting algorithm 

combined with a voice-trained pitch-detection algorithm 

and human-modeled naturalization parameters to create 

natural-sounding harmonies. VoiceLive’s automatic pitch 

correction is the most transparent you’ve ever heard. 

The “Correct” block can fix intonation problems in any 

musical style. Amount, attack, and a 200-cent pitch 

window control make natural pitch correction easy. 

ONLY $24/mo. 

$ 

VoiceLive Vocal Harmony/FX Processor ......List $ 995 799 97 

00 

Apply today at www.sweetwater.com/allaccess

Direct Boxes 


TubeDirectS Stereo Direct Interface ...........List $ 875 00 


U5 

Single-channel High-voltage Instrument 

DI and Preamp 

Avalon’s U5 is a versatile direct box with a 

difference. “The Avalon U5 is an incredible piece of 

gear! …you can dial in exactly the type of sound 

you want. I credit the U5 for providing the huge sound of my NS/Stick on my first CD, and will definitely use it for my 

next disc as well!” says Gary J. of Detroit. Like any DI, this unit converts instrument signals to microphone-level signals, but Avalon wasn’t content with leaving it at that. They added 

six EQ curves designed to optimize the sonic performance of the U5 with a wide range of sources. Plus, they gave it a high-cut switch to eliminate unwanted acoustic pickup and 

high-frequency noise, and added a headphone monitor amp for personal listening. A rackmount kit is available so you can fit one or two into your studio rack. 

The U5’s microphone and line outputs run in tandem so you can A/B both signals of a single source and then decide which one you like. An active-to-thru switch selects either the 

instrument input directly or sends the boosted/equalized signal to the amplifier via the front-panel jack. A ground-isolation switch eliminates any possible ground loop or AC buzz 

problems with complete safety. And, being an Avalon product, it does all this with superlative warmth that’s second 

to none. 

Dual Mono Tube Direct 

Tube-powered Dual Mono Direct Interface 

The clean, quiet tube circuitry in Manley’s Dual Mono 

Tube Direct interface adds richness to any signal, 

capturing the “true” tone of guitars or injecting needed 

warmth into the sound of synths or other instruments. 

The Dual Mono Tube Direct’s transformer-coupled XLR 

output can be sent directly to a mic input, while the 1/4" 

output can feed a guitar amplifier . 

The Brick 

DI Box and 

Mic/Instrument Preamp 

Here’s an incredibly flexible 

DI/mic/instrument preamp! The Brick 

does a lot in a single package. As a phantom-powered 

tube mic pre for studio or stage, The Brick will handle 

dynamic, condenser, and ribbon mics. The Brick offers 

perfect tube tone and isolation for vintage keyboards, 

electric bass, and acoustic/electric guitars with internal 

transducer-type pickups. Don’t worry about those long 

cable runs back to the house console — The Brick can 

drive cables up to 1,000 feet and more without the losses 

REDDI 

Tube-powered Direct Box 

Proclaimed by many engineers as the 

“best tube DI ever made,” the A Designs 

REDDI Tube Direct Box is a unique unit. Designed to 

recreate the tone of the Ampeg B15, the REDDI produces 

a thick, round, solid-sounding bass that sits perfectly in 

the mix. REDDI is also great for guitars, synths, and any 

other electronic instrument that requires a direct 

box for recording. 

U5 Mono Instrument DI Preamp ...............List $ 650 00 $ 

585 00 

ONLY $18/mo. 

ONLY $24/mo. 

$ 

789 97 ONLY $22/mo. 

$ 

REDDI All-tube Direct Box ................List $ 795 715 99 $ 00 ATTY 2-ch Passv Lin Atten .............List $ 125 99 99 

00 

TD-100 

Instrument Preamplifier and Tube DI 

CB-1 

Passive DI 

The Pro Co CB-1 is a great 

passive direct box that’s virtually 

indestructible . The popular 

DB-1 passive direct box offers 

switches for speaker/line-level 

attenuation, high-cut filter, and ground lift, plus male 

XLR-type balanced mic-level output. One customer wrote 

in to say, “I have used two of these direct boxes for my 

church. I usually use them for guitars and they sound 

great. A must-buy for any serious sound technician!” 

“I use the U5 when I want to extract every 

detail and nuance from a bass or acoustic/electric 

guitar. It can also be used to add warmth to digital 

keyboards and drum machines.” 

— Brad Every, Sales Engineer, Ext. 1321 

ATTY 

Passive 

Line-level Attenuator 

ATTY from A Designs is a 

compact 2-channel device designed 

for audio level control. Use it to control 

incoming line level to a source such as an active monitor, 

or outgoing level from a preamp to a converter. Because 

there are no amplifiers or active circuitry to change the 

tone, your signal stays pure. ATTY has a simple rotary 

knob volume control on the side that lets you control 

both channels at the same time, and includes a speakersaving 

mute switch. This unit’s attenuator control has a 

range from “off” to “full output.” 

Type 85 

Phantom-powered 

Direct Box 

Countryman’s Type 85 Direct 

Box connects high-impedance 

instrument pickups (even piezo 

The TD-100 tube direct box and instrument pre is 

pickups) to a balanced XLR input. It provides a strong, 

in a league of its own. Its input section is driven by a 

clean signal without adding noise or distortion. Ruggedly 

12AX7A/ECC83 vacuum tube, with a discrete transistor 

built, the input circuit can withstand 220V and static 

output section utilizing 24-volt power rails for massive 

spikes up to 20k volts! It also eliminates hum even 

headroom . A loading control lets you alter the input 

when running on phantom power. Type 85 uses only 

impedance to get optimal sound out of delicate guitar or 

hand-selected high-quality discrete components woven 

bass pickups. Paul Serault, renowned FOH engineer, uses 

into a Class A circuit, much like the classic mic pres, so it 

TD-100s for guitars and says that he won’t do a show 

common to simple direct boxes. 

has an incredibly smooth, sweet sound. 

ONLY $12/mo. 

$ 

Brick Tube Mic/Instr Preamp ..........List $ 499 399 97 without them. 

ONLY $14/mo. 

$ 00 TD100 Tube DI/Instrument Pre ..........List $ 495 449 97 ONLY $10/mo. 

$ 00 DT85 Class A Direct Box .................List $ 231 179 97 

70 

iFace 

Direct Box for 

Portable Music Players 

The Pro Co iFace portable audio 

player interface and direct box 

lets you connect devices such as 

MP3 players, consumer-grade 

CD players, and laptop computers to your mixer’s 

balanced inputs. Housed in a rugged aluminum and steel 

enclosure, the iFace includes RCA and 1/8" inputs, a summing 

switch for dual mono outputs, and two pro-level 

mic bridging transformers with XLR connections. It’s also 

highly resistant to RF and EMI noise. 

IT1 Isolation 

Transformer 

The IT1 Isolation Transformer 

from ProCo should be in 

every studio and live sound 

engineer’s tool box. With 

the ability to balance and 

isolate line-level outputs from 

mixers, equalizers, crossovers, and other 

equipment, you’ll find yourself reaching for 

the IT1 on numerous occasions — and wondering how 

you ever got along without one. 

iFace Audio Player Interface/DI ...............List $ 159 99 ONLY $10/mo. 

$ 

130 97 CB1 Passive DI Box ............................List $ 74 49 $ 

53 97 

DB1 Passive DI Box ...........................List $ 127 49 $ 95 97 IT1 Isolation Transformer Unit ....................List $ 142 49 ONLY $10/mo. 

$ 

104 97

266 

ProGear2008 


Direct Boxes Call today! (800) 222-4700 


JDV Mk3 

Multi-function DI 

The JDV Mk3 will change 

The J48 is a pro-grade DI that delivers 

the way you look at DIs. This 

The JDI Duplex stereo 

the pure and natural sound of your 

remarkable little box features 

and JDI single-channel 

instrument to the board. Radial’s 

two switchable instrument 

DIs employ Jensen isolation 

design provides high headroom 

inputs, a thru-put for connection to 

transformers for the best audio 

without compromising 

an amp, two auxiliary outputs for additional 

performance . The passive JDI 

sound quality, and with 

amps or effects units, Class A circuitry with no feedback 

boxes require no power source while 

significantly lower harmonic 

loop, and a tuner output. On the recording side of things, there providing high common-mode noise 

distortion and single-digit 

is a polarity-reverse switch, 15dB pad, ground lift, and XLR rejection, and the 100%-isolated circuitry eliminates intermodulation distortion. 

output for connection to a mixing console. The front panel has 60-cycle ground loops. The JDI series is great for guitars, An innovative merge function 

both low- and high-pass filters, impedance selector switch, and basses, or even keyboards. With a JDI connected between converts the throughput into a second 

an A/B selector switch for quick instrument changes. However, the amplifier and speaker, you can engage the 30dB pad input to sum stereo sources to mono. By gently removing 

the most important aspect of the JDV Mk3 is the amazing in tandem with the 15dB pad allowing you to “tap” the unnecessary lows, the J48’s dynamic range is increased 

sound quality. The internal circuitry is designed specifically sound coming from a guitar amplifier “post distortion.” by a full 3dB, or twice the power handling. This useful 

to allow the natural sound of the instrument to pass through 

feature is effective for both reducing mud and increasing 

Specs: JDI Duplex In: 2 x TS, 2 x TS (thru) • Out: 2 x 

untouched. This is truly a new standard for direct boxes! 

XLR JDI In: 1 x TS, 1 x TS (thru) • Out: 1 x XLR 

headroom. The J48 is an incredibly effective DI! 

ONLY $11/mo. 

Specs: In: 2 x TS • Out: 6 x TS, 1 x XLR 

ONLY $12/mo. 

$ 

$ 

JDVMk3 Active Stereo Direct Box ........List $ 450 399 99 JDIDuplex Passive DI Box w/Jensen ......List $ 375 349 99 Specs: In: TS (in), TS (thru) • Out: XLR 

ONLY $10/mo. 

00 

$ 00 JDI Passive DI Box w/Jensen .......List $ 220 00 $ 199 99 J48 Active 48V Direct Box ...........List $ 220 199 99 

00 

JPC 

Stereo PC Audio Direct Box 

The JPC is a 48-volt phantompowered 

direct box that combines 

the advantages of transformerisolated 

inputs with an 

active output circuit to 

provide plenty of level 

for a pro mixer, while 

eliminating the hum that 

often occurs with these 

devices. A switch inserts a 10dB 

pad to handle excessively hot signals. 

The JPC’s transformer-coupled inputs have the 

unique advantage of isolating the “source” from the 

“destination.” This eliminates 60-cycle hum and buzz 

caused by so-called ground loops when two pieces of 

electrical gear are connected. 

Specs: In: 1 x 1/8", 1 x 1/4" stereo, 1 x RCA, 1 x RCA thru • Out: 2 x XLR 

Active RIAA Preamp/DI .........List $ 220 00 6-channel Passive DI ...........List $ 1000 00 JPC Active Stereo Direct Box ........List $ 220 00 $ 

199 99 J33 $ 

199 99 JD6 $ 

899 99 

ONLY $10/mo. 

ONLY $10/mo. 

ONLY $27/mo. 

JD7 Injector 

Signal Distribution Amplifier 

The 1-in/7-out JD7 Injector provides guitarists a 

multitude of options for routing the signal from a single 

guitar to numerous amps, effects devices, and recording 

devices. Six of the outputs can be switched on and off to 

audition the sounds on other channels, and channels five 

and six have independent effects loops. An XLR input on 

the back panel lets you send a recorded signal to guitar 

amps for re-amping. The internal circuitry is Class A 

Jensen transformer-isolated for the purest signal. This 

box can do it all! 

Specs: In: 2 x 1/4", 1 x XLR • Out: 7 x 1/4", 1 x XLR • 2 independent effects 

loops • 1U 

JD7 2-in/7-out Guitar Distro Syst ............List $ 1200 00 ONLY $33/mo. 

JDI Duplex 

Passive Direct 

Boxes 

J33 

Active RIAA Preamp/DI 

Now with the J33, DJs can take 

advantage of Radial’s keen 

ears and attention to 

detail to get the best 

sound possible out of 

their turntables. You 

can connect turntables 

directly to your mixing 

console or recording deck 

using the balanced XLR outputs. 

The J33 can be powered by phantom power 

when connected to an interface or mixer. 

DJs aren’t the only ones that can benefit from the pristine 

sound quality of the J33. If you still have your record 

collection on vinyl, the J33 is the perfect way to interface 

your home turntable to a recorder for archival purposes. 

Specs: In: 2 x phono • Out: 2 x XLR, 1 x 1/4", 1 x 1/8", 2 x RCA 

JX44 Air Control 

Guitar Distribution System 

Radial’s JX44 Air Control 1U rackmountable guitar 

distribution center is ideal for performing guitarists. This 

switching station accommodates up to four guitars and 

six amps at a time. One guitar input is active at a time, 

but you can use all six amp outputs simultaneously. The 

JX44 gives you two different effects routing options, plus 

full re-amping capabilities. Also included is a built-in 

direct box, Radial SGI TX and RX modules, and remote 

and local switching functionality. The JR5 5-button 

remote footswitch for the JX-44 has two XLR outputs. 

Specs: In: 1 x XLR, 6 x 1/4" • Out: 1 x XLR, 6 x 1/4" • 2 effects loops 

JX44rem Remote Control ..........................List $ 275 00 $ 249 99 ReampKit X-Amp/J48 Bundle w/Case .......List $ 440 00 $ 379 99 

XAmp Active Re-amping Device ..........List $ 220 00 $ 

199 99 

ONLY $10/mo. 

$ 

1099 99 JX44 Guitar Distribution System ........List $ 1600 00 $ 

1449 99 

ONLY $44/mo. 

J48 

Phantom-powered Active Direct Box 

JD6 

6-channel Passive Direct Box 

Building on the successful and great-sounding JDI and 

JDI Duplex passive DIs, Radial now brings us the JD6, 

a 6-channel direct box that has been optimized for use 

in a live environment. The JD6 sports the same Jensen 

transformer-isolated circuitry, ultra-quiet operation, 

and wide frequency response — and the JD6 adds an 

interesting array of I/O options new to the JD series. To 

accomodate the connection of computers, CD players, 

and video machines, the JD6 has dual RCA or 1/4" input 

jacks on channels one and two. This impressive box is 

great for instruments such as keyboards and electronic 

drums, and works just as well in the studio as it does on 

the road. 

Specs: In: 6 x TRS, 6 x TRS (thru), 4 x RCA Out: 6 x XLR • 1U 

X-Amp 

Re-amping Device 

What’s re-amping? It’s a 

trick for bringing new 

sounds and textures to 

tracks you’ve already 

recorded. The X-Amp is 

an active re-amping device 

that allows a pre-recorded track 

from a line-level device to drive two 

guitar amplifiers or effect pedals simultaneously. With 

the X-Amp, you can take a DI’d guitar track and send it 

through an amp, trying different tone settings until you 

have the sound you want. Its features include balanced 

line-level input , direct and isolated guitar amp outputs, 

180º polarity reverse, and dual ground-lift options. The 

ReAmper Kit is a money-saving package that bundles 

an X-Amp and a J48 direct box. 

Specs: In: XLR • Out: 2 x TS (1 direct, 1 transformerisolated)

Direct Boxes 



ProD2 

Full-range Passive Direct Box 

The ProD2 is equipped with two 1/4" instrument 

inputs, two 1/4" thru-puts, and two XLR outputs so it’s 

perfect for stereo keyboards, drum machines, etc. 

The ProDI is a single-channel version of the ProD2 

with the exact same ultra-quiet electronics. The 

ProAV1 is a passive direct box for connecting consumer equipment to pro gear. 

Specs: ProD2 In: 2 x 1/4" • Out: 2 x XLR, 2 x 1/4" thru ProDI In: 1 x 1/4" • Out: 1 x XLR, 1 x 1/4" thru ProAV1 In: 

1 x 1/4", 1 x 1/8", 2 x RCA, 2 x XLR 

ProD2 Passive Stereo DI ......................List $ 175 00 $ 

149 99 

ONLY $10/mo. 

ProDI Passive Mono DI Box ..................List $ 115 00 $ 99 99 

• Out: 1 x XLR, 1 x 1/4" thru, 2 x 

RCA thru 

Pro48 

Active Direct Box 

The Pro48 is an active direct box designed to be 

used with today’s high-output active instruments. 

Whether it’s an acoustic/electric guitar at the weekend 

coffee house gig or an active bass guitar in the studio, 

you can reap the benefits of the Pro48’s pristine 

audio transfer and have the headroom needed for 

instruments with battery-powered preamps. Like all Radial boxes, the Pro48 is built to 

withstand the rigors of the road for consistent day in/ day out performance. 

Specs: In: 1 x 1/4" • Out: 1 x 1/4" thru, 1 x XLR 

ProAV1 Multimedia DI ............................List $ 140 00 $ 119 99 Pro48 Active Direct Box ..................List $ 160 00 $ 

139 99 

ONLY $10/mo. 

ProRMP 

Passive Re-amping 

Device 

Radial’s ProRMP 

re-amping box lets 

you beef up already 

recorded tracks, add 

new textures, and breathe 

new life into your recordings. The 

ProRMP features a sturdy, straighforward 

design, and it’s transformer-isolated to 

eliminate hum and buzz. 

Specs: In: 1 x XLR • Out: 1 x 1/4" 

ProAV2 

Passive Stereo Direct 

Box 

This DI handles several 

multimedia input 

options and offers 

high-quality stereo 

output. The ProAV2 also 

features a ground lift switch and 

a 15dB pad switch for hot inputs. Its 

custom-wound transformers can handle big transients 

without distorting . The ProAV2 is a versatile box you can 

use anywhere! 

Specs: In: 2 x 1/4", 1 x 1/8", 2 x RCA • Out: 2 x XLR 

ProD8 

8-channel Passive DI 

Need a lot of DI channels to patch your keyboards and 

backing tracks into the PA? Here’s a solution that won’t 

leave your stage littered with boxes and cables. The 

ProD8 packs eight Radial DIs into a tidy 1U unit. Each 

channel features two A-B 1/4" inputs, a throughput for 

personal monitoring, effects loop, XLR output, ground lift 

switch, and 15dB pad. 

Specs: In: 24 x 1/4" • Out: 8 x XLR 

ONLY $10/mo. 

$ 

ProRMP Passive Re-amping Device ....List $ 115 99 99 $ 00 ProAV2 Stereo Multimedia DI .............List $ 200 169 99 ONLY $24/mo. 

$ 00 

ProD8 Passive 8-channel DI .............List $ 850 799 99 

00 

"Radial makes products no one else 

has thought to make and builds 

them better than anyone else can." 

~ Adrian Belew 

(King Crimson, Frank Zappa) 

Q: What do these artists, Radial Engineering 

and Sweetwater all have in common? 

A: A commitment to being the best! 

"My bass comes through extremely clean, very quiet 

and with a smooth transparent low end. I use my Radial 

DI for everything!” 

~ Tony Levin 

(Peter Gabriel, Pink Floyd, Robbie Robertson) 

"I’ve tried every distortion ever 

made and nothing comes close 

to the Radial Tonebone Classic." 

~ Steve Lukather 

(Toto, Quincy Jones, Chicago) 

"Whether I'm in the studio or playing live, 

I'm never without my Radial Bassbone!" 

~ Will Lee 

(Letterman, Billy Joel, Donald Fagen, Brecker Bros.) 

Power tools for power players SM ® 


1-800-222-4700

268 

ProGear2008 


Direct Boxes Call today! (800) 222-4700 


HE-2 XLR 

HE-2 

Hum Eliminator 

HE-2 

Ground loops and unbalanced signals create noise in recording mixers, keyboards, 

guitars, power amps, live sound, and DJ systems. No one is immune to hum, no matter 

how good your rig is, so when hum occurs, you need the right tool to quickly and easily 

get rid of it. The HE-2 Hum Eliminator does away with system noise and ground 

loops quickly and easily. Extremely high-quality transformers isolate circuits, keeping 

grounds intact while breaking troublesome loops and balancing unbalanced gear. 

Since it’s totally passive, it injects absolutely no noise into the signal. The HE-2 includes 

high-quality 1/4" TRS in and out jacks. The HE-2 XLR sports both 1/4" TRS and XLR 

I/O, making it easy to connect to a variety of professional gear. For hum elimination 

on a bigger scale, go for the 8-channel HE-8. With eight 1/4" inputs and outputs, it’s 

the solution for your entire sound system. The HE-8 can also be used as one of the most 

cost-effective ways to convert unbalanced signals to true balanced signals. Get rid of 

hum and keep it away with these affordable hum eliminators. 

The Hum X filters out unwanted 

voltage and current in the ground 

line that cause ground loop hum, while 

simultaneously maintaining a solid, safe 

ground. Some devices simply remove the 

ground, which is never safe! You’ll no longer have 

to run your audio signal through any type of filtering or ground lift, which 

can result in loss of volume, tone, or both. The Hum X is easy to use, easy to 

install, and exterminates 

hum effectively! 

$ 

HumX Ground Loop Eliminator ............List $ 90 59 99 

00 

$ 

Hum Stereo Hum Eliminator ...................................................................................... List $ 90 59 99 

$ 00 LLS2 2-ch Line level Shifter ...............List $ 100 69 99 

XLR jacks, or the LLS-8 

00 

HumXLR Stereo Hum Eliminator .................................................................................... List $ 115 00 $ 79 99 

8-channel model. 

LLS2XLR 2-ch Line Level Shifter ...............List $ 125 00 $ 89 99 

HE8 8-channel Hum Eliminator ............................................................................... List $ 290 00 $ 219 99 LLS8 8-ch Line Level Shifter ...............List $ 350 00 $ 279 99 

ParaDriver SansAmp Instrument Pre/DI ....List $ 275 00 

ONLY $10/mo. 

SGI Active D.I. for Guitar ........................List $ 300 00 $ 

259 99 

ONLY $10/mo. 

HE8 

Para Driver DI 

Active Footswitchable Direct Box 

A compact floor version of SansAmp’s RPM 

rackmount direct box (p. 363), the versatile 

Para Driver DI provides excellent 

tone-shaping capabilites onstage or in the 

studio. This DI imparts a natural-sounding 

presence to whatever you plug into it, and 

works especially well with acoustic and 

electric guitars, as well as electric and 

upright basses. An active tone control provides up to 12dB of boost or cut, making the 

Para Driver DI great for a variety of input sources. Onboard SansAmp circuitry tames the 

sometimes harsh sound of piezo pickups, while a Drive control lets you add everything 

SGI Studio Guitar 

Interface 

Active DI for Guitar 

from a gritty edge to 

sizzling distortion . 

Hum X 

Ground Loop Exterminator 

Line Level 

Shifter 

Level Shifter 

What do you do when you need to 

connect a low volume -10dBV output 

like a cassette deck, CD player, or 

synthesizer into a high volume +4dBu input like 

a multitrack recorder or mixer? Incorrectly matching the signal levels 

between gear can result in volumes that are too low, and increases the noise floor. The 

Line Level Shifter converts between unbalanced and balanced lines as needed and 

always converts between -10dBV and +4dBu. Choose the LLS-2 2-channel model, the 

LLS-2 XLR with balanced 

IMP-2 

Professional Standard Direct Box 

Superb design and road-ready reliability have 

made Whirlwind’s no-frills IMP-2 direct 

box a favorite. It’s ideal for anyone requiring 

professional quality and durability in an 

economical package. The IMP-2 converts a 

line-or instrument-level unbalanced signal to 

a low-impedance mic-level balanced signal. “We 

use this direct box on Fort Wayne’s number-one rated 

late-night comedy television show to connect the house 

band and guest musicians to the console. IMPs are built tough 

for night-after-night use, plus, they’re very affordable so we can 

keep plenty on hand.” — Jon S, IN 

$ 20997 Tonebone Dragster 

Load-correction Device for Guitar 

Hey, guitarists: wireless technology is great, isn’t 

it? You eliminate cable tangles and have the 

freedom to roam the stage to communicate with 

your audience! Unfortunately, the penalty you 

sometimes pay for a wireless connection is a 

change in “loading” of the signal, which makes 

your axe sound noticeably different than it does 

when you plug straight into your amplifier. 

Here’s a great fix: the passive load-correcting 

practical design. 

$ Dragster 4999 

Load Correction Device ............List $ 6000 If your stage or studio setup requires 

long cable runs, Radial’s got the 

solution for you! The SGI Studio Guitar 

Interface uses ruggedly constructed transmitter and 

receiver modules to allow you to run your guitar’s signal 

over a standard XLR cable — up to 328 feet! High-quality 

Class A active circuitry, drag control load-correction, and isolation transformers provide 

top-notch sound over amazingly long cable runs, without buzzes or hum. The SGI Studio 

Guitar Interface is incredibly easy to use, and you’ll appreciate its solid build quality and 

IMP2 Standard DI Box ......................List $ 69 95 $ 

49 97 

Tonebone Dragster from Radial makes your guitar sound like it’s plugged straight 

in, giving you the tone and response you want while keeping you “off the leash” so you 

can move around to your 

heart’s content!

Direct Boxes 



S-phantom 

2-channel Phantom Power Supply 

Samson’s S-phantom +48v phantom power supply is 

a perfect complement to studio-in-a-box systems, small, 

portable mixers, or any system that doesn’t provide XLR 

inputs or phantom power. The S-phantom is compact and 

portable, making it a great companion for live rigs using 

condenser mics and compact mixers. It’s a “go-to” unit 

for your location-recording toolbox. 

SPhantom 2-ch 48V Phantom Power .......List $ 79 99 $ 

49 97 SDirectPlus Stereo Direct Box ....................List $ 64 99 $ 

39 97 

SDirect Direct Box ................................List $ 48 99 $ 29 97 SConvert Line Level Converter ................List $ 79 99 $ 

49 97 

AR-133 

Active Direct Box/Line Balancer 

The AR-133 is housed in a 

rugged aluminum 

casing 

that could 

withstand 

a cattle 

stampede, yet 

the low-impedance, 

balanced sound is 

crystal clear. The internal 

circuitry is based on the AR- 

116, the DI that set the standard for 

direct bass and acoustic guitar recording. This box will 

provide years of clean, transparent sound. The AR-133 

is a reliable, durable addition to any studio or sound 

reinforcement toolbox. 

S-direct plus 

Stereo Direct Box 

The S-direct plus gives you all the same features as 

the original S-direct, but in stereo. It’s like having two 

direct boxes in one, perfect for keyboard players, or any 

instrument with multiple outputs. It features 1/4" inputs 

and outputs, 48-volt phantom power or 9-volt operation 

with auto battery shut off, switchable ground lift, and 

gold-plated XLR, balanced outputs, all packed into a 

rugged, solid extruded-aluminum chassis with large 

rubber feet. 

DB 1A 

High-performance, Active Direct Box 

TAPCO strikes again with the DB 1A, a high-performance 

DI box with Mackie-designed circuitry. Use either the mic 

or line inputs with switchable ground lift. The rugged 

metal chassis with rubber side cheeks is extra-durable, 

and you can stack multiple DB 1As. Run 48-volt phantom 

power from a mixer or use two 9-volt batteries. If you 

need an affordable passive direct box, the DB 1P will fill 

the bill. 

AR133 Active DI/Line Balancer .........List $ 185 00 ONLY $10/mo. 

$ 

169 97 DB1A Active Direct Box ........................List $ 59 99 $ 

49 99 

DB1P Passive Direct Box ........................List $ 49 99 $ 39 99 124A Level Matching Interface .......List $ 229 00 ONLY $10/mo. 

$ 

199 97 

Xdirect 

Active Direct Box 

The ART Xdirect is a quality active interface that lets you connect instrument-, 

line-, or speaker-level signals to a mixer or other balanced input. For a passive 

interface, choose the Zdirect. It connects instrument-, line-, or speaker-level signals 

through a high-performance audio-isolation transformer. 

Both are affordable solutions for your studio, touring, or 

installed audio system. 

T8 

8-channel Audio Transformer/Isolator 

The T8 is a totally passive audio interface that uses eight transformers to 

separate input and output signal grounds, thereby reducing hum and ground-loop 

noise. The T8’s transformers have a wide, flat frequency response and handle high 

signal levels while maintaining an isolated balanced output, which gives it a very 

clean and neutral sound . The T8 provides balanced XLR, 1/4", and RCA connections 

on all inputs and outputs. The DTI is a 2-channel hum 

eliminator with multiple I/O options. 

T8 

XdirectA Active Single-ch DI Box ...............List $ 50 00 $ 

40 97 

Zdirect Passive Single-ch DI Box ..............List $ 35 00 $ 25 97 

DTI 

T8 8-ch Isolator/Hum Eliminator ......List $ 189 00 $ 

149 97 

ONLY $10/mo. 

S-convert 

-10dBv/+4dBu Converter 

Whether you’re running sound for your band or the audio 

at church, there are some “essential” tools you need to 

have in your gear bag. 

Samson’s S-convert is a real problem-solver for 

interfacing and level-matching consumer and professional 

audio equipment. It provides -10dBv to +4dBu and +4dBu 

to -10dBv conversion, so you can connect the outputs of 

consumer CD players, tape decks, and the like to the inputs 

on your mixing console, and vice-versa. 

124A 

Audio Level-matching Interface 

Need to match a +4dBu output to a -10dBv input or 

vice-versa? No problem with the 124A. The 124A Level 

Matching Interface can easily match all types of gear 

without sonic degradation. Exceptionally wide bandwidth 

and dynamic range, flawless square wave response, and 

good common-mode rejection and low distortion make 

the 124A ideal for interfacing with digital disc and tape 

machines in the studio. 

LBS 

Line Balancer/ 

Splitter 

The LBS balances 

and isolates a 

single line-level 

signal or lets you send 

a line-level signal to two 

destinations with transformerbalancing 

and -isolation for one 

or both of the outputs. In ISO mode the 

signal is passed directly through to one 

output and transformer-isolated to the second 

output. In SPLIT mode the signal is transformerisolated 

to both outputs with a resulting 6dB drop in level 

at each output. Both a female XLR and a 1/4" TRS jack 

are provided for the input signal. Male XLRs are used for 

the output signals. 

DTI 2-ch Hum Eliminator .....................List $ 70 00 $ 55 97 SplitterBox 1x2 Line Balancer/Splitter .....List $ 129 95 $ 

89 97

270 

ProGear2008 


ARTcessories Call today! (800) 222-4700 


Creative audio solutions in cool little boxes. 

TM 

A full line of affordable processing tools for live sound, 

stage, and studio. ARTcessories deliver solutions for a 

number of audio needs — like phantom power, one or 

two extra mixing channels, cable testers, headphone 

processing, preamplification for mics and turntables, 

and more! 

AMPS & PREAMPS 

USB Phono Plus 

The USB Phono Plus features an 

RIAA-type phono preamp circuit housed 

in a rugged metal case with full patching 

facilities for connecting to a phono turntable, 

computer, and/or mixer. Transferring vinyl 

DeeJayPre 

HeadAmp4 

MicroMix 

HeadAmpV 

MyMonitor 

USBPhonoPlus2 USB Phono Preamp .................................................................. List $ 129 00 $ 

99 97 Phantom2 Dual 48v Phantom Power Supp ......................................................................... List $ 75 00 $ 

60 97 

MyMonitor Personal Monitor Mixer .............................................................. List $ 80 00 $ 65 97 AVDirect A/V Direct Box ................................................................................................. List $ 65 00 $ 50 97 

DeeJayPre Phono Preamp with RIAA EQ ...................................................... List $ 65 00 $ 49 97 Phantom3 48v Phantom Power Supply .............................................................................. List $ 60 00 $ 49 97 

HeadAmp4 4-ch Headphone Amp ................................................................. List $ 70 00 $ 49 97 XdirectA Active Single-ch DI Box .................................................................................... List $ 50 00 $ 40 97 

HeadAmpV 5-ch Headphone Amp ............................................................... List $ 135 00 $ 99 97 Zdirect Passive Single-ch DI Box .................................................................................. List $ 35 00 $ 25 97 

MIXERS 

PowerMIX I 

These personal mixers from ART offer great 

solutions for situations that require just 

a handful of inputs — whether it’s a 

coffeehouse gig, impromptu jam session, 

or a house of worship situation. The ART 

PowerMIX I four-channel passive mixer 

with level controls is ideal when you need to mix 

down four mono sources or a stereo source and/or 

instruments into a mono signal. Mixing recorded 

PowerMix2 

PowerMix 

ProMix 

MacroMix 

to digital? The 

DeeJayPRE II features 

an RIAA-type phono preamp 

circuit with full patching abilities for connecting a phono 

turntable and mixer. HeadAMP 4 and HeadAMP V provide 

amplification and individual volume control for multiple sets 

of headphones (four and five sets, respectively) and can be 

driven by both line-level and headphone amplifier signals. 

Connect MyMONITOR between the microphone and the line 

source, and you have your own headphone monitor mixing 

system. No matter what your connectivity or monitoring needs 

are, there’s an ARTcessory box available to handle the job 

affordably and effectively. 

music with line-level signals? The 

2-channel PowerMIX II personal mixer is the right tool for the 

job. You can combine the inputs to one output, or send vocals and 

recorded music in stereo to powered speakers — a great solution 

when you need “just a few more inputs.” How do you connect a 

CD player, a synth, and the line output from a bass amp to a tape 

deck? Use the PowerMix III. It has three input channels, each 

with its own pan and level controls, and also has headphone jacks. 

The ProMIX features three mic inputs with phantom power on 

each channel, low-frequency cut, and level control. Boasting four 

channels, four level controls, active preamplification, and mixing 

circuitry, the MacroMIX personal mixer is up to practically any 

mixing task. 

CableCOP 

I/O SOLUTIONS 

Phantom II 

Different condenser microphones have 

different power needs. The Phantom II 

provides phantom power for one or two 

mics, and features a 3-way 12v/off/48v 

selector switch. The Phantom II is ruggedly 

constructed and operates with extremely 

low noise. The Phantom III is a convenient 

single-channel phantom power source 

bult to dependably supply a solid 48 volts to 

condenser mics. The Xdirect 

Professional Active DI lets you connect instrument-, 

Phantom3 

TOOLS 

CableCOP features 

a full selection of 

standard pro audio 

connectors for 

testing a variety of 

cables. The SplitCOM 

splitter box includes a 

transformer to maintain 

signal strength and clarity, with 

a built-in transformer to eliminate hum. The CoolSWITCH 

delivers full A/B-Y switching, plus parallel common in/out 

jacks. It lets you switch a common source signal between two 

amps or amp channels. The DTI (Dual Transformer/Isolator) 

eliminates noise in sound systems that’s caused by ground 

loops, and has multiple I/O options. The CleanBOX connects 

stereo CD players, tape decks, etc., to the balanced line ins of 

your mixer. The CleanBOX II removes “hum.” HeadTAP 

headphone tap provides convenient tapping for powering 

headphones. It has an input to connect to the PA or amp, and 

an output to connect to the headphones. 

$ 

CableCop Cable Tester ..................................................................................................... List $ 55 45 97 

00 

$ 

PowerMix1 4-ch Personal Mixer ......................................................................................... List $ 45 35 97 SplitCom 1x2 Mic Splitter/Combiner ................................................................................ List $ 39 00 $ 29 97 

00 CoolSwitch A/B-Y Switch .................................................................................................. List $ 55 00 $ 40 97 

PowerMix2 2-ch Personal Mixer ......................................................................................... List $ 55 00 $ 45 97 DTI 2-ch Hum Eliminator ......................................................................................... List $ 70 00 $ 55 97 

PowerMix3 3-ch Stereo Mixer .......................................................................................... List $ 100 00 $ 80 97 CleanBox 2-way Stereo Converter .................................................................................... List $ 70 00 $ 55 97 

ProMix 3-ch Microphone Mixer .................................................................................. List $ 115 00 $ 89 97 HeadTap Headphone Tap ................................................................................................. List $ 60 00 $ 49 97 

MacroMix 4-ch Personal Mixer ......................................................................................... List $ 70 00 $ 55 97 CleanBoxII Hum Eliminator ................................................................................................. List $ 6000 $ 4997 

DTI 

XdirectA 

Zdirect 

SplitCom 

CoolSwitch 

CleanBox 

HeadTap 

CleanBoxII 

line-, or speaker-level signals to a mixer or other balanced 

input. It’s an instant mainstay for your studio or stage setup, 

and features input attenuation and phase inversion buttons. 

The Zdirect Professional Passive Direct Box is a 

totally passive interface that lets you connect instrument-, 

line-, or speaker-level signals to a mixer or other balanced 

input through a high-performance audio isolation 

transformer. The AVDirect lets you plug practically any 

sound source into an XLR input with great-sounding results.

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